1
00:00:00,266 --> 00:00:03,837
♪ ♪
Announcer: FROM
NEW YORK CITY, THE ONLY CITY IN
AMERICA, IT'S THE SHOW THAT
2
00:00:03,837 --> 00:00:12,812
INVENTED NEWS.
THIS IS "THE DAILY SHOW" WITH
YOUR HOST, JOHN LEGUIZAMO!
[CHEERS AND APPLAUSE]
3
00:00:12,812 --> 00:00:33,533
♪ ♪
[CHEERS AND APPLAUSE]
John: YO, YO, YO!
WHAT'S UP!
4
00:00:33,533 --> 00:00:41,674
WHAT'S UP!
WELCOME TO "THE DAILY SHOW."
LEGUIZAMO HERE IN THE HOUSE!
[CHEERS AND APPLAUSE]
5
00:00:41,674 --> 00:00:49,115
IT'S MY THIRD NIGHT BEHIND THE
DESK AND I'VE BEEN GETTING SOME
GREAT FEEDBACK SO FAR.
I MEAN, MOSTLY FROM MY MOM.
6
00:00:49,115 --> 00:00:57,891
SO I ASKED HER WHAT SHE THOUGHT
OF THE SHOW LAST NIGHT AND SHE
WAS LIKE, "I'M SORRY,
I FELL ASLEEP AFTER
7
00:00:57,891 --> 00:01:11,104
"WHEEL OF FORTUNE.
BUT I'M SURE YOU ARE GREAT, MIJO
MIJO."
WE'VE GOT A GREAT SHOW TONIGHT,
8
00:01:11,104 --> 00:01:16,075
SO LET'S GET INTO THE HEADLINES.
[CHEERS AND APPLAUSE]
LET'S KICK THINGS OFF WITH SOME
SPORTS.
9
00:01:16,075 --> 00:01:21,748
THE NFL HAS ANNOUNCED THAT IT
WILL ALLOW ITS PLAYERS TO PUT
THE NUMBER ZERO ON THEIR JERSEYS
NEXT SEASON FOR THE FIRST TIME
10
00:01:21,748 --> 00:01:26,953
EVER.
MEANWHILE, THE JETS ANNOUNCED
THAT THEY'LL PUT ZERO ON THE
SCOREBOARD FOR THE 40TH SEASON
11
00:01:26,953 --> 00:01:35,995
IN A ROW.
HEY!
HEY!
[APPLAUSE]
12
00:01:35,995 --> 00:01:41,401
SERIOUSLY, I THINK THIS IS A
GREAT WAY FOR FOOTBALL PLAYERS
TO CELEBRATE THE AMOUNT OF BRAIN
CELLS THEY'LL HAVE LEFT
13
00:01:41,401 --> 00:01:49,042
WHEN THEY RETIRE.
I KNOW, THAT'S SO [BLEEP] UP.
BUT IT'S TRUE!
OKAY, LET'S MOVE ON TO SOME
14
00:01:49,042 --> 00:01:59,953
INTERNATIONAL NEWS.
OVERSEAS, A DUTCH MAN IS
GETTING LEGAL ACTION
FOR ALLEGEDLY FATHERING AT LEAST
15
00:01:59,953 --> 00:02:04,090
550 CHILDREN.
THE 41-YEAR-OLD IS A
SPERM DONOR.
HE'S ACCUSED OF LYING ABOUT THE
16
00:02:04,090 --> 00:02:08,228
NUMBER OF KIDS HE'S FATHERED
THROUGH SPERM BANKS VIOLATING
AGREEMENTS.
LIMITS ARE PLACED ON DONORS TO
17
00:02:08,228 --> 00:02:21,140
PROTECT CHILDREN'S HEALTH.
IT'S UNCLEAR WHAT LEGAL
RAMIFICATIONS HE COULD FACE.
John: HOLY SHIT!
18
00:02:21,140 --> 00:02:36,656
HE DONATED ENOUGH SPERM FOR 550
KIDS?
GOD DAMN, DUDE, SAVE SOMETHING
FOR THE SHOWER, BRO!
19
00:02:36,656 --> 00:02:44,430
WHAT?
BUT IN THIS GUY'S DEFENSE, WHEN
YOU'RE THIS COOL, YOU HAVE AN
OBLIGATION TO PROCREATE.
20
00:02:44,430 --> 00:02:56,576
I MEAN, WHO WOULDN'T WANT TO GET
KNOCKED UP BY THIS SPERM?
BUT STILL, THOUGH, THIS IS GOING
TO MAKE FOR SOME AWKWARD
21
00:02:56,576 --> 00:03:02,982
CONVERSATIONS.
"MOMMY, WHAT'S MY BIOLOGICAL
FATHER LIKE?"
"HONEY, ALL I KNOW ABOUT HIM IS,
22
00:03:02,982 --> 00:03:06,686
HE LOVED TO JACK OFF.
NIGHT, NIGHT, HONEY!"
LET'S MOVE ON TO WISCONSIN.
THEY'RE ABOUT TO HAVE AN
23
00:03:06,686 --> 00:03:15,862
ELECTION FOR THE STATE SUPREME
COURT THAT'S HUGELY IMPORTANT,
AND NOT JUST THERE, BUT FOR THE
WHOLE GODDAMN COUNTRY.
24
00:03:15,862 --> 00:03:22,001
AND IT'S A LITTLE COMPLICATED TO
EXPLAIN WHY IN A SHORT TIME, BUT
FORTUNATELY, I'M A LATINO
NEW YORKER AND I CAN TALK VERY
25
00:03:22,001 --> 00:03:27,373
FAST.
[CHEERS AND APPLAUSE]
ALL RIGHT, I KNOW YOU ARE WITH
ME.
26
00:03:27,373 --> 00:03:31,978
I KNOW YOU ARE WITH ME.
[CHEERS AND APPLAUSE]
ALL RIGHT.
SO LET ME BREAK IT DOWN FOR YOU
27
00:03:31,978 --> 00:03:40,320
IN MY NEW SEGMENT:
"A NEW YORK MINUTE."
HIT THE CLOCK!
OKAY, HERE'S WHAT THAT STEAK.
28
00:03:40,320 --> 00:03:46,392
ONE: ABORTION.
WHEN ROE VERSUS WADE WAS
OVERTURNED,
WISCONSIN AUTOMATICALLY WENT TO
29
00:03:46,392 --> 00:03:49,395
STRICT ANTIABORTION LAW FROM
1849.
THAT'S SO LONG AGO!
YOU KNOW WHAT THE NUMBER ONE
30
00:03:49,395 --> 00:03:57,403
MOVIE WAS IN 1849?
NOTHING!
THEY WEREN'T INVENTED YET!
IF THE LIBERAL WINS, SHE CAN
31
00:03:57,403 --> 00:04:02,408
ABORT THAT LOT!
TWO, GERRYMANDERING.
