1 00:00:02,102 --> 00:00:05,237 HIKE, OR LET ME ASK A WHITE PERSON THIS QUESTION. 2 00:00:05,239 --> 00:00:06,472 PERSON THIS QUESTION. ( LAUGHTER ) 3 00:00:06,474 --> 00:00:11,010 ( LAUGHTER ) SO IF YOU GOT LOST -- NO, I 4 00:00:11,012 --> 00:00:12,211 SO IF YOU GOT LOST -- NO, I MEAN, LIKE, THESE ARE 5 00:00:12,213 --> 00:00:14,747 MEAN, LIKE, THESE ARE QUESTIONS -- COME ON, BLACK 6 00:00:14,749 --> 00:00:15,814 QUESTIONS -- COME ON, BLACK PEOPLE, WHEN WAS THE LAST TAME 7 00:00:15,816 --> 00:00:17,249 PEOPLE, WHEN WAS THE LAST TAME YOUHEAD A HIKING CONVERSATION? 8 00:00:17,251 --> 00:00:24,356 YOUHEAD A HIKING CONVERSATION? EVERY TIME I SEE STORIES ABOUT 9 00:00:24,358 --> 00:00:25,591 EVERY TIME I SEE STORIES ABOUT SOMEONE LOST IN THE WOODS. 10 00:00:25,593 --> 00:00:28,093 SOMEONE LOST IN THE WOODS. I KNOW WHO THIS WAS. 11 00:00:28,095 --> 00:00:29,528 I KNOW WHO THIS WAS. THERE'S NEVER BEEN A SITUATION 12 00:00:29,530 --> 00:00:31,797 THERE'S NEVER BEEN A SITUATION WHERE -- NO, NO. 13 00:00:31,799 --> 00:00:32,798 WHERE -- NO, NO. I KNOW WHICH FRIENDS I WOULD 14 00:00:32,800 --> 00:00:35,234 I KNOW WHICH FRIENDS I WOULD CALL IF THAT HAPPENED, LET'S BE 15 00:00:35,236 --> 00:00:35,534 CALL IF THAT HAPPENED, LET'S BE HONEST. 16 00:00:35,536 --> 00:00:37,836 HONEST. IF YOU WENT ON A HIKE AND GOT 17 00:00:37,838 --> 00:00:39,138 IF YOU WENT ON A HIKE AND GOT LOST, WHAT WOULD YOU PROBABLY 18 00:00:39,140 --> 00:00:39,471 LOST, WHAT WOULD YOU PROBABLY DO? 19 00:00:39,473 --> 00:00:40,706 DO? YOU WOULD PROBABLY CALL SOMEONE 20 00:00:40,708 --> 00:00:41,907 YOU WOULD PROBABLY CALL SOMEONE OR SOMETHING, RIGHT? 21 00:00:41,909 --> 00:00:45,077 OR SOMETHING, RIGHT? THIS IS ONE OF MY FAVORITE 22 00:00:45,079 --> 00:00:45,411 THIS IS ONE OF MY FAVORITE STORIES. 23 00:00:45,413 --> 00:00:46,845 STORIES. THERE WAS A GUY WHO WAS HIKING 24 00:00:46,847 --> 00:00:49,248 THERE WAS A GUY WHO WAS HIKING AND GOT LOST IN THE WOODS FOR, 25 00:00:49,250 --> 00:00:50,349 AND GOT LOST IN THE WOODS FOR, LIKE, 24 HOURS AND THEN HAD TO 26 00:00:50,351 --> 00:00:52,317 LIKE, 24 HOURS AND THEN HAD TO BE RESCUED AND, TURNS OUT, WHEN 27 00:00:52,319 --> 00:00:54,186 BE RESCUED AND, TURNS OUT, WHEN THEY RESCUED HIM, THEY HAD BEEN 28 00:00:54,188 --> 00:00:56,155 THEY RESCUED HIM, THEY HAD BEEN CALLING HIM -- THE RESCUERS HAD 29 00:00:56,157 --> 00:00:57,556 CALLING HIM -- THE RESCUERS HAD BEEN CALLING HIM, AND HE DIDN'T 30 00:00:57,558 --> 00:00:59,091 BEEN CALLING HIM, AND HE DIDN'T ANSWER THE PHONE BECAUSE IT WAS 31 00:00:59,093 --> 00:01:03,495 ANSWER THE PHONE BECAUSE IT WAS AN UNKNOWN CALLER. 32 00:01:03,497 --> 00:01:06,065 AN UNKNOWN CALLER. THERE WERE TWO MAJOR THINGS I 33 00:01:06,067 --> 00:01:07,433 THERE WERE TWO MAJOR THINGS I WAS THINKING OF. 34 00:01:07,435 --> 00:01:08,867 WAS THINKING OF. NUMBER ONE, THIS IS THE TIME 35 00:01:08,869 --> 00:01:11,203 NUMBER ONE, THIS IS THE TIME WHEN EVEN A TELEMARKETER IS 36 00:01:11,205 --> 00:01:12,805 WHEN EVEN A TELEMARKETER IS GOING TO HELP YOU IN YOUR LIFE. 37 00:01:12,807 --> 00:01:13,906 GOING TO HELP YOU IN YOUR LIFE. DO YOU KNOW WHAT I MEAN? 38 00:01:13,908 --> 00:01:15,841 DO YOU KNOW WHAT I MEAN? WHO ARE YOU OR HOW MUCH DEBT DO 39 00:01:15,843 --> 00:01:17,176 WHO ARE YOU OR HOW MUCH DEBT DO YOU HAVE THAT YOUR PHONE IS 40 00:01:17,178 --> 00:01:21,246 YOU HAVE THAT YOUR PHONE IS RINGING AND YOU'RE LIKE, PLEASE, 41 00:01:21,248 --> 00:01:21,547 RINGING AND YOU'RE LIKE, PLEASE, SOMEBODY -- 42 00:01:21,549 --> 00:01:22,314 SOMEBODY -- ( RINGING ) 43 00:01:22,316 --> 00:01:26,251 ( RINGING ) -- OOOH -- NO. 44 00:01:26,253 --> 00:01:26,418 -- OOOH -- NO. NO. 45 00:01:26,420 --> 00:01:27,019 NO. ( LAUGHTER ) 46 00:01:27,021 --> 00:01:28,353 ( LAUGHTER ) ALSO, WHAT NUMBER ARE YOU 47 00:01:28,355 --> 00:01:29,755 ALSO, WHAT NUMBER ARE YOU WAITING FOR WHEN YOU'RE TRYING 48 00:01:29,757 --> 00:01:31,056 WAITING FOR WHEN YOU'RE TRYING TO GET RESCUED? 49 00:01:31,058 --> 00:01:32,558 TO GET RESCUED? DOESN'T SAY RESCUER. 50 00:01:32,560 --> 00:01:34,359 DOESN'T SAY RESCUER. YOU HAVEN'T SAVED RESCUER IN 51 00:01:34,361 --> 00:01:35,160 YOU HAVEN'T SAVED RESCUER IN YOUR PHONE. 52 00:01:35,162 --> 00:01:37,396 YOUR PHONE. WHAT KIND OF AN IDIOT? 53 00:01:37,398 --> 00:01:38,797 WHAT KIND OF AN IDIOT? WHY WOULDN'T YOU ANSWER THE 54 00:01:38,799 --> 00:01:39,131 WHY WOULDN'T YOU ANSWER THE PHONE? 55 00:01:39,133 --> 00:01:41,100 PHONE? THE MEANING OF WORDS, IF A 56 00:01:41,102 --> 00:01:42,501 THE MEANING OF WORDS, IF A PERSON IS LIKE STRANDED, I DON'T 57 00:01:42,503 --> 00:01:43,836 PERSON IS LIKE STRANDED, I DON'T THINK THAT MEANS YOU HAVE A 58 00:01:43,838 --> 00:01:45,904 THINK THAT MEANS YOU HAVE A PHONE THAT CAN RECEIVE CALLS. 59 00:01:45,906 --> 00:01:47,973 PHONE THAT CAN RECEIVE CALLS. YOU CAN'T BE STRANDED IF YOU 60 00:01:47,975 --> 00:01:49,508 YOU CAN'T BE STRANDED IF YOU HAVE A PHONE THAT CAN RECEIVE 61 00:01:49,510 --> 00:01:49,842 HAVE A PHONE THAT CAN RECEIVE CALLS. 62 00:01:49,844 --> 00:01:51,343 CALLS. YOU'RE JUST TAKING SOME TIME 63 00:01:51,345 --> 00:01:51,577 YOU'RE JUST TAKING SOME TIME OUT. 64 00:01:51,579 --> 00:01:53,645 OUT. BECAUSE IF YOUR PHONE CAN 65 00:01:53,647 --> 00:01:55,948 BECAUSE IF YOUR PHONE CAN RING -- TO ME, STRANDED MEAN 66 00:01:55,950 --> 00:01:57,082 RING -- TO ME, STRANDED MEAN NOTHING IS WORKING, DO YOU KNOW 67 00:01:57,084 --> 00:01:58,283 NOTHING IS WORKING, DO YOU KNOW WHAT I'M SAYING? 68 00:01:58,285 --> 00:02:00,619 WHAT I'M SAYING? IF YOUR PHONE CAN RING, YOU'RE 69 00:02:00,621 --> 00:02:01,320 IF YOUR PHONE CAN RING, YOU'RE NOT STRANDED. 70 00:02:01,322 --> 00:02:03,188 NOT STRANDED. IF YOU PHONE ME AND YOU'RE, 71 00:02:03,190 --> 00:02:06,358 IF YOU PHONE ME AND YOU'RE, LIKE, HELP ME, YOU'RE FINE. 72 00:02:06,360 --> 00:02:07,259 LIKE, HELP ME, YOU'RE FINE. SEE YOU LATER. 73 00:02:07,261 --> 00:02:10,229 SEE YOU LATER. I ONLY WORRY WHEN THE PHONE 74 00:02:10,231 --> 00:02:13,265 I ONLY WORRY WHEN THE PHONE DOESN'T RING. 75 00:02:13,267 --> 00:02:17,002 DOESN'T RING. HELLO, THIS IS TREVOR -- OH, NO! 76 00:02:17,004 --> 00:02:18,337 HELLO, THIS IS TREVOR -- OH, NO! THEN I STRESS. 77 00:02:18,339 --> 00:02:20,606 THEN I STRESS. MY FRIENDS KNOW. 78 00:02:20,608 --> 00:02:22,107 MY FRIENDS KNOW. ALSO YOU WERE HIKERRING. 79 00:02:22,109 --> 00:02:23,775 ALSO YOU WERE HIKERRING. ISN'T THAT WHY YOU WERE TRYING 80 00:02:23,777 --> 00:02:24,877 ISN'T THAT WHY YOU WERE TRYING TO DO? 81 00:02:24,879 --> 00:02:26,945 TO DO? WHY ELSE WOULD YOU GO OFFROAD 82 00:02:26,947 --> 00:02:28,514 WHY ELSE WOULD YOU GO OFFROAD WHERE WE DON'T MAKE ROADS AND 83 00:02:28,516 --> 00:02:29,248 WHERE WE DON'T MAKE ROADS AND PAVED THINGS. 84 00:02:29,250 --> 00:02:31,116 PAVED THINGS. YOU'VE ASKED FOR IT TO A CERTAIN 85 00:02:31,118 --> 00:02:31,617 YOU'VE ASKED FOR IT TO A CERTAIN DEGREE. 86 00:02:31,619 --> 00:02:33,185 DEGREE. YOU'VE SAID, I WISH TO INVOLVE A 87 00:02:33,187 --> 00:02:35,120 YOU'VE SAID, I WISH TO INVOLVE A WALK IN MY LIFE THAT COULD END 88 00:02:35,122 --> 00:02:36,488 WALK IN MY LIFE THAT COULD END WITH ME NOT BEING FOUND. 89 00:02:36,490 --> 00:02:38,257 WITH ME NOT BEING FOUND. THAT'S WHAT A HIKE IS 90 00:02:38,259 --> 00:02:38,624 THAT'S WHAT A HIKE IS FUNDAMENTALLY. 91 00:02:38,626 --> 00:02:40,325 FUNDAMENTALLY. IT'S PEOPLE SAYING I WISH TO GO 92 00:02:40,327 --> 00:02:41,727 IT'S PEOPLE SAYING I WISH TO GO SOMEWHERE AND MAYBE NOT BE FOUND 93 00:02:41,729 --> 00:02:42,828 SOMEWHERE AND MAYBE NOT BE FOUND EVER AGAIN. 94 00:02:42,830 --> 00:02:44,596 EVER AGAIN. I'M NOT SAYING SOMETHING BAD 95 00:02:44,598 --> 00:02:45,731 I'M NOT SAYING SOMETHING BAD SHOULD HAPPEN TO YOU. 96 00:02:45,733 --> 00:02:47,733 SHOULD HAPPEN TO YOU. I'M SAYING THAT IS WHAT YOU HAVE 97 00:02:47,735 --> 00:02:48,400 I'M SAYING THAT IS WHAT YOU HAVE CHOSEN TO DO. 98 00:02:48,402 --> 00:02:50,102 CHOSEN TO DO. THERE ARE MANY WALKS WHERE YOU 99 00:02:50,104 --> 00:02:51,303 THERE ARE MANY WALKS WHERE YOU CAN'T -- LIKE IF YOU'RE WALKING 100 00:02:51,305 --> 00:02:53,572 CAN'T -- LIKE IF YOU'RE WALKING IN NEW YORK, I'M ON 50th, THEN 101 00:02:53,574 --> 00:02:54,907 IN NEW YORK, I'M ON 50th, THEN I'M LOST! 102 00:02:54,909 --> 00:02:57,242 I'M LOST! 49th STREET, I KNOW WHERE I 103 00:02:57,244 --> 00:02:57,442 49th STREET, I KNOW WHERE I AM. 104 00:02:57,444 --> 00:02:58,710 AM. DO YOU UNDERSTAND WHAT I'M 105 00:02:58,712 --> 00:02:58,944 DO YOU UNDERSTAND WHAT I'M SAYING? 106 00:02:58,946 --> 00:03:00,879 SAYING? THAT'S LITERALLY WHY WE WROTE 107 00:03:00,881 --> 00:03:02,514 THAT'S LITERALLY WHY WE WROTE THE STREETS BECAUSE AT SOME 108 00:03:02,516 --> 00:03:05,284 THE STREETS BECAUSE AT SOME POINT SOMEONE SAID I DON'T KNOW 109 00:03:05,286 --> 00:03:06,752 POINT SOMEONE SAID I DON'T KNOW WHERE I AM. 110 00:03:06,754 --> 00:03:09,054 WHERE I AM. LET'S GIVE THEM NAMES. 111 00:03:09,056 --> 00:03:10,255 LET'S GIVE THEM NAMES. THEN SOMEONE SAYS I'M TIRED OF 112 00:03:10,257 --> 00:03:12,491 THEN SOMEONE SAYS I'M TIRED OF THE NAMES, I WANT TO GO WHERE 113 00:03:12,493 --> 00:03:13,859 THE NAMES, I WANT TO GO WHERE THE STREETS HAVE NO NAMES. 114 00:03:13,861 --> 00:03:16,295 THE STREETS HAVE NO NAMES. THEN YOU GET WHAT YOU ASKED FOR. 115 00:03:16,297 --> 00:03:18,463 THEN YOU GET WHAT YOU ASKED FOR. THE JOYS OF HIKING. 116 00:03:18,465 --> 00:03:19,231 THE JOYS OF HIKING. >> COMING TO YOU FROM THE HEART 117 00:03:19,233 --> 00:03:20,365 >> COMING TO YOU FROM THE HEART OF TIMES SQUARE, THE MOST 118 00:03:20,367 --> 00:03:22,167 OF TIMES SQUARE, THE MOST IMPORTANT PLACE ON EARTH, IT'S 119 00:03:22,169 --> 00:03:24,503 IMPORTANT PLACE ON EARTH, IT'S "THE DAILY SHOW." 120 00:03:24,505 --> 00:03:25,470 "THE DAILY SHOW." TONIGHT, Facebook LIKES THAT 121 00:03:25,472 --> 00:03:26,471 TONIGHT, Facebook LIKES THAT YOU'RE ANGRY. 122 00:03:26,473 --> 00:03:29,541 YOU'RE ANGRY. THE REAL REASON COPS PULLED YOU 123 00:03:29,543 --> 00:03:30,876 THE REAL REASON COPS PULLED YOU OVER. 124 00:03:30,878 --> 00:03:31,910 OVER. AND TAMRON HALL! 125 00:03:31,912 --> 00:03:34,112 AND TAMRON HALL! THIS IS "THE DAILY SHOW" WITH 126 00:03:34,114 --> 00:03:36,014 THIS IS "THE DAILY SHOW" WITH TREVOR NOAH! 127 00:03:36,016 --> 00:03:37,082 TREVOR NOAH! >> Trevor: HEY! 128 00:03:37,084 --> 00:03:38,383 >> Trevor: HEY! WHAT'S GOING ON, EVERYBODY? 129 00:03:38,385 --> 00:03:39,885 WHAT'S GOING ON, EVERYBODY? WELCOME TO "THE DAILY SHOW," I'M 130 00:03:39,887 --> 00:03:41,119 WELCOME TO "THE DAILY SHOW," I'M TREVOR NOAH, AND JOINING ME 131 00:03:41,121 --> 00:03:42,888 TREVOR NOAH, AND JOINING ME TODAY IS MY GOOD MAN ROY WOOD, 132 00:03:42,890 --> 00:03:43,121 TODAY IS MY GOOD MAN ROY WOOD, JR.! 133 00:03:43,123 --> 00:03:44,423 JR.! WHAT'S GOING ON, ROY? 134 00:03:44,425 --> 00:03:46,291 WHAT'S GOING ON, ROY? >> HEY, HEY, WHAT'S UP, MAN? 135 00:03:46,293 --> 00:03:49,261 >> HEY, HEY, WHAT'S UP, MAN? >> Trevor: HOW YOU DOING, MY 136 00:03:49,263 --> 00:03:49,461 >> Trevor: HOW YOU DOING, MY DUDE? 137 00:03:49,463 --> 00:03:50,696 DUDE? NICE TO SEE YOU HERE. 138 00:03:50,698 --> 00:03:52,531 NICE TO SEE YOU HERE. READY FOR THE SHOW, WE GOING TO 139 00:03:52,533 --> 00:03:54,766 READY FOR THE SHOW, WE GOING TO DO SOME HEADLINES TOGETHER? 140 00:03:54,768 --> 00:03:56,101 DO SOME HEADLINES TOGETHER? >> YEAH, YEAH, I'M WITH YOU -- 141 00:03:56,103 --> 00:03:58,036 >> YEAH, YEAH, I'M WITH YOU -- I'M WITH YOU -- I'M SOCIAL 142 00:03:58,038 --> 00:04:00,105 I'M WITH YOU -- I'M SOCIAL MEDIA, PROMOTING MY HOUR SPECIAL 143 00:04:00,107 --> 00:04:02,608 MEDIA, PROMOTING MY HOUR SPECIAL IN PERFECT MESSENGERRER, FRIDAY 144 00:04:02,610 --> 00:04:05,143 IN PERFECT MESSENGERRER, FRIDAY OCTOBER 29 ON COMEDY CENTRAL AT 145 00:04:05,145 --> 00:04:07,112 OCTOBER 29 ON COMEDY CENTRAL AT 10:30 AFTER AN ALL NEW EPISODE 146 00:04:07,114 --> 00:04:10,949 10:30 AFTER AN ALL NEW EPISODE OF "THE GOD'S HONEST TRUTH" WITH 147 00:04:10,951 --> 00:04:15,354 OF "THE GOD'S HONEST TRUTH" WITH CHARLAMAGNE LEONARD McELFY THE 148 00:04:15,356 --> 00:04:15,520 CHARLAMAGNE LEONARD McELFY THE GOD. 149 00:04:15,522 --> 00:04:17,422 GOD. >> Trevor: DID YOU PROMOTE 150 00:04:17,424 --> 00:04:19,491 >> Trevor: DID YOU PROMOTE YOUR NEW STANDUP SPECIAL AND 151 00:04:19,493 --> 00:04:21,126 YOUR NEW STANDUP SPECIAL AND CHARLAMAGNE'S SHOW IN THIS SHOW. 152 00:04:21,128 --> 00:04:23,562 CHARLAMAGNE'S SHOW IN THIS SHOW. >> I COME ON AFTER CHARLAMAGNE. 153 00:04:23,564 --> 00:04:25,297 >> I COME ON AFTER CHARLAMAGNE. >> Trevor: BUT IT'S WEIRD 154 00:04:25,299 --> 00:04:27,032 >> Trevor: BUT IT'S WEIRD BECAUSE WE WERE ABOUT TO DO THE 155 00:04:27,034 --> 00:04:27,299 BECAUSE WE WERE ABOUT TO DO THE HEADLINES. 156 00:04:27,301 --> 00:04:28,333 HEADLINES. >> YOU CAN DO THE HEADLINES. 157 00:04:28,335 --> 00:04:30,435 >> YOU CAN DO THE HEADLINES. I SAID I WOULD BE THERE WITH 158 00:04:30,437 --> 00:04:30,602 I SAID I WOULD BE THERE WITH YOU. 159 00:04:30,604 --> 00:04:33,038 YOU. >> Trevor: I ASSUMED YOU MEANT 160 00:04:33,040 --> 00:04:34,539 >> Trevor: I ASSUMED YOU MEANT WE'RE DOING IT TOGETHER. 