1 00:00:02,521 --> 00:00:04,062 IN EVERY GENERATION THERE IS A CHOSEN ONE. 2 00:00:04,062 --> 00:00:06,896 SHE ALONE WILL STAND AGAINST THE VAMPIRES, 3 00:00:06,896 --> 00:00:09,187 THE DEMONS. AND THE FORCES OF DARKNESS. 4 00:00:09,187 --> 00:00:10,729 SHE IS THE SLAYER. 5 00:00:12,980 --> 00:00:15,855 [ Cordelia ] I JUST LOVE SPRINGTIME, 6 00:00:15,855 --> 00:00:18,896 ME IN BRIGHT, SPRING FASHIONS. SPRING TRAINING. 7 00:00:18,896 --> 00:00:22,938 ME AT THE END-OF-SCHOOL DANCE. THE END OF SCHOOL. 8 00:00:22,938 --> 00:00:26,187 DEFINITELY MY FAVORITE TIME OF YEAR. 9 00:00:26,187 --> 00:00:29,187 I AM, OF COURSE, HAVING MY DRESS SPECIALLY MADE. 10 00:00:29,187 --> 00:00:31,354 OFF-THE-RACK GIVES ME HIVES. 11 00:00:31,354 --> 00:00:34,479 LET ME GUESS. BLUE LIKE YOUR EYES. 12 00:00:34,479 --> 00:00:36,896 MY EYES ARE HAZEL, HELEN KELLER. 13 00:00:36,896 --> 00:00:38,855 YOU TWO WILL LOOK SO FINE TOGETHER 14 00:00:38,855 --> 00:00:41,021 IN THE MAY QUEEN PHOTO. 15 00:00:41,021 --> 00:00:43,438 WELL, I HAVEN'T BEEN ELECTED MAY QUEEN YET. 16 00:00:43,438 --> 00:00:44,563 OOH! OH! OH! 17 00:00:44,563 --> 00:00:46,021 [ Chuckles ] 18 00:00:47,312 --> 00:00:50,104 BEHOLD THE WEIRDNESS. 19 00:00:50,104 --> 00:00:52,980 YOU'RE PROBABLY WONDERING WHAT I'M DOING WITH THIS STUFF, HUH? 20 00:00:52,980 --> 00:00:56,396 - WOW! I'M NOT. - UH, FOR HISTORY CLASS. 21 00:00:56,396 --> 00:01:00,146 MR. GILES HAS THIS, LIKE, HOBBY OF COLLECTING STUFF, 22 00:01:00,146 --> 00:01:03,229 WHICH HE LENT ME FOR SHOW-AND-TELL. 23 00:01:03,229 --> 00:01:06,062 DID I MENTION IT'S FOR HISTORY CLASS? 24 00:01:06,062 --> 00:01:08,354 SHE IS ALWAYS HANGING WITH THAT CREEPY LIBRARIAN... 25 00:01:08,354 --> 00:01:10,855 IN THAT CREEPY LIBRARY. 26 00:01:10,855 --> 00:01:14,479 HEY, DID I EVER TELL YOU ABOUT THE TIME SHE ATTACKED ME AT THE BRONZE? 27 00:01:14,479 --> 00:01:17,688 I DON'T KNOW WHY THIS SCHOOL ADMITS MENTALS LIKE HER. 28 00:01:19,646 --> 00:01:22,729 "IF YOU PRICK US, DO WE NOT BLEED? 29 00:01:22,729 --> 00:01:26,563 "IF YOU TICKLE US, DO WE NOT LAUGH? 30 00:01:26,563 --> 00:01:30,229 "IF YOU POISON US, DO WE NOT DIE? 31 00:01:30,229 --> 00:01:34,604 AND IF YOU WRONG US, SHALL WE NOT REVENGE?" 32 00:01:36,187 --> 00:01:39,646 OKAY. SO TALK TO ME, PEOPLE. 33 00:01:39,646 --> 00:01:42,354 HOW DOES WHAT SHYLOCK SAYS HERE ABOUT BEING A JEW... 34 00:01:42,354 --> 00:01:46,104 RELATE TO OUR DISCUSSION ABOUT THE ANGER OF THE OUTCAST IN SOCIETY? 35 00:01:46,104 --> 00:01:50,104 CORDELIA. WELL, HOW ABOUT "COLOR ME TOTALLY SELF-INVOLVED"? 36 00:01:50,104 --> 00:01:52,563 CARE TO ELABORATE? YEAH. 37 00:01:52,563 --> 00:01:54,896 WITH SHYLOCK, IT'S WHINE, WHINE, WHINE, 38 00:01:54,896 --> 00:01:57,229 LIKE THE WHOLE WORLD IS ABOUT HIM. 39 00:01:57,229 --> 00:02:01,354 HE ACTS LIKE IT'S JUSTICE, HIM GETTING A POUND OF ANTONIO'S FLESH. 40 00:02:01,354 --> 00:02:03,938 IT'S NOT JUSTICE. IT'S YICKY. 41 00:02:03,938 --> 00:02:08,604 BUT HAS SHYLOCK SUFFERED? WHAT'S HIS PLACE IN VENICE SOCIETY? 42 00:02:08,604 --> 00:02:10,230 WELL, EVERYONE LOOKED DOWN ON HIM. 43 00:02:10,230 --> 00:02:11,855 THAT IS SUCH A TWINKIE DEFENSE. 44 00:02:11,855 --> 00:02:13,813 SHYLOCK SHOULD GET OVER HIMSELF. 45 00:02:13,813 --> 00:02:17,521 PEOPLE WHO THINK THEIR PROBLEMS ARE SO HUGE CRAZE ME, 46 00:02:17,521 --> 00:02:20,479 LIKE THIS TIME I SORT OF RAN OVER THIS GIRL ON HER BIKE. 47 00:02:20,479 --> 00:02:22,813 IT WAS THE MOST TRAUMATIZING TIME MY LIFE, 48 00:02:22,813 --> 00:02:24,938 AND SHE WAS TRYING TO MAKE IT ABOUT HER LEG, 49 00:02:24,938 --> 00:02:27,354 LIKE MY PAIN MEANT NOTHING. 50 00:02:27,354 --> 00:02:31,438 WELL, CORDELIA'S RAISED AN INTERESTING POINT HERE... [ Bell Rings ] 51 00:02:31,438 --> 00:02:33,771 WHICH WE'LL PURSUE AT A LATER TIME. 52 00:02:36,438 --> 00:02:39,438 UM... MS. MILLER? 53 00:02:39,438 --> 00:02:41,896 GOOD OBSERVATIONS TODAY, CORDELIA. 54 00:02:41,896 --> 00:02:44,062 IT'S ALWAYS EXCITING TO KNOW SOMEONE'S ACTUALLY DONE THE READING. 55 00:02:44,062 --> 00:02:48,021 THANKS. UM, I WANT TO TALK TO YOU ABOUT MY FINAL PAPER. 56 00:02:48,021 --> 00:02:50,521 I'M REAL UNFOCUSED. I HAVE ALL THESE THOUGHTS, 57 00:02:50,521 --> 00:02:53,521 AND I'M PRETTY SURE THEY ALL CONTRADICT EACH OTHER. 58 00:02:53,521 --> 00:02:57,146 WELL, I HAVE YOUR OUTLINE HERE, BUT WHY DON'T YOU STOP BY TOMORROW AFTER SCHOOL? 59 00:02:57,146 --> 00:02:59,813 WE'LL GO OVER IT THEN. THAT'D BE GREAT. THANKS A LOT. 60 00:02:59,813 --> 00:03:04,271 YOU'RE WELCOME. I'LL SEE YOU THEN. OKAY, BYE. 61 00:03:04,271 --> 00:03:08,771 HARMONY, THE DRESS IS READY. IT'S SO GREAT! MITCH IS GONNA DIE! 62 00:03:34,271 --> 00:03:36,729 HEY, MITCH, YOU GOING TO THE BRONZE? 63 00:03:36,729 --> 00:03:39,021 LATER. I'M PICKING OUT MY TUX FIRST. 64 00:03:39,021 --> 00:03:41,396 GOT TO LOOK SHARP FOR THE BIG DIG. OH, THAT'S RIGHT. 65 00:03:41,396 --> 00:03:43,563 YOU GOT TO LOOK GOOD TO BE ON CORDELIA'S ARM. 66 00:03:43,563 --> 00:03:46,688 OH, IT'S NOT HER ARM I'M LOOKING TO BE ON. 67 00:03:56,771 --> 00:04:00,896 [ Girl Giggles ] 68 00:04:00,896 --> 00:04:02,813 WHO'S THERE? 69 00:04:08,479 --> 00:04:11,187 [ Giggling ] 70 00:04:11,187 --> 00:04:13,604 OKAY, FUN TIME'S OVER. COME OUT. 71 00:04:20,354 --> 00:04:23,479 [ Groaning ] 72 00:04:27,521 --> 00:04:31,688 [ Animal Howling ] 73 00:05:23,354 --> 00:05:26,229 NOW, REMEMBER WHO TO VOTE FOR FOR MAY QUEEN, 74 00:05:26,229 --> 00:05:29,146 AS IN ME. [ Chuckles ] THANKS. 75 00:05:29,146 --> 00:05:31,813 HI! ISN'T THIS THE BOMB? 76 00:05:31,813 --> 00:05:34,479 I'M SUCH THE CAMPAIGN STRATEGIST. 77 00:05:34,479 --> 00:05:37,271 "C." FOR CORDELIA? 78 00:05:37,271 --> 00:05:39,521 NO, "C" FOR WILMA, LITTLE BRAIN. 79 00:05:39,521 --> 00:05:43,563 OF COURSE "C" FOR CORDELIA. THIS WAY, PEOPLE WILL ASSOCIATE ME WITH SOMETHING SWEET. 80 00:05:46,062 --> 00:05:50,563 HERE'S A CHOCOLATE-- OH, I DON'T THINK I NEED THE LOONY FRINGE VOTE. 81 00:05:53,229 --> 00:05:55,354 WELL... I DON'T EVEN LIKE CHOCOLATES. 82 00:05:55,354 --> 00:05:59,896 OKAY, THAT WAS THE LAMEST COMEBACK OF OUR TIMES. 