1 00:00:03,203 --> 00:00:07,339 SUCCESSION IS THE GREATEST, AND NOW EPISODE TWO, PART OF ME 2 00:00:07,341 --> 00:00:09,975 NOW EPISODE TWO, PART OF ME WANTS TO WATCH IT, BUT AT THE 3 00:00:09,977 --> 00:00:11,176 WANTS TO WATCH IT, BUT AT THE SAME TIME PART OF ME DOESN'T 4 00:00:11,178 --> 00:00:13,912 SAME TIME PART OF ME DOESN'T WANT TO GET INTO A SHOW UNLESS I 5 00:00:13,914 --> 00:00:16,281 WANT TO GET INTO A SHOW UNLESS I CAN BINGE IT. 6 00:00:16,283 --> 00:00:19,184 CAN BINGE IT. IT GOT ME TO THINKING IS THAT 7 00:00:19,186 --> 00:00:19,418 IT GOT ME TO THINKING IS THAT HEALTHY. 8 00:00:19,420 --> 00:00:21,120 HEALTHY. I'M TIRED OF THEM BEING, LIKE, 9 00:00:21,122 --> 00:00:22,554 I'M TIRED OF THEM BEING, LIKE, WHAT HAPPENS NEXT -- IT'S 10 00:00:22,556 --> 00:00:23,655 WHAT HAPPENS NEXT -- IT'S HAPPENED ALREADY. 11 00:00:23,657 --> 00:00:24,857 HAPPENED ALREADY. TUNE IN NEXT WEEK. 12 00:00:24,859 --> 00:00:25,758 TUNE IN NEXT WEEK. NO, TELL ME NOW. 13 00:00:25,760 --> 00:00:27,826 NO, TELL ME NOW. YOU KNOW WHAT I MEAN? 14 00:00:27,828 --> 00:00:29,495 YOU KNOW WHAT I MEAN? WHY DID WE EVEN DO THAT BEFORE? 15 00:00:29,497 --> 00:00:31,764 WHY DID WE EVEN DO THAT BEFORE? IT WAS FOR ADS AND STUFF, RIGHT? 16 00:00:31,766 --> 00:00:35,367 IT WAS FOR ADS AND STUFF, RIGHT? IT WAS, LIKE, WHO KILLED HIM? 17 00:00:35,369 --> 00:00:36,835 IT WAS, LIKE, WHO KILLED HIM? I WON'T TELL YOU BECAUSE YOU WE 18 00:00:36,837 --> 00:00:39,671 I WON'T TELL YOU BECAUSE YOU WE HAVE TO SELL TOILET PAPER. 19 00:00:39,673 --> 00:00:41,640 HAVE TO SELL TOILET PAPER. AND THEN WE STREAM NOW SO WE 20 00:00:41,642 --> 00:00:42,341 AND THEN WE STREAM NOW SO WE DON'T NEED IT. 21 00:00:42,343 --> 00:00:43,609 DON'T NEED IT. AT THE SAME TIME, I SOMETIMES 22 00:00:43,611 --> 00:00:45,811 AT THE SAME TIME, I SOMETIMES WONDER IF IT'S UNHEALTHY TO 23 00:00:45,813 --> 00:00:46,011 WONDER IF IT'S UNHEALTHY TO BINGE. 24 00:00:46,013 --> 00:00:47,546 BINGE. WE USED TO LOOK FORWARD TO 25 00:00:47,548 --> 00:00:49,181 WE USED TO LOOK FORWARD TO THINGS BECAUSE IT CAME OUT 26 00:00:49,183 --> 00:00:49,515 THINGS BECAUSE IT CAME OUT WEEKLY. 27 00:00:49,517 --> 00:00:51,683 WEEKLY. IF A SHOW IS COMPLICATED, YOU 28 00:00:51,685 --> 00:00:52,918 IF A SHOW IS COMPLICATED, YOU SHOULD BINGE IT. 29 00:00:52,920 --> 00:00:55,020 SHOULD BINGE IT. IF IT'S SIMPLE, WEEKLY. 30 00:00:55,022 --> 00:00:57,423 IF IT'S SIMPLE, WEEKLY. WE'LL MAKE THAT THE NEW MODEL. 31 00:00:57,425 --> 00:00:59,625 WE'LL MAKE THAT THE NEW MODEL. THIS SHOW COMES OUT DALE BECAUSE 32 00:00:59,627 --> 00:01:01,627 THIS SHOW COMES OUT DALE BECAUSE IT'S COMPLICATED BUT IT'S 33 00:01:01,629 --> 00:01:03,695 IT'S COMPLICATED BUT IT'S SIMPLE. 34 00:01:03,697 --> 00:01:04,763 SIMPLE. ( LAUGHTER ) 35 00:01:04,765 --> 00:01:05,764 ( LAUGHTER ) >> COMING TO YOU FROM THE HEART 36 00:01:05,766 --> 00:01:06,965 >> COMING TO YOU FROM THE HEART OF TIMES SQUARE, THE MOST 37 00:01:06,967 --> 00:01:09,134 OF TIMES SQUARE, THE MOST IMPORTANT PLACE ON EARTH, IT'S 38 00:01:09,136 --> 00:01:13,005 IMPORTANT PLACE ON EARTH, IT'S "THE DAILY SHOW." 39 00:01:13,007 --> 00:01:15,074 "THE DAILY SHOW." TONIGHT, TRAGEDY IS ON SET. 40 00:01:15,076 --> 00:01:17,843 TONIGHT, TRAGEDY IS ON SET. MEET THE SENATE'S NEWEST. 41 00:01:17,845 --> 00:01:18,644 MEET THE SENATE'S NEWEST. AND ANNA KENDRICK. 42 00:01:18,646 --> 00:01:21,780 AND ANNA KENDRICK. THIS IS "THE DAILY SHOW" WITH 43 00:01:21,782 --> 00:01:23,082 THIS IS "THE DAILY SHOW" WITH TREVOR NOAH! 44 00:01:23,950 --> 00:01:26,385 >> Trevor: HEY! WHAT'S GOING ON, EVERYBODY? 45 00:01:26,387 --> 00:01:27,586 WHAT'S GOING ON, EVERYBODY? WELCOME TO "THE DAILY SHOW." 46 00:01:27,588 --> 00:01:28,787 WELCOME TO "THE DAILY SHOW." I'M TREVOR NOAH. 47 00:01:28,789 --> 00:01:30,355 I'M TREVOR NOAH. MY GOOD MAN RONNY CHIENG IS 48 00:01:30,357 --> 00:01:32,091 MY GOOD MAN RONNY CHIENG IS JOINING ME ON THE SHOW TONIGHT! 49 00:01:32,093 --> 00:01:33,525 JOINING ME ON THE SHOW TONIGHT! >> HEY, WHAT'S UP, TREVOR? 50 00:01:33,527 --> 00:01:34,927 >> HEY, WHAT'S UP, TREVOR? WHAT'S GOING ON? 51 00:01:34,929 --> 00:01:36,028 WHAT'S GOING ON? GOOD TO SEE YOU. 52 00:01:36,030 --> 00:01:38,230 GOOD TO SEE YOU. THANKS FOR INVITING ME BACK IN, 53 00:01:38,232 --> 00:01:38,997 THANKS FOR INVITING ME BACK IN, FINALLY. 54 00:01:38,999 --> 00:01:40,966 FINALLY. DAMN, IT'S LIKE THAT RESTRAINING 55 00:01:40,968 --> 00:01:43,068 DAMN, IT'S LIKE THAT RESTRAINING ORDER YOU HAD ON ME FINALLY 56 00:01:43,070 --> 00:01:43,569 ORDER YOU HAD ON ME FINALLY EXPIRED OR SOMETHING. 57 00:01:43,571 --> 00:01:45,471 EXPIRED OR SOMETHING. >> Trevor: WHAT ARE YOU DOING? 58 00:01:45,473 --> 00:01:46,371 >> Trevor: WHAT ARE YOU DOING? >> JUST GETTING COMFORTABLE. 59 00:01:46,373 --> 00:01:47,806 >> JUST GETTING COMFORTABLE. >> Trevor: THERE'S A CHAIR. 60 00:01:47,808 --> 00:01:49,007 >> Trevor: THERE'S A CHAIR. EVERYONE SITS IN THE CHAIR. 61 00:01:49,009 --> 00:01:51,076 EVERYONE SITS IN THE CHAIR. EVERYONE SITS IN THE SAME PLACE, 62 00:01:51,078 --> 00:01:53,378 EVERYONE SITS IN THE SAME PLACE, WHY ARE YOU ON MY SHELF? 63 00:01:53,380 --> 00:01:53,879 WHY ARE YOU ON MY SHELF? >> I'M GOOD HERE. 64 00:01:53,881 --> 00:01:55,347 >> I'M GOOD HERE. >> Trevor: I'M NOT GOOD. 65 00:01:55,349 --> 00:01:56,448 >> Trevor: I'M NOT GOOD. >> OKAY, SO WHAT DO YOU WANT ME 66 00:01:56,450 --> 00:01:57,850 >> OKAY, SO WHAT DO YOU WANT ME TO DO NOW? 67 00:01:57,852 --> 00:01:59,918 TO DO NOW? >> Trevor: WELL, SIT IN THE 68 00:01:59,920 --> 00:02:00,152 >> Trevor: WELL, SIT IN THE CHAIR. 69 00:02:00,154 --> 00:02:02,020 CHAIR. WE DO THE THING TOGETHER. 70 00:02:02,022 --> 00:02:03,021 WE DO THE THING TOGETHER. WE DO THE SHOW. 71 00:02:03,023 --> 00:02:04,289 WE DO THE SHOW. NOW YOU'VE KNOCKED THE BOOKS ON 72 00:02:04,291 --> 00:02:05,224 NOW YOU'VE KNOCKED THE BOOKS ON THE FLOOR. 73 00:02:05,226 --> 00:02:07,726 THE FLOOR. >> FEELS LIKE I'M -- FEELS LIKE 74 00:02:07,728 --> 00:02:09,228 >> FEELS LIKE I'M -- FEELS LIKE A VOYEUR SITTING HERE. 75 00:02:09,230 --> 00:02:10,596 A VOYEUR SITTING HERE. I DON'T FEEL LIKE I'M PART OF 76 00:02:10,598 --> 00:02:10,762 I DON'T FEEL LIKE I'M PART OF IT. 77 00:02:10,764 --> 00:02:12,097 IT. >> Trevor: VOYEURS DON'T GET 78 00:02:12,099 --> 00:02:12,764 >> Trevor: VOYEURS DON'T GET TO TALK. 79 00:02:12,766 --> 00:02:13,999 TO TALK. >> OVER THERE, IT'S MORE -- 80 00:02:14,001 --> 00:02:15,501 >> OVER THERE, IT'S MORE -- >> Trevor: IT'S LIKE YOU'RE 81 00:02:15,503 --> 00:02:17,903 >> Trevor: IT'S LIKE YOU'RE BEHIND ME AND THEN NOW I CAN 82 00:02:17,905 --> 00:02:19,738 BEHIND ME AND THEN NOW I CAN LOOK AT YOU LIKE A FRIEND. 83 00:02:19,740 --> 00:02:20,739 LOOK AT YOU LIKE A FRIEND. >> IT'S YOUR SHOW. 84 00:02:20,741 --> 00:02:22,141 >> IT'S YOUR SHOW. DO WHATEVER. 85 00:02:22,143 --> 00:02:25,210 DO WHATEVER. >> Trevor: NOW THE BOOKS ARE 86 00:02:25,212 --> 00:02:28,113 >> Trevor: NOW THE BOOKS ARE ON THE -- OKAY, I'LL PICK THEM 87 00:02:28,115 --> 00:02:28,881 ON THE -- OKAY, I'LL PICK THEM UP AFTERWARDS. 88 00:02:28,883 --> 00:02:30,415 UP AFTERWARDS. GOOD TO HAVE YOU. 89 00:02:30,417 --> 00:02:32,518 GOOD TO HAVE YOU. READY FOR HEAD SNRNS. 90 00:02:32,520 --> 00:02:33,018 READY FOR HEAD SNRNS. >> YEAH, LET'S DO IT. 91 00:02:33,020 --> 00:02:34,987 >> YEAH, LET'S DO IT. >> Trevor: ALL RIGHT. 92 00:02:34,989 --> 00:02:37,156 >> Trevor: ALL RIGHT. OUR FIRST STORY IS ABOUT MEDICAL 93 00:02:37,158 --> 00:02:38,223 OUR FIRST STORY IS ABOUT MEDICAL EQUIPMENT. 94 00:02:38,225 --> 00:02:39,591 EQUIPMENT. ( BANGING THINGS ) 95 00:02:39,593 --> 00:02:45,063 ( BANGING THINGS ) >> THAT WASN'T ME. 96 00:02:45,065 --> 00:02:46,431 >> THAT WASN'T ME. >> Trevor: ALL RIGHT, OUR 97 00:02:46,433 --> 00:02:47,666 >> Trevor: ALL RIGHT, OUR FIRST STORY IS ABOUT MEDICAL 98 00:02:47,668 --> 00:02:49,001 FIRST STORY IS ABOUT MEDICAL EQUIPMENT, THE STUFF DOCTORS ARE 99 00:02:49,003 --> 00:02:50,969 EQUIPMENT, THE STUFF DOCTORS ARE ALWAYS LOSING IN YOUR BODY AFTER 100 00:02:50,971 --> 00:02:51,203 ALWAYS LOSING IN YOUR BODY AFTER SURGERY. 101 00:02:51,205 --> 00:02:52,704 SURGERY. WHEN YOU GO TO THE DOCTOR'S 102 00:02:52,706 --> 00:02:53,972 WHEN YOU GO TO THE DOCTOR'S OFFICE, IT'S IMPORTANT FOR 103 00:02:53,974 --> 00:02:54,907 OFFICE, IT'S IMPORTANT FOR EVERYTHING TO BE SANITARY WHICH 104 00:02:54,909 --> 00:02:56,608 EVERYTHING TO BE SANITARY WHICH IS WHY THEY REMOVED THE POPSICLE 105 00:02:56,610 --> 00:02:58,410 IS WHY THEY REMOVED THE POPSICLE BEFORE THEY PUT THAT STICK IN 106 00:02:58,412 --> 00:02:59,745 BEFORE THEY PUT THAT STICK IN YOUR MOUTH, BUT IT TURNS OUT 107 00:02:59,747 --> 00:03:01,580 YOUR MOUTH, BUT IT TURNS OUT TENS OF MILLIONS OF MEDICAL 108 00:03:01,582 --> 00:03:03,215 TENS OF MILLIONS OF MEDICAL GLOVES IMPORTED INTO THE U.S. 109 00:03:03,217 --> 00:03:05,984 GLOVES IMPORTED INTO THE U.S. FROM THAILAND WERE ACTUALLY USED 110 00:03:05,986 --> 00:03:08,387 FROM THAILAND WERE ACTUALLY USED GLOVES THAT WERE WASHED OFF AND 111 00:03:08,389 --> 00:03:10,889 GLOVES THAT WERE WASHED OFF AND THEN REPACKAGED AS NEW ONES AND 112 00:03:10,891 --> 00:03:12,691 THEN REPACKAGED AS NEW ONES AND APPARENTLY THEY DIDN'T DO A GOOD 113 00:03:12,693 --> 00:03:12,858 APPARENTLY THEY DIDN'T DO A GOOD JOB. 114 00:03:12,860 --> 00:03:15,861 JOB. >> THESE ARE BAGS OF DISCARDED 115 00:03:15,863 --> 00:03:17,529 >> THESE ARE BAGS OF DISCARDED MEDICAL GLOVES. 116 00:03:17,531 --> 00:03:21,333 MEDICAL GLOVES. IN FILTHY, CONFISCATED BY THE 117 00:03:21,335 --> 00:03:23,602 IN FILTHY, CONFISCATED BY THE THAI GOVERNMENT IN JANUARY. 118 00:03:23,604 --> 00:03:25,437 THAI GOVERNMENT IN JANUARY. >> THESE WERE WASHED, RECYCLED, 119 00:03:25,439 --> 00:03:27,272 >> THESE WERE WASHED, RECYCLED, SOME DIRTY, BLOOD STAINS. 120 00:03:27,274 --> 00:03:30,008 SOME DIRTY, BLOOD STAINS. >> THIS ONE IS COMPLETELY BROWN, 121 00:03:30,010 --> 00:03:30,976 >> THIS ONE IS COMPLETELY BROWN, DISCOLORED. 122 00:03:30,978 --> 00:03:33,745 DISCOLORED. THIS IS NITRILE BUT YOU CAN TELL 123 00:03:33,747 --> 00:03:35,147 THIS IS NITRILE BUT YOU CAN TELL IT'S BEEN THROUGH A WASHER AND 124 00:03:35,149 --> 00:03:36,582 IT'S BEEN THROUGH A WASHER AND DRYER AND CHANGED COLOR DUE TO 125 00:03:36,584 --> 00:03:37,115 DRYER AND CHANGED COLOR DUE TO THE HEAT. 126 00:03:37,117 --> 00:03:38,684 THE HEAT. >> Trevor: CRAZY, RIGHT? 127 00:03:38,686 --> 00:03:41,086 >> Trevor: CRAZY, RIGHT? WHEN I FIRST SAW THIS, I WAS, 128 00:03:41,088 --> 00:03:42,487 WHEN I FIRST SAW THIS, I WAS, LIKE, I BET THIS IS HOW THE 129 00:03:42,489 --> 00:03:44,289 LIKE, I BET THIS IS HOW THE PANDEMIC STARTED. 130 00:03:44,291 --> 00:03:46,858 PANDEMIC STARTED. IT WAS PROBABLY JUST TWO DOCTOR 131 00:03:46,860 --> 00:03:48,827 IT WAS PROBABLY JUST TWO DOCTOR SHAKING HANDS, BECAUSE THESE 132 00:03:48,829 --> 00:03:50,696 SHAKING HANDS, BECAUSE THESE GLOVES ARE MEANT TO BE THROWN 133 00:03:50,698 --> 00:03:52,564 GLOVES ARE MEANT TO BE THROWN INTO A TRASH BAG WHICH IS THEN 134 00:03:52,566 --> 00:03:54,733 INTO A TRASH BAG WHICH IS THEN THROWN INTO THE OWNS AND 135 00:03:54,735 --> 00:03:55,968 THROWN INTO THE OWNS AND SWALLOWED BY A WHALE. 136 00:03:55,970 --> 00:03:57,669 SWALLOWED BY A WHALE. THAT'S THE RIGHT WAY TO DO IT. 137 00:03:57,671 --> 00:03:59,004 THAT'S THE RIGHT WAY TO DO IT. THIS IS INFURIATING. 138 00:03:59,006 --> 00:04:00,639 THIS IS INFURIATING. I KNOW THE WORLD IS CHANGING AT 139 00:04:00,641 --> 00:04:02,507 I KNOW THE WORLD IS CHANGING AT A RAPID PACE AND THERE'S SO MUCH 140 00:04:02,509 --> 00:04:04,409 A RAPID PACE AND THERE'S SO MUCH UNCERTAINTY ABOUT THE FUTURE, 141 00:04:04,411 --> 00:04:06,144 UNCERTAINTY ABOUT THE FUTURE, BUT THE ONE THING I THOUGHT I 142 00:04:06,146 --> 00:04:09,314 BUT THE ONE THING I THOUGHT I COULD ALWAYS RELY ON IS THAT 143 00:04:09,316 --> 00:04:11,083 COULD ALWAYS RELY ON IS THAT WHEN A DOCTOR STICKS A GLOVED 144 00:04:11,085 --> 00:04:14,052 WHEN A DOCTOR STICKS A GLOVED FINGER INTO MY BUTT, THAT GLOVE 145 00:04:14,054 --> 00:04:15,988 FINGER INTO MY BUTT, THAT GLOVE IS LOSING ITS VIRGIN AT THIS. 146 00:04:15,990 --> 00:04:17,322 IS LOSING ITS VIRGIN AT THIS. THEY SHOULD NEVER BE FILTHY. 147 00:04:17,324 --> 00:04:18,991 THEY SHOULD NEVER BE FILTHY. THE ONLY THING THAT SHOULD BE 148 00:04:18,993 --> 00:04:20,826 THE ONLY THING THAT SHOULD BE FILTHY IS THE TOY CUBE IN THE 149 00:04:20,828 --> 00:04:22,694 FILTHY IS THE TOY CUBE IN THE PEDIATRICIAN'S WAITING ROOM. 150 00:04:22,696 --> 00:04:24,129 PEDIATRICIAN'S WAITING ROOM. EVERY KID TOUCHES IT. 151 00:04:24,131 --> 00:04:26,465 EVERY KID TOUCHES IT. IT'S EBOLA WAITING TO HAPPEN. 