1 00:00:00,266 --> 00:00:03,837 ♪ ♪ Announcer: FROM NEW YORK CITY, THE ONLY CITY IN AMERICA, IT'S THE SHOW THAT 2 00:00:03,837 --> 00:00:12,812 INVENTED NEWS. THIS IS "THE DAILY SHOW" WITH YOUR HOST, JOHN LEGUIZAMO! [CHEERS AND APPLAUSE] 3 00:00:12,812 --> 00:00:33,533 ♪ ♪ [CHEERS AND APPLAUSE] John: YO, YO, YO! WHAT'S UP! 4 00:00:33,533 --> 00:00:41,674 WHAT'S UP! WELCOME TO "THE DAILY SHOW." LEGUIZAMO HERE IN THE HOUSE! [CHEERS AND APPLAUSE] 5 00:00:41,674 --> 00:00:49,115 IT'S MY THIRD NIGHT BEHIND THE DESK AND I'VE BEEN GETTING SOME GREAT FEEDBACK SO FAR. I MEAN, MOSTLY FROM MY MOM. 6 00:00:49,115 --> 00:00:57,891 SO I ASKED HER WHAT SHE THOUGHT OF THE SHOW LAST NIGHT AND SHE WAS LIKE, "I'M SORRY, I FELL ASLEEP AFTER 7 00:00:57,891 --> 00:01:11,104 "WHEEL OF FORTUNE. BUT I'M SURE YOU ARE GREAT, MIJO MIJO." WE'VE GOT A GREAT SHOW TONIGHT, 8 00:01:11,104 --> 00:01:16,075 SO LET'S GET INTO THE HEADLINES. [CHEERS AND APPLAUSE] LET'S KICK THINGS OFF WITH SOME SPORTS. 9 00:01:16,075 --> 00:01:21,748 THE NFL HAS ANNOUNCED THAT IT WILL ALLOW ITS PLAYERS TO PUT THE NUMBER ZERO ON THEIR JERSEYS NEXT SEASON FOR THE FIRST TIME 10 00:01:21,748 --> 00:01:26,953 EVER. MEANWHILE, THE JETS ANNOUNCED THAT THEY'LL PUT ZERO ON THE SCOREBOARD FOR THE 40TH SEASON 11 00:01:26,953 --> 00:01:35,995 IN A ROW. HEY! HEY! [APPLAUSE] 12 00:01:35,995 --> 00:01:41,401 SERIOUSLY, I THINK THIS IS A GREAT WAY FOR FOOTBALL PLAYERS TO CELEBRATE THE AMOUNT OF BRAIN CELLS THEY'LL HAVE LEFT 13 00:01:41,401 --> 00:01:49,042 WHEN THEY RETIRE. I KNOW, THAT'S SO [BLEEP] UP. BUT IT'S TRUE! OKAY, LET'S MOVE ON TO SOME 14 00:01:49,042 --> 00:01:59,953 INTERNATIONAL NEWS. OVERSEAS, A DUTCH MAN IS GETTING LEGAL ACTION FOR ALLEGEDLY FATHERING AT LEAST 15 00:01:59,953 --> 00:02:04,090 550 CHILDREN. THE 41-YEAR-OLD IS A SPERM DONOR. HE'S ACCUSED OF LYING ABOUT THE 16 00:02:04,090 --> 00:02:08,228 NUMBER OF KIDS HE'S FATHERED THROUGH SPERM BANKS VIOLATING AGREEMENTS. LIMITS ARE PLACED ON DONORS TO 17 00:02:08,228 --> 00:02:21,140 PROTECT CHILDREN'S HEALTH. IT'S UNCLEAR WHAT LEGAL RAMIFICATIONS HE COULD FACE. John: HOLY SHIT! 18 00:02:21,140 --> 00:02:36,656 HE DONATED ENOUGH SPERM FOR 550 KIDS? GOD DAMN, DUDE, SAVE SOMETHING FOR THE SHOWER, BRO! 19 00:02:36,656 --> 00:02:44,430 WHAT? BUT IN THIS GUY'S DEFENSE, WHEN YOU'RE THIS COOL, YOU HAVE AN OBLIGATION TO PROCREATE. 20 00:02:44,430 --> 00:02:56,576 I MEAN, WHO WOULDN'T WANT TO GET KNOCKED UP BY THIS SPERM? BUT STILL, THOUGH, THIS IS GOING TO MAKE FOR SOME AWKWARD 21 00:02:56,576 --> 00:03:02,982 CONVERSATIONS. "MOMMY, WHAT'S MY BIOLOGICAL FATHER LIKE?" "HONEY, ALL I KNOW ABOUT HIM IS, 22 00:03:02,982 --> 00:03:06,686 HE LOVED TO JACK OFF. NIGHT, NIGHT, HONEY!" LET'S MOVE ON TO WISCONSIN. THEY'RE ABOUT TO HAVE AN 23 00:03:06,686 --> 00:03:15,862 ELECTION FOR THE STATE SUPREME COURT THAT'S HUGELY IMPORTANT, AND NOT JUST THERE, BUT FOR THE WHOLE GODDAMN COUNTRY. 24 00:03:15,862 --> 00:03:22,001 AND IT'S A LITTLE COMPLICATED TO EXPLAIN WHY IN A SHORT TIME, BUT FORTUNATELY, I'M A LATINO NEW YORKER AND I CAN TALK VERY 25 00:03:22,001 --> 00:03:27,373 FAST. [CHEERS AND APPLAUSE] ALL RIGHT, I KNOW YOU ARE WITH ME. 26 00:03:27,373 --> 00:03:31,978 I KNOW YOU ARE WITH ME. [CHEERS AND APPLAUSE] ALL RIGHT. SO LET ME BREAK IT DOWN FOR YOU 27 00:03:31,978 --> 00:03:40,320 IN MY NEW SEGMENT: "A NEW YORK MINUTE." HIT THE CLOCK! OKAY, HERE'S WHAT THAT STEAK. 28 00:03:40,320 --> 00:03:46,392 ONE: ABORTION. WHEN ROE VERSUS WADE WAS OVERTURNED, WISCONSIN AUTOMATICALLY WENT TO 29 00:03:46,392 --> 00:03:49,395 STRICT ANTIABORTION LAW FROM 1849. THAT'S SO LONG AGO! YOU KNOW WHAT THE NUMBER ONE 30 00:03:49,395 --> 00:03:57,403 MOVIE WAS IN 1849? NOTHING! THEY WEREN'T INVENTED YET! IF THE LIBERAL WINS, SHE CAN 31 00:03:57,403 --> 00:04:02,408 ABORT THAT LOT! TWO, GERRYMANDERING. REPUBLICANS HAVE PERMANENTLY STROLLED ON THE STATE 32 00:04:02,408 --> 00:04:06,179 LEGISLATURE. A LIBERAL JUDGE COULD FIT THAT SHIT. IT IS MORE TECHNICAL THAN THAT 33 00:04:06,179 --> 00:04:12,018 BUT I DO HAVE TO [BLEEP] TIME TO EXPLAIN IT. THREE, DONALD TRUMP -- [BUZZER] 34 00:04:12,018 --> 00:04:19,759 SHIT! [CHEERS AND APPLAUSE] JUST VOTE. OKAY? 35 00:04:19,759 --> 00:04:27,400 AND FINALLY, LET'S MOVE ON TO THE MAJOR NEWS ABOUT THE ARREST OF DONALD TRUMP. WHICH IS THAT... 36 00:04:27,400 --> 00:04:36,576 [CHEERS AND APPLAUSE] TRUMP STILL HAS NOT BEEN ARRESTED. BUT DON'T WORRY. 37 00:04:36,576 --> 00:04:41,681 BECAUSE THERE'S STILL 50 OTHER INVESTIGATIONS GOING ON INTO TRUMP, AND ONE OF THEM IS ABOUT TO FEATURE A SURPRISE WITNESS. 