161 00:04:34,541 --> 00:04:35,274 WE'RE DOING IT TOGETHER. >> I'LL CHECK IN FROM TIME TO 162 00:04:35,276 --> 00:04:37,009 >> I'LL CHECK IN FROM TIME TO TIME WITH YOU WHEN I HAVE AN 163 00:04:37,011 --> 00:04:40,279 TIME WITH YOU WHEN I HAVE AN OPPORTUNITY -- YOU'RE MESSING UP 164 00:04:40,281 --> 00:04:41,813 OPPORTUNITY -- YOU'RE MESSING UP MY ALGORITHM. 165 00:04:41,815 --> 00:04:43,048 MY ALGORITHM. >> Trevor: HAPPY TO HAVE YOU 166 00:04:43,050 --> 00:04:44,850 >> Trevor: HAPPY TO HAVE YOU EVEN THOUGH YOU'RE PROMOTING 167 00:04:44,852 --> 00:04:45,684 EVEN THOUGH YOU'RE PROMOTING OTHER THINGS. 168 00:04:45,686 --> 00:04:46,885 OTHER THINGS. LET'S KICK OFF WITH THE STORY 169 00:04:46,887 --> 00:04:48,287 LET'S KICK OFF WITH THE STORY EVERYONE IS TALKING ABOUT. 170 00:04:48,289 --> 00:04:50,589 EVERYONE IS TALKING ABOUT. THE WORST P.R. WEEK IN 171 00:04:50,591 --> 00:04:51,256 THE WORST P.R. WEEK IN Facebook HISTORY. 172 00:04:51,258 --> 00:04:53,325 Facebook HISTORY. THIS WEEK IS SO BAD FOR 173 00:04:53,327 --> 00:04:55,394 THIS WEEK IS SO BAD FOR Facebook THAT MARK ZUCKERBERG 174 00:04:55,396 --> 00:04:56,495 Facebook THAT MARK ZUCKERBERG WAS, LIKE, Facebook? 175 00:04:56,497 --> 00:04:58,964 WAS, LIKE, Facebook? NO, THAT'S NOT ME. 176 00:04:58,966 --> 00:05:01,867 NO, THAT'S NOT ME. THAT WAS STARTED BY THE 177 00:05:01,869 --> 00:05:03,302 THAT WAS STARTED BY THE WINKLEVOSS. 178 00:05:03,304 --> 00:05:05,470 WINKLEVOSS. YOU PROBABLY HEARD ABOUT THE 179 00:05:05,472 --> 00:05:07,439 YOU PROBABLY HEARD ABOUT THE WHISTLEBLOWER WHO SMUGGLED 180 00:05:07,441 --> 00:05:11,276 WHISTLEBLOWER WHO SMUGGLED DOCUMENTS OUT OF Facebook. 181 00:05:11,278 --> 00:05:13,478 DOCUMENTS OUT OF Facebook. NEARLY TWO DOZEN MEDIA OUTLETS 182 00:05:13,480 --> 00:05:15,414 NEARLY TWO DOZEN MEDIA OUTLETS HAVE BEEN MINING DOCUMENTS FOR 183 00:05:15,416 --> 00:05:16,748 HAVE BEEN MINING DOCUMENTS FOR NEWS STORIES AND NOW THE SHIT 184 00:05:16,750 --> 00:05:18,583 NEWS STORIES AND NOW THE SHIT HIT THE Facebook FAN PAGE. 185 00:05:18,585 --> 00:05:19,251 HIT THE Facebook FAN PAGE. >> THE "THE WASHINGTON POST" 186 00:05:19,253 --> 00:05:21,887 >> THE "THE WASHINGTON POST" REPORTS STARTING IN 2017 187 00:05:21,889 --> 00:05:22,654 REPORTS STARTING IN 2017 Facebook'S ALGORITHM WAS 188 00:05:22,656 --> 00:05:24,089 Facebook'S ALGORITHM WAS PROGRAMMED TO PUT HIGHER VALUE 189 00:05:24,091 --> 00:05:26,358 PROGRAMMED TO PUT HIGHER VALUE ON EMOJIS LIKE THE ANGRY FACE. 190 00:05:26,360 --> 00:05:28,860 ON EMOJIS LIKE THE ANGRY FACE. THEY GAVE AN ANGRY RESPONSE FIVE 191 00:05:28,862 --> 00:05:31,296 THEY GAVE AN ANGRY RESPONSE FIVE TIMES MORE VALUE THAN CONTENT 192 00:05:31,298 --> 00:05:34,266 TIMES MORE VALUE THAN CONTENT THAT GOT LIKES ON THE NEWS FEED. 193 00:05:34,268 --> 00:05:35,901 THAT GOT LIKES ON THE NEWS FEED. THE COMPANY'S OWN RESEARCHERS 194 00:05:35,903 --> 00:05:37,469 THE COMPANY'S OWN RESEARCHERS WERE WORRIED ABOUT THIS WARNING 195 00:05:37,471 --> 00:05:39,004 WERE WORRIED ABOUT THIS WARNING THIS COULD OPEN THE DOOR TO 196 00:05:39,006 --> 00:05:40,605 THIS COULD OPEN THE DOOR TO ABUSE, RAGE AND POLARIZING 197 00:05:40,607 --> 00:05:40,806 ABUSE, RAGE AND POLARIZING USERS. 198 00:05:40,808 --> 00:05:43,041 USERS. >> Trevor: YEAH, THAT'S RIGHT, 199 00:05:43,043 --> 00:05:44,576 >> Trevor: YEAH, THAT'S RIGHT, Facebook KNEW IT WAS REWARDING 200 00:05:44,578 --> 00:05:47,512 Facebook KNEW IT WAS REWARDING SHITTY POSTS AS LONG AS THEY 201 00:05:47,514 --> 00:05:49,715 SHITTY POSTS AS LONG AS THEY GENERATED AN EMOTIONAL RESPONSE. 202 00:05:49,717 --> 00:05:51,350 GENERATED AN EMOTIONAL RESPONSE. AND I'LL BE HONEST, WHEN I FERS 203 00:05:51,352 --> 00:05:53,318 AND I'LL BE HONEST, WHEN I FERS HEARD ABOUT THIS, I WAS SHOCKED 204 00:05:53,320 --> 00:05:54,319 HEARD ABOUT THIS, I WAS SHOCKED BECAUSE I COULDN'T BELIEVE MARK 205 00:05:54,321 --> 00:05:56,488 BECAUSE I COULDN'T BELIEVE MARK ZUCKERBERG KNOWS WHAT EMOTIONS 206 00:05:56,490 --> 00:05:56,655 ZUCKERBERG KNOWS WHAT EMOTIONS ARE. 207 00:05:56,657 --> 00:05:58,223 ARE. I ALSO HAVE TO SAY THIS, THIS IS 208 00:05:58,225 --> 00:06:01,526 I ALSO HAVE TO SAY THIS, THIS IS THE WORST USE OF EMOJIS I EVER 209 00:06:01,528 --> 00:06:02,461 THE WORST USE OF EMOJIS I EVER HEARD OF. 210 00:06:02,463 --> 00:06:05,263 HEARD OF. EMOJIS SHOULDN'T BE USED TO 211 00:06:05,265 --> 00:06:06,965 EMOJIS SHOULDN'T BE USED TO EMOTIONALLY MANIPULATE WITH YOU. 212 00:06:06,967 --> 00:06:09,735 EMOTIONALLY MANIPULATE WITH YOU. SHOULD BE USED TO ASK SOMEONE TO 213 00:06:09,737 --> 00:06:11,403 SHOULD BE USED TO ASK SOMEONE TO WATER THEIR EGGPLANT. 214 00:06:11,405 --> 00:06:12,571 WATER THEIR EGGPLANT. IT DOES MAKE SENSE BECAUSE IN 215 00:06:12,573 --> 00:06:14,339 IT DOES MAKE SENSE BECAUSE IN REGULAR LIFE, WE ALL PUT MORE 216 00:06:14,341 --> 00:06:15,974 REGULAR LIFE, WE ALL PUT MORE VALUE ON THINGS THAT PRODUCE AN 217 00:06:15,976 --> 00:06:16,675 VALUE ON THINGS THAT PRODUCE AN EMOTIONAL RESPONSE IN IT. 218 00:06:16,677 --> 00:06:18,810 EMOTIONAL RESPONSE IN IT. YOU KNOW, IT'SHY DONALD TRUMP 219 00:06:18,812 --> 00:06:20,879 YOU KNOW, IT'SHY DONALD TRUMP BECAME PRESIDENT AND JEB BUSH 220 00:06:20,881 --> 00:06:22,748 BECAME PRESIDENT AND JEB BUSH WORKS AT A QUIZNOS NOW. 221 00:06:22,750 --> 00:06:24,316 WORKS AT A QUIZNOS NOW. PLEASE CLAP. 222 00:06:24,318 --> 00:06:26,017 PLEASE CLAP. >> YOU KNOW WHAT'S WILD ABOUT 223 00:06:26,019 --> 00:06:27,786 >> YOU KNOW WHAT'S WILD ABOUT Facebook, MAN, IS THAT IF YOU 224 00:06:27,788 --> 00:06:29,321 Facebook, MAN, IS THAT IF YOU PUT IN THE TITLE OF YOUR NEW 225 00:06:29,323 --> 00:06:32,591 PUT IN THE TITLE OF YOUR NEW HOUR SPECIAL AND A BUNCH OF 226 00:06:32,593 --> 00:06:33,692 HOUR SPECIAL AND A BUNCH OF EMOJIS, YOU GET LIKES. 227 00:06:33,694 --> 00:06:34,993 EMOJIS, YOU GET LIKES. THIS SHIT IS CRAZY. 228 00:06:34,995 --> 00:06:36,895 THIS SHIT IS CRAZY. ALSO, Facebook IS JUST FIGHT 229 00:06:36,897 --> 00:06:37,496 ALSO, Facebook IS JUST FIGHT CLUB. 230 00:06:37,498 --> 00:06:38,764 CLUB. YOU NEED PEOPLE OVER THERE 231 00:06:38,766 --> 00:06:39,297 YOU NEED PEOPLE OVER THERE FIGHTING. 232 00:06:39,299 --> 00:06:40,999 FIGHTING. THAT'S THE WHOLE POINT OF 233 00:06:41,001 --> 00:06:41,933 THAT'S THE WHOLE POINT OF Facebook. 234 00:06:41,935 --> 00:06:43,835 Facebook. EMOJIS, SHORTENED CONVERSATIONS, 235 00:06:43,837 --> 00:06:45,570 EMOJIS, SHORTENED CONVERSATIONS, LET'S ALSO ACKNOWLEDGE THAT. 236 00:06:45,572 --> 00:06:47,072 LET'S ALSO ACKNOWLEDGE THAT. WE'RE JUST NOT GOING TO PUT THIS 237 00:06:47,074 --> 00:06:48,273 WE'RE JUST NOT GOING TO PUT THIS ALL OFF ON Facebook. 238 00:06:48,275 --> 00:06:51,743 ALL OFF ON Facebook. WE DON'T TYPE LOL,. 239 00:06:51,745 --> 00:06:53,412 WE DON'T TYPE LOL,. >> Trevor: WE SHOULD BE USING 240 00:06:53,414 --> 00:06:54,012 >> Trevor: WE SHOULD BE USING WORDS. 241 00:06:54,014 --> 00:06:56,481 WORDS. >> NO, IF I WASN'T WITH YOU, I 242 00:06:56,483 --> 00:06:58,583 >> NO, IF I WASN'T WITH YOU, I WOULDN'T BE TALKING WITH YOU. 243 00:06:58,585 --> 00:06:59,985 WOULDN'T BE TALKING WITH YOU. IF YOU WANT TO HAVE A NICE 244 00:06:59,987 --> 00:07:01,653 IF YOU WANT TO HAVE A NICE MEASURED DETAILED CONVERSATION 245 00:07:01,655 --> 00:07:03,588 MEASURED DETAILED CONVERSATION WITH EMOTION TAKE YOUR ASS TO 246 00:07:03,590 --> 00:07:03,822 WITH EMOTION TAKE YOUR ASS TO ETSY. 247 00:07:03,824 --> 00:07:07,626 ETSY. THIS IS Facebook, BRA. 248 00:07:07,628 --> 00:07:09,728 THIS IS Facebook, BRA. I'M TRYING TO READ THIS AT AN 249 00:07:09,730 --> 00:07:11,830 I'M TRYING TO READ THIS AT AN RED LIGHT IN AN INTERSECTION. 250 00:07:11,832 --> 00:07:17,269 RED LIGHT IN AN INTERSECTION. DON'T HAVE TIME FOR NUANCE. 251 00:07:17,271 --> 00:07:20,439 DON'T HAVE TIME FOR NUANCE. ( NAMING EMOJIS ) 252 00:07:20,441 --> 00:07:22,674 ( NAMING EMOJIS ) FINE, GOT IT, GREEN LIGHT. 253 00:07:22,676 --> 00:07:23,942 FINE, GOT IT, GREEN LIGHT. >> Trevor: YOU'RE A DANGEROUS 254 00:07:23,944 --> 00:07:24,309 >> Trevor: YOU'RE A DANGEROUS DRIVER. 255 00:07:24,311 --> 00:07:25,577 DRIVER. OUR NEXT STORY IS ABOUT SCHOOL, 256 00:07:25,579 --> 00:07:27,245 OUR NEXT STORY IS ABOUT SCHOOL, THE PLACE WHERE YOU GET RID OF 257 00:07:27,247 --> 00:07:29,347 THE PLACE WHERE YOU GET RID OF ALL YOUR EXTRA APPLES. 258 00:07:29,349 --> 00:07:30,982 ALL YOUR EXTRA APPLES. THERE IS A BIG MOVEMENT AMONG 259 00:07:30,984 --> 00:07:32,083 THERE IS A BIG MOVEMENT AMONG CONSERVATIVES TO PROTECT 260 00:07:32,085 --> 00:07:33,852 CONSERVATIVES TO PROTECT CHILDREN FROM BEING EXPOSED TO 261 00:07:33,854 --> 00:07:36,455 CHILDREN FROM BEING EXPOSED TO LIBERAL IDEAS IN SCHOOL, IDEAS 262 00:07:36,457 --> 00:07:39,558 LIBERAL IDEAS IN SCHOOL, IDEAS LIKE RACISM IS BAD OR GAYS ARE 263 00:07:39,560 --> 00:07:40,125 LIKE RACISM IS BAD OR GAYS ARE NOT BAD. 264 00:07:40,127 --> 00:07:42,427 NOT BAD. YOU KNOW WHAT, IT'S ALMOST LIKE 265 00:07:42,429 --> 00:07:43,528 YOU KNOW WHAT, IT'S ALMOST LIKE CONSERVATIVES LEARN TOO MUCH 266 00:07:43,530 --> 00:07:44,963 CONSERVATIVES LEARN TOO MUCH ABOUT CANCEL CULTURE AND 267 00:07:44,965 --> 00:07:46,465 ABOUT CANCEL CULTURE AND ACCIDENTALLY GOT REALLY INTO IT. 268 00:07:46,467 --> 00:07:48,567 ACCIDENTALLY GOT REALLY INTO IT. LIKE SORT OF HOW WHEN YOU START 269 00:07:48,569 --> 00:07:51,736 LIKE SORT OF HOW WHEN YOU START HATE WATCHING A REAL HOUSEWIVES 270 00:07:51,738 --> 00:07:56,007 HATE WATCHING A REAL HOUSEWIVES SHOW AND SEVEN SEASON LATER YOU 271 00:07:56,009 --> 00:08:00,512 SHOW AND SEVEN SEASON LATER YOU SAY I KNOW ROMANA AND SONIA SAY 272 00:08:00,514 --> 00:08:01,713 SAY I KNOW ROMANA AND SONIA SAY THEY'RE BEST FRIENDS BUT WOULD 273 00:08:01,715 --> 00:08:04,349 THEY'RE BEST FRIENDS BUT WOULD YOU TALK ABOUT YOUR BEST FRIEND 274 00:08:04,351 --> 00:08:07,052 YOU TALK ABOUT YOUR BEST FRIEND BLIND THEIR BACK LIKE THAT? 275 00:08:07,054 --> 00:08:09,688 BLIND THEIR BACK LIKE THAT? A STRIKING NEW TV ADD FROM 276 00:08:09,690 --> 00:08:10,922 A STRIKING NEW TV ADD FROM REPUBLICAN CARNET GLENN 277 00:08:10,924 --> 00:08:11,423 REPUBLICAN CARNET GLENN YOUNGKIN. 278 00:08:11,425 --> 00:08:13,191 YOUNGKIN. >> AS A PARENT, IT'S TOUGH TO 279 00:08:13,193 --> 00:08:15,794 >> AS A PARENT, IT'S TOUGH TO CATCH EVERYTHING, SO WHEN MY SON 280 00:08:15,796 --> 00:08:17,262 CATCH EVERYTHING, SO WHEN MY SON SHOWED ME HIS READING 281 00:08:17,264 --> 00:08:18,563 SHOWED ME HIS READING ASSIGNMENT, MY HEART SUNK. 282 00:08:18,565 --> 00:08:20,432 ASSIGNMENT, MY HEART SUNK. IT WAS SOME OF THE MOST EXPLICIT 283 00:08:20,434 --> 00:08:22,334 IT WAS SOME OF THE MOST EXPLICIT IT MATERIAL YOU CAN IMAGINE. 284 00:08:22,336 --> 00:08:24,236 IT MATERIAL YOU CAN IMAGINE. I MET WITH LAWMAKERS. 285 00:08:24,238 --> 00:08:25,337 I MET WITH LAWMAKERS. THEY COULDN'T BELIEVE WHAT I WAS 286 00:08:25,339 --> 00:08:26,104 THEY COULDN'T BELIEVE WHAT I WAS SHOWING THEM. 287 00:08:26,106 --> 00:08:28,273 SHOWING THEM. THEIR FACES TURNED BRIGHT RED 288 00:08:28,275 --> 00:08:30,242 THEIR FACES TURNED BRIGHT RED WITH EMBARRASSMENT. 289 00:08:30,244 --> 00:08:32,544 WITH EMBARRASSMENT. THEY PASSED BILLS REQUIRING 290 00:08:32,546 --> 00:08:35,547 THEY PASSED BILLS REQUIRING SCHOOLS TO NOTIFY PARENTS WHEN 291 00:08:35,549 --> 00:08:37,682 SCHOOLS TO NOTIFY PARENTS WHEN EXPLICIT CONTENT WAS ASSIGNED. 292 00:08:37,684 --> 00:08:39,818 EXPLICIT CONTENT WAS ASSIGNED. I WAS SO GRATEFUL. 293 00:08:39,820 --> 00:08:42,020 I WAS SO GRATEFUL. BUT THEN GOVERNOR TERRY 294 00:08:42,022 --> 00:08:44,456 BUT THEN GOVERNOR TERRY MCAULIFFE VETOED IT TWICE. 295 00:08:44,458 --> 00:08:45,757 MCAULIFFE VETOED IT TWICE. HE DOESN'T THINK PARENTS SHOULD 296 00:08:45,759 --> 00:08:46,424 HE DOESN'T THINK PARENTS SHOULD HAVE A SAY. 297 00:08:46,426 --> 00:08:47,192 HAVE A SAY. HE SAID THAT. 298 00:08:47,194 --> 00:08:48,293 HE SAID THAT. HE SHUT US OUT. 299 00:08:48,295 --> 00:08:51,263 HE SHUT US OUT. >> Trevor: WHOA. 300 00:08:51,265 --> 00:08:52,998 >> Trevor: WHOA. WHAT WERE THESE KIDS READING? 301 00:08:53,000 --> 00:08:56,501 WHAT WERE THESE KIDS READING? WAS THIS FIRST GRADER READING 302 00:08:56,503 --> 00:08:57,269 WAS THIS FIRST GRADER READING "50 SHADES OF GREY"? 303 00:08:57,271 --> 00:08:59,905 "50 SHADES OF GREY"? WAS THIS A LITTLE COLORING IN 304 00:08:59,907 --> 00:09:02,274 WAS THIS A LITTLE COLORING IN BOOK OF DICKPICS? 305 00:09:02,276 --> 00:09:04,042 BOOK OF DICKPICS? NO, TURNS OUT IT WAS ACTUALLY 306 00:09:04,044 --> 00:09:07,646 NO, TURNS OUT IT WAS ACTUALLY THE PULITZER PRIZE-WINNING TONY 307 00:09:07,648 --> 00:09:09,314 THE PULITZER PRIZE-WINNING TONY MORRISON NOVEL BELOVED, AND ALSO 308 00:09:09,316 --> 00:09:10,815 MORRISON NOVEL BELOVED, AND ALSO IT WASN'T A YOUNG KID, IT WAS A 309 00:09:10,817 --> 00:09:13,251 IT WASN'T A YOUNG KID, IT WAS A HIGH SCHOOL SENIOR IN AN AP 310 00:09:13,253 --> 00:09:14,252 HIGH SCHOOL SENIOR IN AN AP ENGLISH CLASS. 