1 00:00:01,980 --> 00:00:03,980 [OWL HOOTING] 2 00:00:03,980 --> 00:00:06,729 Buffy: "ONE NIGHT AFTER SUPPER, 3 00:00:06,729 --> 00:00:09,938 THE LEAD DOG TURNED UP A SNOWSHOE RABBIT. 4 00:00:09,938 --> 00:00:13,855 THE DOG LAY DOWN LOW TO THE RACE, HIS BODY FLASHING FORWARD, 5 00:00:13,855 --> 00:00:15,521 LEAP BY LEAP." 6 00:00:15,521 --> 00:00:17,938 Willow: "HE WAS SOUNDING THE DEEPS OF HIS NATURE 7 00:00:17,938 --> 00:00:20,646 AND THE PARTS OF HIS NATURE THAT WERE DEEPER THAN HE, 8 00:00:20,646 --> 00:00:22,980 GOING BACK INTO THE WOMBS OF TIME. 9 00:00:22,980 --> 00:00:24,980 THE RABBIT COULD NOT--" 10 00:00:24,980 --> 00:00:29,312 OK. UH, MAYBE WE SHOULD TRY A LESS STIMULATING PASSAGE. 11 00:00:29,312 --> 00:00:31,146 [GRR] 12 00:00:31,146 --> 00:00:33,146 PRIVATE HARRIS REPORTING FOR OZ WATCH. 13 00:00:33,146 --> 00:00:35,729 XANDER! OH, GOOD. 14 00:00:35,729 --> 00:00:38,479 OH. "CALL OF THE WILD." 15 00:00:38,479 --> 00:00:41,021 AREN'T WE READING THE CLIFF'S NOTES TO THIS FOR ENGLISH? 16 00:00:41,021 --> 00:00:42,396 SOME OF US ARE. 17 00:00:42,396 --> 00:00:44,896 ANYWAY, IT'LL HELP YOU STAY AWAKE. 18 00:00:44,896 --> 00:00:47,021 IT'S GOOD AND VERY WOLFY. 19 00:00:47,021 --> 00:00:49,729 IT SEEMS TO SOOTHE THE SAVAGE BEAST. 20 00:00:49,729 --> 00:00:52,938 [QUIETLY] EXCEPT FOR THE PARTS ABOUT RABBITS. 21 00:00:52,938 --> 00:00:54,813 [BANG] 22 00:00:54,813 --> 00:00:56,813 RABBIS? 23 00:00:56,813 --> 00:01:00,604 IT SEEMS TO MAKE HIM A LITTLE OVEREXCITED. 24 00:01:00,604 --> 00:01:03,062 OK. NOW, HE'S HAD HIS 2:00 FEEDING, 25 00:01:03,062 --> 00:01:06,062 AND AFTER SUNRISE, IF HE FORGETS WHERE HIS CLOTHES ARE, 26 00:01:06,062 --> 00:01:08,729 THEY'RE ON TOP OF THE FILE CABINET IN HIS CAGE. 27 00:01:08,729 --> 00:01:11,729 I PUT THOSE TOWELS UP FOR PRIVACY. 28 00:01:11,729 --> 00:01:14,980 UH, NO WORRIES. I CAN HANDLE THE OZ "FULL MONTY." 29 00:01:14,980 --> 00:01:18,396 I MEAN, NOT HANDLE-HANDLE, LIKE HANDS-TO-FLESH HANDLE. 30 00:01:18,396 --> 00:01:20,688 OK. WELL, IT'S NOT FOR YOU. 31 00:01:20,688 --> 00:01:23,813 IT'S FOR ME BECAUSE I'M STILL GETTING USED TO HALF A MONTY. 32 00:01:23,813 --> 00:01:24,938 OH. GOOD. 33 00:01:24,938 --> 00:01:28,479 HALF? YOU AND OZ? WHICH HALF? 34 00:01:28,479 --> 00:01:30,479 WOULDN'T YOU LIKE TO KNOW? 35 00:01:30,479 --> 00:01:33,104 ANYWAY, HE'S MORE MANAGEABLE TONIGHT AND ON THE THIRD NIGHT. 36 00:01:33,104 --> 00:01:35,813 TOMORROW NIGHT, THE TOTAL FULL MOON, 37 00:01:35,813 --> 00:01:37,896 THAT'S WHEN HE'S A REAL WOOFER. 38 00:01:37,896 --> 00:01:40,396 BUT IN CASE THERE'S TROUBLE-- THERE WON'T BE, 39 00:01:40,396 --> 00:01:42,312 BUT IF-- 40 00:01:42,312 --> 00:01:44,104 SLEEPY TIME. GOTCHA. 41 00:01:44,104 --> 00:01:45,980 THANKS AGAIN FOR DOING THIS. 42 00:01:45,980 --> 00:01:47,980 I WOULDN'T HAVE ASKED, BUT I HAVE THIS TEST. 43 00:01:47,980 --> 00:01:49,771 NO BIG. YOU CAN COUNT ON ME. 44 00:01:49,771 --> 00:01:51,688 I GOT MY COFFEE, MAGAZINES. 45 00:01:51,688 --> 00:01:54,479 FIGURED I'D READ, MAYBE RUN THE STAIRS OVER THERE A LITTLE BIT. 46 00:01:54,479 --> 00:01:55,646 I'M GOOD. 47 00:01:59,813 --> 00:02:01,230 BYE. 48 00:02:13,604 --> 00:02:16,021 [GRR] 49 00:02:18,021 --> 00:02:19,938 NICE PLACE. 50 00:02:19,938 --> 00:02:22,646 DO YOU EVER CATCH KIDS DOING THE DIDDY OUT HERE? 51 00:02:22,646 --> 00:02:25,271 NO. THERE'S A SMOOCH SPOT UP BY THE WOODS. 52 00:02:25,271 --> 00:02:27,187 THAT'S USUALLY WHERE KIDS GO. 53 00:02:27,187 --> 00:02:30,688 YEAH? BET YOU AND SCOTT HAVE BEEN UP THERE KICKING THE GEARSHIFT. 54 00:02:30,688 --> 00:02:31,813 HARDLY. 55 00:02:31,813 --> 00:02:33,813 ONLY BEEN ON A FEW DATES. 56 00:02:33,813 --> 00:02:36,062 BUT YOU LIKE HIM, AND WHEN YOU THINK ABOUT HIM, 57 00:02:36,062 --> 00:02:39,479 YOU GET THAT GOOD, DOWN-LOW TICKLE, RIGHT? 58 00:02:39,479 --> 00:02:41,980 YEAH, I GUESS, BUT-- 59 00:02:41,980 --> 00:02:43,813 HOW LOW? 60 00:02:43,813 --> 00:02:44,896 YOU TELL ME. 61 00:02:44,896 --> 00:02:46,771 HOW ABOUT NOT? 62 00:02:46,771 --> 00:02:51,104 BUT HE IS... NICE, AND HE'S FUNNY. 63 00:02:51,104 --> 00:02:53,729 AND QUITE A MUFFIN. 64 00:02:53,729 --> 00:02:57,021 BLUEBERRY. THAT CRUNCHY, MUNCHY STUFF ON TOP. 65 00:02:57,021 --> 00:02:59,771 BUT MY MOST FAVORITE THING SO FAR 66 00:02:59,771 --> 00:03:02,354 IS THAT HE DOESN'T SEEM TO BE ANY KIND OF HELL BEAST. 67 00:03:02,354 --> 00:03:04,688 ALL MEN ARE BEASTS, BUFFY. 68 00:03:04,688 --> 00:03:07,604 OK. I WAS HOPING TO NOT GET THAT CYNICAL 69 00:03:07,604 --> 00:03:09,229 TILL I WAS AT LEAST 40. 70 00:03:09,229 --> 00:03:11,396 IT'S NOT CYNICAL. I MEAN, IT'S REALISTIC. 71 00:03:11,396 --> 00:03:13,396 EVERY GUY FROM MANIMAL 72 00:03:13,396 --> 00:03:16,062 DOWN TO MR. "I LOVE THE ENGLISH PATIENT" 73 00:03:16,062 --> 00:03:17,771 HAS BEAST IN HIM. 74 00:03:17,771 --> 00:03:20,354 AND I DON'T CARE HOW SENSITIVE THEY ACT. 75 00:03:20,354 --> 00:03:22,646 THEY'RE ALL STILL JUST IN IT FOR THE CHASE. 76 00:03:36,646 --> 00:03:39,479 AAH! AAH! AAH! 77 00:03:41,563 --> 00:03:45,146 [HOWLING] 78 00:04:36,521 --> 00:04:37,980 Willow: I DON'T THINK THAT'S TRUE, 79 00:04:37,980 --> 00:04:39,396 THAT EVERY GUY IS IN IT ONLY FOR THE CHASE. 80 00:04:39,396 --> 00:04:40,771 I KNOW. IT IS AN AWFUL GENERALIZATION. 81 00:04:40,771 --> 00:04:42,187 Scott: HEY, BUFFY. 82 00:04:46,354 --> 00:04:48,896 THAT'S WHAT I STOPPED YOU FOR, BASICALLY. HEY. 83 00:04:48,896 --> 00:04:50,229 OK. HEY. 84 00:04:50,229 --> 00:04:52,438 HOWDY, DEBBIE. 