83 00:05:59,896 --> 00:06:01,896 SO WHAT'S CORDELIA UP TO? 84 00:06:01,896 --> 00:06:06,354 BRIBERY. SHE'S DESPERATE TO BE MAY QUEEN. SHE DOES LOVE TITLES. 85 00:06:06,354 --> 00:06:10,062 OH, GOD! REMEMBER IN SIXTH GRADE WITH THE FIELD TRIP? 86 00:06:10,062 --> 00:06:14,062 RIGHT! RIGHT! THE GUY WITH THE ANTLERS ON HIS BELT. 87 00:06:14,062 --> 00:06:18,271 "BE MY DEPUTY." AND REMEMBER, THE HAT? 88 00:06:18,271 --> 00:06:22,813 - GEE, IT'S FUN THAT WE'RE SPEAKING IN TONGUES. - [ Laughing ] 89 00:06:22,813 --> 00:06:24,396 I'M SORRY. 90 00:06:24,396 --> 00:06:27,187 IT WAS JUST, WE HAD THIS, UH-- YOU HAD TO BE THERE. 91 00:06:27,187 --> 00:06:29,187 IT'S NOT EVEN FUNNY. REALLY. 92 00:06:29,187 --> 00:06:32,771 CORDELIA JUST HAS A HISTORY OF TRYING TOO HARD. 93 00:06:32,771 --> 00:06:36,062 YEAH. WHAT KIND OF MORON WOULD WANT TO BE MAY QUEEN ANYWAY? 94 00:06:36,062 --> 00:06:39,146 - I WAS. - YOU WHAT? 95 00:06:39,146 --> 00:06:41,646 AT MY OLD SCHOOL. 96 00:06:41,646 --> 00:06:45,187 SO THE GOOD KIND OF MORON WOULD DO THAT, 97 00:06:45,187 --> 00:06:47,146 THE, UH, NON-MORON, I MEAN. 98 00:06:47,146 --> 00:06:50,521 WELL, WE DIDN'T CALL IT MAY QUEEN, 99 00:06:50,521 --> 00:06:54,146 BUT WE HAD THE CORONATION AND THE DANCE AND ALL THAT STUFF. 100 00:06:54,146 --> 00:06:59,479 - IT WAS NICE. - YOU DON'T NEED THAT ANYMORE. YOU'VE GOT US. 101 00:06:59,479 --> 00:07:02,563 [ Giggling ] "BE MY DEPUTY." 102 00:07:02,563 --> 00:07:04,688 [ Laughing ] 103 00:07:04,688 --> 00:07:08,062 GUYS! COME ON! MITCH GOT WAILED ON. I THINK HE'S... 104 00:07:08,062 --> 00:07:10,146 HE'S DEAD? OF COURSE NOT. 105 00:07:10,146 --> 00:07:12,062 DEAD. WHAT ARE YOU, GHOULS? 106 00:07:12,062 --> 00:07:14,688 THERE ARE NO DEAD STUDENTS HERE... 107 00:07:14,688 --> 00:07:16,813 THIS WEEK. 108 00:07:16,813 --> 00:07:18,438 CLEAR BACK. MAKE ROOM, ALL OF YOU! 109 00:07:18,438 --> 00:07:21,062 - MITCH, WHAT HAPPENED? - I DON'T KNOW. 110 00:07:21,062 --> 00:07:23,354 I-I HEARD SOMETHING. 111 00:07:23,354 --> 00:07:26,813 I TRIED TO GRAB A-A BAT... 112 00:07:26,813 --> 00:07:28,938 [ Laughs ] THAT HIT ME. 113 00:07:28,938 --> 00:07:32,021 - WHAT HIT YOU? - THE BAT, BY ITSELF. 114 00:07:32,021 --> 00:07:34,813 THE THING WAS FLOATING, AND IT KNOCKED ME OUT. 115 00:07:34,813 --> 00:07:38,521 I BETTER CHECK OUT THE SCENE. 116 00:07:38,521 --> 00:07:41,479 WHERE DO YOU THINK YOU'RE GOING? 117 00:07:41,479 --> 00:07:46,062 UM, MITCH WANTED ME TO GET HIS COMB. HE-HE LIKES HIS COMB. 118 00:07:46,062 --> 00:07:48,938 I DON'T THINK MITCH NEEDS HIS COMB RIGHT NOW. 119 00:07:48,938 --> 00:07:50,729 I THINK MITCH NEEDS MEDICAL ATTENTION, 120 00:07:50,729 --> 00:07:54,229 AND YOU NEED TO STAY AWAY FROM THE CRIME SCENE. 121 00:07:54,229 --> 00:07:56,896 ALWAYS STICKING YOUR NOSE IN. SUE? 122 00:07:56,896 --> 00:08:00,187 WHAT DID YOU SAY? MITCH WAS GONNA SUE THE SCHOOL? 123 00:08:00,187 --> 00:08:03,438 SUE? WHO? 124 00:08:06,062 --> 00:08:09,188 WELL, HIS DAD IS THE MOST POWERFUL LAWYER IN SUNNYDALE. 125 00:08:09,188 --> 00:08:11,438 HOLD ON. WHAT HAVE YOU TWO HEARD? 126 00:08:11,438 --> 00:08:13,563 HIS DAD, THE LAWYER, YOU HAVEN'T HEARD OF HIM? 127 00:08:13,563 --> 00:08:16,354 OTHER LAWYERS CALL HIM "THE BEAST." 128 00:08:57,563 --> 00:09:00,021 "LOOK"? THAT'S ALL IT SAID? 129 00:09:00,021 --> 00:09:02,646 LOOK AT WHAT? LOOK AT MITCH? MAYBE. 130 00:09:02,646 --> 00:09:04,604 ALL I KNOW IS IT'S A MESSAGE. 131 00:09:04,604 --> 00:09:07,104 AND? OH, HERE YOU ARE. 132 00:09:07,104 --> 00:09:09,104 AND MONSTERS DON'T USUALLY SEND MESSAGES. 133 00:09:09,104 --> 00:09:11,271 IT'S PRETTY MUCH CRUSH, KILL, DESTROY. 134 00:09:11,271 --> 00:09:13,729 THIS WAS DIFFERENT. I'D HAVE TO SAY YOU'RE RIGHT. 135 00:09:13,729 --> 00:09:16,062 I LOVE IT WHEN HE SAYS THAT. ANY THEORIES? 136 00:09:16,062 --> 00:09:18,604 IT'S A BIT OF A PUZZLE, REALLY. 137 00:09:18,604 --> 00:09:21,062 I'VE NEVER ACTUALLY HEARD OF ANYONE 138 00:09:21,062 --> 00:09:23,230 ATTACKED BY A LONE BASEBALL BAT BEFORE. 139 00:09:23,230 --> 00:09:25,813 MAYBE IT'S A VAMPIRE BAT. 140 00:09:25,813 --> 00:09:28,021 I'M ALONE WITH THAT ONE, HUH? 141 00:09:28,021 --> 00:09:31,062 WELL, ASSUMING THE BAT ITSELF IS NOT POSSESSED, 142 00:09:31,062 --> 00:09:33,688 THERE ARE A FEW POSSIBILITIES THAT BEAR INVESTIGATING: 143 00:09:33,688 --> 00:09:36,146 SOMEONE WITH TELEKINESIS-- 144 00:09:36,146 --> 00:09:38,187 THE POWER TO MOVE OBJECTS AT WILL-- 145 00:09:38,187 --> 00:09:40,896 AN INVISIBLE CREATURE, 146 00:09:40,896 --> 00:09:43,396 AND, POSSIBLY, A POLTERGEIST. 147 00:09:43,396 --> 00:09:45,229 A GHOST? 148 00:09:45,229 --> 00:09:48,479 YES, AND A VERY ANGRY ONE. YEAH, I'D SAY. 149 00:09:48,479 --> 00:09:51,104 THE LOCKER ROOM WAS A REAL SCENE. 150 00:09:51,104 --> 00:09:54,021 IF IT'S A GHOST, THEN WE'RE TALKING ABOUT A DEAD KID. 151 00:09:54,021 --> 00:09:56,230 I GUESS SO. YOU KNOW, 152 00:09:56,230 --> 00:09:57,771 WHY DON'T YOU COMPILE A LIST OF DEAD OR MISSING KIDS? 153 00:09:57,771 --> 00:09:59,771 IT'S PROBABLY A GOOD PLACE TO START. 154 00:09:59,771 --> 00:10:02,729 AND I'LL RESEARCH ALL THE POSSIBILITIES, GHOSTS INCLUDED. 155 00:10:02,729 --> 00:10:06,813 XANDER, IF YOU'RE NOT DOING ANYTHING, WOULD YOU LIKE TO HELP ME? 156 00:10:06,813 --> 00:10:08,813 WHAT? SO THERE'S HOMEWORK NOW? 157 00:10:08,813 --> 00:10:11,104 WHEN DID THAT HAPPEN? 158 00:10:11,104 --> 00:10:13,521 IT'S ALL PART OF THE GLAMOROUS WORLD OF VAMPIRE-SLAYAGE. 159 00:10:13,521 --> 00:10:16,729 WHAT PART DO YOU HAVE? I'M GONNA FIND OUT WHAT I CAN ABOUT MITCH. 160 00:10:16,729 --> 00:10:19,479 - THIS ATTACK WASN'T RANDOM. - WELL, I WANT THAT PART. 161 00:10:19,479 --> 00:10:22,855 FINE. YOU CAN DO IT. ASK AROUND. TALK TO HIS FRIENDS. 162 00:10:22,855 --> 00:10:25,813 - TALK TO CORDELIA. - TALK TO CORDELIA? 163 00:10:27,563 --> 00:10:29,938 SO, RESEARCH, HUH? 164 00:10:29,938 --> 00:10:32,146 HI. UH, HI. 165 00:10:32,146 --> 00:10:36,354 CORDELIA, YOU WEREN'T IN FIFTH PERIOD. I WENT TO THE HOSPITAL. 