1 00:00:02,479 --> 00:00:07,521 ♪ THE WAY YOU LOVE ♪ 2 00:00:07,521 --> 00:00:11,479 ♪ HAVE YOU GOT A NAME FOR IT? ♪ 3 00:00:13,021 --> 00:00:17,646 ♪ 'CAUSE I DON'T UNDERSTAND ♪ 4 00:00:17,646 --> 00:00:20,604 ♪ IT ♪ 5 00:00:24,521 --> 00:00:29,479 ♪ LANGUAGE IS AN ANNOYING NECESSITY ♪ 6 00:00:29,479 --> 00:00:35,146 ♪ AND I DEPEND ON ALL THE REGULAR THINGS ♪ 7 00:00:35,146 --> 00:00:40,813 ♪ GOT A LIST TATTOOED ON MY MEMORY ♪ 8 00:00:40,813 --> 00:00:46,271 ♪ OF HOW OUR TRYST SHOULD UNFOLD ♪ 9 00:00:52,438 --> 00:00:53,604 ♪ I'M FALLING FOR THE OPPOSITE... ♪ 10 00:00:53,604 --> 00:00:55,229 HEY. 11 00:00:55,229 --> 00:01:00,062 I'M BEN. WE HAD ALGEBRA 2 TOGETHER LAST YEAR. 12 00:01:00,062 --> 00:01:04,604 SORRY, I PRETTY MUCH REPRESS ANYTHING MATH RELATED. 13 00:01:04,604 --> 00:01:07,229 MISS JACKSON. SECOND PERIOD. 14 00:01:07,229 --> 00:01:09,771 YOU SAT IN THE SEAT 3 OVER, 1 BEHIND. 15 00:01:09,771 --> 00:01:11,855 OH, YEAH, I REMEMBER NOW. 16 00:01:11,855 --> 00:01:13,521 IT'S THE ONE WITH THE DESKS AND THE CHALKBOARDS 17 00:01:13,521 --> 00:01:14,604 AND PENCILS AND STUFF, RIGHT? 18 00:01:14,604 --> 00:01:15,896 THAT'S THE ONE. 19 00:01:15,896 --> 00:01:17,729 LIKE A STEEL TRAP. 20 00:01:17,729 --> 00:01:19,479 SO I WAS WONDERING-- 21 00:01:19,479 --> 00:01:22,229 YOU KNOW THE DANCE TOMORROW NIGHT? ARE YOU GOING? 22 00:01:22,229 --> 00:01:23,896 YOU MEAN THE SADIE HAWKINS THING? 23 00:01:23,896 --> 00:01:25,604 THE DEAL WHERE THE GIRLS ASK THE BOYS? 24 00:01:25,604 --> 00:01:29,604 YEAH. AND I THOUGHT MAYBE, YOU KNOW, IF YOU'RE FREE, 25 00:01:29,604 --> 00:01:31,479 YOU MIGHT ASK ME. 26 00:01:31,479 --> 00:01:34,396 OH, GOSH. 27 00:01:34,396 --> 00:01:36,688 OH, HEY, HEY-- DON'T WORRY ABOUT IT. 28 00:01:36,688 --> 00:01:38,896 NO, YOU SEEM LIKE A REALLY GREAT GUY. 29 00:01:38,896 --> 00:01:44,104 IT'S ME. I'M NOT SEEING ANYBODY. 30 00:01:44,104 --> 00:01:46,187 EVER AGAIN ACTUALLY. 31 00:01:46,187 --> 00:01:49,354 OH, THAT'S TOO BAD. 32 00:01:51,146 --> 00:01:53,146 OK, WELL, I'D BETTER-- 33 00:01:55,312 --> 00:01:57,312 SORRY. 34 00:02:00,354 --> 00:02:03,271 ♪ I'M FALLING FOR THE OPPOSITE ♪ 35 00:02:03,271 --> 00:02:05,021 ♪ WHAT GOOD IS IT ♪ 36 00:02:06,563 --> 00:02:09,146 ♪ WRITE THE MAP WITH NO KEY ATTACHED ♪ 37 00:02:09,146 --> 00:02:12,646 ♪ MY HEART'S ENLARGED AND I CHARGE ♪ 38 00:02:19,855 --> 00:02:21,271 HEY. 39 00:02:21,271 --> 00:02:22,771 YOU BAILING? 40 00:02:22,771 --> 00:02:25,021 YEAH. I'M GONNA STOP BY THE LIBRARY 41 00:02:25,021 --> 00:02:28,104 AND SEE IF GILES WANTS ME TO PATROL AND THEN SACK IT. 42 00:02:28,104 --> 00:02:30,229 YOU'VE BEEN DOING THAT A LOT-- 43 00:02:30,229 --> 00:02:32,062 PATROLLING AND SACKING. 44 00:02:32,062 --> 00:02:34,980 IN FACT, YOU'VE KINDA BEEN ALL WORK AND NO PLAY BUFFY. 45 00:02:34,980 --> 00:02:38,396 I PLAY. I HAVE BIG FUN. 46 00:02:38,396 --> 00:02:40,062 I CAME HERE TONIGHT, DIDN'T I? 47 00:02:40,062 --> 00:02:43,855 YOU CAME, YOU SAW, YOU REJECTED. 48 00:02:43,855 --> 00:02:46,604 YOU MEAN THAT GUY? 49 00:02:46,604 --> 00:02:48,855 JUST NOT IN DATE MODE RIGHT NOW. 50 00:02:48,855 --> 00:02:51,271 WELL, MAYBE YOU NEED TO DATE TO GET IN DATE MODE. 51 00:02:51,271 --> 00:02:53,980 I DON'T THINK I'M READY FOR THAT, WILL. 52 00:02:53,980 --> 00:02:55,688 YOU'RE THINKING TOO MUCH. 53 00:02:55,688 --> 00:02:57,271 MAYBE YOU NEED TO BE IMPULSIVE. 54 00:02:57,271 --> 00:02:58,938 IMPULSIVE? 55 00:02:58,938 --> 00:03:01,354 DO YOU REMEMBER MY EX-BOYFRIEND, THE VAMPIRE? 56 00:03:01,354 --> 00:03:02,729 I SLEPT WITH HIM, HE LOST HIS SOUL, 57 00:03:02,729 --> 00:03:04,729 NOW MY BOYFRIEND'S GONE FOREVER 58 00:03:04,729 --> 00:03:06,688 AND THE DEMON THAT WEARS HIS FACE IS KILLING MY FRIENDS. 59 00:03:06,688 --> 00:03:08,146 THE NEXT IMPULSIVE DECISION I MAKE 60 00:03:08,146 --> 00:03:09,646 WILL INVOLVE MY CHOICE OF DENTURES. 61 00:03:09,646 --> 00:03:12,104 OK, THE ANGEL THING WENT BADLY. 62 00:03:12,104 --> 00:03:15,688 I'M ONBOARD WITH THAT, BUT THAT'S NOT YOUR FAULT. 63 00:03:15,688 --> 00:03:19,604 AND ANYWAYS, LOVE ISN'T ALWAYS LIKE THAT. 64 00:03:19,604 --> 00:03:22,604 LOVE CAN BE NICE. 65 00:03:22,604 --> 00:03:25,855 COME BACK HERE. WE'RE NOT FINISHED. 66 00:03:25,855 --> 00:03:27,729 YOU DON'T CARE ANYMORE, IS THAT IT? 67 00:03:27,729 --> 00:03:29,771 IT DOESN'T MATTER. IT DOESN'T MATTER WHAT I FEEL. 68 00:03:29,771 --> 00:03:31,604 THEN TELL ME YOU DON'T LOVE ME. 69 00:03:31,604 --> 00:03:33,062 SAY IT! 70 00:03:33,062 --> 00:03:35,521 WILL THAT HELP? IS THAT WHAT YOU NEED TO HEAR? 71 00:03:35,521 --> 00:03:36,646 I DON'T. 72 00:03:36,646 --> 00:03:38,521 I DON'T, NOW LET ME GO. 73 00:03:38,521 --> 00:03:40,855 NO. A PERSON DOESN'T JUST WAKE UP ONE DAY 74 00:03:40,855 --> 00:03:43,146 AND STOP LOVING SOMEBODY. 75 00:03:50,187 --> 00:03:52,646 LOVE IS FOREVER. 76 00:03:55,563 --> 00:03:57,980 [HOWLING] 77 00:03:59,563 --> 00:04:02,230 [ROCK MUSIC PLAYING] 78 00:04:50,438 --> 00:04:52,271 I'M NOT AFRAID TO USE IT. I SWEAR. 79 00:04:52,271 --> 00:04:54,104 IF I CAN'T BE WITH YOU-- HEY! 80 00:04:54,104 --> 00:04:55,688 Girl: OH, MY GOD. 81 00:04:57,521 --> 00:04:59,146 DON'T WALK AWAY FROM ME, BITCH! 82 00:05:13,146 --> 00:05:14,729 WH-WHAT HAPPENED? 83 00:05:14,729 --> 00:05:17,729 WHAT HAPPENED? YOU JUST WENT OJ ON YOUR GIRLFRIEND. 84 00:05:17,729 --> 00:05:20,021 THIS IS NUTS. 85 00:05:20,021 --> 00:05:21,813 I DON'T KNOW WHY I GOT SO MAD. 86 00:05:21,813 --> 00:05:23,271 BECAUSE YOU'RE A JERK. 87 00:05:23,271 --> 00:05:25,230 HE'S NOT. 88 00:05:25,230 --> 00:05:27,312 WE WEREN'T EVEN FIGHTING A FEW MINUTES AGO. 89 00:05:27,312 --> 00:05:29,230 WE WEREN'T. I SWEAR TO GOD. 90 00:05:29,230 --> 00:05:31,229 IF YOU WEREN'T FIGHTING, THEN WHY'D YOU HAVE A GUN? 91 00:05:31,229 --> 00:05:35,729 I DON'T KNOW. I DON'T EVEN KNOW WHERE I GOT IT. 92 00:05:35,729 --> 00:05:37,146 I DON'T SEE ANY GUN. 93 00:05:44,312 --> 00:05:46,729 I'M SURE YOU KNOW WHY I ASKED YOU HERE. 94 00:05:46,729 --> 00:05:47,938 TO THANK ME? 95 00:05:47,938 --> 00:05:50,980 THAT'S RIGHT, I WANT TO THANK YOU. 96 00:05:50,980 --> 00:05:53,229 WHAT WOULD SUNNYDALE HIGH DO WITHOUT YOU AROUND 97 00:05:53,229 --> 00:05:56,187 TO INCITE MAYHEM, CHAOS, AND DISORDER? 