85 00:04:52,438 --> 00:04:55,896 HI, OZ. HEY, YOU'RE NOT DOING JAZZ BAND THIS YEAR? 86 00:04:55,896 --> 00:04:57,729 OH, CAN'T TAKE THE PRESSURE. 87 00:04:57,729 --> 00:04:59,855 IT'S NOT THE MUSIC THAT'S HARD, IT'S THE MARCHING. 88 00:04:59,855 --> 00:05:01,438 WE HAVE A MARCHING JAZZ BAND? 89 00:05:01,438 --> 00:05:04,521 Oz: YEAH, BUT SINCE THE BEST JAZZ IS IMPROVISATIONAL, 90 00:05:04,521 --> 00:05:07,729 WE'D BE GOING OFF IN ALL DIRECTIONS, BANGING INTO FLOATS. 91 00:05:07,729 --> 00:05:08,855 SCARY. 92 00:05:08,855 --> 00:05:10,521 HE'S JUST BEING OZ. 93 00:05:10,521 --> 00:05:12,604 PRETTY MUCH FULL-TIME. 94 00:05:12,604 --> 00:05:14,021 THOSE ARE PRETTY FLOWERS. 95 00:05:14,021 --> 00:05:15,646 THANKS. PETE BROUGHT THEM FOR ME. 96 00:05:15,646 --> 00:05:17,855 YEAH. WELL, I'M SURE SCOTT 97 00:05:17,855 --> 00:05:20,021 DOES THAT KIND OF STUFF FOR YOU, TOO, BUFFY. 98 00:05:20,021 --> 00:05:21,938 WELL, WE'RE NOT UP TO FLOWERS. 99 00:05:21,938 --> 00:05:23,938 ARE WE? UP TO FLOWERS? 100 00:05:23,938 --> 00:05:25,521 DID I MISS FLOWERS? 101 00:05:25,521 --> 00:05:27,563 NO. WE'RE PRE-POSY. DEFINITELY. 102 00:05:27,563 --> 00:05:31,604 WHAT TIME IS IT? OH, I HAVE TO GO SEE MR. PLATT TODAY. 103 00:05:31,604 --> 00:05:33,813 PLATT? THE SCHOOL COUNSELOR? 104 00:05:33,813 --> 00:05:36,771 I GET TO CONVINCE HIM THAT I'M LITTLE MISS STABLE SO I CAN STAY IN SCHOOL. 105 00:05:36,771 --> 00:05:39,312 PLATT CREEPS ME OUT. I WOULD TOTALLY QUIT GOING, 106 00:05:39,312 --> 00:05:40,813 BUT I'M FLUNKING SENIOR BIO, 107 00:05:40,813 --> 00:05:44,104 AND MY TEACHER SAYS I HAVE SUCCESS ISSUES. 108 00:05:44,104 --> 00:05:45,729 Oz: SENIOR BIO? 109 00:05:45,729 --> 00:05:47,021 I KIND OF ACED THAT FINAL. 110 00:05:47,021 --> 00:05:48,646 AND HOW DID YOU DO THAT? 111 00:05:48,646 --> 00:05:50,729 OH, RIGHT. YOU SHOWED UP. 112 00:05:50,729 --> 00:05:52,896 IF YOU WANT MY NOTES, THEY'RE YOURS. 113 00:05:52,896 --> 00:05:54,312 THANKS. THAT'D BE GREAT. 114 00:05:54,312 --> 00:05:56,688 Buffy: WE'D BETTER GO. 115 00:05:56,688 --> 00:05:58,021 I'LL SEE YOU? YEP. 116 00:06:03,896 --> 00:06:06,729 WE HAVE TO RECHECK EVERY POSSIBLE EXIT AVENUE. 117 00:06:06,729 --> 00:06:09,646 I'M TELLING YOU, IT'S A WASTE OF TIME. I WAS HERE ALL NIGHT. 118 00:06:09,646 --> 00:06:11,229 RIGHT. 119 00:06:11,229 --> 00:06:13,938 IT'S GOOD TO SEE YOU. UM, NO NEED TO PANIC. 120 00:06:13,938 --> 00:06:17,521 JUST A THOUGHT-- POKER, NOT YOUR GAME. 121 00:06:17,521 --> 00:06:19,646 WHAT'S THE DEAL, GILES? 122 00:06:19,646 --> 00:06:22,771 NOW, BEAR IN MIND, MOST LIKELY, THERE IS NO DEAL, 123 00:06:22,771 --> 00:06:25,146 BUT IF-- IF THERE WAS A DEAL, 124 00:06:25,146 --> 00:06:28,438 THEN IT WOULD CONCERN MURDER LAST NIGHT. 125 00:06:28,438 --> 00:06:31,521 A MALE STUDENT WAS FOUND IN THE WOODS. 126 00:06:31,521 --> 00:06:32,813 WHICH STUDENT? 127 00:06:32,813 --> 00:06:34,604 JEFF ORKIN. 128 00:06:34,604 --> 00:06:36,813 JEFF? HE WAS-- 129 00:06:38,438 --> 00:06:40,896 I KNEW HIM. 130 00:06:40,896 --> 00:06:42,813 I'M AFRAID HE WAS TERRIBLY MAULED. 131 00:06:42,813 --> 00:06:45,438 NOW, MUCH AS I HATE TO THINK IT, 132 00:06:45,438 --> 00:06:47,646 IT COULD BE THE HANDIWORK OF-- 133 00:06:47,646 --> 00:06:48,563 ME. 134 00:06:48,563 --> 00:06:50,229 WOLF-YOU, NOT YOU-YOU. 135 00:06:50,229 --> 00:06:51,479 Xander: BUT IT'S NOT. 136 00:06:51,479 --> 00:06:53,521 NOT WOLF-YOU, NOT YOU-YOU. 137 00:06:53,521 --> 00:06:55,896 THE ROOM WAS SECURED, THE GATE WAS LOCKED, 138 00:06:55,896 --> 00:06:58,187 AND THE WINDOW UNBREAKABLE, AND... 139 00:06:59,563 --> 00:07:01,104 OPEN. 140 00:07:01,104 --> 00:07:02,521 OH, GOD. 141 00:07:02,521 --> 00:07:04,729 NOT TO FREAK. I RESTED MY EYES NOW AND THEN. 142 00:07:04,729 --> 00:07:06,438 THAT'S ALL. 143 00:07:06,438 --> 00:07:08,188 Giles: HOW LONG... 144 00:07:08,188 --> 00:07:11,312 EXACTLY DID YOU REST YOUR EYES FOR? 145 00:07:11,312 --> 00:07:13,729 A LITTLE NOW, A LITTLE THEN, 146 00:07:13,729 --> 00:07:17,688 BUT I NEVER HEARD OZ LEAVE, AND HE WAS HERE IN THE MORNING WHEN I, UM-- 147 00:07:17,688 --> 00:07:19,229 WHEN I-- 148 00:07:19,229 --> 00:07:21,230 WOKE UP! 149 00:07:21,230 --> 00:07:23,479 YOU COULD PUT IT THAT WAY IF YOU WANT TO, MR. TECHNICAL. 150 00:07:27,271 --> 00:07:29,271 OH, GOD. 151 00:07:42,688 --> 00:07:44,604 Man: 2:00. 152 00:07:44,604 --> 00:07:47,104 MISS SUMMERS. 153 00:07:47,104 --> 00:07:50,062 BUFFY SUMMERS, REPORTING FOR SANITY. 154 00:07:51,938 --> 00:07:55,563 LOOK... I KNOW THAT I HAVE TO DO THIS, AND I'LL COOPERATE, 155 00:07:55,563 --> 00:07:57,563 AND I'LL LOOK AT YOUR INK BLOTS AND EVERYTHING, 156 00:07:57,563 --> 00:08:02,062 BUT I DON'T WANT TO TALK ABOUT MY LIFE OR MY CHILDHOOD 157 00:08:02,062 --> 00:08:04,312 OR ANYTHING, FOR THAT MATTER, ACTUALLY. 158 00:08:04,312 --> 00:08:07,146 AND... I DON'T WANT TO BE FRIENDS HERE. 159 00:08:07,146 --> 00:08:10,729 WE'RE NOT GONNA BE FRIENDS. 160 00:08:10,729 --> 00:08:14,729 YOU HAVE FRIENDS ALREADY, I HOPE. 161 00:08:14,729 --> 00:08:16,855 FRIENDS ARE A GOOD THING. MM-HMM. 162 00:08:16,855 --> 00:08:19,646 THEY LIKE YOU, AGREE WITH YOU, 163 00:08:19,646 --> 00:08:22,354 TELL YOU WHAT YOU WANT TO HEAR. 164 00:08:22,354 --> 00:08:24,146 THAT'S NOT WHAT YOU NEED RIGHT NOW. 165 00:08:24,146 --> 00:08:29,479 WHAT YOU NEED IS A TRAINED, NOT-TOO-CRAZY PROFESSIONAL 166 00:08:29,479 --> 00:08:33,230 WHO WILL ALWAYS GIVE YOU HIS HONEST OPINION. 