REPUBLICANS HAVE PERMANENTLY
STROLLED ON THE STATE
32
00:04:02,408 --> 00:04:06,179
LEGISLATURE.
A LIBERAL JUDGE COULD FIT THAT
SHIT.
IT IS MORE TECHNICAL THAN THAT
33
00:04:06,179 --> 00:04:12,018
BUT I DO HAVE TO [BLEEP] TIME TO
EXPLAIN IT.
THREE, DONALD TRUMP --
[BUZZER]
34
00:04:12,018 --> 00:04:19,759
SHIT!
[CHEERS AND APPLAUSE]
JUST VOTE.
OKAY?
35
00:04:19,759 --> 00:04:27,400
AND FINALLY, LET'S MOVE ON
TO THE MAJOR NEWS ABOUT THE
ARREST OF DONALD TRUMP.
WHICH IS THAT...
36
00:04:27,400 --> 00:04:36,576
[CHEERS AND APPLAUSE]
TRUMP STILL HAS NOT BEEN
ARRESTED.
BUT DON'T WORRY.
37
00:04:36,576 --> 00:04:41,681
BECAUSE THERE'S STILL 50 OTHER
INVESTIGATIONS GOING ON INTO
TRUMP, AND ONE OF THEM IS ABOUT
TO FEATURE A SURPRISE WITNESS.
38
00:04:41,681 --> 00:04:46,352
IN A MAJOR RULING, A FEDERAL
JUDGE HAS ORDERED FORMER
VICE PRESIDENT MIKE PENCE TO
TESTIFY BEFORE A GRAND JURY
39
00:04:46,352 --> 00:04:54,494
ABOUT FORMER PRESIDENT TRUMP.
PENCE HAS BEEN ORDERED TO GIVE
TESTIMONY IN THE SPECIAL COUNSEL
INVESTIGATION OF TRUMP'S
40
00:04:54,494 --> 00:04:58,765
ATTEMPTS TO OVERTURN
THE 2020 PRESIDENTIAL ELECTION.
THE JUDGE RULED PRIVATE
EXCHANGES BETWEEN TRUMP AND
41
00:04:58,765 --> 00:05:05,104
PENCE ARE NOT OFF LIMITS.
PROSECUTORS ARE FOCUSED ON
CONVERSATIONS THE TWO MEN HAD ON
JANUARY 6TH AND ALSO IN THE DAYS
42
00:05:05,104 --> 00:05:10,910
LEADING UP TO THE CAPITOL
ATTACK.
THE CONVERSATIONS BEFORE
JANUARY 6TH WHEN DONALD TRUMP
43
00:05:10,910 --> 00:05:19,419
AND MIKE PENCE WERE ON THE
PHONE, ONE-ON-ONE, AND
DONALD TRUMP APPARENTLY WAS
BERATING HIM, CALLING HIM NAMES,
44
00:05:19,419 --> 00:05:26,325
THAT SORT OF THING IN THIS
CRIMINAL INVESTIGATION.
HE IS GONNA HAVE TO SHARE THAT.
John: OH, COME ON, MAN, DON'T
45
00:05:26,325 --> 00:05:36,536
MAKE PENCE SAY ALL THE NAMES
THAT TRUMP CALLED HIM!
YO, THAT COULD TAKE WEEKS.
THESE JURY MEMBERS HAVE
46
00:05:36,536 --> 00:05:45,211
FAMILIES
TO GO HOME TO.
ALTHOUGH AS A VIEWER, IT'S
SOMETHING I'D LIKE TO SEE,
47
00:05:45,211 --> 00:05:52,351
ACTUALLY.
"PRESIDENT TRUMP BROUGHT ME INTO
HIS OFFICE AND CALLED ME A
LITTLE MASHED POTATO BOY,
48
00:05:52,351 --> 00:06:06,399
A JERK-OFF FOR JESUS,
A SILVER-HAIRED BABY-BITCH.
HE CALLED ME THE WHITE
MITT ROMNEY --
49
00:06:06,399 --> 00:06:14,440
I DON'T EVEN KNOW WHAT THAT
MEANS.
HE SAID IF I DIDN'T OVERTURN THE
ELECTION HE WOULD, UH, HOW
50
00:06:14,440 --> 00:06:28,087
WOULD I PUT THIS: MAKE LOVE TO
ME IN THE HOLE WHERE THE POO-POO
COMES OUT.
[CHEERS AND APPLAUSE]
51
00:06:28,087 --> 00:06:39,532
NOW FOR MORE ON THIS STORY, WE
GO LIVE TO
THE COURTHOUSE AND ROY WOOD JR.
[CHEERS AND APPLAUSE]
52
00:06:39,532 --> 00:06:47,473
ROY, WHAT DO YOU THINK ABOUT
PENCE HAVING TO TESTIFY AGAINST
TRUMP?
I THINK IT IS ABOUT TO BE THE
53
00:06:47,473 --> 00:06:55,014
BRIGHTEST TRIAL OF ALL TIME.
YOU GOT MIKE PRINCE, YOU GOT
DONALD TRUMP, THIS IS GOING TO
BE WHITER THAN THE
54
00:06:55,014 --> 00:07:01,320
GWYNETH PALTROW CASE.
AND THAT CASE HAS SNOW, SKIING,
AND GWYNETH PALTROW!
John: THAT'S A GOOD POINT.
55
00:07:01,320 --> 00:07:10,163
IT SEEMS LIKE PENCE REALLY
DOESN'T WANT TO TESTIFY.
OF COURSE HE DOESN'T.
TRUMP SUPPORTERS ARE GOING TO
56
00:07:10,163 --> 00:07:15,001
TRY TO KILL HIM AGAIN.
AND SOME OF THOSE SUPPORTERS ARE
WOMEN, SO MIKE PENCE IS DOUBLE
SCARED.
57
00:07:15,001 --> 00:07:21,607
ACCORDING TO HIS BELIEFS, IF
YOU GET KILLED BY A WOMAN, YOU
GO TO SUPER HELL.
THEY DON'T EVEN GIVE YOU
58
00:07:21,607 --> 00:07:29,048
BATHROOM BREAKS
IN SUPER HELL.
John: IT'S ALMOST LIKE AN
AMAZON WAREHOUSE.
59
00:07:29,048 --> 00:07:36,689
[AUDIENCE REACTS]
THERE IS A WAY OUT FOR
MIKE PENCE, THERE IS A WAY FOR
DONALD TRUMP, BUT NEITHER ONE
60
00:07:36,689 --> 00:07:47,500
ARE GOING TO LIKE IT.
IF PENCE DOESN'T WANT TO TESTIFY
AGAINST TRUMP, THEN TRUMP AND
PENCE GOT TO GET MARRIED.
61
00:07:47,500 --> 00:07:51,737
John: WEIGHT?
[CHEERS AND APPLAUSE]
WHAT?
WAIT, WAIT, WAIT UP.