311 00:09:14,254 --> 00:09:18,290 ENGLISH CLASS. I'M SORRY, GUYS, ANY PARENT WHO 312 00:09:18,292 --> 00:09:20,325 I'M SORRY, GUYS, ANY PARENT WHO THINKS THEIR 17-YEAR-OLD 313 00:09:20,327 --> 00:09:21,793 THINKS THEIR 17-YEAR-OLD SCHOOL'S ASSIGNMENT IS EXPLICIT, 314 00:09:21,795 --> 00:09:23,795 SCHOOL'S ASSIGNMENT IS EXPLICIT, CHECK OUT HIS BROWSER HISTORY, 315 00:09:23,797 --> 00:09:26,031 CHECK OUT HIS BROWSER HISTORY, TRUST ME, HE CAN HANDLE IT. 316 00:09:26,033 --> 00:09:28,900 TRUST ME, HE CAN HANDLE IT. IT SHOWS YOU THE DANGER ISN'T 317 00:09:28,902 --> 00:09:31,102 IT SHOWS YOU THE DANGER ISN'T CONSERVATIVES I'M OR LIBERALISM 318 00:09:31,104 --> 00:09:32,737 CONSERVATIVES I'M OR LIBERALISM IT'S HELICOPTER PARENTING. 319 00:09:32,739 --> 00:09:34,472 IT'S HELICOPTER PARENTING. AP IS BASICALLY A COLLEGE 320 00:09:34,474 --> 00:09:34,706 AP IS BASICALLY A COLLEGE COURSE. 321 00:09:34,708 --> 00:09:37,642 COURSE. HOW LONG WILL THIS LADY PROTECT 322 00:09:37,644 --> 00:09:39,644 HOW LONG WILL THIS LADY PROTECT HER KID? 323 00:09:39,646 --> 00:09:43,682 HER KID? HIS MOM WILL BUST INTO HIS DORM 324 00:09:43,684 --> 00:09:45,450 HIS MOM WILL BUST INTO HIS DORM ROOM AND BOSS HIM. 325 00:09:45,452 --> 00:09:47,485 ROOM AND BOSS HIM. BANNING BOOKS IS A SLIPPERY 326 00:09:47,487 --> 00:09:50,789 BANNING BOOKS IS A SLIPPERY FOLKS BECAUSE WHAT IS-FENCIVE IS 327 00:09:50,791 --> 00:09:51,222 FOLKS BECAUSE WHAT IS-FENCIVE IS SUBJECTIVE. 328 00:09:51,224 --> 00:09:53,625 SUBJECTIVE. I WOULD NEVER WANT MY KID 329 00:09:53,627 --> 00:09:55,927 I WOULD NEVER WANT MY KID READING THE GREAT GATSBY, I 330 00:09:55,929 --> 00:09:58,029 READING THE GREAT GATSBY, I THINK IT GLAMORIZING FRIEND 331 00:09:58,031 --> 00:09:58,263 THINK IT GLAMORIZING FRIEND ZONING. 332 00:09:58,265 --> 00:09:59,197 ZONING. THAT'S IMMORAL. 333 00:09:59,199 --> 00:10:00,265 THAT'S IMMORAL. WOULD YOU READ IT? 334 00:10:00,267 --> 00:10:01,633 WOULD YOU READ IT? >> TOO MANY WHITE PEOPLE IN THAT 335 00:10:01,635 --> 00:10:01,967 >> TOO MANY WHITE PEOPLE IN THAT BOOK. 336 00:10:01,969 --> 00:10:04,469 BOOK. I'M FROM BIRMINGHAM. 337 00:10:04,471 --> 00:10:06,771 I'M FROM BIRMINGHAM. WEAPONS READING AUTOBIOGRAPHY OF 338 00:10:06,773 --> 00:10:10,842 WEAPONS READING AUTOBIOGRAPHY OF MALCOLM X, MADAM C.J. WALKER. 339 00:10:10,844 --> 00:10:12,811 MALCOLM X, MADAM C.J. WALKER. WE READ THE ONE BOOK WITH THE 340 00:10:12,813 --> 00:10:14,245 WE READ THE ONE BOOK WITH THE ELF RUNNING AROUND -- 341 00:10:14,247 --> 00:10:15,313 ELF RUNNING AROUND -- >> LORD OF THE RINGS? 342 00:10:15,315 --> 00:10:15,747 >> LORD OF THE RINGS? NO. 343 00:10:15,749 --> 00:10:17,382 NO. >> WHAT'S THE ONE BEFORE THAT 344 00:10:17,384 --> 00:10:17,616 >> WHAT'S THE ONE BEFORE THAT ONE. 345 00:10:17,618 --> 00:10:19,684 ONE. >> WITH AN ELF? 346 00:10:19,686 --> 00:10:21,186 >> WITH AN ELF? >> YEAH, ELF. 347 00:10:21,188 --> 00:10:22,454 >> YEAH, ELF. >> Trevor: WHAT IS THE ELF 348 00:10:22,456 --> 00:10:23,622 >> Trevor: WHAT IS THE ELF DOING? 349 00:10:23,624 --> 00:10:24,522 DOING? BILBO. 350 00:10:24,524 --> 00:10:24,723 BILBO. BILBO. 351 00:10:24,725 --> 00:10:28,059 BILBO. >> THE HOBBIT? 352 00:10:28,061 --> 00:10:29,260 >> THE HOBBIT? >> Trevor: YEAH, THAT'S THE 353 00:10:29,262 --> 00:10:29,427 >> Trevor: YEAH, THAT'S THE ONE. 354 00:10:29,429 --> 00:10:31,630 ONE. READ THAT, TOO. 355 00:10:31,632 --> 00:10:35,000 READ THAT, TOO. WE SHOULDN'T BE ERASING BLACK 356 00:10:35,002 --> 00:10:37,369 WE SHOULDN'T BE ERASING BLACK HISTORY WHETHER TONY MORRISON 357 00:10:37,371 --> 00:10:39,537 HISTORY WHETHER TONY MORRISON NOVELS OR MY NEW EPISODE ON 358 00:10:39,539 --> 00:10:40,972 NOVELS OR MY NEW EPISODE ON FRIDAY AFTER THE CHARLAMAGNE 359 00:10:40,974 --> 00:10:41,172 FRIDAY AFTER THE CHARLAMAGNE SHOW. 360 00:10:41,174 --> 00:10:42,941 SHOW. >> Trevor: I'LL WATCH IT, ROY, 361 00:10:42,943 --> 00:10:45,276 >> Trevor: I'LL WATCH IT, ROY, I'LL DEFINITELY WATCH IT BECAUSE 362 00:10:45,278 --> 00:10:47,879 I'LL DEFINITELY WATCH IT BECAUSE YOU'VE TOLD ME MANY MANY TIMES. 363 00:10:47,881 --> 00:10:49,280 YOU'VE TOLD ME MANY MANY TIMES. FINALLY, WE'LL TALK ABOUT A MAN 364 00:10:49,282 --> 00:10:50,815 FINALLY, WE'LL TALK ABOUT A MAN WHO FOUND ONE OF THE MOST 365 00:10:50,817 --> 00:10:52,450 WHO FOUND ONE OF THE MOST AMAZING AND DISTURBING LIFE 366 00:10:52,452 --> 00:10:53,785 AMAZING AND DISTURBING LIFE HACKS YOU WILL EVER HEAR ABOUT 367 00:10:53,787 --> 00:10:56,388 HACKS YOU WILL EVER HEAR ABOUT BECAUSE THIS GUY MANAGED TO EAT 368 00:10:56,390 --> 00:10:57,822 BECAUSE THIS GUY MANAGED TO EAT FOR AN ENTIRE YEAR FOR BARELY 369 00:10:57,824 --> 00:10:58,390 FOR AN ENTIRE YEAR FOR BARELY ANY MONEY. 370 00:10:58,392 --> 00:10:59,991 ANY MONEY. I KNOW WHAT YOU'RE THINKING, I 371 00:10:59,993 --> 00:11:03,428 I KNOW WHAT YOU'RE THINKING, I KNOW WHERE THE CHIPOTLE 372 00:11:03,430 --> 00:11:05,163 KNOW WHERE THE CHIPOTLE DUMPEDSTERS ARE, TOO, BUT HE 373 00:11:05,165 --> 00:11:07,232 DUMPEDSTERS ARE, TOO, BUT HE FOUND OUT HOW TO EAT CHEAP 374 00:11:07,234 --> 00:11:08,867 FOUND OUT HOW TO EAT CHEAP WITHOUT GETTING BITTEN BY A 375 00:11:08,869 --> 00:11:09,334 WITHOUT GETTING BITTEN BY A RACCOON. 376 00:11:09,336 --> 00:11:10,402 RACCOON. >> A CALIFORNIA MAN WHO FOUND A 377 00:11:10,404 --> 00:11:12,170 >> A CALIFORNIA MAN WHO FOUND A WAY TO SAVE MONEY ON FOOD, 378 00:11:12,172 --> 00:11:14,372 WAY TO SAVE MONEY ON FOOD, BOUGHT AN UNLIMITED YEAR AROUND 379 00:11:14,374 --> 00:11:16,274 BOUGHT AN UNLIMITED YEAR AROUND PASS TO SIX FLAGS, INCLUDES A 380 00:11:16,276 --> 00:11:18,977 PASS TO SIX FLAGS, INCLUDES A PARKING PASS, TWO MEALS A DAY 381 00:11:18,979 --> 00:11:19,411 PARKING PASS, TWO MEALS A DAY FOR $150. 382 00:11:19,413 --> 00:11:21,579 FOR $150. HE CLAIMS, AFTER SEVEN YEARS OF 383 00:11:21,581 --> 00:11:23,448 HE CLAIMS, AFTER SEVEN YEARS OF EATING LUNCH AND DINNER AT THE 384 00:11:23,450 --> 00:11:25,116 EATING LUNCH AND DINNER AT THE PARK EVERY DAY, HE PAID DOWN HIS 385 00:11:25,118 --> 00:11:26,751 PARK EVERY DAY, HE PAID DOWN HIS STUDENT LOANS AND BOUGHT A 386 00:11:26,753 --> 00:11:27,318 STUDENT LOANS AND BOUGHT A HOUSE. 387 00:11:27,320 --> 00:11:29,587 HOUSE. >> SO $150 A YEAR, YOU GET TWO 388 00:11:29,589 --> 00:11:31,923 >> SO $150 A YEAR, YOU GET TWO MEALS, LIKE 50 CENTS A DAY 389 00:11:31,925 --> 00:11:32,857 MEALS, LIKE 50 CENTS A DAY BASICALLY TO FEED YOURSELF. 390 00:11:32,859 --> 00:11:34,225 BASICALLY TO FEED YOURSELF. >> Trevor: YEAH. 391 00:11:34,227 --> 00:11:36,494 >> Trevor: YEAH. THAT DUDE FED HIMSELF FOR 50 392 00:11:36,496 --> 00:11:38,096 THAT DUDE FED HIMSELF FOR 50 CENTS A DAY, GENIUS! 393 00:11:38,098 --> 00:11:39,597 CENTS A DAY, GENIUS! WE SHOULD GET HIM TO FIX THE 394 00:11:39,599 --> 00:11:41,366 WE SHOULD GET HIM TO FIX THE WORLD'S ECONOMIES BEFORE HE DIES 395 00:11:41,368 --> 00:11:42,000 WORLD'S ECONOMIES BEFORE HE DIES FROM GOUT. 396 00:11:42,002 --> 00:11:43,201 FROM GOUT. RIGHT NOW THE DEMOCRATS ARE 397 00:11:43,203 --> 00:11:44,736 RIGHT NOW THE DEMOCRATS ARE STRUGGLING TO FIGURE OUT HOW TO 398 00:11:44,738 --> 00:11:47,405 STRUGGLING TO FIGURE OUT HOW TO PAY FOR HEALTHCARE. 399 00:11:47,407 --> 00:11:49,140 PAY FOR HEALTHCARE. THIS GUY WOULD SOLVE IT. 400 00:11:49,142 --> 00:11:50,442 THIS GUY WOULD SOLVE IT. HE WOULD BE ALL YOU HAVE TO DO 401 00:11:50,444 --> 00:11:53,445 HE WOULD BE ALL YOU HAVE TO DO IS GO TO THE FIRST AID TENT AT 402 00:11:53,447 --> 00:11:55,280 IS GO TO THE FIRST AID TENT AT SIX FLAGS AND TELL THEM THE 403 00:11:55,282 --> 00:11:57,916 SIX FLAGS AND TELL THEM THE ROLLERCOASTER GAVE YOU LUPUS. 404 00:11:57,918 --> 00:11:58,216 ROLLERCOASTER GAVE YOU LUPUS. BOOM! 405 00:11:58,218 --> 00:11:59,551 BOOM! FREE HEALTHCARE. 406 00:11:59,553 --> 00:12:01,319 FREE HEALTHCARE. THIS GUY'S ONLY MISTAKE WAS 407 00:12:01,321 --> 00:12:01,986 THIS GUY'S ONLY MISTAKE WAS BUYING A HOUSE. 408 00:12:01,988 --> 00:12:03,388 BUYING A HOUSE. YOU WERE ON THE ROLE. 409 00:12:03,390 --> 00:12:05,190 YOU WERE ON THE ROLE. WHY BUY A HOUSE WHEN YOU CAN 410 00:12:05,192 --> 00:12:06,558 WHY BUY A HOUSE WHEN YOU CAN CRASH IN THE FUN HOUSE INSTEAD. 411 00:12:06,560 --> 00:12:08,760 CRASH IN THE FUN HOUSE INSTEAD. THE MIRRORS MAKE THE PLACE FEEL 412 00:12:08,762 --> 00:12:09,828 THE MIRRORS MAKE THE PLACE FEEL ROOMIER AND STRETCHIER. 413 00:12:09,830 --> 00:12:12,630 ROOMIER AND STRETCHIER. AND BY THE WAY, HOW ARE 414 00:12:12,632 --> 00:12:14,499 AND BY THE WAY, HOW ARE AMUSEMENT PARKS BOTH THE 415 00:12:14,501 --> 00:12:15,700 AMUSEMENT PARKS BOTH THE CHEAPEST AND MOST EXPENSIVE 416 00:12:15,702 --> 00:12:16,801 CHEAPEST AND MOST EXPENSIVE PLACES ON EARTH? 417 00:12:16,803 --> 00:12:19,003 PLACES ON EARTH? EAT FOR A YEAR, $150. 418 00:12:19,005 --> 00:12:20,405 EAT FOR A YEAR, $150. A MOUSE PAD WITH A PICTURE OF 419 00:12:20,407 --> 00:12:23,708 A MOUSE PAD WITH A PICTURE OF YOU ON A ROLLERCOASTER, $3,000! 420 00:12:23,710 --> 00:12:24,743 YOU ON A ROLLERCOASTER, $3,000! NO IN BETWEEN! 421 00:12:24,745 --> 00:12:27,112 NO IN BETWEEN! I WILL SAY, MAN, PROPS TO THIS 422 00:12:27,114 --> 00:12:28,113 I WILL SAY, MAN, PROPS TO THIS GUY FOR GAMING THE SYSTEM. 423 00:12:28,115 --> 00:12:29,414 GUY FOR GAMING THE SYSTEM. THIS IS THE KIND OF SHIT YOU CAN 424 00:12:29,416 --> 00:12:31,816 THIS IS THE KIND OF SHIT YOU CAN ONLY GET AWAY WITH AT SIX FLAGS 425 00:12:31,818 --> 00:12:33,051 ONLY GET AWAY WITH AT SIX FLAGS BECAUSE THEY'RE A CHILLED 426 00:12:33,053 --> 00:12:33,485 BECAUSE THEY'RE A CHILLED AMUSEMENT PARK. 427 00:12:33,487 --> 00:12:37,856 AMUSEMENT PARK. IF YOU TRIED THIS AT DISNEY, 428 00:12:37,858 --> 00:12:39,057 IF YOU TRIED THIS AT DISNEY, MICKEY WOULD HAVE YOU HANGING BY 429 00:12:39,059 --> 00:12:41,359 MICKEY WOULD HAVE YOU HANGING BY YOUR THUMBS IN THE CASTLE 430 00:12:41,361 --> 00:12:42,227 YOUR THUMBS IN THE CASTLE DUNGEON. 431 00:12:42,229 --> 00:12:45,063 DUNGEON. OKAY, ASSHOLE, YOU GOT YOUR FREE 432 00:12:45,065 --> 00:12:47,365 OKAY, ASSHOLE, YOU GOT YOUR FREE FOOD, HOW YOU'RE GETTING A FREE 433 00:12:47,367 --> 00:12:48,466 FOOD, HOW YOU'RE GETTING A FREE BEAT DOWN! 434 00:12:48,468 --> 00:12:51,503 BEAT DOWN! >> MY ISSUE IS HE KEPT GOING TO 435 00:12:51,505 --> 00:12:52,070 >> MY ISSUE IS HE KEPT GOING TO THE PARK ALONE, EVERY TRIP. 436 00:12:52,072 --> 00:12:53,705 THE PARK ALONE, EVERY TRIP. >> Trevor: WHAT'S WRONG WITH 437 00:12:53,707 --> 00:12:54,439 >> Trevor: WHAT'S WRONG WITH THAT? 438 00:12:54,441 --> 00:12:56,775 THAT? >> YOU CAN'T JUST KEEP GOING TO 439 00:12:56,777 --> 00:12:59,444 >> YOU CAN'T JUST KEEP GOING TO AN AMUSEMENT PARK BY YOU FEEL. 440 00:12:59,446 --> 00:13:00,178 AN AMUSEMENT PARK BY YOU FEEL. NOT RIGHT. 441 00:13:00,180 --> 00:13:03,047 NOT RIGHT. I USED TO GO TO CHUCK E. CHEESE 442 00:13:03,049 --> 00:13:05,483 I USED TO GO TO CHUCK E. CHEESE BECAUSE I LIKED VIDEO GAMES. 443 00:13:05,485 --> 00:13:07,318 BECAUSE I LIKED VIDEO GAMES. THE HOTEL TVs, YOU CAN'T HOOK 444 00:13:07,320 --> 00:13:09,187 THE HOTEL TVs, YOU CAN'T HOOK UP THE PlayStation. 445 00:13:09,189 --> 00:13:11,089 UP THE PlayStation. >> Trevor: SO YOU WOULD GO TO 446 00:13:11,091 --> 00:13:12,590 >> Trevor: SO YOU WOULD GO TO CHUCK E. CHEESE BY YOURSELF. 447 00:13:12,592 --> 00:13:13,992 CHUCK E. CHEESE BY YOURSELF. >> AND I HAD TO STOP, PEOPLE 448 00:13:13,994 --> 00:13:14,926 >> AND I HAD TO STOP, PEOPLE LOOK AT YOU. 449 00:13:14,928 --> 00:13:17,162 LOOK AT YOU. DAVE AND BUSTERS ARE FOR GROWN 450 00:13:17,164 --> 00:13:19,664 DAVE AND BUSTERS ARE FOR GROWN FOLKS WHO WANT TO BE PLAYING 451 00:13:19,666 --> 00:13:21,332 FOLKS WHO WANT TO BE PLAYING VIDEO GAMES ALONE WITHOUT BEING 452 00:13:21,334 --> 00:13:22,500 VIDEO GAMES ALONE WITHOUT BEING LABELED AS SOMETHING IF THEY 453 00:13:22,502 --> 00:13:22,734 LABELED AS SOMETHING IF THEY AREN'T. 454 00:13:22,736 --> 00:13:24,469 AREN'T. I'M ON A FLAGS WEB SITE. 455 00:13:24,471 --> 00:13:25,804 I'M ON A FLAGS WEB SITE. THEY'VE GOT GOOD FOOD. 456 00:13:25,806 --> 00:13:28,039 THEY'VE GOT GOOD FOOD. YOU THINK AN AMUSEMENT PARK IS 457 00:13:28,041 --> 00:13:29,941 YOU THINK AN AMUSEMENT PARK IS HIGH SCHOOL CONCESSION STAND 458 00:13:29,943 --> 00:13:30,275 HIGH SCHOOL CONCESSION STAND FOOD. 459 00:13:30,277 --> 00:13:34,145 FOOD. THEY'VE GOT PIZZA BARBECUE, 460 00:13:34,147 --> 00:13:36,181 THEY'VE GOT PIZZA BARBECUE, ASIAN FUSION, FEATURE OF MY NEW 461 00:13:36,183 --> 00:13:38,283 ASIAN FUSION, FEATURE OF MY NEW HOUR SPECIAL IN PERFECT 462 00:13:38,285 --> 00:13:42,120 HOUR SPECIAL IN PERFECT MESSENGER PREMIERING FRIDAY AT 463 00:13:42,122 --> 00:13:44,022 MESSENGER PREMIERING FRIDAY AT 10:30 ON COMEDY CENTRAL. 464 00:13:44,024 --> 00:13:45,723 10:30 ON COMEDY CENTRAL. >> Trevor: OH, NO CHARLAMAGNE 465 00:13:45,725 --> 00:13:46,291 >> Trevor: OH, NO CHARLAMAGNE THIS TIME. 466 00:13:46,293 --> 00:13:49,027 THIS TIME. >> NO, I ALREADY GAVE HIM TWO 467 00:13:49,029 --> 00:13:49,294 >> NO, I ALREADY GAVE HIM TWO SHOUTOUTS. 