1 00:00:02,438 --> 00:00:03,980 EVERY GENERATION THERE IS A CHOSEN ONE. 2 00:00:03,980 --> 00:00:05,521 SHE ALONE WILL STAND AGAINST THE VAMPIRES, 3 00:00:05,521 --> 00:00:08,646 THE DEMONS AND THE FORCES OF DARKNESS. 4 00:00:08,646 --> 00:00:10,146 SHE IS THE SLAYER. 5 00:00:11,396 --> 00:00:13,146 [ALL SCREAMING] 6 00:00:13,146 --> 00:00:14,855 [SNARLING] 7 00:00:25,563 --> 00:00:27,813 [SNARLING] 8 00:00:27,813 --> 00:00:28,980 MAY I CUT IN? 9 00:00:39,771 --> 00:00:42,021 YOU ALL RIGHT? 10 00:00:42,021 --> 00:00:43,938 OH, THANKS TO YOU. 11 00:00:45,062 --> 00:00:46,604 YOU HURT YOUR HAND! 12 00:00:46,604 --> 00:00:48,563 WILL YOU STILL BE ABLE TO... 13 00:00:48,563 --> 00:00:50,771 FINISH MY SOLO AND KISS YOU LIKE YOU'VE NEVER BEEN KISSED BEFORE? 14 00:00:55,438 --> 00:00:57,521 [GIRLS SCREAMING] 15 00:01:00,521 --> 00:01:02,187 AAH! 16 00:01:28,479 --> 00:01:30,021 YOU'RE DROOLING. 17 00:01:31,938 --> 00:01:34,062 XANDER! 18 00:01:34,062 --> 00:01:35,354 YOU'VE GOT A LITTLE... 19 00:01:35,354 --> 00:01:37,646 Teacher: THEIR ANCESTORS WERE HERE 20 00:01:37,646 --> 00:01:39,604 LONG BEFORE WE WERE, 21 00:01:39,604 --> 00:01:42,813 THEIR PROGENY WILL BE HERE LONG AFTER WE ARE GONE... 22 00:01:42,813 --> 00:01:45,646 THE SIMPLE AND UBIQUITOUS ANT. 23 00:01:48,229 --> 00:01:51,521 NOW... IF YOU READ THE HOMEWORK, 24 00:01:51,521 --> 00:01:55,479 YOU SHOULD KNOW THE 2 WAYS THAT ANTS COMMUNICATE. 25 00:01:57,938 --> 00:01:58,938 MISS SUMMERS. 26 00:02:00,604 --> 00:02:02,187 WAYS THAT ANTS COMMUNICATE. 27 00:02:02,187 --> 00:02:03,396 MM-HMM. 28 00:02:03,396 --> 00:02:05,729 WITH OTHER ANTS. 29 00:02:05,729 --> 00:02:07,521 FROM THE HOMEWORK. 30 00:02:07,521 --> 00:02:09,646 ANTS ARE COMMUNICATING... 31 00:02:09,646 --> 00:02:12,771 UM, UH...UH... 32 00:02:12,771 --> 00:02:15,396 TOUCH... MM-HMM. 33 00:02:15,396 --> 00:02:19,021 AND...UM... 34 00:02:19,021 --> 00:02:20,604 [SNIFFING] 35 00:02:20,604 --> 00:02:22,729 B.O.? 36 00:02:22,729 --> 00:02:25,521 THANK GOD SOMEONE FINALLY FOUND THE COURAGE TO MENTION THAT. 37 00:02:25,521 --> 00:02:29,646 THAT WOULD BE TOUCH AND SMELL, MISS SUMMERS. 38 00:02:29,646 --> 00:02:31,855 [CLASS GIGGLING] 39 00:02:31,855 --> 00:02:34,896 IS THERE ANYTHING ELSE MISS ROSENBERG WOULD LIKE TO TELL YOU? 40 00:02:34,896 --> 00:02:36,688 [BELL RINGS] 41 00:02:36,688 --> 00:02:40,604 ALL RIGHT, CHAPTERS 6 THROUGH 8 BY TOMORROW, PEOPLE. 42 00:02:40,604 --> 00:02:41,813 CAN I SEE YOU FOR A MOMENT? 43 00:02:43,813 --> 00:02:47,146 I GATHER YOU HAD A FEW PROBLEMS AT YOUR LAST SCHOOL? 44 00:02:47,146 --> 00:02:49,229 WELL, WHAT TEENAGER DOESN'T? 45 00:02:49,229 --> 00:02:51,688 CUT SCHOOL, GET IN FIGHTS, 46 00:02:51,688 --> 00:02:55,062 BURN DOWN THE GYMNASIUM? 47 00:02:55,062 --> 00:02:57,104 PRINCIPAL FLUTIE SHOWED ME YOUR PERMANENT RECORD. 48 00:02:57,104 --> 00:03:01,021 WELL, THAT FIRE? THERE WAS MAJOR EXTENUATING CIRCUMSTANCES. 49 00:03:01,021 --> 00:03:03,104 ACTUALLY, IT'S KIND OF FUNNY. 50 00:03:03,104 --> 00:03:05,271 CAN'T WAIT TO SEE WHAT YOU'RE GOING TO DO HERE. 51 00:03:05,271 --> 00:03:08,938 "DESTRUCTIVE GIRL"-- THAT'S ME. 52 00:03:08,938 --> 00:03:11,062 BUT I SUSPECT IT'S GOING TO BE GREAT. 53 00:03:11,062 --> 00:03:13,396 YOU MEAN "GREAT" IN A BAD WAY. 54 00:03:15,855 --> 00:03:18,438 YOU HAVE A FIRST-RATE MIND, AND YOU CAN THINK ON YOUR FEET. 55 00:03:18,438 --> 00:03:20,521 IMAGINE WHAT YOU COULD ACCOMPLISH IF YOU ACTUALLY DID THE-- 56 00:03:20,521 --> 00:03:22,688 THE HOMEWORK THING. 57 00:03:22,688 --> 00:03:25,187 THE HOMEWORK THING. 58 00:03:25,187 --> 00:03:28,396 I UNDERSTAND YOU PROBABLY HAVE A GOOD EXCUSE FOR NOT DOING IT. 59 00:03:28,396 --> 00:03:30,813 AMAZINGLY ENOUGH, I DON'T CARE. 60 00:03:30,813 --> 00:03:35,688 I KNOW YOU CAN EXCEL IN THIS CLASS, AND SO I EXPECT NO LESS. 61 00:03:35,688 --> 00:03:37,062 IS THAT CLEAR? 62 00:03:37,062 --> 00:03:39,604 YEAH. 63 00:03:39,604 --> 00:03:40,771 SORRY. 64 00:03:40,771 --> 00:03:44,604 DON'T BE SORRY. BE SMART. 65 00:03:44,604 --> 00:03:46,646 AND PLEASE DON'T LISTEN TO THE PRINCIPAL 66 00:03:46,646 --> 00:03:50,146 OR ANYONE ELSE'S NEGATIVE OPINION ABOUT YOU. 67 00:03:50,146 --> 00:03:53,146 LET'S MAKE THEM EAT THAT PERMANENT RECORD. 68 00:03:53,146 --> 00:03:55,688 WHAT DO YOU SAY? 69 00:03:55,688 --> 00:03:57,688 OK. 70 00:03:57,688 --> 00:03:58,688 THANKS. 71 00:04:01,521 --> 00:04:03,729 CHAPTERS 6 THROUGH 8. 72 00:04:45,479 --> 00:04:46,688 AAH! 73 00:04:46,688 --> 00:04:48,271 UNH! 74 00:06:02,187 --> 00:06:04,187 ♪ THE FIRST DATE'S THE WORST DATE ♪ 75 00:06:04,187 --> 00:06:06,563 ♪ IT'S HARD TO KNOW JUST WHAT TO DO ♪ 76 00:06:08,771 --> 00:06:11,146 ♪ I TAKE YOU TO DINNER, YOU DON'T EAT ♪ 77 00:06:11,146 --> 00:06:15,021 ♪ YOU JUST PLAY WITH YOUR FOOD ♪ 78 00:06:15,021 --> 00:06:18,104 ♪ AND THERE'S SOMETHING FAMILIAR ♪ 79 00:06:18,104 --> 00:06:21,146 ♪ THAT IN WORDS YOU SAY ♪ 80 00:06:21,146 --> 00:06:24,563 ♪ IT'S HARD TO BELIEVE ♪ 81 00:06:24,563 --> 00:06:27,855 ♪ IT'S HAPPENED AGAIN ♪ 82 00:06:27,855 --> 00:06:31,062 ♪ I ALREADY MET YOU ♪ 83 00:06:31,062 --> 00:06:34,729 ♪ I ALREADY MET YOU... ♪ 84 00:06:34,729 --> 00:06:36,813 7 INCLUDING CHERYL. 85 00:06:36,813 --> 00:06:38,771 I TELL YOU, THOUGH, HER SISTER WAS LOOKING TO MAKE IT 8. 86 00:06:38,771 --> 00:06:41,438 OOH. CHERYL'S SISTER? THE ONE IN COLLEGE? 87 00:06:41,438 --> 00:06:43,187 HOME FOR THE HOLIDAYS AND LOOKING FOR LOVE. 88 00:06:43,187 --> 00:06:44,563 [CHUCKLES] 89 00:06:44,563 --> 00:06:46,438 SHE'S NOT MY TYPE, THOUGH. 90 00:06:46,438 --> 00:06:48,312 GIRLS REALLY GOT TO HAVE SOMETHING TO GO WITH ME. 91 00:06:48,312 --> 00:06:49,604 SOMETHING LIKE A LOBOTOMY? 92 00:06:51,104 --> 00:06:53,688 XANDER, HOW MANY TIMES YOU SCORED? 93 00:06:53,688 --> 00:06:55,896 WELL, UH... 94 00:06:55,896 --> 00:06:57,438 IT'S JUST A QUESTION. 95 00:06:57,438 --> 00:07:00,396 ARE WE TALKING TODAY OR THE WHOLE WEEK? 96 00:07:03,396 --> 00:07:05,563 OOH, DUTY CALLS. 97 00:07:07,188 --> 00:07:09,062 BABES! 98 00:07:11,604 --> 00:07:12,563 WHAT ARE YOU DOING? 99 00:07:12,563 --> 00:07:14,229 WORK WITH ME HERE. 100 00:07:14,229 --> 00:07:15,479 BLAYNE HAD THE NERVE TO QUESTION MY MANLINESS. 101 00:07:15,479 --> 00:07:16,688 I'M JUST GOING TO GIVE HIM A VISUAL. 102 00:07:16,688 --> 00:07:17,688 WE'LL SHOW HIM. 103 00:07:22,146 --> 00:07:23,396 I DON'T BELIEVE IT. 104 00:07:23,396 --> 00:07:26,271 I KNOW, AND AFTER ALL MY CONQUESTS-- 105 00:07:26,271 --> 00:07:27,813 WHO'S THAT? 106 00:07:27,813 --> 00:07:30,855 THAT MUST BE ANGEL. I THINK. 107 00:07:30,855 --> 00:07:32,688 THAT WEIRD GUY THAT WARNED HER ABOUT ALL THE VAMPIRES? 