98 00:05:56,187 --> 00:05:58,896 I DON'T INCITE. I STOPPED THAT BOY 99 00:05:58,896 --> 00:06:00,187 FROM KILLING HIS GIRLFRIEND. ASK HIM. 100 00:06:00,187 --> 00:06:01,354 ASK THE JANITOR. 101 00:06:01,354 --> 00:06:03,604 PEOPLE CAN BE COERCED, SUMMERS. 102 00:06:03,604 --> 00:06:06,479 I'M NO STRANGER TO CONSPIRACY. I SAW JFK. 103 00:06:06,479 --> 00:06:09,312 I'M A TRUTH SEEKER. I'VE GOT A MISSING GUN 104 00:06:09,312 --> 00:06:11,021 AND 2 CONFUSED KIDS ON MY HANDS. 105 00:06:11,021 --> 00:06:12,938 PIECES OF THE PUZZLE. 106 00:06:12,938 --> 00:06:15,813 AND I'M GOING TO LOOK AT ALL THE PIECES CAREFULLY AND RATIONALLY, 107 00:06:15,813 --> 00:06:17,646 AND I'M GOING TO KEEP LOOKING 108 00:06:17,646 --> 00:06:20,229 UNTIL I KNOW EXACTLY HOW THIS IS ALL YOUR FAULT. 109 00:06:20,229 --> 00:06:22,563 [INTERCOM BUZZES] Woman: MR. SNYDER... 110 00:06:22,563 --> 00:06:24,271 BILLY CRANDALL CHAINED HIMSELF TO THE SNACK MACHINE AGAIN. 111 00:06:24,271 --> 00:06:27,396 PATHETIC, LITTLE, NO-LIFE VEGAN. 112 00:06:31,521 --> 00:06:35,604 NOT SO FAST, MISSY. I'M NOT DONE WITH YOU YET. 113 00:06:35,604 --> 00:06:38,104 YOU STINK OF LIES. 114 00:07:04,479 --> 00:07:06,187 SO FOR NEXT TIME, READ THE CHAPTERS 115 00:07:06,187 --> 00:07:08,855 ON INFORMATION GROUPING AND BINARY CODING. 116 00:07:08,855 --> 00:07:11,271 I BET YOU'LL THINK CODING IS PRETTY COOL. 117 00:07:11,271 --> 00:07:15,021 I MEAN, IF YOU FIND 2-DIGIT MULTI-STACKED CONVERSIONS 118 00:07:15,021 --> 00:07:17,563 AND PRIMARY NUMBER CLUSTERS A BIG HOOT. 119 00:07:17,563 --> 00:07:19,062 [CLASS LAUGHS] 120 00:07:22,813 --> 00:07:25,896 GILES, I MADE THEM LAUGH. DID YOU HEAR? 121 00:07:25,896 --> 00:07:27,438 I DID THE JOKE THING. 122 00:07:27,438 --> 00:07:29,479 YES, YES, SO IT SEEMS. 123 00:07:29,479 --> 00:07:31,938 I MEAN, YOU DID, INDEED. 124 00:07:31,938 --> 00:07:35,021 GOOD--GOOD SHOW. 125 00:07:35,021 --> 00:07:38,146 I JUST STOPPED BY TO SEE IF YOU NEEDED ANY ASSISTANCE, 126 00:07:38,146 --> 00:07:41,938 BUT YOU SEEM TO HAVE THINGS QUITE UNDER CONTROL. 127 00:07:41,938 --> 00:07:44,896 WELL, I HAD GOOD LESSON PLANS. 128 00:07:44,896 --> 00:07:49,187 MS. CALENDAR HAD THEM ON HER COMPUTER. 129 00:07:49,187 --> 00:07:53,021 YES, YES, SHE WAS VERY, UM, DEDICATED. 130 00:07:54,855 --> 00:07:57,354 AND I FOUND A BUNCH OF FILES AND INTERNET SITES 131 00:07:57,354 --> 00:07:59,396 ON PAGANISM AND MAGIC AND STUFF. 132 00:07:59,396 --> 00:08:00,312 OH. 133 00:08:00,312 --> 00:08:01,813 YES, IT'S REALLY INTERESTING. 134 00:08:03,521 --> 00:08:08,688 AND, UH, I FOUND THIS IN HER DRAWER. 135 00:08:08,688 --> 00:08:11,646 SHE TOLD ME IT WAS A ROSE QUARTZ. 136 00:08:11,646 --> 00:08:14,479 AND IT HAS HEALING POWERS. 137 00:08:14,479 --> 00:08:17,229 I THOUGHT SHE'D WANT YOU TO HAVE IT. 138 00:08:25,646 --> 00:08:29,229 THANK YOU, WILLOW, THAT'S-- 139 00:08:29,229 --> 00:08:31,104 THAT'S VERY THOUGHTFUL OF YOU. 140 00:08:41,646 --> 00:08:46,230 BEFORE 1935, THE NEW DEAL FOCUSED ON REVITALIZING 141 00:08:46,230 --> 00:08:49,230 STRICKEN BUSINESS AND AGRICULTURAL COMMUNITIES. 142 00:08:49,230 --> 00:08:50,813 AND THE NEW DEAL ALSO TRIED TO REGULATE 143 00:08:50,813 --> 00:08:52,813 THE NATION'S FINANCIAL HIERARCHY 144 00:08:52,813 --> 00:08:58,271 TO AVOID ANOTHER DISASTER LIKE THE 1929 STOCK MARKET CRASH. 145 00:08:58,271 --> 00:09:00,604 Woman: DON'T FORGET YOUR ASSIGNMENTS ARE DUE ON FRIDAY, CLASS. 146 00:09:03,146 --> 00:09:05,396 I TOLD MS. HALL WE'D GO HELP DECORATE THE GYM. 147 00:09:05,396 --> 00:09:06,479 WHO ARE YOU TAKING? 148 00:09:06,479 --> 00:09:07,813 DAVID SAID YES. 149 00:09:07,813 --> 00:09:10,521 OH, YOU'RE KIDDING. HE'S SO DREAMY. 150 00:09:16,729 --> 00:09:18,688 THANK YOU, JAMES. 151 00:09:18,688 --> 00:09:21,229 HOW ARE YOU ENJOYING THAT BOOK I LOANED YOU? 152 00:09:21,229 --> 00:09:23,563 THE HEMINGWAY. 153 00:09:23,563 --> 00:09:26,604 James: I LIKE IT VERY MUCH. 154 00:09:28,271 --> 00:09:30,104 IT'S HONEST. 155 00:09:32,729 --> 00:09:34,271 YES, IT'S, UM, 156 00:09:34,271 --> 00:09:37,021 IT'S BASED ON A TRUE STORY, ACTUALLY. 157 00:09:38,855 --> 00:09:40,312 HE FELL IN LOVE WITH HIS-- 158 00:09:42,646 --> 00:09:48,230 Teacher: ...HOURS, CHILD LABOR, 159 00:09:48,230 --> 00:09:52,563 AND COLLECTIVE BARGAINING. 160 00:09:52,563 --> 00:09:54,438 [CLASS LAUGHS] 161 00:09:56,062 --> 00:09:57,604 OH, MY GOD! 162 00:09:57,604 --> 00:09:59,104 DID YOU SEE WHAT HE WROTE? 163 00:10:04,146 --> 00:10:06,688 I'M TELLING YOU, SOMETHING WEIRD IS GOING ON. 164 00:10:06,688 --> 00:10:08,771 SOMETHING WEIRD IS GOING ON. 165 00:10:08,771 --> 00:10:10,521 ISN'T THAT OUR SCHOOL MOTTO? 166 00:10:10,521 --> 00:10:12,563 PRETTY MUCH, BUT I DON'T KNOW. 167 00:10:12,563 --> 00:10:14,855 THIS TIME IT BUGS ME. 168 00:10:14,855 --> 00:10:16,729 I DON'T WANT TO POOPOO YOUR WIGGINS, 169 00:10:16,729 --> 00:10:21,312 BUT A DOMESTIC DISPUTE, A LITTLE CASE OF CHALKBOARD TOURETTE'S? 170 00:10:21,312 --> 00:10:24,062 ALL SOUNDS LIKE HELLMOUTH LITE TO ME. AAH! 171 00:10:27,104 --> 00:10:28,187 AAH! 172 00:10:48,688 --> 00:10:50,521 XANDER, WHAT HAPPENED? 173 00:10:50,521 --> 00:10:53,563 DID CORDELIA WIN ANOTHER ROUND IN THE BROOM CLOSET? 174 00:10:53,563 --> 00:10:56,896 YOU'RE JUST A BIG BUCKET OF FUNNY, WILL. 175 00:10:56,896 --> 00:10:59,604 I'LL HAVE YOU KNOW I WAS JUST ACCOSTED BY SOME KIND OF, 176 00:10:59,604 --> 00:11:02,230 UM, LOCKER MONSTER. 177 00:11:02,230 --> 00:11:03,062 LOCH NESS MONSTER? 178 00:11:03,062 --> 00:11:04,688 LOCKER MONSTER IS WHAT HE SAID, 179 00:11:04,688 --> 00:11:06,521 BUT IT WASN'T REALLY A MONSTER. 