38 00:04:41,681 --> 00:04:46,352 IN A MAJOR RULING, A FEDERAL JUDGE HAS ORDERED FORMER VICE PRESIDENT MIKE PENCE TO TESTIFY BEFORE A GRAND JURY 39 00:04:46,352 --> 00:04:54,494 ABOUT FORMER PRESIDENT TRUMP. PENCE HAS BEEN ORDERED TO GIVE TESTIMONY IN THE SPECIAL COUNSEL INVESTIGATION OF TRUMP'S 40 00:04:54,494 --> 00:04:58,765 ATTEMPTS TO OVERTURN THE 2020 PRESIDENTIAL ELECTION. THE JUDGE RULED PRIVATE EXCHANGES BETWEEN TRUMP AND 41 00:04:58,765 --> 00:05:05,104 PENCE ARE NOT OFF LIMITS. PROSECUTORS ARE FOCUSED ON CONVERSATIONS THE TWO MEN HAD ON JANUARY 6TH AND ALSO IN THE DAYS 42 00:05:05,104 --> 00:05:10,910 LEADING UP TO THE CAPITOL ATTACK. THE CONVERSATIONS BEFORE JANUARY 6TH WHEN DONALD TRUMP 43 00:05:10,910 --> 00:05:19,419 AND MIKE PENCE WERE ON THE PHONE, ONE-ON-ONE, AND DONALD TRUMP APPARENTLY WAS BERATING HIM, CALLING HIM NAMES, 44 00:05:19,419 --> 00:05:26,325 THAT SORT OF THING IN THIS CRIMINAL INVESTIGATION. HE IS GONNA HAVE TO SHARE THAT. John: OH, COME ON, MAN, DON'T 45 00:05:26,325 --> 00:05:36,536 MAKE PENCE SAY ALL THE NAMES THAT TRUMP CALLED HIM! YO, THAT COULD TAKE WEEKS. THESE JURY MEMBERS HAVE 46 00:05:36,536 --> 00:05:45,211 FAMILIES TO GO HOME TO. ALTHOUGH AS A VIEWER, IT'S SOMETHING I'D LIKE TO SEE, 47 00:05:45,211 --> 00:05:52,351 ACTUALLY. "PRESIDENT TRUMP BROUGHT ME INTO HIS OFFICE AND CALLED ME A LITTLE MASHED POTATO BOY, 48 00:05:52,351 --> 00:06:06,399 A JERK-OFF FOR JESUS, A SILVER-HAIRED BABY-BITCH. HE CALLED ME THE WHITE MITT ROMNEY -- 49 00:06:06,399 --> 00:06:14,440 I DON'T EVEN KNOW WHAT THAT MEANS. HE SAID IF I DIDN'T OVERTURN THE ELECTION HE WOULD, UH, HOW 50 00:06:14,440 --> 00:06:28,087 WOULD I PUT THIS: MAKE LOVE TO ME IN THE HOLE WHERE THE POO-POO COMES OUT. [CHEERS AND APPLAUSE] 51 00:06:28,087 --> 00:06:39,532 NOW FOR MORE ON THIS STORY, WE GO LIVE TO THE COURTHOUSE AND ROY WOOD JR. [CHEERS AND APPLAUSE] 52 00:06:39,532 --> 00:06:47,473 ROY, WHAT DO YOU THINK ABOUT PENCE HAVING TO TESTIFY AGAINST TRUMP? I THINK IT IS ABOUT TO BE THE 53 00:06:47,473 --> 00:06:55,014 BRIGHTEST TRIAL OF ALL TIME. YOU GOT MIKE PRINCE, YOU GOT DONALD TRUMP, THIS IS GOING TO BE WHITER THAN THE 54 00:06:55,014 --> 00:07:01,320 GWYNETH PALTROW CASE. AND THAT CASE HAS SNOW, SKIING, AND GWYNETH PALTROW! John: THAT'S A GOOD POINT. 55 00:07:01,320 --> 00:07:10,163 IT SEEMS LIKE PENCE REALLY DOESN'T WANT TO TESTIFY. OF COURSE HE DOESN'T. TRUMP SUPPORTERS ARE GOING TO 56 00:07:10,163 --> 00:07:15,001 TRY TO KILL HIM AGAIN. AND SOME OF THOSE SUPPORTERS ARE WOMEN, SO MIKE PENCE IS DOUBLE SCARED. 57 00:07:15,001 --> 00:07:21,607 ACCORDING TO HIS BELIEFS, IF YOU GET KILLED BY A WOMAN, YOU GO TO SUPER HELL. THEY DON'T EVEN GIVE YOU 58 00:07:21,607 --> 00:07:29,048 BATHROOM BREAKS IN SUPER HELL. John: IT'S ALMOST LIKE AN AMAZON WAREHOUSE. 59 00:07:29,048 --> 00:07:36,689 [AUDIENCE REACTS] THERE IS A WAY OUT FOR MIKE PENCE, THERE IS A WAY FOR DONALD TRUMP, BUT NEITHER ONE 60 00:07:36,689 --> 00:07:47,500 ARE GOING TO LIKE IT. IF PENCE DOESN'T WANT TO TESTIFY AGAINST TRUMP, THEN TRUMP AND PENCE GOT TO GET MARRIED. 61 00:07:47,500 --> 00:07:51,737 John: WEIGHT? [CHEERS AND APPLAUSE] WHAT? WAIT, WAIT, WAIT UP. 62 00:07:51,737 --> 00:07:57,443 WHAT ARE YOU TALKING ABOUT, MARRIED? I'M TALKING ABOUT THE LAW, JOHN! 63 00:07:57,443 --> 00:08:02,148 YOU DON'T HAVE TO TESTIFY ABOUT YOUR SPOUSE. I KNOW WHAT I'M TALKING ABOUT, I WATCH ALL THE "LAW & ORDER"S, 64 00:08:02,148 --> 00:08:08,454 EVEN THE BAD SPIN-OFFS. John: OKAY, OKAY, BUT STILL, HOW CAN THEY BE MARRIED? THEY HATE EACH OTHER! 65 00:08:08,454 --> 00:08:25,371 ALL MARRIED PEOPLE HATE EACH OTHER. IT'S NOT LIKE HATING YOUR SPOUSE WOULD BE A BIG ADJUSTMENT FOR 66 00:08:25,371 --> 00:08:30,776 TRUMP. MELANIA WOULD LOCK HIM DOWN THE AISLE HIMSELF. "WHO PRESENTS HIS MEN FOR 67 00:08:30,776 --> 00:08:38,618 MARRIAGE? ME DO, MELANIA." AND ALSO, LET'S JUST BE REAL ABOUT THIS, JOHN, TRUMP AND 68 00:08:38,618 --> 00:08:43,723 PENCE GET MARRIED, THEY MIGHT JUST END UP HITTING IT OFF. MAYBE THEY FALL IN LOVE, MAYBE THE ADOPT A CHILD TOGETHER. 69 00:08:43,723 --> 00:08:53,633 THE KID GROWS UP TO BE THE WHITEST KID HISTORY. A KID SO WHITE HE CAN GENTRIFY A BUILDING JUST BY TOUCHING IT. 70 00:08:53,633 --> 00:09:01,641 I'M TALKING ABOUT SUPER WHITE. I'M TALKING ABOUT A KID SO WHITE THAT HE DOESN'T EVEN GO TO COACHELLA, 71 00:09:01,641 --> 00:09:11,918 HE JUST SUMMONS COACHELLA AROUND HIM. John: FOCUS, FOCUS, PLEASE, MY BROTHER. 