167 00:08:35,855 --> 00:08:38,354 WHICH I OFFER YOU. 168 00:08:38,354 --> 00:08:41,563 HAVE A SEAT. 169 00:08:44,187 --> 00:08:47,688 NOT TOO CRAZY? THOSE ARE YOUR CREDENTIALS? 170 00:08:47,688 --> 00:08:50,229 LOOK, BUFFY, 171 00:08:50,229 --> 00:08:55,688 ANY PERSON-- GROWN-UP, SHRINK, POPE-- 172 00:08:55,688 --> 00:08:59,021 ANY PERSON WHO CLAIMS TO BE TOTALLY SANE 173 00:08:59,021 --> 00:09:02,187 IS EITHER LYING OR NOT VERY BRIGHT. 174 00:09:02,187 --> 00:09:04,688 I MEAN, EVERYONE HAS PROBLEMS. 175 00:09:04,688 --> 00:09:06,646 EVERYBODY HAS DEMONS, RIGHT? 176 00:09:08,062 --> 00:09:10,187 GOTTA SAY I'M WITH YOU ON THAT. 177 00:09:10,187 --> 00:09:11,771 EXCELLENT. 178 00:09:11,771 --> 00:09:16,604 SO, THE HOPE I BRING YOU IS DEMONS CAN BE FOUGHT. 179 00:09:16,604 --> 00:09:21,479 PEOPLE CAN CHANGE. YOU CAN CHANGE. 180 00:09:21,479 --> 00:09:26,646 NOW, YOUR TURN. LET'S START WITH WHY YOU RAN AWAY. 181 00:09:26,646 --> 00:09:29,604 THAT'S A LONG STORY. 182 00:09:29,604 --> 00:09:31,104 BORE ME. 183 00:09:31,104 --> 00:09:33,062 YOU KNOW, I'M REALLY OVER IT. 184 00:09:33,062 --> 00:09:35,062 I'M MOVING ON, I FEEL GOOD, 185 00:09:35,062 --> 00:09:37,021 I'M EVEN DATING SOMEONE NEW. 186 00:09:37,021 --> 00:09:38,855 ALL GOOD THINGS. 187 00:09:38,855 --> 00:09:42,938 BUT STILL, YOU'RE BRINGING ME IN AT THE END OF THE MOVIE. 188 00:09:45,062 --> 00:09:47,813 I WAS DATING SOMEONE. 189 00:09:47,813 --> 00:09:50,187 IT-- IT ENDED BADLY. 190 00:09:50,187 --> 00:09:52,187 MY MOM AND I WERE FIGHTING, 191 00:09:52,187 --> 00:09:56,104 AND I KIND OF FREAKED. 192 00:09:56,104 --> 00:09:59,938 TELL ME MORE ABOUT THIS GUY, THE BAD-ENDING GUY. 193 00:10:05,354 --> 00:10:09,938 HE WAS MY FIRST-- 194 00:10:09,938 --> 00:10:11,563 I LOVED HIM, 195 00:10:11,563 --> 00:10:13,479 AND THEN HE-- 196 00:10:13,479 --> 00:10:16,021 CHANGED. 197 00:10:16,021 --> 00:10:17,938 YEAH. 198 00:10:17,938 --> 00:10:19,396 HE GOT MEAN. 199 00:10:19,396 --> 00:10:22,146 YES. 200 00:10:22,146 --> 00:10:24,021 AND YOU DIDN'T STOP LOVING HIM. 201 00:10:25,688 --> 00:10:28,980 LOOK, LOTS OF PEOPLE LOSE THEMSELVES IN LOVE. 202 00:10:28,980 --> 00:10:31,729 IT'S NO SHAME. THEY WRITE SONGS ABOUT IT. 203 00:10:31,729 --> 00:10:36,521 THE HITCH IS, YOU CAN'T STAY LOST. 204 00:10:36,521 --> 00:10:40,729 SOONER OR LATER, YOU HAVE TO GET BACK TO YOURSELF. 205 00:10:40,729 --> 00:10:44,146 AND IF YOU CAN'T? 206 00:10:44,146 --> 00:10:47,312 IF YOU CAN'T... 207 00:10:47,312 --> 00:10:49,896 WELL, LOVE BECOMES YOUR MASTER, 208 00:10:49,896 --> 00:10:53,062 AND YOU'RE JUST ITS DOG. 209 00:11:03,438 --> 00:11:06,521 I'M AFRAID TO ASK. 210 00:11:06,521 --> 00:11:08,354 OZ ATE SOMEONE LAST NIGHT. 211 00:11:08,354 --> 00:11:09,813 HE DID NOT! 212 00:11:09,813 --> 00:11:12,396 OZ DOES NOT EAT PEOPLE. IT'S MORE WEREWOLF PLAY. 213 00:11:12,396 --> 00:11:14,729 YOU KNOW, I BAT YOU AROUND A LITTLE BIT, LIKE A CAT TOY. 214 00:11:14,729 --> 00:11:16,271 I HAVE HARMLESS WOLF FUN. 215 00:11:16,271 --> 00:11:18,438 IS IT OZ'S FAULT THAT, YOU KNOW, SIDE EFFECT, 216 00:11:18,438 --> 00:11:21,396 PEOPLE GET CUT TO RIBBONS, AND MAYBE THEN HE'LL TAKE A LITTLE NIBBLE AND-- 217 00:11:21,396 --> 00:11:23,104 I'M NOT HELPING, AM I? 218 00:11:23,104 --> 00:11:26,855 NO. OZ MAY HAVE GOT OUT OF HIS CAGE LAST NIGHT. 219 00:11:26,855 --> 00:11:29,688 OR MAYBE THERE'S ANOTHER WEREWOLF ROAMING THE WOODS. 220 00:11:29,688 --> 00:11:32,438 PERHAPS. PERHAPS IT'S SOMETHING ELSE ENTIRELY. 221 00:11:32,438 --> 00:11:34,187 Buffy: IT'S OK. 222 00:11:34,187 --> 00:11:36,688 WE'LL WORK TOGETHER, AND WE'LL FIGURE THIS OUT. 223 00:11:36,688 --> 00:11:37,771 YES. UM... BUFFY. 224 00:11:37,771 --> 00:11:39,646 YOU PATROL THE WOODS. 225 00:11:39,646 --> 00:11:42,146 THE OTHERS, CHECK OUT THE MORGUE. 226 00:11:42,146 --> 00:11:45,479 RIGHT. WE CAN SEE IF IT'S A WEREWOLF KILL OR NOT. 227 00:11:45,479 --> 00:11:47,896 BUT WHAT ABOUT OZ? 228 00:11:47,896 --> 00:11:51,813 UM... WELL, I HAVE SOME RESEARCH MATERIALS AT HOME I NEED TO LOOK AT. 229 00:11:51,813 --> 00:11:55,354 UH... WE COULD ASK FAITH TO WATCH OVER HIM. 230 00:11:55,354 --> 00:11:57,438 WHAT, YOU'RE HAVING A SLAYER WATCH ME? 231 00:11:57,438 --> 00:11:59,438 OH, GOOD WE'RE NOT OVERREACTING. 232 00:12:05,521 --> 00:12:08,354 OK. YOU KNOW THAT THING WHERE YOU BAIL 233 00:12:08,354 --> 00:12:10,312 IN THE MIDDLE OF AN UPSETTING CONVERSATION? 234 00:12:10,312 --> 00:12:12,146 I HAVE TO DO THAT. 235 00:12:12,146 --> 00:12:14,062 IT'S KIND OF DRAMATIC, I KNOW, 236 00:12:14,062 --> 00:12:16,604 BUT... SOMETIMES, IT'S A NECESSARY GUY THING. 237 00:12:16,604 --> 00:12:19,896 AND I WANT YOU TO DO THE GUY THING, 238 00:12:19,896 --> 00:12:22,396 BUT-- 239 00:12:43,813 --> 00:12:46,187 OZ? 240 00:12:46,187 --> 00:12:49,271 GET AWAY FROM THE CAGE. 241 00:12:50,938 --> 00:12:53,104 WHAT? 242 00:12:53,104 --> 00:12:56,688 IT'S GONNA HAPPEN SOON. 243 00:13:00,104 --> 00:13:02,021 GET AWAY FROM ME. 244 00:13:33,229 --> 00:13:35,146 UUH! 245 00:13:36,855 --> 00:13:39,479 [GROWLING] 246 00:13:47,354 --> 00:13:48,354 [GRR] 247 00:14:39,896 --> 00:14:41,855 OH, GOD. 248 00:14:41,855 --> 00:14:43,855 HERE. HOLD THIS. 249 00:14:49,479 --> 00:14:50,479 AAH! 250 00:14:50,479 --> 00:14:52,479 GOD! 251 00:14:52,479 --> 00:14:55,396 WE'RE DOING CRIME HERE. YOU DON'T SNEAK UP DURING CRIME. 252 00:14:55,396 --> 00:14:57,729 GOD, HAVE A-- OK! 253 00:14:57,729 --> 00:15:00,271 SCARRED FOR LIFE. OH, GOD. 254 00:15:00,271 --> 00:15:03,479 WILLOW, HOW CAN YOU STAND IT? 255 00:15:03,479 --> 00:15:06,229 YEAH, WIL. I MEAN, THIS GUY'S PRETTY BARF-WORTHY. 