166 00:10:36,354 --> 00:10:39,104 OH, MITCH. HOW IS HE? WILL HE BE OKAY? 167 00:10:39,104 --> 00:10:41,104 WELL, THE DOCTOR SAYS HE'LL BE FINE. 168 00:10:41,104 --> 00:10:43,646 THEY'RE GONNA SEND HIM HOME TOMORROW, 169 00:10:43,646 --> 00:10:47,438 BUT YOU SHOULD HAVE SEEN HIM LYING THERE, ALL BLACK AND BLUE. 170 00:10:47,438 --> 00:10:50,896 HOW'S HE GONNA LOOK IN OUR PROM PICTURES? 171 00:10:50,896 --> 00:10:53,938 HOW AM I EVER GOING TO BE ABLE TO SHOW THEM TO ANYONE? 172 00:10:53,938 --> 00:10:56,521 WELL, THEY CAN DO WONDERFUL THINGS WITH AIR BRUSHES THESE DAYS. 173 00:10:56,521 --> 00:10:58,646 YOU THINK? 174 00:10:58,646 --> 00:11:02,813 HI. HI. DID YOU SEE MITCH? 175 00:11:02,813 --> 00:11:05,021 HE JUST BROKE UP WITH WENDY EIGHT SECONDS AGO, 176 00:11:05,021 --> 00:11:07,729 AND HE'S ALREADY NOSING AROUND. IT'S SHAMELESS. 177 00:11:07,729 --> 00:11:10,354 IN THE SPRING, IF HE MAKES VARSITY BASEBALL, 178 00:11:10,354 --> 00:11:12,729 MAYBE I'LL TAKE HIM ON A TEST DRIVE. [ Laughs ] 179 00:11:12,729 --> 00:11:15,771 HI, GUYS! WHAT DO YOU WANT? 180 00:11:15,771 --> 00:11:19,729 I JUST HOPE THEY CAN PROP HIM UP LONG ENOUGH TO TAKE THE PICTURE. 181 00:11:19,729 --> 00:11:23,354 - CORDELIA, CAN I TALK TO YOU? - OH, GREAT. 182 00:11:23,354 --> 00:11:25,855 WHY IS SHE ALWAYS TRYING-- [ Grunting ] 183 00:11:29,980 --> 00:11:31,896 [ Grunts ] HARMONY! 184 00:11:33,563 --> 00:11:36,187 - [ Girl Gasps ] - OH, FOR HEAVEN'S SAKES. 185 00:11:36,187 --> 00:11:38,813 CLEAR BACK, EVERYONE. GIVE HER SOME AIR. 186 00:11:40,438 --> 00:11:43,396 YOU, SCHOOL NURSE, NOW. 187 00:11:45,062 --> 00:11:48,896 [ Moans ] OH, MY ANKLE. I THINK IT'S BROKEN. 188 00:11:48,896 --> 00:11:51,271 - WHAT HAPPENED? - HEY, WHO'S THE PRINCIPAL HERE? 189 00:11:51,271 --> 00:11:53,438 - WHAT HAPPENED? - SHE FELL! 190 00:11:53,438 --> 00:11:55,688 WE WERE STANDING AT THE TOP OF THE STAIRS, 191 00:11:55,688 --> 00:11:58,062 AND SHE JUST FELL ALL BY HERSELF. 192 00:11:58,062 --> 00:12:01,396 - NO! I WAS PUSHED! - [ Girl Giggling ] 193 00:12:02,729 --> 00:12:04,855 - OW! - DON'T SUE. 194 00:12:08,271 --> 00:12:11,104 [ Giggling ] 195 00:12:19,479 --> 00:12:21,479 IS ANYBODY HERE? 196 00:12:24,938 --> 00:12:27,187 [ THUD ] [ Footsteps ] 197 00:12:27,187 --> 00:12:30,146 HEY, WHO'S HERE? 198 00:12:44,229 --> 00:12:47,438 OKAY, I KNOW SOMEONE'S HERE. 199 00:12:50,104 --> 00:12:52,688 LOOK, I'M NOT GOING TO HURT YOU. I JUST WANT TO TALK TO YOU. 200 00:13:04,604 --> 00:13:06,813 [ Footsteps ] 201 00:13:11,271 --> 00:13:12,813 [ Bell Ringing ] 202 00:13:14,938 --> 00:13:16,813 [ Boy ] SAY, GUYS? 203 00:13:18,396 --> 00:13:21,312 [ Buffy ] GILES, HAVE YOU EVER TOUCHED A GHOST? 204 00:13:21,312 --> 00:13:25,980 NO, BUT FROM WHAT I'VE HEARD, HAVING A GHOST PASS THROUGH YOU IS A SINGULAR EXPERIENCE. 205 00:13:25,980 --> 00:13:28,563 IT'S A RATHER COLD, AMORPHOUS FEELING 206 00:13:28,563 --> 00:13:31,855 THAT MAKES YOUR HAIR STAND ON END. 207 00:13:31,855 --> 00:13:33,896 YOU SEE, THAT'S MY PROBLEM. 208 00:13:33,896 --> 00:13:36,438 I TOUCHED THE THING, BUT IT DIDN'T GO THROUGH ME. 209 00:13:36,438 --> 00:13:39,062 IT BUMPED INTO ME, AND IT WASN'T COLD. 210 00:13:39,062 --> 00:13:42,187 - SO WE'RE TALKING ABOUT WHAT, AN INVISIBLE PERSON? - A GIRL. SHE LAUGHED. 211 00:13:42,187 --> 00:13:46,104 A GIRL ON CAMPUS WITH THE ABILITY TO BECOME INVISIBLE. 212 00:13:46,104 --> 00:13:48,896 - THAT IS SO COOL! - COOL? 213 00:13:48,896 --> 00:13:51,146 WELL, YEAH, I WOULD GIVE ANYTHING TO BE ABLE TO TURN INVISIBLE. 214 00:13:51,146 --> 00:13:53,146 I WOULDN'T USE MY POWERS TO BEAT PEOPLE UP. 215 00:13:53,146 --> 00:13:55,646 I'D USE MY POWERS TO PROTECT THE GIRLS' LOCKER ROOM. 216 00:13:55,646 --> 00:13:58,312 IT MUST BE A FAIRLY HEADY EXPERIENCE, 217 00:13:58,312 --> 00:14:00,855 HAVING THAT ABILITY. 218 00:14:00,855 --> 00:14:03,229 HOW'D SHE GET IT? IS SHE A WITCH? 219 00:14:03,229 --> 00:14:05,354 'CAUSE WE CAN FIGHT A WITCH. 220 00:14:05,354 --> 00:14:08,396 GREEK MYTH SPEAKS OF CLOAKS OF INVISIBILITY, 221 00:14:08,396 --> 00:14:09,855 BUT THEY'RE USUALLY FOR THE GODS. 222 00:14:11,563 --> 00:14:14,438 RESEARCH BOY COMES THROUGH WITH THE KNOWLEDGE. 223 00:14:14,438 --> 00:14:16,896 THIS GIRL'S SORT OF PETTY FOR A GOD. 224 00:14:16,896 --> 00:14:19,813 SHE'S GOT A GRUDGE, BUT WHY HARMONY? 225 00:14:19,813 --> 00:14:23,187 HARMONY AND MITCH: THEIR COMMON DENOMINATOR IS... 226 00:14:23,187 --> 00:14:26,604 - CORDELIA. - SO WHAT NOW? 227 00:14:26,604 --> 00:14:29,688 FIRST THING TOMORROW, WHY DON'T YOU PULL UP THAT MISSING KIDS LIST. 228 00:14:29,688 --> 00:14:32,104 GOT IT. I'LL SEE YOU THEN. 229 00:14:32,104 --> 00:14:34,271 SEE YA. BYE. 230 00:14:34,271 --> 00:14:36,271 OH, HEY, DO YOU WANT TO COME TO OUR PLACE TONIGHT FOR DINNER? 231 00:14:36,271 --> 00:14:39,104 MOM'S MAKING HER FAMOUS PHONE CALL TO THE CHINESE PLACE. 232 00:14:39,104 --> 00:14:41,813 XANDER, DO YOU GUYS EVEN HAVE A STOVE? 233 00:14:41,813 --> 00:14:46,563 SO, I'LL LOOK INTO WAYS THAT YOU CAN DE-CLOAK AN INVISIBLE SOMEONE. 234 00:14:46,563 --> 00:14:50,729 WHAT ABOUT YOU? I THINK CORDELIA'S GOING TO BE WORKING ON HER MAY QUEEN DRESS. 235 00:14:50,729 --> 00:14:54,604 MAYBE THERE'LL BE SOME ACTION. I GUESS I'M GONNA START THE HUNT. 236 00:14:54,604 --> 00:14:59,521 HOW EXACTLY DO YOU PROPOSE TO HUNT SOMEONE YOU CAN'T SEE? 237 00:14:59,521 --> 00:15:01,688 [ Giles ] YOU MAY HAVE TO WORK ON LISTENING TO PEOPLE. 238 00:15:01,688 --> 00:15:04,646 [ Buffy ] VERY FUNNY. I THOUGHT SO. 239 00:15:15,146 --> 00:15:16,354 SHOULD I WEAR MY HAIR UP? 240 00:15:16,354 --> 00:15:18,646 DO YOU THINK I SHOULD WEAR IT UP? 241 00:15:18,646 --> 00:15:21,230 [ Girls Laughing ] 242 00:15:21,230 --> 00:15:23,646 HOW DOES THE, UM, HEM GO? 243 00:15:23,646 --> 00:15:25,646 IS IT-- IS IT LONG ENOUGH OR... 244 00:15:33,229 --> 00:15:35,187 ISN'T IT BEAUTIFUL? 245 00:15:35,187 --> 00:15:37,813 OHH! 246 00:15:37,813 --> 00:15:40,354 ♪♪ [ Flute Plays ] 247 00:15:46,980 --> 00:15:50,896 ♪♪ [ Continues ] 248 00:16:00,354 --> 00:16:02,271 [ Creaking ] 249 00:16:03,855 --> 00:16:05,855 WHO'S THERE? 250 00:16:14,312 --> 00:16:16,813 [ Gasps ] 251 00:16:19,354 --> 00:16:21,479 AHH... 252 00:16:21,479 --> 00:16:24,479 A VAMPIRE CASTS NO REFLECTION. 