72 00:09:11,918 --> 00:09:18,824 SORRY, MAN, I'M SORRY, IT IS ALSO WHITE. ALL THESE WHITE ASS KIDS. I GOT TO GO, I NEED TO DO 73 00:09:18,824 --> 00:09:23,629 SOMETHING BLACK JUST TO REBALANCE MYSELF. HEY! CAN SOMEONE DENY ME A BANK LOAN! 74 00:09:23,629 --> 00:09:27,667 HOW ARE YOU DOING, SIR? HEY! [CHEERS AND APPLAUSE] John: THANK YOU, ROY! 75 00:09:27,667 --> 00:09:36,042 ROY WOOD JR., EVERYBODY. [CHEERS AND APPLAUSE] ALL RIGHT, WHEN WE COME BACK, I'M GONNA HIT THE STREETS OF 76 00:09:36,042 --> 00:09:42,848 NEW YORK CITY. SO DON'T GO AWAY. [CHEERS AND APPLAUSE] 77 00:09:47,186 --> 00:10:00,466 [CHEERS AND APPLAUSE] John: WELCOME BACK TO "THE DAILY SHOW." YOU KNOW, ONE THING I LOVE DOING 78 00:10:00,466 --> 00:10:07,173 IS EDUCATING PEOPLE ABOUT NEW YORK'S LATINO CULTURE. [CHEERS AND APPLAUSE] THAT'S RIGHT. 79 00:10:07,173 --> 00:10:14,914 SO I WENT ON THE STREET TO DO JUST THAT. BUT THINGS DIDN'T GO QUITE AS I PLANNED. 80 00:10:14,914 --> 00:10:24,824 YO, YO, WHAT'S UP? I'M OUT HERE ON THE STREETS OF NEW YORK CITY AND I'M DOING A LATINX IQ TEST. 81 00:10:24,824 --> 00:10:31,297 WHAT'S YOUR NAME? I'M KENDALL. John: WHERE YOU FROM? HERE'S A SIMPLE LATINX IQ TEST. 82 00:10:31,297 --> 00:10:37,136 CAN YOU POINT WHERE THE DOMINICAN REPUBLIC IS? DOWN HERE? John: SORRY! 83 00:10:37,136 --> 00:10:42,341 YOU DON'T KNOW. NEXT? WHAT IS YOUR NAME? D.J. 84 00:10:42,341 --> 00:10:46,879 John: WHERE YOU FROM? THE BRONX. John: HERE IS A SIMPLE LATINX IQ TEST. 85 00:10:46,879 --> 00:10:52,151 CAN YOU TELL ME WHERE PUERTO RICO IS THAT? PUERTO RICO. John: YEP. 86 00:10:52,151 --> 00:10:57,356 SOMEWHERE ON THIS MAP. John: THAT'S A GOOD START. WHAT IS YOUR NAME? WHERE YOU FROM? 87 00:10:57,356 --> 00:11:02,695 NEW YORK CITY. John: CAN YOU TELL ME WHERE THAT I MAKE INTERPUBLIC'S -- ARE YOU JOHN LEGUIZAMO? 88 00:11:02,695 --> 00:11:10,936 DO YOU KNOW WHO THIS IS? IT IS JOHN LEGUIZAMO. HE DID THE BOYS HAVE SAID IN "ICE AGE." 89 00:11:10,936 --> 00:11:16,742 YOU LOVE THOSE MOVIES. CAN YOU DO THAT VOICE, PLEASE? John: I WOULD LOVE TO BUT 90 00:11:16,742 --> 00:11:23,816 I -- John: I WANT TO HEAR SID. John: I APPRECIATE YOU, THANKS FOR BEING FANS. 91 00:11:23,816 --> 00:11:29,622 CAN YOU POINT WHERE THE DOMINICAN REPUBLIC IS? John: WHAT IS YOUR NAME? WHERE ARE YOU FROM? 92 00:11:29,622 --> 00:11:34,427 LONDON. John: CAN YOU TELL ME, WHERE IS HAITI AND THE DOMINICAN REPUBLIC? 93 00:11:34,427 --> 00:11:42,268 OH, HAITI, RIGHT? John: THAT'S A GOOD START. [BUZZER] THIS WILL BE A SIMPLE LATINX IQ 94 00:11:42,268 --> 00:11:49,208 TEST. CAN YOU TELL ME WHERE GUATEMALA IS? GUATEMALA. 95 00:11:49,208 --> 00:11:59,418 MY FATHER LIVES IN BELIZE. IT IS IN CENTRAL AMERICA. AND GUATEMALA IS... THERE! 96 00:11:59,418 --> 00:12:03,255 John: YES! WHAT IS YOUR NAME? WHERE ARE YOU FROM? MIDTOWN. 97 00:12:03,255 --> 00:12:07,960 John: MIDTOWN, NICE. CAN YOU TELL ME WHERE PUERTO RICO IS? YEAH. 98 00:12:07,960 --> 00:12:11,197 [BUZZER] John: YOU THINK THAT MEXICO IS PUERTO RICO? GOT TO BE SERIOUS. 99 00:12:11,197 --> 00:12:17,503 HEY, DO THE VOICE? John: WHERE IS YOUR MOM AT? DON'T WORRY ABOUT HER, DO THE VOICE. 100 00:12:17,503 --> 00:12:23,642 DO THAT VOICE. DO SID. John: GUYS, GUYS, EASE UP. IN THE MIDDLE OF SOMETHING. 101 00:12:23,642 --> 00:12:39,258 HEY, EVERYONE, THIS IS SID! HE IS THE VOICE OF SID! DU! VOICE! 102 00:12:39,258 --> 00:12:55,007 John: I'M NOT DOING THE VOICE, OKAY? CAN YOU JUST LEAVE US ALONE? ♪ ♪ 103 00:12:55,007 --> 00:13:10,556 [SCREAMS] ♪ ♪ DO IT! DO IT! 104 00:13:10,556 --> 00:13:17,396 John: THINK GOD, OFFICER, THESE KIDS, THEY ARE TRYING TO ATTACK ME. THEY WANT YOU TO DO THIS SID 105 00:13:17,396 --> 00:13:24,837 VOICE. PLEASE, HELP ME! COME ON, KIDS. ♪ ♪ 106 00:13:24,837 --> 00:13:33,345 J John: OH, SHIT. THESE KIDS. John: HELL, YEAH. ALL RIGHT, KIDS, BREAK IT UP, 107 00:13:33,345 --> 00:13:50,796 LEAVE JOHN LEGUIZAMO ALONE. GET HIM! HEY, HEY, HEY! HEY! 108 00:13:50,796 --> 00:13:58,804 [COUGHS] John: NO, NO, NO. PLEASE! DON'T HURT ME! 109 00:13:58,804 --> 00:14:09,915 DO THEIR VOICE, MR. LEGUIZAM. JUST GIVE THEM WHAT THEY WANT WANT. ♪ ♪ 110 00:14:09,915 --> 00:14:19,491 John: OKAY. OKAY. I CAN DO THE VOICE. "HEY, KIDS, I'M SID NO SLOTH. 