256 00:15:06,229 --> 00:15:10,021 CAN'T WE BE ELSEWHERE? YOU KNOW, IS OZ CLEARED OR WHAT, HUH? 257 00:15:10,021 --> 00:15:13,396 I'M NOT SURE. I MEAN, THERE ARE A LOT OF INCISED WOUNDS, 258 00:15:13,396 --> 00:15:15,479 BUT THEY COULD BE FROM ANYTHING. 259 00:15:15,479 --> 00:15:18,604 ANYTHING WITH BIG, SHARP TEETH AND VICIOUS-- 260 00:15:18,604 --> 00:15:21,230 DO YOU WANT TO GO BACK TO THE CAR AND WAIT? 261 00:15:21,230 --> 00:15:23,104 NO. GOD. I'M JUST SAYING-- 262 00:15:23,104 --> 00:15:26,021 ALMOST DONE. LET ME JUST GET A FEW STRAY HAIRS FROM THE BODY. 263 00:15:26,021 --> 00:15:27,896 THEY COULD BE FROM THE ATTACKER. 264 00:15:27,896 --> 00:15:30,104 GREAT. SO WE GOT EVERYTHING WE NEED? 265 00:15:30,104 --> 00:15:31,688 YEP. THAT'S IT. 266 00:15:31,688 --> 00:15:33,396 OH! 267 00:15:33,396 --> 00:15:37,563 OK. UH... LITTLE TOO MUCH EXCITEMENT FOR THE WILSTER HERE. 268 00:15:37,563 --> 00:15:39,980 DOESN'T LOOK GOOD FOR OZ, DOES IT? 269 00:15:39,980 --> 00:15:42,521 IT REALLY DOESN'T. 270 00:15:42,521 --> 00:15:46,604 THIS GUY WAS RIPPED APART BY A BIG, WILD ANIMAL. 271 00:16:18,521 --> 00:16:20,646 [GROWLING AND STRUGGLING] 272 00:16:48,146 --> 00:16:50,021 OH! 273 00:16:50,021 --> 00:16:52,021 OH! UH, BUFFY. ARE YOU OK? 274 00:16:52,021 --> 00:16:54,021 WHAT ARE YOU DOING HERE? 275 00:16:54,021 --> 00:16:57,688 UH, BLEEDING INTERNALLY, BUT I'LL LIVE. 276 00:16:57,688 --> 00:17:00,271 GOD, I'M SORRY. I GUESS I DIDN'T HEAR YOU. 277 00:17:00,271 --> 00:17:04,230 FIGURED AS MUCH. OW AGAIN. UH... 278 00:17:04,230 --> 00:17:07,438 ACTUALLY, I CAME TO GIVE YOU THE REST OF THE NIGHT OFF. 279 00:17:07,438 --> 00:17:10,230 GET OUT OF JAIL FREE, HUH? HOW COME? 280 00:17:10,230 --> 00:17:11,521 COULDN'T SLEEP. 281 00:17:11,521 --> 00:17:14,230 FIGURED I'D, UH, CRAM FOR MY FRENCH TEST. 282 00:17:14,230 --> 00:17:16,229 THAT'S COOL. I WAS GOING KIND OF CRAZY IN HERE, 283 00:17:16,229 --> 00:17:18,479 BUT I CAN GET IN A FEW STAKINGS BEFORE SUNRISE. 284 00:17:18,479 --> 00:17:20,021 KNOCK YOURSELF OUT. 285 00:17:20,021 --> 00:17:21,813 NOT LITERALLY, THOUGH. 286 00:17:21,813 --> 00:17:23,396 Faith: YEAH. LATER. 287 00:18:08,604 --> 00:18:10,438 HEY. 288 00:18:10,438 --> 00:18:13,104 HMM. HELLO. 289 00:18:15,021 --> 00:18:17,604 OH. BOY. 290 00:18:17,604 --> 00:18:19,896 FAITH AND HER NUTTY BOOKS. 291 00:18:19,896 --> 00:18:21,479 EXPLORING DEMON DIMENSIONS... 292 00:18:21,479 --> 00:18:24,479 AND MYSTERY OF ACATHLA. 293 00:18:24,479 --> 00:18:27,563 YEAH. AND SHE STILL LISTENS TO HEAVY METAL. FREAKY DEAKY. 294 00:18:27,563 --> 00:18:29,479 BUFFY? 295 00:18:35,104 --> 00:18:38,604 WHAT IF... I TOLD YOU THAT... 296 00:18:38,604 --> 00:18:41,479 I HAD A DREAM ABOUT ANGEL, 297 00:18:41,479 --> 00:18:45,187 AND, UM, IT BROUGHT UP SOME QUESTIONS? 298 00:18:45,187 --> 00:18:48,896 I'D SAY IT WAS TO BE EXPECTED. 299 00:18:48,896 --> 00:18:50,729 MUST HAVE BEEN SOME DREAM. 300 00:18:50,729 --> 00:18:53,187 I DIDN'T THINK YOU KNEW WHAT A CARD INDEX WAS FOR. 301 00:18:56,146 --> 00:18:59,229 I DREAMT THAT HE CAME BACK. 302 00:19:01,354 --> 00:19:03,729 OF COURSE. 303 00:19:03,729 --> 00:19:07,813 AFTER JENNY WAS KILLED, 304 00:19:07,813 --> 00:19:10,438 I HAD DREAMS THAT SHE WAS STILL ALIVE, 305 00:19:10,438 --> 00:19:12,563 THAT I SAVED HER. 306 00:19:12,563 --> 00:19:15,062 THIS WAS VIVID. 307 00:19:15,062 --> 00:19:16,604 REALLY VIVID. 308 00:19:16,604 --> 00:19:20,187 THREE DIMENSIONAL, SENSURROUND, THE HILLS ARE ALIVE. 309 00:19:21,604 --> 00:19:23,688 DO YOU BELIEVE IT WAS A PROPHECY? 310 00:19:23,688 --> 00:19:24,771 NO. 311 00:19:24,771 --> 00:19:26,604 I DON'T KNOW. 312 00:19:26,604 --> 00:19:30,604 I-- I GUESS IT JUST-- IT MADE ME WONDER. 313 00:19:33,230 --> 00:19:36,938 IS THERE A CHANCE EVEN? COULD IT HAPPEN? 314 00:19:36,938 --> 00:19:41,312 THERE'S NO RECORD OF ANYONE RETURNING FROM A DEMON DIMENSION 315 00:19:41,312 --> 00:19:43,813 ONCE THE GATE WAS CLOSED. 316 00:19:43,813 --> 00:19:47,646 I CAN'T IMAGINE HOW IT COULD HAPPEN OR WHY. 317 00:19:47,646 --> 00:19:52,729 LET'S JUST PRETEND FOR A SECOND THAT... 318 00:19:52,729 --> 00:19:56,646 ANGEL SOMEHOW FOUND HIS WAY BACK TO SUNNYDALE. 319 00:19:56,646 --> 00:20:00,271 WHAT WOULD HE BE LIKE? 320 00:20:00,271 --> 00:20:02,021 I REALLY CAN'T SAY. 321 00:20:02,021 --> 00:20:05,146 FROM WHAT IS KNOWN ABOUT THAT DIMENSION, 322 00:20:05,146 --> 00:20:09,813 IT WOULD SUGGEST A WORLD OF BRUTAL TORMENT. 323 00:20:09,813 --> 00:20:13,813 AND TIME MOVES QUITE DIFFERENTLY THERE, SO-- 324 00:20:13,813 --> 00:20:15,813 I REMEMBER. 325 00:20:15,813 --> 00:20:20,729 SO HE WOULD HAVE BEEN DOWN THERE FOR HUNDREDS OF YEARS... 326 00:20:20,729 --> 00:20:22,396 YES. 327 00:20:22,396 --> 00:20:24,521 OF TORTURE. 328 00:20:24,521 --> 00:20:29,729 IT WOULD TAKE SOMEONE OF EXTRAORDINARY WILL AND CHARACTER 329 00:20:29,729 --> 00:20:33,855 TO SURVIVE THAT AND RETAIN ANY SEMBLANCE OF SELF. 330 00:20:33,855 --> 00:20:36,896 MOST LIKELY, HE'D BE A MONSTER. 331 00:20:36,896 --> 00:20:40,229 A LOST CAUSE. 332 00:20:40,229 --> 00:20:42,021 MAYBE. 333 00:20:42,021 --> 00:20:43,938 MAYBE NOT. 334 00:20:43,938 --> 00:20:47,604 IN MY EXPERIENCE, THERE ARE TWO TYPES OF MONSTER. 335 00:20:47,604 --> 00:20:49,396 THE FIRST CAN BE REDEEMED, 336 00:20:49,396 --> 00:20:52,396 OR MORE IMPORTANTLY, WANTS TO BE REDEEMED. 