108 00:07:32,688 --> 00:07:34,855 THAT'S HIM, I'LL BET YOU. 109 00:07:34,855 --> 00:07:36,479 WELL, HE'S BUFF. 110 00:07:36,479 --> 00:07:38,604 SHE NEVER SAID ANYTHING ABOUT HIM BEING BUFF. 111 00:07:38,604 --> 00:07:39,771 YOU THINK HE'S BUFF? 112 00:07:39,771 --> 00:07:41,354 HE'S A VERY ATTRACTIVE MAN. 113 00:07:41,354 --> 00:07:42,896 HOW COME THAT NEVER CAME UP? 114 00:07:44,438 --> 00:07:46,230 WELL, LOOK WHO'S HERE. 115 00:07:46,230 --> 00:07:47,187 HI. 116 00:07:47,187 --> 00:07:49,021 I'D SAY IT'S NICE TO SEE YOU, 117 00:07:49,021 --> 00:07:50,729 BUT THEN WE BOTH KNOW THAT'S A BIG FIB. 118 00:07:50,729 --> 00:07:52,312 I WON'T BE LONG. 119 00:07:52,312 --> 00:07:54,354 NO. YOU'LL JUST GIVE ME A CRYPTIC WARNING 120 00:07:54,354 --> 00:07:56,146 ABOUT SOME EXCITING NEW CATASTROPHE 121 00:07:56,146 --> 00:07:58,438 AND THEN DISAPPEAR INTO THE NIGHT, RIGHT? 122 00:07:58,438 --> 00:07:59,604 YOU'RE COLD. 123 00:07:59,604 --> 00:08:01,104 YOU CAN TAKE IT. 124 00:08:01,104 --> 00:08:04,187 I MEAN YOU LOOK COLD. 125 00:08:07,230 --> 00:08:09,688 OH, RIGHT. GIVE HER YOUR JACKET. 126 00:08:09,688 --> 00:08:12,187 IT'S A BALMY NIGHT. NO NEED TO BE TRADING CLOTHING OUT THERE. 127 00:08:12,187 --> 00:08:14,396 IT'S A LITTLE BIG ON ME. 128 00:08:17,104 --> 00:08:18,729 WHAT HAPPENED? 129 00:08:18,729 --> 00:08:20,146 I DIDN'T PAY ATTENTION. 130 00:08:20,146 --> 00:08:21,855 TO SOMEBODY WITH A BIG FORK? 131 00:08:21,855 --> 00:08:23,104 HE'S COMING. 132 00:08:23,104 --> 00:08:24,479 THE FORK GUY? 133 00:08:24,479 --> 00:08:27,230 DON'T LET HIM CORNER YOU. 134 00:08:27,230 --> 00:08:29,688 DON'T GIVE HIM A MOMENT'S MERCY. 135 00:08:29,688 --> 00:08:31,354 HE'LL RIP YOUR THROAT OUT. 136 00:08:31,354 --> 00:08:34,354 OK. I'LL GIVE YOU IMPROVED MARKS FOR THAT ONE. 137 00:08:34,354 --> 00:08:37,271 RIPPING A THROAT OUT, IT'S A STRONG VISUAL. IT'S NOT CRYPTIC. 138 00:08:38,563 --> 00:08:39,646 I HAVE TO GO. 139 00:08:43,104 --> 00:08:45,312 SWEET DREAMS TO YOU, TOO. 140 00:08:49,896 --> 00:08:52,230 THAT'S ALL HE SAID? 141 00:08:52,230 --> 00:08:53,438 "FORK GUY"? 142 00:08:53,438 --> 00:08:56,062 THAT'S ALL CRYPTIC GUY SAID-- "FORK GUY." 143 00:08:56,062 --> 00:08:57,646 I THINK THERE ARE TOO MANY GUYS IN YOUR LIFE. 144 00:08:57,646 --> 00:08:58,855 [CHUCKLES] 145 00:08:58,855 --> 00:08:59,855 I'LL SEE WHAT I CAN FIND OUT. 146 00:09:01,771 --> 00:09:03,521 GOD, EVERY DAY HERE IS THE SAME. 147 00:09:03,521 --> 00:09:05,230 BRIGHT, SUNNY, BEAUTIFUL... 148 00:09:05,230 --> 00:09:07,312 HOWEVER CAN WE ESCAPE THIS TORMENT? 149 00:09:07,312 --> 00:09:08,771 REALLY. MORNING. 150 00:09:08,771 --> 00:09:10,230 MORNING. 151 00:09:10,230 --> 00:09:11,521 GUESS WHAT I JUST HEARD IN THE OFFICE. 152 00:09:11,521 --> 00:09:13,104 NO DR. GREGORY TODAY, 153 00:09:13,104 --> 00:09:15,021 ERGO THOSE OF US WHO BLEW OFF OUR SCIENCE HOMEWORK 154 00:09:15,021 --> 00:09:16,688 AREN'T AS DUMB AS WE LOOK. 155 00:09:16,688 --> 00:09:18,188 WHAT HAPPENED, IS HE SICK? 156 00:09:18,188 --> 00:09:19,354 THEY DIDN'T SAY ANYTHING ABOUT SICK, 157 00:09:19,354 --> 00:09:21,146 SOMETHING ABOUT MISSING. 158 00:09:21,146 --> 00:09:22,438 HE'S MISSING? 159 00:09:22,438 --> 00:09:24,104 WELL, LET ME THINK. 160 00:09:24,104 --> 00:09:26,438 THE CHEERLEADERS WERE MODELING THEIR NEW SHORT SKIRTS. 161 00:09:26,438 --> 00:09:29,479 THAT KIND OF GOT--YEAH, YEAH, THEY SAID MISSING. 162 00:09:31,479 --> 00:09:33,729 WHICH IS BAD? 163 00:09:33,729 --> 00:09:35,855 IF SOMETHING'S WRONG, YEAH. 164 00:09:35,855 --> 00:09:39,479 HE'S ONE OF THE ONLY TEACHERS THAT DOESN'T THINK BUFFY'S A FELON. 165 00:09:39,479 --> 00:09:42,396 I'M REALLY SORRY. I'M SURE HE'LL... 166 00:09:44,062 --> 00:09:46,688 I, UH...OH, YEAH. 167 00:09:46,688 --> 00:09:48,938 UH...HUH... 168 00:10:07,980 --> 00:10:09,896 COULD YOU HELP ME? 169 00:10:11,312 --> 00:10:13,312 UH... 170 00:10:13,312 --> 00:10:14,521 YES. 171 00:10:14,521 --> 00:10:17,187 I'M LOOKING FOR SCIENCE 109. 172 00:10:17,187 --> 00:10:18,938 OH, IT'S, UM... 173 00:10:21,813 --> 00:10:22,813 I GO THERE EVERY DAY. 174 00:10:22,813 --> 00:10:25,021 [CHUCKLES] 175 00:10:25,021 --> 00:10:26,021 OH, GOD, WHERE IS IT? 176 00:10:27,604 --> 00:10:30,146 HI. BLAYNE MALL. 177 00:10:30,146 --> 00:10:31,896 I'M GOING THERE RIGHT NOW. 178 00:10:31,896 --> 00:10:33,396 IT'S NOT FAR FROM THE VARSITY FIELD 179 00:10:33,396 --> 00:10:35,104 WHERE I TOOK ALL-CITY LAST YEAR. 180 00:10:35,104 --> 00:10:37,229 OH, THANK YOU, BLAYNE. 181 00:10:43,771 --> 00:10:45,813 IT'S FUNNY HOW THE EARTH NEVER OPENS UP 182 00:10:45,813 --> 00:10:47,438 AND SWALLOWS YOU WHEN YOU WANT IT TO. 183 00:10:51,646 --> 00:10:53,021 I'M ALL IN DIRE-- 184 00:10:57,688 --> 00:10:59,312 WHAT'S WRONG? 185 00:10:59,312 --> 00:11:01,312 IF DR. GREGORY DROPPED HIS GLASSES, 186 00:11:01,312 --> 00:11:03,312 WHY WOULDN'T HE PICK THEM UP? 187 00:11:03,312 --> 00:11:06,230 [BELL RINGS] 188 00:11:07,354 --> 00:11:09,479 MY NAME IS NATALIE FRENCH, 189 00:11:09,479 --> 00:11:11,646 AND I'LL BE SUBSTITUTING FOR DR. GREGORY. 190 00:11:11,646 --> 00:11:12,729 DO YOU KNOW WHEN HE'S COMING BACK? 191 00:11:12,729 --> 00:11:15,771 NO, I DON'T, UM...BUFFY. 192 00:11:15,771 --> 00:11:17,521 THEY JUST CALL AND TELL ME WHERE THEY WANT ME. 193 00:11:17,521 --> 00:11:19,938 I'LL TELL YOU WHERE I WANT YOU. 194 00:11:19,938 --> 00:11:22,187 EXCUSE ME, BLAYNE? 195 00:11:22,187 --> 00:11:25,187 UH, I WAS JUST WONDERING IF YOU WERE GOING 196 00:11:25,187 --> 00:11:26,938 TO PICK UP WHERE DR. GREGORY LEFT OFF. 197 00:11:26,938 --> 00:11:29,896 YES. 198 00:11:29,896 --> 00:11:33,312 HIS NOTES TELL ME YOU WERE RIGHT IN THE MIDDLE OF INSECT LIFE. 199 00:11:33,312 --> 00:11:36,980 THE PRAYING MANTIS IS A FASCINATING CREATURE, 200 00:11:36,980 --> 00:11:38,396 FORCED TO LIVE ALONE. 201 00:11:38,396 --> 00:11:40,729 WHO CAN TELL ME WHY? 202 00:11:40,729 --> 00:11:42,855 BUFFY? 203 00:11:42,855 --> 00:11:45,646 WELL, THE WORDS "BUG-UGLY" KIND OF SPRING TO MIND. 204 00:11:45,646 --> 00:11:50,146 THERE IS NOTHING UGLY ABOUT THESE UNIQUE CREATURES. 205 00:11:50,146 --> 00:11:52,729 THE REASON THEY LIVE ALONE IS BECAUSE THEY ARE CANNIBALS. 206 00:11:52,729 --> 00:11:54,146 EWW. 207 00:11:54,146 --> 00:11:56,438 OHH, WELL, IT'S HARDLY THEIR FAULT. 208 00:11:56,438 --> 00:11:58,312 IT'S THE WAY NATURE DESIGNED THEM. 209 00:11:58,312 --> 00:12:02,062 NOBLE, SOLITARY, AND PROLIFIC. 210 00:12:02,062 --> 00:12:04,271 OVER 1,800 SPECIES WORLDWIDE, 211 00:12:04,271 --> 00:12:06,062 AND IN NEARLY ALL OF THEM, 212 00:12:06,062 --> 00:12:09,938 THE FEMALE IS LARGER AND MORE AGGRESSIVE THAN THE MALE. 213 00:12:09,938 --> 00:12:12,396 NOTHING WRONG WITH AN AGGRESSIVE FEMALE. 