111 00:14:19,491 --> 00:14:29,735 I HELP AN ASTEROID DOESN'T HIT US! YEAH! [CHEERS AND APPLAUSE] 112 00:14:29,735 --> 00:14:42,314 THANKS, MR.! John: THANK YOU. NOW DO BRUNO. [CHEERS AND APPLAUSE] 113 00:14:42,314 --> 00:14:48,253 John: ALL RIGHT, ALL RIGHT! STAY TUNED BECAUSE WHEN WE COME BACK, PRINCESS NOKIA WILL BE JOINING ME ON THE SHOW. 114 00:14:48,253 --> 00:14:53,392 SO DON'T GO AWAY. [CHEERS AND APPLAUSE] 115 00:15:03,364 --> 00:15:06,024 {\an7}[CHEERS AND APPLAUSE] 116 00:15:06,024 --> 00:15:07,024 {\an7}[CHEERS AND APPLAUSE] >> John: WELCOME BACK TO 117 00:15:07,024 --> 00:15:09,694 {\an7}>> John: WELCOME BACK TO "THE DAILY SHOW." 118 00:15:09,694 --> 00:15:11,727 {\an7}"THE DAILY SHOW." MY GUEST TONIGHT IS THE QUEEN OF 119 00:15:11,727 --> 00:15:14,727 {\an7}MY GUEST TONIGHT IS THE QUEEN OF THE NEW YORK UNDERGROUND. 120 00:15:14,727 --> 00:15:17,463 {\an7}THE NEW YORK UNDERGROUND. A RAPPER, SONGWRITER, AND ACTOR. 121 00:15:17,463 --> 00:15:19,123 {\an7}A RAPPER, SONGWRITER, AND ACTOR. HER NEW EP IS CALLED 122 00:15:19,123 --> 00:15:19,760 {\an7}HER NEW EP IS CALLED "I LOVE YOU BUT THIS IS 123 00:15:19,760 --> 00:15:21,661 {\an7}"I LOVE YOU BUT THIS IS GOODBYE." 124 00:15:21,661 --> 00:15:22,991 {\an7}GOODBYE." PLEASE WELCOME PRINCESS NOKIA! 125 00:15:22,991 --> 00:15:26,595 {\an7}PLEASE WELCOME PRINCESS NOKIA! [CHEERS AND APPLAUSE] 126 00:15:26,595 --> 00:15:32,265 {\an7}[CHEERS AND APPLAUSE] ♪ ♪ 127 00:15:32,265 --> 00:15:33,463 {\an7}♪ ♪ SIT DOWN, PLEASE! 128 00:15:33,463 --> 00:15:35,694 {\an7}SIT DOWN, PLEASE! [CHEERS AND APPLAUSE] 129 00:15:35,694 --> 00:15:38,760 {\an7}[CHEERS AND APPLAUSE] ♪ ♪ 130 00:15:38,760 --> 00:15:41,892 {\an7}♪ ♪ LOOK AT THAT RECEPTION! 131 00:15:41,892 --> 00:15:43,090 {\an7}LOOK AT THAT RECEPTION! THEY LOVE YOU! 132 00:15:43,090 --> 00:15:44,991 {\an7}THEY LOVE YOU! [CHEERS AND APPLAUSE] 133 00:15:44,991 --> 00:15:45,628 {\an7}[CHEERS AND APPLAUSE] YEAH! 134 00:15:45,628 --> 00:15:51,694 {\an7}YEAH! YEAH! 135 00:15:51,694 --> 00:15:54,430 {\an7}YEAH! NOW YOU ARE A MULTIHYPHENATE, A 136 00:15:54,430 --> 00:15:55,057 {\an7}NOW YOU ARE A MULTIHYPHENATE, A SINGER, ACTOR, PRODUCER, 137 00:15:55,057 --> 00:15:55,727 {\an7}SINGER, ACTOR, PRODUCER, DIRECTOR. 138 00:15:55,727 --> 00:15:59,024 {\an7}DIRECTOR. >> BULLSHITTER. 139 00:15:59,024 --> 00:16:00,991 {\an7}>> BULLSHITTER. >> John: ISN’T THE IDEA OF 140 00:16:00,991 --> 00:16:02,024 {\an7}>> John: ISN’T THE IDEA OF BEING VERY SUCCESSFUL TO HAVE TO 141 00:16:02,024 --> 00:16:02,430 {\an7}BEING VERY SUCCESSFUL TO HAVE TO WORK LESS? 142 00:16:02,430 --> 00:16:04,958 {\an7}WORK LESS? >> YES. 143 00:16:04,958 --> 00:16:05,892 {\an7}>> YES. SOME WOULD SAY, WORKING HARDER 144 00:16:05,892 --> 00:16:06,859 {\an7}SOME WOULD SAY, WORKING HARDER NOT SMARTER. 145 00:16:06,859 --> 00:16:08,727 {\an7}NOT SMARTER. I AM A MULTIHYPHENATE, I HAVE 146 00:16:08,727 --> 00:16:10,024 {\an7}I AM A MULTIHYPHENATE, I HAVE DONE SO MANY THINGS, MUSICIAN, 147 00:16:10,024 --> 00:16:11,156 {\an7}DONE SO MANY THINGS, MUSICIAN, ACTRESS, COMEDIAN, DIRECTOR, 148 00:16:11,156 --> 00:16:13,496 {\an7}ACTRESS, COMEDIAN, DIRECTOR, SONGWRITER. 149 00:16:13,496 --> 00:16:15,463 {\an7}SONGWRITER. >> John: WHAT DRIVES ALL THAT? 150 00:16:15,463 --> 00:16:18,024 {\an7}>> John: WHAT DRIVES ALL THAT? >> CREATIVITY. 151 00:16:18,024 --> 00:16:21,694 {\an7}>> CREATIVITY. THE NEED TO WANT TO EXPRESS 152 00:16:21,694 --> 00:16:26,661 {\an7}THE NEED TO WANT TO EXPRESS MYSELF, TAKING BOREDOM AND 153 00:16:26,661 --> 00:16:27,430 {\an7}MYSELF, TAKING BOREDOM AND THEY SAY IDLENESS IS THE DEVIL’S 154 00:16:27,430 --> 00:16:29,123 {\an7}THEY SAY IDLENESS IS THE DEVIL’S PLAYGROUND AND I DON’T WANT TO 155 00:16:29,123 --> 00:16:30,661 {\an7}PLAYGROUND AND I DON’T WANT TO BE IN THE DEVIL’S PLAYGROUND. 156 00:16:30,661 --> 00:16:31,232 {\an7}BE IN THE DEVIL’S PLAYGROUND. I WANT TO HAVE FUN. 157 00:16:31,232 --> 00:16:33,496 {\an7}I WANT TO HAVE FUN. >> John: YOUR WORK IS SO 158 00:16:33,496 --> 00:16:35,793 {\an7}>> John: YOUR WORK IS SO POWERFUL. 159 00:16:35,793 --> 00:16:36,793 {\an7}POWERFUL. WE ARE BOTH STREET KIDS. 160 00:16:36,793 --> 00:16:37,760 {\an7}WE ARE BOTH STREET KIDS. >> YES, WE ARE. 161 00:16:37,760 --> 00:16:38,661 {\an7}>> YES, WE ARE. >> John: I WENT TO THE 162 00:16:38,661 --> 00:16:40,199 {\an7}>> John: I WENT TO THE NEW YORK CITY PUBLIC SCHOOL 163 00:16:40,199 --> 00:16:40,694 {\an7}NEW YORK CITY PUBLIC SCHOOL SYSTEM. 164 00:16:40,694 --> 00:16:45,298 {\an7}SYSTEM. [CHEERS AND APPLAUSE] 165 00:16:45,298 --> 00:16:50,958 {\an7}[CHEERS AND APPLAUSE] HOW DO YOU USE YOUR STREETNESS 166 00:16:50,958 --> 00:16:52,090 {\an7}HOW DO YOU USE YOUR STREETNESS AND YOUR LENS OF THE LATINIDAD 167 00:16:52,090 --> 00:16:54,024 {\an7}AND YOUR LENS OF THE LATINIDAD TO DO YOUR STORYTELLING? 