180 00:11:06,521 --> 00:11:08,104 IT WAS, LIKE, THIS BIG ARM THAT CAME OUT OF THE LOCKER, 181 00:11:08,104 --> 00:11:10,146 BUT THEN WE OPENED IT AGAIN, IT WAS GONE. NOTHING. 182 00:11:10,146 --> 00:11:11,980 THIS WAS RIGHT AFTER BUFFY'S HISTORY TEACHER 183 00:11:11,980 --> 00:11:14,104 STARTS DOING SOME FREAKY CHANNELING THING IN CLASS. 184 00:11:14,104 --> 00:11:17,021 OOH, SOUNDS LIKE PARANORMAL PHENOMENA. 185 00:11:17,021 --> 00:11:18,438 A GHOST? COOL. 186 00:11:18,438 --> 00:11:20,271 OH, NO, NO, NO, NO COOL. 187 00:11:20,271 --> 00:11:22,563 THIS WAS NO WIMPY CHAIN RATTLER. 188 00:11:22,563 --> 00:11:25,479 THIS WAS "I'M DEAD AS HELL AND I'M NOT GONNA TAKE IT ANYMORE." 189 00:11:25,479 --> 00:11:29,271 DESPITE THE XANDER-SPEAK, THAT'S A FAIRLY ACCURATE DEFINITION OF A POLTERGEIST. 190 00:11:29,271 --> 00:11:32,855 I DEFINED SOMETHING? ACCURATELY? 191 00:11:32,855 --> 00:11:35,479 GUESS I'M DONE WITH THE BOOK LEARNING. 192 00:11:35,479 --> 00:11:38,021 SO WE HAVE SOME BAD BOO ON OUR HANDS? 193 00:11:38,021 --> 00:11:39,604 YES. 194 00:11:39,604 --> 00:11:40,813 Willow: WELL, WHY IS IT HERE? 195 00:11:40,813 --> 00:11:42,771 DOES IT JUST WANT TO SCARE PEOPLE? 196 00:11:42,771 --> 00:11:44,312 UNFORTUNATELY, HE DOESN'T KNOW EXACTLY WHAT HE WANTS. 197 00:11:44,312 --> 00:11:46,062 THAT'S THE TROUBLE. 198 00:11:46,062 --> 00:11:48,646 SEE, MANY TIMES THE SPIRIT IS PLAGUED BY 199 00:11:48,646 --> 00:11:50,229 ALL MANNER OF WORLDLY TROUBLES. 200 00:11:50,229 --> 00:11:53,771 BEING DEAD, IT HAS NO WAY TO MAKE ITS PEACE. 201 00:11:53,771 --> 00:11:55,688 SO IT LASHES OUT. 202 00:11:55,688 --> 00:11:59,646 GROWING EVER MORE CONFUSED, EVER MORE ANGRY. 203 00:11:59,646 --> 00:12:02,688 SO IT'S A NORMAL TEENAGER, ONLY DEAD. 204 00:12:02,688 --> 00:12:05,396 WELL, WHAT CAN WE DO? IS THERE ANY WAY TO STOP IT? 205 00:12:05,396 --> 00:12:08,146 THE ONLY TRIED AND TRUE WAY IS TO WORK OUT 206 00:12:08,146 --> 00:12:13,521 WHAT UNRESOLVED ISSUES KEEP IT HERE, AND RESOLVE THEM. 207 00:12:13,521 --> 00:12:16,146 FABULOUS. NOW WE'RE DR. LAURA FOR THE DECEASED. 208 00:12:16,146 --> 00:12:18,396 ONLY IF WE CAN FIND OUT WHO THIS SPIRIT IS. 209 00:12:20,896 --> 00:12:22,354 OR WAS. 210 00:12:32,229 --> 00:12:33,688 WORKING LATE, MS. FRANK? 211 00:12:33,688 --> 00:12:35,563 IT'S MY FAULT. LET MYSELF GET BEHIND. 212 00:12:35,563 --> 00:12:37,396 IS IT OK TO WALK HERE, GEORGE? 213 00:12:37,396 --> 00:12:39,062 IT IS GEORGE, RIGHT? 214 00:12:39,062 --> 00:12:40,396 OH, YES, MA'AM, YOU GO AHEAD. 215 00:12:40,396 --> 00:12:42,021 THANKS. YOU HAVE A NICE EVENING. 216 00:12:42,021 --> 00:12:43,438 YOU, TOO. DRIVE SAFE. 217 00:12:43,438 --> 00:12:44,771 OH, MS. FRANK. 218 00:12:44,771 --> 00:12:46,354 YES? 219 00:12:48,229 --> 00:12:51,646 YOU CAN'T MAKE ME DISAPPEAR JUST BECAUSE YOU SAY IT'S OVER. 220 00:12:51,646 --> 00:12:54,688 THERE'S NO WAY WE CAN BE TOGETHER. 221 00:12:54,688 --> 00:12:57,187 NO WAY PEOPLE WILL EVER UNDERSTAND. ACCEPT IT. 222 00:12:57,187 --> 00:12:59,438 IS THAT WHAT THIS IS ABOUT? 223 00:12:59,438 --> 00:13:00,771 WHAT OTHER PEOPLE THINK? 224 00:13:00,771 --> 00:13:03,938 NO. I JUST WANT YOU TO BE ABLE TO HAVE 225 00:13:03,938 --> 00:13:05,521 SOME KIND OF A NORMAL LIFE. 226 00:13:05,521 --> 00:13:07,521 WE CAN NEVER HAVE THAT, DON'T YOU SEE? 227 00:13:07,521 --> 00:13:10,146 I DON'T GIVE A DAMN ABOUT A NORMAL LIFE. 228 00:13:10,146 --> 00:13:12,312 I'M GOING CRAZY NOT SEEING YOU. 229 00:13:12,312 --> 00:13:14,021 I THINK ABOUT YOU EVERY MINUTE. 230 00:13:14,021 --> 00:13:17,646 I KNOW, BUT... 231 00:13:17,646 --> 00:13:21,312 BUT IT'S OVER. 232 00:13:21,312 --> 00:13:22,688 IT HAS TO BE. 233 00:13:24,521 --> 00:13:26,479 COME BACK HERE, WE'RE NOT FINISHED YET! 234 00:13:26,479 --> 00:13:27,563 YOU DON'T CARE ANYMORE? 235 00:13:27,563 --> 00:13:29,438 IS THAT IT? 236 00:13:29,438 --> 00:13:31,646 IT DOESN'T MATTER-- IT DOESN'T MATTER WHAT I FEEL. 237 00:13:31,646 --> 00:13:33,938 THEN TELL ME YOU DON'T LOVE ME. 238 00:13:33,938 --> 00:13:35,729 SAY IT! 239 00:13:37,604 --> 00:13:41,771 WILL THAT HELP? IS THAT WHAT YOU HAVE TO HEAR? 240 00:13:43,729 --> 00:13:44,771 I DON'T. 241 00:13:46,104 --> 00:13:47,187 I DON'T. 242 00:13:47,187 --> 00:13:49,479 NOW LET ME GO. 243 00:13:49,479 --> 00:13:53,438 NO. A PERSON DOESN'T JUST WAKE UP ONE DAY AND STOP LOVING SOMEBODY. 244 00:13:56,396 --> 00:13:59,396 LOVE IS FOREVER. 245 00:14:05,688 --> 00:14:08,021 George: I'M NOT AFRAID TO USE IT. I SWEAR. 246 00:14:08,021 --> 00:14:09,438 IF I CAN'T BE WITH YOU-- 247 00:14:09,438 --> 00:14:12,312 Ms. Frank: OH, MY GOD. 248 00:14:12,312 --> 00:14:14,646 George: DON'T WALK AWAY FROM ME, BITCH! 249 00:14:22,563 --> 00:14:24,729 Female voice, whispers: I need you. 250 00:14:29,479 --> 00:14:31,229 JENNY. 251 00:14:35,521 --> 00:14:36,938 George: DON'T! 252 00:14:36,938 --> 00:14:38,688 DON'T DO THAT, DAMN IT! 253 00:14:38,688 --> 00:14:40,104 DON'T TALK TO ME LIKE I'M SOME DUMB-- 254 00:14:40,104 --> 00:14:41,729 [GUNSHOT] 255 00:15:02,729 --> 00:15:04,229 WHAT'S GOING ON? 256 00:15:04,229 --> 00:15:06,563 WHAT'S GOING ON? 257 00:15:06,563 --> 00:15:08,062 YOU JUST SHOT A WOMAN. 258 00:15:14,729 --> 00:15:20,146 AND THIS-- THIS IS THE GARDEN. 259 00:15:20,146 --> 00:15:22,563 WOW! 260 00:15:22,563 --> 00:15:26,646 LOOK, JASMINE. 261 00:15:26,646 --> 00:15:27,813 NIGHT BLOOMING. 262 00:15:27,813 --> 00:15:30,396 LIKE US. 263 00:15:30,396 --> 00:15:34,187 ANGEL, IT'S FAIRYLAND. 264 00:15:34,187 --> 00:15:36,729 OOH! 265 00:15:36,729 --> 00:15:39,646 IT'S PARADISE. 266 00:15:39,646 --> 00:15:41,187 BIG WINDOWS, LOVELY GARDENS. 