214 00:12:14,187 --> 00:12:17,771 THE CALIFORNIA MANTIS LAYS HER EGGS 215 00:12:17,771 --> 00:12:22,187 AND THEN FINDS A MATE TO FERTILIZE THEM. 216 00:12:22,187 --> 00:12:24,229 ONCE HE'S PLAYED HIS PART, 217 00:12:24,229 --> 00:12:26,896 SHE COVERS THE EGGS IN A PROTECTIVE SAC 218 00:12:26,896 --> 00:12:30,104 AND ATTACHES IT TO A LEAF OR TWIG OUT OF DANGER. 219 00:12:30,104 --> 00:12:32,396 NOW, IF SHE'S DONE HER JOB CORRECTLY, 220 00:12:32,396 --> 00:12:36,688 IN FEW MONTHS, SHE'LL HAVE SEVERAL HUNDRED OFFSPRING. 221 00:12:36,688 --> 00:12:41,229 YOU KNOW, WE SHOULD MAKE SOME MODEL EGG SACS FOR THE SCIENCE FAIR. 222 00:12:41,229 --> 00:12:43,479 WHO WOULD LIKE TO HELP ME DO THAT AFTER SCHOOL? 223 00:12:43,479 --> 00:12:44,479 OH! OH! OH! OH! 224 00:12:47,938 --> 00:12:49,312 GOOD. 225 00:12:52,980 --> 00:12:55,688 HOT DOG SURPRISE. BE STILL MY HEART. 226 00:12:55,688 --> 00:12:57,396 CALL ME OLD-FASHIONED, 227 00:12:57,396 --> 00:12:59,729 I DON'T WANT ANY MORE SURPRISES IN MY HOT DOGS. 228 00:12:59,729 --> 00:13:01,271 I WONDER WHAT SHE SEES IN ME. 229 00:13:01,271 --> 00:13:02,855 IT'S PROBABLY THE QUIET GOOD LOOKS 230 00:13:02,855 --> 00:13:04,479 COUPLED WITH A CERTAIN SMOKY MAGNETISM. 231 00:13:05,855 --> 00:13:07,688 MISS FRENCH. 232 00:13:07,688 --> 00:13:09,312 YOU TWO ARE PROBABLY A LITTLE TOO YOUNG TO UNDERSTAND 233 00:13:09,312 --> 00:13:11,021 WHAT AN OLDER WOMAN WOULD SEE IN A YOUNGER MAN. 234 00:13:11,021 --> 00:13:12,312 OH, I UNDERSTAND. 235 00:13:12,312 --> 00:13:13,396 GOOD. 236 00:13:13,396 --> 00:13:15,438 A YOUNGER MAN IS TOO DUMB TO WONDER 237 00:13:15,438 --> 00:13:17,438 WHY AN OLDER WOMAN CAN'T FIND SOMEONE HER OWN AGE 238 00:13:17,438 --> 00:13:20,312 AND TOO DESPERATE TO CARE ABOUT THE SURGICAL IMPROVEMENTS. 239 00:13:20,312 --> 00:13:21,646 WHAT SURGICAL IMPROVEMENTS? 240 00:13:21,646 --> 00:13:23,855 WELL, HE IS YOUNG. 241 00:13:23,855 --> 00:13:25,938 AND SO TERRIBLY INNOCENT. 242 00:13:25,938 --> 00:13:28,229 HEY, THOSE THAT CAN, DO. 243 00:13:28,229 --> 00:13:32,896 THOSE THAT CAN'T, LAUGH AT THOSE WHO CAN DO. 244 00:13:32,896 --> 00:13:35,062 GOT TO CARB UP FOR MY ONE-ON-ONE WITH MISS FRENCH TODAY. 245 00:13:35,062 --> 00:13:37,604 WHEN'S YOURS? OH, RIGHT, TOMORROW. 246 00:13:37,604 --> 00:13:40,813 YOU CAME IN SECOND. I CAME IN FIRST. 247 00:13:40,813 --> 00:13:44,354 GUESS THAT'S WHAT THEY CALL NATURAL SELECTION. 248 00:13:44,354 --> 00:13:46,229 GUESS IT'S WHAT THEY CALL A REHEARSAL. 249 00:13:46,229 --> 00:13:47,479 REHEARSAL. 250 00:13:50,855 --> 00:13:52,896 EXCUSE YOU! 251 00:13:52,896 --> 00:13:54,354 MEDICALLY PRESCRIBED LUNCH. 252 00:13:54,354 --> 00:13:56,104 MY DOCTOR SHIPS IT DAILY. 253 00:13:56,104 --> 00:13:58,396 I'LL ONLY BE HERE AS LONG AS I CAN HOLD MY BREATH. 254 00:13:59,438 --> 00:14:00,813 AAH! 255 00:14:02,729 --> 00:14:04,396 HIS HEAD! HIS HEAD! 256 00:14:04,396 --> 00:14:06,354 OH, MY GOD, WHERE'S HIS HEAD? 257 00:14:16,479 --> 00:14:18,938 HERE... 258 00:14:18,938 --> 00:14:20,729 DRINK THIS. 259 00:14:20,729 --> 00:14:22,230 NO, THANK YOU. 260 00:14:23,521 --> 00:14:25,021 I'VE NEVER SEEN-- 261 00:14:25,021 --> 00:14:28,813 I MEAN, I'VE NEVER SEEN ANYTHING LIKE-- 262 00:14:28,813 --> 00:14:30,104 THAT WAS NEW. 263 00:14:30,104 --> 00:14:32,021 WHO'D WANT TO HURT DR. GREGORY? 264 00:14:32,021 --> 00:14:35,396 UH, HE DIDN'T HAVE ANY ENEMIES ON THE STAFF 265 00:14:35,396 --> 00:14:36,688 THAT I'M AWARE OF. 266 00:14:36,688 --> 00:14:38,855 HE WAS A CIVILIZED MAN. 267 00:14:38,855 --> 00:14:40,479 I LIKED HIM. 268 00:14:40,479 --> 00:14:43,021 SO DID I. 269 00:14:43,021 --> 00:14:44,855 WELL, WE'RE GOING TO FIND OUT WHO DID THIS. 270 00:14:44,855 --> 00:14:47,396 WE'LL FIND THEM, AND WE'LL STOP THEM. 271 00:14:47,396 --> 00:14:48,688 COUNT ON IT. 272 00:14:48,688 --> 00:14:49,980 WHAT DO WE KNOW? 273 00:14:49,980 --> 00:14:53,312 OH, NOT A LOT. UM, HE WAS KILLED ON CAMPUS. 274 00:14:53,312 --> 00:14:54,813 I'M GUESSING THE LAST DAY WE SAW HIM. 275 00:14:54,813 --> 00:14:56,521 HOW DO YOU WORK THAT OUT? 276 00:14:56,521 --> 00:14:58,396 HE DIDN'T CHANGE HIS CLOTHING. 277 00:14:58,396 --> 00:15:01,354 THIS IS A QUESTION NO ONE PARTICULARLY WANTS TO HEAR, 278 00:15:01,354 --> 00:15:03,604 BUT WHERE DID THEY PUT HIS HEAD? 279 00:15:03,604 --> 00:15:06,729 GOOD POINT. I DIDN'T WANT TO HEAR THAT. 280 00:15:06,729 --> 00:15:08,604 ANGEL. 281 00:15:08,604 --> 00:15:09,813 HE WARNED ME THAT SOMETHING WAS COMING. 282 00:15:09,813 --> 00:15:12,187 YES. YES, HE DID, DIDN'T HE? 283 00:15:12,187 --> 00:15:14,396 I WISH I KNEW WHAT HE MEANT. 284 00:15:14,396 --> 00:15:15,604 I'VE BEEN TRYING TO GATHER MORE INFORMATION ABOUT THE MASTER, 285 00:15:15,604 --> 00:15:18,896 OUR LOCAL VAMPIRE KING. 286 00:15:18,896 --> 00:15:21,604 THERE WAS ONE OBLIQUE REFERENCE TO A VAMPIRE 287 00:15:21,604 --> 00:15:24,521 WHO DISPLEASED THE MASTER AND CUT HIS HAND OFF IN PENANCE. 288 00:15:24,521 --> 00:15:27,230 CUT OFF HIS HAND AND REPLACED IT WITH A FORK? 289 00:15:27,230 --> 00:15:28,479 I DON'T KNOW WHAT HE REPLACED IT WITH. 290 00:15:28,479 --> 00:15:30,187 SO WHY WOULD HE COME AFTER A TEACHER? 291 00:15:30,187 --> 00:15:32,354 I'M NOT CERTAIN HE DID. 292 00:15:32,354 --> 00:15:35,688 THERE WAS AN INCIDENT 2 NIGHTS AGO 293 00:15:35,688 --> 00:15:39,187 INVOLVING A HOMELESS PERSON IN WEATHERLY PARK. 294 00:15:39,187 --> 00:15:40,354 HE WAS PRACTICALLY SHREDDED, 295 00:15:40,354 --> 00:15:43,688 BUT NOTHING LIKE DR. GREGORY. 296 00:15:43,688 --> 00:15:45,563 FORK GUY DOESN'T DO HEADS. 297 00:15:45,563 --> 00:15:47,187 NOT HISTORICALLY. 298 00:15:47,187 --> 00:15:49,271 AND DR. GREGORY'S BLOOD WASN'T DRAINED. 299 00:15:49,271 --> 00:15:52,438 SO, THERE'S SOMETHING ELSE OUT THERE BESIDES SILVERWARE MAN? 300 00:15:52,438 --> 00:15:55,021 OH, THIS IS FUN. WE'RE ON MONSTER ISLAND. 301 00:15:55,021 --> 00:15:56,604 WE'RE ON A HELLMOUTH. 302 00:15:56,604 --> 00:15:58,813 IT'S A CENTER OF MYSTICAL CONVERGENCE. 303 00:15:58,813 --> 00:16:00,604 I GUESS IT'S THE SAME THING. 304 00:16:00,604 --> 00:16:03,729 WELL, UNPLEASANT THINGS DO GRAVITATE HERE, IT'S TRUE, 305 00:16:03,729 --> 00:16:06,062 BUT WE DON'T KNOW THAT THERE'S ANYTHING BESIDES THIS CHAP. 306 00:16:06,062 --> 00:16:07,521 HE'S STILL OUR LIKELIEST SUSPECT. 307 00:16:07,521 --> 00:16:10,187 WHERE WAS THAT GUY KILLED, WEATHERLY PARK? 308 00:16:10,187 --> 00:16:12,729 BUFFY, I KNOW YOU'RE UPSET, 309 00:16:12,729 --> 00:16:14,230 BUT THIS IS NO TIME TO GO HUNTING. 310 00:16:14,230 --> 00:16:15,604 NOT UNTIL WE KNOW MORE. 311 00:16:15,604 --> 00:16:17,688 PLEASE PROMISE ME YOU WON'T DO ANYTHING RASH. 312 00:16:17,688 --> 00:16:20,312 CROSS MY HEART. 313 00:16:56,813 --> 00:16:59,604 SHOULDN'T BE OUT HERE AT NIGHT, LITTLE LADY. 314 00:16:59,604 --> 00:17:00,563 IT'S DANGEROUS. 