468 00:13:49,296 --> 00:13:51,229 SHOUTOUTS. >> Trevor: TIME TO TAKE A 469 00:13:51,231 --> 00:13:51,863 >> Trevor: TIME TO TAKE A QUICK BREAK. 470 00:13:51,865 --> 00:13:54,065 QUICK BREAK. WHEN WE COME BACK, WE'LL TALK 471 00:13:54,067 --> 00:13:55,900 WHEN WE COME BACK, WE'LL TALK ABOUT THE ISSUE THAT COPS AND 472 00:13:55,902 --> 00:13:56,701 ABOUT THE ISSUE THAT COPS AND BLACK LIVES MATTER ACTUALLY 473 00:13:56,703 --> 00:13:57,268 BLACK LIVES MATTER ACTUALLY AGREE ON. 474 00:13:57,270 --> 00:13:58,903 AGREE ON. DON'T WANT TO MISS IT. 475 00:13:58,905 --> 00:14:02,040 DON'T WANT TO MISS IT. SO FRIDAY AT 10:30 ONLY ON 476 00:14:02,042 --> 00:14:03,374 SO FRIDAY AT 10:30 ONLY ON COMEDY CENTRAL. 477 00:14:03,376 --> 00:14:03,741 COMEDY CENTRAL. >> UNCENSORED. 478 00:14:03,743 --> 00:14:04,809 >> UNCENSORED. >> Trevor: OOOH! 479 00:14:06,112 --> 00:14:07,879 elcome back to "The Daily Show." 480 00:14:07,881 --> 00:14:09,047 "The Daily Show." Let's talk about the police. 481 00:14:09,049 --> 00:14:11,015 Let's talk about the police. THE REASON EVERY BLACK PERSON 482 00:14:11,017 --> 00:14:12,150 THE REASON EVERY BLACK PERSON IMMEDIATELY KNOWS WHEN THEIR 483 00:14:12,152 --> 00:14:14,018 IMMEDIATELY KNOWS WHEN THEIR TAILLIGHT GOES OUT, VERY 484 00:14:14,020 --> 00:14:14,452 TAILLIGHT GOES OUT, VERY HELPFUL. 485 00:14:14,454 --> 00:14:16,454 HELPFUL. PEOPLE ARE ALWAYS COMPLAINING 486 00:14:16,456 --> 00:14:17,188 PEOPLE ARE ALWAYS COMPLAINING ABILITY GETTING PULLED OVER BY 487 00:14:17,190 --> 00:14:18,490 ABILITY GETTING PULLED OVER BY THE POLICE, BUT THE SURPRISING 488 00:14:18,492 --> 00:14:20,158 THE POLICE, BUT THE SURPRISING TRUTH IS THAT A LOT OF THE TIME 489 00:14:20,160 --> 00:14:21,926 TRUTH IS THAT A LOT OF THE TIME THE POLICE DON'T WANT TO BE 490 00:14:21,928 --> 00:14:25,096 THE POLICE DON'T WANT TO BE PULLING YOU OVER EITHER. 491 00:14:25,098 --> 00:14:26,197 PULLING YOU OVER EITHER. SO PHENTHIS THEY DON'T WANT TO 492 00:14:26,199 --> 00:14:28,066 SO PHENTHIS THEY DON'T WANT TO DO IT, WHY ARE THEY DOING IT? 493 00:14:28,068 --> 00:14:29,467 DO IT, WHY ARE THEY DOING IT? WELL, LET'S FIND OUT IN ANOTHER 494 00:14:29,469 --> 00:14:30,902 WELL, LET'S FIND OUT IN ANOTHER INSTALLMENT OF "IF YOU DON'T 495 00:14:30,904 --> 00:14:37,008 INSTALLMENT OF "IF YOU DON'T KNOW, NOW YOU KNOW." 496 00:14:40,513 --> 00:14:43,515 >> Trevor: POLICE GIVE PEOPLE TICKETS FOR ALL SORTS OF 497 00:14:43,517 --> 00:14:43,781 TICKETS FOR ALL SORTS OF REASONS. 498 00:14:43,783 --> 00:14:45,116 REASONS. MAYBE THEY CAUGHT YOU SPEEDING 499 00:14:45,118 --> 00:14:48,553 MAYBE THEY CAUGHT YOU SPEEDING OR MAYBE YOU RAN A STOP SIGN OR 500 00:14:48,555 --> 00:14:49,754 OR MAYBE YOU RAN A STOP SIGN OR MAYBE THEY'RE LONELY AND THEY 501 00:14:49,756 --> 00:14:51,289 MAYBE THEY'RE LONELY AND THEY JUST WANT SOMEONE TO PULL THEIR 502 00:14:51,291 --> 00:14:51,823 JUST WANT SOMEONE TO PULL THEIR GUN ON. 503 00:14:51,825 --> 00:14:53,591 GUN ON. BUT IT TURNS OUT THERE'S ANOTHER 504 00:14:53,593 --> 00:14:55,226 BUT IT TURNS OUT THERE'S ANOTHER REASON THAT PEOPLE KEEP GETTING 505 00:14:55,228 --> 00:14:56,561 REASON THAT PEOPLE KEEP GETTING PULLED OVER BY THE COPS, AND 506 00:14:56,563 --> 00:14:58,630 PULLED OVER BY THE COPS, AND IT'S A DIRTY LITTLE SECRET 507 00:14:58,632 --> 00:15:00,498 IT'S A DIRTY LITTLE SECRET CALLED THE QUOTA SYSTEM. 508 00:15:00,500 --> 00:15:02,066 CALLED THE QUOTA SYSTEM. >> A LOT OF POLICE STOPS HAPPEN 509 00:15:02,068 --> 00:15:03,568 >> A LOT OF POLICE STOPS HAPPEN EVERY YEAR, 20 MILLION OF THEM, 510 00:15:03,570 --> 00:15:04,969 EVERY YEAR, 20 MILLION OF THEM, AND MANY OF THOSE STOPS, 511 00:15:04,971 --> 00:15:06,938 AND MANY OF THOSE STOPS, MILLIONS OF THOSE STOPS, HAVE 512 00:15:06,940 --> 00:15:08,406 MILLIONS OF THOSE STOPS, HAVE NOTHING TO DO WITH TRAFFIC 513 00:15:08,408 --> 00:15:08,740 NOTHING TO DO WITH TRAFFIC SAFETY. 514 00:15:08,742 --> 00:15:10,708 SAFETY. IT'S BEEN CALLED A QUOTA 515 00:15:10,710 --> 00:15:11,376 IT'S BEEN CALLED A QUOTA CULTURE. 516 00:15:11,378 --> 00:15:13,344 CULTURE. OFFICERS ARE BEING PRESSURED TO 517 00:15:13,346 --> 00:15:14,879 OFFICERS ARE BEING PRESSURED TO GIVE TRAFFIC TICKETS, FORCED TO 518 00:15:14,881 --> 00:15:16,714 GIVE TRAFFIC TICKETS, FORCED TO MEET CERTAIN MONETARY 519 00:15:16,716 --> 00:15:17,048 MEET CERTAIN MONETARY REQUIREMENTS. 520 00:15:17,050 --> 00:15:18,816 REQUIREMENTS. >> TICKET QUOTAS ARE ILLEGAL IN 521 00:15:18,818 --> 00:15:20,018 >> TICKET QUOTAS ARE ILLEGAL IN SEVERAL STATES INCLUDING 522 00:15:20,020 --> 00:15:21,052 SEVERAL STATES INCLUDING NEW YORK, ILLINOIS, CALIFORNIA 523 00:15:21,054 --> 00:15:22,887 NEW YORK, ILLINOIS, CALIFORNIA AND FLORIDA, BUT EVEN FORMER LAW 524 00:15:22,889 --> 00:15:23,855 AND FLORIDA, BUT EVEN FORMER LAW ENFORCEMENT OFFICIALS WILL TELL 525 00:15:23,857 --> 00:15:26,391 ENFORCEMENT OFFICIALS WILL TELL YOU THEY STILL EXIST. 526 00:15:26,393 --> 00:15:27,492 YOU THEY STILL EXIST. >> COMMANDERS ASKING TROOPERS TO 527 00:15:27,494 --> 00:15:31,196 >> COMMANDERS ASKING TROOPERS TO WRITE A MINIMUM OF OFF0 TRAFFIC 528 00:15:31,198 --> 00:15:32,630 WRITE A MINIMUM OF OFF0 TRAFFIC VIOLATIONS A MONTH. 529 00:15:32,632 --> 00:15:34,032 VIOLATIONS A MONTH. ON MULTIPLE DOCUMENTS, IT SAYS 530 00:15:34,034 --> 00:15:35,733 ON MULTIPLE DOCUMENTS, IT SAYS THIS IS NOT A QUOTA. 531 00:15:35,735 --> 00:15:36,868 THIS IS NOT A QUOTA. >> IT'S MORNING RUSH HOUR AND 532 00:15:36,870 --> 00:15:38,770 >> IT'S MORNING RUSH HOUR AND YOU ARE WATCHING A CHICAGO 533 00:15:38,772 --> 00:15:40,305 YOU ARE WATCHING A CHICAGO POLICE OFFICER DRIVING THE WRONG 534 00:15:40,307 --> 00:15:42,407 POLICE OFFICER DRIVING THE WRONG WAY DOWN BUSY STREETS, DRIVING 535 00:15:42,409 --> 00:15:44,809 WAY DOWN BUSY STREETS, DRIVING IN THE DIRECT PATH OF ONCOMING 536 00:15:44,811 --> 00:15:46,878 IN THE DIRECT PATH OF ONCOMING MOTORISTS EVEN WITH NO EMERGENCY 537 00:15:46,880 --> 00:15:48,413 MOTORISTS EVEN WITH NO EMERGENCY LIGHTS AND CUTTING PEOPLE OFF 538 00:15:48,415 --> 00:15:49,514 LIGHTS AND CUTTING PEOPLE OFF WITHOUT WARNING. 539 00:15:49,516 --> 00:15:51,482 WITHOUT WARNING. THE COP BEHIND THE WHEEL ISN'T 540 00:15:51,484 --> 00:15:53,351 THE COP BEHIND THE WHEEL ISN'T CHASING A FLEEING SUSPECT, SHE'S 541 00:15:53,353 --> 00:15:55,553 CHASING A FLEEING SUSPECT, SHE'S TRYING TO BEAT MOTORISTS TO 542 00:15:55,555 --> 00:15:57,422 TRYING TO BEAT MOTORISTS TO THEIR PARKED CARS BEFORE 543 00:15:57,424 --> 00:15:58,523 THEIR PARKED CARS BEFORE 7:00 A.M. SO SHE CAN QUICKLY 544 00:15:58,525 --> 00:16:00,158 7:00 A.M. SO SHE CAN QUICKLY WRITE AS MANY TICKETS AS 545 00:16:00,160 --> 00:16:00,425 WRITE AS MANY TICKETS AS POSSIBLE. 546 00:16:00,427 --> 00:16:01,025 POSSIBLE. >> Trevor: WOW! 547 00:16:01,027 --> 00:16:02,894 >> Trevor: WOW! DID YOU SEE THAT COP? 548 00:16:02,896 --> 00:16:04,762 DID YOU SEE THAT COP? THAT WAS SO DANGEROUS. 549 00:16:04,764 --> 00:16:07,932 THAT WAS SO DANGEROUS. PEOPLE, OTHER THAN MY UBER EATS 550 00:16:07,934 --> 00:16:09,234 PEOPLE, OTHER THAN MY UBER EATS DRIVER, NOBODY SHOULD EVER DRIVE 551 00:16:09,236 --> 00:16:10,902 DRIVER, NOBODY SHOULD EVER DRIVE THE WRONG-WAY DOWN A STREET. 552 00:16:10,904 --> 00:16:13,304 THE WRONG-WAY DOWN A STREET. IT ISN'T JUST DANGEROUS. 553 00:16:13,306 --> 00:16:15,807 IT ISN'T JUST DANGEROUS. IT'S PETSY AS HELL. 554 00:16:15,809 --> 00:16:16,908 IT'S PETSY AS HELL. WHEN VIN DIESEL DRIVES LIKE 555 00:16:16,910 --> 00:16:19,210 WHEN VIN DIESEL DRIVES LIKE THIS, IT'S TO SAVE HIS FAMILY. 556 00:16:19,212 --> 00:16:21,312 THIS, IT'S TO SAVE HIS FAMILY. THIS COP IS OUT THERE, LIKE -- 557 00:16:21,314 --> 00:16:22,347 THIS COP IS OUT THERE, LIKE -- THERE'S ONLY ONE THING I'M 558 00:16:22,349 --> 00:16:23,948 THERE'S ONLY ONE THING I'M WILLING TO DIE FOR IN THIS 559 00:16:23,950 --> 00:16:26,818 WILLING TO DIE FOR IN THIS WORLD, ISSUING $30 PARKING 560 00:16:26,820 --> 00:16:27,151 WORLD, ISSUING $30 PARKING TICKETS. 561 00:16:27,153 --> 00:16:29,187 TICKETS. NOW, THE QUOTA SYSTEM IS 562 00:16:29,189 --> 00:16:30,321 NOW, THE QUOTA SYSTEM IS STICKCALLY ILLEGAL IN MULTIPLE 563 00:16:30,323 --> 00:16:31,856 STICKCALLY ILLEGAL IN MULTIPLE STATES INCLUDING FLORIDA. 564 00:16:31,858 --> 00:16:33,291 STATES INCLUDING FLORIDA. AND YOU KNOW, IF FLORIDA SAYS 565 00:16:33,293 --> 00:16:35,026 AND YOU KNOW, IF FLORIDA SAYS SOMETHING IS ILLEGAL, THEN IT'S 566 00:16:35,028 --> 00:16:37,195 SOMETHING IS ILLEGAL, THEN IT'S REALLY BAD. 567 00:16:37,197 --> 00:16:38,663 REALLY BAD. THAT'S THE ONLY STATE THAT 568 00:16:38,665 --> 00:16:40,632 THAT'S THE ONLY STATE THAT ALLOWS YOU TO ORDER A MARGARITA 569 00:16:40,634 --> 00:16:41,633 ALLOWS YOU TO ORDER A MARGARITA WITH METH ON THE RIM. 570 00:16:41,635 --> 00:16:43,601 WITH METH ON THE RIM. VERY TASTY, BY THE WAY. 571 00:16:43,603 --> 00:16:46,037 VERY TASTY, BY THE WAY. DESPITE BEING ILLEGAL, QUOTEAS 572 00:16:46,039 --> 00:16:47,972 DESPITE BEING ILLEGAL, QUOTEAS ARE STILL UNOFFICIALLY A BIG 573 00:16:47,974 --> 00:16:49,073 ARE STILL UNOFFICIALLY A BIG THING IN POLICE DEPARTMENTS 574 00:16:49,075 --> 00:16:49,841 THING IN POLICE DEPARTMENTS ACROSS THE COUNTRY. 575 00:16:49,843 --> 00:16:51,476 ACROSS THE COUNTRY. YOU MAY BE ASKING WHY ARE POLICE 576 00:16:51,478 --> 00:16:53,544 YOU MAY BE ASKING WHY ARE POLICE DEPARTMENTS SO HORNY FOR HANDING 577 00:16:53,546 --> 00:16:54,212 DEPARTMENTS SO HORNY FOR HANDING OUT TICKETS? 578 00:16:54,214 --> 00:16:55,446 OUT TICKETS? TURNS OUT IT'S FOR THE SAME 579 00:16:55,448 --> 00:16:57,048 TURNS OUT IT'S FOR THE SAME REASON EVERYTHING HAPPENS IN 580 00:16:57,050 --> 00:16:58,016 REASON EVERYTHING HAPPENS IN AMERICA, MONEY. 581 00:16:58,018 --> 00:16:59,250 AMERICA, MONEY. >> MANY CITIES PLANS THEIR 582 00:16:59,252 --> 00:17:00,885 >> MANY CITIES PLANS THEIR BUDGETS IN PART BASED ON THINGS 583 00:17:00,887 --> 00:17:03,888 BUDGETS IN PART BASED ON THINGS THAT PEOPLE DO WRONG. 584 00:17:03,890 --> 00:17:05,390 THAT PEOPLE DO WRONG. ANYWHERE BETWEEN $5 BILLION TO 585 00:17:05,392 --> 00:17:07,225 ANYWHERE BETWEEN $5 BILLION TO $7 BILLION ARE MADE EVERY YEAR 586 00:17:07,227 --> 00:17:09,460 $7 BILLION ARE MADE EVERY YEAR FROM KNOWN SPEED TRAPS 587 00:17:09,462 --> 00:17:10,561 FROM KNOWN SPEED TRAPS ARBITRARILY LOW SPEED LIMITS 588 00:17:10,563 --> 00:17:12,864 ARBITRARILY LOW SPEED LIMITS WITH HEAVY TRAFFIC ENFORCEMENT 589 00:17:12,866 --> 00:17:14,932 WITH HEAVY TRAFFIC ENFORCEMENT DESIGNED TO GENERATE TICKET 590 00:17:14,934 --> 00:17:15,767 DESIGNED TO GENERATE TICKET REVENUE. 591 00:17:15,769 --> 00:17:16,567 REVENUE. >> NEARLY 100 GEORGIA CITIES 592 00:17:16,569 --> 00:17:18,202 >> NEARLY 100 GEORGIA CITIES RELYING ON TICKET MONEY TO FUND 593 00:17:18,204 --> 00:17:20,438 RELYING ON TICKET MONEY TO FUND AT LEAST 10% OF THEIR ANNUAL 594 00:17:20,440 --> 00:17:20,705 AT LEAST 10% OF THEIR ANNUAL REVENUES. 595 00:17:20,707 --> 00:17:22,073 REVENUES. ALL OVER COLORADO, TOWNS THAT 596 00:17:22,075 --> 00:17:24,042 ALL OVER COLORADO, TOWNS THAT CITE SO MANY DRIVERS THE CASH 597 00:17:24,044 --> 00:17:26,444 CITE SO MANY DRIVERS THE CASH FLOW MAKES UP A HUGE CHUNK OF 598 00:17:26,446 --> 00:17:27,779 FLOW MAKES UP A HUGE CHUNK OF THEIR BUDGET. 599 00:17:27,781 --> 00:17:31,182 THEIR BUDGET. NONE AT 40%, MORRISON 52. 600 00:17:31,184 --> 00:17:33,017 NONE AT 40%, MORRISON 52. MOUNTAINVIEW 53. 601 00:17:33,019 --> 00:17:34,452 MOUNTAINVIEW 53. >> WASHINGTON, D.C. ISSUED 602 00:17:34,454 --> 00:17:36,087 >> WASHINGTON, D.C. ISSUED $1 BILLION IN PARKING TICKETS 603 00:17:36,089 --> 00:17:38,289 $1 BILLION IN PARKING TICKETS AND TRAFFIC TICKETS IN OVER A 604 00:17:38,291 --> 00:17:39,157 AND TRAFFIC TICKETS IN OVER A THREE-YEAR PERIOD. 605 00:17:39,159 --> 00:17:40,692 THREE-YEAR PERIOD. >> ROLLING DOWN THIS TWO-MILE 606 00:17:40,694 --> 00:17:43,761 >> ROLLING DOWN THIS TWO-MILE STRETCH OF INTERSTATE 295 IN 607 00:17:43,763 --> 00:17:45,063 STRETCH OF INTERSTATE 295 IN HOPEWELL, VIRGINIA, YOU WILL SEE 608 00:17:45,065 --> 00:17:46,631 HOPEWELL, VIRGINIA, YOU WILL SEE WHY IT'S DUBBED THE MILLION 609 00:17:46,633 --> 00:17:47,598 WHY IT'S DUBBED THE MILLION DOLLAR MILE. 610 00:17:47,600 --> 00:17:49,334 DOLLAR MILE. HOPEWELL HAS USED THIS SLIVER OF 611 00:17:49,336 --> 00:17:50,835 HOPEWELL HAS USED THIS SLIVER OF HIGHWAY THAT RUNS NOT THROUGH 612 00:17:50,837 --> 00:17:53,271 HIGHWAY THAT RUNS NOT THROUGH BUT ALONG THE TOWN'S BORDER AS 613 00:17:53,273 --> 00:17:54,572 BUT ALONG THE TOWN'S BORDER AS ITS PERSONAL CASH REGISTER FOR 614 00:17:54,574 --> 00:17:54,839 ITS PERSONAL CASH REGISTER FOR YEARS. 615 00:17:54,841 --> 00:17:58,076 YEARS. LAST YEAR HOPEWELL COLLECTED 616 00:17:58,078 --> 00:17:59,510 LAST YEAR HOPEWELL COLLECTED $1.8 MILLION FOR SPEEDING 617 00:17:59,512 --> 00:17:59,744 $1.8 MILLION FOR SPEEDING TICKETS. 