168 00:16:54,024 --> 00:16:55,331 {\an7}TO DO YOUR STORYTELLING? >> I WAS REALLY FORTUNATE TO 169 00:16:55,331 --> 00:16:56,595 {\an7}>> I WAS REALLY FORTUNATE TO GROW UP IN AN EXTREMELY VIVID 170 00:16:56,595 --> 00:16:58,156 {\an7}GROW UP IN AN EXTREMELY VIVID CULTURAL UPBRINGING, YOU KNOW, 171 00:16:58,156 --> 00:16:59,430 {\an7}CULTURAL UPBRINGING, YOU KNOW, BEING AFRO-INDIGENOUS WAS WHAT I 172 00:16:59,430 --> 00:17:02,199 {\an7}BEING AFRO-INDIGENOUS WAS WHAT I WAS SUPPOSED TO DO ON THE 173 00:17:02,199 --> 00:17:03,123 {\an7}WAS SUPPOSED TO DO ON THE WEEKEND. 174 00:17:03,123 --> 00:17:03,892 {\an7}WEEKEND. WHEN MY GIRLFRIENDS WERE PLAYING 175 00:17:03,892 --> 00:17:08,496 {\an7}WHEN MY GIRLFRIENDS WERE PLAYING DOUBLE DUTCH AND HANGING, I WAS 176 00:17:08,496 --> 00:17:10,793 {\an7}DOUBLE DUTCH AND HANGING, I WAS AT POW-WOWS, JUST, LIKE, I 177 00:17:10,793 --> 00:17:12,199 {\an7}AT POW-WOWS, JUST, LIKE, I LOVED MY UPBRINGING. 178 00:17:12,199 --> 00:17:13,123 {\an7}LOVED MY UPBRINGING. BUT IT’S FUNNY BECAUSE, YOU 179 00:17:13,123 --> 00:17:13,727 {\an7}BUT IT’S FUNNY BECAUSE, YOU KNOW, THERE’S SO MANY 180 00:17:13,727 --> 00:17:19,595 {\an7}KNOW, THERE’S SO MANY INTERSECTIONS OF MY CHILDHOOD, 181 00:17:19,595 --> 00:17:22,199 {\an7}INTERSECTIONS OF MY CHILDHOOD, AND THERE IS THE PUBLIC SCHOOL, 182 00:17:22,199 --> 00:17:23,463 {\an7}AND THERE IS THE PUBLIC SCHOOL, YOU KNOW, BEING IN JEFFERSON 183 00:17:23,463 --> 00:17:24,331 {\an7}YOU KNOW, BEING IN JEFFERSON PARK WITH MY FRIENDS AND THEN 184 00:17:24,331 --> 00:17:25,090 {\an7}PARK WITH MY FRIENDS AND THEN THERE WAS THE TIMES WHEN I 185 00:17:25,090 --> 00:17:27,123 {\an7}THERE WAS THE TIMES WHEN I DIDN’T CONNECT WITH MY FRIENDS, 186 00:17:27,123 --> 00:17:27,892 {\an7}DIDN’T CONNECT WITH MY FRIENDS, DIDN’T HAVE TO HAVE SNEAKERS OR 187 00:17:27,892 --> 00:17:28,760 {\an7}DIDN’T HAVE TO HAVE SNEAKERS OR BE WEARING LIP GLOSS, THAT I HAD 188 00:17:28,760 --> 00:17:30,430 {\an7}BE WEARING LIP GLOSS, THAT I HAD TO GO TO CEREMONIES OR DO -- GO 189 00:17:30,430 --> 00:17:31,364 {\an7}TO GO TO CEREMONIES OR DO -- GO TO THE U.N. TO DO A PERFORMANCE. 190 00:17:31,364 --> 00:17:32,694 {\an7}TO THE U.N. TO DO A PERFORMANCE. [LAUGHS] 191 00:17:32,694 --> 00:17:38,496 {\an7}[LAUGHS] SOMETHING OF THE SORT. 192 00:17:38,496 --> 00:17:40,793 {\an7}SOMETHING OF THE SORT. BUT I AM VERY PROTECTIVE. 193 00:17:40,793 --> 00:17:42,199 {\an7}BUT I AM VERY PROTECTIVE. I WAS TAUGHT TO FIGHT WITH MY 194 00:17:42,199 --> 00:17:42,760 {\an7}I WAS TAUGHT TO FIGHT WITH MY WORDS AND MY HANDS. 195 00:17:42,760 --> 00:17:44,364 {\an7}WORDS AND MY HANDS. >> John: OH, YEAH. 196 00:17:44,364 --> 00:17:47,123 {\an7}>> John: OH, YEAH. >> AND BE VIVACIOUS, AND BE 197 00:17:47,123 --> 00:17:48,298 {\an7}>> AND BE VIVACIOUS, AND BE PROTECTIVE , AND I AM PROTECTIVE 198 00:17:48,298 --> 00:17:51,090 {\an7}PROTECTIVE , AND I AM PROTECTIVE OF MYSELF AND MY LOVED ONES. 199 00:17:51,090 --> 00:17:51,760 {\an7}OF MYSELF AND MY LOVED ONES. >> John: THAT COMES OUT IN 200 00:17:51,760 --> 00:17:53,057 {\an7}>> John: THAT COMES OUT IN YOU WORK, I’M SUCH A BIG FAN OF 201 00:17:53,057 --> 00:17:53,463 {\an7}YOU WORK, I’M SUCH A BIG FAN OF YOUR WORK. 202 00:17:53,463 --> 00:17:54,760 {\an7}YOUR WORK. I FEEL LIKE I SEE MYSELF IN YOU. 203 00:17:54,760 --> 00:17:58,727 {\an7}I FEEL LIKE I SEE MYSELF IN YOU. IT REVITALIZES ME AS AN OLDER 204 00:17:58,727 --> 00:18:01,123 {\an7}IT REVITALIZES ME AS AN OLDER ARTIST, SEEING, LIKE, THE YOUNG 205 00:18:01,123 --> 00:18:04,232 {\an7}ARTIST, SEEING, LIKE, THE YOUNG LATINAS THAT HAVE SUCH 206 00:18:04,232 --> 00:18:05,529 {\an7}LATINAS THAT HAVE SUCH SELF-WORTH AND STRENGTH AND 207 00:18:05,529 --> 00:18:06,298 {\an7}SELF-WORTH AND STRENGTH AND VIVACITY AND NOT AFRAID OF THEIR 208 00:18:06,298 --> 00:18:07,090 {\an7}VIVACITY AND NOT AFRAID OF THEIR POWER AND STRENGTH. 209 00:18:07,090 --> 00:18:07,925 {\an7}POWER AND STRENGTH. [CHEERS AND APPLAUSE] 210 00:18:07,925 --> 00:18:09,430 {\an7}[CHEERS AND APPLAUSE] YEAH. 211 00:18:09,430 --> 00:18:14,859 {\an7}YEAH. >> [LAUGHS] 212 00:18:14,859 --> 00:18:17,057 {\an7}>> [LAUGHS] I WAS TELLING JOHN -- TO THE 213 00:18:17,057 --> 00:18:18,727 {\an7}I WAS TELLING JOHN -- TO THE CROWD, I WAS TELLING JOHN 214 00:18:18,727 --> 00:18:19,463 {\an7}CROWD, I WAS TELLING JOHN EARLIER, THAT HE IS ONE OF MY 215 00:18:19,463 --> 00:18:20,463 {\an7}EARLIER, THAT HE IS ONE OF MY BIGGEST INSPIRATIONS, HIM AND 216 00:18:20,463 --> 00:18:21,760 {\an7}BIGGEST INSPIRATIONS, HIM AND MARTIN LAWRENCE. 