315 00:17:14,479 --> 00:17:15,855 [SNORING] 316 00:17:54,521 --> 00:17:56,062 [GROWLS] 317 00:18:15,604 --> 00:18:17,438 HOLD IT! POLICE! 318 00:18:17,438 --> 00:18:18,521 DID YOU SEE THAT? 319 00:18:21,729 --> 00:18:23,354 I HEARD HIM. SPREAD OUT. 320 00:18:23,354 --> 00:18:24,354 LET'S GO OVER HERE. THIS WAY. 321 00:18:27,146 --> 00:18:28,229 [HEAVY BREATHING] 322 00:18:46,021 --> 00:18:48,312 [HISSING] 323 00:19:12,563 --> 00:19:13,563 Giles: YOU WENT HUNTING LAST NIGHT? 324 00:19:13,563 --> 00:19:15,230 YES. 325 00:19:15,230 --> 00:19:17,187 WHEN YOU ASSURED ME YOU WOULDN'T. 326 00:19:17,187 --> 00:19:21,104 YES. I LIED. I'M A BAD PERSON. LET'S MOVE ON. 327 00:19:21,104 --> 00:19:23,146 DID YOU SEE SOMEONE WITH A FORK? 328 00:19:23,146 --> 00:19:25,188 MORE LIKE A JUMBO CLAW. 329 00:19:26,563 --> 00:19:27,771 OH. 330 00:19:27,771 --> 00:19:29,896 WELL, AT LEAST YOU'RE NOT HURT. 331 00:19:29,896 --> 00:19:31,021 AND I SAW SOMETHING ELSE, 332 00:19:31,021 --> 00:19:32,563 SOMETHING MUCH MORE INTERESTING 333 00:19:32,563 --> 00:19:34,604 THAN YOUR AVERAGE RUN-OF-THE-MILL KILLER VAMPIRE. 334 00:19:34,604 --> 00:19:35,771 OH? 335 00:19:35,771 --> 00:19:37,187 DO YOU KNOW MISS FRENCH, 336 00:19:37,187 --> 00:19:38,479 THE TEACHER THAT'S SUBBING FOR DR. GREGORY? 337 00:19:38,479 --> 00:19:40,271 YES. YES, SHE'S LOVELY... 338 00:19:40,271 --> 00:19:43,771 WELL, IN A-- A COMMON, EXTREMELY WELL-PROPORTIONED WAY. 339 00:19:43,771 --> 00:19:45,646 WELL, I'M CHASING CLAW-GUY LAST NIGHT, 340 00:19:45,646 --> 00:19:48,021 AND MISS WELL-PROPORTIONED IS HEADING HOME. 341 00:19:48,021 --> 00:19:49,813 CLAW-GUY TAKES ONE LOOK AT HER 342 00:19:49,813 --> 00:19:51,021 AND RUNS SCREAMING FOR COVER. 343 00:19:51,021 --> 00:19:52,438 WHAT? 344 00:19:52,438 --> 00:19:53,729 RAN AWAY? 345 00:19:53,729 --> 00:19:54,771 HE WAS PETRIFIED. 346 00:19:54,771 --> 00:19:55,771 OF MISS FRENCH? 347 00:19:55,771 --> 00:19:56,771 UH-HUH. 348 00:19:56,771 --> 00:19:58,479 SO I'M AN UNDEAD MONSTER 349 00:19:58,479 --> 00:20:00,604 THAT CAN SHAVE WITH MY HAND... 350 00:20:00,604 --> 00:20:02,312 HOW MANY THINGS AM I AFRAID OF? 351 00:20:02,312 --> 00:20:05,021 NOT MANY. AND NOT SUBSTITUTE TEACHERS, AS A RULE. 352 00:20:05,021 --> 00:20:06,604 SO WHAT'S HER DEAL? 353 00:20:06,604 --> 00:20:08,438 I THINK PERHAPS IT WOULD BE A GOOD IDEA 354 00:20:08,438 --> 00:20:10,062 IF WE KEPT AN EYE ON HER. 355 00:20:10,062 --> 00:20:11,813 THEN I BETTER GET TO CLASS. 356 00:20:16,771 --> 00:20:19,438 YOU WERE THERE. YOU SAW DR. GREGORY, DIDN'T YOU? 357 00:20:19,438 --> 00:20:22,729 UM, YOU MEAN YESTERDAY IN THE CAFETERIA WHEN WE FOUND HIM-- 358 00:20:22,729 --> 00:20:24,729 DON'T SAY DEAD OR DECAPITATED OR DECOMPOSING. 359 00:20:24,729 --> 00:20:26,563 I'D STAY AWAY FROM "D" WORDS ALTOGETHER, 360 00:20:26,563 --> 00:20:28,646 BUT YOU WITNESSED THE EVENT, SO THIS WAY, PLEASE. 361 00:20:28,646 --> 00:20:29,938 OH, NO. I'M GONNA BE LATE FOR BIOLOGY. 362 00:20:29,938 --> 00:20:31,062 EXTREMELY LATE. 363 00:20:31,062 --> 00:20:32,312 YOU HAVE TO SEE A COUNSELOR. 364 00:20:32,312 --> 00:20:33,938 EVERYONE WHO SAW THE BODY 365 00:20:33,938 --> 00:20:34,980 HAS TO SEE A CRISIS COUNSELOR. 366 00:20:34,980 --> 00:20:36,312 BUT I REALLY DON'T-- 367 00:20:36,312 --> 00:20:37,896 WE ALL NEED HELP WITH OUR FEELINGS, 368 00:20:37,896 --> 00:20:39,021 OTHERWISE WE BOTTLE THEM UP, 369 00:20:39,021 --> 00:20:40,354 AND BEFORE YOU KNOW IT, 370 00:20:40,354 --> 00:20:42,229 POWERFUL LAXATIVES ARE INVOLVED. 371 00:20:42,229 --> 00:20:44,604 I REALLY BELIEVE IF WE ALL REACH OUT TO ONE ANOTHER, 372 00:20:44,604 --> 00:20:46,021 WE CAN BEAT THIS THING. 373 00:20:46,021 --> 00:20:47,146 I'M ALWAYS HERE IF YOU NEED A HUG-- 374 00:20:47,146 --> 00:20:48,896 BUT NOT A REAL HUG, 375 00:20:48,896 --> 00:20:50,229 BECAUSE THERE'S NO TOUCHING IN THIS SCHOOL. 376 00:20:50,229 --> 00:20:51,396 WE'RE SENSITIVE TO WRONG TOUCHING. 377 00:20:51,396 --> 00:20:52,604 BUT I REALLY, REALLY-- 378 00:20:52,604 --> 00:20:55,104 NO. YOU HAVE TO TALK TO A COUNSELOR 379 00:20:55,104 --> 00:20:56,646 AND START THE HEALING. YOU HAVE TO HEAL. 380 00:20:56,646 --> 00:20:57,896 MR. FLUTIE, I D-- HEAL. 381 00:21:03,187 --> 00:21:04,354 I DON'T KNOW WHAT TO SAY. 382 00:21:04,354 --> 00:21:05,771 IT WAS REALLY, I MEAN... 383 00:21:05,771 --> 00:21:08,021 ONE MINUTE YOU'RE IN YOUR NORMAL LIFE, 384 00:21:08,021 --> 00:21:10,062 AND THEN WHO'S IN THE FRIDGE? 385 00:21:10,062 --> 00:21:12,104 IT REALLY GETS TO YOU, A THING LIKE THAT. 386 00:21:12,104 --> 00:21:13,729 IT WAS... 387 00:21:13,729 --> 00:21:15,604 LET'S JUST SAY 388 00:21:15,604 --> 00:21:18,021 I HAVEN'T BEEN ABLE TO EAT A THING SINCE YESTERDAY. 389 00:21:18,021 --> 00:21:20,396 I THINK I LOST, LIKE, 7.5 OUNCES-- 390 00:21:20,396 --> 00:21:23,896 WAY SWIFTER THAN THAT SO-CALLED DIET THAT QUACK PUT ME ON. 391 00:21:23,896 --> 00:21:26,271 OH, I'M NOT SAYING THAT WE SHOULD KILL A TEACHER EVERY DAY 392 00:21:26,271 --> 00:21:27,855 JUST SO I CAN LOSE WEIGHT. 393 00:21:27,855 --> 00:21:30,146 I'M JUST SAYING WHEN TRAGEDY STRIKES, 394 00:21:30,146 --> 00:21:32,729 WE HAVE TO LOOK ON THE BRIGHT SIDE, YOU KNOW? 395 00:21:32,729 --> 00:21:37,146 LIKE, HOW EVEN USED MERCEDES STILL HAVE LEATHER SEATS. 396 00:21:37,146 --> 00:21:39,521 KEEP YOUR EYES STRAIGHT AHEAD 397 00:21:39,521 --> 00:21:40,980 ON YOUR OWN TEST. 398 00:21:48,062 --> 00:21:51,938 I THINK YOU MEANT "POLLINATION" FOR NUMBER 14. 399 00:21:56,104 --> 00:21:58,646 I'LL SEE YOU HERE AFTER SCHOOL. 400 00:22:01,104 --> 00:22:02,938 OH, GREAT. A POP QUIZ. 401 00:22:15,646 --> 00:22:18,729 NO, I'M NOT SAYING SHE CRANED HER NECK. 402 00:22:18,729 --> 00:22:21,104 WE'RE TALKING FULL-ON EXORCIST TWIST. 403 00:22:21,104 --> 00:22:22,229 OUCH. 404 00:22:22,229 --> 00:22:23,646 WHICH REMINDS ME-- 405 00:22:23,646 --> 00:22:25,729 HOW COME BLAYNE 406 00:22:25,729 --> 00:22:27,396 WHO WORKED WITH HER ONE-ONE-ONE YESTERDAY ISN'T HERE TODAY? 407 00:22:27,396 --> 00:22:29,104 INQUIRING MINDS WANT TO KNOW. 408 00:22:29,104 --> 00:22:30,604 ANY LUCK? 409 00:22:30,604 --> 00:22:33,312 UM, I HAVE NOT FOUND ANY CREATURE AS YET 410 00:22:33,312 --> 00:22:35,354 THAT STRIKES TERROR IN A VAMPIRE'S HEART. 411 00:22:35,354 --> 00:22:38,354 TRY LOOKING UNDER THINGS THAT CAN TURN THEIR HEADS ALL THE WAY AROUND. 412 00:22:38,354 --> 00:22:40,396 NOTHING HUMAN CAN DO THAT. 413 00:22:40,396 --> 00:22:42,604 NO. NOTHING HUMAN. 414 00:22:42,604 --> 00:22:45,604 BUT THERE ARE SOME INSECTS THAT CAN. 415 00:22:45,604 --> 00:22:48,729 WHATEVER SHE IS, I'M GONNA BE READY FOR HER. 416 00:22:48,729 --> 00:22:51,104 WHAT ARE YOU GOING TO DO? 417 00:22:51,104 --> 00:22:52,813 MY HOMEWORK. 