618 00:17:59,746 --> 00:18:01,913 TICKETS. TRAFFIC EXPERTS SAY THERE'S NO 619 00:18:01,915 --> 00:18:03,147 TRAFFIC EXPERTS SAY THERE'S NO OVERWHELMING SAFETY ISSUE ON 620 00:18:03,149 --> 00:18:04,215 OVERWHELMING SAFETY ISSUE ON THAT STRETCH OF INTERSTATE. 621 00:18:04,217 --> 00:18:05,650 THAT STRETCH OF INTERSTATE. >> Trevor: TURNS OUT SPEEDING 622 00:18:05,652 --> 00:18:08,486 >> Trevor: TURNS OUT SPEEDING TICKETS WILL A LOT LIKE 623 00:18:08,488 --> 00:18:09,587 TICKETS WILL A LOT LIKE UPLOADING PICTURES OF YOUR FEET 624 00:18:09,589 --> 00:18:11,656 UPLOADING PICTURES OF YOUR FEET TO THE INTERNET, BRINGS A 625 00:18:11,658 --> 00:18:12,890 TO THE INTERNET, BRINGS A SURPRISINGLY LARGE AMOUNT OF 626 00:18:12,892 --> 00:18:13,091 SURPRISINGLY LARGE AMOUNT OF MONEY. 627 00:18:13,093 --> 00:18:15,193 MONEY. IT CHANGED HOW I VIEW RECKLESS 628 00:18:15,195 --> 00:18:16,394 IT CHANGED HOW I VIEW RECKLESS DRIVING WHEN I LEARNED ABOUT 629 00:18:16,396 --> 00:18:16,828 DRIVING WHEN I LEARNED ABOUT THIS. 630 00:18:16,830 --> 00:18:18,896 THIS. WHEN I SEE SOMEONE DRIVING 18 IN 631 00:18:18,898 --> 00:18:21,833 WHEN I SEE SOMEONE DRIVING 18 IN A SCHOOL ZONE, I THINK, WOW, 632 00:18:21,835 --> 00:18:22,967 A SCHOOL ZONE, I THINK, WOW, THAT PERSON LIKES TO GIVE BACK 633 00:18:22,969 --> 00:18:24,569 THAT PERSON LIKES TO GIVE BACK TO THE COMMUNITY. 634 00:18:24,571 --> 00:18:24,869 TO THE COMMUNITY. IMPRESSIVE. 635 00:18:24,871 --> 00:18:25,570 IMPRESSIVE. WHEN YOU CONSIDER SOME OF THE 636 00:18:25,572 --> 00:18:27,305 WHEN YOU CONSIDER SOME OF THE TOWNS ARE MAKING THEIR ENTIRE 637 00:18:27,307 --> 00:18:28,606 TOWNS ARE MAKING THEIR ENTIRE BUDGET OFF THESE TICKETS, IT 638 00:18:28,608 --> 00:18:30,375 BUDGET OFF THESE TICKETS, IT GIVES US A GOOD ANSWER TO THAT 639 00:18:30,377 --> 00:18:32,009 GIVES US A GOOD ANSWER TO THAT FIRST QUESTION THAT COPS ALWAYS 640 00:18:32,011 --> 00:18:33,344 FIRST QUESTION THAT COPS ALWAYS ASK -- SIR, DO YOU KNOW WHY I 641 00:18:33,346 --> 00:18:34,312 ASK -- SIR, DO YOU KNOW WHY I PULLED YOU OVER? 642 00:18:34,314 --> 00:18:36,748 PULLED YOU OVER? YEAH, BECAUSE YOUR TOWN IS BROKE 643 00:18:36,750 --> 00:18:38,015 YEAH, BECAUSE YOUR TOWN IS BROKE AS (~BLEEP~). 644 00:18:38,017 --> 00:18:39,350 AS (~BLEEP~). YOU SHOULD TRY IT WITH THE COPS. 645 00:18:39,352 --> 00:18:41,986 YOU SHOULD TRY IT WITH THE COPS. LET ME KNOW HOW IT GOES. 646 00:18:41,988 --> 00:18:43,287 LET ME KNOW HOW IT GOES. CONGRATS TO THE TOWNS. 647 00:18:43,289 --> 00:18:44,822 CONGRATS TO THE TOWNS. I GUESS THEY FOUND WAY TO 648 00:18:44,824 --> 00:18:45,656 I GUESS THEY FOUND WAY TO SQUEEZE MONEY OUT TO HAVE THE 649 00:18:45,658 --> 00:18:48,292 SQUEEZE MONEY OUT TO HAVE THE PEOPLE WHO MADE THE UNFORGIVABLE 650 00:18:48,294 --> 00:18:48,826 PEOPLE WHO MADE THE UNFORGIVABLE MISTAKE OF DRIVING. 651 00:18:48,828 --> 00:18:50,628 MISTAKE OF DRIVING. IT'S NOT JUST ABOUT SAFETY, IT'S 652 00:18:50,630 --> 00:18:51,763 IT'S NOT JUST ABOUT SAFETY, IT'S ABOUT MAKING THE MONEY. 653 00:18:51,765 --> 00:18:54,065 ABOUT MAKING THE MONEY. BUT IT TURNS OUT THE COPS 654 00:18:54,067 --> 00:18:55,400 BUT IT TURNS OUT THE COPS RESPONSIBLE FOR HANDING OUT ALL 655 00:18:55,402 --> 00:18:56,834 RESPONSIBLE FOR HANDING OUT ALL OF THESE TICKETS, THEY AREN'T 656 00:18:56,836 --> 00:18:58,469 OF THESE TICKETS, THEY AREN'T CELEBRATING BECAUSE THE TRUTH IS 657 00:18:58,471 --> 00:19:01,205 CELEBRATING BECAUSE THE TRUTH IS THEY'D RATHER BE DOING ANYTHING 658 00:19:01,207 --> 00:19:01,639 THEY'D RATHER BE DOING ANYTHING ELSE. 659 00:19:01,641 --> 00:19:02,740 ELSE. >> MOST POLICE OFFICERS DON'T 660 00:19:02,742 --> 00:19:04,575 >> MOST POLICE OFFICERS DON'T WANT TO BE HANDING OUT TICKETS 661 00:19:04,577 --> 00:19:06,043 WANT TO BE HANDING OUT TICKETS ALL DAY LONG. 662 00:19:06,045 --> 00:19:06,778 ALL DAY LONG. >> THEY'RE SAYING THIS IS NOT 663 00:19:06,780 --> 00:19:08,279 >> THEY'RE SAYING THIS IS NOT WHY WE GOT INTO POLICING. 664 00:19:08,281 --> 00:19:10,214 WHY WE GOT INTO POLICING. WE GOT INTO POLICING NOT TO 665 00:19:10,216 --> 00:19:11,382 WE GOT INTO POLICING NOT TO WRITE A CERTAIN NUMBER OF 666 00:19:11,384 --> 00:19:13,818 WRITE A CERTAIN NUMBER OF TICKETS AND RAISE REVENUE BUT WE 667 00:19:13,820 --> 00:19:16,320 TICKETS AND RAISE REVENUE BUT WE GOT INTO POLICING TO PROTECT AND 668 00:19:16,322 --> 00:19:16,754 GOT INTO POLICING TO PROTECT AND SERVE. 669 00:19:16,756 --> 00:19:17,355 SERVE. >> NO POLICE OFFICER'S HAND 670 00:19:17,357 --> 00:19:18,456 >> NO POLICE OFFICER'S HAND SHOULD BE FORCED TO WRITE A 671 00:19:18,458 --> 00:19:20,324 SHOULD BE FORCED TO WRITE A CERTAIN AMOUNT OF SUMMONSES. 672 00:19:20,326 --> 00:19:21,993 CERTAIN AMOUNT OF SUMMONSES. >> YOU WIND UP WITH LESS 673 00:19:21,995 --> 00:19:23,661 >> YOU WIND UP WITH LESS CONFIDENCE IN YOUR LOCAL LAW 674 00:19:23,663 --> 00:19:24,429 CONFIDENCE IN YOUR LOCAL LAW ENFORCEMENT AGENCY, DETERIORATE 675 00:19:24,431 --> 00:19:25,430 ENFORCEMENT AGENCY, DETERIORATE THE RELATIONSHIP BETWEEN YOUR 676 00:19:25,432 --> 00:19:26,531 THE RELATIONSHIP BETWEEN YOUR CITIZENS AND THE POLICE 677 00:19:26,533 --> 00:19:26,831 CITIZENS AND THE POLICE DEPARTMENT. 678 00:19:26,833 --> 00:19:27,698 DEPARTMENT. >> STATE POLICE CHIEF SAYS 679 00:19:27,700 --> 00:19:32,937 >> STATE POLICE CHIEF SAYS SAFETY OF HIS CITIZENS IS AT 680 00:19:32,939 --> 00:19:33,938 SAFETY OF HIS CITIZENS IS AT AT-RISK BECAUSE THE CITY WANTS 681 00:19:33,940 --> 00:19:36,808 AT-RISK BECAUSE THE CITY WANTS HIM TO FOCUS ON TRAFFIC TICKETS 682 00:19:36,810 --> 00:19:38,409 HIM TO FOCUS ON TRAFFIC TICKETS MORE THAN INVESTIGATING CRIMES. 683 00:19:38,411 --> 00:19:39,944 MORE THAN INVESTIGATING CRIMES. >> THE PROBLEM IS IF YOU'RE 684 00:19:39,946 --> 00:19:41,112 >> THE PROBLEM IS IF YOU'RE GOING TO WRITE THAT MANY 685 00:19:41,114 --> 00:19:42,980 GOING TO WRITE THAT MANY TICKETS, IT'S GOING TO TAKE YOUR 686 00:19:42,982 --> 00:19:43,614 TICKETS, IT'S GOING TO TAKE YOUR WHOLE DAY. 687 00:19:43,616 --> 00:19:45,183 WHOLE DAY. I'M HERE TO RUN A POLICE 688 00:19:45,185 --> 00:19:46,617 I'M HERE TO RUN A POLICE DEPARTMENT, NOT MAKE MONEY. 689 00:19:46,619 --> 00:19:47,452 DEPARTMENT, NOT MAKE MONEY. >> Trevor: THAT'S RIGHT, THE 690 00:19:47,454 --> 00:19:49,320 >> Trevor: THAT'S RIGHT, THE COPS DIDN'T GET INTO POLICING TO 691 00:19:49,322 --> 00:19:52,290 COPS DIDN'T GET INTO POLICING TO TICKET PEOPLE, THEY GOT INTO IT 692 00:19:52,292 --> 00:19:54,125 TICKET PEOPLE, THEY GOT INTO IT SO EVERY FEW MONTHS THAT COULD 693 00:19:54,127 --> 00:19:55,793 SO EVERY FEW MONTHS THAT COULD THROW THEIR BADGE AND GUN ON A 694 00:19:55,795 --> 00:19:56,727 THROW THEIR BADGE AND GUN ON A CHIEF'S DESK. 695 00:19:56,729 --> 00:19:58,196 CHIEF'S DESK. BELL IF IF THE MAYOR DOESN'T 696 00:19:58,198 --> 00:20:00,264 BELL IF IF THE MAYOR DOESN'T THINK THIS CASE IS WORTH 697 00:20:00,266 --> 00:20:01,933 THINK THIS CASE IS WORTH PURSUING, I'LL SOLVE IT MYSELF! 698 00:20:01,935 --> 00:20:03,968 PURSUING, I'LL SOLVE IT MYSELF! I'LL FIND THE BASTARD WHO STOLE 699 00:20:03,970 --> 00:20:06,037 I'LL FIND THE BASTARD WHO STOLE MY LEFTOVERS FROM THE OFFICE 700 00:20:06,039 --> 00:20:07,238 MY LEFTOVERS FROM THE OFFICE FRIDGE! 701 00:20:07,240 --> 00:20:08,372 FRIDGE! SERIOUSLY, THERE ARE A LOT OF 702 00:20:08,374 --> 00:20:11,142 SERIOUSLY, THERE ARE A LOT OF POLICE OUT THERE-WEEK-OLD SPEND 703 00:20:11,144 --> 00:20:12,643 POLICE OUT THERE-WEEK-OLD SPEND THEIR TIME MAKING THEIR 704 00:20:12,645 --> 00:20:14,512 THEIR TIME MAKING THEIR COMMUNITY SAFER AND THEY KNOW 705 00:20:14,514 --> 00:20:15,580 COMMUNITY SAFER AND THEY KNOW TICKETING RANDOM PEOPLE EVERY 706 00:20:15,582 --> 00:20:17,248 TICKETING RANDOM PEOPLE EVERY DAY DOESN'T ACTUALLY DO THAT. 707 00:20:17,250 --> 00:20:18,583 DAY DOESN'T ACTUALLY DO THAT. BATMAN WOULD NEVER CATCH THE 708 00:20:18,585 --> 00:20:20,618 BATMAN WOULD NEVER CATCH THE JOKER IF PEOPLE KEPT TURNING ON 709 00:20:20,620 --> 00:20:22,320 JOKER IF PEOPLE KEPT TURNING ON THE BAT SIGNAL BECAUSE SOMEONE 710 00:20:22,322 --> 00:20:23,955 THE BAT SIGNAL BECAUSE SOMEONE PARKED IN A HANDICAPPED SPOT. 711 00:20:23,957 --> 00:20:25,356 PARKED IN A HANDICAPPED SPOT. AND YOU MIGHT THINK, WELL, OKAY, 712 00:20:25,358 --> 00:20:26,691 AND YOU MIGHT THINK, WELL, OKAY, IF THE POLICE DON'T WANT TO 713 00:20:26,693 --> 00:20:27,992 IF THE POLICE DON'T WANT TO WRITE AS MANY TICKETS, THEY 714 00:20:27,994 --> 00:20:28,826 WRITE AS MANY TICKETS, THEY SHOULDN'T DO IT. 715 00:20:28,828 --> 00:20:30,294 SHOULDN'T DO IT. THESE ARE THE POLICE, RIGHT? 716 00:20:30,296 --> 00:20:31,662 THESE ARE THE POLICE, RIGHT? DON'T THEY DO WHATEVER THEY 717 00:20:31,664 --> 00:20:31,863 DON'T THEY DO WHATEVER THEY WANT? 718 00:20:31,865 --> 00:20:32,830 WANT? THAT'S USUALLY THE CASE. 719 00:20:32,832 --> 00:20:37,201 THAT'S USUALLY THE CASE. WHEN IT COMES TO THE QUOTEAS, IF 720 00:20:37,203 --> 00:20:38,870 WHEN IT COMES TO THE QUOTEAS, IF INDIVIDUAL COPS DON'T PLAY BALL, 721 00:20:38,872 --> 00:20:40,738 INDIVIDUAL COPS DON'T PLAY BALL, IT'S THEIR AS ON THE LINE. 722 00:20:40,740 --> 00:20:43,241 IT'S THEIR AS ON THE LINE. >> THE LOCAL COPS DON SEE HOW 723 00:20:43,243 --> 00:20:45,409 >> THE LOCAL COPS DON SEE HOW QUOTAS ARE ENFORCED ON THE 724 00:20:45,411 --> 00:20:45,710 QUOTAS ARE ENFORCED ON THE BACKGROUNDS. 725 00:20:45,712 --> 00:20:46,611 BACKGROUNDS. THEY'RE ENFORCED ON THE BACK OF 726 00:20:46,613 --> 00:20:47,545 THEY'RE ENFORCED ON THE BACK OF POLICE OFFICER ALSO. 727 00:20:47,547 --> 00:20:49,614 POLICE OFFICER ALSO. >> IN WILLIAMSBURG A SUPERVISOR 728 00:20:49,616 --> 00:20:51,616 >> IN WILLIAMSBURG A SUPERVISOR TELLS HIS TEAM FOUR TO TEN 729 00:20:51,618 --> 00:20:53,150 TELLS HIS TEAM FOUR TO TEN TICKETS A WEEK IS UNACCEPTABLE. 730 00:20:53,152 --> 00:20:54,886 TICKETS A WEEK IS UNACCEPTABLE. HE SAYS THE ENFORCEMENT NUMBERS 731 00:20:54,888 --> 00:20:56,754 HE SAYS THE ENFORCEMENT NUMBERS ARE PITIFUL AND HINTED POSSIBLE 732 00:20:56,756 --> 00:20:58,422 ARE PITIFUL AND HINTED POSSIBLE LOWER EVALUATIONS. 733 00:20:58,424 --> 00:20:59,457 LOWER EVALUATIONS. >> POLICE OFFICERS SAY EVERY 734 00:20:59,459 --> 00:21:01,359 >> POLICE OFFICERS SAY EVERY WEEK THE NUMBER OF TICKETS THEY 735 00:21:01,361 --> 00:21:02,894 WEEK THE NUMBER OF TICKETS THEY WRITE IS POSTED FOR EVERYONE ON 736 00:21:02,896 --> 00:21:04,095 WRITE IS POSTED FOR EVERYONE ON THEIR SHIFT TO SEE AND AN 737 00:21:04,097 --> 00:21:04,962 THEIR SHIFT TO SEE AND AN AVERAGE GIVEN. 738 00:21:04,964 --> 00:21:06,731 AVERAGE GIVEN. IF AN OFFICER FALLS BELOW THE 739 00:21:06,733 --> 00:21:08,666 IF AN OFFICER FALLS BELOW THE AVERAGE NUMBER OF CITATIONS, 740 00:21:08,668 --> 00:21:10,234 AVERAGE NUMBER OF CITATIONS, THEY SUFFER THE CONSEQUENCES. 741 00:21:10,236 --> 00:21:11,969 THEY SUFFER THE CONSEQUENCES. >> I WAS THREATENED THE LAST 742 00:21:11,971 --> 00:21:13,838 >> I WAS THREATENED THE LAST WEEK THAT IF I DON'T GET MY 743 00:21:13,840 --> 00:21:17,141 WEEK THAT IF I DON'T GET MY NUMBERS UP, THEN A SERIES OF 744 00:21:17,143 --> 00:21:18,109 NUMBERS UP, THEN A SERIES OF PUNISHMENTS WILL HAPPEN. 745 00:21:18,111 --> 00:21:19,677 PUNISHMENTS WILL HAPPEN. >> IF YOU DIDN'T GET THE NUMBER 746 00:21:19,679 --> 00:21:20,878 >> IF YOU DIDN'T GET THE NUMBER OF TICKETS HE WANTED, IF YOU 747 00:21:20,880 --> 00:21:23,180 OF TICKETS HE WANTED, IF YOU DIDN'T GET THE 100 CONTACTS, YOU 748 00:21:23,182 --> 00:21:25,016 DIDN'T GET THE 100 CONTACTS, YOU GET MANDATORY OVERTIME, YOU GET 749 00:21:25,018 --> 00:21:25,583 GET MANDATORY OVERTIME, YOU GET WRITTEN UP. 750 00:21:25,585 --> 00:21:26,350 WRITTEN UP. >> A SUPERVISOR LAST YEAR 751 00:21:26,352 --> 00:21:28,286 >> A SUPERVISOR LAST YEAR TELLING HIS OFFICERS THAT THE 752 00:21:28,288 --> 00:21:29,754 TELLING HIS OFFICERS THAT THE BOTTOM TWO PERFORMERS WOULD 753 00:21:29,756 --> 00:21:31,689 BOTTOM TWO PERFORMERS WOULD DRIVE A POOL CAR, MEANING A 754 00:21:31,691 --> 00:21:32,123 DRIVE A POOL CAR, MEANING A CLUNKER. 755 00:21:32,125 --> 00:21:33,958 CLUNKER. THIS OTHER OFFICER GETTING HIS 756 00:21:33,960 --> 00:21:35,760 THIS OTHER OFFICER GETTING HIS RADAR GUN TAKEN AWAY FOR NOT 757 00:21:35,762 --> 00:21:36,561 RADAR GUN TAKEN AWAY FOR NOT WRITING ENOUGH TICKETS. 758 00:21:36,563 --> 00:21:37,828 WRITING ENOUGH TICKETS. >> Trevor: THAT'S HOW HARD 759 00:21:37,830 --> 00:21:39,163 >> Trevor: THAT'S HOW HARD THEY PRESSURE THE COPS. 760 00:21:39,165 --> 00:21:41,232 THEY PRESSURE THE COPS. IF YOU DON'T WRITE ENOUGH 761 00:21:41,234 --> 00:21:42,867 IF YOU DON'T WRITE ENOUGH TICKETS, THEY'LL EVEN TAKE AWAY 762 00:21:42,869 --> 00:21:44,402 TICKETS, THEY'LL EVEN TAKE AWAY YOUR RADAR GUN. 763 00:21:44,404 --> 00:21:45,937 YOUR RADAR GUN. WHICH MEANS YOU HAVE TO 764 00:21:45,939 --> 00:21:51,509 WHICH MEANS YOU HAVE TO CALCULATE A CAR'S SPEED IN YOUR 765 00:21:51,511 --> 00:21:52,410 CALCULATE A CAR'S SPEED IN YOUR HEAD. 766 00:21:52,412 --> 00:21:53,711 HEAD. ZOOM! 767 00:21:53,713 --> 00:21:54,011 ZOOM! 150? 