267 00:15:41,187 --> 00:15:43,354 IT'LL BE PERFECT WHEN WE WANT 268 00:15:43,354 --> 00:15:45,563 THE SUNLIGHT TO KILL US. 269 00:15:45,563 --> 00:15:48,604 IF YOU DON'T LIKE IT, SPIKE, HIT THE STAIRS AND GO. 270 00:15:48,604 --> 00:15:50,521 TAKE A STAND, MAN. 271 00:15:50,521 --> 00:15:52,187 WELL, OUR OLD PLACE WAS JUST FINE 272 00:15:52,187 --> 00:15:55,146 TILL YOU WENT AND HAD IT BURNED DOWN. 273 00:15:55,146 --> 00:15:57,312 THINGS CHANGE, SPIKEY. 274 00:15:57,312 --> 00:15:59,229 YOU GOTTA ROLL WITH THE PUNCHES. 275 00:15:59,229 --> 00:16:01,104 WELL, ACTUALLY, 276 00:16:01,104 --> 00:16:03,521 YOU PRETTY MUCH GOT THAT PART DOWN, HAVEN'T YOU? 277 00:16:03,521 --> 00:16:05,188 VERY FUNNY, MATE. 278 00:16:05,188 --> 00:16:08,646 WHAT CAN I SAY? 279 00:16:08,646 --> 00:16:11,896 I JUST LOVE TO SEE YOU SMILE, BUDDY. 280 00:16:11,896 --> 00:16:13,312 [GROWLS] 281 00:16:13,312 --> 00:16:18,646 YEAH, YOU'RE A GIVER. 282 00:16:18,646 --> 00:16:20,521 IT WAS JUST AS WITH THE COUPLE 283 00:16:20,521 --> 00:16:21,771 YOU ENCOUNTERED THE OTHER NIGHT, BUFFY. 284 00:16:21,771 --> 00:16:24,021 THE JANITOR REMEMBERED EVERYTHING. 285 00:16:24,021 --> 00:16:27,855 HE KNEW HE'D KILLED THIS POOR WOMAN, BUT HE HAD NO IDEA WHY. 286 00:16:27,855 --> 00:16:30,813 THEY HAD NO INTIMATE RELATIONSHIP. 287 00:16:30,813 --> 00:16:31,729 WHAT ABOUT THE GUN? 288 00:16:31,729 --> 00:16:33,146 DID YOU FIND IT? 289 00:16:33,146 --> 00:16:35,813 NO, NO. THE POLICE, EVERYBODY-- 290 00:16:35,813 --> 00:16:38,230 WE SEARCHED HIGH AND LOW. 291 00:16:38,230 --> 00:16:39,938 I THINK IT'S VERY CLEAR WHAT'S HAPPENING HERE. 292 00:16:39,938 --> 00:16:41,896 FILL ME IN, THEN, 'CAUSE I'VE READ THE BOOK, 293 00:16:41,896 --> 00:16:44,646 SEEN THE MOVIE, AND I'M STILL FUZZY ABOUT WHAT'S GOING ON. 294 00:16:44,646 --> 00:16:47,062 IT'S JENNY. 295 00:16:47,062 --> 00:16:48,021 WHAT? 296 00:16:48,021 --> 00:16:50,062 YOU THINK SHE'S THE GHOST? 297 00:16:50,062 --> 00:16:54,271 DON'T YOU SEE? SHE DIED HERE UNDER TRAGIC CIRCUMSTANCES 298 00:16:54,271 --> 00:16:56,104 AND NOW SHE'S TRAPPED. 299 00:16:56,104 --> 00:16:58,688 BUT WHAT ABOUT THE GUN? 300 00:16:58,688 --> 00:17:01,229 I MEAN, ANGEL DIDN'T SHOOT MS. CALENDAR. 301 00:17:01,229 --> 00:17:03,062 THE GUN IS INSIGNIFICANT. 302 00:17:03,062 --> 00:17:05,771 IT'S THE VIOLENCE OF THE THING THAT MATTERS. 303 00:17:05,771 --> 00:17:08,521 Buffy: I DON'T KNOW. THESE FIGHTS THESE COUPLES KEEP HAVING-- 304 00:17:08,521 --> 00:17:10,479 IT'S SORT OF SPECIFIC. 305 00:17:10,479 --> 00:17:12,604 SHE'S RIGHT. IT'S A PATTERN THAT DOESN'T FIT 306 00:17:12,604 --> 00:17:14,729 WITH THE WAY MS. CALENDAR DIED. 307 00:17:14,729 --> 00:17:17,729 I APPRECIATE YOUR THOUGHTS ON THE MATTER 308 00:17:17,729 --> 00:17:20,104 IN FACT, WELL, I ENCOURAGE YOU 309 00:17:20,104 --> 00:17:23,938 TO ALWAYS CHALLENGE ME WHEN YOU FEEL IT'S APPROPRIATE. 310 00:17:23,938 --> 00:17:25,604 YOU SHOULD NEVER BE COWED BY AUTHORITY. 311 00:17:25,604 --> 00:17:27,604 EXCEPT, OF COURSE, IN THIS INSTANCE, 312 00:17:27,604 --> 00:17:30,104 WHEN I AM CLEARLY RIGHT AND YOU ARE CLEARLY WRONG. 313 00:17:30,104 --> 00:17:32,563 THIS IS FREAKY. 314 00:17:32,563 --> 00:17:35,604 I DON'T REMEMBER EVER SEEING GILES BE THIS WEIRD. 315 00:17:35,604 --> 00:17:37,062 I KNOW. HE'S USUALLY "INVESTIGATE THINGS 316 00:17:37,062 --> 00:17:39,312 FROM EVERY BORING ANGLE" GUY. 317 00:17:39,312 --> 00:17:42,813 NOW HE'S "I CLING ON TO MY ONE LAME IDEA" GUY. WHAT GIVES? 318 00:17:42,813 --> 00:17:45,855 HE MISSES HER. HE CAN'T THINK. 319 00:17:45,855 --> 00:17:48,646 JUST A LITTLE MORE FALLOUT FROM MY LOVE LIFE. 320 00:17:48,646 --> 00:17:51,813 OK, BUT THIS GHOST STUFF IS SOMETHING ELSE. 321 00:17:51,813 --> 00:17:54,396 LET ME DO A CROSS-CHECK ON OTHER SHOOTINGS AT THE SCHOOL. 322 00:17:54,396 --> 00:17:57,229 YEAH, WE NEED SOME ALTERNATE GHOST THEORIES. WHAT DO WE KNOW? 323 00:17:57,229 --> 00:17:59,354 DOG SPIT IS CLEANER THAN HUMAN. 324 00:17:59,354 --> 00:18:00,479 BESIDES THAT? 325 00:18:00,479 --> 00:18:02,646 OH, BOY, WE KNOW PLENTY. 326 00:18:02,646 --> 00:18:05,146 IT SAYS, "A STUDENT MURDERED A TEACHER 327 00:18:05,146 --> 00:18:07,312 ON THE NIGHT OF THE SADIE HAWKINS DANCE." 328 00:18:07,312 --> 00:18:09,230 THE RUMOR WAS THEY WERE HAVING AN AFFAIR 329 00:18:09,230 --> 00:18:10,688 AND SHE TRIED TO BREAK IT OFF. 330 00:18:10,688 --> 00:18:13,230 AFTER HE KILLED HER, HE WENT INTO THE MUSIC ROOM 331 00:18:13,230 --> 00:18:14,396 AND SHOT HIMSELF. 332 00:18:14,396 --> 00:18:17,146 LADIES AND GENTLEMEN, WE HAVE A GHOST. 333 00:18:17,146 --> 00:18:18,438 IT IS ONE OF THOSE 2, RIGHT? 334 00:18:18,438 --> 00:18:21,604 IT ALL FITS--THE GUN, THE SADIE HAWKINS DANCE. 335 00:18:21,604 --> 00:18:23,312 WHICH IS TONIGHT. 336 00:18:23,312 --> 00:18:24,646 HOW COME WE'VE NEVER HEARD ABOUT 337 00:18:24,646 --> 00:18:25,646 THIS MURDER-SUICIDE THING BEFORE? 338 00:18:25,646 --> 00:18:26,604 WHEN DID IT HAPPEN? 339 00:18:26,604 --> 00:18:28,688 1955. 340 00:18:28,688 --> 00:18:31,146 HOW DID YOU KNOW? 341 00:18:31,146 --> 00:18:33,604 Buffy: OK, HERE'S THE NEW STRANGENESS. 342 00:18:33,604 --> 00:18:36,646 I DREAMT ABOUT THIS WOMAN, GRACE NEWMAN, THE OTHER DAY. 343 00:18:36,646 --> 00:18:38,146 HER AND THIS GUY. 344 00:18:38,146 --> 00:18:41,312 JIM STANLEY? HE'S THE ONE. HE DID IT. 345 00:18:41,312 --> 00:18:44,479 YOUR DREAMS ARE GETTING WICKED ACCURATE, BUFF. 346 00:18:44,479 --> 00:18:46,813 YOU WOULDN'T HAPPEN TO SEE ME COMING ACROSS SOME BIG CASH? 347 00:18:46,813 --> 00:18:49,187 OR POSSIBLY KNOWING THE LOVE OF A WOMAN, 348 00:18:49,187 --> 00:18:51,688 IN A FULL BODY SENSE? 349 00:18:51,688 --> 00:18:54,312 HE COULDN'T MAKE HER LOVE HIM, SO HE KILLED HER. 350 00:18:54,312 --> 00:18:56,021 SICKO. 351 00:18:56,021 --> 00:18:58,229 Willow: HE LOOKS SO NORMAL IN HIS PICTURE. 352 00:18:58,229 --> 00:18:59,312 HE WAS SMART, TOO. 353 00:18:59,312 --> 00:19:00,646 HE MADE THE HONOR ROLL. 354 00:19:00,646 --> 00:19:02,104 SMART. 355 00:19:02,104 --> 00:19:04,230 HE KILLED A PERSON AND KILLED HIMSELF. 