253 00:16:24,479 --> 00:16:28,646 DON'T WORRY. I'M NOT HERE TO EAT. 254 00:16:28,646 --> 00:16:31,771 BUFFY TOLD ME YOU DON'T FEED FROM HUMANS ANYMORE. 255 00:16:31,771 --> 00:16:35,396 - NOT FOR A LONG WHILE. - IS THAT WHY YOU'RE HERE, TO SEE HER? 256 00:16:35,396 --> 00:16:39,312 I CAN'T. IT'S, UH-- 257 00:16:39,312 --> 00:16:42,771 IT'S TOO HARD FOR ME TO BE AROUND HER. 258 00:16:42,771 --> 00:16:46,021 A VAMPIRE IN LOVE WITH A SLAYER. 259 00:16:46,021 --> 00:16:48,521 IT'S RATHER POETIC... 260 00:16:48,521 --> 00:16:51,855 IN A MAUDLIN SORT OF WAY. 261 00:16:51,855 --> 00:16:53,938 WHAT CAN I, UH-- 262 00:16:53,938 --> 00:16:56,604 WHAT CAN I DO FOR YOU? 263 00:16:56,604 --> 00:16:59,604 I KNOW YOU'VE BEEN RESEARCHING THE MASTER. 264 00:16:59,604 --> 00:17:01,230 YES. THE VAMPIRE KING. 265 00:17:01,230 --> 00:17:04,438 I'M TRYING TO LEARN AS MUCH AS I CAN ABOUT HIM 266 00:17:04,438 --> 00:17:06,479 FOR THE DAY THAT BUFFY MUST FACE HIM. 267 00:17:06,479 --> 00:17:08,896 SOMETHING'S ALREADY IN MOTION, SOMETHING BIG, 268 00:17:08,896 --> 00:17:11,521 BUT I DON'T KNOW WHAT. 269 00:17:11,521 --> 00:17:15,021 YOU'VE READ ALL THE SLAYER LORE THERE IS, RIGHT? 270 00:17:15,021 --> 00:17:19,229 I'VE STUDIED ALL THE EXTANT VOLUMES, OF COURSE. 271 00:17:19,229 --> 00:17:24,646 BUT THE MOST SALIENT BOOKS OF SLAYER PROPHECY HAVE BEEN LOST: 272 00:17:24,646 --> 00:17:28,229 THE TIBERIUS MANIFESTO, THE PERGAMUM CODEX. 273 00:17:28,229 --> 00:17:30,146 THE CODEX? 274 00:17:30,146 --> 00:17:32,771 IT'S REPUTED TO HAVE CONTAINED THE MOST COMPLETE PROPHECIES 275 00:17:32,771 --> 00:17:35,771 ABOUT THE SLAYER'S ROLE IN THE END YEARS. 276 00:17:35,771 --> 00:17:38,896 UNFORTUNATELY, THE BOOK WAS LOST IN THE 15th CENTURY. 277 00:17:38,896 --> 00:17:43,312 NOT LOST... MISPLACED. 278 00:17:43,312 --> 00:17:46,729 - I CAN GET IT. - [ Gasps ] 279 00:17:48,521 --> 00:17:50,604 THAT WOULD BE MOST HELPFUL. 280 00:17:52,479 --> 00:17:55,229 UH, MY--MY OWN VOLUMES HAVE, UH... 281 00:17:55,229 --> 00:17:57,146 HAVE BEEN RATHER USELESS OF LATE. 282 00:17:57,146 --> 00:18:00,688 - LEGENDS OF VISHNU? - [ Chuckles ] 283 00:18:00,688 --> 00:18:05,729 THERE'S AN INVISIBLE GIRL TERRORIZING THE SCHOOL. 284 00:18:05,729 --> 00:18:08,229 THAT'S NOT REALLY MY AREA OF EXPERTISE. 285 00:18:08,229 --> 00:18:10,230 NOR MINE, I'M AFRAID. 286 00:18:10,230 --> 00:18:12,604 IT'S FASCINATING, THOUGH. 287 00:18:12,604 --> 00:18:17,855 BY ALL ACCOUNTS, IT'S A WONDERFUL POWER TO POSSESS. 288 00:18:17,855 --> 00:18:19,688 OH, I DON'T KNOW. 289 00:18:21,563 --> 00:18:25,229 LOOKING IN THE MIRROR EVERY DAY AND SEEING NOTHING THERE... 290 00:18:26,855 --> 00:18:28,396 IT'S AN OVERRATED PLEASURE. 291 00:18:34,813 --> 00:18:39,271 [ Cordelia ] GOD! I AM NEVER SITTING THROUGH ONE OF THOSE ALUMNI LECTURES AGAIN! 292 00:18:39,271 --> 00:18:42,604 TWO HOURS OF "MY TREK THROUGH NEPAL." 293 00:18:42,604 --> 00:18:44,688 HELLO. THERE IS NOBODY CARING. 294 00:18:44,688 --> 00:18:48,479 DID YOU GUYS SEE HIS TOUPEE? IT LOOKED LIKE A CABBAGE. 295 00:18:48,479 --> 00:18:51,187 AND THOSE SLIDES? "THAT'S A MOUNTAIN. 296 00:18:51,187 --> 00:18:53,271 "THAT'S A MOUNTAIN, TOO. 297 00:18:53,271 --> 00:18:55,521 NOW LOOK AT SOME MOUNTAINS." 298 00:18:55,521 --> 00:18:59,771 I SWEAR HE HAD 3 SLIDES AND JUST USED THEM OVER AND OVER. 299 00:18:59,771 --> 00:19:03,187 I KNOW, BUT DID YOU SEE HIS TOUPEE? IT WAS, LIKE, THE WORST. 300 00:19:03,187 --> 00:19:05,646 WE'RE TALKING, OKAY? 301 00:19:05,646 --> 00:19:08,813 OH! AND DID YOU GUYS CHECK OUT THAT EXTREME TOUPEE? 302 00:19:08,813 --> 00:19:13,188 YEAH. THAT'S REALISTIC. IT LOOKED LIKE A CABBAGE. 303 00:19:13,188 --> 00:19:15,104 [ All Laughing ] 304 00:19:15,104 --> 00:19:17,271 THAT'S SO FUNNY. [ Giggling, Laughing ] 305 00:19:24,104 --> 00:19:27,855 [ Mr. Snyder ] THE WINNER IS CORDELIA CHASE. 306 00:19:27,855 --> 00:19:30,187 LET'S BRING UP OUR NEW MAY QUEEN. 307 00:19:32,230 --> 00:19:34,312 THANK YOU FOR MAKING THE RIGHT CHOICE... 308 00:19:34,312 --> 00:19:37,396 AND FOR SHOWING ME HOW MUCH YOU ALL LOVE ME. 309 00:19:39,354 --> 00:19:44,229 BEING THIS POPULAR IS NOT JUST MY RIGHT, BUT MY RESPONSIBILITY. 310 00:19:44,229 --> 00:19:47,354 AND I WANT YOU TO KNOW I TAKE IT VERY SERIOUSLY. 311 00:19:47,354 --> 00:19:50,230 SO GILES SAID YOU'D BE HERE. 312 00:19:50,230 --> 00:19:53,312 WHY ARE YOU BEING HERE? LAST NIGHT WAS A BUST, 313 00:19:53,312 --> 00:19:54,855 BUT I STILL THINK CORDY'S THE KEY HERE. 314 00:19:54,855 --> 00:19:57,396 THE MISSING GIRLS LIST. THEY'VE STAYED MISSING. 315 00:19:57,396 --> 00:20:02,396 I PULLED UP THEIR CLASSES, ACTIVITIES, MEDICAL RECORDS. GOOD WORK. 316 00:20:06,187 --> 00:20:09,062 HAS CORDELIA HIRED A BODYGUARD OR SOMETHING? 317 00:20:11,438 --> 00:20:14,646 HEY, YOU GUYS, CHECK OUT THIS ONE. IT'S THE MOST RECENT ONE. 318 00:20:14,646 --> 00:20:16,938 MARCIE ROSS DISAPPEARED, LIKE, SIX MONTHS AGO. 319 00:20:16,938 --> 00:20:19,813 I DON'T KNOW HER. ME, NEITHER. 320 00:20:19,813 --> 00:20:23,187 HER ONLY ACTIVITY WAS BAND. SHE PLAYED THE FLUTE. 321 00:20:23,187 --> 00:20:26,271 SO? WELL, LAST NIGHT WHEN I WAS HUNTING I HEARD THIS FLUTE, 322 00:20:26,271 --> 00:20:28,104 BUT I COULDN'T FIGURE OUT WHERE IT WAS COMING FROM. 323 00:20:28,104 --> 00:20:31,062 AND IT WAS IN THE BAND ROOM THAT I LOST MISS INVISIBLE YESTERDAY. 324 00:20:31,062 --> 00:20:33,521 YOU KNOW, THIS ALL TRACKS. I'M GOING TO CHECK IT OUT. 325 00:20:33,521 --> 00:20:36,521 SEE YOU GUYS LATER? OKAY. WE'LL SEE YOU AFTER GEOMETRY. 326 00:20:36,521 --> 00:20:39,312 [ Cordelia ] ASK, "HEY, WHAT AM I WEARING TO THAT SPRING FLING?" 327 00:22:26,521 --> 00:22:31,062 "MARCIE ROSS." SO IT IS YOU. 328 00:23:06,312 --> 00:23:08,104 [ Door Closes ] 329 00:23:08,104 --> 00:23:09,896 CORDELIA, COULD YOU POSSIBLY BE ON TI-- [ Footsteps ] 330 00:23:17,855 --> 00:23:21,021 [ Girl Giggling ] WHO'S THERE? 331 00:23:34,229 --> 00:23:37,521 [ Cordelia ] MS. MILLER? 332 00:23:37,521 --> 00:23:40,813 OH, MY GOD! MS. MILLER! 333 00:23:40,813 --> 00:23:43,354 OH, MY GOD! ARE YOU OKAY? 334 00:23:43,354 --> 00:23:46,521 [ Wheezes, Coughs ] MS. MILLER-- AHH! WHAT HAPPENED? 