768 00:21:54,013 --> 00:21:56,547 150? IT SHOWS YOU THE QUOTA SYSTEM IS 769 00:21:56,549 --> 00:21:57,815 IT SHOWS YOU THE QUOTA SYSTEM IS UNFAIR TO POLICE, TOO. 770 00:21:57,817 --> 00:22:00,117 UNFAIR TO POLICE, TOO. THE COPS CAN'T EVEN PROTEST THIS 771 00:22:00,119 --> 00:22:01,419 THE COPS CAN'T EVEN PROTEST THIS BECAUSE EVERY TIME THEY TRY, 772 00:22:01,421 --> 00:22:03,821 BECAUSE EVERY TIME THEY TRY, THEY JUST BEAT THEMSELVES UP OUT 773 00:22:03,823 --> 00:22:04,822 THEY JUST BEAT THEMSELVES UP OUT OF HABIT. 774 00:22:04,824 --> 00:22:06,891 OF HABIT. HERE'S THE IMPORTANT THING ABOUT 775 00:22:06,893 --> 00:22:08,659 HERE'S THE IMPORTANT THING ABOUT THE QUOTA SYSTEM IS THAT NO ONE 776 00:22:08,661 --> 00:22:09,627 THE QUOTA SYSTEM IS THAT NO ONE LIKES IT. 777 00:22:09,629 --> 00:22:11,162 LIKES IT. EVERYONE, THE POLICE DON'T LIKE 778 00:22:11,164 --> 00:22:12,797 EVERYONE, THE POLICE DON'T LIKE IT, THE POLICE UNIONS DON'T LIKE 779 00:22:12,799 --> 00:22:14,298 IT, THE POLICE UNIONS DON'T LIKE IT, LIBERALS DON'T LIKE IT, 780 00:22:14,300 --> 00:22:15,967 IT, LIBERALS DON'T LIKE IT, BLACK LIVES MATTER DOESN'T LIKE 781 00:22:15,969 --> 00:22:18,035 BLACK LIVES MATTER DOESN'T LIKE IT, MINORITIES, THEY ALL WANT 782 00:22:18,037 --> 00:22:18,502 IT, MINORITIES, THEY ALL WANT THE SYSTEM GONE. 783 00:22:18,504 --> 00:22:19,937 THE SYSTEM GONE. IT'S ONE TO HAVE THE RARE AREAS 784 00:22:19,939 --> 00:22:21,672 IT'S ONE TO HAVE THE RARE AREAS IN LIFE WHERE EVERYONE WANTS THE 785 00:22:21,674 --> 00:22:23,874 IN LIFE WHERE EVERYONE WANTS THE SAME REFORM, LIKE HOW WE ALL 786 00:22:23,876 --> 00:22:25,209 SAME REFORM, LIKE HOW WE ALL AGREE WE SHOULDN'T HAVE TO SIGN 787 00:22:25,211 --> 00:22:26,944 AGREE WE SHOULDN'T HAVE TO SIGN THE CREDIT CARD MACHINE WHEN WE 788 00:22:26,946 --> 00:22:28,245 THE CREDIT CARD MACHINE WHEN WE USE TOUCHLESS PAYING. 789 00:22:28,247 --> 00:22:30,348 USE TOUCHLESS PAYING. IT'S TOUCHLESS, WHY AM I 790 00:22:30,350 --> 00:22:33,417 IT'S TOUCHLESS, WHY AM I GRABBING THE SAME PLASTIC PEN 791 00:22:33,419 --> 00:22:38,789 GRABBING THE SAME PLASTIC PEN THAT EVERYONE ELSE IN THE CVS 792 00:22:38,791 --> 00:22:40,758 THAT EVERYONE ELSE IN THE CVS HANDLED WITH THEIR HANDS? 793 00:22:40,760 --> 00:22:42,827 HANDLED WITH THEIR HANDS? THE QUOTA SYSTEM ISN'T GOING 794 00:22:42,829 --> 00:22:45,262 THE QUOTA SYSTEM ISN'T GOING ANYWHERE UNLESS THERE'S ANOTHER 795 00:22:45,264 --> 00:22:46,764 ANYWHERE UNLESS THERE'S ANOTHER WAY FOR THE POLICE TO MAKE 796 00:22:46,766 --> 00:22:47,098 WAY FOR THE POLICE TO MAKE MONEY. 797 00:22:47,100 --> 00:22:48,399 MONEY. I THINK WE MAY HAVE FOUND IT. 798 00:22:48,401 --> 00:22:51,302 I THINK WE MAY HAVE FOUND IT. >> AMERICANS ARE TIRED OF TICKET 799 00:22:51,304 --> 00:22:52,937 >> AMERICANS ARE TIRED OF TICKET QUOTEAS THAT GET THEM PULLED 800 00:22:52,939 --> 00:22:53,838 QUOTEAS THAT GET THEM PULLED OVER AND SHOT. 801 00:22:53,840 --> 00:22:55,006 OVER AND SHOT. ISN'T THERE A BETTER WAY FOR 802 00:22:55,008 --> 00:22:58,676 ISN'T THERE A BETTER WAY FOR POLICE TO MAKE MONEY FOR KRONKLY 803 00:22:58,678 --> 00:22:59,610 POLICE TO MAKE MONEY FOR KRONKLY UNDERFUNDED CITIES? 804 00:22:59,612 --> 00:23:01,278 UNDERFUNDED CITIES? INTRODUCING UBER BLUE, THE NEW 805 00:23:01,280 --> 00:23:03,214 INTRODUCING UBER BLUE, THE NEW RIDE SHARE APP THAT TAKES YOU TO 806 00:23:03,216 --> 00:23:05,516 RIDE SHARE APP THAT TAKES YOU TO YOUR DESTINATION IN A POLICE 807 00:23:05,518 --> 00:23:05,750 YOUR DESTINATION IN A POLICE CRUISER. 808 00:23:05,752 --> 00:23:07,718 CRUISER. OUR CRUISERS HAVE A COMFORTABLE 809 00:23:07,720 --> 00:23:10,021 OUR CRUISERS HAVE A COMFORTABLE BACKSEAT AND CAN LEGALLY RUN RED 810 00:23:10,023 --> 00:23:10,988 BACKSEAT AND CAN LEGALLY RUN RED LIGHTS, STOP SIGNS AND 811 00:23:10,990 --> 00:23:12,490 LIGHTS, STOP SIGNS AND ELEMENTARY SCHOOL CROSSINGS. 812 00:23:12,492 --> 00:23:14,592 ELEMENTARY SCHOOL CROSSINGS. WITH UBER BLUE POOL, YOU CAN PAY 813 00:23:14,594 --> 00:23:16,127 WITH UBER BLUE POOL, YOU CAN PAY LESS IF YOU SHARE YOUR RIDE WITH 814 00:23:16,129 --> 00:23:17,662 LESS IF YOU SHARE YOUR RIDE WITH A HARDENED CRIMINAL BEING SENT 815 00:23:17,664 --> 00:23:18,829 A HARDENED CRIMINAL BEING SENT TO LOCKUP. 816 00:23:18,831 --> 00:23:20,598 TO LOCKUP. AT UBER BLUE, SAFETY IS 817 00:23:20,600 --> 00:23:22,166 AT UBER BLUE, SAFETY IS PARAMOUNT AND WE'RE PROUD TO 818 00:23:22,168 --> 00:23:24,769 PARAMOUNT AND WE'RE PROUD TO ANNOUNCE THAT 92% OF OUR RIDES 819 00:23:24,771 --> 00:23:26,203 ANNOUNCE THAT 92% OF OUR RIDES DO NOT END WITH A PASSENGERS 820 00:23:26,205 --> 00:23:28,739 DO NOT END WITH A PASSENGERS BEING SAVAGE PLI BEATEN BY THE 821 00:23:28,741 --> 00:23:30,274 BEING SAVAGE PLI BEATEN BY THE POLICE. 822 00:23:30,276 --> 00:23:31,909 POLICE. >> STEEL BEATS TAKING THE BUS. 823 00:23:31,911 --> 00:23:33,778 >> STEEL BEATS TAKING THE BUS. >> WHAT ARE YOU WAITING FOR? 824 00:23:33,780 --> 00:23:36,514 >> WHAT ARE YOU WAITING FOR? DOWNLOAD UBER PLU NOW AND USE 825 00:23:36,516 --> 00:23:38,683 DOWNLOAD UBER PLU NOW AND USE CODE BLUE RIDES MATTER FOR 20% 826 00:23:38,685 --> 00:23:41,118 CODE BLUE RIDES MATTER FOR 20% OFF YOUR FIRST TRIP. 827 00:23:41,120 --> 00:23:43,721 OFF YOUR FIRST TRIP. UBER BLUE, YOU HAVE THE RIGHT TO 828 00:23:43,723 --> 00:23:44,522 UBER BLUE, YOU HAVE THE RIGHT TO REMAIN COMFORTABLE. 829 00:23:44,524 --> 00:23:46,791 REMAIN COMFORTABLE. >> OH, MY RIDE'S HERE. 830 00:23:46,793 --> 00:23:50,127 >> OH, MY RIDE'S HERE. I DIDN'T HAVE FOR A RIDE. 831 00:23:50,129 --> 00:23:52,163 I DIDN'T HAVE FOR A RIDE. >> Trevor: WHEN WE COME BACK, 832 00:23:52,165 --> 00:23:53,497 >> Trevor: WHEN WE COME BACK, TAMRON HALL IS ON THE SHOW TO 833 00:23:53,499 --> 00:23:54,965 TAMRON HALL IS ON THE SHOW TO DISCUSS HER NEW NOVEL ABOUT 834 00:23:54,967 --> 00:23:56,167 DISCUSS HER NEW NOVEL ABOUT WHICH MISSING GIRLS GET COVERED 835 00:23:56,169 --> 00:23:57,735 WHICH MISSING GIRLS GET COVERED BY THE NEWS AND WHICH ONES 836 00:23:57,737 --> 00:23:57,935 BY THE NEWS AND WHICH ONES DON'T. 837 00:23:57,937 --> 00:23:58,903 DON'T. DON'T GO AWAY. 838 00:24:00,506 --> 00:24:01,305 revor: Welcome bae Daily Show." 839 00:24:01,307 --> 00:24:02,173 Daily Show." My guest tonight is Emmy 840 00:24:02,175 --> 00:24:03,774 My guest tonight is Emmy award-winning television host 841 00:24:03,776 --> 00:24:04,442 award-winning television host Journalist and author, Tamron 842 00:24:04,444 --> 00:24:04,976 Journalist and author, Tamron Hall. 843 00:24:04,978 --> 00:24:06,210 Hall. She's here to talk about her new 844 00:24:06,212 --> 00:24:07,612 She's here to talk about her new book, a crime thriller that 845 00:24:07,614 --> 00:24:09,113 book, a crime thriller that shines a light on the lack of 846 00:24:09,115 --> 00:24:11,048 shines a light on the lack of media coverage when young Black 847 00:24:11,050 --> 00:24:14,151 media coverage when young Black children go missing. 848 00:24:14,153 --> 00:24:15,353 children go missing. Tamron Hall, welcome to "The 849 00:24:15,355 --> 00:24:16,020 Tamron Hall, welcome to "The Daily Show." 850 00:24:16,022 --> 00:24:16,554 Daily Show." >> GREAT TO BE HERE. 851 00:24:16,556 --> 00:24:17,955 >> GREAT TO BE HERE. I LOVE YOUR NEW HOME. 852 00:24:17,957 --> 00:24:19,290 I LOVE YOUR NEW HOME. >> Trevor: IT'S NICE. 853 00:24:19,292 --> 00:24:19,724 >> Trevor: IT'S NICE. >> VERY LOVELY. 854 00:24:19,726 --> 00:24:21,359 >> VERY LOVELY. >> Trevor: IT'S LIKE A LITTLE 855 00:24:21,361 --> 00:24:22,660 >> Trevor: IT'S LIKE A LITTLE VIBE TO GET OUT TO HAVE THE 856 00:24:22,662 --> 00:24:23,861 VIBE TO GET OUT TO HAVE THE HOUSE THEN WE SEE WHERE THE 857 00:24:23,863 --> 00:24:24,962 HOUSE THEN WE SEE WHERE THE WORLD TAKES US. 858 00:24:24,964 --> 00:24:26,931 WORLD TAKES US. CONGRATULATIONS ON YOUR, NOT NEW 859 00:24:26,933 --> 00:24:28,799 CONGRATULATIONS ON YOUR, NOT NEW HOME BUT FEELS FLU BECAUSE THE 860 00:24:28,801 --> 00:24:30,334 HOME BUT FEELS FLU BECAUSE THE PANDEMIC CAME IN THE MIDDLE OF 861 00:24:30,336 --> 00:24:31,769 PANDEMIC CAME IN THE MIDDLE OF YOU STARTING A NEW SHOW. 862 00:24:31,771 --> 00:24:32,036 YOU STARTING A NEW SHOW. >> YEAH. 863 00:24:32,038 --> 00:24:33,404 >> YEAH. >> Trevor: YET, DESPITE ALL OF 864 00:24:33,406 --> 00:24:35,273 >> Trevor: YET, DESPITE ALL OF THAT, YOU HAVE JUST BEEN ON A 865 00:24:35,275 --> 00:24:36,574 THAT, YOU HAVE JUST BEEN ON A RISE. 866 00:24:36,576 --> 00:24:36,941 RISE. CONGRATULATIONS. 867 00:24:36,943 --> 00:24:37,308 CONGRATULATIONS. >> THANK YOU. 868 00:24:37,310 --> 00:24:38,342 >> THANK YOU. IT'S BEEN SURREAL. 869 00:24:38,344 --> 00:24:40,678 IT'S BEEN SURREAL. WE HAD THREE MONTHS IN OUR NEW 870 00:24:40,680 --> 00:24:42,213 WE HAD THREE MONTHS IN OUR NEW STUDIO KICKING OFF SEASON ONE. 871 00:24:42,215 --> 00:24:44,348 STUDIO KICKING OFF SEASON ONE. I ENDED UP IN THE BASEMENT OF MY 872 00:24:44,350 --> 00:24:46,317 I ENDED UP IN THE BASEMENT OF MY HOME WITH MY SON UPSTAIRS AND MY 873 00:24:46,319 --> 00:24:47,952 HOME WITH MY SON UPSTAIRS AND MY HUSBAND WITH AN iPad TRYING 874 00:24:47,954 --> 00:24:49,153 HUSBAND WITH AN iPad TRYING TO DO THE SHOW. 875 00:24:49,155 --> 00:24:51,656 TO DO THE SHOW. NOW WE'RE BACK IN STUDIO SEASON 876 00:24:51,658 --> 00:24:53,324 NOW WE'RE BACK IN STUDIO SEASON 3, OUR LIVE AUDIENCE IS BACK AND 877 00:24:53,326 --> 00:24:54,959 3, OUR LIVE AUDIENCE IS BACK AND THE VIBE IS SLOWLY RETURNING BUT 878 00:24:54,961 --> 00:24:57,495 THE VIBE IS SLOWLY RETURNING BUT IT'S A NEW WORLD, IT'S A NEW TV 879 00:24:57,497 --> 00:25:00,698 IT'S A NEW WORLD, IT'S A NEW TV LANDSCAPE AND WE FEEL IT. 880 00:25:00,700 --> 00:25:02,133 LANDSCAPE AND WE FEEL IT. >> Trevor: ONE OF THE THINGS 881 00:25:02,135 --> 00:25:03,501 >> Trevor: ONE OF THE THINGS ABOUT DOING THE SHOW ESPECIALLY 882 00:25:03,503 --> 00:25:05,369 ABOUT DOING THE SHOW ESPECIALLY DAILY IS YOU'RE BUILDING AN 883 00:25:05,371 --> 00:25:06,237 DAILY IS YOU'RE BUILDING AN AUDIENCE, YOU'RE BUILDING A 884 00:25:06,239 --> 00:25:07,004 AUDIENCE, YOU'RE BUILDING A CONNECTION WITH PEOPLE. 885 00:25:07,006 --> 00:25:08,940 CONNECTION WITH PEOPLE. YOU JUST HAD THREE MONTHS, NEXT 886 00:25:08,942 --> 00:25:09,774 YOU JUST HAD THREE MONTHS, NEXT THING A PANDEMIC. 887 00:25:09,776 --> 00:25:11,208 THING A PANDEMIC. WAS THERE A PASSIONATE OF YOU 888 00:25:11,210 --> 00:25:12,810 WAS THERE A PASSIONATE OF YOU THAT WAS, LIKE, COULD THIS BE 889 00:25:12,812 --> 00:25:14,879 THAT WAS, LIKE, COULD THIS BE THE THING THAT TAKES EVERYTHING 890 00:25:14,881 --> 00:25:15,146 THE THING THAT TAKES EVERYTHING OFFCOURSE? 891 00:25:15,148 --> 00:25:17,181 OFFCOURSE? WAS THERE A MOMENT YOU WERE 892 00:25:17,183 --> 00:25:17,582 WAS THERE A MOMENT YOU WERE WORRIED? 893 00:25:17,584 --> 00:25:19,784 WORRIED? >> NOT IN THE SENSE OF MY SHOW 894 00:25:19,786 --> 00:25:21,519 >> NOT IN THE SENSE OF MY SHOW BECAUSE I THOUGHT WHAT ARE THEY 895 00:25:21,521 --> 00:25:22,420 BECAUSE I THOUGHT WHAT ARE THEY GOING TO PUT THERE? 896 00:25:22,422 --> 00:25:23,688 GOING TO PUT THERE? WHAT ARE YOUR OPTIONS? 897 00:25:23,690 --> 00:25:24,255 WHAT ARE YOUR OPTIONS? GOOD LUCK WITH THAT. 898 00:25:24,257 --> 00:25:25,923 GOOD LUCK WITH THAT. >> Trevor: IT'S A PANDEMIC, 899 00:25:25,925 --> 00:25:26,157 >> Trevor: IT'S A PANDEMIC, PEOPLE. 900 00:25:26,159 --> 00:25:27,658 PEOPLE. >> YOU GOING TO SHOP FOR A NEW 901 00:25:27,660 --> 00:25:28,826 >> YOU GOING TO SHOP FOR A NEW TALK SHOW? 902 00:25:28,828 --> 00:25:29,727 TALK SHOW? I DON'T THINK SO. 903 00:25:29,729 --> 00:25:31,262 I DON'T THINK SO. SO I WASN'T WORRIED ABOUT THAT 904 00:25:31,264 --> 00:25:32,129 SO I WASN'T WORRIED ABOUT THAT ASPECT OF IT. 905 00:25:32,131 --> 00:25:34,231 ASPECT OF IT. I WAS WORRIED ABOUT MY TEAM 906 00:25:34,233 --> 00:25:35,333 I WAS WORRIED ABOUT MY TEAM BECAUSE YOU'RE NOW ASKING PEOPLE 907 00:25:35,335 --> 00:25:37,301 BECAUSE YOU'RE NOW ASKING PEOPLE TO JUGGLE THEIR PERSONAL LIVES. 908 00:25:37,303 --> 00:25:39,904 TO JUGGLE THEIR PERSONAL LIVES. AT THE TIME, MY SON MOCIES WAS 909 00:25:39,906 --> 00:25:40,771 AT THE TIME, MY SON MOCIES WAS NINE MONTHS OLD. 910 00:25:40,773 --> 00:25:41,439 NINE MONTHS OLD. >> Trevor: WOW. 911 00:25:41,441 --> 00:25:42,573 >> Trevor: WOW. >> SO YOU'VE GOT YOUR PERSONAL 912 00:25:42,575 --> 00:25:43,975 >> SO YOU'VE GOT YOUR PERSONAL LIFE AND NOW SOMEONE'S ASKING 913 00:25:43,977 --> 00:25:45,710 LIFE AND NOW SOMEONE'S ASKING YOU TO SHOW UP FOR WORK IN 914 00:25:45,712 --> 00:25:47,211 YOU TO SHOW UP FOR WORK IN SOMETHING CALLED A ZOOM IN YOUR 915 00:25:47,213 --> 00:25:49,780 SOMETHING CALLED A ZOOM IN YOUR HOME WHILE THE WORLD STOPPED. 916 00:25:49,782 --> 00:25:51,949 HOME WHILE THE WORLD STOPPED. BUT I THINK IT EVENED THE 917 00:25:51,951 --> 00:25:55,119 BUT I THINK IT EVENED THE PLAYING FIELD, AND OUR SHOW, AT 918 00:25:55,121 --> 00:25:56,988 PLAYING FIELD, AND OUR SHOW, AT THAT TIME, WAS ABLE TO SHOW 919 00:25:56,990 --> 00:25:58,623 THAT TIME, WAS ABLE TO SHOW SOMETHING THAT I HAD 30 YEARS OF 920 00:25:58,625 --> 00:25:59,824 SOMETHING THAT I HAD 30 YEARS OF A CAREER AS A JOURNALIST. 