356 00:19:04,230 --> 00:19:06,855 THOSE ARE PRETTY MUCH 2 OF THE DUMBEST THINGS YOU COULD DO. 357 00:19:06,855 --> 00:19:11,104 I KNOW, BUT DON'T YOU FEEL KIND OF BAD FOR THEM? 358 00:19:11,104 --> 00:19:13,312 SURE I FEEL LOUSY-- FOR HER. 359 00:19:13,312 --> 00:19:14,855 HE'S A MURDERER AND HE SHOULD PAY FOR IT. 360 00:19:14,855 --> 00:19:16,438 WITH HIS LIFE? 361 00:19:16,438 --> 00:19:18,646 NO, HE SHOULD BE DOING 60 YEARS IN A PRISON, 362 00:19:18,646 --> 00:19:20,354 BREAKING ROCKS, AND MAKING SPECIAL FRIENDS 363 00:19:20,354 --> 00:19:22,188 WITH ROSCOE THE WEIGHTLIFTER. 364 00:19:22,188 --> 00:19:25,354 YIKES, THE QUALITY OF MERCY IS NOT BUFFY. 365 00:19:25,354 --> 00:19:28,062 WHOSE GHOST DO YOU THINK WE'RE DEALING WITH-- HIS OR HERS? 366 00:19:28,062 --> 00:19:30,729 WELL, CONSIDERING HOW VIOLENT IT IS, 367 00:19:30,729 --> 00:19:31,688 I'M GOING TO SAY HIS. 368 00:19:31,688 --> 00:19:33,646 THAT TRACKS. 369 00:19:33,646 --> 00:19:36,896 WELL, I'VE BEEN BROWSING ON SOME OF MS. CALENDAR'S PAGAN SITES. 370 00:19:36,896 --> 00:19:38,813 MAYBE I CAN FIND A WAY TO COMMUNICATE WITH HIM 371 00:19:38,813 --> 00:19:41,604 AND WE CAN FIND OUT WHAT HE WANTS. 372 00:19:41,604 --> 00:19:43,479 WHO CARES WHAT HE WANTS? 373 00:19:43,479 --> 00:19:45,813 WE NEED TO SHUT HIM DOWN BEFORE SOME OTHER INNOCENT GUY 374 00:19:45,813 --> 00:19:47,729 GOES AND KILLS SOME POOR NICE GIRL 375 00:19:47,729 --> 00:19:50,521 AND THEN BLOWS HIS BRAINS OUT ALL OVER THE MUSIC ROOM WALL. 376 00:19:50,521 --> 00:19:53,729 OK...WHO'S HUNGRY? 377 00:20:04,312 --> 00:20:06,396 I HOPE YOU GUYS AREN'T GOING TO THE SADIE HAWKINS DANCE TONIGHT, 378 00:20:06,396 --> 00:20:08,271 'CAUSE I'M ORGANIZING A BOYCOTT. 379 00:20:08,271 --> 00:20:10,813 DO YOU REALIZE THAT THE GIRLS HAVE TO ASK THE GUYS 380 00:20:10,813 --> 00:20:12,396 AND PAY AND EVERYTHING? 381 00:20:12,396 --> 00:20:14,312 I MEAN, WHOSE GENIUS IDEA WAS THAT? 382 00:20:14,312 --> 00:20:17,146 OBVIOUSLY, SOME HAIRY-LEGGED FEMINIST. 383 00:20:17,146 --> 00:20:19,729 REALLY. WELL, WE NEED TO NIP THIS THING IN THE BUD. 384 00:20:19,729 --> 00:20:21,938 I MEAN, OTHERWISE, THINGS ARE GOING TO GET REALLY SCARY. 385 00:20:21,938 --> 00:20:22,980 [ALL GASP] 386 00:20:25,104 --> 00:20:26,729 AAH! 387 00:20:55,980 --> 00:20:58,563 PERFECT. I'M GOING TO BE SCARRED AND SWOLLEN. 388 00:20:58,563 --> 00:21:00,771 WHY DIDN'T THEY JUST KILL ME? 389 00:21:02,688 --> 00:21:04,021 SCHOOL BOY PRANKS? 390 00:21:04,021 --> 00:21:05,896 NEVER SELL. 391 00:21:05,896 --> 00:21:07,688 THE SEWER GOT BACKED UP. 392 00:21:07,688 --> 00:21:09,521 BETTER. I CAN PROBABLY MAKE THAT ONE FLY. 393 00:21:09,521 --> 00:21:11,187 BUT THIS IS GETTING OUT OF HAND. PEOPLE WILL TALK. 394 00:21:11,187 --> 00:21:13,062 YOU'LL TAKE CARE OF IT. 395 00:21:13,062 --> 00:21:14,479 I'M DOING EVERYTHING I CAN, 396 00:21:14,479 --> 00:21:15,813 BUT YOU PEOPLE HAVE TO REALIZE-- 397 00:21:15,813 --> 00:21:17,271 Man: SNYDER, WHAT'S GOING ON HERE? 398 00:21:17,271 --> 00:21:18,980 BACKED UP SEWER LINE. 399 00:21:18,980 --> 00:21:21,729 SAME THING HAPPENED IN SAN DIEGO JUST LAST WEEK. 400 00:21:21,729 --> 00:21:25,312 WE'RE ON A HELLMOUTH. 401 00:21:25,312 --> 00:21:28,563 SOONER OR LATER, PEOPLE ARE GOING TO FIGURE THAT OUT. 402 00:21:28,563 --> 00:21:31,396 THE CITY COUNCIL WAS TOLD THAT YOU COULD HANDLE THIS JOB. 403 00:21:31,396 --> 00:21:33,271 IF YOU FEEL THAT YOU CAN'T, 404 00:21:33,271 --> 00:21:35,438 PERHAPS YOU'D LIKE TO TAKE THAT UP WITH THE MAYOR. 405 00:21:36,813 --> 00:21:37,771 I'LL HANDLE IT. 406 00:21:39,271 --> 00:21:41,146 I WILL. 407 00:21:41,146 --> 00:21:44,271 REMEMBER THE PLAN TO CONTACT THE SPIRIT AND TALK TO IT? 408 00:21:44,271 --> 00:21:46,813 SCRAP THAT PLAN. BUFFY, YOU WERE RIGHT. 409 00:21:46,813 --> 00:21:49,563 THE TIME FOR TOUCHY- FEELY COMMUNICATION IS PASSED. 410 00:21:49,563 --> 00:21:52,604 I'VE DONE SOME HOMEWORK AND FOUND OUT THE ONLY SOLUTION 411 00:21:52,604 --> 00:21:54,604 IS THE FINAL SOLUTION. 412 00:21:54,604 --> 00:21:55,896 NUKE THE SCHOOL? 413 00:21:57,771 --> 00:21:59,104 I LIKE THAT. 414 00:21:59,104 --> 00:22:01,396 NOT QUITE...EXORCISM. 415 00:22:01,396 --> 00:22:04,771 ARE YOU CRAZY? I SAW THAT MOVIE. EVEN THE PRIEST DIED. 416 00:22:04,771 --> 00:22:06,646 WHAT'S THE DEAL? 417 00:22:06,646 --> 00:22:09,646 OK, SEE HERE, THE BALCONY? 418 00:22:09,646 --> 00:22:12,563 THAT'S WHERE THE ORIGINAL TEACHER DIED BACK IN 1955 419 00:22:12,563 --> 00:22:14,563 AND THAT TEACHER LAST NIGHT. 420 00:22:14,563 --> 00:22:17,855 THAT'S THE HOT SPOT WHERE ALL THE BAD MOJO IS COMING FROM. 421 00:22:17,855 --> 00:22:20,604 WE NEED TO CREATE A MANGUS-TRIPOD. 422 00:22:20,604 --> 00:22:22,187 A WHAT? 423 00:22:22,187 --> 00:22:25,062 ONE PERSON CHANTS HERE ON THE HOT SPOT. 424 00:22:25,062 --> 00:22:27,813 AND THE OTHER 3 CHANT IN OTHER PLACES AROUND THE SCHOOL 425 00:22:27,813 --> 00:22:30,146 FORMING A TRIANGLE. 426 00:22:30,146 --> 00:22:32,521 IT'S SUPPOSED TO BIND THE BAD SPIRIT 427 00:22:32,521 --> 00:22:35,104 AND KEEP IT FROM DOING ANY MORE HARM. 428 00:22:35,104 --> 00:22:38,980 I'LL TAKE THE HOT SPOT. IF THERE'S TROUBLE, THAT'S WHERE IT'LL BE. 429 00:22:38,980 --> 00:22:42,312 THIS GHOST, THIS JAMES GUY, IS FIXATING ON YOU, BUFFY-- 430 00:22:42,312 --> 00:22:44,312 THE DREAMS, THE YEARBOOK. 431 00:22:44,312 --> 00:22:45,479 YOU SURE YOU CAN HANDLE IT? 432 00:22:47,062 --> 00:22:50,896 OH, I'M HOPING HE'LL SHOW. I TRULY AM. 433 00:22:53,604 --> 00:22:55,521 Buffy: OK, WE ALL HAVE OUR PLACES. 434 00:22:55,521 --> 00:22:57,396 WE DO THE CHANT AND LIGHT THE CANDLE AT MIDNIGHT EXACTLY. 435 00:22:57,396 --> 00:22:59,396 ANY QUESTIONS? 436 00:22:59,396 --> 00:23:02,229 YEAH, WHAT IF THIS MANGLED TRIANGLE THINGY DOESN'T WORK? 437 00:23:02,229 --> 00:23:05,688 OH, I ALMOST FORGOT. I MADE US ALL SCAPULAS. 