217 00:18:21,760 --> 00:18:22,958 {\an7}MARTIN LAWRENCE. >> John: [LAUGHS] 218 00:18:22,958 --> 00:18:24,397 {\an7}>> John: [LAUGHS] >> THAT CREATED MY IDENTITY. 219 00:18:24,397 --> 00:18:28,826 {\an7}>> THAT CREATED MY IDENTITY. [CHEERS AND APPLAUSE] 220 00:18:28,826 --> 00:18:30,661 {\an7}[CHEERS AND APPLAUSE] >> John: I FEEL LIKE MARTIN 221 00:18:30,661 --> 00:18:31,232 {\an7}>> John: I FEEL LIKE MARTIN LAWRENCE. 222 00:18:31,232 --> 00:18:32,496 {\an7}LAWRENCE. WE ARE ABOUT THE SAME HEIGHT. 223 00:18:32,496 --> 00:18:33,331 {\an7}WE ARE ABOUT THE SAME HEIGHT. WE ARE BOTH SHORT KINGS. 224 00:18:33,331 --> 00:18:34,826 {\an7}WE ARE BOTH SHORT KINGS. [LAUGHTER] 225 00:18:34,826 --> 00:18:39,661 {\an7}[LAUGHTER] >> YEAH, I WATCHED "FREAK" 226 00:18:39,661 --> 00:18:43,826 {\an7}>> YEAH, I WATCHED "FREAK" "SEXAHOLIC," "GHETTO CLOWN." 227 00:18:43,826 --> 00:18:45,123 {\an7}"SEXAHOLIC," "GHETTO CLOWN." >> John: THEY LET YOU WATCH 228 00:18:45,123 --> 00:18:45,958 {\an7}>> John: THEY LET YOU WATCH THAT INAPPROPRIATE CRAP? 229 00:18:45,958 --> 00:18:48,760 {\an7}THAT INAPPROPRIATE CRAP? >> THEY ALLOWED ME TO WATCH. 230 00:18:48,760 --> 00:18:52,123 {\an7}>> THEY ALLOWED ME TO WATCH. IT WAS OUR HOUSEHOLD THING. 231 00:18:52,123 --> 00:18:52,892 {\an7}IT WAS OUR HOUSEHOLD THING. WE SAW YOU AND WE SAW OURSELVES. 232 00:18:52,892 --> 00:18:54,661 {\an7}WE SAW YOU AND WE SAW OURSELVES. [CHEERS AND APPLAUSE] 233 00:18:54,661 --> 00:18:55,364 {\an7}[CHEERS AND APPLAUSE] >> John: THAT IS BEAUTIFUL, 234 00:18:55,364 --> 00:18:56,463 {\an7}>> John: THAT IS BEAUTIFUL, THANKS. 235 00:18:56,463 --> 00:18:57,661 {\an7}THANKS. THANK YOU, THANK YOU FOR THAT. 236 00:18:57,661 --> 00:19:00,397 {\an7}THANK YOU, THANK YOU FOR THAT. [CHEERS AND APPLAUSE] 237 00:19:00,397 --> 00:19:01,430 {\an7}[CHEERS AND APPLAUSE] I MEAN, WHEN I WROTE MY STUFF, I 238 00:19:01,430 --> 00:19:04,694 {\an7}I MEAN, WHEN I WROTE MY STUFF, I WANTED TO WRITE IT FOR ALL THE 239 00:19:04,694 --> 00:19:05,529 {\an7}WANTED TO WRITE IT FOR ALL THE YOUNG LATINO KIDS THAT WEREN’T 240 00:19:05,529 --> 00:19:06,430 {\an7}YOUNG LATINO KIDS THAT WEREN’T SEEING THEMSELVES AND THEY FELT 241 00:19:06,430 --> 00:19:07,628 {\an7}SEEING THEMSELVES AND THEY FELT INVISIBLE AND I WANTED THEM TO 242 00:19:07,628 --> 00:19:10,232 {\an7}INVISIBLE AND I WANTED THEM TO FEEL LIKE I SAW THEM. 243 00:19:10,232 --> 00:19:11,156 {\an7}FEEL LIKE I SAW THEM. THAT IS WHY I WROTE IT. 244 00:19:11,156 --> 00:19:11,892 {\an7}THAT IS WHY I WROTE IT. NOW YOU GOT YOUR NEW EP COMING 245 00:19:11,892 --> 00:19:12,463 {\an7}NOW YOU GOT YOUR NEW EP COMING OUT, RIGHT? 246 00:19:12,463 --> 00:19:14,156 {\an7}OUT, RIGHT? >> IT’S ALREADY OUT. 247 00:19:14,156 --> 00:19:15,760 {\an7}>> IT’S ALREADY OUT. >> John: OH, IT’S ALREADY OUT. 248 00:19:15,760 --> 00:19:16,496 {\an7}>> John: OH, IT’S ALREADY OUT. >> THAT’S OKAY, EVERYTHING IS 249 00:19:16,496 --> 00:19:17,628 {\an7}>> THAT’S OKAY, EVERYTHING IS MISINFORMED. 250 00:19:17,628 --> 00:19:18,892 {\an7}MISINFORMED. [LAUGHS] 251 00:19:18,892 --> 00:19:23,496 {\an7}[LAUGHS] >> John: THIS IS ABOUT LOVE. 252 00:19:23,496 --> 00:19:24,430 {\an7}>> John: THIS IS ABOUT LOVE. >> HOW MANY RUMORS HAVE YOU 253 00:19:24,430 --> 00:19:26,661 {\an7}>> HOW MANY RUMORS HAVE YOU HEARD ABOUT ME? 254 00:19:26,661 --> 00:19:27,057 {\an7}HEARD ABOUT ME? [LAUGHTER] 255 00:19:27,057 --> 00:19:28,090 {\an7}[LAUGHTER] >> John: THIS IS ABOUT LOVE. 256 00:19:28,090 --> 00:19:28,826 {\an7}>> John: THIS IS ABOUT LOVE. THIS IS THE FIRST TIME YOU ARE 257 00:19:28,826 --> 00:19:29,628 {\an7}THIS IS THE FIRST TIME YOU ARE TALKING ABOUT LOVE? 258 00:19:29,628 --> 00:19:30,760 {\an7}TALKING ABOUT LOVE? YOU’VE NEVER BEEN THIS 259 00:19:30,760 --> 00:19:31,397 {\an7}YOU’VE NEVER BEEN THIS VULNERABLE BEFORE. 260 00:19:31,397 --> 00:19:32,057 {\an7}VULNERABLE BEFORE. >> NO. 261 00:19:32,057 --> 00:19:32,859 {\an7}>> NO. >> John: WHY NOW? 262 00:19:32,859 --> 00:19:35,156 {\an7}>> John: WHY NOW? >> IT WAS THE TIME. 263 00:19:35,156 --> 00:19:36,463 {\an7}>> IT WAS THE TIME. I ALWAYS SPEAK FROM MY HEART, 264 00:19:36,463 --> 00:19:38,694 {\an7}I ALWAYS SPEAK FROM MY HEART, ALWAYS SPEAK FROM PERSONAL 265 00:19:38,694 --> 00:19:39,123 {\an7}ALWAYS SPEAK FROM PERSONAL EXPERIENCE. 