152 00:04:26,467 --> 00:04:28,300 IT'S EBOLA WAITING TO HAPPEN. AT THE VERY LEAST, IF THESE 153 00:04:28,302 --> 00:04:29,935 AT THE VERY LEAST, IF THESE COMPANIES ARE GOING TO HAND OUT 154 00:04:29,937 --> 00:04:31,570 COMPANIES ARE GOING TO HAND OUT DIRTY GLOVES, DON'T GO THROUGH 155 00:04:31,572 --> 00:04:33,672 DIRTY GLOVES, DON'T GO THROUGH THE TROUBLE OF WASHING A AND 156 00:04:33,674 --> 00:04:34,206 THE TROUBLE OF WASHING A AND TRYING THEM. 157 00:04:34,208 --> 00:04:36,842 TRYING THEM. JUST PUT A CHOCOLATE MINT ON THE 158 00:04:36,844 --> 00:04:39,111 JUST PUT A CHOCOLATE MINT ON THE BOX LIKE HOTELS, AND WE'LL BE, 159 00:04:39,113 --> 00:04:41,413 BOX LIKE HOTELS, AND WE'LL BE, OH, A MINT, IT MUST BE CLEAN. 160 00:04:41,415 --> 00:04:42,848 OH, A MINT, IT MUST BE CLEAN. >> TREVOR, AS SOMEONE WHO PLAYS 161 00:04:42,850 --> 00:04:44,716 >> TREVOR, AS SOMEONE WHO PLAYS A DOCTOR ON A DIFFERENT TV 162 00:04:44,718 --> 00:04:46,018 A DOCTOR ON A DIFFERENT TV CHANNEL, I'M GOING TO HAVE TO 163 00:04:46,020 --> 00:04:47,552 CHANNEL, I'M GOING TO HAVE TO WEIGH IN WITH MY PROFESSIONAL 164 00:04:47,554 --> 00:04:49,321 WEIGH IN WITH MY PROFESSIONAL OPINION ON THIS ONE, JUST 165 00:04:49,323 --> 00:04:50,989 OPINION ON THIS ONE, JUST PUTTING IT OUT THERE, DOCTORS 166 00:04:50,991 --> 00:04:52,958 PUTTING IT OUT THERE, DOCTORS ARE USING TOO MANY GLOVES, ALL 167 00:04:52,960 --> 00:04:55,160 ARE USING TOO MANY GLOVES, ALL RIGHT, WE DON'T NEED A NEW GLOVE 168 00:04:55,162 --> 00:04:56,128 RIGHT, WE DON'T NEED A NEW GLOVE FOR EVERY HOLE. 169 00:04:56,130 --> 00:04:57,963 FOR EVERY HOLE. ALL THESE GLOVES END UP IN THE 170 00:04:57,965 --> 00:04:59,798 ALL THESE GLOVES END UP IN THE OCEAN, AS YOU SAID. 171 00:04:59,800 --> 00:05:03,769 OCEAN, AS YOU SAID. THESE GUYS, THE THAIs, THEY'RE 172 00:05:03,771 --> 00:05:04,970 THESE GUYS, THE THAIs, THEY'RE BEING ENVIRONMENTALISTS. 173 00:05:04,972 --> 00:05:06,872 BEING ENVIRONMENTALISTS. IT'S GOOD FOR THE ENVIRONMENT, 174 00:05:06,874 --> 00:05:07,072 IT'S GOOD FOR THE ENVIRONMENT, RIGHT? 175 00:05:07,074 --> 00:05:08,707 RIGHT? >> Trevor: YOU ARE BEING 176 00:05:08,709 --> 00:05:09,308 >> Trevor: YOU ARE BEING RIDICULOUS. 177 00:05:09,310 --> 00:05:12,010 RIDICULOUS. YOU NEED NEW GLOVES FOR EACH 178 00:05:12,012 --> 00:05:12,477 YOU NEED NEW GLOVES FOR EACH THING. 179 00:05:12,479 --> 00:05:13,378 THING. IT'S SANITARY. 180 00:05:13,380 --> 00:05:15,080 IT'S SANITARY. >> IT'S EITHER BABY WHAT ELSE 181 00:05:15,082 --> 00:05:24,189 >> IT'S EITHER BABY WHAT ELSE CHOKING TO DEATH OR GETTING 182 00:05:24,191 --> 00:05:25,257 CHOKING TO DEATH OR GETTING H.P.V. SOMETIMES. 183 00:05:25,259 --> 00:05:26,792 H.P.V. SOMETIMES. THOSE ARE YOUR ONLY OPTIONS. 184 00:05:26,794 --> 00:05:29,528 THOSE ARE YOUR ONLY OPTIONS. YOU WANT BABY DOLPHINS TO DIE OR 185 00:05:29,530 --> 00:05:31,730 YOU WANT BABY DOLPHINS TO DIE OR MAYBE YOU MIGHT SOMETIMES GET 186 00:05:31,732 --> 00:05:34,800 MAYBE YOU MIGHT SOMETIMES GET SOMETHING FROM YOUR DOCTOR'S 187 00:05:34,802 --> 00:05:35,033 SOMETHING FROM YOUR DOCTOR'S GLOVES? 188 00:05:35,035 --> 00:05:36,468 GLOVES? >> Trevor: YEAH, NOW YOU'VE 189 00:05:36,470 --> 00:05:38,136 >> Trevor: YEAH, NOW YOU'VE GOT ME BECAUSE IF I SAY I WANT 190 00:05:38,138 --> 00:05:39,871 GOT ME BECAUSE IF I SAY I WANT THE BABY DOLPHINS TO DIE, NOW 191 00:05:39,873 --> 00:05:41,173 THE BABY DOLPHINS TO DIE, NOW I'M AN ASSHOLE. 192 00:05:41,175 --> 00:05:42,808 I'M AN ASSHOLE. THAT'S THE SECRET OF AMERICA, 193 00:05:42,810 --> 00:05:44,343 THAT'S THE SECRET OF AMERICA, YOU'RE AN ASSHOLE EITHER WAY. 194 00:05:44,345 --> 00:05:45,477 YOU'RE AN ASSHOLE EITHER WAY. >> Trevor: ALL RIGHT, WELL, 195 00:05:45,479 --> 00:05:47,846 >> Trevor: ALL RIGHT, WELL, FOR OUR NEXT STORY, LET'S DO 196 00:05:47,848 --> 00:05:49,514 FOR OUR NEXT STORY, LET'S DO WHAT MY HATERS AND MY 197 00:05:49,516 --> 00:05:50,382 WHAT MY HATERS AND MY GRANDMOTHER ARE ALWAYS TELLING 198 00:05:50,384 --> 00:05:53,318 GRANDMOTHER ARE ALWAYS TELLING ME TO DO AND GO BACK TO AFRICA. 199 00:05:53,320 --> 00:05:54,853 ME TO DO AND GO BACK TO AFRICA. AMAZING HOW HATE AND LOVE 200 00:05:54,855 --> 00:05:55,187 AMAZING HOW HATE AND LOVE OVERLAP. 201 00:05:55,189 --> 00:05:57,689 OVERLAP. A NEW STUDY OUT OF MOZAMBIQUE 202 00:05:57,691 --> 00:05:59,458 A NEW STUDY OUT OF MOZAMBIQUE FOUND ELEPHANTS IN ONE PARK HAVE 203 00:05:59,460 --> 00:06:02,527 FOUND ELEPHANTS IN ONE PARK HAVE BEEN EVOLVING TO LOSE THEIR 204 00:06:02,529 --> 00:06:02,728 BEEN EVOLVING TO LOSE THEIR TUSKS. 205 00:06:02,730 --> 00:06:04,930 TUSKS. IN THE YEAR 2000, THERE WERE 206 00:06:04,932 --> 00:06:07,132 IN THE YEAR 2000, THERE WERE THREE TIMES AS MANY TUSKSLESS 207 00:06:07,134 --> 00:06:10,001 THREE TIMES AS MANY TUSKSLESS FEMALE ELEPHANTS AS 30 YEARS 208 00:06:10,003 --> 00:06:11,503 FEMALE ELEPHANTS AS 30 YEARS EARLIER, WHICH MAKES SENSE, 209 00:06:11,505 --> 00:06:13,572 EARLIER, WHICH MAKES SENSE, ELEPHANTS DON'T NEED TUSKS 210 00:06:13,574 --> 00:06:14,806 ELEPHANTS DON'T NEED TUSKS ANYMORE, WE HAVE CAN OPENERS 211 00:06:14,808 --> 00:06:15,006 ANYMORE, WE HAVE CAN OPENERS NOW. 212 00:06:15,008 --> 00:06:16,408 NOW. BUT THAT'S ACTUALLY NOT THE 213 00:06:16,410 --> 00:06:19,077 BUT THAT'S ACTUALLY NOT THE REASON FOR THIS RAPID EVOLUTION. 214 00:06:19,079 --> 00:06:20,379 REASON FOR THIS RAPID EVOLUTION. >> IT'S THOUGHT TO BE THE RESULT 215 00:06:20,381 --> 00:06:22,047 >> IT'S THOUGHT TO BE THE RESULT OF IVORY POACHING THAT STARTED 216 00:06:22,049 --> 00:06:23,548 OF IVORY POACHING THAT STARTED IN THE LATE '70s. 217 00:06:23,550 --> 00:06:24,983 IN THE LATE '70s. RESEARCHERS SAY A VERY SMALL 218 00:06:24,985 --> 00:06:28,186 RESEARCHERS SAY A VERY SMALL PORTION OF FEMALE ELEPHANTS ARE 219 00:06:28,188 --> 00:06:31,323 PORTION OF FEMALE ELEPHANTS ARE BORN WITHOUT TUSKS NATURALLY, 220 00:06:31,325 --> 00:06:33,091 BORN WITHOUT TUSKS NATURALLY, AND THAT PORTION IS GITTING 221 00:06:33,093 --> 00:06:36,194 AND THAT PORTION IS GITTING BIGGER BECAUSE TUSKLESS FEMALES 222 00:06:36,196 --> 00:06:37,763 BIGGER BECAUSE TUSKLESS FEMALES ARE MORE LIKELY TO SURVIVE. 223 00:06:37,765 --> 00:06:39,131 ARE MORE LIKELY TO SURVIVE. >> Trevor: BELIEVE IT OR NOT. 224 00:06:39,133 --> 00:06:41,566 >> Trevor: BELIEVE IT OR NOT. THESE ELEPHANTS LIKE MOST 225 00:06:41,568 --> 00:06:43,535 THESE ELEPHANTS LIKE MOST FEMALES ARE TRYING TO AVOID DON, 226 00:06:43,537 --> 00:06:43,769 FEMALES ARE TRYING TO AVOID DON, JR. 227 00:06:43,771 --> 00:06:47,472 JR. BEING ABLE TO AVOID POACHERS IS 228 00:06:47,474 --> 00:06:50,442 BEING ABLE TO AVOID POACHERS IS GREAT NEWS FOR ELEPHANTS, BUT IF 229 00:06:50,444 --> 00:06:51,977 GREAT NEWS FOR ELEPHANTS, BUT IF OTHER ANIMALS WANT TO SURVIVE, 230 00:06:51,979 --> 00:06:54,279 OTHER ANIMALS WANT TO SURVIVE, MAYBE LEARN FROM THE ELEPHANTS. 231 00:06:54,281 --> 00:06:56,248 MAYBE LEARN FROM THE ELEPHANTS. TURTLES SHOULD EVOLVE TO EAT 232 00:06:56,250 --> 00:06:56,581 TURTLES SHOULD EVOLVE TO EAT PLASTIC. 233 00:06:56,583 --> 00:06:59,985 PLASTIC. FISH SHOULD EVOLVE TO ALSO EAT 234 00:06:59,987 --> 00:07:00,218 FISH SHOULD EVOLVE TO ALSO EAT PLASTIC. 235 00:07:00,220 --> 00:07:01,386 PLASTIC. PRETTY MUCH IF YOU'RE ANNA 236 00:07:01,388 --> 00:07:02,721 PRETTY MUCH IF YOU'RE ANNA KENDRICK MALL, YOU SHOULD EVOLVE 237 00:07:02,723 --> 00:07:05,824 KENDRICK MALL, YOU SHOULD EVOLVE TO EAT PLASTIC BECAUSE, I'M 238 00:07:05,826 --> 00:07:07,793 TO EAT PLASTIC BECAUSE, I'M SORRY GUYS, WE'RE NOT USING 239 00:07:07,795 --> 00:07:08,260 SORRY GUYS, WE'RE NOT USING PAPER STRAUS. 240 00:07:08,262 --> 00:07:10,662 PAPER STRAUS. WE JUST DECIDED AS HUMANS. 241 00:07:10,664 --> 00:07:12,297 WE JUST DECIDED AS HUMANS. >> YOU KNOW WHAT, ELEPHANTS, 242 00:07:12,299 --> 00:07:13,865 >> YOU KNOW WHAT, ELEPHANTS, GREAT MOVE HERE, WHAT TOOK YOU 243 00:07:13,867 --> 00:07:14,966 GREAT MOVE HERE, WHAT TOOK YOU SO LONG? 244 00:07:14,968 --> 00:07:16,701 SO LONG? DECADES OF THIS, WHAT DO YOU 245 00:07:16,703 --> 00:07:17,936 DECADES OF THIS, WHAT DO YOU THINK WAS GOING TO HAPPEN? 246 00:07:17,938 --> 00:07:19,738 THINK WAS GOING TO HAPPEN? IF YOU'RE ANNA KENDRICK MALL 247 00:07:19,740 --> 00:07:22,641 IF YOU'RE ANNA KENDRICK MALL WITH MONEY GROWING OUT OF YOUR 248 00:07:22,643 --> 00:07:23,675 WITH MONEY GROWING OUT OF YOUR FACE, WHAT ARE YOU THINK IS 249 00:07:23,677 --> 00:07:25,143 FACE, WHAT ARE YOU THINK IS GOING TO HAPPEN NEXT? 250 00:07:25,145 --> 00:07:28,113 GOING TO HAPPEN NEXT? IF I WALKED AROUND TIMES SQUARE 251 00:07:28,115 --> 00:07:30,081 IF I WALKED AROUND TIMES SQUARE WITH BIT COIN GROWING ON MY ASS, 252 00:07:30,083 --> 00:07:32,818 WITH BIT COIN GROWING ON MY ASS, I HAVE A POACHER PROBLEM, TOO. 253 00:07:32,820 --> 00:07:33,251 I HAVE A POACHER PROBLEM, TOO. RIGHT? 254 00:07:33,253 --> 00:07:33,552 RIGHT? JUST SAYING. 255 00:07:33,554 --> 00:07:35,153 JUST SAYING. >> Trevor: IT'S NOT MONEY, 256 00:07:35,155 --> 00:07:35,387 >> Trevor: IT'S NOT MONEY, THOUGH. 257 00:07:35,389 --> 00:07:38,023 THOUGH. >> YEAH, THAT STUFF IS -- ALL 258 00:07:38,025 --> 00:07:38,256 >> YEAH, THAT STUFF IS -- ALL RIGHT -- 259 00:07:38,258 --> 00:07:40,392 RIGHT -- >> Trevor: BIT COIN, THAT'S 260 00:07:40,394 --> 00:07:42,027 >> Trevor: BIT COIN, THAT'S NOT MONEY. 261 00:07:42,029 --> 00:07:42,894 NOT MONEY. >> WELL, WHATEVER IT IS, PEOPLE 262 00:07:42,896 --> 00:07:44,863 >> WELL, WHATEVER IT IS, PEOPLE WANT IT, OKAY? 263 00:07:44,865 --> 00:07:46,965 WANT IT, OKAY? IF YOU'VE GOT SOMETHING PEOPLE 264 00:07:46,967 --> 00:07:48,967 IF YOU'VE GOT SOMETHING PEOPLE WANT GROWING OFF YOUR BODY -- 265 00:07:48,969 --> 00:07:50,268 WANT GROWING OFF YOUR BODY -- >> Trevor: BUT, RONNY, IT'S 266 00:07:50,270 --> 00:07:54,039 >> Trevor: BUT, RONNY, IT'S NOT LIKE A REAL THING, PEOPLE 267 00:07:54,041 --> 00:07:55,841 NOT LIKE A REAL THING, PEOPLE WHO WANT IT IS LIKE A FAKE 268 00:07:55,843 --> 00:07:56,608 WHO WANT IT IS LIKE A FAKE THING. 269 00:07:56,610 --> 00:07:57,742 THING. >> BITCOIN OR IVORY? 270 00:07:57,744 --> 00:07:58,643 >> BITCOIN OR IVORY? >> Trevor: IVORY. 271 00:07:58,645 --> 00:07:59,845 >> Trevor: IVORY. >> I DON'T KNOW WHAT PEOPLE USE 272 00:07:59,847 --> 00:08:00,245 >> I DON'T KNOW WHAT PEOPLE USE IVORY FOR. 273 00:08:00,247 --> 00:08:02,347 IVORY FOR. YOU'RE FROM THE REGION, RIGHT? 274 00:08:02,349 --> 00:08:03,682 YOU'RE FROM THE REGION, RIGHT? >> Trevor: THE REGION? 275 00:08:03,684 --> 00:08:05,217 >> Trevor: THE REGION? OH, YES, FROM AFRICA. 276 00:08:05,219 --> 00:08:07,285 OH, YES, FROM AFRICA. I THOUGHT YOU WERE SAYING I'M 277 00:08:07,287 --> 00:08:08,920 I THOUGHT YOU WERE SAYING I'M FROM THE REGION WE USE -- WE 278 00:08:08,922 --> 00:08:10,455 FROM THE REGION WE USE -- WE HAVE THE IVORY. 279 00:08:10,457 --> 00:08:12,123 HAVE THE IVORY. WE DON'T NEWS IVORY. 280 00:08:12,125 --> 00:08:13,792 WE DON'T NEWS IVORY. >> NOBODY WANTS THIS SHIT. 281 00:08:13,794 --> 00:08:15,126 >> NOBODY WANTS THIS SHIT. PEOPLE ARE KILLING THE ELEPHANTS 282 00:08:15,128 --> 00:08:17,429 PEOPLE ARE KILLING THE ELEPHANTS AND TAKING THE TUSKS BECAUSE -- 283 00:08:17,431 --> 00:08:18,763 AND TAKING THE TUSKS BECAUSE -- >> Trevor: NO BECAUSE IN OTHER 284 00:08:18,765 --> 00:08:20,432 >> Trevor: NO BECAUSE IN OTHER REGIONS OF THE WORLD -- NOT 285 00:08:20,434 --> 00:08:21,967 REGIONS OF THE WORLD -- NOT WEIGH WHICH REGIONS BECAUSE 286 00:08:21,969 --> 00:08:23,835 WEIGH WHICH REGIONS BECAUSE WE'LL GET INTO A FIGHT -- 287 00:08:23,837 --> 00:08:25,237 WE'LL GET INTO A FIGHT -- >> DON'T PUT THIS ON US. 288 00:08:25,239 --> 00:08:27,105 >> DON'T PUT THIS ON US. I'VE NEVER SEEN AN ELEPHANT TUSK 289 00:08:27,107 --> 00:08:27,639 I'VE NEVER SEEN AN ELEPHANT TUSK IN MY LIFE. 290 00:08:27,641 --> 00:08:29,074 IN MY LIFE. >> Trevor: YEAH, BECAUSE YOU 291 00:08:29,076 --> 00:08:30,275 >> Trevor: YEAH, BECAUSE YOU TURN INTO IT AVERY. 292 00:08:30,277 --> 00:08:31,510 TURN INTO IT AVERY. I SHOULD HAVE SAID YOU. 293 00:08:31,512 --> 00:08:34,579 I SHOULD HAVE SAID YOU. >> NO, THAT'S YOU GUYS. 294 00:08:34,581 --> 00:08:36,448 >> NO, THAT'S YOU GUYS. I'M NOT USING THE IVORY. 295 00:08:36,450 --> 00:08:38,183 I'M NOT USING THE IVORY. >> Trevor: I'M NOT MAKING THE 296 00:08:38,185 --> 00:08:38,517 >> Trevor: I'M NOT MAKING THE IVORY. 297 00:08:38,519 --> 00:08:39,718 IVORY. WE JUST HAVE ELEPHANTS. 