418 00:22:58,896 --> 00:23:01,146 WHERE ARE THE BOOKS ON BUGS? 419 00:23:05,021 --> 00:23:06,021 [DOOR CLOSES] 420 00:23:06,021 --> 00:23:07,062 HI. 421 00:23:07,062 --> 00:23:08,271 OH, HI. 422 00:23:08,271 --> 00:23:10,396 I WAS JUST GRABBING A SNACK. 423 00:23:10,396 --> 00:23:11,604 CAN I FIX YOU SOMETHING? 424 00:23:11,604 --> 00:23:12,813 NO, THANKS. 425 00:23:12,813 --> 00:23:15,896 I NEVER EAT WHEN I'M MAKING EGG SACS. 426 00:23:15,896 --> 00:23:17,604 WOW. IF THIS WERE REAL, THE BUGS WOULD BE-- 427 00:23:17,604 --> 00:23:18,646 BIG AS YOU. 428 00:23:18,646 --> 00:23:20,104 YEAH. MM-HMM. 429 00:23:20,104 --> 00:23:21,771 SO WHERE DO WE START? 430 00:23:21,771 --> 00:23:23,312 OH, XANDER... 431 00:23:23,312 --> 00:23:26,688 I'VE DONE SOMETHING REALLY STUPID. 432 00:23:26,688 --> 00:23:28,187 I HOPE YOU CAN FORGIVE ME. 433 00:23:28,187 --> 00:23:29,604 OH, FORGIVENESS IS MY MIDDLE NAME. 434 00:23:29,604 --> 00:23:31,479 ACTUALLY, IT'S LaVELLE, 435 00:23:31,479 --> 00:23:35,604 AND I'D APPRECIATE IT IF YOU GUARD THAT SECRET WITH YOUR LIFE. 436 00:23:35,604 --> 00:23:38,187 I HAVE A TEACHERS' CONFERENCE IN HALF AN HOUR, 437 00:23:38,187 --> 00:23:42,146 AND I LEFT THE PAINT AND PAPIER-MACHE AT HOME. 438 00:23:42,146 --> 00:23:44,813 I DON'T SUPPOSE YOU'D LIKE TO COME TO MY PLACE TONIGHT 439 00:23:44,813 --> 00:23:47,021 TO WORK ON IT THERE? 440 00:23:47,021 --> 00:23:49,271 COME TO, UH... 441 00:23:49,271 --> 00:23:50,396 YOUR PLACE? 442 00:23:52,604 --> 00:23:53,729 7:30? 443 00:23:53,729 --> 00:23:55,813 HERE'S MY ADDRESS. 444 00:23:59,855 --> 00:24:01,521 I'LL SEE YOU TONIGHT. 445 00:24:01,521 --> 00:24:02,729 YEAH. 446 00:24:08,396 --> 00:24:10,062 OOH...YES! 447 00:24:30,229 --> 00:24:31,896 DIG THIS. 448 00:24:31,896 --> 00:24:34,938 "THE PRAYING MANTIS CAN ROTATE ITS HEAD 180 DEGREES 449 00:24:34,938 --> 00:24:36,980 WHILE WAITING FOR ITS NEXT MEAL TO WALK BY." 450 00:24:36,980 --> 00:24:37,980 HA. 451 00:24:40,646 --> 00:24:41,896 WELL, COME ON, GUYS... 452 00:24:41,896 --> 00:24:43,146 HA. 453 00:24:43,146 --> 00:24:46,563 WELL, MISS FRENCH IS SORT OF BIG FOR A BUG. 454 00:24:46,563 --> 00:24:49,396 AND SHE IS BY AND LARGE WOMAN-SHAPED. 455 00:24:49,396 --> 00:24:51,604 OK. FACTOID 1-- 456 00:24:51,604 --> 00:24:54,729 ONLY THE PRAYING MANTIS CAN ROTATE ITS HEAD LIKE THAT. 457 00:24:54,729 --> 00:24:57,813 FACTOID 2--A PRETTY WHACKED-OUT VAMPIRE IS SCARED TO DEATH OF HER. 458 00:24:57,813 --> 00:25:00,396 FACTOID 3--HER FASHION SENSE SCREAMS PREDATOR. 459 00:25:00,396 --> 00:25:01,813 IT'S THE SHOULDER PADS. 460 00:25:01,813 --> 00:25:03,896 EXACTLY. 461 00:25:03,896 --> 00:25:05,187 IF YOU'RE RIGHT, SHE'D HAVE TO BE A SHAPE SHIFTER 462 00:25:05,187 --> 00:25:06,771 OR A PERCEPTION DISTORTER. 463 00:25:06,771 --> 00:25:08,771 WAIT A HALF A MOMENT... 464 00:25:08,771 --> 00:25:10,021 I HAD A CHUM AT OXFORD-- 465 00:25:10,021 --> 00:25:11,521 CARLYLE. ADVANCED DEGREES 466 00:25:11,521 --> 00:25:13,104 IN ENTOMOLOGY AND MYTHOLOGY. 467 00:25:13,104 --> 00:25:14,396 ENTOMO--WHO? 468 00:25:14,396 --> 00:25:15,938 BUGS AND FAIRY TALES. 469 00:25:15,938 --> 00:25:17,271 I KNEW THAT. 470 00:25:17,271 --> 00:25:19,062 IF I RECALL CORRECTLY, 471 00:25:19,062 --> 00:25:21,896 POOR OLD CARLYLE-- JUST BEFORE HE WENT MAD-- 472 00:25:21,896 --> 00:25:23,271 CLAIMED THERE WAS SOME BEAST-- [BEEPING] 473 00:25:23,271 --> 00:25:24,771 BUFFY, 911. 474 00:25:24,771 --> 00:25:25,896 BLAYNE'S MOM CALLED THE SCHOOL. 475 00:25:25,896 --> 00:25:27,479 HE NEVER CAME HOME LAST NIGHT. 476 00:25:27,479 --> 00:25:29,438 THE BOY WHO WORKED WITH MISS FRENCH YESTERDAY? 477 00:25:29,438 --> 00:25:31,896 YEAH. IF MISS FRENCH IS RESPONSIBLE FOR-- 478 00:25:31,896 --> 00:25:34,312 XANDER'S SUPPOSED TO BE HELPING HER RIGHT NOW. 479 00:25:34,312 --> 00:25:36,563 HE'S GOT A CRUSH ON A GIANT INSECT. 480 00:25:36,563 --> 00:25:38,563 OK. DON'T PANIC. I'LL WARN HIM, 481 00:25:38,563 --> 00:25:40,438 BUT I NEED YOU TO HACK ONTO THE CORONER'S OFFICE FOR ME. 482 00:25:40,438 --> 00:25:42,146 WELL, WHAT ARE WE LOOKING FOR? 483 00:25:42,146 --> 00:25:44,312 AUTOPSY ON DR. GREGORY. 484 00:25:44,312 --> 00:25:46,104 I'VE BEEN TRYING TO FIGURE OUT THESE MARKS THAT I SAW ON HIS CORPSE. 485 00:25:46,104 --> 00:25:47,688 I'M THINKING THEY WERE TEETH, 486 00:25:47,688 --> 00:25:49,729 AND, UH, THESE CUDDLIES 487 00:25:49,729 --> 00:25:53,521 SHOULD DEFINITELY BE BRUSHING AFTER EVERY MEAL. 488 00:25:53,521 --> 00:25:55,729 AND YOU WERE SAYING SOMETHING ABOUT A BEAST? 489 00:25:55,729 --> 00:25:57,813 OH, UH, YEAH, I JUST NEED TO MAKE 490 00:25:57,813 --> 00:26:00,396 ONE TRANSATLANTIC TELEPHONE CALL. 491 00:26:00,396 --> 00:26:02,896 UM, THIS COMPUTER INVASION 492 00:26:02,896 --> 00:26:05,146 THAT WILLOW'S PERFORMING ON THE CORONER'S OFFICE. 493 00:26:05,146 --> 00:26:06,855 ONE ASSUMES IT IS ENTIRELY LEGAL. 494 00:26:06,855 --> 00:26:08,104 ENTIRELY. OF COURSE. 495 00:26:08,104 --> 00:26:09,604 RIGHT. 496 00:26:09,604 --> 00:26:11,771 WASN'T HERE... DIDN'T SEE IT... 497 00:26:11,771 --> 00:26:13,312 COULDN'T HAVE STOPPED YOU. 498 00:26:13,312 --> 00:26:15,062 GOOD IDEA. 499 00:26:17,688 --> 00:26:19,021 HEY... 500 00:26:19,021 --> 00:26:20,563 HEY. 501 00:26:20,563 --> 00:26:22,688 SO...HOW'D IT GO WITH MISS FRENCH? 502 00:26:22,688 --> 00:26:24,312 OH, IT'S A BIT DEMANDING 503 00:26:24,312 --> 00:26:25,604 BEING HER ABSOLUTE FAVORITE GUY IN THE UNIVERSE, 504 00:26:25,604 --> 00:26:27,479 BUT I'LL MUDDLE THROUGH. 505 00:26:27,479 --> 00:26:29,312 XANDER, SHE'S NOT WHAT SHE SEEMS. 506 00:26:29,312 --> 00:26:31,813 I KNOW. SHE'S SO MUCH MORE. 507 00:26:31,813 --> 00:26:34,771 OK, UM, I'M GONNA HAVE TO TELL YOU SOMETHING ABOUT HER, 508 00:26:34,771 --> 00:26:37,855 AND I'M GONNA NEED YOU TO REALLY LISTEN, OK? 509 00:26:37,855 --> 00:26:38,938 OK. 510 00:26:38,938 --> 00:26:41,604 I DON'T THINK SHE'S HUMAN. 511 00:26:41,604 --> 00:26:43,146 I SEE. 512 00:26:43,146 --> 00:26:44,729 SO IF SHE'S NOT HUMAN, SHE'S... 513 00:26:44,729 --> 00:26:46,855 TECHNICALLY, A BIG BUG. 514 00:26:46,855 --> 00:26:48,938 THIS SOUNDS REALLY WEIRD. I'M AWARE-- 515 00:26:48,938 --> 00:26:50,021 IT DOESN'T SOUND WEIRD AT ALL. 516 00:26:50,021 --> 00:26:51,813 I COMPLETELY UNDERSTAND. 517 00:26:51,813 --> 00:26:54,104 I'VE MET SOMEONE, AND YOU'RE JEALOUS. WHAT? 518 00:26:54,104 --> 00:26:55,855 LOOK, THERE'S NOTHING I CAN DO ABOUT IT. 519 00:26:55,855 --> 00:26:57,271 THERE'S JUST THIS CERTAIN CHEMICAL THING 520 00:26:57,271 --> 00:26:58,271 BETWEEN MISS FRENCH AND ME. 521 00:26:58,271 --> 00:26:59,312 I KNOW. I READ ALL ABOUT IT. 522 00:26:59,312 --> 00:27:00,896 IT'S CALLED, UM, A PHEROMONE. 