337 00:20:52,396 --> 00:20:55,354 AND THE SECOND TYPE? 338 00:20:55,354 --> 00:20:59,229 THE SECOND IS VOID OF HUMANITY-- 339 00:20:59,229 --> 00:21:04,229 CANNOT RESPOND TO REASON OR LOVE. 340 00:21:06,521 --> 00:21:08,855 I THOUGHT FAITH WAS ON DUTY. 341 00:21:08,855 --> 00:21:11,563 OH, HEY. CHANGE OF PLANS. 342 00:21:11,563 --> 00:21:13,312 GLAZED OR CAKE? 343 00:21:13,312 --> 00:21:15,271 IT'S FUN TO WATCH THEM MAKE THEM. 344 00:21:15,271 --> 00:21:16,604 THEY USE THIS SPRITZY THING, 345 00:21:16,604 --> 00:21:18,187 AND THEY DROP THE BATTER INTO THIS-- 346 00:21:18,187 --> 00:21:19,563 COULDN'T SLEEP, HUH? 347 00:21:19,563 --> 00:21:21,354 I'VE BEEN AT MR. DONUT 348 00:21:21,354 --> 00:21:24,187 SINCE THE TV DID THAT SNOWY THING. 349 00:21:24,187 --> 00:21:25,980 HOW COME YOU'RE THE WAKEY GIRL? 350 00:21:25,980 --> 00:21:28,396 I MEAN, THIS TIME, IT'S NOT YOUR BOYFRIEND 351 00:21:28,396 --> 00:21:30,646 WHO'S THE COLD-BLOODED-- 352 00:21:30,646 --> 00:21:33,062 JELLY DOUGHNUT? 353 00:21:33,062 --> 00:21:35,062 EVERYTHING ALL RIGHT? 354 00:21:35,062 --> 00:21:36,896 YEAH. 355 00:21:36,896 --> 00:21:39,896 WHAT HAPPENED WITH THE INSPECTION OF THE BODY? 356 00:21:39,896 --> 00:21:41,646 ANYONE? THEY'RE YUMMY, DELICIOUS. 357 00:21:41,646 --> 00:21:43,396 WILLOW, COME ON. WAS IT WEREWOLF? 358 00:21:44,855 --> 00:21:47,146 WAS IT A VAMPIRE? 359 00:21:47,146 --> 00:21:48,354 IT WASN'T CONCLUSIVE. 360 00:21:48,354 --> 00:21:49,771 HOW COULD IT NOT BE CONCLUSIVE? 361 00:21:49,771 --> 00:21:51,229 WHAT DID IT LOOK LIKE? WAS HE BIT? 362 00:21:51,229 --> 00:21:52,771 Giles: LET HER FINISH, BUFFY. 363 00:21:52,771 --> 00:21:54,104 IT'S JUST-- 364 00:21:58,312 --> 00:22:00,021 I'M SORRY. 365 00:22:06,938 --> 00:22:08,563 BUFFY. OVER HERE. 366 00:22:10,187 --> 00:22:11,563 HEY. 367 00:22:11,563 --> 00:22:13,438 HEY. UH... 368 00:22:13,438 --> 00:22:15,312 I CAN'T-- I CAN'T BACK YOU ON THAT LUNCH. 369 00:22:15,312 --> 00:22:17,312 NUTRITIONAL DEMERITS. 370 00:22:17,312 --> 00:22:20,855 OH. MY STOMACH DOESN'T WANT HARD FOOD TODAY. 371 00:22:20,855 --> 00:22:22,646 BUT THERE'S FRUIT IN IT. 372 00:22:22,646 --> 00:22:24,229 THOSE ARE MARSHMALLOWS. 373 00:22:24,229 --> 00:22:25,229 OH. 374 00:22:26,563 --> 00:22:28,729 I'M-- I'M REALLY OUT OF IT TODAY. 375 00:22:28,729 --> 00:22:30,813 I DIDN'T SLEEP WELL LAST NIGHT. 376 00:22:30,813 --> 00:22:33,312 Debbie: JUST DON'T TELL MR. PLATT YOU HAVE INSOMNIA. 377 00:22:33,312 --> 00:22:34,813 HE'LL MAKE YOU START A DREAM JOURNAL. 378 00:22:34,813 --> 00:22:36,938 Pete: WHAT'S THAT-- LIKE A BARBIE THING? 379 00:22:36,938 --> 00:22:39,104 DEAR DREAM JOURNAL, HOW COME KEN HASN'T COME AROUND 380 00:22:39,104 --> 00:22:40,729 SINCE HE GOT THAT EARRING? 381 00:22:40,729 --> 00:22:42,354 I NEVER DID IT. HE'S A QUACK. 382 00:22:42,354 --> 00:22:44,521 I KIND OF LIKED HIM. 383 00:22:44,521 --> 00:22:49,104 REALLY? I GUESS HE'S KIND OF FUNNY AND STUFF. 384 00:22:49,104 --> 00:22:52,146 SOMETIMES I JUST DON'T LIKE THE THINGS HE SAYS. 385 00:22:52,146 --> 00:22:56,729 HE DEFINITELY MARCHES TO THE BEAT OF HIS OWN DRUMMER. 386 00:22:56,729 --> 00:22:58,813 ACTUALLY, I THINK HE MAKES HIS OWN DRUMS. 387 00:22:58,813 --> 00:23:01,271 MY MOM SAYS THAT THERAPY CAN BE COMPLETELY HELPFUL. 388 00:23:01,271 --> 00:23:02,563 YEAH, BUT YOUR MOM HAS THE WATTAGE 389 00:23:02,563 --> 00:23:04,354 OF A ZIPPO LIGHTER, SCOTT. 390 00:23:04,354 --> 00:23:06,646 I HOPE YOU REALIZE I DON'T ACTUALLY KNOW THESE PEOPLE. 391 00:23:06,646 --> 00:23:09,230 I THOUGHT YOU WOULD LIKE ME BETTER IF I HAD FRIENDS, 392 00:23:09,230 --> 00:23:10,396 SO I HIRED THEM. 393 00:23:11,646 --> 00:23:14,271 SO... 394 00:23:14,271 --> 00:23:18,021 I, UH, I WANTED TO TELL YOU THAT YOU LOOK GREAT TODAY. 395 00:23:18,021 --> 00:23:20,021 BUT NOW I WANT TO RAISE THAT TO AMAZING 396 00:23:20,021 --> 00:23:22,187 BECAUSE YOU DIDN'T SLEEP WELL. 397 00:23:23,312 --> 00:23:27,187 UH... THAT'S REALLY SWEET. UM... 398 00:23:27,187 --> 00:23:30,271 AND I WISH I DIDN'T HAVE TO, 399 00:23:30,271 --> 00:23:33,938 BUT I JUST REMEMBERED THAT I DO, SO I'LL SEE YOU LATER. 400 00:23:33,938 --> 00:23:35,688 UH, YEAH. 401 00:23:35,688 --> 00:23:38,980 CHECK OUT SCOTTY LIKING THE MANIC-DEPRESSIVE CHICK. 402 00:24:21,438 --> 00:24:23,729 ANGEL? 403 00:24:28,688 --> 00:24:31,104 DO YOU UNDERSTAND ME? 404 00:24:55,187 --> 00:24:56,980 [GROWLING] 405 00:25:11,438 --> 00:25:13,646 DEBBIE, COME ON. JUST FOR A MINUTE. 406 00:25:13,646 --> 00:25:15,646 I CAN'T. I HAVE TO MEET A FRIEND. 407 00:25:15,646 --> 00:25:17,729 SO YOU'LL BE LATE BUT HAPPY. 408 00:25:29,521 --> 00:25:30,646 HA HA HA! 409 00:25:30,646 --> 00:25:32,729 Debbie: NO, NO. LET'S STAY HERE. 410 00:25:32,729 --> 00:25:35,271 RELAX, DEBBIE. WHAT'S WRONG WITH YOU TODAY? 411 00:25:41,312 --> 00:25:43,312 WHAT IS THAT? 412 00:25:43,312 --> 00:25:45,563 NOTHING. KISS ME. 413 00:25:45,563 --> 00:25:47,980 NO. DEBBIE, YOU DID NOT DRINK THAT, DID YOU? 414 00:25:47,980 --> 00:25:50,187 DRINK IT? YOU KNOW I DIDN'T. 415 00:25:50,187 --> 00:25:51,980 DEBBIE, WHAT'S GOING ON? 416 00:25:56,104 --> 00:25:58,354 2:00. BUFFY SUMMERS, RIGHT? 417 00:25:58,354 --> 00:26:01,187 WAIT. DON'T TURN AROUND, OK? 418 00:26:01,187 --> 00:26:03,729 AND DON'T SAY ANYTHING. 419 00:26:03,729 --> 00:26:07,729 JUST LISTEN. I MEAN, THAT'S YOUR THING, RIGHT? 420 00:26:09,771 --> 00:26:12,062 THERE'S SOMETHING GOING ON. 421 00:26:12,062 --> 00:26:15,771 I MEAN, THIS WHOLE ENTIRE STORY IS PROBABLY GONNA CONVINCE YOU 422 00:26:15,771 --> 00:26:17,729 THAT I'M LOONY-BIN MATERIAL, 423 00:26:17,729 --> 00:26:22,187 BUT... THERE'S NOBODY ELSE THAT I CAN TALK TO-- 424 00:26:22,187 --> 00:26:27,229 NOT WILLOW AND NOT GILES-- NOBODY. 