298 00:08:39,720 --> 00:08:41,253 WE JUST HAVE ELEPHANTS. >> SOMEBODY IS SHOOTING 299 00:08:41,255 --> 00:08:42,587 >> SOMEBODY IS SHOOTING ELEPHANTS AND USING THE IVORY 300 00:08:42,589 --> 00:08:44,089 ELEPHANTS AND USING THE IVORY AND IT'S NOT US, AND YOU'RE 301 00:08:44,091 --> 00:08:45,524 AND IT'S NOT US, AND YOU'RE TELLING ME IT'S NOT YOU GUYS. 302 00:08:45,526 --> 00:08:46,291 TELLING ME IT'S NOT YOU GUYS. >> Trevor: NO. 303 00:08:46,293 --> 00:08:47,659 >> Trevor: NO. >> WELL, THEN, THERE SHOULDN'T 304 00:08:47,661 --> 00:08:50,028 >> WELL, THEN, THERE SHOULDN'T BE A PROBLEM, THEN. 305 00:08:50,030 --> 00:08:52,330 BE A PROBLEM, THEN. >> Trevor: OKAY. 306 00:08:52,332 --> 00:08:53,965 >> Trevor: OKAY. WELL, I'M GLAD WE SOLVED THIS 307 00:08:53,967 --> 00:08:54,165 WELL, I'M GLAD WE SOLVED THIS THING. 308 00:08:54,167 --> 00:08:54,933 THING. >> I'M GLAD, TOO. 309 00:08:54,935 --> 00:08:57,102 >> I'M GLAD, TOO. >> Trevor: WHERE DID YOU GET A 310 00:08:57,104 --> 00:08:57,469 >> Trevor: WHERE DID YOU GET A GLOVE? 311 00:08:57,471 --> 00:08:58,737 GLOVE? >> OH, THIS THING? 312 00:08:58,739 --> 00:08:59,971 >> OH, THIS THING? OH, YEAH, I WAS JUST GOING TO BE 313 00:08:59,973 --> 00:09:01,940 OH, YEAH, I WAS JUST GOING TO BE A GOOD FRIEND AND JUST, YOU 314 00:09:01,942 --> 00:09:03,808 A GOOD FRIEND AND JUST, YOU KNOW, MAYBE CHECK YOU FOR ANY 315 00:09:03,810 --> 00:09:04,776 KNOW, MAYBE CHECK YOU FOR ANY PROBLEMS YOU MIGHT HAVE. 316 00:09:04,778 --> 00:09:06,211 PROBLEMS YOU MIGHT HAVE. >> Trevor: MY HEALTH? 317 00:09:06,213 --> 00:09:07,112 >> Trevor: MY HEALTH? >> YEAH, YEAH. 318 00:09:07,114 --> 00:09:08,413 >> YEAH, YEAH. IT'S ALL GOOD, MAN. 319 00:09:08,415 --> 00:09:09,514 IT'S ALL GOOD, MAN. I PLAY A DOCTOR ON TV. 320 00:09:09,516 --> 00:09:12,150 I PLAY A DOCTOR ON TV. JUST SAY THE WORD, I'M IN THERE. 321 00:09:12,152 --> 00:09:13,919 JUST SAY THE WORD, I'M IN THERE. >> Trevor: YOU COME IN THE 322 00:09:13,921 --> 00:09:15,687 >> Trevor: YOU COME IN THE STUDIO WITH A GLOVE -- 323 00:09:15,689 --> 00:09:18,123 STUDIO WITH A GLOVE -- >> NO, I GOT IT FROM GUY ON 324 00:09:18,125 --> 00:09:21,192 >> NO, I GOT IT FROM GUY ON AMAZON, HE SAID IT'S CLEAN. 325 00:09:21,194 --> 00:09:22,394 AMAZON, HE SAID IT'S CLEAN. >> Trevor: NO, YOU NEED TO 326 00:09:22,396 --> 00:09:23,028 >> Trevor: NO, YOU NEED TO LEAVE WITH THAT. 327 00:09:23,030 --> 00:09:25,096 LEAVE WITH THAT. THAT'S A HEALTH HAZARD. 328 00:09:25,098 --> 00:09:26,231 THAT'S A HEALTH HAZARD. >> YOU KNOW WHAT'S A BIGGER 329 00:09:26,233 --> 00:09:27,198 >> YOU KNOW WHAT'S A BIGGER HEALTH HAZARD? 330 00:09:27,200 --> 00:09:28,733 HEALTH HAZARD? NOT CHECKING FOR PROSTRATE AT 331 00:09:28,735 --> 00:09:29,434 NOT CHECKING FOR PROSTRATE AT YOUR AGE. 332 00:09:29,436 --> 00:09:30,835 YOUR AGE. NOT CHECKING YOUR PROSTRATE AT 333 00:09:30,837 --> 00:09:34,773 NOT CHECKING YOUR PROSTRATE AT YOUR AGE, THAT'S A BIGGER HEALTH 334 00:09:34,775 --> 00:09:35,006 YOUR AGE, THAT'S A BIGGER HEALTH HAZARD. 335 00:09:35,008 --> 00:09:36,441 HAZARD. DO YOU WANT CANCER IN YOUR BUTT 336 00:09:36,443 --> 00:09:39,377 DO YOU WANT CANCER IN YOUR BUTT OR H.P.V.? 337 00:09:39,379 --> 00:09:41,046 OR H.P.V.? BECAUSE THOSE ARE YOUR OPTIONS. 338 00:09:41,048 --> 00:09:42,447 BECAUSE THOSE ARE YOUR OPTIONS. I DIDN'T MAKE THE WORLD, I JUST 339 00:09:42,449 --> 00:09:44,115 I DIDN'T MAKE THE WORLD, I JUST LIVE IN IT. 340 00:09:44,117 --> 00:09:45,216 LIVE IN IT. SAY THE WORLD. 341 00:09:45,218 --> 00:09:47,452 SAY THE WORLD. >> Trevor: I'LL MEET YOU IN MY 342 00:09:47,454 --> 00:09:47,686 >> Trevor: I'LL MEET YOU IN MY OFFICE. 343 00:09:47,688 --> 00:09:47,953 OFFICE. >> COOL. 344 00:09:47,955 --> 00:09:48,553 >> COOL. >> Trevor: THANK YOU SO MUCH. 345 00:09:48,555 --> 00:09:51,089 >> Trevor: THANK YOU SO MUCH. ALL RIGHT, ENOUGH FOR THE 346 00:09:51,091 --> 00:09:51,556 ALL RIGHT, ENOUGH FOR THE HEADLINES. 347 00:09:51,558 --> 00:09:54,359 HEADLINES. LET'S JUMP INTO OUR MAIN STORY. 348 00:09:54,361 --> 00:09:55,961 LET'S JUMP INTO OUR MAIN STORY. OVER THE WEEKEND, PEOPLE ALL 349 00:09:55,963 --> 00:09:57,228 OVER THE WEEKEND, PEOPLE ALL OVER THE GLOBE WERE SHARING A 350 00:09:57,230 --> 00:09:59,731 OVER THE GLOBE WERE SHARING A STORY THAT WAS NOT ONLY SHOCKING 351 00:09:59,733 --> 00:10:01,633 STORY THAT WAS NOT ONLY SHOCKING BUT ALSO HEARTBREAKING. 352 00:10:01,635 --> 00:10:03,234 BUT ALSO HEARTBREAKING. >> THERE WAS SHOCK AND DISBELIEF 353 00:10:03,236 --> 00:10:05,103 >> THERE WAS SHOCK AND DISBELIEF TONIGHT AFTER ACTOR ALEC BALD 354 00:10:05,105 --> 00:10:07,072 TONIGHT AFTER ACTOR ALEC BALD WITHIN WAS INVOLVED IN A FATAL 355 00:10:07,074 --> 00:10:08,306 WITHIN WAS INVOLVED IN A FATAL AND APPARENT ACCIDENTAL SHOOTING 356 00:10:08,308 --> 00:10:12,210 AND APPARENT ACCIDENTAL SHOOTING OF A WOMAN ON A NEW MEXICO MOVIE 357 00:10:12,212 --> 00:10:12,744 OF A WOMAN ON A NEW MEXICO MOVIE SET. 358 00:10:12,746 --> 00:10:14,713 SET. >> ALEC BALDWIN SEEN IN ANGUISH 359 00:10:14,715 --> 00:10:16,147 >> ALEC BALDWIN SEEN IN ANGUISH THURSDAY AFTER FIRING A PROP GUN 360 00:10:16,149 --> 00:10:17,782 THURSDAY AFTER FIRING A PROP GUN ON THE SET OF RUST AN 361 00:10:17,784 --> 00:10:19,884 ON THE SET OF RUST AN INDEPENDENT WESTERN KILLING 362 00:10:19,886 --> 00:10:23,922 INDEPENDENT WESTERN KILLING SIMILAR TO MER HAYLNA HUTCHINS 363 00:10:23,924 --> 00:10:29,628 SIMILAR TO MER HAYLNA HUTCHINS AND INJURING JOE SOUZA. 364 00:10:29,630 --> 00:10:32,163 AND INJURING JOE SOUZA. A CREW MEMBER HANDED TO GUN TO 365 00:10:32,165 --> 00:10:35,967 A CREW MEMBER HANDED TO GUN TO BALDWIN AND SAID COLD GUN, 366 00:10:35,969 --> 00:10:38,403 BALDWIN AND SAID COLD GUN, UNAWARE IT WAS FULL OF LIVE 367 00:10:38,405 --> 00:10:38,703 UNAWARE IT WAS FULL OF LIVE ROUNDS. 368 00:10:38,705 --> 00:10:41,139 ROUNDS. THE SAFETY COMMISSION SAYS LIVE 369 00:10:41,141 --> 00:10:42,774 THE SAFETY COMMISSION SAYS LIVE AMMUNITION IS NOT TO BE USED 370 00:10:42,776 --> 00:10:44,843 AMMUNITION IS NOT TO BE USED EXCEPT A RARE OCCASION WHICH 371 00:10:44,845 --> 00:10:45,844 EXCEPT A RARE OCCASION WHICH BUZZ NOT FOR RUST. 372 00:10:45,846 --> 00:10:48,246 BUZZ NOT FOR RUST. >> WHERE DID THE LIVE ROUND COME 373 00:10:48,248 --> 00:10:48,480 >> WHERE DID THE LIVE ROUND COME FROM? 374 00:10:48,482 --> 00:10:50,115 FROM? >> NOW THE NATION IS ASKING HOW 375 00:10:50,117 --> 00:10:52,517 >> NOW THE NATION IS ASKING HOW COULD SOMETHING LIKE THIS 376 00:10:52,519 --> 00:10:52,751 COULD SOMETHING LIKE THIS HAPPEN? 377 00:10:52,753 --> 00:10:53,351 HAPPEN? >> TODAY INVESTIGATORS ARE 378 00:10:53,353 --> 00:10:54,819 >> TODAY INVESTIGATORS ARE TRYING TO DETERMINE HOW IN THE 379 00:10:54,821 --> 00:10:56,054 TRYING TO DETERMINE HOW IN THE WORLD A PROP GUN WHICH IS 380 00:10:56,056 --> 00:10:57,455 WORLD A PROP GUN WHICH IS SUPPOSED TO BE LOADED WITH 381 00:10:57,457 --> 00:10:59,090 SUPPOSED TO BE LOADED WITH BLANKS KILLED ONE PERSON AND 382 00:10:59,092 --> 00:11:00,759 BLANKS KILLED ONE PERSON AND INJURED ANOTHER. 383 00:11:00,761 --> 00:11:04,562 INJURED ANOTHER. >> Trevor: OKAY, MAYBE I'M AN 384 00:11:04,564 --> 00:11:05,964 >> Trevor: OKAY, MAYBE I'M AN IDIOT BUT I DON'T GET THIS. 385 00:11:05,966 --> 00:11:07,766 IDIOT BUT I DON'T GET THIS. WHY DO THEY NEED TO USE REAL 386 00:11:07,768 --> 00:11:10,835 WHY DO THEY NEED TO USE REAL GUNS TO MAKE A FAKE THING? 387 00:11:10,837 --> 00:11:12,570 GUNS TO MAKE A FAKE THING? BECAUSE HOLLYWOOD MOVIES LOVE 388 00:11:12,572 --> 00:11:15,473 BECAUSE HOLLYWOOD MOVIES LOVE USING THE FAKE VERSION OF REAL 389 00:11:15,475 --> 00:11:16,941 USING THE FAKE VERSION OF REAL THINGS FOR EVERYTHING EXCEPT 390 00:11:16,943 --> 00:11:17,375 THINGS FOR EVERYTHING EXCEPT GUNS. 391 00:11:17,377 --> 00:11:19,678 GUNS. FAKE TIGERS, FAKE HOUSES, THEY 392 00:11:19,680 --> 00:11:21,413 FAKE TIGERS, FAKE HOUSES, THEY CAN DIVERSITY AND INCLUSION 393 00:11:21,415 --> 00:11:22,847 CAN DIVERSITY AND INCLUSION INITIATIVES, BUT WHEN IT COMES 394 00:11:22,849 --> 00:11:24,516 INITIATIVES, BUT WHEN IT COMES TO DEADLY WEAPONS, SUDDENLY 395 00:11:24,518 --> 00:11:25,717 TO DEADLY WEAPONS, SUDDENLY THEY'RE LIKE LET'S GET A REAL 396 00:11:25,719 --> 00:11:27,519 THEY'RE LIKE LET'S GET A REAL GUN AND SEE WHAT HAPPENS, YOU 397 00:11:27,521 --> 00:11:28,553 GUN AND SEE WHAT HAPPENS, YOU KNOW, SWITCH THINGS UP. 398 00:11:28,555 --> 00:11:30,655 KNOW, SWITCH THINGS UP. IT MAKES NO SENSE TO ME. 399 00:11:30,657 --> 00:11:32,390 IT MAKES NO SENSE TO ME. LIVE GUNFIRE IS SOMETHING THAT 400 00:11:32,392 --> 00:11:34,159 LIVE GUNFIRE IS SOMETHING THAT SHOULD HAVE BEEN PHASED OUT OF 401 00:11:34,161 --> 00:11:40,965 SHOULD HAVE BEEN PHASED OUT OF MOVIESO A LONG TIME AGO AGO LIKE 402 00:11:40,967 --> 00:11:41,232 MOVIESO A LONG TIME AGO AGO LIKE BLACKFACE. 403 00:11:41,234 --> 00:11:43,301 BLACKFACE. ONLY A FEW YEARS AGO HOLLYWOOD 404 00:11:43,303 --> 00:11:45,336 ONLY A FEW YEARS AGO HOLLYWOOD FOUND OUT WOMEN COULD BE OVER 405 00:11:45,338 --> 00:11:45,503 FOUND OUT WOMEN COULD BE OVER 33. 406 00:11:45,505 --> 00:11:46,805 33. WHAT MAKES THE STORY WORSE IS 407 00:11:46,807 --> 00:11:47,906 WHAT MAKES THE STORY WORSE IS USUALLY THERE ARE A LOT OF 408 00:11:47,908 --> 00:11:50,642 USUALLY THERE ARE A LOT OF SAFETY MEASURES IN PLACE TO MAKE 409 00:11:50,644 --> 00:11:52,277 SAFETY MEASURES IN PLACE TO MAKE SURE THIS KIND OF THING DOESN'T 410 00:11:52,279 --> 00:11:52,510 SURE THIS KIND OF THING DOESN'T HAPPEN. 411 00:11:52,512 --> 00:11:54,479 HAPPEN. BUT SOUNDS LIKE THIS MOVIE SET 412 00:11:54,481 --> 00:11:55,880 BUT SOUNDS LIKE THIS MOVIE SET DIDN'T TAKE SAFETY THAT 413 00:11:55,882 --> 00:11:56,614 DIDN'T TAKE SAFETY THAT SERIOUSLY. 414 00:11:56,616 --> 00:11:57,415 SERIOUSLY. >> NBC NEWS LEARNED SAFETY 415 00:11:57,417 --> 00:11:59,284 >> NBC NEWS LEARNED SAFETY CONCERNS INCLUDING MULTIPLE 416 00:11:59,286 --> 00:12:01,352 CONCERNS INCLUDING MULTIPLE PREVIOUS MISFIRES OF THE SAME 417 00:12:01,354 --> 00:12:03,688 PREVIOUS MISFIRES OF THE SAME PROP GUN BALDWIN USED LED 418 00:12:03,690 --> 00:12:05,590 PROP GUN BALDWIN USED LED SEVERAL CREW MEMBERS TO WALK OFF 419 00:12:05,592 --> 00:12:07,292 SEVERAL CREW MEMBERS TO WALK OFF THE SET HOURS BEFORE THE 420 00:12:07,294 --> 00:12:08,159 THE SET HOURS BEFORE THE ACCIDENT. 421 00:12:08,161 --> 00:12:09,494 ACCIDENT. >> AND THE "THE LOS ANGELES TIM" 422 00:12:09,496 --> 00:12:11,696 >> AND THE "THE LOS ANGELES TIM" SAYS A CREW MEMBER RECENTLY 423 00:12:11,698 --> 00:12:13,198 SAYS A CREW MEMBER RECENTLY TEXTED THE UNIT PRODUCTION 424 00:12:13,200 --> 00:12:14,899 TEXTED THE UNIT PRODUCTION MANAGER WARNING "WE'VE NOW HAD 425 00:12:14,901 --> 00:12:16,835 MANAGER WARNING "WE'VE NOW HAD THREE ACCIDENTAL DISCHARGES. 426 00:12:16,837 --> 00:12:20,371 THREE ACCIDENTAL DISCHARGES. THIS IS SUPER UNSAFE ." 427 00:12:20,373 --> 00:12:22,474 THIS IS SUPER UNSAFE ." >> 24-YEAR-OLD HAN IN FOOT YEARS 428 00:12:22,476 --> 00:12:24,876 >> 24-YEAR-OLD HAN IN FOOT YEARS REED WAS IN CHARGE OF THE 429 00:12:24,878 --> 00:12:26,711 REED WAS IN CHARGE OF THE WEAPONS ON SET IN NEW MEXICO AND 430 00:12:26,713 --> 00:12:27,712 WEAPONS ON SET IN NEW MEXICO AND RECENTLY DISCUSSED HER 431 00:12:27,714 --> 00:12:29,247 RECENTLY DISCUSSED HER EXPERIENCE ON A PODCAST. 432 00:12:29,249 --> 00:12:31,449 EXPERIENCE ON A PODCAST. >> BY ALL MEANS, I'M STILL 433 00:12:31,451 --> 00:12:31,716 >> BY ALL MEANS, I'M STILL LEARNING. 434 00:12:31,718 --> 00:12:33,084 LEARNING. I THINK LOADING BLANKS WAS LIKE 435 00:12:33,086 --> 00:12:34,753 I THINK LOADING BLANKS WAS LIKE THE SCARIEST THING TO ME BECAUSE 436 00:12:34,755 --> 00:12:36,588 THE SCARIEST THING TO ME BECAUSE I WAS, LIKE, OH, I DON'T KNOW 437 00:12:36,590 --> 00:12:36,988 I WAS, LIKE, OH, I DON'T KNOW ANYTHING ABOUT IT. 438 00:12:36,990 --> 00:12:38,790 ANYTHING ABOUT IT. >> Trevor: OKAY. 439 00:12:38,792 --> 00:12:40,325 >> Trevor: OKAY. THAT -- THAT IS NOT SOMETHING 440 00:12:40,327 --> 00:12:41,659 THAT -- THAT IS NOT SOMETHING YOU EVER WANT TO HEAR FROM A 441 00:12:41,661 --> 00:12:43,928 YOU EVER WANT TO HEAR FROM A PERSON IN CHARGE OF YOUR GUNS. 442 00:12:43,930 --> 00:12:45,497 PERSON IN CHARGE OF YOUR GUNS. AND IT'S ALSO A GOOD REMINDER TO 443 00:12:45,499 --> 00:12:51,736 AND IT'S ALSO A GOOD REMINDER TO NEVER GO ON THE OMINOUS 444 00:12:51,738 --> 00:12:53,371 NEVER GO ON THE OMINOUS FORESHADOWING PODCAST WITH ZAC 445 00:12:53,373 --> 00:12:54,572 FORESHADOWING PODCAST WITH ZAC AND KYLE. 446 00:12:54,574 --> 00:12:56,775 AND KYLE. THIS GUN MISFIRED MULTIPLE TIMES 447 00:12:56,777 --> 00:12:58,543 THIS GUN MISFIRED MULTIPLE TIMES AND ALLOWED ON SET? 448 00:12:58,545 --> 00:13:00,812 AND ALLOWED ON SET? WAS THIS GUN'S DAD THE PRODUCER? 