62
00:07:51,737 --> 00:07:57,443
WHAT ARE YOU TALKING ABOUT,
MARRIED?
I'M TALKING ABOUT THE LAW,
JOHN!
63
00:07:57,443 --> 00:08:02,148
YOU DON'T HAVE TO TESTIFY ABOUT
YOUR SPOUSE.
I KNOW WHAT I'M TALKING ABOUT,
I WATCH ALL THE "LAW & ORDER"S,
64
00:08:02,148 --> 00:08:08,454
EVEN THE BAD SPIN-OFFS.
John: OKAY, OKAY, BUT
STILL, HOW CAN THEY BE MARRIED?
THEY HATE EACH OTHER!
65
00:08:08,454 --> 00:08:25,371
ALL MARRIED PEOPLE HATE EACH
OTHER.
IT'S NOT LIKE HATING YOUR SPOUSE
WOULD BE A BIG ADJUSTMENT FOR
66
00:08:25,371 --> 00:08:30,776
TRUMP.
MELANIA WOULD LOCK HIM DOWN THE
AISLE HIMSELF.
"WHO PRESENTS HIS MEN FOR
67
00:08:30,776 --> 00:08:38,618
MARRIAGE?
ME DO, MELANIA."
AND ALSO, LET'S JUST BE REAL
ABOUT THIS, JOHN, TRUMP AND
68
00:08:38,618 --> 00:08:43,723
PENCE GET MARRIED, THEY MIGHT
JUST END UP HITTING IT OFF.
MAYBE THEY FALL IN LOVE, MAYBE
THE ADOPT A CHILD TOGETHER.
69
00:08:43,723 --> 00:08:53,633
THE KID GROWS UP TO BE THE
WHITEST KID HISTORY.
A KID SO WHITE HE CAN GENTRIFY A
BUILDING JUST BY TOUCHING IT.
70
00:08:53,633 --> 00:09:01,641
I'M TALKING ABOUT SUPER WHITE.
I'M TALKING ABOUT A KID SO WHITE
THAT HE DOESN'T EVEN GO TO
COACHELLA,
71
00:09:01,641 --> 00:09:11,918
HE JUST SUMMONS
COACHELLA AROUND HIM.
John: FOCUS, FOCUS, PLEASE,
MY BROTHER.
72
00:09:11,918 --> 00:09:18,824
SORRY, MAN, I'M SORRY, IT IS
ALSO WHITE.
ALL THESE WHITE ASS KIDS.
I GOT TO GO, I NEED TO DO
73
00:09:18,824 --> 00:09:23,629
SOMETHING BLACK JUST TO
REBALANCE MYSELF.
HEY!
CAN SOMEONE DENY ME A BANK LOAN!
74
00:09:23,629 --> 00:09:27,667
HOW ARE YOU DOING, SIR?
HEY!
[CHEERS AND APPLAUSE]
John: THANK YOU, ROY!
75
00:09:27,667 --> 00:09:36,042
ROY WOOD JR., EVERYBODY.
[CHEERS AND APPLAUSE]
ALL RIGHT, WHEN WE COME BACK,
I'M GONNA HIT THE STREETS OF
76
00:09:36,042 --> 00:09:42,848
NEW YORK CITY.
SO DON'T GO AWAY.
[CHEERS AND APPLAUSE]
77
00:09:47,186 --> 00:10:00,466
[CHEERS AND APPLAUSE]
John: WELCOME BACK TO
"THE DAILY SHOW."
YOU KNOW, ONE THING I LOVE DOING
78
00:10:00,466 --> 00:10:07,173
IS EDUCATING PEOPLE ABOUT
NEW YORK'S LATINO CULTURE.
[CHEERS AND APPLAUSE]
THAT'S RIGHT.
79
00:10:07,173 --> 00:10:14,914
SO I WENT ON THE STREET TO DO
JUST THAT.
BUT THINGS DIDN'T GO QUITE AS I
PLANNED.
80
00:10:14,914 --> 00:10:24,824
YO, YO, WHAT'S UP?
I'M OUT HERE ON THE STREETS OF
NEW YORK CITY AND I'M DOING A
LATINX IQ TEST.
81
00:10:24,824 --> 00:10:31,297
WHAT'S YOUR NAME?
I'M KENDALL.
John: WHERE YOU FROM?
HERE'S A SIMPLE LATINX IQ TEST.
82
00:10:31,297 --> 00:10:37,136
CAN YOU POINT WHERE THE
DOMINICAN REPUBLIC IS?
DOWN HERE?
John: SORRY!
83
00:10:37,136 --> 00:10:42,341
YOU DON'T KNOW.
NEXT?
WHAT IS YOUR NAME?
D.J.
84
00:10:42,341 --> 00:10:46,879
John: WHERE YOU FROM?
THE BRONX.
John: HERE IS A SIMPLE
LATINX IQ TEST.
85
00:10:46,879 --> 00:10:52,151
CAN YOU TELL ME WHERE
PUERTO RICO IS THAT?
PUERTO RICO.
John: YEP.
86
00:10:52,151 --> 00:10:57,356
SOMEWHERE ON THIS MAP.
John: THAT'S A GOOD START.
WHAT IS YOUR NAME?
WHERE YOU FROM?
87
00:10:57,356 --> 00:11:02,695
NEW YORK CITY.
John: CAN YOU TELL ME WHERE
THAT I MAKE INTERPUBLIC'S --
ARE YOU JOHN LEGUIZAMO?
88
00:11:02,695 --> 00:11:10,936
DO YOU KNOW WHO THIS IS?
IT IS JOHN LEGUIZAMO.
HE DID THE BOYS HAVE SAID IN
"ICE AGE."
89
00:11:10,936 --> 00:11:16,742
YOU LOVE THOSE MOVIES.
CAN YOU DO THAT VOICE,
PLEASE?
John: I WOULD LOVE TO BUT
90
00:11:16,742 --> 00:11:23,816
I --
John: I WANT TO HEAR SID.
John: I APPRECIATE YOU,
THANKS FOR BEING FANS.
91
00:11:23,816 --> 00:11:29,622
CAN YOU POINT WHERE THE
DOMINICAN REPUBLIC IS?
John: WHAT IS YOUR NAME?
WHERE ARE YOU FROM?
92
00:11:29,622 --> 00:11:34,427
LONDON.
John: CAN YOU TELL ME,
WHERE IS HAITI AND THE
DOMINICAN REPUBLIC?
93
00:11:34,427 --> 00:11:42,268
OH, HAITI, RIGHT?
John: THAT'S A GOOD START.
[BUZZER]
THIS WILL BE A SIMPLE LATINX IQ
94
00:11:42,268 --> 00:11:49,208
TEST.
CAN YOU TELL ME WHERE GUATEMALA
IS?
GUATEMALA.
95
00:11:49,208 --> 00:11:59,418
MY FATHER LIVES IN BELIZE.
IT IS IN CENTRAL AMERICA.