921 00:25:59,826 --> 00:26:01,792 A CAREER AS A JOURNALIST. >> Trevor: OOOH, I LOVE THAT. 922 00:26:01,794 --> 00:26:03,461 >> Trevor: OOOH, I LOVE THAT. >> AND, SO, WE WERE ABLE TO SAY, 923 00:26:03,463 --> 00:26:04,895 >> AND, SO, WE WERE ABLE TO SAY, OKAY, NOW LET'S LEVEL UP, WHAT 924 00:26:04,897 --> 00:26:05,997 OKAY, NOW LET'S LEVEL UP, WHAT DO WE DO? 925 00:26:05,999 --> 00:26:06,998 DO WE DO? AND WE TRANSITION TO 926 00:26:07,000 --> 00:26:08,599 AND WE TRANSITION TO CONVERSATIONS LIKE A WOMAN WHOSE 927 00:26:08,601 --> 00:26:10,067 CONVERSATIONS LIKE A WOMAN WHOSE HUSBAND HAD GONE INTO THE 928 00:26:10,069 --> 00:26:11,802 HUSBAND HAD GONE INTO THE BARBERSHOP AND GOTTEN COVID AND 929 00:26:11,804 --> 00:26:13,771 BARBERSHOP AND GOTTEN COVID AND SHE WAS THE FIRST NATIONAL 930 00:26:13,773 --> 00:26:15,640 SHE WAS THE FIRST NATIONAL FIGURE REALLY, AN UNKNOWN WOMAN, 931 00:26:15,642 --> 00:26:18,042 FIGURE REALLY, AN UNKNOWN WOMAN, TO PLEAD TO BLACK AMERICANS, MY 932 00:26:18,044 --> 00:26:19,343 TO PLEAD TO BLACK AMERICANS, MY COMMUNITY, YOUR COMMUNITY, TO 933 00:26:19,345 --> 00:26:20,878 COMMUNITY, YOUR COMMUNITY, TO GET VACCINATED, AND SHE WAS ON 934 00:26:20,880 --> 00:26:22,079 GET VACCINATED, AND SHE WAS ON OUR SHOW. 935 00:26:22,081 --> 00:26:23,881 OUR SHOW. THEN WE STARTED INTERVIEWING 936 00:26:23,883 --> 00:26:24,115 THEN WE STARTED INTERVIEWING PEOPLE. 937 00:26:24,117 --> 00:26:25,483 PEOPLE. WE DID COVID AROUND THE WORLD, 938 00:26:25,485 --> 00:26:27,885 WE DID COVID AROUND THE WORLD, LITERALLY ON AN iPad, WHERE 939 00:26:27,887 --> 00:26:29,687 LITERALLY ON AN iPad, WHERE WE WENT TO KOREA, INDIA, ALL 940 00:26:29,689 --> 00:26:31,055 WE WENT TO KOREA, INDIA, ALL AROUND THE WORLD WHERE PEOPLE 941 00:26:31,057 --> 00:26:32,957 AROUND THE WORLD WHERE PEOPLE WERE SAYING, FROM THEIR 942 00:26:32,959 --> 00:26:33,257 WERE SAYING, FROM THEIR PERSPECTIVE. 943 00:26:33,259 --> 00:26:36,027 PERSPECTIVE. SO IT TAPPED INTO MY DAYS AT 944 00:26:36,029 --> 00:26:37,595 SO IT TAPPED INTO MY DAYS AT MSNBC, MY DAYS AS A JOURNALIST, 945 00:26:37,597 --> 00:26:38,863 MSNBC, MY DAYS AS A JOURNALIST, AND I THINK THAT GAVE US A LEG 946 00:26:38,865 --> 00:26:40,831 AND I THINK THAT GAVE US A LEG UP TO SURVIVE AND WAKE UP 947 00:26:40,833 --> 00:26:41,966 UP TO SURVIVE AND WAKE UP EXECUTIVES WHO WERE UNCERTAIN 948 00:26:41,968 --> 00:26:43,234 EXECUTIVES WHO WERE UNCERTAIN ABOUT THE SHOW, TO BE HONEST. 949 00:26:43,236 --> 00:26:43,901 ABOUT THE SHOW, TO BE HONEST. >> Trevor: RIGHT. 950 00:26:43,903 --> 00:26:46,404 >> Trevor: RIGHT. I LOVE THAT YOU SEEM TO 951 00:26:46,406 --> 00:26:47,605 I LOVE THAT YOU SEEM TO SEAMLESSLY USE YOUR LIFE AND 952 00:26:47,607 --> 00:26:50,474 SEAMLESSLY USE YOUR LIFE AND YOUR LIFE EXPERIENCE TO ALMOST 953 00:26:50,476 --> 00:26:51,342 YOUR LIFE EXPERIENCE TO ALMOST INSPIRE WHATEVER YOU'RE GOING TO 954 00:26:51,344 --> 00:26:52,009 INSPIRE WHATEVER YOU'RE GOING TO BE DOING. 955 00:26:52,011 --> 00:26:53,310 BE DOING. SO, OBVIOUSLY, FROM THE 956 00:26:53,312 --> 00:26:54,745 SO, OBVIOUSLY, FROM THE JOURNALISM SIDE, YOU'RE A 957 00:26:54,747 --> 00:26:56,580 JOURNALISM SIDE, YOU'RE A JOURNALIST, AND THEN YOU'VE 958 00:26:56,582 --> 00:26:59,884 JOURNALIST, AND THEN YOU'VE BROUGHT JOURNALISM INTO DAYTIME. 959 00:26:59,886 --> 00:27:01,385 BROUGHT JOURNALISM INTO DAYTIME. YOU'VE WON AN EMMY, 960 00:27:01,387 --> 00:27:02,720 YOU'VE WON AN EMMY, CONGRATULATIONS, FOR DOING THAT. 961 00:27:02,722 --> 00:27:03,320 CONGRATULATIONS, FOR DOING THAT. >> THANK YOU. 962 00:27:03,322 --> 00:27:04,855 >> THANK YOU. >> Trevor: EXCITING 963 00:27:04,857 --> 00:27:05,556 >> Trevor: EXCITING ACHIEVEMENT TO HAVE. 964 00:27:05,558 --> 00:27:07,191 ACHIEVEMENT TO HAVE. YOUR BOOK IS NO DIFFERENT. 965 00:27:07,193 --> 00:27:08,759 YOUR BOOK IS NO DIFFERENT. TAMRON HALL, "AS THE WICKED 966 00:27:08,761 --> 00:27:08,993 TAMRON HALL, "AS THE WICKED WATCH." 967 00:27:08,995 --> 00:27:11,162 WATCH." I SAID, OH, OKAY, SHE'S GOING TO 968 00:27:11,164 --> 00:27:12,930 I SAID, OH, OKAY, SHE'S GOING TO BE WRITING ABOUT THE NEWS AND 969 00:27:12,932 --> 00:27:14,765 BE WRITING ABOUT THE NEWS AND TALKING ABOUT THIS. 970 00:27:14,767 --> 00:27:15,099 TALKING ABOUT THIS. >> A MEMOIR. 971 00:27:15,101 --> 00:27:16,333 >> A MEMOIR. >> Trevor: NO, SHE WROTE A 972 00:27:16,335 --> 00:27:16,801 >> Trevor: NO, SHE WROTE A NOVEL. 973 00:27:16,803 --> 00:27:19,303 NOVEL. WHY DID YOU NOT GO WITH A MEMOIR 974 00:27:19,305 --> 00:27:20,871 WHY DID YOU NOT GO WITH A MEMOIR OR SOMETHING CURRENT AFFAIRS 975 00:27:20,873 --> 00:27:21,105 OR SOMETHING CURRENT AFFAIRS DRIVEN? 976 00:27:21,107 --> 00:27:22,106 DRIVEN? >> BECAUSE IT WASN'T INTERESTING 977 00:27:22,108 --> 00:27:22,707 >> BECAUSE IT WASN'T INTERESTING TO ME. 978 00:27:22,709 --> 00:27:25,109 TO ME. I THOUGHT ABOUT WRITING A MINI 979 00:27:25,111 --> 00:27:28,612 I THOUGHT ABOUT WRITING A MINI MEMOIR OF WHEN I FIRST GOT FIRED 980 00:27:28,614 --> 00:27:30,815 MEMOIR OF WHEN I FIRST GOT FIRED FROM THE "TODAY" SHOW OR LEFT 981 00:27:30,817 --> 00:27:32,116 FROM THE "TODAY" SHOW OR LEFT THE "TODAY" SHOW TO BUILDING 982 00:27:32,118 --> 00:27:34,985 THE "TODAY" SHOW TO BUILDING THIS TALK SHOW WHICH INCLUDE 983 00:27:34,987 --> 00:27:36,387 THIS TALK SHOW WHICH INCLUDE HARVEY WEINSTEIN AND ALL THE 984 00:27:36,389 --> 00:27:39,290 HARVEY WEINSTEIN AND ALL THE OTHER STUNNING STORIES I 985 00:27:39,292 --> 00:27:39,590 OTHER STUNNING STORIES I ENCOUNTERED. 986 00:27:39,592 --> 00:27:41,225 ENCOUNTERED. I SAID, I'M NOT READY FOR ALL 987 00:27:41,227 --> 00:27:41,759 I SAID, I'M NOT READY FOR ALL THAT. 988 00:27:41,761 --> 00:27:43,494 THAT. BEFORE ALL THAT DRAMA HAPPENED, 989 00:27:43,496 --> 00:27:47,064 BEFORE ALL THAT DRAMA HAPPENED, THERE WERE TWO STORIES, IN 1997 990 00:27:47,066 --> 00:27:48,399 THERE WERE TWO STORIES, IN 1997 WHEN I WAS A RECORDER IN DALLAS 991 00:27:48,401 --> 00:27:50,000 WHEN I WAS A RECORDER IN DALLAS AND CHICAGO, WITHIN THAT YEAR, 992 00:27:50,002 --> 00:27:51,769 AND CHICAGO, WITHIN THAT YEAR, I'D COVERED THE DEATHS OF TWO 993 00:27:51,771 --> 00:27:55,072 I'D COVERED THE DEATHS OF TWO GIRLS, BOTH 11 YEARS OLD, ONE 994 00:27:55,074 --> 00:27:56,474 GIRLS, BOTH 11 YEARS OLD, ONE WHITE, ONE BLACK. 995 00:27:56,476 --> 00:27:57,908 WHITE, ONE BLACK. WHEN YOU'RE A REPORTER AND YOU 996 00:27:57,910 --> 00:28:00,010 WHEN YOU'RE A REPORTER AND YOU GET A PICTURE OF SOMEONE AND THE 997 00:28:00,012 --> 00:28:01,412 GET A PICTURE OF SOMEONE AND THE FAMILY SAYS HERE'S A PICTURE FOR 998 00:28:01,414 --> 00:28:03,047 FAMILY SAYS HERE'S A PICTURE FOR THE NEWS AND YOU HAVE THIS KID 999 00:28:03,049 --> 00:28:05,116 THE NEWS AND YOU HAVE THIS KID AND YOU'RE STUDYING THEM AND 1000 00:28:05,118 --> 00:28:06,217 AND YOU'RE STUDYING THEM AND START TALKING TO FRIENDS AND ARE 1001 00:28:06,219 --> 00:28:07,551 START TALKING TO FRIENDS AND ARE OUTSIDE THE SCHOOL OR IN THE 1002 00:28:07,553 --> 00:28:08,552 OUTSIDE THE SCHOOL OR IN THE CASE OF CHICAGO YOU'RE IN THE 1003 00:28:08,554 --> 00:28:09,620 CASE OF CHICAGO YOU'RE IN THE NEIGHBORHOOD AND PEOPLE ARE 1004 00:28:09,622 --> 00:28:11,622 NEIGHBORHOOD AND PEOPLE ARE TELLING YOU HOW ADORABLE AND 1005 00:28:11,624 --> 00:28:13,090 TELLING YOU HOW ADORABLE AND WONDERFUL SHE IS, FOR ME, THE 1006 00:28:13,092 --> 00:28:14,925 WONDERFUL SHE IS, FOR ME, THE KIND OF PERSON I AM, I FELT LIKE 1007 00:28:14,927 --> 00:28:18,229 KIND OF PERSON I AM, I FELT LIKE I KNEW THEM, AND FROM '97 UNIL 1008 00:28:18,231 --> 00:28:21,065 I KNEW THEM, AND FROM '97 UNIL EVEN NOW, IT WOULD PLAY IN MY 1009 00:28:21,067 --> 00:28:23,334 EVEN NOW, IT WOULD PLAY IN MY MIND, BEING IN FRONT OF THAT 1010 00:28:23,336 --> 00:28:24,568 MIND, BEING IN FRONT OF THAT CRIME SCENE AND WHAT IT WAS 1011 00:28:24,570 --> 00:28:26,804 CRIME SCENE AND WHAT IT WAS LIKE, AND THEY HAUNTED ME. 1012 00:28:26,806 --> 00:28:29,373 LIKE, AND THEY HAUNTED ME. AND, SO, I, BEFORE THE PANDEMIC, 1013 00:28:29,375 --> 00:28:31,942 AND, SO, I, BEFORE THE PANDEMIC, STARTED -- HAD STARTED MEETING 1014 00:28:31,944 --> 00:28:37,414 STARTED -- HAD STARTED MEETING WITH MEETING 1015 00:28:37,416 --> 00:28:39,617 WITH MEETING WITH PUBLISHERS AND TELL THEM I 1016 00:28:39,619 --> 00:28:42,052 WITH PUBLISHERS AND TELL THEM I WANT TO TALK ABOUT MISSING 1017 00:28:42,054 --> 00:28:43,587 WANT TO TALK ABOUT MISSING PEOPLE AND THOUSAND THEY'RE 1018 00:28:43,589 --> 00:28:43,821 PEOPLE AND THOUSAND THEY'RE TREATED. 1019 00:28:43,823 --> 00:28:47,825 TREATED. I CREATED A CHARACTER JORDAN 1020 00:28:47,827 --> 00:28:50,694 I CREATED A CHARACTER JORDAN MANNING, MY ALTER EGO -- MICHAEL 1021 00:28:50,696 --> 00:28:52,296 MANNING, MY ALTER EGO -- MICHAEL JORDAN AND PEYTON MANNING IS HOW 1022 00:28:52,298 --> 00:28:54,398 JORDAN AND PEYTON MANNING IS HOW I GOT HER NAME -- 1023 00:28:54,400 --> 00:28:54,999 I GOT HER NAME -- ( LAUGHTER ) 1024 00:28:55,001 --> 00:28:57,334 ( LAUGHTER ) AND I SAID HOW DO I TAKE THIS 1025 00:28:57,336 --> 00:29:00,137 AND I SAID HOW DO I TAKE THIS STORY IN A DIRECTION, WHAT IS IT 1026 00:29:00,139 --> 00:29:01,672 STORY IN A DIRECTION, WHAT IS IT LIKE BEING A BLACK WOMAN IN THE 1027 00:29:01,674 --> 00:29:03,040 LIKE BEING A BLACK WOMAN IN THE NEWS ROOM WHEN YOU'RE ONE OF ONE 1028 00:29:03,042 --> 00:29:04,775 NEWS ROOM WHEN YOU'RE ONE OF ONE OR ONE OF TWO AND WEAVING IT 1029 00:29:04,777 --> 00:29:06,343 OR ONE OF TWO AND WEAVING IT INTO A STORY IN THE LANDSCAPE OF 1030 00:29:06,345 --> 00:29:06,744 INTO A STORY IN THE LANDSCAPE OF CHICAGO. 1031 00:29:06,746 --> 00:29:07,511 CHICAGO. >> Trevor: IN THE NOVEL YOU 1032 00:29:07,513 --> 00:29:09,713 >> Trevor: IN THE NOVEL YOU TAKE US THROUGH A STORY THAT, 1033 00:29:09,715 --> 00:29:11,248 TAKE US THROUGH A STORY THAT, YES, IS FICTITIOUS BUT THERE'S 1034 00:29:11,250 --> 00:29:12,783 YES, IS FICTITIOUS BUT THERE'S NO DENYING IT TALKS TO WHAT'S 1035 00:29:12,785 --> 00:29:13,984 NO DENYING IT TALKS TO WHAT'S HAPPENING TODAY AND, 1036 00:29:13,986 --> 00:29:15,653 HAPPENING TODAY AND, UNFORTUNATELY, IT COINCIDES WITH 1037 00:29:15,655 --> 00:29:17,621 UNFORTUNATELY, IT COINCIDES WITH THE CONVERSATION IN AND AROUND 1038 00:29:17,623 --> 00:29:18,956 THE CONVERSATION IN AND AROUND BLACK GIRLS WHO ARE GOING 1039 00:29:18,958 --> 00:29:20,124 BLACK GIRLS WHO ARE GOING MISSING, BLACK WOMEN WHO HAVE 1040 00:29:20,126 --> 00:29:22,059 MISSING, BLACK WOMEN WHO HAVE GONE MISSING AND PEOPLE ASKING 1041 00:29:22,061 --> 00:29:23,761 GONE MISSING AND PEOPLE ASKING THE QUESTIONS ABOUT HOW DOES THE 1042 00:29:23,763 --> 00:29:25,729 THE QUESTIONS ABOUT HOW DOES THE MEDIA CHOOSE WHICH SPOTLIGHT TO 1043 00:29:25,731 --> 00:29:26,063 MEDIA CHOOSE WHICH SPOTLIGHT TO USE. 1044 00:29:26,065 --> 00:29:28,098 USE. AND SOMEONE SAID THE OTHER DAY, 1045 00:29:28,100 --> 00:29:29,767 AND SOMEONE SAID THE OTHER DAY, OH, SO SHOULD THEY NOT HAVE 1046 00:29:29,769 --> 00:29:31,535 OH, SO SHOULD THEY NOT HAVE COVERED THE YOUNG GIRL'S STORY? 1047 00:29:31,537 --> 00:29:33,470 COVERED THE YOUNG GIRL'S STORY? IT'S NOT ABOUT THE NOT, IT'S 1048 00:29:33,472 --> 00:29:35,139 IT'S NOT ABOUT THE NOT, IT'S ABOUT THE WHY NOT AS WELL. 1049 00:29:35,141 --> 00:29:36,674 ABOUT THE WHY NOT AS WELL. WHY DO YOU THINK IT IS THAT SO 1050 00:29:36,676 --> 00:29:38,108 WHY DO YOU THINK IT IS THAT SO MANY BLACK GIRLS AND WOMEN 1051 00:29:38,110 --> 00:29:40,911 MANY BLACK GIRLS AND WOMEN AREN'T DEEMED TO BE A NATIONWIDE 1052 00:29:40,913 --> 00:29:41,712 AREN'T DEEMED TO BE A NATIONWIDE NEWSWORTHY STORY? 1053 00:29:41,714 --> 00:29:42,746 NEWSWORTHY STORY? >> I THINK WE ALL KNOW THE 1054 00:29:42,748 --> 00:29:44,448 >> I THINK WE ALL KNOW THE ANSWER TO THAT, YOU KNOW, AND I 1055 00:29:44,450 --> 00:29:46,951 ANSWER TO THAT, YOU KNOW, AND I THINK, FOR ME, TO YOUR POINT OF 1056 00:29:46,953 --> 00:29:49,353 THINK, FOR ME, TO YOUR POINT OF WHY CAN'T WE COVER BOTH,ETH 1057 00:29:49,355 --> 00:29:50,855 WHY CAN'T WE COVER BOTH,ETH ALMOST LIKE POLICE BRUTALITY. 1058 00:29:50,857 --> 00:29:52,623 ALMOST LIKE POLICE BRUTALITY. FOR A LONG TIME I WOULD TELL 1059 00:29:52,625 --> 00:29:53,958 FOR A LONG TIME I WOULD TELL PEOPLE, WAIT A MINUTE, BLACK 1060 00:29:53,960 --> 00:29:55,726 PEOPLE, WAIT A MINUTE, BLACK PEOPLE AREN'T AGAINST POLICE, 1061 00:29:55,728 --> 00:29:58,863 PEOPLE AREN'T AGAINST POLICE, WE'RE AGAINST POLICE BRUTALITY. 1062 00:29:58,865 --> 00:29:59,964 WE'RE AGAINST POLICE BRUTALITY. THERE ARE BLACK POLICE OFFICERS 1063 00:29:59,966 --> 00:30:01,298 THERE ARE BLACK POLICE OFFICERS AND YOU PUT PEOPLE IN A TRICK 1064 00:30:01,300 --> 00:30:03,367 AND YOU PUT PEOPLE IN A TRICK BAG WHEN YOU SAY, THE MINUTE YOU 1065 00:30:03,369 --> 00:30:04,468 BAG WHEN YOU SAY, THE MINUTE YOU QUESTION POLICE BRUTALITY YOU 1066 00:30:04,470 --> 00:30:06,136 QUESTION POLICE BRUTALITY YOU DON'T LOVE OR LIKE POLICE, AND 1067 00:30:06,138 --> 00:30:07,204 DON'T LOVE OR LIKE POLICE, AND THEY'RE IN YOUR FAMILY AND IN 1068 00:30:07,206 --> 00:30:07,872 THEY'RE IN YOUR FAMILY AND IN YOUR NEIGHBORHOOD. 