449 00:13:00,814 --> 00:13:02,147 WAS THIS GUN'S DAD THE PRODUCER? REPORTEDLY ONE TO HAVE THE 450 00:13:02,149 --> 00:13:03,481 REPORTEDLY ONE TO HAVE THE REASONS IT MIGHT HAVE HAPPENED 451 00:13:03,483 --> 00:13:04,783 REASONS IT MIGHT HAVE HAPPENED IS PRODUCTION DIDN'T WANT TO 452 00:13:04,785 --> 00:13:06,417 IS PRODUCTION DIDN'T WANT TO SPEND THE MONEY ON FIREARMS 453 00:13:06,419 --> 00:13:07,418 SPEND THE MONEY ON FIREARMS SAFETY EXPERTS. 454 00:13:07,420 --> 00:13:09,053 SAFETY EXPERTS. GUYS, LOOK, MAN, IF YOU DON'T 455 00:13:09,055 --> 00:13:11,089 GUYS, LOOK, MAN, IF YOU DON'T HAVE THE BUDGET TO PAY FOR GUN 456 00:13:11,091 --> 00:13:13,224 HAVE THE BUDGET TO PAY FOR GUN SAFETY FOR YOUR GUN MOVIE, THEN 457 00:13:13,226 --> 00:13:15,193 SAFETY FOR YOUR GUN MOVIE, THEN MAYBE YOU SHOULDN'T BE MAKING A 458 00:13:15,195 --> 00:13:15,860 MAYBE YOU SHOULDN'T BE MAKING A GUN MOVIE. 459 00:13:15,862 --> 00:13:17,929 GUN MOVIE. MAKE A DIFFERENT MOVIE. 460 00:13:17,931 --> 00:13:19,364 MAKE A DIFFERENT MOVIE. LIKE, I DON'T KNOW, A COOKING 461 00:13:19,366 --> 00:13:21,766 LIKE, I DON'T KNOW, A COOKING MOVIE OR MAYBE A MOVIE ABOUT HOW 462 00:13:21,768 --> 00:13:23,301 MOVIE OR MAYBE A MOVIE ABOUT HOW TWO PEOPLE AREN'T MEANT FOR EACH 463 00:13:23,303 --> 00:13:24,269 TWO PEOPLE AREN'T MEANT FOR EACH OTHER BUT ARE. 464 00:13:24,271 --> 00:13:26,371 OTHER BUT ARE. JUST DO ONE MORE OF THOSE. 465 00:13:26,373 --> 00:13:27,472 JUST DO ONE MORE OF THOSE. IT IS ABSOLUTELY UNNECESSARY FOR 466 00:13:27,474 --> 00:13:29,774 IT IS ABSOLUTELY UNNECESSARY FOR ANYBODY TO LOSE THEIR LIFE FOR A 467 00:13:29,776 --> 00:13:31,209 ANYBODY TO LOSE THEIR LIFE FOR A PRETEND THING! 468 00:13:31,211 --> 00:13:33,077 PRETEND THING! BUT I GUESS SOME HOLLYWOOD 469 00:13:33,079 --> 00:13:34,946 BUT I GUESS SOME HOLLYWOOD PRODUCTIONS DON'T FEEL THAT WAY 470 00:13:34,948 --> 00:13:35,513 PRODUCTIONS DON'T FEEL THAT WAY BECAUSE THIS ISN'T EVEN THE 471 00:13:35,515 --> 00:13:39,417 BECAUSE THIS ISN'T EVEN THE FIRST TIME THIS HAS HAD. 472 00:13:39,419 --> 00:13:41,052 FIRST TIME THIS HAS HAD. >> TRAGEDY STRUCK BEFORE ON A 473 00:13:41,054 --> 00:13:43,054 >> TRAGEDY STRUCK BEFORE ON A SET AT THE HANDS OF A PROP GUN. 474 00:13:43,056 --> 00:13:46,357 SET AT THE HANDS OF A PROP GUN. IN 199 P, BRANDON LEE, SON OF 475 00:13:46,359 --> 00:13:49,327 IN 199 P, BRANDON LEE, SON OF ICON BRUCE LEE, KILLED ON THE 476 00:13:49,329 --> 00:13:51,830 ICON BRUCE LEE, KILLED ON THE FILM SET OF THE CROW AFTER A 477 00:13:51,832 --> 00:13:53,998 FILM SET OF THE CROW AFTER A SMITH AND WESSON FIRED WHILE 478 00:13:54,000 --> 00:13:55,200 SMITH AND WESSON FIRED WHILE FILMING. 479 00:13:55,202 --> 00:13:56,701 FILMING. IN 1984 ON THE SET OF THE TV 480 00:13:56,703 --> 00:14:01,539 IN 1984 ON THE SET OF THE TV SERIES CUTUP, JOHN ERICSON DIED 481 00:14:01,541 --> 00:14:04,943 SERIES CUTUP, JOHN ERICSON DIED FROM A SELF-INFLICTED PROP 482 00:14:04,945 --> 00:14:06,110 FROM A SELF-INFLICTED PROP GUNSHOT, JUST 24 YEARS OLD. 483 00:14:06,112 --> 00:14:07,679 GUNSHOT, JUST 24 YEARS OLD. >> Trevor: IT'S HAPPENED 484 00:14:07,681 --> 00:14:08,012 >> Trevor: IT'S HAPPENED BEFORE. 485 00:14:08,014 --> 00:14:09,881 BEFORE. EVERY FEW YEARS SOMEONE ON A 486 00:14:09,883 --> 00:14:11,749 EVERY FEW YEARS SOMEONE ON A MOVIE SET GETS SHOT FOR REAL BY 487 00:14:11,751 --> 00:14:12,851 MOVIE SET GETS SHOT FOR REAL BY A PRETEND GUN. 488 00:14:12,853 --> 00:14:14,586 A PRETEND GUN. AND MAYBE THIS IS A 489 00:14:14,588 --> 00:14:16,554 AND MAYBE THIS IS A CONTROVERSIAL TAKE BUT I DON'T 490 00:14:16,556 --> 00:14:18,323 CONTROVERSIAL TAKE BUT I DON'T THINK MOVIE THINGS SHOULD KILL 491 00:14:18,325 --> 00:14:19,057 THINK MOVIE THINGS SHOULD KILL REAL PEOPLE. 492 00:14:19,059 --> 00:14:20,225 REAL PEOPLE. EVEN ONCE IN A WHILE SHOULDN'T 493 00:14:20,227 --> 00:14:21,025 EVEN ONCE IN A WHILE SHOULDN'T BE ACCEPTABLE. 494 00:14:21,027 --> 00:14:23,661 BE ACCEPTABLE. CAN YOU IMAGINE IF EVERY SO 495 00:14:23,663 --> 00:14:26,898 CAN YOU IMAGINE IF EVERY SO OFTEN A DINOSAUR? 496 00:14:26,900 --> 00:14:28,600 OFTEN A DINOSAUR? "JURASSIC PARK" ATE A PERSON? 497 00:14:28,602 --> 00:14:31,002 "JURASSIC PARK" ATE A PERSON? THERE WOULDN'T BE A SEQUEL. 498 00:14:31,004 --> 00:14:32,770 THERE WOULDN'T BE A SEQUEL. THEY'D CANCEL BARNEY, YO, GET 499 00:14:32,772 --> 00:14:34,172 THEY'D CANCEL BARNEY, YO, GET THAT THING AWAY FROM THE KIDS, 500 00:14:34,174 --> 00:14:35,406 THAT THING AWAY FROM THE KIDS, IT'S TOO RISKY. 501 00:14:35,408 --> 00:14:37,809 IT'S TOO RISKY. THIS IS A MISTAKE THAT NEVER 502 00:14:37,811 --> 00:14:38,943 THIS IS A MISTAKE THAT NEVER SHOULD HAVE BEEN MADE, A LIFE 503 00:14:38,945 --> 00:14:39,911 SHOULD HAVE BEEN MADE, A LIFE THAT NEVER SHOULD HAVE BEEN LOST 504 00:14:39,913 --> 00:14:43,214 THAT NEVER SHOULD HAVE BEEN LOST AND HOPEFULLY, HOPEFULLY IT'S A 505 00:14:43,216 --> 00:14:44,549 AND HOPEFULLY, HOPEFULLY IT'S A TRAGEDY THAT NEVER HAPPENS 506 00:14:44,551 --> 00:14:44,983 TRAGEDY THAT NEVER HAPPENS AGAIN. 507 00:14:44,985 --> 00:14:46,084 AGAIN. ALL RIGHT, WHEN WE COME BACK, 508 00:14:46,086 --> 00:14:48,853 ALL RIGHT, WHEN WE COME BACK, WE'LL TALK ABOUT THE DEMOCRAT 509 00:14:48,855 --> 00:14:50,121 WE'LL TALK ABOUT THE DEMOCRAT WHO'S REALLY PRESIDENT AND ANNA 510 00:14:50,123 --> 00:14:51,422 WHO'S REALLY PRESIDENT AND ANNA KENDRICK IS JOINING ME ON THE 511 00:14:51,424 --> 00:14:51,656 KENDRICK IS JOINING ME ON THE SHOW. 512 00:14:51,658 --> 00:14:53,458 SHOW. SO DON'T GO AWAY. 513 00:14:56,562 --> 00:14:57,396 >> Trevor: WELCOME BACK TO THE DAILY SHOW. 514 00:14:57,398 --> 00:14:58,063 DAILY SHOW. LET'S TALK ABOUT THE DEMOCRATIC 515 00:14:58,065 --> 00:14:58,263 LET'S TALK ABOUT THE DEMOCRATIC PARTY. 516 00:14:58,265 --> 00:14:58,964 PARTY. THE ONLY THING MORE 517 00:14:58,966 --> 00:15:01,400 THE ONLY THING MORE DYSFUNCTIONAL THAN THE HBO MAX 518 00:15:01,402 --> 00:15:01,566 DYSFUNCTIONAL THAN THE HBO MAX APP. 519 00:15:01,568 --> 00:15:02,601 APP. RIGHT NOW DEMOCRATS IN CONGRESS 520 00:15:02,603 --> 00:15:04,569 RIGHT NOW DEMOCRATS IN CONGRESS ARE FIGHTING OVER WHICH PARTS OF 521 00:15:04,571 --> 00:15:05,637 ARE FIGHTING OVER WHICH PARTS OF PRESIDENT BIDEN'S AGENDA ARE 522 00:15:05,639 --> 00:15:07,839 PRESIDENT BIDEN'S AGENDA ARE MOST IMPORTANT TO KEEP. 523 00:15:07,841 --> 00:15:09,107 MOST IMPORTANT TO KEEP. IS ADDRESSING CLIMATE CHANGE 524 00:15:09,109 --> 00:15:10,375 IS ADDRESSING CLIMATE CHANGE MORE IMPORTANT THAN EXPANDING 525 00:15:10,377 --> 00:15:12,577 MORE IMPORTANT THAN EXPANDING PAID FAMILY LEAVE? 526 00:15:12,579 --> 00:15:14,312 PAID FAMILY LEAVE? IS FREE PRE-K MORE IMPORTANT 527 00:15:14,314 --> 00:15:15,847 IS FREE PRE-K MORE IMPORTANT THAN FREE COLLEGE? 528 00:15:15,849 --> 00:15:19,451 THAN FREE COLLEGE? SHOULD I'VE REAMERICAN GET OKAY 529 00:15:19,453 --> 00:15:20,752 SHOULD I'VE REAMERICAN GET OKAY HEALTHCARE, OR SHOULD ONE 530 00:15:20,754 --> 00:15:22,521 HEALTHCARE, OR SHOULD ONE AMERICAN GET SUPER AMAZING 531 00:15:22,523 --> 00:15:24,056 AMERICAN GET SUPER AMAZING HEALTHCARE THAT MAKES THEM 532 00:15:24,058 --> 00:15:24,489 HEALTHCARE THAT MAKES THEM IMMORTAL? 533 00:15:24,491 --> 00:15:26,358 IMMORTAL? AND THE REASON THEY HAVE TO MAKE 534 00:15:26,360 --> 00:15:28,060 AND THE REASON THEY HAVE TO MAKE THESE DECISIONS IS THEY NEED ALL 535 00:15:28,062 --> 00:15:29,995 THESE DECISIONS IS THEY NEED ALL 50 DEMOCRATTING SENATORS TO PASS 536 00:15:29,997 --> 00:15:31,096 50 DEMOCRATTING SENATORS TO PASS BIDEN'S AGENDA AND TWO OF THEM 537 00:15:31,098 --> 00:15:32,798 BIDEN'S AGENDA AND TWO OF THEM ARE INSISTING ON BRINGING THE 538 00:15:32,800 --> 00:15:34,399 ARE INSISTING ON BRINGING THE PRICE TAG DOWN FROM 539 00:15:34,401 --> 00:15:35,834 PRICE TAG DOWN FROM $3.5 TRILLION TO ABOUT 540 00:15:35,836 --> 00:15:37,436 $3.5 TRILLION TO ABOUT $2 TRILLION. 541 00:15:37,438 --> 00:15:39,104 $2 TRILLION. AND $1.5 TRILLION IS A HUGE CUT. 542 00:15:39,106 --> 00:15:42,274 AND $1.5 TRILLION IS A HUGE CUT. NO ONE'S LOST THAT MUCH MONEY 543 00:15:42,276 --> 00:15:44,976 NO ONE'S LOST THAT MUCH MONEY SINCE JEFF BEZOS GOT DIVORCED. 544 00:15:44,978 --> 00:15:46,778 SINCE JEFF BEZOS GOT DIVORCED. KIND OF WEIRD THERE ARE TWO 545 00:15:46,780 --> 00:15:49,147 KIND OF WEIRD THERE ARE TWO SENATORS OKAY WITH SPENDING 546 00:15:49,149 --> 00:15:50,816 SENATORS OKAY WITH SPENDING 2 TRILLION BUT NOT A PENNY MORE. 547 00:15:50,818 --> 00:15:52,684 2 TRILLION BUT NOT A PENNY MORE. WHAT'S THE DIFFERENCE BETWEEN 548 00:15:52,686 --> 00:15:54,653 WHAT'S THE DIFFERENCE BETWEEN 2 TRILLION AND 3 TRILLION? 549 00:15:54,655 --> 00:15:58,156 2 TRILLION AND 3 TRILLION? PEOPLE DON'T HAVE CALCULATORS 550 00:15:58,158 --> 00:16:00,692 PEOPLE DON'T HAVE CALCULATORS THAT GO THAT HIGH. 551 00:16:00,694 --> 00:16:01,893 THAT GO THAT HIGH. THE TWO SENATORS STANDING IN 552 00:16:01,895 --> 00:16:03,795 THE TWO SENATORS STANDING IN BIDEN'S WAY ARE JOE MANCHIN, 553 00:16:03,797 --> 00:16:05,363 BIDEN'S WAY ARE JOE MANCHIN, REPRESENTING THE GREAT STATE OF 554 00:16:05,365 --> 00:16:07,999 REPRESENTING THE GREAT STATE OF HIS HOUSE BOAT, AND ARIZONA 555 00:16:08,001 --> 00:16:08,900 HIS HOUSE BOAT, AND ARIZONA SENATOR KYRSTEN SINEMA, SEEN 556 00:16:08,902 --> 00:16:14,740 SENATOR KYRSTEN SINEMA, SEEN HERE ON A DIPLOMATIC TRIP TO 557 00:16:14,742 --> 00:16:15,474 HERE ON A DIPLOMATIC TRIP TO MARGARITAVILLE. 558 00:16:15,476 --> 00:16:16,541 MARGARITAVILLE. MANCHIN HAS BEEN CLEAR HE'LL 559 00:16:16,543 --> 00:16:17,542 MANCHIN HAS BEEN CLEAR HE'LL SUPPORT THE LEGISLATION AS LONG 560 00:16:17,544 --> 00:16:18,844 SUPPORT THE LEGISLATION AS LONG AS IT SAVES WEST VIRGINIA FROM 561 00:16:18,846 --> 00:16:20,712 AS IT SAVES WEST VIRGINIA FROM THE RAVAGES OF CLEAN AIR AND 562 00:16:20,714 --> 00:16:22,781 THE RAVAGES OF CLEAN AIR AND WATER, PINNING DOWN WHAT SENATOR 563 00:16:22,783 --> 00:16:23,815 WATER, PINNING DOWN WHAT SENATOR SINEMA WANTS HAS BEEN HARDER TO 564 00:16:23,817 --> 00:16:24,583 SINEMA WANTS HAS BEEN HARDER TO FIGURE OUT. 565 00:16:24,585 --> 00:16:26,752 FIGURE OUT. >> DEMOCRATS HOPE TO PAY FOR THE 566 00:16:26,754 --> 00:16:28,086 >> DEMOCRATS HOPE TO PAY FOR THE ROUGHLY $2 TRILLION PACKAGE BY 567 00:16:28,088 --> 00:16:29,855 ROUGHLY $2 TRILLION PACKAGE BY INCREASING TAXES ON THE WEALTHY 568 00:16:29,857 --> 00:16:31,356 INCREASING TAXES ON THE WEALTHY AND BIG CORPORATIONS, BUT ONE 569 00:16:31,358 --> 00:16:33,792 AND BIG CORPORATIONS, BUT ONE KEY HOLDOUT, SENATOR KYRSTEN 570 00:16:33,794 --> 00:16:35,093 KEY HOLDOUT, SENATOR KYRSTEN SINEMA IS NOT ON BOARD WITH 571 00:16:35,095 --> 00:16:35,293 SINEMA IS NOT ON BOARD WITH THAT. 572 00:16:35,295 --> 00:16:37,395 THAT. >> ONE OF THE BIG CHALLENGES FOR 573 00:16:37,397 --> 00:16:38,396 >> ONE OF THE BIG CHALLENGES FOR DEMOCRATS IN THIS FINAL STRETCH 574 00:16:38,398 --> 00:16:40,365 DEMOCRATS IN THIS FINAL STRETCH HAS BEEN THAT THEY DON'T REALLY 575 00:16:40,367 --> 00:16:42,334 HAS BEEN THAT THEY DON'T REALLY KNOW WHERE SENATOR SINEMA STANDS 576 00:16:42,336 --> 00:16:44,069 KNOW WHERE SENATOR SINEMA STANDS BECAUSE SHE HASN'T MADE HER 577 00:16:44,071 --> 00:16:44,503 BECAUSE SHE HASN'T MADE HER VIEWS PUBLIC. 578 00:16:44,505 --> 00:16:47,773 VIEWS PUBLIC. >> SHE IS THE SPHINX OF ALL 579 00:16:47,775 --> 00:16:48,006 >> SHE IS THE SPHINX OF ALL THIS. 580 00:16:48,008 --> 00:16:49,541 THIS. NO ONE CAN FIGURE OUT WHAT IS 581 00:16:49,543 --> 00:16:49,975 NO ONE CAN FIGURE OUT WHAT IS MAKING HER TICK. 582 00:16:49,977 --> 00:16:52,744 MAKING HER TICK. >> Trevor: THAT'S RIGHT, 583 00:16:52,746 --> 00:16:55,714 >> Trevor: THAT'S RIGHT, KYRSTEN SINEMA IS THE SPHINX OF 584 00:16:55,716 --> 00:16:58,183 KYRSTEN SINEMA IS THE SPHINX OF THE SENATE PARTLY BECAUSE NOBODY 585 00:16:58,185 --> 00:17:00,051 THE SENATE PARTLY BECAUSE NOBODY KNOWS WHAT SHE'S THINKING AND 586 00:17:00,053 --> 00:17:01,386 KNOWS WHAT SHE'S THINKING AND PARTLY SHE WON'T GIVE ANYBODY 587 00:17:01,388 --> 00:17:04,122 PARTLY SHE WON'T GIVE ANYBODY THE BATHROOM KEY BEFORE 588 00:17:04,124 --> 00:17:05,157 THE BATHROOM KEY BEFORE ANSWERING HER RIDDLES. 589 00:17:05,159 --> 00:17:08,960 ANSWERING HER RIDDLES. NICE TRY, I'LL JUST PEE IN MY 590 00:17:08,962 --> 00:17:09,161 NICE TRY, I'LL JUST PEE IN MY PANTS. 