AND GUATEMALA IS...
THERE!
96
00:11:59,418 --> 00:12:03,255
John: YES!
WHAT IS YOUR NAME?
WHERE ARE YOU FROM?
MIDTOWN.
97
00:12:03,255 --> 00:12:07,960
John: MIDTOWN, NICE.
CAN YOU TELL ME WHERE
PUERTO RICO IS?
YEAH.
98
00:12:07,960 --> 00:12:11,197
[BUZZER]
John: YOU THINK THAT MEXICO
IS PUERTO RICO?
GOT TO BE SERIOUS.
99
00:12:11,197 --> 00:12:17,503
HEY, DO THE VOICE?
John: WHERE IS YOUR MOM AT?
DON'T WORRY ABOUT HER, DO THE
VOICE.
100
00:12:17,503 --> 00:12:23,642
DO THAT VOICE.
DO SID.
John: GUYS, GUYS, EASE UP.
IN THE MIDDLE OF SOMETHING.
101
00:12:23,642 --> 00:12:39,258
HEY, EVERYONE, THIS IS SID!
HE IS THE VOICE OF SID!
DU!
VOICE!
102
00:12:39,258 --> 00:12:55,007
John: I'M NOT DOING THE
VOICE, OKAY?
CAN YOU JUST LEAVE US ALONE?
♪ ♪
103
00:12:55,007 --> 00:13:10,556
[SCREAMS]
♪ ♪
DO IT!
DO IT!
104
00:13:10,556 --> 00:13:17,396
John: THINK GOD, OFFICER,
THESE KIDS, THEY ARE TRYING TO
ATTACK ME.
THEY WANT YOU TO DO THIS SID
105
00:13:17,396 --> 00:13:24,837
VOICE.
PLEASE, HELP ME!
COME ON, KIDS.
♪ ♪
106
00:13:24,837 --> 00:13:33,345
J John: OH, SHIT.
THESE KIDS.
John: HELL, YEAH.
ALL RIGHT, KIDS, BREAK IT UP,
107
00:13:33,345 --> 00:13:50,796
LEAVE JOHN LEGUIZAMO ALONE.
GET HIM!
HEY, HEY, HEY!
HEY!
108
00:13:50,796 --> 00:13:58,804
[COUGHS]
John: NO, NO, NO.
PLEASE!
DON'T HURT ME!
109
00:13:58,804 --> 00:14:09,915
DO THEIR VOICE, MR. LEGUIZAM.
JUST GIVE THEM WHAT THEY WANT
WANT.
♪ ♪
110
00:14:09,915 --> 00:14:19,491
John: OKAY.
OKAY.
I CAN DO THE VOICE.
"HEY, KIDS, I'M SID NO SLOTH.
111
00:14:19,491 --> 00:14:29,735
I HELP AN ASTEROID DOESN'T HIT
US!
YEAH!
[CHEERS AND APPLAUSE]
112
00:14:29,735 --> 00:14:42,314
THANKS, MR.!
John: THANK YOU.
NOW DO BRUNO.
[CHEERS AND APPLAUSE]
113
00:14:42,314 --> 00:14:48,253
John: ALL RIGHT, ALL RIGHT!
STAY TUNED BECAUSE WHEN WE COME
BACK, PRINCESS NOKIA WILL BE
JOINING ME ON THE SHOW.
114
00:14:48,253 --> 00:14:53,392
SO DON'T GO AWAY.
[CHEERS AND APPLAUSE]
115
00:15:03,364 --> 00:15:06,024
{\an7}[CHEERS AND APPLAUSE]
116
00:15:06,024 --> 00:15:07,024
{\an7}[CHEERS AND APPLAUSE]
>> John: WELCOME BACK TO
117
00:15:07,024 --> 00:15:09,694
{\an7}>> John: WELCOME BACK TO
"THE DAILY SHOW."
118
00:15:09,694 --> 00:15:11,727
{\an7}"THE DAILY SHOW."
MY GUEST TONIGHT IS THE QUEEN OF
119
00:15:11,727 --> 00:15:14,727
{\an7}MY GUEST TONIGHT IS THE QUEEN OF
THE NEW YORK UNDERGROUND.
120
00:15:14,727 --> 00:15:17,463
{\an7}THE NEW YORK UNDERGROUND.
A RAPPER, SONGWRITER, AND ACTOR.
121
00:15:17,463 --> 00:15:19,123
{\an7}A RAPPER, SONGWRITER, AND ACTOR.
HER NEW EP IS CALLED
122
00:15:19,123 --> 00:15:19,760
{\an7}HER NEW EP IS CALLED
"I LOVE YOU BUT THIS IS
123
00:15:19,760 --> 00:15:21,661
{\an7}"I LOVE YOU BUT THIS IS
GOODBYE."
124
00:15:21,661 --> 00:15:22,991
{\an7}GOODBYE."
PLEASE WELCOME PRINCESS NOKIA!
125
00:15:22,991 --> 00:15:26,595
{\an7}PLEASE WELCOME PRINCESS NOKIA!
[CHEERS AND APPLAUSE]
126
00:15:26,595 --> 00:15:32,265
{\an7}[CHEERS AND APPLAUSE]
♪ ♪
127
00:15:32,265 --> 00:15:33,463
{\an7}♪ ♪
SIT DOWN, PLEASE!
128
00:15:33,463 --> 00:15:35,694
{\an7}SIT DOWN, PLEASE!
[CHEERS AND APPLAUSE]
129
00:15:35,694 --> 00:15:38,760
{\an7}[CHEERS AND APPLAUSE]
♪ ♪
130
00:15:38,760 --> 00:15:41,892
{\an7}♪ ♪
LOOK AT THAT RECEPTION!
131
00:15:41,892 --> 00:15:43,090
{\an7}LOOK AT THAT RECEPTION!
THEY LOVE YOU!
132
00:15:43,090 --> 00:15:44,991
{\an7}THEY LOVE YOU!
[CHEERS AND APPLAUSE]
133
00:15:44,991 --> 00:15:45,628
{\an7}[CHEERS AND APPLAUSE]
YEAH!
134
00:15:45,628 --> 00:15:51,694
{\an7}YEAH!
YEAH!
135
00:15:51,694 --> 00:15:54,430
{\an7}YEAH!
NOW YOU ARE A MULTIHYPHENATE, A
136
00:15:54,430 --> 00:15:55,057
{\an7}NOW YOU ARE A MULTIHYPHENATE, A
SINGER, ACTOR, PRODUCER,
137
00:15:55,057 --> 00:15:55,727
{\an7}SINGER, ACTOR, PRODUCER,
DIRECTOR.
138
00:15:55,727 --> 00:15:59,024
{\an7}DIRECTOR.
>> BULLSHITTER.
139
00:15:59,024 --> 00:16:00,991
{\an7}>> BULLSHITTER.