266 00:19:39,123 --> 00:19:42,265 {\an7}EXPERIENCE. "1992" COVERS MY LIFE AS A CHILD 267 00:19:42,265 --> 00:19:43,925 {\an7}"1992" COVERS MY LIFE AS A CHILD GROWING UP AND THE INTERSECTIONS 268 00:19:43,925 --> 00:19:47,892 {\an7}GROWING UP AND THE INTERSECTIONS OF MY LIFE, FROM CHILDHOOD TO 269 00:19:47,892 --> 00:19:52,199 {\an7}OF MY LIFE, FROM CHILDHOOD TO ADULT, YOU KNOW, 270 00:19:52,199 --> 00:19:52,826 {\an7}ADULT, YOU KNOW, MY LOVE FOR ROCK MUSIC, 271 00:19:52,826 --> 00:19:54,562 {\an7}MY LOVE FOR ROCK MUSIC, "EVERYTHING IS BEAUTIFUL" IS A 272 00:19:54,562 --> 00:19:55,463 {\an7}"EVERYTHING IS BEAUTIFUL" IS A NEO-SOUL JAZZ ALBUM WITH R&B, 273 00:19:55,463 --> 00:19:58,628 {\an7}NEO-SOUL JAZZ ALBUM WITH R&B, "EVERYTHING SUCKS" KIND OF HAD 274 00:19:58,628 --> 00:19:59,397 {\an7}"EVERYTHING SUCKS" KIND OF HAD AN ICP AFFECT TO IT. 275 00:19:59,397 --> 00:20:00,430 {\an7}AN ICP AFFECT TO IT. IT WAS A LITTLE MORE FUN. 276 00:20:00,430 --> 00:20:05,397 {\an7}IT WAS A LITTLE MORE FUN. AND THIS, I STRIPPED IT DOWN. 277 00:20:05,397 --> 00:20:07,529 {\an7}AND THIS, I STRIPPED IT DOWN. I WANTED TO -- I ALWAYS SAY WHEN 278 00:20:07,529 --> 00:20:08,232 {\an7}I WANTED TO -- I ALWAYS SAY WHEN I SING, I’M HAPPY AND WHEN I 279 00:20:08,232 --> 00:20:12,826 {\an7}I SING, I’M HAPPY AND WHEN I SING I AM SAD. 280 00:20:12,826 --> 00:20:14,793 {\an7}SING I AM SAD. WHEN I GOT THE BLUES, I SING. 281 00:20:14,793 --> 00:20:15,727 {\an7}WHEN I GOT THE BLUES, I SING. SO I GOT THE BLUES AND I WAS 282 00:20:15,727 --> 00:20:16,760 {\an7}SO I GOT THE BLUES AND I WAS GOING TO GET MARRIED IN THAT 283 00:20:16,760 --> 00:20:17,496 {\an7}GOING TO GET MARRIED IN THAT DRESS AND I DIDN’T. 284 00:20:17,496 --> 00:20:18,199 {\an7}DRESS AND I DIDN’T. AND I LIKE USING -- NO, IT’S 285 00:20:18,199 --> 00:20:19,199 {\an7}AND I LIKE USING -- NO, IT’S OKAY. 286 00:20:19,199 --> 00:20:20,661 {\an7}OKAY. IT’S OKAY, LIKE, I AM A YOUNG 287 00:20:20,661 --> 00:20:22,859 {\an7}IT’S OKAY, LIKE, I AM A YOUNG WOMAN. 288 00:20:22,859 --> 00:20:23,694 {\an7}WOMAN. AND I SAID THIS TO BILLBOARD AND 289 00:20:23,694 --> 00:20:24,463 {\an7}AND I SAID THIS TO BILLBOARD AND THE INSIDER, EVERYONE IS SO USED 290 00:20:24,463 --> 00:20:28,199 {\an7}THE INSIDER, EVERYONE IS SO USED TO ME BEING THE RAPPER, THE 291 00:20:28,199 --> 00:20:29,430 {\an7}TO ME BEING THE RAPPER, THE STRONG WOMAN, THE SOUP THROWER, 292 00:20:29,430 --> 00:20:30,331 {\an7}STRONG WOMAN, THE SOUP THROWER, YOU KNOW, THE VOICE OF A 293 00:20:30,331 --> 00:20:31,463 {\an7}YOU KNOW, THE VOICE OF A GENERATION, BUT NO ONE HAS EVER 294 00:20:31,463 --> 00:20:32,628 {\an7}GENERATION, BUT NO ONE HAS EVER HEARD ME -- AND I HAVE NEVER 295 00:20:32,628 --> 00:20:34,859 {\an7}HEARD ME -- AND I HAVE NEVER ALLOWED MYSELF TO BE THAT 296 00:20:34,859 --> 00:20:37,694 {\an7}ALLOWED MYSELF TO BE THAT VULNERABLE. 297 00:20:37,694 --> 00:20:39,090 {\an7}VULNERABLE. I DON’T TALK ABOUT MY PERSONAL 298 00:20:39,090 --> 00:20:39,793 {\an7}I DON’T TALK ABOUT MY PERSONAL LIFE ONLINE. 299 00:20:39,793 --> 00:20:40,991 {\an7}LIFE ONLINE. SO NO ONE WOULD KNOW WHO I AM 300 00:20:40,991 --> 00:20:43,760 {\an7}SO NO ONE WOULD KNOW WHO I AM DATING, NO ONE KNOWS WHO I’M 301 00:20:43,760 --> 00:20:44,463 {\an7}DATING, NO ONE KNOWS WHO I’M TALKING ABOUT, IT’S NO ONE I 302 00:20:44,463 --> 00:20:45,123 {\an7}TALKING ABOUT, IT’S NO ONE I HAVE EVER POSTED PUBLICLY. 303 00:20:45,123 --> 00:20:45,892 {\an7}HAVE EVER POSTED PUBLICLY. SO SOMEONE COULD HAVE AN IDEA 304 00:20:45,892 --> 00:20:46,661 {\an7}SO SOMEONE COULD HAVE AN IDEA AND THEY COMPLETELY HAVE NO IDEA 305 00:20:46,661 --> 00:20:47,199 {\an7}AND THEY COMPLETELY HAVE NO IDEA WHAT IS GOING ON. 306 00:20:47,199 --> 00:20:49,694 {\an7}WHAT IS GOING ON. SO I PUT ALL OF THESE INTRICATE 307 00:20:49,694 --> 00:20:51,057 {\an7}SO I PUT ALL OF THESE INTRICATE THINGS ABOUT A FAILED 308 00:20:51,057 --> 00:20:53,364 {\an7}THINGS ABOUT A FAILED RELATIONSHIP, BUT THE TAKE AWAY 309 00:20:53,364 --> 00:20:57,496 {\an7}RELATIONSHIP, BUT THE TAKE AWAY OF THE PROJECT IS REALLY THAT 310 00:20:57,496 --> 00:20:59,232 {\an7}OF THE PROJECT IS REALLY THAT THAT PERSON WAS -- EXCUSE ME. 311 00:20:59,232 --> 00:21:00,628 {\an7}THAT PERSON WAS -- EXCUSE ME. THAT PERSON ALLOWED ME TO FEEL 312 00:21:00,628 --> 00:21:04,496 {\an7}THAT PERSON ALLOWED ME TO FEEL LOVE. 313 00:21:04,496 --> 00:21:07,661 {\an7}LOVE. THEY ALLOWED ME TO FEEL 314 00:21:07,661 --> 00:21:10,562 {\an7}THEY ALLOWED ME TO FEEL A LITTLE SOMETHING. 315 00:21:10,562 --> 00:21:13,991 {\an7}A LITTLE SOMETHING. I HADN’T FELT, I HADN’T DATED 316 00:21:13,991 --> 00:21:14,595 {\an7}I HADN’T FELT, I HADN’T DATED IN, LIKE, FIVE YEARS. 