591 00:17:09,163 --> 00:17:10,829 PANTS. IT'S WEIRD THE SENATE BY 592 00:17:10,831 --> 00:17:11,797 IT'S WEIRD THE SENATE BY WITHHOLDING INFORMATION CAN GIVE 593 00:17:11,799 --> 00:17:12,831 WITHHOLDING INFORMATION CAN GIVE YOU POWER. 594 00:17:12,833 --> 00:17:14,533 YOU POWER. WHAT OTHER JOB CAN GET AWAY WITH 595 00:17:14,535 --> 00:17:14,733 WHAT OTHER JOB CAN GET AWAY WITH THAT? 596 00:17:14,735 --> 00:17:17,135 THAT? A WAITER DOESN'T BECOME MORE 597 00:17:17,137 --> 00:17:18,570 A WAITER DOESN'T BECOME MORE INFLUENTIAL BY REFUSING TO TELL 598 00:17:18,572 --> 00:17:19,437 INFLUENTIAL BY REFUSING TO TELL YOU WHAT THE SPECIALS ARE. 599 00:17:19,439 --> 00:17:20,906 YOU WHAT THE SPECIALS ARE. EXCUSE ME, SIR, WHAT ARE THE 600 00:17:20,908 --> 00:17:21,873 EXCUSE ME, SIR, WHAT ARE THE SPECIALS OF THE DAY? 601 00:17:21,875 --> 00:17:23,842 SPECIALS OF THE DAY? OOOH, WOULDN'T YOU LIKE TO KNOW? 602 00:17:23,844 --> 00:17:25,777 OOOH, WOULDN'T YOU LIKE TO KNOW? OKAY, ARE YOU GUYS READY TO 603 00:17:25,779 --> 00:17:26,011 OKAY, ARE YOU GUYS READY TO ORDER? 604 00:17:26,013 --> 00:17:27,779 ORDER? MAYBE TO FIGURE OUT WHAT SINEMA 605 00:17:27,781 --> 00:17:29,181 MAYBE TO FIGURE OUT WHAT SINEMA WANTS, YOU FIRST HAVE TO URNS 606 00:17:29,183 --> 00:17:30,182 WANTS, YOU FIRST HAVE TO URNS WHO SHE IS. 607 00:17:30,184 --> 00:17:31,516 WHO SHE IS. SO LET'S DO THAT. 608 00:17:31,518 --> 00:17:33,485 SO LET'S DO THAT. LET'S GET TO KNOW SENATOR SINEMA 609 00:17:33,487 --> 00:17:34,920 LET'S GET TO KNOW SENATOR SINEMA IN ANOTHER INSTALLMENT OF PLEASE 610 00:17:34,922 --> 00:17:37,189 IN ANOTHER INSTALLMENT OF PLEASE ALLOW ME TO INTRODUCE YOURSELF. 611 00:17:37,191 --> 00:17:37,656 ALLOW ME TO INTRODUCE YOURSELF. ♪♪ 612 00:17:37,658 --> 00:17:45,130 ♪♪ ♪♪ 613 00:17:45,132 --> 00:17:47,065 ♪♪ KYRSTEN SINEMA WAS BORN AND 614 00:17:47,067 --> 00:17:48,166 KYRSTEN SINEMA WAS BORN AND RAISED IN ARIZONA WHICH IS 615 00:17:48,168 --> 00:17:48,733 RAISED IN ARIZONA WHICH IS ALREADY TOUGH. 616 00:17:48,735 --> 00:17:50,335 ALREADY TOUGH. I MEAN, EVERYTHING THERE IS 617 00:17:50,337 --> 00:17:51,603 I MEAN, EVERYTHING THERE IS TRYING TO KILL YOU, THE ANIMALS, 618 00:17:51,605 --> 00:17:53,238 TRYING TO KILL YOU, THE ANIMALS, THE HEAT, EVEN THE PLANTS ARE 619 00:17:53,240 --> 00:17:55,073 THE HEAT, EVEN THE PLANTS ARE COVERED IN DAGGERS. 620 00:17:55,075 --> 00:17:55,941 COVERED IN DAGGERS. SINEMA'S CHILDHOOD WAS 621 00:17:55,943 --> 00:17:56,741 SINEMA'S CHILDHOOD WAS ESPECIALLY TOUGH. 622 00:17:56,743 --> 00:17:59,477 ESPECIALLY TOUGH. SHE GREW UP DOOR AND AT TIMES 623 00:17:59,479 --> 00:18:02,047 SHE GREW UP DOOR AND AT TIMES HER FAMILY WAS EVEN HOMELESS BUT 624 00:18:02,049 --> 00:18:03,648 HER FAMILY WAS EVEN HOMELESS BUT SHE OVERCAME THE OBSTACLES. 625 00:18:03,650 --> 00:18:05,717 SHE OVERCAME THE OBSTACLES. SHE GOT AN ADVANCED DEGREE, AND 626 00:18:05,719 --> 00:18:08,687 SHE GOT AN ADVANCED DEGREE, AND BECAME A LAWYER, SOCIAL WORKER 627 00:18:08,689 --> 00:18:09,988 BECAME A LAWYER, SOCIAL WORKER AND ACTIVIST. 628 00:18:09,990 --> 00:18:11,623 AND ACTIVIST. THE KIND OF STORY THEY TURN INTO 629 00:18:11,625 --> 00:18:13,758 THE KIND OF STORY THEY TURN INTO AN INSPIRING MOVIE YOU WEAR YOU 630 00:18:13,760 --> 00:18:14,860 AN INSPIRING MOVIE YOU WEAR YOU WILL WATCH AND NEVER DO. 631 00:18:14,862 --> 00:18:17,095 WILL WATCH AND NEVER DO. SHE WAS THE KIND OF PERSON YOU 632 00:18:17,097 --> 00:18:19,497 SHE WAS THE KIND OF PERSON YOU HOPE WOULD RUN FOR OFFICE AND 633 00:18:19,499 --> 00:18:20,932 HOPE WOULD RUN FOR OFFICE AND THEN THAT'S EXACTLY WHAT SHE 634 00:18:20,934 --> 00:18:21,700 THEN THAT'S EXACTLY WHAT SHE DID. 635 00:18:21,702 --> 00:18:22,701 DID. >> SINEMA STARTED OUT FAR LEFT 636 00:18:22,703 --> 00:18:25,103 >> SINEMA STARTED OUT FAR LEFT OF CENTER AS A GREEN PARTY 637 00:18:25,105 --> 00:18:26,972 OF CENTER AS A GREEN PARTY ACTIVIST, ENTERING POLITICS IN 638 00:18:26,974 --> 00:18:28,807 ACTIVIST, ENTERING POLITICS IN ARIZONA AS A RALPH NADER 639 00:18:28,809 --> 00:18:32,611 ARIZONA AS A RALPH NADER SUPPORTER, ORGANIZATIONS ANTIWAR 640 00:18:32,613 --> 00:18:32,844 SUPPORTER, ORGANIZATIONS ANTIWAR PROSTIES 641 00:18:32,846 --> 00:18:35,146 PROSTIES PROTESTS AFTER THE SEPTEMBER 11 642 00:18:35,148 --> 00:18:35,413 PROTESTS AFTER THE SEPTEMBER 11 ATTACKS. 643 00:18:35,415 --> 00:18:37,582 ATTACKS. >> THE STATE ARE THE LAB OF 644 00:18:37,584 --> 00:18:38,783 >> THE STATE ARE THE LAB OF DEMOCRACY AND MY STATE IS THE 645 00:18:38,785 --> 00:18:42,754 DEMOCRACY AND MY STATE IS THE METH LAB OF DEMOCRACY. 646 00:18:42,756 --> 00:18:44,689 METH LAB OF DEMOCRACY. >> SHE SPOKE OUT ABOUT MASS 647 00:18:44,691 --> 00:18:46,024 >> SHE SPOKE OUT ABOUT MASS INCARCERATION, FOUGHT TO INCLUDE 648 00:18:46,026 --> 00:18:47,459 INCARCERATION, FOUGHT TO INCLUDE GENDER IDENTITY AND 649 00:18:47,461 --> 00:18:48,960 GENDER IDENTITY AND ANTIDISCRIMINATION LAWS, LED A 650 00:18:48,962 --> 00:18:50,295 ANTIDISCRIMINATION LAWS, LED A SUCCESSFUL EFFORT TO KILL A BAN 651 00:18:50,297 --> 00:18:52,264 SUCCESSFUL EFFORT TO KILL A BAN ON AFFIRMATIVE ACTION AND 652 00:18:52,266 --> 00:18:55,333 ON AFFIRMATIVE ACTION AND STRONGLY OPPOSED ABORTION 653 00:18:55,335 --> 00:18:56,167 STRONGLY OPPOSED ABORTION RESTRICTIONS. 654 00:18:56,169 --> 00:18:59,471 RESTRICTIONS. >> TEA PARTY IS THE SAME THING, 655 00:18:59,473 --> 00:19:00,105 >> TEA PARTY IS THE SAME THING, CRAZY. 656 00:19:00,107 --> 00:19:01,539 CRAZY. >> KYRSTEN SINEMA INVITED A 657 00:19:01,541 --> 00:19:04,175 >> KYRSTEN SINEMA INVITED A COVEN OF FEMININE WITCHES TO 658 00:19:04,177 --> 00:19:05,877 COVEN OF FEMININE WITCHES TO PROTEST THE IRAQ WAR IN 2003. 659 00:19:05,879 --> 00:19:07,245 PROTEST THE IRAQ WAR IN 2003. >> Trevor: THAT'S RIGHT, SHE 660 00:19:07,247 --> 00:19:09,180 >> Trevor: THAT'S RIGHT, SHE ONCE BROUGHT WITCHES TO PROTEST 661 00:19:09,182 --> 00:19:10,849 ONCE BROUGHT WITCHES TO PROTEST THE IRAQ WAR WHICH DOES NOT SEEM 662 00:19:10,851 --> 00:19:12,384 THE IRAQ WAR WHICH DOES NOT SEEM THE BEST USE OF THEIR SKILL SET. 663 00:19:12,386 --> 00:19:14,219 THE BEST USE OF THEIR SKILL SET. IF YOU'VE GOT WITCHES ON YOUR 664 00:19:14,221 --> 00:19:16,354 IF YOU'VE GOT WITCHES ON YOUR SIDE, DON'T WASTE THEM ON A 665 00:19:16,356 --> 00:19:16,755 SIDE, DON'T WASTE THEM ON A PROTEST. 666 00:19:16,757 --> 00:19:19,724 PROTEST. YOU GET THEM TO CAST A SPELL 667 00:19:19,726 --> 00:19:21,693 YOU GET THEM TO CAST A SPELL BETWEEN JOSH BUSH AND SADDAM 668 00:19:21,695 --> 00:19:24,763 BETWEEN JOSH BUSH AND SADDAM HUSSEIN, REALLY SPICE THINGS UP. 669 00:19:24,765 --> 00:19:27,265 HUSSEIN, REALLY SPICE THINGS UP. FUNNY HOW IT WAS A COVEN OF 670 00:19:27,267 --> 00:19:29,901 FUNNY HOW IT WAS A COVEN OF FEMINIST WITCHES. 671 00:19:29,903 --> 00:19:31,136 FEMINIST WITCHES. SEEMS REDUNDANT. 672 00:19:31,138 --> 00:19:32,637 SEEMS REDUNDANT. IT COMES WITH THE TERRITORY. 673 00:19:32,639 --> 00:19:34,072 IT COMES WITH THE TERRITORY. ARE THERE ANY WITCHES WHO ARE 674 00:19:34,074 --> 00:19:35,140 ARE THERE ANY WITCHES WHO ARE NOT FEMINIST? 675 00:19:35,142 --> 00:19:36,908 NOT FEMINIST? CALLED ME OLD FASHIONED BUT IT'S 676 00:19:36,910 --> 00:19:38,543 CALLED ME OLD FASHIONED BUT IT'S THE WOMAN'S JOB TO PUSH THE 677 00:19:38,545 --> 00:19:40,078 THE WOMAN'S JOB TO PUSH THE CHILDREN INTO THE OVEN! 678 00:19:40,080 --> 00:19:42,180 CHILDREN INTO THE OVEN! BUT, YES, IT CAN BE HARD TO 679 00:19:42,182 --> 00:19:44,115 BUT, YES, IT CAN BE HARD TO BELIEVE NOW BUFF SINEMA STARTED 680 00:19:44,117 --> 00:19:45,784 BELIEVE NOW BUFF SINEMA STARTED HER POLITICAL CAREER AS A HARD 681 00:19:45,786 --> 00:19:46,551 HER POLITICAL CAREER AS A HARD CORE PROGRESSIVE. 682 00:19:46,553 --> 00:19:47,886 CORE PROGRESSIVE. SO YOU MIGHT EXPECT THAT THE 683 00:19:47,888 --> 00:19:51,022 SO YOU MIGHT EXPECT THAT THE REASON SHE'S HOLDING UP THE 684 00:19:51,024 --> 00:19:51,823 REASON SHE'S HOLDING UP THE DEMOCRATS' LEGISLATION IS 685 00:19:51,825 --> 00:19:53,091 DEMOCRATS' LEGISLATION IS BECAUSE IT DOESN'T TURN AMERICA 686 00:19:53,093 --> 00:19:55,961 BECAUSE IT DOESN'T TURN AMERICA INTO A SOCIALIST PARADISE WITH 687 00:19:55,963 --> 00:19:57,929 INTO A SOCIALIST PARADISE WITH FREE HEALTHCARE, FREE EDUCATION, 688 00:19:57,931 --> 00:19:59,798 FREE HEALTHCARE, FREE EDUCATION, FREE MILK MADE OF NUTS YOU NEVER 689 00:19:59,800 --> 00:20:00,465 FREE MILK MADE OF NUTS YOU NEVER HEARD OF. 690 00:20:00,467 --> 00:20:01,533 HEARD OF. BUT THAT THE NOT THE CASE 691 00:20:01,535 --> 00:20:03,668 BUT THAT THE NOT THE CASE BECAUSE AS YOUNG SINEMA'S STAR 692 00:20:03,670 --> 00:20:05,303 BECAUSE AS YOUNG SINEMA'S STAR BEGAN TO RISE, IT STARTED 693 00:20:05,305 --> 00:20:06,938 BEGAN TO RISE, IT STARTED DRIFTING TO THE RIGHT. 694 00:20:06,940 --> 00:20:08,807 DRIFTING TO THE RIGHT. >> HER POLITICS BEGAN TO SHIFT 695 00:20:08,809 --> 00:20:11,343 >> HER POLITICS BEGAN TO SHIFT AS HE SOUGHT HIGHER OFFICE. 696 00:20:11,345 --> 00:20:13,611 AS HE SOUGHT HIGHER OFFICE. AFTER WINNING HER FIRST 697 00:20:13,613 --> 00:20:15,080 AFTER WINNING HER FIRST CONGRESSIONAL CAMPAIGN IN 2012, 698 00:20:15,082 --> 00:20:17,148 CONGRESSIONAL CAMPAIGN IN 2012, SHE JOINED THE BLUE DOG 699 00:20:17,150 --> 00:20:18,650 SHE JOINED THE BLUE DOG COALITION, A GROUP OF CENTRIST 700 00:20:18,652 --> 00:20:20,752 COALITION, A GROUP OF CENTRIST HOUSE DEMOCRATS. 701 00:20:20,754 --> 00:20:25,790 HOUSE DEMOCRATS. >> SINEMA WHO FOUGHT FOR 702 00:20:25,792 --> 00:20:30,195 >> SINEMA WHO FOUGHT FOR DEMOCRATS ONCE, THE VOTED TO 703 00:20:30,197 --> 00:20:31,663 DEMOCRATS ONCE, THE VOTED TO BLOCK MYRTLE FROM RECEIVING 704 00:20:31,665 --> 00:20:33,131 BLOCK MYRTLE FROM RECEIVING STIMULUS CHECKS. 705 00:20:33,133 --> 00:20:35,867 STIMULUS CHECKS. >> AND DECIDED TO TAKE OVER JOHN 706 00:20:35,869 --> 00:20:38,169 >> AND DECIDED TO TAKE OVER JOHN MCCAIN'S MANTEL OF MAVERICK, 707 00:20:38,171 --> 00:20:40,705 MCCAIN'S MANTEL OF MAVERICK, VOTING AGAINST RACING THE 708 00:20:40,707 --> 00:20:41,439 VOTING AGAINST RACING THE MINIMUM-WAGE, BUCKING HER PARTY 709 00:20:41,441 --> 00:20:43,975 MINIMUM-WAGE, BUCKING HER PARTY IN THE MODEL OF McGAIN. 710 00:20:43,977 --> 00:20:45,477 IN THE MODEL OF McGAIN. >> KYRSTEN SINEMA ADMITS SHE 711 00:20:45,479 --> 00:20:47,145 >> KYRSTEN SINEMA ADMITS SHE DOESN'T LIKE TO MENTION HER 712 00:20:47,147 --> 00:20:48,680 DOESN'T LIKE TO MENTION HER PARTY AFFILIATION IN HER ADS. 713 00:20:48,682 --> 00:20:49,614 PARTY AFFILIATION IN HER ADS. >> ARE YOU A DEMOCRAT. 714 00:20:49,616 --> 00:20:50,648 >> ARE YOU A DEMOCRAT. >> I AM. 715 00:20:50,650 --> 00:20:51,850 >> I AM. >> PROUD DEMOCRAT. 716 00:20:51,852 --> 00:20:53,718 >> PROUD DEMOCRAT. >> MY GOSH, HARD TO SAY PROUD. 717 00:20:53,720 --> 00:20:55,587 >> MY GOSH, HARD TO SAY PROUD. I'M NOT SURE PEOPLE ARE EVEN 718 00:20:55,589 --> 00:20:57,455 I'M NOT SURE PEOPLE ARE EVEN PROUD OF PARTIES ANYMORE BECAUSE 719 00:20:57,457 --> 00:20:58,857 PROUD OF PARTIES ANYMORE BECAUSE I FEEL THE PARTIES ARE NOT DOING 720 00:20:58,859 --> 00:20:59,491 I FEEL THE PARTIES ARE NOT DOING A GOOD JOB. 721 00:20:59,493 --> 00:21:01,393 A GOOD JOB. >> Trevor: OH, DAMN, SHE TALKS 722 00:21:01,395 --> 00:21:03,928 >> Trevor: OH, DAMN, SHE TALKS ABOUT DING BEING A DEMOCRAT THE 723 00:21:03,930 --> 00:21:05,663 ABOUT DING BEING A DEMOCRAT THE WAY A PERSON TALKS ABOUT OWNING 724 00:21:05,665 --> 00:21:06,931 WAY A PERSON TALKS ABOUT OWNING ANNA KENDRICK DESTROYED PHONE -- 725 00:21:06,933 --> 00:21:08,733 ANNA KENDRICK DESTROYED PHONE -- I DON'T ACTUALLY LIKE IT I'M 726 00:21:08,735 --> 00:21:11,002 I DON'T ACTUALLY LIKE IT I'M JUST ON MY MOM'S FAMILY PLAN, 727 00:21:11,004 --> 00:21:14,072 JUST ON MY MOM'S FAMILY PLAN, NOT LIKE IT'S MY PHONE. 728 00:21:14,074 --> 00:21:15,940 NOT LIKE IT'S MY PHONE. CHANGING POLITICAL VIEWS IS 729 00:21:15,942 --> 00:21:16,474 CHANGING POLITICAL VIEWS IS NORMAL. 730 00:21:16,476 --> 00:21:18,576 NORMAL. YOUNG PEOPLE ARE IDEALISTIC BUT 731 00:21:18,578 --> 00:21:20,712 YOUNG PEOPLE ARE IDEALISTIC BUT AS THEY GET OLDER THEY DESAID 732 00:21:20,714 --> 00:21:23,048 AS THEY GET OLDER THEY DESAID THEIR MOST PASSIONATE BELIEF IS 733 00:21:23,050 --> 00:21:24,916 THEIR MOST PASSIONATE BELIEF IS NOT PAYING TAXES. 734 00:21:24,918 --> 00:21:27,452 NOT PAYING TAXES. WHAT'S UNUSUAL ABOUT SINEMA IS 735 00:21:27,454 --> 00:21:29,554 WHAT'S UNUSUAL ABOUT SINEMA IS SHE SHIFTED SO FAR SO FAST, SHE 736 00:21:29,556 --> 00:21:31,956 SHE SHIFTED SO FAR SO FAST, SHE WENT FROM HOSTING WITCH COVENS 737 00:21:31,958 --> 00:21:33,591 WENT FROM HOSTING WITCH COVENS TO DENYING IMMIGRANTS 738 00:21:33,593 --> 00:21:33,892 TO DENYING IMMIGRANTS HEALTHCARE. 