438 00:23:05,688 --> 00:23:09,062 OK, SO WE CAN FLIP THE GHOST OVER WHEN IT TURNS A NICE GOLDEN BROWN? 439 00:23:09,062 --> 00:23:11,938 SCAPULA, NOT SPATULA. 440 00:23:11,938 --> 00:23:15,229 UM, YOU WEAR IT AROUND YOUR NECK FOR PROTECTION. 441 00:23:15,229 --> 00:23:16,563 YOU EXPECT ME TO WEAR THIS? 442 00:23:16,563 --> 00:23:18,146 IT SMELLS LIKE GRANDPA BREATH. 443 00:23:18,146 --> 00:23:19,479 SORRY, I DIDN'T HAVE A LOT OF TIME. 444 00:23:19,479 --> 00:23:20,813 I HAD TO USE SULFUR. 445 00:23:20,813 --> 00:23:22,146 STINKY, BUT EFFECTIVE. 446 00:23:22,146 --> 00:23:24,021 OK, LET'S DO THIS. 447 00:23:26,813 --> 00:23:29,438 NO PROBLEM. THIS WILL BE A PIECE OF CAKE, RIGHT? 448 00:23:29,438 --> 00:23:30,563 [CRASH] 449 00:23:46,813 --> 00:23:49,938 MAYBE I'LL SLEEP UNDERGROUND. 450 00:23:49,938 --> 00:23:52,354 DIG MYSELF A LITTLE BURROW. 451 00:23:52,354 --> 00:23:54,312 WHAT ABOUT YOUR PRETTY DRESS, SWEET? 452 00:23:54,312 --> 00:23:56,396 IT'LL GET ALL DIRTY. 453 00:23:56,396 --> 00:23:59,438 THEN I'LL SLEEP NAKED. LIKE THE ANIMALS DO. 454 00:23:59,438 --> 00:24:02,062 YOU KNOW, I'M SUDDENLY LIKING THIS PLAN. 455 00:24:02,062 --> 00:24:05,438 FORTUNATELY, NOBODY CARES WHAT YOU LIKE, MATE. 456 00:24:05,438 --> 00:24:08,354 OH, YEAH, LET'S ASK DRU. 457 00:24:08,354 --> 00:24:10,271 [LAUGHING] THERE'S A GATE. 458 00:24:12,604 --> 00:24:14,146 IT'S OPENING. 459 00:24:14,146 --> 00:24:16,230 INCOMING. I LOVE WHEN SHE DOES THIS. 460 00:24:16,230 --> 00:24:18,021 WHAT GATE, PET? WHAT DO YOU SEE? 461 00:24:18,021 --> 00:24:21,230 IT'S BLACK. 462 00:24:21,230 --> 00:24:23,688 IT WANTS HER. 463 00:24:23,688 --> 00:24:24,896 WANTS WHO? 464 00:24:24,896 --> 00:24:25,938 THE SLAYER. 465 00:24:27,938 --> 00:24:30,855 IT'S TIME, ANGEL. 466 00:24:30,855 --> 00:24:35,479 SHE'S READY FOR YOU NOW. SHE'S DANCING. 467 00:24:35,479 --> 00:24:37,312 DANCING WITH DEATH. 468 00:24:37,312 --> 00:24:41,021 BIG DEAL. HE WON'T DO ANYTHING. 469 00:24:41,021 --> 00:24:42,521 OUR MAN ANGEL HERE LIKES TO TALK 470 00:24:42,521 --> 00:24:44,021 BUT HE'S NOT MUCH FOR ACTION. 471 00:24:44,021 --> 00:24:45,771 ALL HAT AND NO CATTLE. 472 00:24:47,104 --> 00:24:49,146 I DON'T KNOW ABOUT THAT. 473 00:24:50,729 --> 00:24:53,896 I THINK THIS WHOLE SLAYER THING HAS RUN ITS COURSE. 474 00:24:53,896 --> 00:24:55,813 I'M READY TO FOCUS MY ENERGY ELSEWHERE. 475 00:24:57,521 --> 00:24:58,980 REALLY? 476 00:24:58,980 --> 00:25:03,604 OH, YEAH! WHAT, WITH YOU BEING SPECIAL NEEDS BOY, 477 00:25:03,604 --> 00:25:06,187 I FIGURE I SHOULD STICK CLOSE TO HOME. 478 00:25:06,187 --> 00:25:09,646 YOU AND DRU CAN ALWAYS USE ANOTHER PAIR OF HANDS. 479 00:25:09,646 --> 00:25:10,729 MMM! 480 00:25:10,729 --> 00:25:12,438 [ANGEL LAUGHS] 481 00:25:25,312 --> 00:25:26,312 [DOOR OPENS] 482 00:25:26,312 --> 00:25:28,021 AAH! AAH! 483 00:25:28,021 --> 00:25:29,813 GOD, WILLOW, WHAT ARE YOU DOING HERE? 484 00:25:29,813 --> 00:25:31,229 YOU'RE NOT SUPPOSED TO BE INSIDE. 485 00:25:31,229 --> 00:25:33,230 ME, WHAT ABOUT YOU? 486 00:25:33,230 --> 00:25:37,563 I'M, UH, I'M TRYING TO-- 487 00:25:37,563 --> 00:25:41,396 I THINK I MAY BE CLOSE TO CONTACTING JENNY. 488 00:25:43,813 --> 00:25:44,896 WHAT'S THAT SMELL? 489 00:25:44,896 --> 00:25:46,771 IT'S MY SCAPULA. 490 00:25:46,771 --> 00:25:48,604 AH, DID YOU USE SULFUR? 491 00:25:48,604 --> 00:25:49,604 YEAH. 492 00:25:49,604 --> 00:25:50,938 IT'S CLEVER. 493 00:25:50,938 --> 00:25:52,980 RUN ALONG THEN. 494 00:25:52,980 --> 00:25:56,229 THERE MAY BE SOME PARANORMAL PHENOMENA IF I CONTACT HER. 495 00:25:56,229 --> 00:25:59,187 YOU DON'T WANT TO BE IN THE LINE OF FIRE. 496 00:25:59,187 --> 00:26:02,646 OK, 'NIGHT. 497 00:26:35,563 --> 00:26:39,813 ♪ MY LOVE MUST BE A KIND OF BLIND LOVE ♪ 498 00:26:43,479 --> 00:26:47,688 ♪ I CAN'T SEE ANYONE BUT YOU ♪ 499 00:26:50,354 --> 00:26:51,855 ♪ SHOO-BOP, SHOO-BOP ♪ 500 00:26:54,479 --> 00:26:56,396 ♪ SHOO-BOP, SHOO-BOP ♪ 501 00:26:58,354 --> 00:26:59,980 ♪ SHOO-BOP, SHOO-BOP ♪ 502 00:27:02,188 --> 00:27:04,230 ♪ SHOO-BOP, SHOO-BOP ♪ 503 00:27:15,104 --> 00:27:19,438 OH, YEAH, BABY, IT'S SNAKALICIOUS IN HERE. 504 00:27:26,230 --> 00:27:27,521 ♪ SHOO-BOP, SHOO-BOP ♪ 505 00:27:27,521 --> 00:27:34,021 ♪ THE MOON MAY BE HIGH ♪ 506 00:27:34,021 --> 00:27:35,938 ♪ SHOO-BOP, SHOO-BOP ♪ 507 00:27:35,938 --> 00:27:41,646 ♪ BUT I CAN'T SEE A THING IN THE SKY ♪ 508 00:27:41,646 --> 00:27:47,354 ♪ I ONLY HAVE EYES FOR YOU... ♪ 509 00:27:52,729 --> 00:27:55,438 AAH! 510 00:27:59,187 --> 00:28:01,188 AAH! AAH! 511 00:28:01,188 --> 00:28:03,563 AAAAAH! 512 00:28:03,563 --> 00:28:04,729 GILES! 513 00:28:04,729 --> 00:28:05,688 WILLOW! 514 00:28:05,688 --> 00:28:08,021 GILES! GILES! 515 00:28:08,021 --> 00:28:10,604 WHERE ARE YOU? 516 00:28:10,604 --> 00:28:12,354 GILES! HELP ME! HELP! 517 00:28:12,354 --> 00:28:13,521 HELP ME! 518 00:28:13,521 --> 00:28:15,312 HELP! HELP! HELP! HELP! 519 00:28:15,312 --> 00:28:17,521 AAH! AAH! 520 00:28:17,521 --> 00:28:18,771 UNH! 521 00:28:35,813 --> 00:28:36,729 STOP! 522 00:28:36,729 --> 00:28:37,896 JUST CALM DOWN. 523 00:28:44,062 --> 00:28:47,479 ♪ I DON'T KNOW... ♪ 524 00:28:48,604 --> 00:28:49,646 GET OUT! 525 00:28:58,396 --> 00:28:59,980 ARE YOU ALL RIGHT? 526 00:28:59,980 --> 00:29:03,230 GILES, JENNY COULD NEVER BE THIS MEAN. 527 00:29:05,813 --> 00:29:07,188 YES, I KNOW. 528 00:29:09,062 --> 00:29:11,021 IT'S--IT'S NOT HER, IS IT? 529 00:29:11,021 --> 00:29:13,188 I'M SORRY. 530 00:29:15,021 --> 00:29:18,187 [BELL TOLLS] OH, GOD. OH. 531 00:29:18,187 --> 00:29:20,438 CAREFUL UP HERE. 532 00:29:25,563 --> 00:29:27,354 [LIGHTER WON'T LIGHT] 533 00:29:31,062 --> 00:29:33,813 I SHALL CONFRONT AND EXPEL ALL EVIL. 534 00:29:33,813 --> 00:29:37,312 I SHALL TOTALLY CONFRONT AND EXPEL ALL EVIL. 535 00:29:37,312 --> 00:29:39,563 OUT OF MARROW AND BONE... 536 00:29:39,563 --> 00:29:41,229 OUT OF HOUSE AND HOME... 537 00:29:41,229 --> 00:29:43,354 NEVER TO COME HERE AGAIN. 