1069 00:30:07,874 --> 00:30:09,506 YOUR NEIGHBORHOOD. IT'S A TRICK BAG PEOPLE ARE PUT 1070 00:30:09,508 --> 00:30:09,707 IT'S A TRICK BAG PEOPLE ARE PUT INTO. 1071 00:30:09,709 --> 00:30:12,009 INTO. SO WHEN SOMEONE SAYS, WAIT A 1072 00:30:12,011 --> 00:30:13,244 SO WHEN SOMEONE SAYS, WAIT A MINUTE, ARE YOU SAYING WE 1073 00:30:13,246 --> 00:30:14,778 MINUTE, ARE YOU SAYING WE SHOULDN'TO COVER THAT CASE? 1074 00:30:14,780 --> 00:30:18,182 SHOULDN'TO COVER THAT CASE? THAT'S A TRICK BAG, AND IT'S ONE 1075 00:30:18,184 --> 00:30:19,350 THAT'S A TRICK BAG, AND IT'S ONE THAT HAS BEEN BUILT BY THE 1076 00:30:19,352 --> 00:30:20,551 THAT HAS BEEN BUILT BY THE MEDIA, AND I HAVE BEEN A PART OF 1077 00:30:20,553 --> 00:30:23,387 MEDIA, AND I HAVE BEEN A PART OF IT FOR 30 YEARS, IN WATCHING 1078 00:30:23,389 --> 00:30:24,054 IT FOR 30 YEARS, IN WATCHING THIS HAPPEN. 1079 00:30:24,056 --> 00:30:25,389 THIS HAPPEN. WITH THAT CASE THAT YOU'RE 1080 00:30:25,391 --> 00:30:28,025 WITH THAT CASE THAT YOU'RE REFERRING TO, GABBY PETITO, HER 1081 00:30:28,027 --> 00:30:31,095 REFERRING TO, GABBY PETITO, HER POOR FAMILY NOW HAVE TO STOP AND 1082 00:30:31,097 --> 00:30:32,529 POOR FAMILY NOW HAVE TO STOP AND SAY, WAIT A MINUTE, WE WANT HER 1083 00:30:32,531 --> 00:30:35,165 SAY, WAIT A MINUTE, WE WANT HER COVERED BUT WE ALSO WANT JALANI 1084 00:30:35,167 --> 00:30:38,669 COVERED BUT WE ALSO WANT JALANI DAY COVERED, AND JALANI DAY'S 1085 00:30:38,671 --> 00:30:40,237 DAY COVERED, AND JALANI DAY'S MOTHER IS BEGGING FOR A CAMERA 1086 00:30:40,239 --> 00:30:43,040 MOTHER IS BEGGING FOR A CAMERA TO POINT HER DIRECTION TO PLEAD 1087 00:30:43,042 --> 00:30:44,808 TO POINT HER DIRECTION TO PLEAD FOR WHERE HE IS, SO WHO'S PUT 1088 00:30:44,810 --> 00:30:45,876 FOR WHERE HE IS, SO WHO'S PUT THEM IN THE MIDDLE. 1089 00:30:45,878 --> 00:30:47,711 THEM IN THE MIDDLE. THAT'S THE HARD QUESTION THAT WE 1090 00:30:47,713 --> 00:30:53,984 THAT'S THE HARD QUESTION THAT WE HAVE TO ADMIT AS REPORTERS. 1091 00:30:53,986 --> 00:30:54,885 HAVE TO ADMIT AS REPORTERS. TRADITIONALLY NEWS ORGANIZATIONS 1092 00:30:54,887 --> 00:30:57,488 TRADITIONALLY NEWS ORGANIZATIONS WERE LED BY WHITE MEN AND FOR SO 1093 00:30:57,490 --> 00:30:59,256 WERE LED BY WHITE MEN AND FOR SO LONG THESE THINGS GET PASSED 1094 00:30:59,258 --> 00:30:59,456 LONG THESE THINGS GET PASSED ALONG. 1095 00:30:59,458 --> 00:31:01,225 ALONG. I'VE NEVER BEEN IN A NEWS ROOM 1096 00:31:01,227 --> 00:31:03,961 I'VE NEVER BEEN IN A NEWS ROOM WHERE SOMEONE SAID LISTEN, 1097 00:31:03,963 --> 00:31:05,296 WHERE SOMEONE SAID LISTEN, TAMRON, WE'RE GOING TO PUT THE 1098 00:31:05,298 --> 00:31:06,263 TAMRON, WE'RE GOING TO PUT THE BEAUTIFUL WHITE GIRL, NO ONE 1099 00:31:06,265 --> 00:31:07,364 BEAUTIFUL WHITE GIRL, NO ONE SAID THAT BUT THE ACTIONS LEAD 1100 00:31:07,366 --> 00:31:08,832 SAID THAT BUT THE ACTIONS LEAD TO THAT, SO YOU DON'T HAVE TO 1101 00:31:08,834 --> 00:31:12,569 TO THAT, SO YOU DON'T HAVE TO SAY THE WORD WITH YOUR ACTIONS. 1102 00:31:12,571 --> 00:31:14,371 SAY THE WORD WITH YOUR ACTIONS. IN THE RECENT CASE, I SAW FOUR 1103 00:31:14,373 --> 00:31:16,307 IN THE RECENT CASE, I SAW FOUR OR FIVE CAMERAS AT ONE LOCATION. 1104 00:31:16,309 --> 00:31:18,175 OR FIVE CAMERAS AT ONE LOCATION. DO YOU KNOW HOW MUCH MONEY THAT 1105 00:31:18,177 --> 00:31:18,642 DO YOU KNOW HOW MUCH MONEY THAT COSTS? 1106 00:31:18,644 --> 00:31:19,043 COSTS? >> Trevor: RIGHT. 1107 00:31:19,045 --> 00:31:20,945 >> Trevor: RIGHT. >> SHE AND HER FAMILY DESERVE 1108 00:31:20,947 --> 00:31:23,113 >> SHE AND HER FAMILY DESERVE THAT BECAUSE GOD FORBID MY CHILD 1109 00:31:23,115 --> 00:31:24,982 THAT BECAUSE GOD FORBID MY CHILD WAS MISSING, I WANT YOUR WHOLE 1110 00:31:24,984 --> 00:31:25,249 WAS MISSING, I WANT YOUR WHOLE NEWSCAST. 1111 00:31:25,251 --> 00:31:25,749 NEWSCAST. >> Trevor: RIGHT. 1112 00:31:25,751 --> 00:31:26,850 >> Trevor: RIGHT. >> SO YOU UNDERSTAND THE DESIRE 1113 00:31:26,852 --> 00:31:28,385 >> SO YOU UNDERSTAND THE DESIRE FOR THE PARENT TO WANT THAT 1114 00:31:28,387 --> 00:31:29,820 FOR THE PARENT TO WANT THAT COVERAGE, BUT WHERE IS THE 1115 00:31:29,822 --> 00:31:30,187 COVERAGE, BUT WHERE IS THE RESPONSIBILITY? 1116 00:31:30,189 --> 00:31:31,989 RESPONSIBILITY? AND I KNOW AND YOU AND I BOTH 1117 00:31:31,991 --> 00:31:33,958 AND I KNOW AND YOU AND I BOTH KNOW JOURNALISTS OF COLOR WHO 1118 00:31:33,960 --> 00:31:35,192 KNOW JOURNALISTS OF COLOR WHO ARE IN THE NEWS ROOM NOW ARE 1119 00:31:35,194 --> 00:31:35,693 ARE IN THE NEWS ROOM NOW ARE SAYING IT MORE. 1120 00:31:35,695 --> 00:31:36,493 SAYING IT MORE. >> Trevor: RIGHT. 1121 00:31:36,495 --> 00:31:38,228 >> Trevor: RIGHT. >> BUT MORE IMPORTANTLY ARE IN 1122 00:31:38,230 --> 00:31:38,896 >> BUT MORE IMPORTANTLY ARE IN POWERFUL POSITIONS. 1123 00:31:38,898 --> 00:31:40,097 POWERFUL POSITIONS. THEY THINK THE POWER IS IN FRONT 1124 00:31:40,099 --> 00:31:42,833 THEY THINK THE POWER IS IN FRONT OF THE CAMERA, AND I GO TO 1125 00:31:42,835 --> 00:31:44,335 OF THE CAMERA, AND I GO TO SCHOOLS AND J. SCHOOLS AND TALK 1126 00:31:44,337 --> 00:31:45,769 SCHOOLS AND J. SCHOOLS AND TALK TO STUDENTS, THE POWER IS NOT IN 1127 00:31:45,771 --> 00:31:47,237 TO STUDENTS, THE POWER IS NOT IN FRONT OF THE CAMERA. 1128 00:31:47,239 --> 00:31:48,305 FRONT OF THE CAMERA. THAT'S WHY WE WANT TO BE 1129 00:31:48,307 --> 00:31:50,941 THAT'S WHY WE WANT TO BE EXECUTIVE PRODUCERS ON THE 1130 00:31:50,943 --> 00:31:51,141 EXECUTIVE PRODUCERS ON THE SHOWS. 1131 00:31:51,143 --> 00:31:52,810 SHOWS. WHEN YOU ARE AN EXECUTIVE IN 1132 00:31:52,812 --> 00:31:53,777 WHEN YOU ARE AN EXECUTIVE IN CHARGE OF A NEWS ROOM OR 1133 00:31:53,779 --> 00:31:55,412 CHARGE OF A NEWS ROOM OR ORGANIZATION AND YOU BRING YOUR 1134 00:31:55,414 --> 00:31:56,747 ORGANIZATION AND YOU BRING YOUR PERSPECTIVE AND SENSIBILITY, 1135 00:31:56,749 --> 00:31:58,816 PERSPECTIVE AND SENSIBILITY, THAT CHANGES THE NEWS ROOM, AND 1136 00:31:58,818 --> 00:31:59,683 THAT CHANGES THE NEWS ROOM, AND WE'RE SEEING THAT MORE. 1137 00:31:59,685 --> 00:32:01,285 WE'RE SEEING THAT MORE. BUT I WROTE THIS BOOK A YEAR AND 1138 00:32:01,287 --> 00:32:02,419 BUT I WROTE THIS BOOK A YEAR AND A HALF AGO. 1139 00:32:02,421 --> 00:32:04,488 A HALF AGO. I COULD NEVER HAVE IMAGINED WE 1140 00:32:04,490 --> 00:32:06,190 I COULD NEVER HAVE IMAGINED WE WOULD BE TALKING ABOUT THIS BUT 1141 00:32:06,192 --> 00:32:07,624 WOULD BE TALKING ABOUT THIS BUT CLEARLY I DID IMAGINE IT BECAUSE 1142 00:32:07,626 --> 00:32:08,125 CLEARLY I DID IMAGINE IT BECAUSE IT'S IN THE BOOK. 1143 00:32:08,127 --> 00:32:09,760 IT'S IN THE BOOK. >> Trevor: YEAH, BECAUSE IT'S 1144 00:32:09,762 --> 00:32:10,995 >> Trevor: YEAH, BECAUSE IT'S IN THE BOOK, SOMETHING HAPPENING 1145 00:32:10,997 --> 00:32:12,329 IN THE BOOK, SOMETHING HAPPENING NOW, AND UNFORTUNATELY IT'S 1146 00:32:12,331 --> 00:32:13,397 NOW, AND UNFORTUNATELY IT'S SOMETHING THAT HAPPENED TO YOU. 1147 00:32:13,399 --> 00:32:14,932 SOMETHING THAT HAPPENED TO YOU. IT'S A FASCINATING READ. 1148 00:32:14,934 --> 00:32:16,667 IT'S A FASCINATING READ. NOT JUST BECAUSE OF HOW IT TIES 1149 00:32:16,669 --> 00:32:18,202 NOT JUST BECAUSE OF HOW IT TIES INTO WHO YOU ARE AND WHAT YOU'VE 1150 00:32:18,204 --> 00:32:19,870 INTO WHO YOU ARE AND WHAT YOU'VE DONE BUT JUST BECAUSE IT'S A 1151 00:32:19,872 --> 00:32:21,372 DONE BUT JUST BECAUSE IT'S A REALLY FASCINATING READ. 1152 00:32:21,374 --> 00:32:22,673 REALLY FASCINATING READ. CONGRATULATIONS ON YOUR FIRST 1153 00:32:22,675 --> 00:32:23,240 CONGRATULATIONS ON YOUR FIRST NOVEL, ONE OF THIS. 1154 00:32:23,242 --> 00:32:24,875 NOVEL, ONE OF THIS. WE'LL HAVE YOU BACK FOR THE NEXT 1155 00:32:24,877 --> 00:32:27,311 WE'LL HAVE YOU BACK FOR THE NEXT ONES AND CONGRATULATIONS ON A 1156 00:32:27,313 --> 00:32:28,345 ONES AND CONGRATULATIONS ON A SUCCESSFUL DAYTIME SHOW. 1157 00:32:28,347 --> 00:32:32,750 SUCCESSFUL DAYTIME SHOW. >> MEANS THE WORLD TO ME, THANK 1158 00:32:32,752 --> 00:32:32,916 >> MEANS THE WORLD TO ME, THANK YOU. 1159 00:32:32,918 --> 00:32:34,651 YOU. >> Trevor:TIME'S BOOK, "AS THE 1160 00:32:34,653 --> 00:32:35,853 >> Trevor:TIME'S BOOK, "AS THE WICKED WATCH" IS AVAILABLE NOW. 1161 00:32:35,855 --> 00:32:38,188 WICKED WATCH" IS AVAILABLE NOW. WE'LL we go, when 1162 00:32:38,190 --> 00:32:39,957 WE'LL we go, when -- "The Daily Show" is launching 1163 00:32:39,959 --> 00:32:41,392 -- "The Daily Show" is launching a new merch collection and 1164 00:32:41,394 --> 00:32:43,293 a new merch collection and inspired by our segment if you 1165 00:32:43,295 --> 00:32:44,828 inspired by our segment if you don't know now you know. 1166 00:32:44,830 --> 00:32:46,730 don't know now you know. 100% OF THE VIACOM PROCEEDS WILL 1167 00:32:46,732 --> 00:32:49,199 100% OF THE VIACOM PROCEEDS WILL BE DONATED TO 826-NATIONAL THE 1168 00:32:49,201 --> 00:32:50,267 BE DONATED TO 826-NATIONAL THE LARGEST YOUTH WRITING NETWORK IN 1169 00:32:50,269 --> 00:32:51,935 LARGEST YOUTH WRITING NETWORK IN THE COUNTRY THAT SETS UP 1170 00:32:51,937 --> 00:32:53,237 THE COUNTRY THAT SETS UP UNDERSERVED STUDENTS FOR SUCCESS 1171 00:32:53,239 --> 00:32:54,605 UNDERSERVED STUDENTS FOR SUCCESS WITH THE POWER OF WRITING. 1172 00:32:54,607 --> 00:32:57,741 WITH THE POWER OF WRITING. SO IF YOU WANT TO SUPPORT 1173 00:32:57,743 --> 00:32:58,809 SO IF YOU WANT TO SUPPORT 826-NATIONAL AND LOOK PRETTY 1174 00:32:58,811 --> 00:33:01,645 826-NATIONAL AND LOOK PRETTY COOL DOING IT, SCAN THE QR CODE 1175 00:33:01,647 --> 00:33:03,113 COOL DOING IT, SCAN THE QR CODE BELOW OR HEAD TO THE LINK. 1176 00:33:03,115 --> 00:33:04,415 BELOW OR HEAD TO THE LINK. UNTIL TOMORROW, STAY SAFE OUT 1177 00:33:04,417 --> 00:33:05,749 UNTIL TOMORROW, STAY SAFE OUT THERE, GET YOUR SEASON AND, 1178 00:33:05,751 --> 00:33:08,152 THERE, GET YOUR SEASON AND, REMEMBER, IF YOU'RE SHORT ON 1179 00:33:08,154 --> 00:33:10,587 REMEMBER, IF YOU'RE SHORT ON MONEY, JUST GO TO SIX FLAGS AND 1180 00:33:10,589 --> 00:33:12,122 MONEY, JUST GO TO SIX FLAGS AND BORROW MONEY FROM THAT GUY. 1181 00:33:12,124 --> 00:33:13,290 BORROW MONEY FROM THAT GUY. HE'S LOADED. 1182 00:33:13,292 --> 00:33:15,159 HE'S LOADED. MAYBE SOMEONE SHOULD ROB HIM. 1183 00:33:15,161 --> 00:33:15,626 MAYBE SOMEONE SHOULD ROB HIM. NO, DON'T. 1184 00:33:15,628 --> 00:33:16,427 NO, DON'T. BUT MAYBE. 1185 00:33:16,429 --> 00:33:18,896 BUT MAYBE. BUT DON'T. 1186 00:33:18,898 --> 00:33:19,296 BUT DON'T. NOW, HERE IT IS... 1187 00:33:19,298 --> 00:33:19,730 NOW, HERE IT IS... YOUR MOMENT OF ZEN. 1188 00:33:19,732 --> 00:33:21,398 YOUR MOMENT OF ZEN. >> I DID WANT TO ADDRESS A LOT 1189 00:33:21,400 --> 00:33:23,600 >> I DID WANT TO ADDRESS A LOT OF THE COMMENTS THAT HAVE BEEN 1190 00:33:23,602 --> 00:33:25,569 OF THE COMMENTS THAT HAVE BEEN FLOODING FROM FOR ALL OF MY 1191 00:33:25,571 --> 00:33:26,703 FLOODING FROM FOR ALL OF MY SHOWS FROM ALL OF YOU. 1192 00:33:26,705 --> 00:33:30,707 SHOWS FROM ALL OF YOU. SOME GOOD, SOME NOT SO GOOD. 1193 00:33:30,709 --> 00:33:32,242 SOME GOOD, SOME NOT SO GOOD. HELP ME OUT. 1194 00:33:32,244 --> 00:33:34,945 HELP ME OUT. >> CAVUTO, YOU SHAD ENOUGH MODEL 1195 00:33:34,947 --> 00:33:36,947 >> CAVUTO, YOU SHAD ENOUGH MODEL IN YOUR BRAIN TO PRESENT A PINT 1196 00:33:36,949 --> 00:33:38,615 IN YOUR BRAIN TO PRESENT A PINT OF PENICILLIN AND HAVEN'T 1197 00:33:38,617 --> 00:33:39,683 OF PENICILLIN AND HAVEN'T LEARNED A THING. 1198 00:33:39,685 --> 00:33:42,119 LEARNED A THING. LIFE IS TOO SHORT TO BEEN AN 1199 00:33:42,121 --> 00:33:43,654 LIFE IS TOO SHORT TO BEEN AN ASS, SAYS CAVUTO. 1200 00:33:43,656 --> 00:33:46,690 ASS, SAYS CAVUTO. WHO'S AN EXPERT IN BEING AN ASS. 1201 00:33:46,692 --> 00:33:48,792 WHO'S AN EXPERT IN BEING AN ASS. >> YOUR WORDS ARE FROM THE 1202 00:33:48,794 --> 00:33:48,992 >> YOUR WORDS ARE FROM THE HEART. 1203 00:33:48,994 --> 00:33:51,428 HEART. BUT DON'T YOU HAVE A BAD HEART? 1204 00:33:51,430 --> 00:33:54,264 BUT DON'T YOU HAVE A BAD HEART? >> I HAD OPEN HEART SURGERY. 1205 00:33:54,266 --> 00:33:56,133 >> I HAD OPEN HEART SURGERY. >> KEEP YOUR CHUBBY HANDS OFF MY 1206 00:33:56,135 --> 00:33:57,768 >> KEEP YOUR CHUBBY HANDS OFF MY BODY YOU FULL FIGURED FREAK. 1207 00:33:57,770 --> 00:34:01,004 BODY YOU FULL FIGURED FREAK. I DECIDE WHAT I TAKE, NOT SOME 1208 00:34:01,006 --> 00:34:02,372 I DECIDE WHAT I TAKE, NOT SOME MR. POTATO HEAD AHEATIST WITH 1209 00:34:02,374 --> 00:34:05,642 MR. POTATO HEAD AHEATIST WITH SNAP ON FAKE HAIR WHO GETS PAID 1210 00:34:05,644 --> 00:34:07,411 SNAP ON FAKE HAIR WHO GETS PAID BY BIG PHARMA. 1211 00:34:07,413 --> 00:34:08,378 BY BIG PHARMA. >> IS THERE SUPPOSED TO BE 1212 00:34:08,380 --> 00:34:09,580 >> IS THERE SUPPOSED TO BE HELPING MY RECOVERY? 1213 00:34:09,582 --> 00:34:10,747 HELPING MY RECOVERY? JUST CURIOUS.