523 00:27:00,896 --> 00:27:03,688 IT'S A CHEMICAL ATTRACTANT THAT INSECTS GIVE OFF. 524 00:27:03,688 --> 00:27:04,729 SHE'S NOT AN INSECT. 525 00:27:04,729 --> 00:27:06,396 SHE'S A WOMAN, OK? 526 00:27:06,396 --> 00:27:08,021 AND HARD AS THAT MAY BE FOR YOU TO CONCEIVE, 527 00:27:08,021 --> 00:27:10,604 AN ACTUAL WOMAN FINDS ME ATTRACTIVE. 528 00:27:10,604 --> 00:27:13,229 I REALIZE IT'S NO MYSTERY GUY HANDING OUT LEATHER JACKETS. 529 00:27:13,229 --> 00:27:15,187 AND WHILE WE'RE ON THE SUBJECT, 530 00:27:15,187 --> 00:27:16,896 WHAT KIND OF A GIRLIE NAME IS ANGEL, ANYWAY? 531 00:27:16,896 --> 00:27:18,146 WHAT DOES THAT HAVE TO DO-- 532 00:27:18,146 --> 00:27:20,479 NOTHING. IT JUST KIND OF BUGS ME. 533 00:27:20,479 --> 00:27:22,354 LOOK, I REALLY GOTTA-- 534 00:27:22,354 --> 00:27:23,855 WHA... 535 00:27:27,938 --> 00:27:29,479 [SOFT MUSIC PLAYS] 536 00:27:34,230 --> 00:27:35,479 [DOORBELL CHIMES] 537 00:27:43,354 --> 00:27:44,813 HI. 538 00:27:44,813 --> 00:27:46,563 COME ON IN. 539 00:27:46,563 --> 00:27:48,896 SHOULD I CHANGE? IS THIS TOO-- 540 00:27:48,896 --> 00:27:50,271 NO, NO. 541 00:27:50,271 --> 00:27:52,396 IT'S THE MOST BEAUTIFUL CHEST-- 542 00:27:52,396 --> 00:27:54,271 DRESS I'VE EVER SEEN. 543 00:27:54,271 --> 00:27:55,813 THANK YOU. 544 00:27:55,813 --> 00:27:57,229 THAT'S SWEET. 545 00:27:57,229 --> 00:27:58,521 MARTINI? 546 00:28:01,646 --> 00:28:04,438 OH, I'M SORRY. WOULD YOU LIKE SOMETHING ELSE? 547 00:28:04,438 --> 00:28:05,729 UH, HEH. 548 00:28:05,729 --> 00:28:07,521 I JUST NEED TO RELAX A LITTLE. 549 00:28:07,521 --> 00:28:09,646 I'M KIND OF NERVOUS AROUND YOU. 550 00:28:09,646 --> 00:28:12,813 YOU'RE PROBABLY COOL AS A CUCUMBER. 551 00:28:12,813 --> 00:28:14,479 I LIKE CUCUMBERS, 552 00:28:14,479 --> 00:28:16,855 LIKE IN THAT GREEK SALAD THING WITH THE YOGURT. 553 00:28:16,855 --> 00:28:18,062 DO YOU LIKE GREEK FOOD? 554 00:28:18,062 --> 00:28:19,855 I'M EXEMPTING SHWARMA, OF COURSE. 555 00:28:19,855 --> 00:28:22,146 I MEAN, WHAT'S THAT ALL ABOUT? IT'S A BIG MEAT HIVE. 556 00:28:27,521 --> 00:28:29,271 UHH... 557 00:28:29,271 --> 00:28:30,938 HELL-O! 558 00:28:30,938 --> 00:28:31,938 CHEERS. 559 00:28:34,688 --> 00:28:37,438 CAN I ASK YOU A PERSONAL QUESTION? 560 00:28:43,104 --> 00:28:45,813 HAVE YOU EVER BEEN WITH A WOMAN BEFORE? 561 00:28:45,813 --> 00:28:49,354 YOU MEAN LIKE IN, UH, THE SAME ROOM? 562 00:28:49,354 --> 00:28:52,062 YOU KNOW WHAT I MEAN. 563 00:28:52,062 --> 00:28:53,729 OH, THAT. UH... 564 00:28:53,729 --> 00:28:55,646 WELL, LET ME THINK. UM... 565 00:28:55,646 --> 00:28:59,062 YEAH, THERE WAS, UH, SEVERAL. 566 00:28:59,062 --> 00:29:01,021 I MEAN, AND, UH... 567 00:29:01,021 --> 00:29:02,896 QUITE A FEW TIMES... 568 00:29:02,896 --> 00:29:08,188 A-AND THEN THERE WAS, UH, OH, SHE WAS INCREDIBLY... 569 00:29:08,188 --> 00:29:09,646 NO. UH-UH. 570 00:29:09,646 --> 00:29:11,521 I KNOW. 571 00:29:11,521 --> 00:29:13,187 I CAN TELL. 572 00:29:13,187 --> 00:29:14,187 YOU CAN? 573 00:29:14,187 --> 00:29:16,229 OH, I LIKE IT. 574 00:29:16,229 --> 00:29:19,604 YOU MIGHT SAY I NEED IT. 575 00:29:19,604 --> 00:29:21,688 OH. WELL, NEEDS SHOULD, UH... 576 00:29:21,688 --> 00:29:24,271 YOU KNOW, NEEDS SHOULD DEFINITELY BE MET, 577 00:29:24,271 --> 00:29:27,229 AS LONG AS IT DOESN'T REQUIRE OINTMENTS THE NEXT DAY OR-- 578 00:29:27,229 --> 00:29:28,271 DO YOU HEAR-- 579 00:29:28,271 --> 00:29:29,771 NO. 580 00:29:29,771 --> 00:29:30,688 IT SOUNDS LIKE SOMEONE CRYING. 581 00:29:30,688 --> 00:29:32,230 I DON'T HEAR ANYTHING. 582 00:29:33,479 --> 00:29:37,146 YOUR HANDS ARE SO HOT. 583 00:29:37,146 --> 00:29:38,938 OOH, YOU HURT YOUR HAND. 584 00:29:43,104 --> 00:29:44,187 BUFFY. 585 00:29:46,021 --> 00:29:48,354 I LOVE BUFFY. 586 00:29:48,354 --> 00:29:49,771 WOW. 587 00:29:49,771 --> 00:29:51,771 SO THAT'S A MARTINI, HUH? 588 00:29:51,771 --> 00:29:53,229 MM-HMM. 589 00:29:54,646 --> 00:29:56,312 DO YOU HEAR-- 590 00:29:56,312 --> 00:29:58,479 WOULD YOU LIKE TO TOUCH ME WITH THOSE HANDS? 591 00:30:00,521 --> 00:30:03,604 YOUR HANDS ARE S-- 592 00:30:03,604 --> 00:30:06,729 REALLY...SERRATED. 593 00:30:06,729 --> 00:30:10,021 OH, WOW, THAT MARTINI. I... 594 00:30:10,021 --> 00:30:11,980 REALLY THINK I HAVE TO-- 595 00:31:02,230 --> 00:31:04,187 MISS... 596 00:31:04,187 --> 00:31:05,438 FRENCH? 597 00:31:05,438 --> 00:31:07,187 PLEASE... 598 00:31:07,187 --> 00:31:08,479 CALL ME NATALIE. 599 00:31:11,062 --> 00:31:13,396 FRANKLY, MADAM, I HAVEN'T THE FAINTEST IDEA WHAT TIME IT IS, NOR DO I CARE. 600 00:31:13,396 --> 00:31:14,938 NOW, UNLOCK HIS CELL, UNSTRAP HIM, 601 00:31:14,938 --> 00:31:16,479 AND BRING HIM TO THE TELEPHONE IMMEDIATELY. 602 00:31:16,479 --> 00:31:18,312 THIS IS A MATTER OF LIFE AND DEATH. 603 00:31:18,312 --> 00:31:19,771 [BEEP BEEP] GOT IT. 604 00:31:19,771 --> 00:31:21,271 CORONER'S REPORT... 605 00:31:21,271 --> 00:31:24,855 COMPLETE WITH--YUCK-- COLOR PICTURES. 606 00:31:24,855 --> 00:31:26,771 THERE ARE TEETH MARKS... 607 00:31:26,771 --> 00:31:28,563 WHICH MATCH PERFECTLY THE ONE INSECT 608 00:31:28,563 --> 00:31:29,938 THAT NIPS OFF ITS PREY'S HEAD. 609 00:31:29,938 --> 00:31:31,855 OK. I--I DON'T LIKE THIS. 610 00:31:31,855 --> 00:31:33,729 THAT'S THE WAY THEY FEED--HEAD FIRST. 611 00:31:33,729 --> 00:31:35,521 IT'S ALSO THE WAY THEY MATE. 612 00:31:35,521 --> 00:31:37,855 THE FEMALE BITES OFF THE MALE'S HEAD WHILE THEY'RE... 613 00:31:37,855 --> 00:31:39,271 NO, NO, NO. SEE... 614 00:31:39,271 --> 00:31:42,062 XANDER IS-- I LIKE HIS HEAD. 615 00:31:42,062 --> 00:31:45,896 IT'S WHERE YOU FIND HIS EYES AND HIS HAIR AND HIS ADORABLE SMILE. 616 00:31:45,896 --> 00:31:47,271 HEY, HEY, TAKE IT EASY, WILL. 617 00:31:47,271 --> 00:31:49,521 XANDER IS NOT IN ANY IMMEDIATE DANGER. 618 00:31:49,521 --> 00:31:51,021 I SAW HIM LEAVE SCHOOL. 619 00:31:51,021 --> 00:31:54,646 HE'S PROBABLY SAFE AT HOME RIGHT NOW. 620 00:32:00,062 --> 00:32:01,187 BLAYNE! 621 00:32:01,187 --> 00:32:02,271 OH, GOD. OH, GOD... 622 00:32:02,271 --> 00:32:04,187 ARE YOU ALL RIGHT? 623 00:32:04,187 --> 00:32:05,438 YOU GOTTA GET ME OUTTA HERE. 624 00:32:05,438 --> 00:32:07,312 YOU GOTTA. SHE--SHE-- 625 00:32:07,312 --> 00:32:08,396 SHE GETS YOU, AND, UH... 626 00:32:08,396 --> 00:32:10,855 WHAT? WHAT DOES SHE DO? 627 00:32:10,855 --> 00:32:13,563 OH, GOD...OH, NO... 628 00:32:13,563 --> 00:32:15,855 BLAYNE, WHAT DOES SHE DO? 629 00:32:15,855 --> 00:32:18,688 SHE--SHE--SHE TAKES YOU OUTTA THE CAGE, 630 00:32:18,688 --> 00:32:20,980 AND SHE TIES YOU UP, AND--AND... 631 00:32:20,980 --> 00:32:24,980 SHE...SHE STARTS MOVING AND THROBBING, 632 00:32:24,980 --> 00:32:27,062 AND THESE EGGS COME SHOOTING OUT OF HER, 633 00:32:27,062 --> 00:32:27,980 AND THEN-- AND THEN... 634 00:32:27,980 --> 00:32:29,146 THEN WHAT? 635 00:32:29,146 --> 00:32:30,813 SHE MATES WITH YOU. 636 00:32:30,813 --> 00:32:33,896 [PANTING] SHE... 637 00:32:33,896 --> 00:32:35,688 THAT'S NOT THE WORST PART. THAT'S NOT? 638 00:32:35,688 --> 00:32:37,354 YOU SEEN HER TEETH? 