739 00:21:33,894 --> 00:21:35,894 HEALTHCARE. IN A FEW YEARS, SEEMS LIKE SHE 740 00:21:35,896 --> 00:21:38,296 IN A FEW YEARS, SEEMS LIKE SHE GOT BITTEN BY A RADIOACTIVE TED 741 00:21:38,298 --> 00:21:39,697 GOT BITTEN BY A RADIOACTIVE TED CRUZ OR SOMETHING. 742 00:21:39,699 --> 00:21:42,233 CRUZ OR SOMETHING. AS HER POLITICS BECAME MORE 743 00:21:42,235 --> 00:21:43,501 AS HER POLITICS BECAME MORE MAINSTREAM HER PERSONALITY 744 00:21:43,503 --> 00:21:45,737 MAINSTREAM HER PERSONALITY PICKED UP THE SLACK. 745 00:21:45,739 --> 00:21:46,838 PICKED UP THE SLACK. >> KEARSEEN SINEMA BECOMES THE 746 00:21:46,840 --> 00:21:48,706 >> KEARSEEN SINEMA BECOMES THE FIRST WOMAN TO SERVE AS SENATOR 747 00:21:48,708 --> 00:21:49,340 FIRST WOMAN TO SERVE AS SENATOR IN ARIZONA. 748 00:21:49,342 --> 00:21:50,341 IN ARIZONA. IT'S A BIG DEAL. 749 00:21:50,343 --> 00:21:51,876 IT'S A BIG DEAL. SHE'S A THREE-TERM 750 00:21:51,878 --> 00:21:54,145 SHE'S A THREE-TERM CONGRESSWOMAN, SHE IS A TRY 751 00:21:54,147 --> 00:21:54,412 CONGRESSWOMAN, SHE IS A TRY ATHLETE. 752 00:21:54,414 --> 00:21:56,414 ATHLETE. SHE BROKE BARRIERS COMING TO 753 00:21:56,416 --> 00:21:58,249 SHE BROKE BARRIERS COMING TO CONGRESS AS THE FIRST OUT 754 00:21:58,251 --> 00:21:59,417 CONGRESS AS THE FIRST OUT BISEXUAL MEMBER BUT IT'S NEVER 755 00:21:59,419 --> 00:22:01,653 BISEXUAL MEMBER BUT IT'S NEVER PART OF HER IDENTITY SHE'S 756 00:22:01,655 --> 00:22:02,854 PART OF HER IDENTITY SHE'S DWELLED ON EVEN TELLING 757 00:22:02,856 --> 00:22:05,490 DWELLED ON EVEN TELLING REPORTERS WHEN ASKED IN 2005, 758 00:22:05,492 --> 00:22:06,825 REPORTERS WHEN ASKED IN 2005, DUH, I'M BY SEXUAL. 759 00:22:06,827 --> 00:22:08,126 DUH, I'M BY SEXUAL. >> SAFE TO SAY THE U.S. SENATE 760 00:22:08,128 --> 00:22:10,395 >> SAFE TO SAY THE U.S. SENATE HAS NEVER SEEN ANYONE LIKE HER 761 00:22:10,397 --> 00:22:10,829 HAS NEVER SEEN ANYONE LIKE HER BEFORE. 762 00:22:10,831 --> 00:22:12,597 BEFORE. SHE'S MADE QUITE THE PRESENCE 763 00:22:12,599 --> 00:22:14,232 SHE'S MADE QUITE THE PRESENCE WITH HER COLORFUL WIGS AND 764 00:22:14,234 --> 00:22:15,967 WITH HER COLORFUL WIGS AND BRIGHT OUTFITS. 765 00:22:15,969 --> 00:22:17,936 BRIGHT OUTFITS. >> HER UNIQUE AND EDGY STYLE 766 00:22:17,938 --> 00:22:20,371 >> HER UNIQUE AND EDGY STYLE FROM THE F-OFF WING, COLORFUL 767 00:22:20,373 --> 00:22:22,273 FROM THE F-OFF WING, COLORFUL WIGS TO THE DANGEROUS CREATURE 768 00:22:22,275 --> 00:22:26,177 WIGS TO THE DANGEROUS CREATURE SHIRT SHE WORE TO PRESIDE OVER 769 00:22:26,179 --> 00:22:28,146 SHIRT SHE WORE TO PRESIDE OVER THE SENATE FLOOR, ALL 770 00:22:28,148 --> 00:22:30,381 THE SENATE FLOOR, ALL EMPHASIZING HER NON-CONFORMIST 771 00:22:30,383 --> 00:22:33,051 EMPHASIZING HER NON-CONFORMIST CORE IN STYLE AND SUBSTANCE. 772 00:22:33,053 --> 00:22:33,852 CORE IN STYLE AND SUBSTANCE. >> Trevor: ROLLED INTO 773 00:22:33,854 --> 00:22:36,121 >> Trevor: ROLLED INTO CONGRESS LIKE A SENATOR FROM 774 00:22:36,123 --> 00:22:36,387 CONGRESS LIKE A SENATOR FROM CANDYLAND. 775 00:22:36,389 --> 00:22:37,555 CANDYLAND. THIS MIGHT BE MY FAVORITE THING 776 00:22:37,557 --> 00:22:37,989 THIS MIGHT BE MY FAVORITE THING ABOUT HER. 777 00:22:37,991 --> 00:22:40,725 ABOUT HER. I LOVE A SENATOR WHO SHOWS SOME 778 00:22:40,727 --> 00:22:41,159 I LOVE A SENATOR WHO SHOWS SOME STYLE. 779 00:22:41,161 --> 00:22:42,127 STYLE. ESPECIALLY IN THE PLACE WHERE 780 00:22:42,129 --> 00:22:44,129 ESPECIALLY IN THE PLACE WHERE ALL THE GUYS THING ROLLING THEIR 781 00:22:44,131 --> 00:22:46,231 ALL THE GUYS THING ROLLING THEIR SLEEVES UP SIX INCHES IS A 782 00:22:46,233 --> 00:22:46,531 SLEEVES UP SIX INCHES IS A GLOWUP. 783 00:22:46,533 --> 00:22:47,966 GLOWUP. I THINK IT'S NICE TO SEE ONE OF 784 00:22:47,968 --> 00:22:50,268 I THINK IT'S NICE TO SEE ONE OF THEM THINKING THEY DIDN'T JUST 785 00:22:50,270 --> 00:22:51,603 THEM THINKING THEY DIDN'T JUST GRAB WHATEVER IS AVAILABLE IN 786 00:22:51,605 --> 00:22:53,238 GRAB WHATEVER IS AVAILABLE IN THE SENATE'S COMMUNAL SOUP 787 00:22:53,240 --> 00:22:53,571 THE SENATE'S COMMUNAL SOUP BUCKET. 788 00:22:53,573 --> 00:22:56,741 BUCKET. IT'S A CHANGE. 789 00:22:56,743 --> 00:22:58,409 IT'S A CHANGE. THAT'S SENATOR KYRSTEN SINEMA, 790 00:22:58,411 --> 00:23:00,912 THAT'S SENATOR KYRSTEN SINEMA, WHO CHANGES HER POLITICAL 791 00:23:00,914 --> 00:23:02,247 WHO CHANGES HER POLITICAL BELIEFS LIKE THEY'RE WIGS. 792 00:23:02,249 --> 00:23:03,848 BELIEFS LIKE THEY'RE WIGS. MAYBE HER MOST CALLED BELIEF IS 793 00:23:03,850 --> 00:23:05,617 MAYBE HER MOST CALLED BELIEF IS GETTING AS MUCH ACE TENSION FOR 794 00:23:05,619 --> 00:23:08,720 GETTING AS MUCH ACE TENSION FOR HERSELF AS POSSIBLE, BUT 795 00:23:08,722 --> 00:23:09,988 HERSELF AS POSSIBLE, BUT REGARDLESS THIS IS BAD NEWS FOR 796 00:23:09,990 --> 00:23:11,356 REGARDLESS THIS IS BAD NEWS FOR JOE BIDEN BECAUSE HIS ONLY HOPE 797 00:23:11,358 --> 00:23:13,958 JOE BIDEN BECAUSE HIS ONLY HOPE IS SHE SUDDENLY CHANGES HER 798 00:23:13,960 --> 00:23:15,627 IS SHE SUDDENLY CHANGES HER POLITICAL VIEWS BACK AS FAST AS 799 00:23:15,629 --> 00:23:16,928 POLITICAL VIEWS BACK AS FAST AS SHE CHANGED THEM THE FIRST TIME 800 00:23:16,930 --> 00:23:17,695 SHE CHANGED THEM THE FIRST TIME AND I DON'T THINK SHE'S GOING TO 801 00:23:17,697 --> 00:23:18,796 AND I DON'T THINK SHE'S GOING TO DO THAT. 802 00:23:18,798 --> 00:23:20,765 DO THAT. OR AT LEAST NOT ON HER OWN. 803 00:23:20,767 --> 00:23:22,934 OR AT LEAST NOT ON HER OWN. SO JOE BIDEN, YOU MIGHT WANT TO 804 00:23:22,936 --> 00:23:25,136 SO JOE BIDEN, YOU MIGHT WANT TO GET THOSE WITCHES BACK TOGETHER. 805 00:23:25,138 --> 00:23:26,437 GET THOSE WITCHES BACK TOGETHER. WHEN WE COME BACK, ANNA KENDRICK 806 00:23:26,439 --> 00:23:28,406 WHEN WE COME BACK, ANNA KENDRICK IS JOINING ME RIGHT HERE IN THE 807 00:23:28,408 --> 00:23:28,640 IS JOINING ME RIGHT HERE IN THE STUDIO. 808 00:23:28,642 --> 00:23:30,141 STUDIO. DON'T WANT TO MISS IT. 809 00:23:31,311 --> 00:23:32,344 vor: WELCE DAILY SHOW. 810 00:23:32,346 --> 00:23:32,944 DAILY SHOW. MY GUEST TONIGHT IS ACTOR AND 811 00:23:32,946 --> 00:23:33,445 MY GUEST TONIGHT IS ACTOR AND EXECUTIVE PRODUCER, ANNA 812 00:23:33,447 --> 00:23:34,880 EXECUTIVE PRODUCER, ANNA KENDRICK. 813 00:23:34,882 --> 00:23:36,048 KENDRICK. SHE'S HERE TO TALK ABOUT HER HBO 814 00:23:36,050 --> 00:23:40,819 SHE'S HERE TO TALK ABOUT HER HBO MAX SERIES, “LOVE LIFE.” 815 00:23:40,821 --> 00:23:42,587 MAX SERIES, “LOVE LIFE.” >> IT BECOMES CLEAR THERE IS 816 00:23:42,589 --> 00:23:44,423 >> IT BECOMES CLEAR THERE IS ONLY SO MUCH ONE CAN GLEAN FROM 817 00:23:44,425 --> 00:23:47,292 ONLY SO MUCH ONE CAN GLEAN FROM EXAMINING A SINGLE LIFE. 818 00:23:47,294 --> 00:23:53,832 EXAMINING A SINGLE LIFE. >> TEQUILA! 819 00:23:53,834 --> 00:23:54,433 >> TEQUILA! >> CONGRATULATIONS! 820 00:23:54,435 --> 00:23:55,133 >> CONGRATULATIONS! YOU'RE MARRIED. 821 00:23:55,135 --> 00:23:58,036 YOU'RE MARRIED. >> YEAH, FOR NOW! 822 00:23:58,038 --> 00:23:58,270 >> YEAH, FOR NOW! THANKS! 823 00:23:58,272 --> 00:24:00,772 THANKS! >> BECAUSE FOR EVERY CHOICE THAT 824 00:24:00,774 --> 00:24:02,341 >> BECAUSE FOR EVERY CHOICE THAT SUBJECT MAKES, SOMEONE ELSE IS 825 00:24:02,343 --> 00:24:04,376 SUBJECT MAKES, SOMEONE ELSE IS OUT THERE CHARTING AN ENTIRELY 826 00:24:04,378 --> 00:24:05,377 OUT THERE CHARTING AN ENTIRELY DIFFERENT COURSE. 827 00:24:05,379 --> 00:24:06,611 DIFFERENT COURSE. >> Trevor: ANNA KENDRICK. 828 00:24:06,613 --> 00:24:06,845 >> Trevor: ANNA KENDRICK. >> HI! 829 00:24:06,847 --> 00:24:08,146 >> HI! >> Trevor: WELCOME TO THE 830 00:24:08,148 --> 00:24:08,580 >> Trevor: WELCOME TO THE SHOW. 831 00:24:08,582 --> 00:24:09,314 SHOW. >> THANK YOU SO MUCH FOR HAVING 832 00:24:09,316 --> 00:24:09,481 >> THANK YOU SO MUCH FOR HAVING ME. 833 00:24:09,483 --> 00:24:10,849 ME. >> Trevor: I SAID YOU GO BY 834 00:24:10,851 --> 00:24:12,617 >> Trevor: I SAID YOU GO BY THE NAME OF ANNA KENDRICK. 835 00:24:12,619 --> 00:24:15,987 THE NAME OF ANNA KENDRICK. >> THAT'S A REALLY WEIRD WAY TO 836 00:24:15,989 --> 00:24:16,221 >> THAT'S A REALLY WEIRD WAY TO PUT IT? 837 00:24:16,223 --> 00:24:17,889 PUT IT? I THINK I WAS LISTENING TO 838 00:24:17,891 --> 00:24:20,592 I THINK I WAS LISTENING TO HIP-HOP BEFORE YOU CAME OUT, YOU 839 00:24:20,594 --> 00:24:22,694 HIP-HOP BEFORE YOU CAME OUT, YOU KNOW WHEN PEOPLE SAY I GO BY THE 840 00:24:22,696 --> 00:24:24,563 KNOW WHEN PEOPLE SAY I GO BY THE NAME OF -- 841 00:24:24,565 --> 00:24:26,031 NAME OF -- >> YEAH, AND I AM VERY HIP-HOP. 842 00:24:26,033 --> 00:24:26,965 >> YEAH, AND I AM VERY HIP-HOP. >> Trevor: THAT'S THE FIRST 843 00:24:26,967 --> 00:24:28,600 >> Trevor: THAT'S THE FIRST THING I THINK OF YOU. 844 00:24:28,602 --> 00:24:28,867 THING I THINK OF YOU. >> YEAH. 845 00:24:28,869 --> 00:24:30,469 >> YEAH. >> Trevor: WELCOME TO THE 846 00:24:30,471 --> 00:24:30,802 >> Trevor: WELCOME TO THE SHOW. 847 00:24:30,804 --> 00:24:31,303 SHOW. >> THANK YOU SO MUCH. 848 00:24:31,305 --> 00:24:32,437 >> THANK YOU SO MUCH. >> Trevor: IT'S WELCOME BACK 849 00:24:32,439 --> 00:24:34,606 >> Trevor: IT'S WELCOME BACK TO AN AREA THAT I FEEL HAS A 850 00:24:34,608 --> 00:24:37,042 TO AN AREA THAT I FEEL HAS A REALLY SPECIAL PLACE IN YOUR 851 00:24:37,044 --> 00:24:40,345 REALLY SPECIAL PLACE IN YOUR HEART BECAUSE TIMES SQUARE, 852 00:24:40,347 --> 00:24:41,646 HEART BECAUSE TIMES SQUARE, BROADWAY, THIS WAS THE BEGINNING 853 00:24:41,648 --> 00:24:42,647 BROADWAY, THIS WAS THE BEGINNING FOR YOU. 854 00:24:42,649 --> 00:24:44,516 FOR YOU. >> YEAH, I GUESS I WAS MOSTLY 855 00:24:44,518 --> 00:24:46,585 >> YEAH, I GUESS I WAS MOSTLY THINKING ABOUT COMING BACK, NO 856 00:24:46,587 --> 00:24:47,586 THINKING ABOUT COMING BACK, NO AUDIENCE, SORT OF LOOSER AND 857 00:24:47,588 --> 00:24:48,987 AUDIENCE, SORT OF LOOSER AND THERE'S A NICE VIBE TO NOT 858 00:24:48,989 --> 00:24:51,323 THERE'S A NICE VIBE TO NOT HAVING A LIVE AUDIENCE, BUT, 859 00:24:51,325 --> 00:24:54,359 HAVING A LIVE AUDIENCE, BUT, YEAH, I MEAN, TIMES SQUARE -- 860 00:24:54,361 --> 00:24:56,061 YEAH, I MEAN, TIMES SQUARE -- WELL, THIS AREA IS THE FIRST JOB 861 00:24:56,063 --> 00:24:57,229 WELL, THIS AREA IS THE FIRST JOB THAT I EVER HAD. 862 00:24:57,231 --> 00:24:58,830 THAT I EVER HAD. I WAS GOING TO SAY IN NEW YORK, 863 00:24:58,832 --> 00:25:00,699 I WAS GOING TO SAY IN NEW YORK, BUT THE FIRST JOB I EVER HAD 864 00:25:00,701 --> 00:25:04,069 BUT THE FIRST JOB I EVER HAD EVER WAS A BROADWAY SHOW ON THE 865 00:25:04,071 --> 00:25:04,469 EVER WAS A BROADWAY SHOW ON THE STREET. 866 00:25:04,471 --> 00:25:05,804 STREET. >> Trevor: YOU WERE 13. 867 00:25:05,806 --> 00:25:06,138 >> Trevor: YOU WERE 13. >> 12. 868 00:25:06,140 --> 00:25:07,739 >> 12. GET YOUR FACTS STRAIGHT. 869 00:25:07,741 --> 00:25:09,541 GET YOUR FACTS STRAIGHT. >> Trevor: WHEN DID YOU GET 870 00:25:09,543 --> 00:25:10,308 >> Trevor: WHEN DID YOU GET THE TONY? 871 00:25:10,310 --> 00:25:11,710 THE TONY? >> IT'S POSSIBLE THAT I WAS 872 00:25:11,712 --> 00:25:13,378 >> IT'S POSSIBLE THAT I WAS NOMINATED WHEN I WAS 12 AND BY 873 00:25:13,380 --> 00:25:16,782 NOMINATED WHEN I WAS 12 AND BY THE TIME THE CEREMONY HAPPENED I 874 00:25:16,784 --> 00:25:17,048 THE TIME THE CEREMONY HAPPENED I WAS 13. 875 00:25:17,050 --> 00:25:17,449 WAS 13. I DON'T REMEMBER. 876 00:25:17,451 --> 00:25:19,751 I DON'T REMEMBER. >> Trevor: THAT'S STILL PRETTY 877 00:25:19,753 --> 00:25:20,051 >> Trevor: THAT'S STILL PRETTY IMPRESSIVE. 878 00:25:20,053 --> 00:25:22,020 IMPRESSIVE. >> PRETTY YOUNG FOR ALL THAT 879 00:25:22,022 --> 00:25:22,220 >> PRETTY YOUNG FOR ALL THAT NOISE. 880 00:25:22,222 --> 00:25:23,688 NOISE. >> Trevor: THAT'S A GOOD 881 00:25:23,690 --> 00:25:25,323 >> Trevor: THAT'S A GOOD QUESTION THEN -- HOW DID YOU 882 00:25:25,325 --> 00:25:27,726 QUESTION THEN -- HOW DID YOU AVOID THE CHILD STAR TRACK THEN? 883 00:25:27,728 --> 00:25:30,796 AVOID THE CHILD STAR TRACK THEN? ARE YOU NORMAL? 884 00:25:30,798 --> 00:25:32,964 ARE YOU NORMAL? >> THAT'S THE MILLION-DOLLAR 885 00:25:32,966 --> 00:25:33,231 >> THAT'S THE MILLION-DOLLAR QUESTION. 886 00:25:33,233 --> 00:25:34,833 QUESTION. I FEEL LIKE, ACTUALLY, I WAS 887 00:25:34,835 --> 00:25:37,469 I FEEL LIKE, ACTUALLY, I WAS THINKING ABOUT THIS RECENTLY, 888 00:25:37,471 --> 00:25:39,438 THINKING ABOUT THIS RECENTLY, THAT I THINK THEATER, FOR BETTER 889 00:25:39,440 --> 00:25:40,972 THAT I THINK THEATER, FOR BETTER AND POTENTIALLY FOR WORSE, I'M 890 00:25:40,974 --> 00:25:45,177 AND POTENTIALLY FOR WORSE, I'M NOT SURE, THEATER, LIKE, ASKS A 891 00:25:45,179 --> 00:25:47,712 NOT SURE, THEATER, LIKE, ASKS A LOT MORE OF ITS CHILD ACTORS. 