335 00:23:46,521 --> 00:23:49,354 [ Miller ] ATTACKED... DIDN'T SEE. 336 00:23:52,062 --> 00:23:53,438 [ Chalk Clattering On Blackboard ] OH, MY GOD. 337 00:24:01,563 --> 00:24:03,438 A NEST? 338 00:24:03,438 --> 00:24:05,646 LOOKED LIKE SHE'D BEEN THERE FOR MONTHS. 339 00:24:05,646 --> 00:24:07,771 IT'S WHERE I FOUND THIS. 340 00:24:07,771 --> 00:24:09,563 CHECK IT OUT. 341 00:24:09,563 --> 00:24:11,062 OH, MY GOD. 342 00:24:11,062 --> 00:24:13,646 "HAVE A NICE SUMMER." 343 00:24:13,646 --> 00:24:16,354 "HAVE A NICE SUMMER." 344 00:24:16,354 --> 00:24:19,646 THIS GIRL HAD NO FRIENDS AT ALL. 345 00:24:19,646 --> 00:24:24,479 UH, ONCE AGAIN, I TEETER AT THE PRECIPICE OF THE GENERATION GAP. 346 00:24:24,479 --> 00:24:27,729 "HAVE A NICE SUMMER" IS WHAT YOU WRITE WHEN YOU HAVE NOTHING TO SAY. 347 00:24:27,729 --> 00:24:29,396 IT'S THE KISS OF DEATH. 348 00:24:29,396 --> 00:24:31,855 YOU GUYS DIDN'T KNOW MARCIE ROSS? 349 00:24:31,855 --> 00:24:34,396 NEVER MET HER. WHY? 350 00:24:34,396 --> 00:24:36,771 'CAUSE YOU BOTH WROTE IT, TOO. 351 00:24:38,563 --> 00:24:42,062 "HAVE A NICE--" YEESH. WHERE AM I? 352 00:24:43,521 --> 00:24:45,938 OH. "HAVE GREAT SUMMER." 353 00:24:45,938 --> 00:24:47,354 SEE? I CARED. 354 00:24:47,354 --> 00:24:49,396 BUT YOU DON'T REMEMBER HER? 355 00:24:49,396 --> 00:24:52,104 NO. I PROBABLY DIDN'T SEE HER, EXCEPT TO SIGN THE BOOK. 356 00:24:52,104 --> 00:24:54,104 I MEAN, THIS IS A BIG SCHOOL. 357 00:24:54,104 --> 00:24:58,271 XANDER, WE EACH HAD FOUR CLASSES WITH HER LAST YEAR. 358 00:24:58,271 --> 00:25:00,855 SO NO ONE NOTICED HER, AND NOW SHE'S INVISIBLE. 359 00:25:00,855 --> 00:25:03,479 WHAT? SHE TURNED INVISIBLE BECAUSE NO ONE NOTICED HER? 360 00:25:03,479 --> 00:25:05,312 OF COURSE. 361 00:25:09,354 --> 00:25:13,062 I'VE BEEN INVESTIGATING THE MYSTICAL CAUSES OF INVISIBILITY, 362 00:25:13,062 --> 00:25:16,271 WHEN I SHOULD HAVE LOOKED AT THE QUANTUM MECHANICAL. 363 00:25:16,271 --> 00:25:17,646 PHYSICS. 364 00:25:17,646 --> 00:25:20,312 I THINK I SPEAK FOR EVERYONE HERE 365 00:25:20,312 --> 00:25:22,021 WHEN I SAY, HUH? 366 00:25:22,021 --> 00:25:28,229 IT'S A RUDIMENTARY CONCEPT THAT REALITY IS SHAPED, 367 00:25:28,229 --> 00:25:32,354 EVEN-EVEN CREATED... BY OUR PERCEPTION. 368 00:25:32,354 --> 00:25:34,438 AND WITH THE HELLMOUTH BELOW US SENDING OUT MYSTICAL ENERGIES-- 369 00:25:34,438 --> 00:25:36,896 PEOPLE PERCEIVED MARCIE AS INVISIBLE, 370 00:25:36,896 --> 00:25:39,771 AND-AND SHE BECAME SO. 371 00:25:39,771 --> 00:25:42,521 SO, WHO KNOWS THE ANSWER TO THIS ONE? 372 00:25:42,521 --> 00:25:44,396 THINK ABOUT IT. 373 00:25:44,396 --> 00:25:47,896 CORDELIA. WELL, JUST BECAUSE THE STORY'S ABOUT HIM... 374 00:25:47,896 --> 00:25:50,604 DOESN'T NECESSARILY MEAN HE'S THE HERO, RIGHT? 375 00:25:50,604 --> 00:25:53,146 EXACTLY, SO WHAT DO WE CALL HIM? 376 00:25:53,146 --> 00:25:56,146 WILLOW. WELL, THE PROTAGONIST. 377 00:25:56,146 --> 00:25:59,104 - XANDER. - WHY CAN'T HE BE BOTH? 378 00:25:59,104 --> 00:26:01,021 I MEAN, HE DID DO SOME THINGS THAT WERE PRETTY HEROIC. 379 00:26:01,021 --> 00:26:03,271 ABSOLUTELY. WHO DOESN'T AGREE WITH THAT? 380 00:26:07,188 --> 00:26:08,604 OKAY. 381 00:26:10,104 --> 00:26:11,938 AND HOW ABOUT YOU? 382 00:26:15,813 --> 00:26:17,146 [ No Audible Dialogue ] 383 00:26:22,938 --> 00:26:24,688 [ Not Audible ] 384 00:26:30,771 --> 00:26:34,062 IT ISN'T THIS GREAT POWER THAT SHE CAN CONTROL. 385 00:26:34,062 --> 00:26:36,646 IT WAS SOMETHING THAT WAS DONE TO HER... 386 00:26:36,646 --> 00:26:38,938 THAT WE DID TO HER. 387 00:26:38,938 --> 00:26:40,855 NO WONDER SHE'S MIFFED. 388 00:26:40,855 --> 00:26:42,229 WHAT DOES SHE WANT? 389 00:26:43,896 --> 00:26:46,521 JUST WHAT WE THOUGHT. 390 00:26:46,521 --> 00:26:49,104 CORDELIA. WHAT? 391 00:26:49,104 --> 00:26:51,646 I KNEW YOU'D BE HERE. 392 00:26:51,646 --> 00:26:53,396 BUFFY... 393 00:26:53,396 --> 00:26:55,521 I, UH, I KNOW WE'VE HAD OUR DIFFERENCES, 394 00:26:55,521 --> 00:26:57,438 WITH YOU BEING SO WEIRD AND ALL... 395 00:26:57,438 --> 00:27:00,187 AND HANGING OUT WITH THESE TOTAL LOSERS. 396 00:27:00,187 --> 00:27:01,646 OOH. 397 00:27:01,646 --> 00:27:02,771 WELL, ANYWAY, 398 00:27:02,771 --> 00:27:04,354 DESPITE ALL OF THAT, 399 00:27:04,354 --> 00:27:06,229 I KNOW THAT YOU SHARE THIS FEELING... 400 00:27:06,229 --> 00:27:08,688 THAT WE HAVE FOR EACH OTHER, DEEP DOWN. 401 00:27:08,688 --> 00:27:10,230 NAUSEA? 402 00:27:10,230 --> 00:27:11,563 SOMEBODY IS AFTER ME! 403 00:27:11,563 --> 00:27:14,229 THEY JUST TRIED TO KILL MRS. MILLER-- 404 00:27:14,229 --> 00:27:16,146 SHE WAS HELPING ME WITH MY HOMEWORK-- 405 00:27:16,146 --> 00:27:18,896 AND MITCH AND HARMONY. 406 00:27:18,896 --> 00:27:22,146 THIS IS ALL ABOUT ME-- ME, ME, ME! 407 00:27:22,146 --> 00:27:24,354 WOW. FOR ONCE SHE'S RIGHT. 408 00:27:24,354 --> 00:27:28,229 SO YOU'VE COME TO ME FOR HELP. 409 00:27:28,229 --> 00:27:32,187 BECAUSE... YOU'RE ALWAYS AROUND WHEN ALL THIS WEIRD STUFF IS HAPPENING. 410 00:27:32,187 --> 00:27:34,354 AND I KNOW YOU'RE VERY STRONG, 411 00:27:34,354 --> 00:27:36,938 AND YOU'VE GOT ALL THOSE WEAPONS. 412 00:27:36,938 --> 00:27:40,813 I WAS KIND OF HOPING YOU WERE IN A GANG. 413 00:27:40,813 --> 00:27:43,771 PLEASE. I DON'T HAVE ANYONE ELSE TO TURN TO. 414 00:27:48,771 --> 00:27:51,146 PLEASE... 415 00:27:51,146 --> 00:27:53,646 SIT DOWN. OKAY, THANKS. 416 00:27:57,604 --> 00:27:59,229 YOU KNOW, I-- 417 00:27:59,229 --> 00:28:02,021 I DON'T RECALL EVER SEEING YOU HERE BEFORE. 418 00:28:02,021 --> 00:28:04,062 OH, NO. I HAVE A LIFE. 419 00:28:04,062 --> 00:28:06,646 OKAY. 420 00:28:06,646 --> 00:28:10,813 CORDELIA, YOUR ATTACKER IS AN INVISIBLE GIRL. 421 00:28:10,813 --> 00:28:12,896 WHO IS REALLY, REALLY ANGRY AT YOU, 422 00:28:12,896 --> 00:28:14,855 WHICH I CAN'T IMAGINE PERSONALLY, 423 00:28:14,855 --> 00:28:18,188 BUT IT TAKES ALL KINDS, YOU KNOW? 424 00:28:18,188 --> 00:28:20,896 WELL, I DON'T CARE WHAT IT IS. JUST GET RID OF IT. 425 00:28:20,896 --> 00:28:22,729 WELL, IT'S NOT THAT SIMPLE. 426 00:28:22,729 --> 00:28:26,896 IT'S A PERSON. IT'S-- IT'S THIS PERSON. 