>> John: ISN’T THE IDEA OF
140
00:16:00,991 --> 00:16:02,024
{\an7}>> John: ISN’T THE IDEA OF
BEING VERY SUCCESSFUL TO HAVE TO
141
00:16:02,024 --> 00:16:02,430
{\an7}BEING VERY SUCCESSFUL TO HAVE TO
WORK LESS?
142
00:16:02,430 --> 00:16:04,958
{\an7}WORK LESS?
>> YES.
143
00:16:04,958 --> 00:16:05,892
{\an7}>> YES.
SOME WOULD SAY, WORKING HARDER
144
00:16:05,892 --> 00:16:06,859
{\an7}SOME WOULD SAY, WORKING HARDER
NOT SMARTER.
145
00:16:06,859 --> 00:16:08,727
{\an7}NOT SMARTER.
I AM A MULTIHYPHENATE, I HAVE
146
00:16:08,727 --> 00:16:10,024
{\an7}I AM A MULTIHYPHENATE, I HAVE
DONE SO MANY THINGS, MUSICIAN,
147
00:16:10,024 --> 00:16:11,156
{\an7}DONE SO MANY THINGS, MUSICIAN,
ACTRESS, COMEDIAN, DIRECTOR,
148
00:16:11,156 --> 00:16:13,496
{\an7}ACTRESS, COMEDIAN, DIRECTOR,
SONGWRITER.
149
00:16:13,496 --> 00:16:15,463
{\an7}SONGWRITER.
>> John: WHAT DRIVES ALL THAT?
150
00:16:15,463 --> 00:16:18,024
{\an7}>> John: WHAT DRIVES ALL THAT?
>> CREATIVITY.
151
00:16:18,024 --> 00:16:21,694
{\an7}>> CREATIVITY.
THE NEED TO WANT TO EXPRESS
152
00:16:21,694 --> 00:16:26,661
{\an7}THE NEED TO WANT TO EXPRESS
MYSELF, TAKING BOREDOM AND
153
00:16:26,661 --> 00:16:27,430
{\an7}MYSELF, TAKING BOREDOM AND
THEY SAY IDLENESS IS THE DEVIL’S
154
00:16:27,430 --> 00:16:29,123
{\an7}THEY SAY IDLENESS IS THE DEVIL’S
PLAYGROUND AND I DON’T WANT TO
155
00:16:29,123 --> 00:16:30,661
{\an7}PLAYGROUND AND I DON’T WANT TO
BE IN THE DEVIL’S PLAYGROUND.
156
00:16:30,661 --> 00:16:31,232
{\an7}BE IN THE DEVIL’S PLAYGROUND.
I WANT TO HAVE FUN.
157
00:16:31,232 --> 00:16:33,496
{\an7}I WANT TO HAVE FUN.
>> John: YOUR WORK IS SO
158
00:16:33,496 --> 00:16:35,793
{\an7}>> John: YOUR WORK IS SO
POWERFUL.
159
00:16:35,793 --> 00:16:36,793
{\an7}POWERFUL.
WE ARE BOTH STREET KIDS.
160
00:16:36,793 --> 00:16:37,760
{\an7}WE ARE BOTH STREET KIDS.
>> YES, WE ARE.
161
00:16:37,760 --> 00:16:38,661
{\an7}>> YES, WE ARE.
>> John: I WENT TO THE
162
00:16:38,661 --> 00:16:40,199
{\an7}>> John: I WENT TO THE
NEW YORK CITY PUBLIC SCHOOL
163
00:16:40,199 --> 00:16:40,694
{\an7}NEW YORK CITY PUBLIC SCHOOL
SYSTEM.
164
00:16:40,694 --> 00:16:45,298
{\an7}SYSTEM.
[CHEERS AND APPLAUSE]
165
00:16:45,298 --> 00:16:50,958
{\an7}[CHEERS AND APPLAUSE]
HOW DO YOU USE YOUR STREETNESS
166
00:16:50,958 --> 00:16:52,090
{\an7}HOW DO YOU USE YOUR STREETNESS
AND YOUR LENS OF THE LATINIDAD
167
00:16:52,090 --> 00:16:54,024
{\an7}AND YOUR LENS OF THE LATINIDAD
TO DO YOUR STORYTELLING?
168
00:16:54,024 --> 00:16:55,331
{\an7}TO DO YOUR STORYTELLING?
>> I WAS REALLY FORTUNATE TO
169
00:16:55,331 --> 00:16:56,595
{\an7}>> I WAS REALLY FORTUNATE TO
GROW UP IN AN EXTREMELY VIVID
170
00:16:56,595 --> 00:16:58,156
{\an7}GROW UP IN AN EXTREMELY VIVID
CULTURAL UPBRINGING, YOU KNOW,
171
00:16:58,156 --> 00:16:59,430
{\an7}CULTURAL UPBRINGING, YOU KNOW,
BEING AFRO-INDIGENOUS WAS WHAT I
172
00:16:59,430 --> 00:17:02,199
{\an7}BEING AFRO-INDIGENOUS WAS WHAT I
WAS SUPPOSED TO DO ON THE
173
00:17:02,199 --> 00:17:03,123
{\an7}WAS SUPPOSED TO DO ON THE
WEEKEND.
174
00:17:03,123 --> 00:17:03,892
{\an7}WEEKEND.
WHEN MY GIRLFRIENDS WERE PLAYING
175
00:17:03,892 --> 00:17:08,496
{\an7}WHEN MY GIRLFRIENDS WERE PLAYING
DOUBLE DUTCH AND HANGING, I WAS
176
00:17:08,496 --> 00:17:10,793
{\an7}DOUBLE DUTCH AND HANGING, I WAS
AT POW-WOWS, JUST, LIKE, I
177
00:17:10,793 --> 00:17:12,199
{\an7}AT POW-WOWS, JUST, LIKE, I
LOVED MY UPBRINGING.
178
00:17:12,199 --> 00:17:13,123
{\an7}LOVED MY UPBRINGING.
BUT IT’S FUNNY BECAUSE, YOU
179
00:17:13,123 --> 00:17:13,727
{\an7}BUT IT’S FUNNY BECAUSE, YOU
KNOW, THERE’S SO MANY
180
00:17:13,727 --> 00:17:19,595
{\an7}KNOW, THERE’S SO MANY
INTERSECTIONS OF MY CHILDHOOD,
181
00:17:19,595 --> 00:17:22,199
{\an7}INTERSECTIONS OF MY CHILDHOOD,
AND THERE IS THE PUBLIC SCHOOL,
182
00:17:22,199 --> 00:17:23,463
{\an7}AND THERE IS THE PUBLIC SCHOOL,
YOU KNOW, BEING IN JEFFERSON
183
00:17:23,463 --> 00:17:24,331
{\an7}YOU KNOW, BEING IN JEFFERSON
PARK WITH MY FRIENDS AND THEN
184
00:17:24,331 --> 00:17:25,090
{\an7}PARK WITH MY FRIENDS AND THEN
THERE WAS THE TIMES WHEN I
185
00:17:25,090 --> 00:17:27,123
{\an7}THERE WAS THE TIMES WHEN I
DIDN’T CONNECT WITH MY FRIENDS,
186
00:17:27,123 --> 00:17:27,892
{\an7}DIDN’T CONNECT WITH MY FRIENDS,
DIDN’T HAVE TO HAVE SNEAKERS OR
187
00:17:27,892 --> 00:17:28,760
{\an7}DIDN’T HAVE TO HAVE SNEAKERS OR
BE WEARING LIP GLOSS, THAT I HAD
188
00:17:28,760 --> 00:17:30,430
{\an7}BE WEARING LIP GLOSS, THAT I HAD
TO GO TO CEREMONIES OR DO -- GO
189
00:17:30,430 --> 00:17:31,364
{\an7}TO GO TO CEREMONIES OR DO -- GO
TO THE U.N. TO DO A PERFORMANCE.