892 00:25:47,714 --> 00:25:48,780 LOT MORE OF ITS CHILD ACTORS. YOU HAVE BEEN ON FILM SETS. 893 00:25:48,782 --> 00:25:50,215 YOU HAVE BEEN ON FILM SETS. >> Trevor: YES. 894 00:25:50,217 --> 00:25:52,284 >> Trevor: YES. IT'S LIKE CAN I GET YOU WATER. 895 00:25:52,286 --> 00:25:54,719 IT'S LIKE CAN I GET YOU WATER. >> Trevor: IT'S A VERY 896 00:25:54,721 --> 00:25:55,587 >> Trevor: IT'S A VERY PAMPERED -- 897 00:25:55,589 --> 00:25:56,521 PAMPERED -- >> PAMPERED EXISTENCE. 898 00:25:56,523 --> 00:25:58,657 >> PAMPERED EXISTENCE. IT IS ALL KIND OF FAKE BECAUSE 899 00:25:58,659 --> 00:26:00,292 IT IS ALL KIND OF FAKE BECAUSE THEY DON'T TRUST YOU NOT TO RUB 900 00:26:00,294 --> 00:26:00,725 THEY DON'T TRUST YOU NOT TO RUB OFF. 901 00:26:00,727 --> 00:26:02,060 OFF. IT'S NOT IT'S COMING FROM A 902 00:26:02,062 --> 00:26:03,462 IT'S NOT IT'S COMING FROM A PLACE OF GENUINELY WE THINK 903 00:26:03,464 --> 00:26:04,830 PLACE OF GENUINELY WE THINK YOU'RE SO WONDERFUL, IT'S JUST 904 00:26:04,832 --> 00:26:06,565 YOU'RE SO WONDERFUL, IT'S JUST COMING FROM A PLACE OF WE DON'T 905 00:26:06,567 --> 00:26:10,602 COMING FROM A PLACE OF WE DON'T TRUST YOU TO GO TO THE BATHROOM 906 00:26:10,604 --> 00:26:12,571 TRUST YOU TO GO TO THE BATHROOM AND NOT GET LOST SO WE HAVE TO 907 00:26:12,573 --> 00:26:13,438 AND NOT GET LOST SO WE HAVE TO TAKE YOU THERE. 908 00:26:13,440 --> 00:26:15,207 TAKE YOU THERE. WHEN YOU'RE YOUNG YOU MIGHT 909 00:26:15,209 --> 00:26:16,842 WHEN YOU'RE YOUNG YOU MIGHT INTERNALIZE THAT LIKE I'M 910 00:26:16,844 --> 00:26:17,909 INTERNALIZE THAT LIKE I'M SPECIAL, I'M AT THE TOP TO HAVE 911 00:26:17,911 --> 00:26:19,044 SPECIAL, I'M AT THE TOP TO HAVE THE PECKING ORDER. 912 00:26:19,046 --> 00:26:20,445 THE PECKING ORDER. WHEN I WAS DOING HIGH SOCIETY 913 00:26:20,447 --> 00:26:22,314 WHEN I WAS DOING HIGH SOCIETY WHEN I WAS 12, THERE WAS A DAY I 914 00:26:22,316 --> 00:26:23,849 WHEN I WAS 12, THERE WAS A DAY I KEPT FORGETTING MY LINE IN FRONT 915 00:26:23,851 --> 00:26:24,349 KEPT FORGETTING MY LINE IN FRONT OF EVERYONE. 916 00:26:24,351 --> 00:26:26,351 OF EVERYONE. THE DIRECTOR WAS, LIKE, WELL, 917 00:26:26,353 --> 00:26:29,321 THE DIRECTOR WAS, LIKE, WELL, WE'RE GOING TO CUT THAT LINE IF 918 00:26:29,323 --> 00:26:30,956 WE'RE GOING TO CUT THAT LINE IF YOU FORGET IT ONE MORE TIME AND 919 00:26:30,958 --> 00:26:33,024 YOU FORGET IT ONE MORE TIME AND I DID AND THEY CUT IT. 920 00:26:33,026 --> 00:26:34,993 I DID AND THEY CUT IT. SO OBVIOUSLY THAT WAS MAYBE A 921 00:26:34,995 --> 00:26:37,329 SO OBVIOUSLY THAT WAS MAYBE A LITTLE TOO HUMILIATING, BUT 922 00:26:37,331 --> 00:26:39,264 LITTLE TOO HUMILIATING, BUT GENERALLY SPEAKING, IT WAS JUST, 923 00:26:39,266 --> 00:26:41,233 GENERALLY SPEAKING, IT WAS JUST, LIKE, YOU'RE GOING TO BE HERE, 924 00:26:41,235 --> 00:26:42,367 LIKE, YOU'RE GOING TO BE HERE, YOU'RE GOING TO REHEARSE ALL 925 00:26:42,369 --> 00:26:42,868 YOU'RE GOING TO REHEARSE ALL DAY. 926 00:26:42,870 --> 00:26:44,002 DAY. >> Trevor: DO YOU MISS IT? 927 00:26:44,004 --> 00:26:45,170 >> Trevor: DO YOU MISS IT? >> YEAH, EVERY TIME I GO AND SEE 928 00:26:45,172 --> 00:26:47,038 >> YEAH, EVERY TIME I GO AND SEE A SHOW, I'M JUST LIKE I'M SO 929 00:26:47,040 --> 00:26:49,341 A SHOW, I'M JUST LIKE I'M SO GREEN WITH ENVY THAT I'M NOT ON 930 00:26:49,343 --> 00:26:51,776 GREEN WITH ENVY THAT I'M NOT ON STAGE AND IT'S SUCH A MAGICAL 931 00:26:51,778 --> 00:26:52,177 STAGE AND IT'S SUCH A MAGICAL EXPERIENCE. 932 00:26:52,179 --> 00:26:53,612 EXPERIENCE. >> Trevor: ARE YOU ABLE TO 933 00:26:53,614 --> 00:26:54,613 >> Trevor: ARE YOU ABLE TO TOTALLY SHUT OUT? 934 00:26:54,615 --> 00:26:56,915 TOTALLY SHUT OUT? WHAT HAPPENS TO ME IS, IF I'M 935 00:26:56,917 --> 00:27:00,185 WHAT HAPPENS TO ME IS, IF I'M WATCH AG SHOW, SAY STANDUP, I 936 00:27:00,187 --> 00:27:01,419 WATCH AG SHOW, SAY STANDUP, I SPEND HALF TO HAVE THE SHOW 937 00:27:01,421 --> 00:27:02,621 SPEND HALF TO HAVE THE SHOW THINKING ABOUT WHAT I WOULD HAVE 938 00:27:02,623 --> 00:27:02,854 THINKING ABOUT WHAT I WOULD HAVE DONE. 939 00:27:02,856 --> 00:27:04,689 DONE. LIKE THE JOKE, I SEE IT COMING, 940 00:27:04,691 --> 00:27:06,057 LIKE THE JOKE, I SEE IT COMING, DON'T SEE IT COMING. 941 00:27:06,059 --> 00:27:06,324 DON'T SEE IT COMING. >> YEAH. 942 00:27:06,326 --> 00:27:07,325 >> YEAH. >> Trevor: DO YOU HAVE THAT 943 00:27:07,327 --> 00:27:09,761 >> Trevor: DO YOU HAVE THAT WHEN YOU GO TO BROADWAY, HUH, I 944 00:27:09,763 --> 00:27:12,898 WHEN YOU GO TO BROADWAY, HUH, I WOULDN'T HAVE DONE THE NOTE THAT 945 00:27:12,900 --> 00:27:13,131 WOULDN'T HAVE DONE THE NOTE THAT WAY. 946 00:27:13,133 --> 00:27:14,499 WAY. >> YOU MUST DO THAT WITH TV. 947 00:27:14,501 --> 00:27:15,467 >> YOU MUST DO THAT WITH TV. >> Trevor: NO. 948 00:27:15,469 --> 00:27:16,368 >> Trevor: NO. >> JUST STANDUP. 949 00:27:16,370 --> 00:27:18,136 >> JUST STANDUP. >> Trevor: JUST STANDUP. 950 00:27:18,138 --> 00:27:19,804 >> Trevor: JUST STANDUP. >> I END UP DOING THAT WITH FILM 951 00:27:19,806 --> 00:27:22,240 >> I END UP DOING THAT WITH FILM AND TELL TELEVISION AND LIVE TH, 952 00:27:22,242 --> 00:27:24,175 AND TELL TELEVISION AND LIVE TH, AND I WONDER IF IT'S THE SAME 953 00:27:24,177 --> 00:27:25,944 AND I WONDER IF IT'S THE SAME WITH YOU WITH STANDUP, THAT THE 954 00:27:25,946 --> 00:27:29,781 WITH YOU WITH STANDUP, THAT THE TRUE TEST OF HOW GREAT IT IS IS 955 00:27:29,783 --> 00:27:31,416 TRUE TEST OF HOW GREAT IT IS IS WHERE YOUR BRAIN SHUTS OUT OF IF 956 00:27:31,418 --> 00:27:32,817 WHERE YOUR BRAIN SHUTS OUT OF IF YOU'RE NOT THINKING ABOUT, OH, 957 00:27:32,819 --> 00:27:33,919 YOU'RE NOT THINKING ABOUT, OH, THAT'S AN INTERESTING TIME TO 958 00:27:33,921 --> 00:27:36,087 THAT'S AN INTERESTING TIME TO MOVE THE CAMERA THAT WAY. 959 00:27:36,089 --> 00:27:36,988 MOVE THE CAMERA THAT WAY. THAT'S A CHOICE. 960 00:27:36,990 --> 00:27:38,423 THAT'S A CHOICE. BUT WHEN YOU'RE JUST NOT 961 00:27:38,425 --> 00:27:40,292 BUT WHEN YOU'RE JUST NOT THINKING ABOUT THAT AT ALL 962 00:27:40,294 --> 00:27:42,060 THINKING ABOUT THAT AT ALL BECAUSE YOU'RE SO ENGROSSED IN 963 00:27:42,062 --> 00:27:42,427 BECAUSE YOU'RE SO ENGROSSED IN THE MATERIAL. 964 00:27:42,429 --> 00:27:44,029 THE MATERIAL. >> Trevor: THE SAME THING WITH 965 00:27:44,031 --> 00:27:44,529 >> Trevor: THE SAME THING WITH BROADWAY. 966 00:27:44,531 --> 00:27:44,829 BROADWAY. >> YEAH. 967 00:27:44,831 --> 00:27:46,498 >> YEAH. >> Trevor: WHEN YOU'RE SO 968 00:27:46,500 --> 00:27:46,831 >> Trevor: WHEN YOU'RE SO ENGROSSED. 969 00:27:46,833 --> 00:27:48,633 ENGROSSED. TALKS ABOUT YOUR SHOW, SEASON 970 00:27:48,635 --> 00:27:49,701 TALKS ABOUT YOUR SHOW, SEASON TWO, CONGRATULATIONS. 971 00:27:49,703 --> 00:27:51,703 TWO, CONGRATULATIONS. >> YEAH, YOU I HAVE TO SAY I'M O 972 00:27:51,705 --> 00:27:53,838 >> YEAH, YOU I HAVE TO SAY I'M O EXCITED FOR PEOPLE TO SEE SEASON 973 00:27:53,840 --> 00:27:55,307 EXCITED FOR PEOPLE TO SEE SEASON TWO AND I FEEL LIKE IT'S A LOT 974 00:27:55,309 --> 00:27:57,042 TWO AND I FEEL LIKE IT'S A LOT EASIER FOR ME TO TALK ABOUT 975 00:27:57,044 --> 00:27:58,610 EASIER FOR ME TO TALK ABOUT SEASON TWO BECAUSE I'M NOT THE 976 00:27:58,612 --> 00:28:00,979 SEASON TWO BECAUSE I'M NOT THE LEAD OF SEASON TWO NOW SO I GET 977 00:28:00,981 --> 00:28:02,881 LEAD OF SEASON TWO NOW SO I GET TO BE JUST LIKE, YOU GUYS, THE 978 00:28:02,883 --> 00:28:04,849 TO BE JUST LIKE, YOU GUYS, THE SHOW IS SO GOOD,ETH SO GOOD! 979 00:28:04,851 --> 00:28:06,384 SHOW IS SO GOOD,ETH SO GOOD! >> Trevor: SO YOU'RE SAYING 980 00:28:06,386 --> 00:28:07,385 >> Trevor: SO YOU'RE SAYING BEFORE YOU WOULDN'T WANT TO TALK 981 00:28:07,387 --> 00:28:10,355 BEFORE YOU WOULDN'T WANT TO TALK ABOUT IT BECAUSE YOU WERE AFRAID 982 00:28:10,357 --> 00:28:12,424 ABOUT IT BECAUSE YOU WERE AFRAID IT'S, LIKE, I'M SO GOOD? 983 00:28:12,426 --> 00:28:14,059 IT'S, LIKE, I'M SO GOOD? >> OF COURSE I WANT PEOPLE TO 984 00:28:14,061 --> 00:28:15,927 >> OF COURSE I WANT PEOPLE TO SEE THE SHOW AND I THINK IT'S 985 00:28:15,929 --> 00:28:16,161 SEE THE SHOW AND I THINK IT'S GOOD. 986 00:28:16,163 --> 00:28:18,763 GOOD. BUT IT'S EASIER FOR ME TO 987 00:28:18,765 --> 00:28:21,199 BUT IT'S EASIER FOR ME TO UNABASHEDLY BE, YOU GUYS, THE 988 00:28:21,201 --> 00:28:24,269 UNABASHEDLY BE, YOU GUYS, THE SHOW IS SO GOOD. 989 00:28:24,271 --> 00:28:26,037 SHOW IS SO GOOD. WILLIAM HARPER FROM THE GOOD 990 00:28:26,039 --> 00:28:28,239 WILLIAM HARPER FROM THE GOOD PLACE IS SO UNBELIEVABLE. 991 00:28:28,241 --> 00:28:29,641 PLACE IS SO UNBELIEVABLE. AND JESSICA WILLIAMS IS 992 00:28:29,643 --> 00:28:29,975 AND JESSICA WILLIAMS IS ELECTRIFYING. 993 00:28:29,977 --> 00:28:32,143 ELECTRIFYING. >> Trevor: I'VE NEVER SEEN YOU 994 00:28:32,145 --> 00:28:34,012 >> Trevor: I'VE NEVER SEEN YOU SPEAK ABOUT YOURSELF LIKE THIS. 995 00:28:34,014 --> 00:28:34,813 SPEAK ABOUT YOURSELF LIKE THIS. >> THAT WOULD BE WEIRD. 996 00:28:34,815 --> 00:28:36,114 >> THAT WOULD BE WEIRD. >> Trevor: I DON'T THINK IT 997 00:28:36,116 --> 00:28:36,381 >> Trevor: I DON'T THINK IT WOULD BE. 998 00:28:36,383 --> 00:28:38,149 WOULD BE. A SIREN IS GOING BY. 999 00:28:38,151 --> 00:28:38,750 A SIREN IS GOING BY. TIMES SQUARE. 1000 00:28:38,752 --> 00:28:39,818 TIMES SQUARE. I DON'T THINK THAT WOULD BE 1001 00:28:39,820 --> 00:28:42,854 I DON'T THINK THAT WOULD BE WEIRD AT ALL. 1002 00:28:42,856 --> 00:28:45,290 WEIRD AT ALL. I THINK MAYBE YOU SHOULD ADD 1003 00:28:45,292 --> 00:28:47,726 I THINK MAYBE YOU SHOULD ADD LIKE AN S TO YOUR NAME AND BE 1004 00:28:47,728 --> 00:28:49,127 LIKE AN S TO YOUR NAME AND BE LIKE ANNA KENDRICKS WHO IS ON 1005 00:28:49,129 --> 00:28:52,330 LIKE ANNA KENDRICKS WHO IS ON THE SHOW AND TALK ABOUT HER AS 1006 00:28:52,332 --> 00:28:52,631 THE SHOW AND TALK ABOUT HER AS WELL. 1007 00:28:52,633 --> 00:28:54,065 WELL. SHE'S A PHENOMENAL. 1008 00:28:54,067 --> 00:28:57,268 SHE'S A PHENOMENAL. >> I WOULD BE LIKE ANNA 1009 00:28:57,270 --> 00:28:58,803 >> I WOULD BE LIKE ANNA KENDRICKS IS TALENTED BUT SHE'S 1010 00:28:58,805 --> 00:29:00,605 KENDRICKS IS TALENTED BUT SHE'S NOT FOR EVERYONE. 1011 00:29:00,607 --> 00:29:00,905 NOT FOR EVERYONE. ( LAUGHTER ) 1012 00:29:00,907 --> 00:29:01,706 ( LAUGHTER ) >> Trevor: YOU KNOW WHAT I 1013 00:29:01,708 --> 00:29:03,775 >> Trevor: YOU KNOW WHAT I LOVED ABOUT THIS SHOW IS, LIKE, 1014 00:29:03,777 --> 00:29:05,844 LOVED ABOUT THIS SHOW IS, LIKE, SEASON ONE WAS -- I WILL SAY 1015 00:29:05,846 --> 00:29:07,712 SEASON ONE WAS -- I WILL SAY THIS, IT SURPRISED ME BECAUSE IT 1016 00:29:07,714 --> 00:29:10,615 THIS, IT SURPRISED ME BECAUSE IT WAS LIKE THE NICEST SHOW ON 1017 00:29:10,617 --> 00:29:10,849 WAS LIKE THE NICEST SHOW ON HBO MAX. 1018 00:29:10,851 --> 00:29:12,350 HBO MAX. LET ME START WITH THAT. 1019 00:29:12,352 --> 00:29:12,684 LET ME START WITH THAT. >> OH, YEAH. 1020 00:29:12,686 --> 00:29:15,086 >> OH, YEAH. >> Trevor: A LOT OF THE STUFF 1021 00:29:15,088 --> 00:29:17,822 >> Trevor: A LOT OF THE STUFF ON HBO MAX IS SUICIDE SQUATTY, 1022 00:29:17,824 --> 00:29:19,457 ON HBO MAX IS SUICIDE SQUATTY, FUNNY BUT DARK. 1023 00:29:19,459 --> 00:29:21,326 FUNNY BUT DARK. AND THIS I WAS, LIKE, IS THIS 1024 00:29:21,328 --> 00:29:21,993 AND THIS I WAS, LIKE, IS THIS DARK? 1025 00:29:21,995 --> 00:29:22,727 DARK? >> NO, NICE. 1026 00:29:22,729 --> 00:29:24,496 >> NO, NICE. >> Trevor: I WAS, LIKE, THIS 1027 00:29:24,498 --> 00:29:25,864 >> Trevor: I WAS, LIKE, THIS IS VERY FRIENDLY. 1028 00:29:25,866 --> 00:29:28,333 IS VERY FRIENDLY. I WASN'T EXPECTING THAT FROM 1029 00:29:28,335 --> 00:29:28,800 I WASN'T EXPECTING THAT FROM HBO MAX. 1030 00:29:28,802 --> 00:29:30,068 HBO MAX. >> IT'S AN APPROACHABLE, 1031 00:29:30,070 --> 00:29:32,270 >> IT'S AN APPROACHABLE, FRIENDLY SHOW, AND THEN IT DOES 1032 00:29:32,272 --> 00:29:34,472 FRIENDLY SHOW, AND THEN IT DOES GET INTO SOME HEAVIER STUFF. 