639 00:32:37,354 --> 00:32:38,896 RIGHT WHILE SHE'S, YOU KNOW, 640 00:32:38,896 --> 00:32:40,312 RIGHT IN THE MIDDLE OF-- 641 00:32:40,312 --> 00:32:42,438 I SAW HER DO IT. 642 00:32:42,438 --> 00:32:44,229 I DON'T WANT TO DIE LIKE THAT. 643 00:32:44,229 --> 00:32:46,896 BLAYNE, BLAYNE, CHILL. 644 00:32:46,896 --> 00:32:49,146 IT'S OK. IT'S GONNA BE OK. 645 00:32:49,146 --> 00:32:50,354 WE'RE GETTIN' OUTTA THIS. 646 00:32:50,354 --> 00:32:52,354 YOU GOT A PLAN? WHAT IS IT? 647 00:32:53,312 --> 00:32:54,896 JUST, UH, LET ME PERFECT IT. 648 00:32:54,896 --> 00:32:57,271 OH, GOD. OH, GOD. 649 00:33:01,271 --> 00:33:03,104 I UNDERSTAND, CARLYLE. 650 00:33:03,104 --> 00:33:06,230 YES, I'LL TAKE EVERY PRECAUTION. 651 00:33:06,230 --> 00:33:07,438 ABSOLUTELY. 652 00:33:07,438 --> 00:33:10,479 IT SOUNDS EXACTLY LIKE THE CREATURE YOU DESCRIBE. 653 00:33:10,479 --> 00:33:14,938 YOU--YOU WERE RIGHT ALL ALONG ABOUT EVERYTHING. 654 00:33:14,938 --> 00:33:19,021 WELL, NO, YOU WEREN'T RIGHT ABOUT YOUR MOTHER COMING BACK AS A PEKINESE, BUT-- 655 00:33:19,021 --> 00:33:20,688 UH, TRY TO REST, OLD MAN. 656 00:33:20,688 --> 00:33:25,146 YES. TA. BYE NOW. 657 00:33:25,146 --> 00:33:29,729 DR. FERRIS CARLYLE SPENT YEARS TRANSCRIBING A LOST, PRE-GERMANIC LANGUAGE. 658 00:33:29,729 --> 00:33:31,896 WHAT HE DISCOVERED, HE KEPT TO HIMSELF 659 00:33:31,896 --> 00:33:35,187 UNTIL SEVERAL TEENAGE BOYS WERE MURDERED IN THE COTSWOLDS. 660 00:33:35,187 --> 00:33:37,229 THEN HE WENT HUNTING FOR IT. 661 00:33:37,229 --> 00:33:38,479 IT BEING... 662 00:33:38,479 --> 00:33:41,187 UH, HE CALLS HER A SHE-MANTIS. 663 00:33:41,187 --> 00:33:44,438 THIS TYPE OF CREATURE, THE KLEPTES-VIRGO OR VIRGIN-THIEF, 664 00:33:44,438 --> 00:33:46,438 APPEARS IN MANY CULTURES-- 665 00:33:46,438 --> 00:33:48,896 THE GREEK SIRENS, THE CELTIC SEA-MAIDENS 666 00:33:48,896 --> 00:33:50,521 WHO TORE THE LIVING FLESH FROM THE BONES OF-- 667 00:33:50,521 --> 00:33:52,104 GILES, WHILE WE'RE YOUNG. 668 00:33:52,104 --> 00:33:55,312 WELL, BASICALLY, THE SHE-MANTIS 669 00:33:55,312 --> 00:33:57,813 ASSUMES THE FORM OF A BEAUTIFUL WOMAN 670 00:33:57,813 --> 00:34:00,521 AND THEN LURES INNOCENT VIRGINS BACK TO HER NEST. 671 00:34:00,521 --> 00:34:02,062 VIRGINS? 672 00:34:02,062 --> 00:34:06,855 WELL, XANDER'S NOT... UH...UH... 673 00:34:06,855 --> 00:34:08,563 I MEAN, HE'S PROBABLY-- 674 00:34:08,563 --> 00:34:09,646 GONNA DIE. 675 00:34:12,312 --> 00:34:14,563 OK, OK, SO THIS THING IS BREEDING, 676 00:34:14,563 --> 00:34:17,312 AND WE NEED TO FIND IT AND SNUFF IT. 677 00:34:17,312 --> 00:34:19,271 ANY TIPS ON THE SNUFFING PART? 678 00:34:19,271 --> 00:34:23,104 UH, CARLYLE RECOMMENDS CLEAVING ALL BODY PARTS WITH A SHARP BLADE. 679 00:34:23,104 --> 00:34:24,896 SLICE AND DICE. 680 00:34:24,896 --> 00:34:26,479 WHATEVER YOU DO, IT HAD BETTER BE SUDDEN AND SWIFT. 681 00:34:26,479 --> 00:34:28,479 THIS BEAST IS EXTREMELY DANGEROUS. 682 00:34:28,479 --> 00:34:31,146 WELL, YOUR BUDDY CARLYLE FACED IT, AND HE'S STILL AROUND. 683 00:34:31,146 --> 00:34:32,729 YES. IN A STRAITJACKET 684 00:34:32,729 --> 00:34:34,855 HOWLING HIS INNARDS OUT DAY AND NIGHT. 685 00:34:34,855 --> 00:34:36,521 OK, ADMIRAL. WAY TO INSPIRE THE TROOPS. 686 00:34:36,521 --> 00:34:37,813 SORRY. 687 00:34:37,813 --> 00:34:39,813 XANDER'S NOT HOME. 688 00:34:39,813 --> 00:34:41,354 HE TOLD HIS MOM HE WAS GOING TO HIS TEACHER'S HOUSE 689 00:34:41,354 --> 00:34:42,646 TO WORK ON A SCIENCE PROJECT. 690 00:34:42,646 --> 00:34:44,563 HE DIDN'T TELL HER WHERE. 691 00:34:44,563 --> 00:34:47,021 SEE IF YOU CAN GET HER ADDRESS OFF THE SUBSTITUTE ROLLS. 692 00:34:47,021 --> 00:34:49,855 AND YOU NEED TO RECORD BAT SONAR, AND FAST. 693 00:34:49,855 --> 00:34:51,563 BAT SONAR. RIGHT-- WHAT? 694 00:34:51,563 --> 00:34:53,688 BATS EAT THEM. 695 00:34:53,688 --> 00:34:55,688 A MANTIS HEARS SONAR, ITS ENTIRE NERVOUS SYSTEM GOES KAPLOOEY. 696 00:34:55,688 --> 00:34:56,688 WHERE AM I GOING TO FIND-- 697 00:34:56,688 --> 00:34:58,062 IN THE VID LIBRARY. 698 00:34:58,062 --> 00:34:59,938 THERE ARE NO BOOKS, BUT IT'S DARK AND MUSTY. 699 00:34:59,938 --> 00:35:02,229 YOU'LL FEEL RIGHT AT HOME. GO. 700 00:35:04,855 --> 00:35:07,021 I GUESS I'LL HANDLE THE ARMORY. 701 00:35:08,396 --> 00:35:09,896 DON'T DO ANYTHING TO MAKE HER MAD. 702 00:35:16,230 --> 00:35:18,396 HEY, ALL RIGHT. NOW I CAN GET OUT OF MY CAGE... 703 00:35:18,396 --> 00:35:19,563 INTO YOURS. 704 00:35:19,563 --> 00:35:20,646 WHAT'D YOU DO THAT FOR? 705 00:35:20,646 --> 00:35:23,021 A WEAPON. 706 00:35:23,021 --> 00:35:25,021 I THINK YOU'RE GOING TO NEED IT. 707 00:35:33,104 --> 00:35:34,604 GETTING THE ADDRESS. 708 00:35:34,604 --> 00:35:37,021 GREAT. GILES? 709 00:35:37,021 --> 00:35:39,187 RECORDING BAT SONAR IS SOMETHING SOOTHINGLY AKIN 710 00:35:39,187 --> 00:35:40,855 TO HAVING ONE'S TEETH DRILLED. 711 00:35:40,855 --> 00:35:43,146 LET'S ROLL. 712 00:35:43,146 --> 00:35:45,021 ACCORDING TO MISS FRENCH'S PERSONNEL RECORDS, 713 00:35:45,021 --> 00:35:46,980 SHE WAS BORN IN 1907. 714 00:35:46,980 --> 00:35:48,521 SHE'S, LIKE, 90 YEARS OLD. 715 00:35:48,521 --> 00:35:51,104 AND EXTREMELY WELL-PRESERVED. 716 00:35:51,104 --> 00:35:52,229 OH, GOD. 717 00:35:54,896 --> 00:35:57,229 UH, HE DID THAT. HE BROKE THE CAGE. 718 00:35:57,229 --> 00:35:58,396 TAKE HIM, NOT ME. TAKE HIM. 719 00:36:09,563 --> 00:36:12,688 WHAT NOW, EXACTLY? WE CAN'T JUST KICK THE DOOR DOWN. 720 00:36:12,688 --> 00:36:15,312 YEAH. THAT WOULD BE WRONG. 721 00:36:15,312 --> 00:36:16,729 HELLO, DEAR. 722 00:36:16,729 --> 00:36:19,604 I THOUGHT I HEARD-- 723 00:36:19,604 --> 00:36:21,938 ARE YOU SELLING SOMETHING? 724 00:36:21,938 --> 00:36:23,938 BECAUSE I'D LIKE TO HELP YOU OUT, 725 00:36:23,938 --> 00:36:26,479 BUT YOU SEE, I'M ON A FIXED INCOME. 726 00:36:26,479 --> 00:36:28,229 I'M LOOKING FOR MISS FRENCH. 727 00:36:28,229 --> 00:36:30,438 I'M MISS FRENCH. 728 00:36:30,438 --> 00:36:31,688 NATALIE FRENCH, 729 00:36:31,688 --> 00:36:33,521 THE SUBSTITUTE BIOLOGY TEACHER. 730 00:36:33,521 --> 00:36:36,230 GOODNESS. THAT'S ME. 731 00:36:36,230 --> 00:36:38,938 I TAUGHT FOR OVER 30 YEARS. 732 00:36:38,938 --> 00:36:42,062 I RETIRED IN 1972. 733 00:36:42,062 --> 00:36:43,980 I CAN'T BELIEVE THIS. 734 00:36:43,980 --> 00:36:45,104 SHE USED MISS FRENCH'S RECORDS TO GET INTO THE SCHOOL. 