425 00:26:27,229 --> 00:26:30,271 IF THEY FOUND OUT, THEY'D FREAK ON ME 426 00:26:30,271 --> 00:26:32,104 OR THEY'D DO SOMETHING, 427 00:26:32,104 --> 00:26:33,688 AND... 428 00:26:35,104 --> 00:26:36,938 I NEED HELP. 429 00:26:39,187 --> 00:26:42,146 I JUST-- I NEED TO TALK TO SOMEONE. 430 00:26:45,229 --> 00:26:47,396 I'M SO SCARED. 431 00:26:48,855 --> 00:26:53,563 IT'S THIS GUY. HE-- 432 00:26:59,896 --> 00:27:01,771 HE'S COME BACK. 433 00:27:14,188 --> 00:27:18,813 SO THE BOTTLE JUST JUMPED OUT OF THE CABINET 434 00:27:18,813 --> 00:27:20,396 AND SPILLED ON ITS OWN. 435 00:27:20,396 --> 00:27:24,187 OF COURSE NOT. I WAS TRYING TO GET RID OF IT. 436 00:27:24,187 --> 00:27:26,855 YOU WERE TRYING TO GET RID OF IT? 437 00:27:26,855 --> 00:27:29,187 TO HELP YOU. YOU KNOW HOW YOU GET. 438 00:27:29,187 --> 00:27:33,354 YOU THINK THIS HAS ANYTHING TO DO WITH HOW I GET? 439 00:27:33,354 --> 00:27:34,938 WELL, WHEN YOU DRINK IT-- 440 00:27:34,938 --> 00:27:38,938 WHEN I DRINK IT? NOTHING, DEBBIE, NOTHING! 441 00:27:38,938 --> 00:27:40,646 I DON'T NEED THIS ANYMORE, OK? 442 00:27:40,646 --> 00:27:44,563 I AM WAY, WAY PAST THAT NOW. YOU SEE? 443 00:27:44,563 --> 00:27:45,896 [GLASS BREAKING] 444 00:27:45,896 --> 00:27:47,896 YOU SEE? 445 00:27:47,896 --> 00:27:49,312 NO MORE. 446 00:27:51,104 --> 00:27:55,271 YOU COULD POUR OUT EVERYTHING I MADE, AND IT WOULDN'T HELP. 447 00:27:55,271 --> 00:27:56,896 AND YOU WANT TO KNOW WHY? 448 00:27:58,187 --> 00:28:01,230 YOU WANT TO KNOW WHY? BECAUSE ALL IT TAKES NOW 449 00:28:01,230 --> 00:28:02,521 IS YOU, DEBBIE-- 450 00:28:02,521 --> 00:28:05,855 YOU AND YOUR STUPID, GRATING VOICE! 451 00:28:05,855 --> 00:28:07,354 AAH! 452 00:28:12,229 --> 00:28:15,104 AAH! 453 00:28:17,813 --> 00:28:21,688 YOU'RE THE REASON I STARTED THE FORMULAS IN THE FIRST PLACE-- 454 00:28:21,688 --> 00:28:23,312 TO BE THE MAN YOU WANTED. 455 00:28:23,312 --> 00:28:25,271 AND YOU PAY ME BACK HOW? 456 00:28:25,271 --> 00:28:28,688 BY WHORING AROUND WITH OTHER GUYS AND TAUNTING ME! 457 00:28:28,688 --> 00:28:30,271 NO, I DON'T! I DON'T EVEN LOOK! 458 00:28:30,271 --> 00:28:31,271 UH! 459 00:28:33,646 --> 00:28:36,813 IS THAT SOMETHING YOUR SHRINK TAUGHT YOU, DEBBIE? 460 00:28:36,813 --> 00:28:38,271 HUH? HUH? TO SHARE? 461 00:28:38,271 --> 00:28:41,271 TO COMMUNICATE? TO PISS ME OFF? UH! 462 00:28:42,396 --> 00:28:45,230 WELL, GUESS WHAT. 463 00:28:45,230 --> 00:28:50,104 EVEN HE'S NOT GOING TO LISTEN TO YOUR PATHETIC RAMBLINGS ANYMORE. 464 00:28:50,104 --> 00:28:54,396 I AM ALL YOU'VE GOT NOW, DEBBIE. 465 00:28:54,396 --> 00:28:57,104 DO YOU HEAR ME? 466 00:28:57,104 --> 00:28:59,438 I AM ALL YOU'VE GOT! 467 00:29:08,688 --> 00:29:10,354 OH, MY GOD. 468 00:29:17,312 --> 00:29:19,187 [WHISPERING] Hey, Debbie. 469 00:29:20,312 --> 00:29:23,062 Hey, listen. 470 00:29:23,062 --> 00:29:26,021 YOU KNOW YOU SHOULDN'T MAKE ME MAD. 471 00:29:26,021 --> 00:29:28,396 HUH? YOU KNOW WHAT HAPPENS. 472 00:29:30,354 --> 00:29:33,479 DEBBIE, PLEASE. ARE YOU ALL RIGHT? 473 00:29:42,479 --> 00:29:44,146 Debbie: IT'S OK. 474 00:29:48,521 --> 00:29:50,187 IT'S OK. 475 00:29:51,521 --> 00:29:53,896 THIS CREATURE IS ESPECIALLY BRUTAL. 476 00:29:53,896 --> 00:29:56,104 I BELIEVE THE PHRASE COINED BY THE CORONER 477 00:29:56,104 --> 00:29:58,271 WHEN DESCRIBING MR. PLATT WAS "PUREED." 478 00:29:58,271 --> 00:30:00,271 BUT HE DID CONFIRM 479 00:30:00,271 --> 00:30:02,396 THAT PLATT WAS KILLED SHORTLY BEFORE BUFFY FOUND HIM. 480 00:30:02,396 --> 00:30:04,312 Faith: WHICH MEANS THAT HE WAS KILLED DURING THE DAY. 481 00:30:04,312 --> 00:30:05,396 YES! 482 00:30:06,479 --> 00:30:10,062 SORRY. I GOT-- I'VE JUST BEEN-- 483 00:30:10,062 --> 00:30:12,438 IT'S HORRIBLE, HORRIBLE. 484 00:30:12,438 --> 00:30:14,062 IT'S OK, WIL. 485 00:30:14,062 --> 00:30:15,896 WE'RE ALL GLAD OZ IS OFF THE HOOK. 486 00:30:15,896 --> 00:30:17,563 Giles: INDEED. 487 00:30:17,563 --> 00:30:20,396 SHOULDN'T HE BE HERE BY NOW? SUNSET'S AT 5:30. 488 00:30:28,438 --> 00:30:30,312 SORRY I'M LATE. 489 00:30:30,312 --> 00:30:33,146 DID YOU BRING THE NOTES? 490 00:30:33,146 --> 00:30:35,438 YEAH. UM... 491 00:30:35,438 --> 00:30:36,980 YOU OK? 492 00:30:36,980 --> 00:30:42,062 WHAT? OH, YEAH. I'M SUCH A KLUTZ. 493 00:30:42,062 --> 00:30:44,062 I, UM, OH-- 494 00:30:44,062 --> 00:30:48,062 FELL DOWN, HIT YOUR EYE? 495 00:30:48,062 --> 00:30:49,479 DOORKNOB. 496 00:30:49,479 --> 00:30:51,396 UM... THANKS. 497 00:30:51,396 --> 00:30:53,062 HEY, UM... 498 00:30:55,062 --> 00:30:57,312 IF YOU WANT TO TALK... 499 00:31:01,146 --> 00:31:03,938 THANKS AGAIN FOR THE NOTES. 500 00:31:03,938 --> 00:31:05,563 YEAH. 501 00:31:14,187 --> 00:31:15,813 Giles: OUR TASK NOW IS TO DETERMINE 502 00:31:15,813 --> 00:31:17,980 WHAT SORT OF KILLER WE ARE DEALING WITH. 503 00:31:17,980 --> 00:31:20,896 CLEARLY, WE'RE LOOKING FOR A DEPRAVED, SADISTIC ANIMAL. 504 00:31:20,896 --> 00:31:22,980 PRESENT. 505 00:31:22,980 --> 00:31:24,396 I MAY BE A COLD-BLOODED JELLY DOUGHNUT, 506 00:31:24,396 --> 00:31:26,104 BUT MY TIMING IS IMPECCABLE. 507 00:31:26,104 --> 00:31:28,896 BUT YOU AREN'T. IT'S A KILL-IN-THE-DAY MONSTER. 508 00:31:28,896 --> 00:31:30,646 100% FOR SURE. 509 00:31:32,104 --> 00:31:33,646 OK. 510 00:31:33,646 --> 00:31:36,479 Giles: I WISH WE HAD TIME TO CELEBRATE PROPERLY. 