427 00:28:26,896 --> 00:28:29,563 NOW, DO YOU HAVE ANY IDEA WHY SHE'D BE SO-- 428 00:28:29,563 --> 00:28:32,104 OH, GOD, IS SHE REALLY WEARING LAURA ASHLEY? 429 00:28:32,104 --> 00:28:33,938 SO HOMICIDAL? 430 00:28:33,938 --> 00:28:35,479 I HAVE NO IDEA. 431 00:28:35,479 --> 00:28:37,563 I'VE NEVER SEEN THIS GIRL BEFORE IN MY LIFE. 432 00:28:39,271 --> 00:28:41,604 [ Marcie Ranting ] YOU DIDN'T SEE ME COMING. 433 00:28:41,604 --> 00:28:44,312 [ Mumbling ] CORDELIA, YOU DON'T REMEMBER ME. I REMEMBER YOU. 434 00:28:44,312 --> 00:28:48,312 ALL YOUR SLUT FRIENDS-- I HATE THEM! THEY TAKE YOUR LIFE AND THEY SUCK IT OUT OF YOU. 435 00:28:48,312 --> 00:28:50,855 THAT BASTARD-- [ Indistinct ] 436 00:28:50,855 --> 00:28:53,563 THEY GOTTA LEARN. THEY GOTTA LEARN. 437 00:28:53,563 --> 00:28:56,438 ACCORDING TO WHAT YOU TOLD US ABOUT THE ATTACK ON MS. MILLER, 438 00:28:56,438 --> 00:28:58,980 WE NOW HAVE TWO MESSAGES FROM MARCIE. 439 00:28:58,980 --> 00:29:01,438 LOOK AND LISTEN. 440 00:29:01,438 --> 00:29:04,354 MESSAGES WE DON'T UNDERSTAND. 441 00:29:04,354 --> 00:29:07,187 I DON'T THINK WE'RE SUPPOSED TO... YET. 442 00:29:07,187 --> 00:29:08,563 MARCIE'S NOT QUITE READY, 443 00:29:08,563 --> 00:29:10,813 BUT FROM WHAT SHE DID TO CORDELIA'S PICTURE, 444 00:29:10,813 --> 00:29:12,855 I WOULD SAY THAT SHE'S WIGGED ON THE WHOLE MAY QUEEN THING. 445 00:29:12,855 --> 00:29:14,604 MAYBE SHE'S GONNA DO SOMETHING ABOUT IT. 446 00:29:14,604 --> 00:29:18,104 STOP THE CORONATION TONIGHT, MAYBE. 447 00:29:18,104 --> 00:29:19,729 KEEP YOU GUYS AWAY FROM THE BRONZE. 448 00:29:19,729 --> 00:29:22,813 NOTHING IS KEEPING ME FROM THE BRONZE TONIGHT. 449 00:29:22,813 --> 00:29:25,563 CAN WE JUST REVEL IN YOUR FABULOUS LACK OF PRIORITIES? 450 00:29:25,563 --> 00:29:27,146 IF I'M NOT CROWNED TONIGHT, 451 00:29:27,146 --> 00:29:30,563 THEN-- THEN MARCIE'S WON, AND THAT WOULD BE BAD! 452 00:29:30,563 --> 00:29:32,396 SHE'S EVIL, OKAY? 453 00:29:32,396 --> 00:29:34,104 WAY EVILER THAN ME. 454 00:29:34,104 --> 00:29:36,271 CORDELIA HAS A POINT. 455 00:29:36,271 --> 00:29:38,146 BUFFY'S WITH ME ON THIS. 456 00:29:38,146 --> 00:29:42,021 ANYWAY, CONTINUING THE NORMAL MAY QUEEN ACTIVITIES 457 00:29:42,021 --> 00:29:43,521 MAY BE THE BEST WAY TO DRAW MARCIE OUT. 458 00:29:43,521 --> 00:29:45,855 WE CAN USE CORDELIA AS BAIT. 459 00:29:45,855 --> 00:29:48,229 GREAT! BAIT? 460 00:29:48,229 --> 00:29:52,521 WILLOW, XANDER, YOU'LL HELP ME BEGIN OUR RESEARCH ANEW. 461 00:29:52,521 --> 00:29:55,146 UNLESS WE FIND A WAY TO CURE MARCIE'S INVISIBILITY, 462 00:29:55,146 --> 00:29:58,104 THEN BUFFY WILL BE-- A SITTING DUCK. 463 00:29:58,104 --> 00:30:01,813 - COME ON. - WELL, I HAVE TO TRY ON MY DRESS. 464 00:30:01,813 --> 00:30:03,896 AND AM I REALLY BAIT? 465 00:30:06,396 --> 00:30:08,771 SO, HOW MUCH THE CREEPY IS IT... 466 00:30:08,771 --> 00:30:10,604 THAT THIS MARCIE'S BEEN AT THIS FOR MONTHS? 467 00:30:10,604 --> 00:30:12,563 SPYING ON US. 468 00:30:12,563 --> 00:30:16,021 LEARNING OUR MOST GUARDED SECRETS. 469 00:30:16,021 --> 00:30:17,813 SO ARE YOU SAYING SHE'S INVISIBLE... 470 00:30:17,813 --> 00:30:19,563 BECAUSE SHE'S SO UNPOPULAR? 471 00:30:19,563 --> 00:30:21,479 THAT ABOUT SUMS IT UP. 472 00:30:21,479 --> 00:30:22,938 BUMMER FOR HER. 473 00:30:24,646 --> 00:30:26,479 IT'S AWFUL TO FEEL THAT LONELY. 474 00:30:26,479 --> 00:30:28,855 SO YOU'VE READ SOMETHING ABOUT THE FEELING? 475 00:30:28,855 --> 00:30:30,604 HEY, YOU THINK I'M NEVER LONELY 476 00:30:30,604 --> 00:30:33,271 BECAUSE I'M SO CUTE AND POPULAR? 477 00:30:33,271 --> 00:30:37,271 I CAN BE SURROUNDED BY PEOPLE AND BE COMPLETELY ALONE. 478 00:30:37,271 --> 00:30:40,062 IT'S NOT LIKE ANY OF THEM REALLY KNOW ME. 479 00:30:40,062 --> 00:30:44,896 I DON'T EVEN KNOW IF THEY LIKE ME HALF THE TIME. 480 00:30:44,896 --> 00:30:48,146 PEOPLE JUST WANT TO BE IN THE POPULAR ZONE. 481 00:30:48,146 --> 00:30:50,938 SOMETIMES WHEN I TALK, 482 00:30:50,938 --> 00:30:54,688 EVERYONE'S SO BUSY AGREEING WITH ME, 483 00:30:54,688 --> 00:30:56,021 THEY DON'T HEAR A WORD I SAY. 484 00:30:57,813 --> 00:30:59,521 WELL, IF YOU FEEL SO ALONE, 485 00:30:59,521 --> 00:31:01,521 THEN WHY DO YOU WORK SO HARD AT BEING POPULAR? 486 00:31:01,521 --> 00:31:05,187 WELL, IT BEATS BEING ALONE ALL BY YOURSELF. 487 00:31:13,104 --> 00:31:16,021 ♪♪ [ Flute ] SHH. 488 00:31:16,021 --> 00:31:18,396 LISTEN. 489 00:31:22,604 --> 00:31:23,688 COME ON. 490 00:31:31,563 --> 00:31:33,271 WE COULD TALK TO HER, 491 00:31:33,271 --> 00:31:35,312 PERHAPS REASON WITH HER. 492 00:31:38,146 --> 00:31:39,646 OR POSSIBLY GRAB HER. 493 00:31:39,646 --> 00:31:41,354 THERE ARE THREE OF US. 494 00:31:41,354 --> 00:31:42,396 LET'S GO. 495 00:31:47,396 --> 00:31:51,312 IF YOU EVER TELL ANYONE THAT I CHANGED IN A MOP CLOSET... 496 00:31:51,312 --> 00:31:53,855 YOUR SECRET DIES WITH ME. 497 00:31:53,855 --> 00:31:56,604 LOOKS OKAY BUT HURRY. 498 00:31:56,604 --> 00:31:57,604 OKAY. 499 00:32:02,396 --> 00:32:04,354 ♪♪ [ Continues ] 500 00:32:18,021 --> 00:32:19,271 OVER HERE. 501 00:32:24,438 --> 00:32:27,146 ♪♪ [ Continues ] 502 00:32:29,187 --> 00:32:30,604 MARCIE. 503 00:32:30,604 --> 00:32:32,604 WE KNOW WHAT HAPPENED TO YOU. 504 00:32:32,604 --> 00:32:35,229 PLEASE, CAN WE TALK TO YOU? 505 00:32:35,229 --> 00:32:37,312 WE'RE SORRY WE IGNORED YOU. 506 00:32:44,396 --> 00:32:46,646 CAN YOU SAY... 507 00:32:46,646 --> 00:32:47,646 GULP? 508 00:32:47,646 --> 00:32:48,938 [ Footsteps ] [ Door Slams ] 509 00:32:53,229 --> 00:32:55,688 [ Pounding On Door ] 510 00:32:55,688 --> 00:32:57,312 WHAT'S THAT SOUND? 511 00:32:57,312 --> 00:32:59,021 [ Hissing ] 512 00:32:59,021 --> 00:33:01,563 YOU KNOW WHAT YOU WERE SAYING BEFORE? 513 00:33:01,563 --> 00:33:03,271 I UNDERSTAND. 514 00:33:03,271 --> 00:33:06,896 SOMEHOW IT DOESN'T SEEM TO MATTER HOW POPULAR YOU ARE WHEN-- 515 00:33:06,896 --> 00:33:08,646 [ Cordelia ] YOU WERE POPULAR? 516 00:33:08,646 --> 00:33:11,729 IN WHAT ALTERNATE UNIVERSE? 517 00:33:11,729 --> 00:33:13,604 IN L.A. 518 00:33:13,604 --> 00:33:18,312 THE POINT IS, I DID SORT OF FEEL LIKE SOMETHING WAS MISSING. 