538 00:30:13,688 --> 00:30:15,563 OH, MY GOD. 539 00:30:19,229 --> 00:30:20,980 Giles: YOU ALL RIGHT? 540 00:30:25,438 --> 00:30:26,646 Buffy: GET BACK! 541 00:30:35,563 --> 00:30:36,855 CHECK IT. 542 00:30:36,855 --> 00:30:38,855 I'D SAY SCHOOL'S OUT FOR GOOD. 543 00:30:47,312 --> 00:30:51,354 Giles: THE GOOD NEWS IS, NONE OF YOU GIRLS WAS SHOT. 544 00:30:51,354 --> 00:30:53,354 WELL, WE'VE ESTABLISHED, 545 00:30:53,354 --> 00:30:56,604 BASED ON ALL THE PARALLELS AND BUFFY'S VISIONS, 546 00:30:56,604 --> 00:30:58,438 THAT IT'S JAMES' SPIRIT. 547 00:30:58,438 --> 00:31:00,855 SO WHAT DO WE DO, GILES, ABOUT JAMES? 548 00:31:00,855 --> 00:31:03,604 HE'S OBVIOUSLY RELIVING THE NIGHT OF THE SADIE HAWKINS DANCE 549 00:31:03,604 --> 00:31:05,187 WHEN HE KILLED MISS NEWMAN. 550 00:31:05,187 --> 00:31:07,604 IT'S COMMON ENOUGH FOR A SPIRIT TO DO THIS, 551 00:31:07,604 --> 00:31:09,354 TO RECREATE A TRAGEDY. 552 00:31:09,354 --> 00:31:11,104 HEY. 553 00:31:11,104 --> 00:31:12,813 IF SUNNYDALE HIGH SCHOOL SHUTS DOWN FOREVER, 554 00:31:12,813 --> 00:31:13,896 DO WE AUTOMATICALLY GRADUATE? 555 00:31:13,896 --> 00:31:17,187 BUT WHY? WHAT DOES HE WANT? 556 00:31:17,187 --> 00:31:19,980 ACTUALLY, THAT'S AN INTERESTING POINT. 557 00:31:19,980 --> 00:31:21,896 HE'S TRYING TO... RESOLVE 558 00:31:21,896 --> 00:31:23,855 WHATEVER ISSUES ARE KEEPING HIM IN LIMBO. 559 00:31:23,855 --> 00:31:25,604 WHAT EXACTLY THOSE ARE, I'M NOT-- 560 00:31:25,604 --> 00:31:26,646 HE WANTS FORGIVENESS. 561 00:31:28,563 --> 00:31:29,563 Giles: YES. 562 00:31:29,563 --> 00:31:32,521 I IMAGINE HE DOES. 563 00:31:34,021 --> 00:31:36,855 BUT WHEN JAMES POSSESSES PEOPLE, 564 00:31:36,855 --> 00:31:39,771 THEY ACT OUT EXACTLY WHAT HAPPENED THAT NIGHT. 565 00:31:39,771 --> 00:31:43,938 SO HE'S EXPERIENCING A FORM OF PURGATORY INSTEAD. 566 00:31:43,938 --> 00:31:46,896 I MEAN, HE'S DOOMED TO KILL HIS MISS NEWMAN 567 00:31:46,896 --> 00:31:48,813 OVER AND OVER AND OVER AGAIN, 568 00:31:48,813 --> 00:31:52,146 AND...FORGIVENESS IS IMPOSSIBLE. 569 00:31:52,146 --> 00:31:54,104 GOOD. HE DOESN'T DESERVE IT. 570 00:31:58,187 --> 00:32:00,521 TO FORGIVE IS AN ACT OF COMPASSION, BUFFY. 571 00:32:00,521 --> 00:32:02,855 IT'S NOT DONE BECAUSE PEOPLE DESERVE IT. 572 00:32:02,855 --> 00:32:04,688 IT'S DONE BECAUSE THEY NEED IT. 573 00:32:04,688 --> 00:32:06,146 NO. 574 00:32:06,146 --> 00:32:08,729 JAMES DESTROYED THE ONE PERSON HE LOVED THE MOST 575 00:32:08,729 --> 00:32:10,688 IN A MOMENT OF BLIND PASSION. 576 00:32:10,688 --> 00:32:12,646 AND THAT'S NOT SOMETHING YOU FORGIVE. 577 00:32:12,646 --> 00:32:15,104 NO MATTER WHY HE DID WHAT HE DID. 578 00:32:15,104 --> 00:32:18,855 AND NO MATTER IF HE KNOWS NOW THAT IT WAS WRONG AND SELFISH AND STUPID, 579 00:32:18,855 --> 00:32:21,813 IT IS JUST SOMETHING HE'S GONNA HAVE TO LIVE WITH. 580 00:32:24,104 --> 00:32:25,563 HE CAN'T LIVE WITH IT, BUFF. 581 00:32:26,729 --> 00:32:28,563 HE'S DEAD. 582 00:32:38,229 --> 00:32:40,813 OK. OVERIDENTIFY MUCH? 583 00:32:57,604 --> 00:32:59,479 Voice, whispers: I need you. 584 00:33:08,771 --> 00:33:13,146 SO WHAT DO WE DO NEXT? DO WE GO IN AGAIN? 585 00:33:13,146 --> 00:33:15,146 WELL, NOT NOW. 586 00:33:15,146 --> 00:33:17,187 NO, THE, UH... 587 00:33:17,187 --> 00:33:20,771 THE SPIRIT IS TOO ANGRY, TOO POWERFUL. 588 00:33:20,771 --> 00:33:24,104 NO, WE HAVE TO WORK OUT 589 00:33:24,104 --> 00:33:28,479 EXACTLY HOW AND IF THIS THING CAN BE DEFEATED. 590 00:33:30,729 --> 00:33:32,896 [WASP SWARM BUZZING] 591 00:34:00,938 --> 00:34:02,146 HEY, BUFFY, ARE YOU-- 592 00:34:06,813 --> 00:34:08,604 OH, GOD. 593 00:34:08,604 --> 00:34:09,813 GILES! 594 00:34:10,729 --> 00:34:12,271 SHE WENT BACK. 595 00:34:15,688 --> 00:34:17,354 Xander: SO WHAT NOW? 596 00:34:17,354 --> 00:34:20,354 NOT EVEN A MEGA-VAT OF RAID'S GONNA DO THE TRICK HERE. 597 00:34:20,354 --> 00:34:22,187 I DON'T GET IT. IS SHE TRYING TO BE 598 00:34:22,187 --> 00:34:24,062 A BIG, LONER HERO OR SOMETHING? 599 00:34:24,062 --> 00:34:26,938 NO. I BELIEVE SHE'S UNDER THE SPIRIT'S THRALL. 600 00:34:26,938 --> 00:34:28,312 HE'S CALLING HER. 601 00:34:28,312 --> 00:34:30,021 BUT WHY? 602 00:34:30,021 --> 00:34:32,604 JAMES NEEDS HER TO REENACT EVERYTHING THAT HAPPENED 603 00:34:32,604 --> 00:34:34,187 ON THE NIGHT THAT HE KILLED MISS NEWMAN. 604 00:34:34,187 --> 00:34:37,354 HE WANTS TO CHANGE THINGS, MAKE--MAKE A HAPPY ENDING. 605 00:34:37,354 --> 00:34:39,062 BUT IT CAN'T EVER HAPPEN. 606 00:34:39,062 --> 00:34:40,980 IT ALWAYS ENDS THE SAME, 607 00:34:40,980 --> 00:34:44,062 WHICH MEANS BUFFY JUST WENT IN THERE TO GET SHOT, GILES. 608 00:34:44,062 --> 00:34:45,646 YES. 609 00:34:45,646 --> 00:34:49,521 BUT THE SCHOOL'S DESERTED. 610 00:34:49,521 --> 00:34:53,521 THERE'S NO WAY FOR JAMES TO PLAY HIS PART. 611 00:34:53,521 --> 00:34:56,479 THERE'S NO MAN INSIDE FOR HIM TO POSSESS. 612 00:34:56,479 --> 00:34:59,479 SO BUFFY SHOULD BE SAFE UNTIL WE FIND A WAY TO GET HER OUT. 613 00:34:59,479 --> 00:35:01,354 IN THEORY. YEAH. 614 00:35:27,229 --> 00:35:30,104 FUN FACT ABOUT WASPS. 615 00:35:31,813 --> 00:35:34,646 THEY HAVE NO TASTE FOR THE UNDEAD. 616 00:35:34,646 --> 00:35:36,855 NOT THAT A STING WOULD DO ME ANY DAMAGE, 617 00:35:36,855 --> 00:35:40,354 IT'S JUST... TONIGHT'S SPECIAL. 618 00:35:40,354 --> 00:35:43,354 I WANTED TO LOOK MY BEST FOR YOU. 619 00:35:43,354 --> 00:35:46,062 YOU'RE THE ONLY ONE. 620 00:35:46,062 --> 00:35:48,980 THE ONLY PERSON I CAN TALK TO. 621 00:35:48,980 --> 00:35:51,479 GOSH, BUFF... 622 00:35:51,479 --> 00:35:53,980 THAT'S REALLY PATHETIC. 623 00:35:53,980 --> 00:35:58,271 YOU CAN'T MAKE ME DISAPPEAR JUST BECAUSE YOU SAY IT'S OVER. 624 00:35:58,271 --> 00:36:01,229 ACTUALLY... 