511 00:31:36,479 --> 00:31:39,021 HOWEVER, WE HAVE TWO VICTIMS-- 512 00:31:39,021 --> 00:31:41,479 JEFF ORKIN AND NOW PLATT. 513 00:31:41,479 --> 00:31:44,855 MAYBE THERE'S SOMETHING THEY HAD IN COMMON. 514 00:31:44,855 --> 00:31:46,813 MISSING INTERNAL ORGANS. 515 00:31:46,813 --> 00:31:48,312 BESIDES THAT. 516 00:31:48,312 --> 00:31:51,312 DEBBIE. WELL, VICTIM NUMBER ONE-- JEFF. 517 00:31:51,312 --> 00:31:52,563 HE WAS IN JAZZ BAND WITH US. 518 00:31:52,563 --> 00:31:53,938 THEY USED TO HORSE AROUND. 519 00:31:53,938 --> 00:31:55,146 THEY WERE SCREWING? 520 00:31:56,479 --> 00:31:58,479 I DON'T THINK SO, BUT HE HID 521 00:31:58,479 --> 00:32:00,479 HER MUSIC COMP BOOK ONCE. 522 00:32:00,479 --> 00:32:02,896 AND WE KNOW THAT DEBBIE KNEW PLATT. 523 00:32:02,896 --> 00:32:05,896 SHE WAS SEEING HIM AND WAY VOCAL ABOUT NOT HAVING LOVE FOR THE GUY. 524 00:32:05,896 --> 00:32:08,396 ADD THIS AND STIR. I JUST SAW DEBBIE A MINUTE AGO 525 00:32:08,396 --> 00:32:11,230 SPORTING A NASTY BLACK EYE. 526 00:32:11,230 --> 00:32:14,230 OK, SO PRETEND DEBBIE WANTED PLATT DEAD. 527 00:32:14,230 --> 00:32:15,230 MAYBE HE FOUGHT BACK. 528 00:32:15,230 --> 00:32:16,646 NO. 529 00:32:16,646 --> 00:32:19,438 PLATT WAS DEAD IN AN INSTANT. 530 00:32:19,438 --> 00:32:23,021 HE DIDN'T EVEN DROP HIS CIGARETTE. 531 00:32:23,021 --> 00:32:27,312 NOW, WHAT IF BOYFRIEND PETE IS THE ONE DOLING OUT THE PUNISHMENT? 532 00:32:27,312 --> 00:32:29,896 WE SHOULD FIND THEM BOTH IMMEDIATELY. 533 00:32:29,896 --> 00:32:32,104 DEBBIE WAS IN THE QUAD A MINUTE AGO. 534 00:32:32,104 --> 00:32:33,521 ALL RIGHT. WE'LL SPLIT UP. 535 00:32:33,521 --> 00:32:36,229 FAITH, YOU AND I TEAM. WILLOW, STICK WITH BUFFY. 536 00:32:36,229 --> 00:32:39,604 AND I'LL... GO LOCK MYSELF IN THE CAGE. 537 00:32:47,479 --> 00:32:49,604 [DOOR OPENS] 538 00:32:55,604 --> 00:32:59,438 IT'S TRICKY, COVERING A FRESH SHINER LIKE THAT. 539 00:32:59,438 --> 00:33:01,021 YOU KNOW WHAT WORKS? 540 00:33:01,021 --> 00:33:02,855 WHAT? 541 00:33:02,855 --> 00:33:04,521 DON'T GET HIT. 542 00:33:08,938 --> 00:33:10,521 WHAT'S GOING ON, DEBBIE? 543 00:33:10,521 --> 00:33:12,229 I'LL BET THE FARM YOU KNOW. 544 00:33:12,229 --> 00:33:14,396 YOU'RE WRONG. I DON'T KNOW ANYTHING. 545 00:33:14,396 --> 00:33:17,271 NORMALLY, I'D SAY, "YOU WANT TO PLAY 'I HAVE A SECRET'? FINE." 546 00:33:17,271 --> 00:33:19,563 BUT PEOPLE ARE DYING HERE. 547 00:33:23,813 --> 00:33:25,396 IT-- 548 00:33:25,396 --> 00:33:26,938 IT'S NOT HIS FAULT. 549 00:33:26,938 --> 00:33:28,938 I MEAN, HE'S NOT HIMSELF WHEN HE GETS LIKE THIS. 550 00:33:28,938 --> 00:33:31,104 YOU MEAN PETE. 551 00:33:31,104 --> 00:33:34,312 IT'S ME. I MAKE HIM CRAZY. 552 00:33:34,312 --> 00:33:36,938 HE JUST DOES WHAT HE DOES BECAUSE HE LOVES ME TOO MUCH. 553 00:33:36,938 --> 00:33:40,146 Willow: BUT WEREN'T MR. PLATT AND JEFF MURDERED BY AN ANIMAL? 554 00:33:40,146 --> 00:33:43,604 Buffy: PETE'S NOT LIKE OTHER GUYS, IS HE, DEBBIE? 555 00:33:44,980 --> 00:33:46,271 I-- I'VE GOT TO GO. 556 00:33:46,271 --> 00:33:47,980 YOU HAVE TO TALK TO US. 557 00:33:47,980 --> 00:33:50,229 WE CAN'T HELP YOU UNTIL YOU DO. 558 00:33:50,229 --> 00:33:52,104 I DIDN'T ASK FOR YOUR HELP. 559 00:33:52,104 --> 00:33:53,855 WHEN ARE YOU GOING TO? 560 00:33:53,855 --> 00:33:56,396 IF PETE KILLS YOU, IT'LL PRETTY MUCH BE TOO LATE. 561 00:33:56,396 --> 00:33:59,521 DEBBIE, WE'RE RUNNING OUT OF TIME. 562 00:34:09,104 --> 00:34:10,521 AAH! 563 00:34:13,771 --> 00:34:15,271 WHERE CAN WE FIND HIM? 564 00:34:15,271 --> 00:34:17,062 I DON'T KNOW. 565 00:34:17,062 --> 00:34:18,729 YOU'RE LYING. 566 00:34:18,729 --> 00:34:20,521 WHAT IF I AM? WHAT ARE YOU GOING TO DO ABOUT IT? 567 00:34:20,521 --> 00:34:21,855 WRONG QUESTION. 568 00:34:24,813 --> 00:34:26,771 LOOK AT YOURSELF. 569 00:34:26,771 --> 00:34:29,563 WHY ARE YOU PROTECTING HIM? 570 00:34:29,563 --> 00:34:32,729 ANYBODY WHO REALLY LOVED YOU COULDN'T DO THIS TO YOU. 571 00:34:36,813 --> 00:34:39,479 WOULD THEY TAKE HIM SOMEPLACE? 572 00:34:40,855 --> 00:34:42,521 PROBABLY. 573 00:34:42,521 --> 00:34:45,604 I COULD NEVER DO THAT TO HIM. 574 00:34:46,729 --> 00:34:48,396 I'M HIS EVERYTHING. 575 00:34:48,396 --> 00:34:51,771 GREAT. SO WHILE YOU TWO LIVE OUT YOUR "GRIMM" FAIRY TALE, 576 00:34:51,771 --> 00:34:53,146 TWO PEOPLE ARE DEAD. 577 00:34:55,729 --> 00:34:58,021 WHO'S GONNA BE NEXT? 578 00:35:00,563 --> 00:35:02,187 [DOOR OPENS] 579 00:35:03,771 --> 00:35:08,312 SINCE WHEN DO YOU TOUCH MY GIRL? 580 00:35:08,312 --> 00:35:11,855 HEY, PETE. THIS IS KIND OF A BAD TIME. 581 00:35:13,938 --> 00:35:16,396 WELL, I GUESS YOU DIDN'T THINK ABOUT THAT 582 00:35:16,396 --> 00:35:19,855 WHEN YOU PUT THE MOVES ON DEBBIE! 583 00:35:19,855 --> 00:35:22,563 WE TALKED, YEAH, BUT IT WAS MOVE-FREE. 584 00:35:22,563 --> 00:35:23,813 [RATTLES CAGE] 585 00:35:23,813 --> 00:35:25,896 ABOUT THIS CAGE? 586 00:35:25,896 --> 00:35:27,354 WHEN THAT SUN SETS-- 587 00:35:27,354 --> 00:35:30,521 YOU WON'T BE ALIVE TO SEE IT. 588 00:35:30,521 --> 00:35:32,271 [RATTLES CAGE] 589 00:35:36,563 --> 00:35:38,938 I'M SERIOUS. SOMETHING'S GONNA HAPPEN 590 00:35:38,938 --> 00:35:42,354 THAT YOU PROBABLY WON'T BELIEVE. 591 00:35:44,855 --> 00:35:46,021 [GROWLS] 592 00:35:47,563 --> 00:35:49,646 OR YOU MIGHT. 593 00:35:57,813 --> 00:35:58,896 [GROWLS] 594 00:36:03,604 --> 00:36:06,396 HE DOES LOVE ME. HE DOES LOVE ME. 595 00:36:06,396 --> 00:36:08,104 THIS IS USELESS. 