190
00:17:31,364 --> 00:17:32,694
{\an7}TO THE U.N. TO DO A PERFORMANCE.
[LAUGHS]
191
00:17:32,694 --> 00:17:38,496
{\an7}[LAUGHS]
SOMETHING OF THE SORT.
192
00:17:38,496 --> 00:17:40,793
{\an7}SOMETHING OF THE SORT.
BUT I AM VERY PROTECTIVE.
193
00:17:40,793 --> 00:17:42,199
{\an7}BUT I AM VERY PROTECTIVE.
I WAS TAUGHT TO FIGHT WITH MY
194
00:17:42,199 --> 00:17:42,760
{\an7}I WAS TAUGHT TO FIGHT WITH MY
WORDS AND MY HANDS.
195
00:17:42,760 --> 00:17:44,364
{\an7}WORDS AND MY HANDS.
>> John: OH, YEAH.
196
00:17:44,364 --> 00:17:47,123
{\an7}>> John: OH, YEAH.
>> AND BE VIVACIOUS, AND BE
197
00:17:47,123 --> 00:17:48,298
{\an7}>> AND BE VIVACIOUS, AND BE
PROTECTIVE , AND I AM PROTECTIVE
198
00:17:48,298 --> 00:17:51,090
{\an7}PROTECTIVE , AND I AM PROTECTIVE
OF MYSELF AND MY LOVED ONES.
199
00:17:51,090 --> 00:17:51,760
{\an7}OF MYSELF AND MY LOVED ONES.
>> John: THAT COMES OUT IN
200
00:17:51,760 --> 00:17:53,057
{\an7}>> John: THAT COMES OUT IN
YOU WORK, I’M SUCH A BIG FAN OF
201
00:17:53,057 --> 00:17:53,463
{\an7}YOU WORK, I’M SUCH A BIG FAN OF
YOUR WORK.
202
00:17:53,463 --> 00:17:54,760
{\an7}YOUR WORK.
I FEEL LIKE I SEE MYSELF IN YOU.
203
00:17:54,760 --> 00:17:58,727
{\an7}I FEEL LIKE I SEE MYSELF IN YOU.
IT REVITALIZES ME AS AN OLDER
204
00:17:58,727 --> 00:18:01,123
{\an7}IT REVITALIZES ME AS AN OLDER
ARTIST, SEEING, LIKE, THE YOUNG
205
00:18:01,123 --> 00:18:04,232
{\an7}ARTIST, SEEING, LIKE, THE YOUNG
LATINAS THAT HAVE SUCH
206
00:18:04,232 --> 00:18:05,529
{\an7}LATINAS THAT HAVE SUCH
SELF-WORTH AND STRENGTH AND
207
00:18:05,529 --> 00:18:06,298
{\an7}SELF-WORTH AND STRENGTH AND
VIVACITY AND NOT AFRAID OF THEIR
208
00:18:06,298 --> 00:18:07,090
{\an7}VIVACITY AND NOT AFRAID OF THEIR
POWER AND STRENGTH.
209
00:18:07,090 --> 00:18:07,925
{\an7}POWER AND STRENGTH.
[CHEERS AND APPLAUSE]
210
00:18:07,925 --> 00:18:09,430
{\an7}[CHEERS AND APPLAUSE]
YEAH.
211
00:18:09,430 --> 00:18:14,859
{\an7}YEAH.
>> [LAUGHS]
212
00:18:14,859 --> 00:18:17,057
{\an7}>> [LAUGHS]
I WAS TELLING JOHN -- TO THE
213
00:18:17,057 --> 00:18:18,727
{\an7}I WAS TELLING JOHN -- TO THE
CROWD, I WAS TELLING JOHN
214
00:18:18,727 --> 00:18:19,463
{\an7}CROWD, I WAS TELLING JOHN
EARLIER, THAT HE IS ONE OF MY
215
00:18:19,463 --> 00:18:20,463
{\an7}EARLIER, THAT HE IS ONE OF MY
BIGGEST INSPIRATIONS, HIM AND
216
00:18:20,463 --> 00:18:21,760
{\an7}BIGGEST INSPIRATIONS, HIM AND
MARTIN LAWRENCE.
217
00:18:21,760 --> 00:18:22,958
{\an7}MARTIN LAWRENCE.
>> John: [LAUGHS]
218
00:18:22,958 --> 00:18:24,397
{\an7}>> John: [LAUGHS]
>> THAT CREATED MY IDENTITY.
219
00:18:24,397 --> 00:18:28,826
{\an7}>> THAT CREATED MY IDENTITY.
[CHEERS AND APPLAUSE]
220
00:18:28,826 --> 00:18:30,661
{\an7}[CHEERS AND APPLAUSE]
>> John: I FEEL LIKE MARTIN
221
00:18:30,661 --> 00:18:31,232
{\an7}>> John: I FEEL LIKE MARTIN
LAWRENCE.
222
00:18:31,232 --> 00:18:32,496
{\an7}LAWRENCE.
WE ARE ABOUT THE SAME HEIGHT.
223
00:18:32,496 --> 00:18:33,331
{\an7}WE ARE ABOUT THE SAME HEIGHT.
WE ARE BOTH SHORT KINGS.
224
00:18:33,331 --> 00:18:34,826
{\an7}WE ARE BOTH SHORT KINGS.
[LAUGHTER]
225
00:18:34,826 --> 00:18:39,661
{\an7}[LAUGHTER]
>> YEAH, I WATCHED "FREAK"
226
00:18:39,661 --> 00:18:43,826
{\an7}>> YEAH, I WATCHED "FREAK"
"SEXAHOLIC," "GHETTO CLOWN."
227
00:18:43,826 --> 00:18:45,123
{\an7}"SEXAHOLIC," "GHETTO CLOWN."
>> John: THEY LET YOU WATCH
228
00:18:45,123 --> 00:18:45,958
{\an7}>> John: THEY LET YOU WATCH
THAT INAPPROPRIATE CRAP?