735 00:36:45,104 --> 00:36:46,688 SHE COULD BE ANYWHERE. 736 00:36:46,688 --> 00:36:48,729 NO, DEAR. 737 00:36:48,729 --> 00:36:50,688 I'M RIGHT HERE. 738 00:36:50,688 --> 00:36:52,646 WHAT'S SHE DOING? 739 00:36:52,646 --> 00:36:55,021 I...THINK IT'S... 740 00:36:55,021 --> 00:36:59,521 EENY-MEENY-MINEY... 741 00:37:02,396 --> 00:37:03,896 MOE? 742 00:37:23,187 --> 00:37:25,729 I'M COMING. I'M COMING. 743 00:37:45,938 --> 00:37:47,813 Willow: WHAT DO WE DO NOW? 744 00:37:47,813 --> 00:37:50,646 ABJECT PRAYER AND SUPPLICATION WOULD SPRING TO MIND. 745 00:37:50,646 --> 00:37:52,479 I SAW HER WALKING PAST THIS PARK WITH HER GROCERY BAGS. 746 00:37:52,479 --> 00:37:54,187 SHE LIVES IN THIS NEIGHBORHOOD. 747 00:37:54,187 --> 00:37:55,646 I'M GONNA START BANGING ON DOORS. 748 00:37:55,646 --> 00:37:57,438 WAIT. NO. WE DO NOT HAVE TIME FOR THAT. 749 00:37:57,438 --> 00:37:58,771 WE HAVE TO DO SOMETHING. 750 00:37:58,771 --> 00:38:00,187 WE WILL. 751 00:38:07,479 --> 00:38:08,771 I WON'T BE LONG. 752 00:38:11,104 --> 00:38:12,438 [SPLASH] 753 00:38:12,438 --> 00:38:13,521 BUFFY? 754 00:38:19,188 --> 00:38:20,646 Blayne: OH, YEAH, HERE IT COMES. 755 00:38:20,646 --> 00:38:22,771 WHAT? WHAT'S HAPPENING? 756 00:38:22,771 --> 00:38:25,187 HOW DO YOU LIKE YOUR EGGS, BRO, OVER EASY OR SUNNY SIDE UP? 757 00:38:25,187 --> 00:38:28,604 EGGS? SHE'S GONNA LAY SOME... 758 00:38:28,604 --> 00:38:31,646 "THE CALIFORNIA MANTIS LAYS HER EGGS 759 00:38:31,646 --> 00:38:36,646 AND THEN FINDS A MATE TO FERTILIZE THEM." 760 00:38:38,021 --> 00:38:39,729 COME ON, BUFFY. 761 00:38:39,729 --> 00:38:40,855 [FIGHTING] 762 00:38:45,646 --> 00:38:46,771 YOU! 763 00:38:46,771 --> 00:38:47,771 ME. 764 00:38:47,771 --> 00:38:48,855 UNH... 765 00:38:48,855 --> 00:38:51,479 COME ON, WHERE IS SHE? 766 00:38:51,479 --> 00:38:53,230 WHICH HOUSE IS IT? 767 00:38:53,230 --> 00:38:55,646 I KNOW YOU'RE AFRAID OF HER. I SAW YOU. 768 00:38:55,646 --> 00:38:57,312 COME ON. COME ON... 769 00:38:58,563 --> 00:39:00,312 WHAT? WHAT IS IT? 770 00:39:00,312 --> 00:39:02,187 THIS IS HER, ISN'T IT? THIS IS HER HOUSE. 771 00:39:02,187 --> 00:39:03,187 THIS IS IT. 772 00:39:03,187 --> 00:39:05,229 BETTER THAN RADAR. 773 00:39:06,604 --> 00:39:07,688 BUFFY! 774 00:39:19,771 --> 00:39:21,312 AAGH! 775 00:39:22,896 --> 00:39:24,312 KISS ME. 776 00:39:26,229 --> 00:39:27,396 KISS ME... 777 00:39:27,396 --> 00:39:28,688 CAN I SAY ONE THING? 778 00:39:28,688 --> 00:39:30,646 HELP! 779 00:39:30,646 --> 00:39:32,396 HELP! 780 00:39:32,396 --> 00:39:33,855 [CRASH] 781 00:39:35,229 --> 00:39:39,688 UH...HEY, OVER HERE. HELLO...IN THE CAGE. 782 00:39:39,688 --> 00:39:41,396 LET HIM GO! 783 00:39:41,396 --> 00:39:43,813 [HISSES] 784 00:39:56,729 --> 00:39:58,771 GET THEM OUT OF HERE. 785 00:40:01,062 --> 00:40:03,062 HELP ME! HELP ME! 786 00:40:05,104 --> 00:40:06,438 REMEMBER DR. GREGORY? 787 00:40:06,438 --> 00:40:07,604 YOU SCARFED HIS HEAD. 788 00:40:07,604 --> 00:40:09,146 YEAH, WELL, HE TAUGHT ME: 789 00:40:09,146 --> 00:40:11,062 YOU DO YOUR HOMEWORK, YOU LEARN STUFF-- 790 00:40:11,062 --> 00:40:12,729 LIKE WHAT HAPPENS TO YOUR NERVOUS SYSTEM 791 00:40:12,729 --> 00:40:14,354 WHEN YOU HEAR THIS. 792 00:40:14,354 --> 00:40:15,396 Giles [THROUGH TAPE]: EXTREMELY IMPORTANT TO FILE 793 00:40:15,396 --> 00:40:16,396 NOT SIMPLY ALPHABETICALLY-- 794 00:40:16,396 --> 00:40:17,479 GILES! 795 00:40:17,479 --> 00:40:18,896 IT'S THE WRONG SIDE. 796 00:40:43,187 --> 00:40:45,521 [TAPE SCREECHES] 797 00:40:48,396 --> 00:40:50,104 BAT SONAR. 798 00:40:50,104 --> 00:40:51,855 MAKES YOUR WHOLE NERVOUS SYSTEM GO TO HELL. 799 00:40:51,855 --> 00:40:53,604 YOU CAN GO THERE WITH IT. 800 00:41:18,312 --> 00:41:21,438 WELL...I'D SAY IT'S DECEASED. 801 00:41:21,438 --> 00:41:22,938 AND DISSECTED. 802 00:41:22,938 --> 00:41:23,938 YOU OK? 803 00:41:23,938 --> 00:41:25,229 YEAH. 804 00:41:25,229 --> 00:41:28,104 JUST FOR THE RECORD, YOU WERE RIGHT. 805 00:41:28,104 --> 00:41:29,271 I'M AN IDIOT, 806 00:41:29,271 --> 00:41:30,354 AND GOD BLESS YOU. 807 00:41:32,479 --> 00:41:34,271 AND THANK YOU GUYS, TOO. 808 00:41:34,271 --> 00:41:35,438 YEAH, REALLY. 809 00:41:35,438 --> 00:41:36,646 PLEASURE. 810 00:41:36,646 --> 00:41:38,479 I'M REALLY GLAD YOU'RE OK. 811 00:41:38,479 --> 00:41:41,187 IT'S SO UNFAIR HOW SHE ONLY WENT AFTER VIRGINS. 812 00:41:41,187 --> 00:41:43,271 HA HA HA... 813 00:41:43,271 --> 00:41:44,938 WHAT? 814 00:41:44,938 --> 00:41:46,771 I MEAN, HERE YOU GUYS ARE, DOING THE RIGHT THING, 815 00:41:46,771 --> 00:41:48,229 THE SMART THING, 816 00:41:48,229 --> 00:41:50,021 WHEN A LOT OF OTHER BOYS YOUR AGE-- 817 00:41:50,021 --> 00:41:51,604 Blayne: FLAG DOWN ON THAT PLAY, BABY. 818 00:41:51,604 --> 00:41:53,521 I AM NOT-- 819 00:41:53,521 --> 00:41:55,187 SEE, THAT'S THE SHE-MANTIS' MODUS OPERANDI. 820 00:41:55,187 --> 00:41:57,104 SHE ONLY PREYS ON THE PURE. 821 00:41:57,104 --> 00:41:59,855 WELL, ISN'T THIS A PERFECT ENDING TO A WONDERFUL DAY? 822 00:41:59,855 --> 00:42:01,021 Blayne: MY DAD'S A LAWYER. 823 00:42:01,021 --> 00:42:03,021 ANYBODY REPEATS THIS TO ANYBODY, 824 00:42:03,021 --> 00:42:04,855 THEY'RE GOING TO FIND THEMSELVES FACING A LAWSUIT. 825 00:42:04,855 --> 00:42:07,062 BLAYNE, SHUT UP. 826 00:42:07,062 --> 00:42:08,855 Willow: I DON'T THINK IT'S BAD. 827 00:42:08,855 --> 00:42:10,479 I THINK IT'S REALLY... 828 00:42:10,479 --> 00:42:12,396 SWEET. 829 00:42:12,396 --> 00:42:14,813 BUT CERTAINLY NOTHING I'LL EVER BRING UP AGAIN. 830 00:42:22,021 --> 00:42:24,146 [HEAVY METAL MUSIC PLAYS] 831 00:42:44,146 --> 00:42:45,688 I HEARD A RUMOR 832 00:42:45,688 --> 00:42:48,271 THERE WAS ONE LESS VAMPIRE WALKING AROUND 833 00:42:48,271 --> 00:42:50,146 MAKING A NUISANCE OF HIMSELF. 834 00:42:50,146 --> 00:42:51,980 THERE IS. 835 00:42:51,980 --> 00:42:54,187 I GUESS I SHOULD THANK YOU FOR THE TIP. 836 00:42:54,187 --> 00:42:56,146 THE PLEASURE'S MINE. 837 00:42:56,146 --> 00:42:57,855 OF COURSE, IT WOULD MAKE THINGS EASIER 838 00:42:57,855 --> 00:43:00,062 IF I KNEW HOW TO GET IN TOUCH WITH YOU. 839 00:43:00,062 --> 00:43:02,146 I'LL BE AROUND. 840 00:43:02,146 --> 00:43:04,271 OR WHO YOU WERE. 841 00:43:08,230 --> 00:43:12,104 WELL...ANYWAY, YOU CAN HAVE YOUR JACKET BACK. 842 00:43:12,104 --> 00:43:14,230 IT LOOKS BETTER ON YOU. 843 00:43:22,187 --> 00:43:24,729 OH, BOY... 844 00:43:24,729 --> 00:43:28,521 ALL THE TERM PAPERS WILL BE EXACTLY 6 PAGES LONG. 845 00:43:28,521 --> 00:43:31,021 NO MORE, NO LESS. 846 00:43:31,021 --> 00:43:35,229 1/3 OF YOUR GRADE WILL BE DEPENDENT ON THOSE PAPERS. 847 00:43:35,229 --> 00:43:38,438 NO MORE, NO LESS. 848 00:43:39,396 --> 00:43:42,688 [BELL RINGS] 849 00:45:03,896 --> 00:45:05,813 GRRR! ARRGH!