317 00:21:14,595 --> 00:21:15,057 {\an7}IN, LIKE, FIVE YEARS. >> John: WOW. 318 00:21:15,057 --> 00:21:15,826 {\an7}>> John: WOW. >> I THINK I JUST HOOKED UP WITH 319 00:21:15,826 --> 00:21:16,595 {\an7}>> I THINK I JUST HOOKED UP WITH MY CHILDHOOD SWEETHEART AND WE 320 00:21:16,595 --> 00:21:17,925 {\an7}MY CHILDHOOD SWEETHEART AND WE HAD A LOVE TUNNEL, IT WAS 321 00:21:17,925 --> 00:21:18,397 {\an7}HAD A LOVE TUNNEL, IT WAS FABULOUS. 322 00:21:18,397 --> 00:21:19,661 {\an7}FABULOUS. IT WAS HOT AND SEXY AND SCARY. 323 00:21:19,661 --> 00:21:20,057 {\an7}IT WAS HOT AND SEXY AND SCARY. [LAUGHTER] 324 00:21:20,057 --> 00:21:21,793 {\an7}[LAUGHTER] IT WAS SCARY. 325 00:21:21,793 --> 00:21:22,595 {\an7}IT WAS SCARY. THEN WE WERE GOING TO GET 326 00:21:22,595 --> 00:21:24,694 {\an7}THEN WE WERE GOING TO GET MARRIED AND WAS GOING TO BE 327 00:21:24,694 --> 00:21:25,859 {\an7}MARRIED AND WAS GOING TO BE AMAZING AND THEN I LEFT BECAUSE 328 00:21:25,859 --> 00:21:27,562 {\an7}AMAZING AND THEN I LEFT BECAUSE IT DIDN’T SERVE ME, DIDN’T SERVE 329 00:21:27,562 --> 00:21:28,595 {\an7}IT DIDN’T SERVE ME, DIDN’T SERVE MY HIGHER PURPOSE, I SPOKE TO 330 00:21:28,595 --> 00:21:29,331 {\an7}MY HIGHER PURPOSE, I SPOKE TO GOD AND GOD SAID GET YOUR ASS 331 00:21:29,331 --> 00:21:30,661 {\an7}GOD AND GOD SAID GET YOUR ASS OUT THERE. 332 00:21:30,661 --> 00:21:35,364 {\an7}OUT THERE. AND I SAID, OKAY. 333 00:21:35,364 --> 00:21:36,123 {\an7}AND I SAID, OKAY. I TELL HIM, HE’S LISTENED TO THE 334 00:21:36,123 --> 00:21:36,892 {\an7}I TELL HIM, HE’S LISTENED TO THE MUSIC, HE LOVES THE PROJECT, WE 335 00:21:36,892 --> 00:21:38,958 {\an7}MUSIC, HE LOVES THE PROJECT, WE ARE STILL GOOD FRIENDS. 336 00:21:38,958 --> 00:21:41,793 {\an7}ARE STILL GOOD FRIENDS. >> John: THAT’S BEAUTIFUL. 337 00:21:41,793 --> 00:21:42,727 {\an7}>> John: THAT’S BEAUTIFUL. LOVE YOU. 338 00:21:42,727 --> 00:21:47,298 {\an7}LOVE YOU. THANK YOU FOR COMING! 339 00:21:47,298 --> 00:21:48,958 {\an7}THANK YOU FOR COMING! "I LOVE YOU BUT THIS IS GOODBYE" 340 00:21:48,958 --> 00:21:50,430 {\an7}"I LOVE YOU BUT THIS IS GOODBYE" IS AVAILABLE NOW. 341 00:21:50,430 --> 00:21:51,024 {\an7}IS AVAILABLE NOW. OKAY. 342 00:21:51,024 --> 00:21:52,364 {\an7}OKAY. WE ARE GOING TO TAKE A QUICK 343 00:21:52,364 --> 00:21:53,430 {\an7}WE ARE GOING TO TAKE A QUICK BREAK. 344 00:21:53,430 --> 00:21:55,057 {\an7}BREAK. WE’LL BE RIGHT BACK AFTER THIS. 345 00:21:55,057 --> 00:21:56,397 {\an7}WE’LL BE RIGHT BACK AFTER THIS. [CHEERS AND APPLAUSE] 346 00:21:56,397 --> 00:21:57,694 {\an7}[CHEERS AND APPLAUSE] ♪ ♪ 347 00:22:03,582 --> 00:22:04,209 {\an7}[CHEERS AND APPLAUSE] 348 00:22:04,209 --> 00:22:04,945 {\an7}[CHEERS AND APPLAUSE] >> John: WELL, THAT’S OUR SHOW 349 00:22:04,945 --> 00:22:05,549 {\an7}>> John: WELL, THAT’S OUR SHOW FOR TONIGHT. 350 00:22:05,549 --> 00:22:07,285 {\an7}FOR TONIGHT. BUT BEFORE WE GO, PLEASE 351 00:22:07,285 --> 00:22:08,747 {\an7}BUT BEFORE WE GO, PLEASE CONSIDER SUPPORTING THE FRESH 352 00:22:08,747 --> 00:22:10,143 {\an7}CONSIDER SUPPORTING THE FRESH AIR FUND. 353 00:22:10,143 --> 00:22:11,549 {\an7}AIR FUND. THEY PROVIDE FREE OUTDOOR SUMMER 354 00:22:11,549 --> 00:22:12,945 {\an7}THEY PROVIDE FREE OUTDOOR SUMMER EXPERIENCES FOR CHILDREN FROM 355 00:22:12,945 --> 00:22:14,351 {\an7}EXPERIENCES FOR CHILDREN FROM NEW YORK CITY’S UNDERSERVED 356 00:22:14,351 --> 00:22:14,780 {\an7}NEW YORK CITY’S UNDERSERVED COMMUNITIES. 357 00:22:14,780 --> 00:22:16,044 {\an7}COMMUNITIES. AND I WAS ONE OF THEM. 358 00:22:16,044 --> 00:22:17,384 {\an7}AND I WAS ONE OF THEM. THEY TOOK MY BROTHER AND ME AND 359 00:22:17,384 --> 00:22:18,450 {\an7}THEY TOOK MY BROTHER AND ME AND MY COUSIN AND IT WAS 360 00:22:18,450 --> 00:22:19,417 {\an7}MY COUSIN AND IT WAS LIFE-CHANGING. 361 00:22:19,417 --> 00:22:21,176 {\an7}LIFE-CHANGING. IF YOU CAN COME I REALLY 362 00:22:21,176 --> 00:22:22,483 {\an7}IF YOU CAN COME I REALLY APPRECIATE YOU DONATE TO THEM AT 363 00:22:22,483 --> 00:22:23,450 {\an7}APPRECIATE YOU DONATE TO THEM AT THE LINK BELOW. 364 00:22:23,450 --> 00:22:25,318 {\an7}THE LINK BELOW. NOW HERE IT IS, YOUR 365 00:22:25,318 --> 00:22:27,516 {\an7}NOW HERE IT IS, YOUR "MOMENT OF ZEN." 366 00:22:27,516 --> 00:22:30,110 {\an7}"MOMENT OF ZEN." >> POSSIBLY TO BE SEEN FROM 367 00:22:30,110 --> 00:22:30,582 {\an7}>> POSSIBLY TO BE SEEN FROM UNITED STATES. 368 00:22:30,582 --> 00:22:31,681 {\an7}UNITED STATES. >> YOUR NETS WILL BECOME 369 00:22:31,681 --> 00:22:32,077 {\an7}>> YOUR NETS WILL BECOME ONE-SIDED. 370 00:22:32,077 --> 00:22:32,945 {\an7}ONE-SIDED. >> I THINK IT WAS URANUS.