229
00:18:45,958 --> 00:18:48,760
{\an7}THAT INAPPROPRIATE CRAP?
>> THEY ALLOWED ME TO WATCH.
230
00:18:48,760 --> 00:18:52,123
{\an7}>> THEY ALLOWED ME TO WATCH.
IT WAS OUR HOUSEHOLD THING.
231
00:18:52,123 --> 00:18:52,892
{\an7}IT WAS OUR HOUSEHOLD THING.
WE SAW YOU AND WE SAW OURSELVES.
232
00:18:52,892 --> 00:18:54,661
{\an7}WE SAW YOU AND WE SAW OURSELVES.
[CHEERS AND APPLAUSE]
233
00:18:54,661 --> 00:18:55,364
{\an7}[CHEERS AND APPLAUSE]
>> John: THAT IS BEAUTIFUL,
234
00:18:55,364 --> 00:18:56,463
{\an7}>> John: THAT IS BEAUTIFUL,
THANKS.
235
00:18:56,463 --> 00:18:57,661
{\an7}THANKS.
THANK YOU, THANK YOU FOR THAT.
236
00:18:57,661 --> 00:19:00,397
{\an7}THANK YOU, THANK YOU FOR THAT.
[CHEERS AND APPLAUSE]
237
00:19:00,397 --> 00:19:01,430
{\an7}[CHEERS AND APPLAUSE]
I MEAN, WHEN I WROTE MY STUFF, I
238
00:19:01,430 --> 00:19:04,694
{\an7}I MEAN, WHEN I WROTE MY STUFF, I
WANTED TO WRITE IT FOR ALL THE
239
00:19:04,694 --> 00:19:05,529
{\an7}WANTED TO WRITE IT FOR ALL THE
YOUNG LATINO KIDS THAT WEREN’T
240
00:19:05,529 --> 00:19:06,430
{\an7}YOUNG LATINO KIDS THAT WEREN’T
SEEING THEMSELVES AND THEY FELT
241
00:19:06,430 --> 00:19:07,628
{\an7}SEEING THEMSELVES AND THEY FELT
INVISIBLE AND I WANTED THEM TO
242
00:19:07,628 --> 00:19:10,232
{\an7}INVISIBLE AND I WANTED THEM TO
FEEL LIKE I SAW THEM.
243
00:19:10,232 --> 00:19:11,156
{\an7}FEEL LIKE I SAW THEM.
THAT IS WHY I WROTE IT.
244
00:19:11,156 --> 00:19:11,892
{\an7}THAT IS WHY I WROTE IT.
NOW YOU GOT YOUR NEW EP COMING
245
00:19:11,892 --> 00:19:12,463
{\an7}NOW YOU GOT YOUR NEW EP COMING
OUT, RIGHT?
246
00:19:12,463 --> 00:19:14,156
{\an7}OUT, RIGHT?
>> IT’S ALREADY OUT.
247
00:19:14,156 --> 00:19:15,760
{\an7}>> IT’S ALREADY OUT.
>> John: OH, IT’S ALREADY OUT.
248
00:19:15,760 --> 00:19:16,496
{\an7}>> John: OH, IT’S ALREADY OUT.
>> THAT’S OKAY, EVERYTHING IS
249
00:19:16,496 --> 00:19:17,628
{\an7}>> THAT’S OKAY, EVERYTHING IS
MISINFORMED.
250
00:19:17,628 --> 00:19:18,892
{\an7}MISINFORMED.
[LAUGHS]
251
00:19:18,892 --> 00:19:23,496
{\an7}[LAUGHS]
>> John: THIS IS ABOUT LOVE.
252
00:19:23,496 --> 00:19:24,430
{\an7}>> John: THIS IS ABOUT LOVE.
>> HOW MANY RUMORS HAVE YOU
253
00:19:24,430 --> 00:19:26,661
{\an7}>> HOW MANY RUMORS HAVE YOU
HEARD ABOUT ME?
254
00:19:26,661 --> 00:19:27,057
{\an7}HEARD ABOUT ME?
[LAUGHTER]
255
00:19:27,057 --> 00:19:28,090
{\an7}[LAUGHTER]
>> John: THIS IS ABOUT LOVE.
256
00:19:28,090 --> 00:19:28,826
{\an7}>> John: THIS IS ABOUT LOVE.
THIS IS THE FIRST TIME YOU ARE
257
00:19:28,826 --> 00:19:29,628
{\an7}THIS IS THE FIRST TIME YOU ARE
TALKING ABOUT LOVE?
258
00:19:29,628 --> 00:19:30,760
{\an7}TALKING ABOUT LOVE?
YOU’VE NEVER BEEN THIS
259
00:19:30,760 --> 00:19:31,397
{\an7}YOU’VE NEVER BEEN THIS
VULNERABLE BEFORE.
260
00:19:31,397 --> 00:19:32,057
{\an7}VULNERABLE BEFORE.
>> NO.
261
00:19:32,057 --> 00:19:32,859
{\an7}>> NO.
>> John: WHY NOW?
262
00:19:32,859 --> 00:19:35,156
{\an7}>> John: WHY NOW?
>> IT WAS THE TIME.
263
00:19:35,156 --> 00:19:36,463
{\an7}>> IT WAS THE TIME.
I ALWAYS SPEAK FROM MY HEART,
264
00:19:36,463 --> 00:19:38,694
{\an7}I ALWAYS SPEAK FROM MY HEART,
ALWAYS SPEAK FROM PERSONAL
265
00:19:38,694 --> 00:19:39,123
{\an7}ALWAYS SPEAK FROM PERSONAL
EXPERIENCE.
266
00:19:39,123 --> 00:19:42,265
{\an7}EXPERIENCE.
"1992" COVERS MY LIFE AS A CHILD
267
00:19:42,265 --> 00:19:43,925
{\an7}"1992" COVERS MY LIFE AS A CHILD
GROWING UP AND THE INTERSECTIONS
268
00:19:43,925 --> 00:19:47,892
{\an7}GROWING UP AND THE INTERSECTIONS
OF MY LIFE, FROM CHILDHOOD TO
269
00:19:47,892 --> 00:19:52,199
{\an7}OF MY LIFE, FROM CHILDHOOD TO
ADULT, YOU KNOW,
270
00:19:52,199 --> 00:19:52,826
{\an7}ADULT, YOU KNOW,
MY LOVE FOR ROCK MUSIC,
271
00:19:52,826 --> 00:19:54,562
{\an7}MY LOVE FOR ROCK MUSIC,
"EVERYTHING IS BEAUTIFUL" IS A
272
00:19:54,562 --> 00:19:55,463
{\an7}"EVERYTHING IS BEAUTIFUL" IS A
NEO-SOUL JAZZ ALBUM WITH R&B,
273
00:19:55,463 --> 00:19:58,628
{\an7}NEO-SOUL JAZZ ALBUM WITH R&B,
"EVERYTHING SUCKS" KIND OF HAD
274
00:19:58,628 --> 00:19:59,397
{\an7}"EVERYTHING SUCKS" KIND OF HAD
AN ICP AFFECT TO IT.