625 00:36:01,229 --> 00:36:02,604 I CAN. 626 00:36:04,438 --> 00:36:05,813 IN FACT... 627 00:36:10,438 --> 00:36:13,396 I JUST WANT YOU TO BE ABLE TO HAVE SOME KIND OF NORMAL LIFE. 628 00:36:13,396 --> 00:36:14,938 WE CAN NEVER HAVE THAT, DON'T YOU SEE? 629 00:36:14,938 --> 00:36:18,021 I DON'T GIVE A DAMN ABOUT A NORMAL LIFE! 630 00:36:18,021 --> 00:36:20,021 I'M GOING CRAZY NOT SEEING YOU. 631 00:36:21,813 --> 00:36:24,021 I THINK ABOUT YOU EVERY MINUTE. 632 00:36:25,521 --> 00:36:27,146 I KNOW. 633 00:36:28,688 --> 00:36:31,479 BUT IT'S OVER. 634 00:36:31,479 --> 00:36:33,563 IT HAS TO BE. 635 00:36:35,230 --> 00:36:36,312 COME BACK HERE! 636 00:36:36,312 --> 00:36:37,813 WE'RE NOT FINISHED! 637 00:36:37,813 --> 00:36:39,855 YOU DON'T CARE ANYMORE, IS THAT IT? 638 00:36:39,855 --> 00:36:41,604 IT DOESN'T MATTER. IT DOESN'T MATTER WHAT I FEEL. 639 00:36:41,604 --> 00:36:43,312 THEN TELL ME YOU DON'T LOVE ME! 640 00:36:44,521 --> 00:36:46,354 SAY IT! 641 00:36:46,354 --> 00:36:48,604 IS THAT WHAT YOU NEED TO HEAR? 642 00:36:48,604 --> 00:36:50,104 WILL THAT HELP? 643 00:36:52,104 --> 00:36:53,479 I DON'T. 644 00:36:55,062 --> 00:36:56,646 I DON'T. 645 00:36:56,646 --> 00:36:57,938 NOW LET ME GO. 646 00:36:57,938 --> 00:36:59,146 NO. 647 00:36:59,146 --> 00:37:01,729 A PERSON DOESN'T JUST WAKE UP 648 00:37:01,729 --> 00:37:03,312 AND STOP LOVING SOMEBODY! 649 00:37:08,146 --> 00:37:11,813 LOVE IS FOREVER. 650 00:37:11,813 --> 00:37:14,354 I'M NOT AFRAID TO USE IT, I SWEAR! 651 00:37:16,187 --> 00:37:17,813 IF I CAN'T BE WITH YOU... 652 00:37:17,813 --> 00:37:19,021 OH, MY GOD. 653 00:37:20,938 --> 00:37:22,229 DON'T WALK AWAY FROM ME... 654 00:37:22,229 --> 00:37:23,312 BITCH! 655 00:37:26,438 --> 00:37:28,521 STOP IT! 656 00:37:28,521 --> 00:37:30,312 STOP IT! DON'T MAKE ME! 657 00:37:30,312 --> 00:37:31,563 ALL RIGHT. 658 00:37:31,563 --> 00:37:32,479 JUST... 659 00:37:38,271 --> 00:37:40,646 YOU KNOW YOU DON'T WANT TO DO THIS. 660 00:37:42,104 --> 00:37:44,271 LET'S BOTH... 661 00:37:44,271 --> 00:37:46,146 JUST CALM DOWN. 662 00:37:47,688 --> 00:37:49,688 NOW GIVE ME THE GUN. 663 00:37:52,438 --> 00:37:55,438 DON'T. DON'T DO THAT, DAMN IT! 664 00:37:55,438 --> 00:37:59,229 DON'T TALK TO ME LIKE I'M SOME STUPID-- 665 00:38:08,688 --> 00:38:10,188 Angel: JAMES... 666 00:39:19,188 --> 00:39:21,229 [QUIET SOBBING] 667 00:39:26,521 --> 00:39:30,062 [I ONLY HAVE EYES FOR YOU PLAYING] 668 00:39:32,104 --> 00:39:36,062 ♪ MY LOVE MUST BE A KIND OF BLIND LOVE ♪ 669 00:39:39,729 --> 00:39:44,438 ♪ I CAN'T SEE ANYONE BUT YOU ♪ 670 00:39:46,438 --> 00:39:47,938 ♪ SHOO-BOP, SHOO-BOP ♪ 671 00:39:50,479 --> 00:39:51,938 ♪ SHOO-BOP, SHOO-BOP ♪ 672 00:39:54,187 --> 00:39:55,312 GRACE. 673 00:39:55,312 --> 00:39:57,271 DON'T DO THIS. 674 00:39:57,271 --> 00:39:59,521 BUT--BUT I KILLED YOU. 675 00:39:59,521 --> 00:40:01,438 IT WAS AN ACCIDENT. IT WASN'T YOUR FAULT. 676 00:40:01,438 --> 00:40:04,312 OH, IT IS MY FAULT. HOW COULD I-- 677 00:40:04,312 --> 00:40:06,938 SHH. I'M THE ONE WHO SHOULD BE SORRY, JAMES. 678 00:40:06,938 --> 00:40:09,771 YOU THOUGHT I STOPPED LOVING YOU. 679 00:40:09,771 --> 00:40:11,438 BUT I NEVER DID. 680 00:40:13,271 --> 00:40:15,396 I LOVED YOU WITH MY LAST BREATH. 681 00:40:15,396 --> 00:40:16,729 [CRYING] 682 00:40:16,729 --> 00:40:18,271 SHH... 683 00:40:18,271 --> 00:40:19,729 NO MORE TEARS. 684 00:41:01,688 --> 00:41:04,187 ANGEL. 685 00:41:16,729 --> 00:41:17,729 [DOOR OPENS] 686 00:41:18,980 --> 00:41:20,312 EVERYTHING SEEMS NORMAL. 687 00:41:20,312 --> 00:41:22,521 NOT A SNAKE, NOT A WASP. 688 00:41:22,521 --> 00:41:24,396 YEP. SCHOOL CAN OPEN AGAIN TOMORROW. 689 00:41:24,396 --> 00:41:28,312 EXPLAIN TO ME AGAIN HOW THAT'S A GOOD THING. 690 00:41:28,312 --> 00:41:30,229 I'M DRAWING A BLANK. 691 00:41:39,938 --> 00:41:41,688 ARE YOU FEELING ANY BETTER? 692 00:41:43,146 --> 00:41:45,312 JAMES PICKED ME. 693 00:41:45,312 --> 00:41:48,187 I GUESS... 694 00:41:48,187 --> 00:41:51,980 I GUESS I WAS THE ONE HE COULD RELATE TO. 695 00:41:51,980 --> 00:41:54,229 HE WAS SO SAD. 696 00:41:59,354 --> 00:42:00,521 WELL... 697 00:42:03,146 --> 00:42:04,813 THEY CAN BOTH REST NOW. 698 00:42:04,813 --> 00:42:07,021 I STILL... 699 00:42:09,062 --> 00:42:12,938 A PART OF ME JUST DOESN'T UNDERSTAND WHY SHE WOULD FORGIVE HIM. 700 00:42:15,271 --> 00:42:17,438 DOES IT MATTER? 701 00:42:19,479 --> 00:42:21,229 NO. 702 00:42:21,229 --> 00:42:23,271 I GUESS NOT. 703 00:42:25,813 --> 00:42:28,604 [FRANTIC BREATHING] 704 00:42:32,729 --> 00:42:34,479 YOU MIGHT WANT TO LET UP. 705 00:42:34,479 --> 00:42:37,521 THEY SAY WHEN YOU'VE DRAWN BLOOD, YOU'VE EXFOLIATED. 706 00:42:37,521 --> 00:42:39,312 WHAT DO YOU KNOW ABOUT IT? 707 00:42:39,312 --> 00:42:40,938 I'M THE ONE WHO WAS FRIGGIN' VIOLATED. 708 00:42:40,938 --> 00:42:42,563 YOU DIDN'T HAVE THIS THING IN YOU. 709 00:42:42,563 --> 00:42:44,146 Drusilla: WHAT WAS IT, 710 00:42:44,146 --> 00:42:45,771 A DEMON? 711 00:42:45,771 --> 00:42:47,146 LOVE! 712 00:42:47,146 --> 00:42:49,438 POOR ANGEL. 713 00:42:51,896 --> 00:42:53,062 LET'S GET OUTTA HERE. 714 00:42:53,062 --> 00:42:55,646 I NEED A REAL VILE KILL BEFORE SUNUP 715 00:42:55,646 --> 00:42:57,104 TO WIPE THIS CRAP OUT OF MY SYSTEM. 716 00:42:57,104 --> 00:42:58,980 [SNARLING] 717 00:42:58,980 --> 00:43:01,646 OF COURSE. WE'LL FIND YOU A NICE TODDLER. 718 00:43:01,646 --> 00:43:03,521 [SNARLS] 719 00:43:03,521 --> 00:43:05,021 WANT TO COME, PET? 720 00:43:07,938 --> 00:43:09,729 NO CAN DO, DRU. 721 00:43:09,729 --> 00:43:11,396 I'M SURE HE'D BE HELL ON WHEELS, 722 00:43:11,396 --> 00:43:13,354 BUT WE DON'T HAVE MUCH TIME. 723 00:43:13,354 --> 00:43:15,396 GOTTA TRAVEL LIGHT. 724 00:43:15,396 --> 00:43:17,813 SORRY. 725 00:43:17,813 --> 00:43:19,896 TRY TO HAVE FUN WITHOUT ME. 726 00:43:29,688 --> 00:43:31,604 OH, I WILL. 727 00:43:48,021 --> 00:43:50,146 SOONER THAN YOU THINK. 728 00:43:58,146 --> 00:44:00,563 [ROCK MUSIC PLAYING] 729 00:44:27,021 --> 00:44:29,021 GRR! ARRGGH!