1033 00:29:34,474 --> 00:29:37,409 GET INTO SOME HEAVIER STUFF. BUT IN A WAY WHERE -- YOU WERE 1034 00:29:37,411 --> 00:29:38,843 BUT IN A WAY WHERE -- YOU WERE LAUGHING THE ENTIRE TIME -- 1035 00:29:38,845 --> 00:29:40,578 LAUGHING THE ENTIRE TIME -- THERE WAS AN EPISODE LATER IN 1036 00:29:40,580 --> 00:29:42,414 THERE WAS AN EPISODE LATER IN THE SEASON WHERE LIKE THE THREE 1037 00:29:42,416 --> 00:29:44,082 THE SEASON WHERE LIKE THE THREE KIND OF GUY FRIENDS END UP ON 1038 00:29:44,084 --> 00:29:46,484 KIND OF GUY FRIENDS END UP ON THE CAMPING TRIP AND THE EPISODE 1039 00:29:46,486 --> 00:29:48,019 THE CAMPING TRIP AND THE EPISODE IS MY FAVORITE BECAUSE IT REALLY 1040 00:29:48,021 --> 00:29:51,856 IS MY FAVORITE BECAUSE IT REALLY REALLY GETS INTO THE BRUTALITY 1041 00:29:51,858 --> 00:29:52,691 REALLY GETS INTO THE BRUTALITY OF HEARTBREAK, YOU KNOW. 1042 00:29:52,693 --> 00:29:53,391 OF HEARTBREAK, YOU KNOW. >> Trevor: YEAH. 1043 00:29:53,393 --> 00:29:55,126 >> Trevor: YEAH. >> BUT IT'S SO FUNNY. 1044 00:29:55,128 --> 00:29:56,895 >> BUT IT'S SO FUNNY. IT'S, LIKE, THREE GUYS ON 1045 00:29:56,897 --> 00:29:58,430 IT'S, LIKE, THREE GUYS ON MUSHROOMS IN THE WOODS AND IT'S 1046 00:29:58,432 --> 00:29:59,631 MUSHROOMS IN THE WOODS AND IT'S SO FUNNY BUT YOU'RE STILL 1047 00:29:59,633 --> 00:30:02,267 SO FUNNY BUT YOU'RE STILL GETTING ALL OF THAT CATHARSIS OF 1048 00:30:02,269 --> 00:30:05,336 GETTING ALL OF THAT CATHARSIS OF WATCHING SOMEBODY GO LIKE GOD 1049 00:30:05,338 --> 00:30:07,305 WATCHING SOMEBODY GO LIKE GOD LIKE LOVE IS THIS FUNDAMENTAL 1050 00:30:07,307 --> 00:30:09,140 LIKE LOVE IS THIS FUNDAMENTAL HUMAN DRIVE AND IT JUST TEARS US 1051 00:30:09,142 --> 00:30:10,675 HUMAN DRIVE AND IT JUST TEARS US APART BUT, YOU KNOW, TO BE ABLE 1052 00:30:10,677 --> 00:30:12,977 APART BUT, YOU KNOW, TO BE ABLE TO BE, LIKE, REALLY LAUGHING 1053 00:30:12,979 --> 00:30:14,846 TO BE, LIKE, REALLY LAUGHING WHILE YOU'RE EXPLORING THAT IS 1054 00:30:14,848 --> 00:30:15,080 WHILE YOU'RE EXPLORING THAT IS AMAZING. 1055 00:30:15,082 --> 00:30:16,581 AMAZING. >> I WOULD LOVE TO KNOW BEFORE I 1056 00:30:16,583 --> 00:30:19,084 >> I WOULD LOVE TO KNOW BEFORE I LET YOU GO, YOUR CHARACTER 1057 00:30:19,086 --> 00:30:22,821 LET YOU GO, YOUR CHARACTER DARBY, WE TRAVEL THROUGH SO MUCH 1058 00:30:22,823 --> 00:30:24,255 DARBY, WE TRAVEL THROUGH SO MUCH WITH HER. 1059 00:30:24,257 --> 00:30:25,890 WITH HER. WE GOT TO RELIVE MOMENTS OF HER 1060 00:30:25,892 --> 00:30:26,091 WE GOT TO RELIVE MOMENTS OF HER LIFE. 1061 00:30:26,093 --> 00:30:28,793 LIFE. IT'S THE YOUNG LOVE, NEW LOVE, 1062 00:30:28,795 --> 00:30:29,561 IT'S THE YOUNG LOVE, NEW LOVE, GETTING MARRIED, AND AT THE END 1063 00:30:29,563 --> 00:30:31,896 GETTING MARRIED, AND AT THE END OF THE SEASON, HERE WE ARE WITH 1064 00:30:31,898 --> 00:30:34,332 OF THE SEASON, HERE WE ARE WITH HER AS A SINGLE MOM AND IT'S A 1065 00:30:34,334 --> 00:30:35,300 HER AS A SINGLE MOM AND IT'S A JOURNEY SHE'S BEEN ON. 1066 00:30:35,302 --> 00:30:36,835 JOURNEY SHE'S BEEN ON. HAVE YOUR IDEAS ON LOVE CHANGED 1067 00:30:36,837 --> 00:30:38,269 HAVE YOUR IDEAS ON LOVE CHANGED OR BEEN SHAPED BY THE SHOW IN 1068 00:30:38,271 --> 00:30:39,003 OR BEEN SHAPED BY THE SHOW IN ANY WAY? 1069 00:30:39,005 --> 00:30:40,772 ANY WAY? IS THERE SOMETHING WHERE THE 1070 00:30:40,774 --> 00:30:41,973 IS THERE SOMETHING WHERE THE MATERIAL HAS MADE YOU THINK 1071 00:30:41,975 --> 00:30:43,742 MATERIAL HAS MADE YOU THINK LIKE, HUH, I WONDER IF I SEE 1072 00:30:43,744 --> 00:30:45,276 LIKE, HUH, I WONDER IF I SEE LOVE DIFFERENTLY OR HAVE YOU 1073 00:30:45,278 --> 00:30:47,011 LOVE DIFFERENTLY OR HAVE YOU SHAPED THE SHOW BECAUSE OF HOW 1074 00:30:47,013 --> 00:30:48,113 SHAPED THE SHOW BECAUSE OF HOW YOU SEE LOVE? 1075 00:30:48,115 --> 00:30:49,881 YOU SEE LOVE? >> THAT'S REALLY INTERESTING 1076 00:30:49,883 --> 00:30:51,850 >> THAT'S REALLY INTERESTING BECAUSE THE FIRST SEASON, A 1077 00:30:51,852 --> 00:30:53,585 BECAUSE THE FIRST SEASON, A COUPLE OF THINGS HAPPENED, LIKE 1078 00:30:53,587 --> 00:30:55,787 COUPLE OF THINGS HAPPENED, LIKE A LOT OF THAT FIRST SEASON WAS 1079 00:30:55,789 --> 00:30:56,855 A LOT OF THAT FIRST SEASON WAS PERSONAL EXPERIENCE AND, IN 1080 00:30:56,857 --> 00:30:57,722 PERSONAL EXPERIENCE AND, IN FACT, I WAS, LIKE, WE HAVE TO 1081 00:30:57,724 --> 00:30:59,491 FACT, I WAS, LIKE, WE HAVE TO CHANGE SOME OF THESE DETAILS SO 1082 00:30:59,493 --> 00:31:02,093 CHANGE SOME OF THESE DETAILS SO THAT I DON'T GET ANGRY PHONE 1083 00:31:02,095 --> 00:31:02,293 THAT I DON'T GET ANGRY PHONE CALLS. 1084 00:31:02,295 --> 00:31:03,995 CALLS. BUT THERE WAS ONE EPISODE IN 1085 00:31:03,997 --> 00:31:05,964 BUT THERE WAS ONE EPISODE IN PARTICULAR THAT I WENT TO THE 1086 00:31:05,966 --> 00:31:07,599 PARTICULAR THAT I WENT TO THE CREATOR WHEN I GOT THE SCRIPT 1087 00:31:07,601 --> 00:31:09,567 CREATOR WHEN I GOT THE SCRIPT FOR THIS PARTICULAR EPISODE AND 1088 00:31:09,569 --> 00:31:12,537 FOR THIS PARTICULAR EPISODE AND WAS LIKE WE NEED TO CHANGE MORE 1089 00:31:12,539 --> 00:31:13,605 WAS LIKE WE NEED TO CHANGE MORE DETAILS, THIS IS WAY TOO CLOSE 1090 00:31:13,607 --> 00:31:14,939 DETAILS, THIS IS WAY TOO CLOSE TO MY REAL LIFE. 1091 00:31:14,941 --> 00:31:17,275 TO MY REAL LIFE. AND HE IS LIKE WE HAVEN'T TALKED 1092 00:31:17,277 --> 00:31:20,512 AND HE IS LIKE WE HAVEN'T TALKED ABOUT THIS, THIS EPISODE, WE 1093 00:31:20,514 --> 00:31:21,713 ABOUT THIS, THIS EPISODE, WE DIDN'T CONSULT YOU ON THIS 1094 00:31:21,715 --> 00:31:22,080 DIDN'T CONSULT YOU ON THIS THING. 1095 00:31:22,082 --> 00:31:23,448 THING. SO THE MOST CLOSE TO MY LIFE WAS 1096 00:31:23,450 --> 00:31:25,016 SO THE MOST CLOSE TO MY LIFE WAS THE THING I DIDN'T TALK ABOUT 1097 00:31:25,018 --> 00:31:27,852 THE THING I DIDN'T TALK ABOUT AND THAT THE CRAZY THING ABOUT 1098 00:31:27,854 --> 00:31:30,688 AND THAT THE CRAZY THING ABOUT SEASON TWO IS THAT I'M GOING, 1099 00:31:30,690 --> 00:31:33,191 SEASON TWO IS THAT I'M GOING, LIKE, IT FEELS JUST AS PERSONAL 1100 00:31:33,193 --> 00:31:35,193 LIKE, IT FEELS JUST AS PERSONAL AND IT LIKE NONE OF IT'S DRAWN 1101 00:31:35,195 --> 00:31:36,494 AND IT LIKE NONE OF IT'S DRAWN FROM MY ACTUAL LIFE. 1102 00:31:36,496 --> 00:31:39,464 FROM MY ACTUAL LIFE. AND, SO, IT FEELS ALMOST LIKE -- 1103 00:31:39,466 --> 00:31:40,098 AND, SO, IT FEELS ALMOST LIKE -- ACTUALLY, THERE WAS ANOTHER 1104 00:31:40,100 --> 00:31:41,733 ACTUALLY, THERE WAS ANOTHER THING WHERE I HAD NEVER HAD AN 1105 00:31:41,735 --> 00:31:42,734 THING WHERE I HAD NEVER HAD AN EXPERIENCE QUITE LIKE THE ONE 1106 00:31:42,736 --> 00:31:44,903 EXPERIENCE QUITE LIKE THE ONE THAT DARBY HAD, AND THEN SINCE 1107 00:31:44,905 --> 00:31:47,338 THAT DARBY HAD, AND THEN SINCE THE SHOW HAS ENDED, I HAVE HAD 1108 00:31:47,340 --> 00:31:50,642 THE SHOW HAS ENDED, I HAVE HAD THAT EXPERIENCE, AND, YOU KNOW, 1109 00:31:50,644 --> 00:31:53,478 THAT EXPERIENCE, AND, YOU KNOW, SO, LIKE, THIS KIND OF WEIRD 1110 00:31:53,480 --> 00:31:55,113 SO, LIKE, THIS KIND OF WEIRD ROAD MAP OR LIKE SOMETIMES IT 1111 00:31:55,115 --> 00:31:56,981 ROAD MAP OR LIKE SOMETIMES IT FEELS LIKE THE SHOW IS LIKE MY 1112 00:31:56,983 --> 00:31:59,851 FEELS LIKE THE SHOW IS LIKE MY PERSONAL PSYCHIC OR SOMETHING. 1113 00:31:59,853 --> 00:32:01,186 PERSONAL PSYCHIC OR SOMETHING. SO I DON'T KNOW -- YEAH, I GUESS 1114 00:32:01,188 --> 00:32:04,556 SO I DON'T KNOW -- YEAH, I GUESS IT'S THAT, YOU KNOW -- THAT 1115 00:32:04,558 --> 00:32:06,825 IT'S THAT, YOU KNOW -- THAT CONSTANT QUESTION OF IS LIFE 1116 00:32:06,827 --> 00:32:09,460 CONSTANT QUESTION OF IS LIFE IMITATING ART OR ART IMITATING 1117 00:32:09,462 --> 00:32:09,661 IMITATING ART OR ART IMITATING LIFE? 1118 00:32:09,663 --> 00:32:11,329 LIFE? >> Trevor: THAT'S PROBABLY WHY 1119 00:32:11,331 --> 00:32:12,864 >> Trevor: THAT'S PROBABLY WHY PEOPLE LOVE THE SHOW, IT 1120 00:32:12,866 --> 00:32:14,632 PEOPLE LOVE THE SHOW, IT CONNECTS WITH PEOPLE. 1121 00:32:14,634 --> 00:32:16,267 CONNECTS WITH PEOPLE. THERE ARE MOMENTS YOU FEEL LIKE 1122 00:32:16,269 --> 00:32:18,670 THERE ARE MOMENTS YOU FEEL LIKE YOU'RE WATCH AGO REAL SHOW AND 1123 00:32:18,672 --> 00:32:20,205 YOU'RE WATCH AGO REAL SHOW AND IT'S A SHOW THAT MAKES YOU 1124 00:32:20,207 --> 00:32:22,373 IT'S A SHOW THAT MAKES YOU LAUGH, AND WHEN IT ENDS, I 1125 00:32:22,375 --> 00:32:24,576 LAUGH, AND WHEN IT ENDS, I WASN'T JUST WATCHING A SHOW, IT 1126 00:32:24,578 --> 00:32:25,276 WASN'T JUST WATCHING A SHOW, IT WAS MY FRIENDS. 1127 00:32:25,278 --> 00:32:25,643 WAS MY FRIENDS. >> THANK YOU. 1128 00:32:25,645 --> 00:32:27,645 >> THANK YOU. >> Trevor: 1129 00:32:27,647 --> 00:32:30,682 >> Trevor: >> Trevor: SEASON TWO OF "LOVE 1130 00:32:30,684 --> 00:32:30,882 >> Trevor: SEASON TWO OF "LOVE LIFE" 1131 00:32:30,884 --> 00:32:31,516 LIFE" PREMIERES ON HBO MAX ON OCTOBER 1132 00:32:31,518 --> 00:32:31,716 PREMIERES ON HBO MAX ON OCTOBER 28TH. 1133 00:32:31,718 --> 00:32:32,383 28TH. OKAY, WE'RE GONNA TAKE A QUICK 1134 00:32:32,385 --> 00:32:33,017 OKAY, WE'RE GONNA TAKE A QUICK BREAK, BUT WE'LL BE RIGHT BACK 1135 00:32:33,019 --> 00:32:33,752 BREAK, BUT WE'LL BE RIGHT BACK AFTER THIS. BUT BEFORE WE GO: 1136 00:32:33,754 --> 00:32:34,386 AFTER THIS. BUT BEFORE WE GO: CONSIDER SUPPORTING THE VIOLENCE 1137 00:32:34,388 --> 00:32:35,253 CONSIDER SUPPORTING THE VIOLENCE INTERVENTION PROGRAM IN NEW YORK 1138 00:32:35,255 --> 00:32:37,522 INTERVENTION PROGRAM IN NEW YORK CITY. 1139 00:32:37,524 --> 00:32:38,890 CITY. THEY WORK WITHIN LATINO 1140 00:32:38,892 --> 00:32:40,625 THEY WORK WITHIN LATINO COMMUNITIES TO END DOMESTIC AND 1141 00:32:40,627 --> 00:32:41,826 COMMUNITIES TO END DOMESTIC AND SEXUAL VIOLENCE, BY PROVIDING 1142 00:32:41,828 --> 00:32:44,362 SEXUAL VIOLENCE, BY PROVIDING EMERGENCY SHELTER ADVOCACY FOR 1143 00:32:44,364 --> 00:32:46,564 EMERGENCY SHELTER ADVOCACY FOR LONG-TERM ECONOMIC STABILITY, 1144 00:32:46,566 --> 00:32:47,165 LONG-TERM ECONOMIC STABILITY, AND HEALING FOR SURVIVORS AND 1145 00:32:47,167 --> 00:32:48,533 AND HEALING FOR SURVIVORS AND THEIR CHILDREN. 1146 00:32:48,535 --> 00:32:49,667 THEIR CHILDREN. IF YOU WANT TO SUPPORT THEIR 1147 00:32:49,669 --> 00:32:50,969 IF YOU WANT TO SUPPORT THEIR WORK, PLEASE DONATE AT THE LINK 1148 00:32:50,971 --> 00:32:51,970 WORK, PLEASE DONATE AT THE LINK BELOW. 1149 00:32:51,972 --> 00:32:53,338 BELOW. UNTIL TOMORROW -- STAY SAFE OUT 1150 00:32:53,340 --> 00:32:56,741 UNTIL TOMORROW -- STAY SAFE OUT THERE, GET YOUR VACCINE, AND 1151 00:32:56,743 --> 00:32:58,243 THERE, GET YOUR VACCINE, AND REMEMBER: IF YOU'RE GETTING A 1152 00:32:58,245 --> 00:32:59,577 REMEMBER: IF YOU'RE GETTING A PROSTATE EXAM, DO NOT LET YOUR 1153 00:32:59,579 --> 00:33:00,345 PROSTATE EXAM, DO NOT LET YOUR DOCTOR USE THOSE GLOVES FROM 1154 00:33:00,347 --> 00:33:02,981 DOCTOR USE THOSE GLOVES FROM THAILAND. 1155 00:33:02,983 --> 00:33:04,449 THAILAND. HAVE HIM RAW-DOG IT. 1156 00:33:04,451 --> 00:33:05,083 HAVE HIM RAW-DOG IT. NOW, HERE IT IS -- YOUR MOMENT 1157 00:33:05,085 --> 00:33:07,685 NOW, HERE IT IS -- YOUR MOMENT OF ZEN. 1158 00:33:08,721 --> 00:33:11,222 >> IT WAS A VERY HIGH DEGREE OF RADIATION. 1159 00:33:11,224 --> 00:33:12,757 RADIATION. >> ALL OF A SUDDEN ALL HELL 1160 00:33:12,759 --> 00:33:13,324 >> ALL OF A SUDDEN ALL HELL BROKE LOOSE. 1161 00:33:13,326 --> 00:33:15,627 BROKE LOOSE. >> IN A STORM THAT'S MORE 1162 00:33:15,629 --> 00:33:16,928 >> IN A STORM THAT'S MORE PERILOUS YSH OH! 1163 00:33:16,930 --> 00:33:19,664 PERILOUS YSH OH! >> WE WANTED TO WATCH LENA GET 1164 00:33:19,666 --> 00:33:21,399 >> WE WANTED TO WATCH LENA GET SCARED ON MORNING SHOW, SO WE 1165 00:33:21,401 --> 00:33:24,235 SCARED ON MORNING SHOW, SO WE SENT HER OUT LIVE FROM THE 1166 00:33:24,237 --> 00:33:26,905 SENT HER OUT LIVE FROM THE 13th FLOOR HAUNTED HOUSE THERE 1167 00:33:26,907 --> 00:33:30,141 13th FLOOR HAUNTED HOUSE THERE ( SCREAMING ) 1168 00:33:30,143 --> 00:33:31,209 ( SCREAMING ) >> OKAY, I WASN'T EXPECTING THAT 1169 00:33:31,211 --> 00:33:33,812 >> OKAY, I WASN'T EXPECTING THAT ONE, OKAY! 1170 00:33:33,814 --> 00:33:35,346 ONE, OKAY! ( GROWLING ) 1171 00:33:35,348 --> 00:33:35,847 ( GROWLING ) >> OOOH! 1172 00:33:35,849 --> 00:33:37,315 >> OOOH! OKAY, SEE, NOW -- 1173 00:33:37,317 --> 00:33:39,851 OKAY, SEE, NOW -- >> LENA, ARE YOU OKAY? 1174 00:33:39,853 --> 00:33:41,653 >> LENA, ARE YOU OKAY? TAKE A DEEP BREATH. 1175 00:33:41,655 --> 00:33:43,488 TAKE A DEEP BREATH. >> AS LONG AS NOBODY -- OH, 1176 00:33:43,490 --> 00:33:46,191 >> AS LONG AS NOBODY -- OH, OKAY. 1177 00:33:46,193 --> 00:33:47,759 OKAY. OOOH! 1178 00:33:47,761 --> 00:33:51,029 OOOH! IF YOU ALL DO DECIDE TO COME OU- 1179 00:33:51,031 --> 00:33:52,897 IF YOU ALL DO DECIDE TO COME OU- ( SCREAMING ) 1180 00:33:52,899 --> 00:33:54,532 ( SCREAMING ) >> OKAY -- OH, NO! 1181 00:33:54,534 --> 00:33:56,701 >> OKAY -- OH, NO! I GOTTA GO!