596 00:36:08,104 --> 00:36:09,729 WE HAVE TO GO. I HAVE TO FIND PETE. 597 00:36:09,729 --> 00:36:10,938 HE DOES LOVE ME. 598 00:36:10,938 --> 00:36:11,938 COME ON. 599 00:36:11,938 --> 00:36:13,396 HE DOES LOVE ME. 600 00:36:13,396 --> 00:36:15,146 I THINK WE BROKE HER. 601 00:36:17,312 --> 00:36:21,021 I THINK SHE WAS BROKEN BEFORE THIS. 602 00:36:29,062 --> 00:36:33,896 DID YOU KISS THAT WHORE? HUH? DID SHE LIKE IT? 603 00:36:44,479 --> 00:36:46,479 TIME'S UP. 604 00:36:46,479 --> 00:36:48,146 RULES CHANGE. 605 00:36:52,021 --> 00:36:54,021 [GROWLING] 606 00:37:07,563 --> 00:37:09,021 AAH! 607 00:37:09,021 --> 00:37:11,813 Pete: AAH! UH! 608 00:37:11,813 --> 00:37:13,229 WHAT WAS THAT? 609 00:37:16,771 --> 00:37:18,771 GET THE DART GUN! GOT IT! 610 00:37:18,771 --> 00:37:21,229 PETE, WATCH OUT! OW! 611 00:37:21,229 --> 00:37:23,104 OH! SORRY. 612 00:37:23,104 --> 00:37:25,354 OH, RIGHT. BLOODY PRICELESS. 613 00:37:31,062 --> 00:37:33,187 YOU GET THE WOLF. GOT IT. 614 00:38:22,229 --> 00:38:24,229 PETE. YOU'RE ALL RIGHT! 615 00:38:24,229 --> 00:38:26,104 GOD, YOU'RE ALL RIGHT. 616 00:38:26,104 --> 00:38:29,729 SHE ALMOST SHOT YOU. DID YOU SEE? 617 00:38:29,729 --> 00:38:31,354 I STOPPED HER. 618 00:38:34,729 --> 00:38:39,229 YOU HAVE TO LEAVE, GET OUT OF SUNNYDALE. SHE KNOWS. 619 00:38:39,229 --> 00:38:40,896 HOW DID SHE KNOW, DEBBIE? 620 00:38:40,896 --> 00:38:42,938 DID YOU RUN YOUR BIG MOUTH? 621 00:38:42,938 --> 00:38:47,230 NO. SHE JUST KNEW. IT SEEMED LIKE SHE JUST KNEW. 622 00:38:47,230 --> 00:38:48,813 SO YOU FILLED IN THE BLANKS! 623 00:38:48,813 --> 00:38:50,230 NO! 624 00:38:50,230 --> 00:38:51,354 NO! 625 00:38:51,354 --> 00:38:53,604 BUT WHAT DID I EXPECT FROM A SCREWUP LIKE YOU? 626 00:38:53,604 --> 00:38:56,104 I-- I DIDN'T-- PETE-- 627 00:38:56,104 --> 00:38:58,521 YOU'RE NOTHING BUT A WASTE OF SPACE. 628 00:38:58,521 --> 00:38:59,521 NO! 629 00:39:07,230 --> 00:39:08,438 AAH! AAH! 630 00:39:28,354 --> 00:39:30,688 OH, GOD. 631 00:39:34,855 --> 00:39:36,396 [PETE GROWLING] 632 00:39:41,104 --> 00:39:42,521 WHERE'S THE GUN? 633 00:39:43,438 --> 00:39:45,438 WHERE'S THE GUN? 634 00:39:45,438 --> 00:39:47,521 GET OFF HER! 635 00:39:47,521 --> 00:39:50,896 GET THE GUN! GET THE GUN! HURRY! 636 00:39:52,146 --> 00:39:53,521 UH! 637 00:39:59,146 --> 00:40:01,896 ALL THE SAME. YOU'RE ALL THE SAME. 638 00:41:11,563 --> 00:41:13,146 BUFFY? 639 00:41:26,104 --> 00:41:27,312 BUFFY. 640 00:41:48,729 --> 00:41:52,062 IT'S ALL OVER SCHOOL, WHAT HAPPENED WITH DEBBIE AND PETE-- 641 00:41:52,062 --> 00:41:55,104 EXCEPT FOR THE PETE-WAS-A-MONSTER PART. 642 00:41:55,104 --> 00:41:56,771 YEAH. A FRESHMAN TOLD ME 643 00:41:56,771 --> 00:41:59,187 THAT PETE HAD EIGHT ICED CAFE MOCHAS AND JUST LOST IT. 644 00:41:59,187 --> 00:42:00,771 THAT'S BETTER THAN THE ESTROGEN THEORY. 645 00:42:00,771 --> 00:42:03,062 I HEARD HE TOOK ALL OF HIS MOTHER'S BIRTH-CONTROL PILLS. 646 00:42:03,062 --> 00:42:05,438 HE DIDN'T? PETE WAS A MONSTER? 647 00:42:05,438 --> 00:42:07,230 WHERE HAVE I BEEN? 648 00:42:07,230 --> 00:42:09,771 IN YOUR SPECIAL PLACE, COR, WHICH IS WHY I ADORE YOU. 649 00:42:09,771 --> 00:42:11,229 SO WHAT'S THE TRUE STORY? 650 00:42:11,229 --> 00:42:13,062 WHAT HAPPENED? 651 00:42:13,062 --> 00:42:15,646 Willow: WE GOT AHOLD OF PETE'S LAB BOOKS AND STUFF, 652 00:42:15,646 --> 00:42:18,604 AND MR. SCIENCE WAS DOING A JEKYLL/HYDE DEAL. 653 00:42:18,604 --> 00:42:21,604 HE WAS AFRAID DEBBIE WAS GONNA LEAVE HIM, 654 00:42:21,604 --> 00:42:24,646 SO HE MIXED THIS POTION TO BECOME SUPER MAS MACHO. 655 00:42:24,646 --> 00:42:26,729 THE ONLY THING WAS, AFTER A WHILE, 656 00:42:26,729 --> 00:42:28,729 HE DIDN'T NEED THE POTION TO TURN INTO A BAD GUY. 657 00:42:28,729 --> 00:42:30,396 HE DID IT JUST FINE ON HIS OWN. 658 00:42:30,396 --> 00:42:32,104 SO IT WAS LIKE A REAL KILLING. 659 00:42:32,104 --> 00:42:33,938 HE WASN'T UNDER THE INFLUENCE OF ANYTHING? 660 00:42:33,938 --> 00:42:35,896 JUST HIMSELF. 661 00:42:35,896 --> 00:42:37,229 UH... 662 00:42:38,896 --> 00:42:41,729 I'LL SEE YOU GUYS LATER. 663 00:42:41,729 --> 00:42:45,187 GREAT. NOW I'M GOING TO BE STUCK WITH SERIOUS THOUGHTS ALL DAY. 664 00:42:56,104 --> 00:42:58,563 I DON'T KNOW WHAT TO SAY THAT'S... 665 00:42:58,563 --> 00:43:02,563 NOT GONNA SOUND STUPID OR OBVIOUS. 666 00:43:05,230 --> 00:43:06,896 I'VE BEEN FRIENDS WITH THEM BOTH 667 00:43:06,896 --> 00:43:09,438 SINCE BEFORE WE STARTED SCHOOL. 668 00:43:09,438 --> 00:43:12,104 IS THERE ANYTHING I CAN DO? 669 00:43:15,062 --> 00:43:17,396 THANKS. I'M GOING TO BE OK. 670 00:43:17,396 --> 00:43:20,271 IT'S JUST THAT YOU NEVER REALLY KNOW 671 00:43:20,271 --> 00:43:23,021 WHAT'S GOING ON INSIDE SOMEBODY... 672 00:43:23,021 --> 00:43:24,563 DO YOU? 673 00:43:24,563 --> 00:43:28,896 I MEAN, YOU THINK IF YOU CARE ABOUT THEM-- 674 00:43:28,896 --> 00:43:32,312 BUT YOU NEVER REALLY DO. 675 00:43:38,438 --> 00:43:40,438 Buffy: "NIGHT CAME ON, 676 00:43:40,438 --> 00:43:43,688 AND A FULL MOON ROSE HIGH OVER THE TREES, 677 00:43:43,688 --> 00:43:47,813 LIGHTING THE LAND TILL IT LAY BATHED IN GHOSTLY DAY. 678 00:43:47,813 --> 00:43:52,271 AND THE STRAIN OF THE PRIMITIVE REMAINED ALIVE AND ACTIVE. 679 00:43:52,271 --> 00:43:57,729 FAITHFULNESS AND DEVOTION, THINGS BORN OF FIRE AND ROOF WERE HIS, 680 00:43:59,021 --> 00:44:02,438 YET HE RETAINED HIS WILDNESS AND WILINESS. 681 00:44:03,688 --> 00:44:06,230 AND FROM THE DEPTHS OF THE FOREST, 682 00:44:06,230 --> 00:44:08,354 A CALL STILL SOUNDED." 683 00:44:49,604 --> 00:44:50,896 GRR! ARG!