519 00:33:18,312 --> 00:33:21,938 IS THAT WHEN YOU BECAME WEIRD AND GOT KICKED OUT? 520 00:33:21,938 --> 00:33:24,396 OKAY, CAN WE HAVE THE HEARTFELT TALK... 521 00:33:24,396 --> 00:33:27,146 WITH A LITTLE LESS TALK FROM YOU? 522 00:33:28,729 --> 00:33:30,146 CORDELIA? 523 00:33:30,146 --> 00:33:31,396 [ Crashing ] 524 00:33:31,396 --> 00:33:32,938 [ Muffled Cries ] CORDELIA! 525 00:33:34,938 --> 00:33:35,938 CORDELIA! 526 00:33:37,062 --> 00:33:38,563 [ Yells ] 527 00:33:41,604 --> 00:33:43,146 BUFFY! 528 00:33:50,146 --> 00:33:51,479 IT'S GAS. 529 00:33:52,938 --> 00:33:55,062 SHE'S SNUFFED OUT THE PILOT LIGHT. 530 00:33:55,062 --> 00:33:57,563 THE GAS IS UP FULL. 531 00:34:00,062 --> 00:34:03,230 I CAN'T FIND THE SHUTOFF VALVE. 532 00:34:03,230 --> 00:34:04,354 IS THIS IT? 533 00:34:04,354 --> 00:34:05,646 OK, THAT'S BAD. 534 00:34:05,646 --> 00:34:06,813 HOW ABOUT THE DOOR? 535 00:34:13,354 --> 00:34:15,187 NO! 536 00:34:15,187 --> 00:34:18,771 ONE SPARK, AND YOU'LL TAKE THE WHOLE BUILDING WITH US. 537 00:34:26,896 --> 00:34:27,938 CORDELIA! 538 00:34:27,938 --> 00:34:28,938 CORDELIA! 539 00:34:31,187 --> 00:34:32,187 OH, MY GOD. 540 00:34:34,563 --> 00:34:36,021 [ Blow Lands ] [ Grunts ] 541 00:34:43,688 --> 00:34:44,896 [ Footsteps ] 542 00:34:58,062 --> 00:35:00,021 [ Gasps, Moans ] 543 00:35:25,271 --> 00:35:26,479 BUFFY. 544 00:35:26,479 --> 00:35:28,646 YOU'RE AWAKE? 545 00:35:28,646 --> 00:35:30,479 YEAH. 546 00:35:30,479 --> 00:35:33,062 I CAN'T FEEL MY FACE. 547 00:35:33,062 --> 00:35:34,438 WHAT DO YOU MEAN? 548 00:35:34,438 --> 00:35:35,563 MY FACE. 549 00:35:35,563 --> 00:35:36,813 MY FACE IS NUMB. 550 00:35:36,813 --> 00:35:38,021 WHAT IS SHE DOING? 551 00:35:38,021 --> 00:35:40,146 I DON'T KNOW. 552 00:35:45,938 --> 00:35:47,396 WHAT DOES THAT MEAN? 553 00:35:47,396 --> 00:35:49,813 I DON'T KNOW. 554 00:35:52,646 --> 00:35:55,980 [ Grunts, Groans ] 555 00:35:55,980 --> 00:35:58,438 THAT SHOULD GIVE US A FEW MINUTES, BUT WE'VE-- 556 00:35:58,438 --> 00:36:00,771 IF WE DON'T GET OUT OF THIS ROOM SOON-- 557 00:36:00,771 --> 00:36:03,479 WHY IS MARCIE DOING THIS? 558 00:36:03,479 --> 00:36:05,312 THE LONELINESS, THE CONSTANT EXILE. 559 00:36:05,312 --> 00:36:06,563 SHE'S-- 560 00:36:06,563 --> 00:36:08,188 SHE HAS GONE MAD. 561 00:36:08,188 --> 00:36:09,855 YOU THINK? 562 00:36:16,813 --> 00:36:18,354 [ Marcie ] I'M DISAPPOINTED. 563 00:36:18,354 --> 00:36:22,104 I REALLY HOPED YOU GUYS HAD FIGURED IT OUT BY NOW. 564 00:36:24,146 --> 00:36:26,271 WELL, WHY DON'T YOU EXPLAIN IT? 565 00:36:26,271 --> 00:36:27,938 COME ON, MARCIE, WHAT ARE WE SUPPOSED TO LEARN? 566 00:36:27,938 --> 00:36:30,146 YEAH. WHAT DO YOU WANT TO TEACH US? 567 00:36:30,146 --> 00:36:32,146 [ Marcie ] YOU DON'T GET IT. YOU'RE NOT THE STUDENT. 568 00:36:32,146 --> 00:36:33,729 YOU'RE THE LESSON. 569 00:36:33,729 --> 00:36:35,479 WHAT DID YOU DO TO MY FACE? 570 00:36:35,479 --> 00:36:37,230 YOUR FACE. 571 00:36:37,230 --> 00:36:39,271 THAT'S WHAT THIS IS ALL ABOUT, ISN'T IT? 572 00:36:39,271 --> 00:36:40,771 YOUR BEAUTIFUL FACE. 573 00:36:40,771 --> 00:36:42,354 IT'S WHAT MAKES YOU SHINE... 574 00:36:42,354 --> 00:36:43,813 JUST A LITTLE BIT BRIGHTER THAN THE REST OF US. 575 00:36:43,813 --> 00:36:47,438 WE ALL WANT WHAT YOU HAVE, 576 00:36:47,438 --> 00:36:50,354 TO BE NOTICED, REMEMBERED, 577 00:36:50,354 --> 00:36:51,896 TO BE SEEN. 578 00:36:51,896 --> 00:36:54,271 WHAT ARE YOU DOING? 579 00:36:54,271 --> 00:36:57,479 [ Marcie ] I'M FULFILLING YOUR FONDEST WISH. 580 00:36:57,479 --> 00:37:01,104 I'M GONNA GIVE YOU A FACE NO ONE WILL EVER FORGET. 581 00:37:02,229 --> 00:37:04,104 [ Gas Hissing ] [ Coughing ] 582 00:37:08,021 --> 00:37:11,646 ONE, TWO, THREE! 583 00:37:11,646 --> 00:37:14,229 AGAIN. 584 00:37:14,229 --> 00:37:16,271 MARCIE, YOU CAN'T DO THIS. 585 00:37:16,271 --> 00:37:19,230 [ Marcie ] WHAT ARE YOU GONNA DO, SLAY ME? 586 00:37:19,230 --> 00:37:21,479 MARCIE, YOU KNOW THIS IS WRONG. [ Punch Lands ] 587 00:37:21,479 --> 00:37:23,604 YOU SHOULD HAVE STAYED OUT OF MY WAY. 588 00:37:23,604 --> 00:37:26,896 YOU KNOW, I-I THOUGHT YOU WOULD UNDERSTAND MY VISION, 589 00:37:26,896 --> 00:37:28,813 BUT YOU'RE JUST LIKE THEM. 590 00:37:28,813 --> 00:37:30,813 PLEASE DON'T DO THIS. 591 00:37:32,646 --> 00:37:33,896 NO-- 592 00:37:36,187 --> 00:37:38,729 NO! 593 00:37:38,729 --> 00:37:41,396 YOU SHOULD BE GRATEFUL. 594 00:37:41,396 --> 00:37:42,896 PEOPLE WHO PASS YOU ON THE STREET... 595 00:37:42,896 --> 00:37:45,271 ARE GONNA REMEMBER YOU FOR THE REST OF THEIR LIVES. 596 00:37:45,271 --> 00:37:47,521 CHILDREN ARE GONNA DREAM ABOUT YOU. 597 00:37:47,521 --> 00:37:49,896 AND EVERY ONE OF YOUR FRIENDS WHO COMES TO THE CORONATION TONIGHT 598 00:37:49,896 --> 00:37:52,646 WILL TAKE THE SIGHT OF THE MAY QUEEN... 599 00:37:52,646 --> 00:37:54,729 TO THEIR GRAVES. 600 00:37:54,729 --> 00:37:56,187 [ Cordelia ] WAIT! 601 00:37:56,187 --> 00:37:58,312 NO. WE REALLY HAVE TO GET STARTED. 602 00:37:58,312 --> 00:38:00,312 THE LOCAL ANESTHETIC WILL WEAR OFF SOON. 603 00:38:00,312 --> 00:38:01,813 I DON'T WANT YOU TO FAINT. 604 00:38:01,813 --> 00:38:03,396 IT'S LESS FUN IF YOU'RE NOT AWAKE. 605 00:38:05,604 --> 00:38:07,229 YOU GUYS ARE, UH-- 606 00:38:08,646 --> 00:38:10,479 YOU'RE BLACKING OUT ON ME. 607 00:38:14,729 --> 00:38:16,396 LET ME SEE. 608 00:38:16,396 --> 00:38:19,396 I THINK WE SHOULD START WITH YOUR SMILE. 609 00:38:19,396 --> 00:38:22,354 I THINK IT SHOULD BE WIDER. 610 00:38:22,354 --> 00:38:27,396 MARCIE, I KNOW YOU THINK I DON'T UNDERSTAND, BUT I DO. 611 00:38:27,396 --> 00:38:29,855 YEAH, I'LL BET YOU KNOW HOW I FEEL. 612 00:38:29,855 --> 00:38:31,729 I'M SURE YOU CAN BE WITH ALL YOUR FRIENDS 613 00:38:31,729 --> 00:38:34,646 AND FEEL SO ALONE 'CAUSE THEY DON'T REALLY KNOW YOU. 614 00:38:34,646 --> 00:38:37,729 YOU'RE JUST A TYPICAL SELF-INVOLVED, SPOILED LITTLE BRAT, 615 00:38:37,729 --> 00:38:39,312 AND YOU THINK YOU CAN CHARM YOUR WAY OUT OF THIS, DON'T YOU? 616 00:38:39,312 --> 00:38:40,312 ISN'T THAT WHAT YOU THINK? [ Blade Slashes ] 617 00:38:40,312 --> 00:38:41,312 [ Screams ] 618 00:38:42,688 --> 00:38:46,271 I SEE RIGHT THROUGH YOU. 619 00:38:46,271 --> 00:38:47,271 HYAH! 620 00:38:50,688 --> 00:38:53,813 OH, MY GOD! GET ME OUT OF HERE, PLEASE. 621 00:38:53,813 --> 00:38:54,938 JUST HOLD STILL. 622 00:38:54,938 --> 00:38:55,938 [ Footsteps ] [ Blow Landing ] 623 00:38:55,938 --> 00:38:57,104 OHH! 624 00:38:57,104 --> 00:38:58,479 AAH ! 625 00:39:01,230 --> 00:39:02,729 OH, MY GOD! 626 00:39:11,229 --> 00:39:12,396 COME ON! 627 00:39:22,729 --> 00:39:25,729 [ Coughing ] 628 00:39:25,729 --> 00:39:26,855 WHAT HAPPENED? 629 00:39:26,855 --> 00:39:28,354 YOU TELL ME. 630 00:39:28,354 --> 00:39:30,062 I'M UP, MOM. 631 00:39:30,062 --> 00:39:32,354 HI. WHAT DO YOU WANT? 632 00:39:32,354 --> 00:39:34,604 I BROUGHT YOU THE CODEX. 633 00:39:34,604 --> 00:39:37,521 I CAME IN THROUGH THE BASEMENT. I SMELLED THE GAS. 634 00:39:37,521 --> 00:39:38,938 YES, WELL, SHUT IT OFF, 635 00:39:38,938 --> 00:39:40,187 OTHERWISE THE WHOLE BUILDING WILL GO UP. 636 00:39:40,187 --> 00:39:41,521 I'LL GET IT. 637 00:39:41,521 --> 00:39:43,396 IT'S NOT LIKE I NEED THE OXYGEN. 638 00:39:43,396 --> 00:39:46,187 COME ON, LET'S GET OUT OF HERE. 639 00:39:55,021 --> 00:39:57,354 YOU KNOW, I REALLY FELT SORRY FOR YOU. 640 00:39:57,354 --> 00:39:59,396 YOU'VE SUFFERED. 641 00:39:59,396 --> 00:40:01,896 THERE'S ONE THING I REALLY DIDN'T FACTOR INTO ALL THIS. 642 00:40:01,896 --> 00:40:05,187 YOU'RE A THUNDERING LOONY. 643 00:40:05,187 --> 00:40:07,563 BUFFY, ARE YOU OKAY? 644 00:40:07,563 --> 00:40:10,896 AAH! OH, MY GOD! 645 00:40:10,896 --> 00:40:12,229 OH, MY GOD! 646 00:40:12,229 --> 00:40:13,521 AAH, BUFFY! 647 00:40:13,521 --> 00:40:15,271 OH, MY GOD! 648 00:40:15,271 --> 00:40:16,271 AAH! 649 00:40:16,271 --> 00:40:18,521 BUFFY! 650 00:40:18,521 --> 00:40:19,729 OH, MY GOD. 651 00:40:19,729 --> 00:40:20,729 [ Sobbing ] 652 00:40:22,312 --> 00:40:25,771 [ Marcie ] HEY, MORON, I'M INVISIBLE. 653 00:40:25,771 --> 00:40:27,813 HOW YOU GONNA FIGHT SOMEONE YOU CAN'T SEE? 654 00:40:27,813 --> 00:40:29,855 OH, MY GOD. 655 00:40:32,187 --> 00:40:33,813 CORDELIA, SHUT UP. 656 00:40:33,813 --> 00:40:35,312 OKAY. 657 00:40:58,062 --> 00:40:59,980 [ Creaking ] AAH! 658 00:41:07,771 --> 00:41:10,062 I SEE YOU. 659 00:41:11,396 --> 00:41:13,646 AAH! 660 00:41:13,646 --> 00:41:15,771 EVERYBODY, STAY WHERE YOU ARE! 661 00:41:19,521 --> 00:41:21,896 F.B.I., NOBODY MOVE. 662 00:41:21,896 --> 00:41:24,855 OK, WE'LL TAKE IT FROM HERE NOW, MA'AM. 663 00:41:24,855 --> 00:41:26,521 TAKE WHAT FROM WHERE? 664 00:41:26,521 --> 00:41:27,813 I'M AGENT DOYLE. THIS IS AGENT MANETTI. 665 00:41:27,813 --> 00:41:29,271 WE'RE HERE FOR THE GIRL. 666 00:41:29,271 --> 00:41:30,688 WELL, WHERE WERE YOU 10 MINUTES AGO 667 00:41:30,688 --> 00:41:32,146 WHEN SHE WAS PLAYING SURGEON? 668 00:41:32,146 --> 00:41:34,229 I'M SORRY. WE CAME AS FAST AS WE COULD. 669 00:41:34,229 --> 00:41:37,146 WE'LL TAKE IT FROM HERE ON. 670 00:41:37,146 --> 00:41:38,521 YOU CAN CURE HER? 671 00:41:38,521 --> 00:41:41,438 WE CAN... REHABILITATE HER. 672 00:41:41,438 --> 00:41:43,312 IN TIME, 673 00:41:43,312 --> 00:41:47,187 SHE'LL LEARN TO BE A USEFUL MEMBER OF SOCIETY AGAIN. 674 00:41:47,187 --> 00:41:49,479 VERY USEFUL. 675 00:41:49,479 --> 00:41:52,062 THIS ISN'T THE FIRST TIME THIS HAS HAPPENED, IS IT? 676 00:41:52,062 --> 00:41:54,146 IT'S HAPPENED AT OTHER SCHOOLS. 677 00:41:54,146 --> 00:41:56,688 WE'RE NOT AT LIBERTY TO DISCUSS THAT. 678 00:41:56,688 --> 00:41:59,104 IT WOULD BE BEST FOR YOU TO FORGET THIS WHOLE INCIDENT. 679 00:41:59,104 --> 00:42:02,354 DO YOU KNOW THAT YOU GUYS ARE VERY CREEPY? 680 00:42:02,354 --> 00:42:04,438 THANK YOU FOR YOUR HELP. 681 00:42:04,438 --> 00:42:07,230 OH, AND, UH... 682 00:42:07,230 --> 00:42:08,563 HAVE A NICE DAY. 683 00:42:13,771 --> 00:42:16,104 CAN I GET UNTIED NOW? 684 00:42:22,563 --> 00:42:23,604 THANKS. 685 00:42:26,187 --> 00:42:29,479 I JUST CAN'T BELIEVE HOW TWISTED MARCIE GOT. 686 00:42:29,479 --> 00:42:31,855 BY THE WAY, HOW DID YOU GUYS GET OUT OF THE BOILER ROOM? 687 00:42:31,855 --> 00:42:33,021 OH, WELL, WHEN THE GAS WAS COMING DOWN-- 688 00:42:33,021 --> 00:42:35,229 JANITOR, UM, FOUND US, 689 00:42:35,229 --> 00:42:36,354 SHUT THE VALVE OFF. 690 00:42:36,354 --> 00:42:37,479 WE WERE REALLY LUCKY. 691 00:42:37,479 --> 00:42:38,479 I'LL SAY. 692 00:42:38,479 --> 00:42:39,688 HI. 693 00:42:41,146 --> 00:42:43,354 HEY. 694 00:42:43,354 --> 00:42:46,229 LOOK, UM, I DIDN'T GET A CHANCE TO SAY ANYTHING YESTERDAY, 695 00:42:46,229 --> 00:42:47,646 WITH THE CORONATION AND EVERYTHING, 696 00:42:47,646 --> 00:42:51,771 BUT, UM, I GUESS I JUST WANT TO SAY THANK YOU. 697 00:42:51,771 --> 00:42:53,604 ALL OF YOU. 698 00:42:53,604 --> 00:42:56,855 THAT'S FUNNY, 'CAUSE SHE LOOKS LIKE CORDELIA. 699 00:42:56,855 --> 00:42:59,312 YOU REALLY HELPED ME OUT YESTERDAY, 700 00:42:59,312 --> 00:43:00,729 AND YOU DIDN'T HAVE TO, 701 00:43:00,729 --> 00:43:02,187 SO THANK YOU. 702 00:43:02,187 --> 00:43:04,021 IT'S OK. 703 00:43:04,021 --> 00:43:06,604 LISTEN, WE WERE GONNA GRAB LUNCH IN A MINUTE, IF YOU WANTED TO-- 704 00:43:06,604 --> 00:43:11,062 WHOA. YOU'RE NOT HANGING WITH THESE LOSERS, ARE YOU? 705 00:43:11,062 --> 00:43:14,230 ARE YOU KIDDING? 706 00:43:14,230 --> 00:43:16,771 I WAS JUST BEING CHARITABLE, 707 00:43:16,771 --> 00:43:19,479 HELPING THEM WITH THEIR FASHION PROBLEMS. 708 00:43:19,479 --> 00:43:23,146 YOU THINK I REALLY FELT LIKE JOINING THAT SOCIAL LEPER COLONY? 709 00:43:23,146 --> 00:43:24,813 PUH-LEASE! 710 00:43:24,813 --> 00:43:26,271 BOY, WHERE'S AN INVISIBLE GIRL 711 00:43:26,271 --> 00:43:27,896 WHEN YOU REALLY NEED ONE? 712 00:43:36,438 --> 00:43:38,604 WE THINK YOU'LL BE HAPPY HERE. 713 00:43:38,604 --> 00:43:40,438 YOU SHOULD FIT RIGHT IN. 714 00:43:44,438 --> 00:43:46,604 WELCOME, MARCIE. HEY. 715 00:43:46,604 --> 00:43:49,146 CLASS, THIS IS MARCIE. 716 00:43:49,146 --> 00:43:50,604 PLEASE SIT DOWN. 717 00:43:55,229 --> 00:43:57,312 OK, CLASS, LET'S GET STARTED. 718 00:43:57,312 --> 00:44:00,187 EVERYBODY TURN TO PAGE 54 OF YOUR TEXTS. 719 00:44:04,563 --> 00:44:07,271 [ Chuckles ] COOL. 720 00:44:44,021 --> 00:44:45,146 GRR! ARG!