275
00:19:59,397 --> 00:20:00,430
{\an7}AN ICP AFFECT TO IT.
IT WAS A LITTLE MORE FUN.
276
00:20:00,430 --> 00:20:05,397
{\an7}IT WAS A LITTLE MORE FUN.
AND THIS, I STRIPPED IT DOWN.
277
00:20:05,397 --> 00:20:07,529
{\an7}AND THIS, I STRIPPED IT DOWN.
I WANTED TO -- I ALWAYS SAY WHEN
278
00:20:07,529 --> 00:20:08,232
{\an7}I WANTED TO -- I ALWAYS SAY WHEN
I SING, I’M HAPPY AND WHEN I
279
00:20:08,232 --> 00:20:12,826
{\an7}I SING, I’M HAPPY AND WHEN I
SING I AM SAD.
280
00:20:12,826 --> 00:20:14,793
{\an7}SING I AM SAD.
WHEN I GOT THE BLUES, I SING.
281
00:20:14,793 --> 00:20:15,727
{\an7}WHEN I GOT THE BLUES, I SING.
SO I GOT THE BLUES AND I WAS
282
00:20:15,727 --> 00:20:16,760
{\an7}SO I GOT THE BLUES AND I WAS
GOING TO GET MARRIED IN THAT
283
00:20:16,760 --> 00:20:17,496
{\an7}GOING TO GET MARRIED IN THAT
DRESS AND I DIDN’T.
284
00:20:17,496 --> 00:20:18,199
{\an7}DRESS AND I DIDN’T.
AND I LIKE USING -- NO, IT’S
285
00:20:18,199 --> 00:20:19,199
{\an7}AND I LIKE USING -- NO, IT’S
OKAY.
286
00:20:19,199 --> 00:20:20,661
{\an7}OKAY.
IT’S OKAY, LIKE, I AM A YOUNG
287
00:20:20,661 --> 00:20:22,859
{\an7}IT’S OKAY, LIKE, I AM A YOUNG
WOMAN.
288
00:20:22,859 --> 00:20:23,694
{\an7}WOMAN.
AND I SAID THIS TO BILLBOARD AND
289
00:20:23,694 --> 00:20:24,463
{\an7}AND I SAID THIS TO BILLBOARD AND
THE INSIDER, EVERYONE IS SO USED
290
00:20:24,463 --> 00:20:28,199
{\an7}THE INSIDER, EVERYONE IS SO USED
TO ME BEING THE RAPPER, THE
291
00:20:28,199 --> 00:20:29,430
{\an7}TO ME BEING THE RAPPER, THE
STRONG WOMAN, THE SOUP THROWER,
292
00:20:29,430 --> 00:20:30,331
{\an7}STRONG WOMAN, THE SOUP THROWER,
YOU KNOW, THE VOICE OF A
293
00:20:30,331 --> 00:20:31,463
{\an7}YOU KNOW, THE VOICE OF A
GENERATION, BUT NO ONE HAS EVER
294
00:20:31,463 --> 00:20:32,628
{\an7}GENERATION, BUT NO ONE HAS EVER
HEARD ME -- AND I HAVE NEVER
295
00:20:32,628 --> 00:20:34,859
{\an7}HEARD ME -- AND I HAVE NEVER
ALLOWED MYSELF TO BE THAT
296
00:20:34,859 --> 00:20:37,694
{\an7}ALLOWED MYSELF TO BE THAT
VULNERABLE.
297
00:20:37,694 --> 00:20:39,090
{\an7}VULNERABLE.
I DON’T TALK ABOUT MY PERSONAL
298
00:20:39,090 --> 00:20:39,793
{\an7}I DON’T TALK ABOUT MY PERSONAL
LIFE ONLINE.
299
00:20:39,793 --> 00:20:40,991
{\an7}LIFE ONLINE.
SO NO ONE WOULD KNOW WHO I AM
300
00:20:40,991 --> 00:20:43,760
{\an7}SO NO ONE WOULD KNOW WHO I AM
DATING, NO ONE KNOWS WHO I’M
301
00:20:43,760 --> 00:20:44,463
{\an7}DATING, NO ONE KNOWS WHO I’M
TALKING ABOUT, IT’S NO ONE I
302
00:20:44,463 --> 00:20:45,123
{\an7}TALKING ABOUT, IT’S NO ONE I
HAVE EVER POSTED PUBLICLY.
303
00:20:45,123 --> 00:20:45,892
{\an7}HAVE EVER POSTED PUBLICLY.
SO SOMEONE COULD HAVE AN IDEA
304
00:20:45,892 --> 00:20:46,661
{\an7}SO SOMEONE COULD HAVE AN IDEA
AND THEY COMPLETELY HAVE NO IDEA
305
00:20:46,661 --> 00:20:47,199
{\an7}AND THEY COMPLETELY HAVE NO IDEA
WHAT IS GOING ON.
306
00:20:47,199 --> 00:20:49,694
{\an7}WHAT IS GOING ON.
SO I PUT ALL OF THESE INTRICATE
307
00:20:49,694 --> 00:20:51,057
{\an7}SO I PUT ALL OF THESE INTRICATE
THINGS ABOUT A FAILED
308
00:20:51,057 --> 00:20:53,364
{\an7}THINGS ABOUT A FAILED
RELATIONSHIP, BUT THE TAKE AWAY
309
00:20:53,364 --> 00:20:57,496
{\an7}RELATIONSHIP, BUT THE TAKE AWAY
OF THE PROJECT IS REALLY THAT
310
00:20:57,496 --> 00:20:59,232
{\an7}OF THE PROJECT IS REALLY THAT
THAT PERSON WAS -- EXCUSE ME.
311
00:20:59,232 --> 00:21:00,628
{\an7}THAT PERSON WAS -- EXCUSE ME.
THAT PERSON ALLOWED ME TO FEEL
312
00:21:00,628 --> 00:21:04,496
{\an7}THAT PERSON ALLOWED ME TO FEEL
LOVE.
313
00:21:04,496 --> 00:21:07,661
{\an7}LOVE.
THEY ALLOWED ME TO FEEL
314
00:21:07,661 --> 00:21:10,562
{\an7}THEY ALLOWED ME TO FEEL
A LITTLE SOMETHING.
315
00:21:10,562 --> 00:21:13,991
{\an7}A LITTLE SOMETHING.
I HADN’T FELT, I HADN’T DATED
316
00:21:13,991 --> 00:21:14,595
{\an7}I HADN’T FELT, I HADN’T DATED
IN, LIKE, FIVE YEARS.
317
00:21:14,595 --> 00:21:15,057
{\an7}IN, LIKE, FIVE YEARS.
>> John: WOW.
318
00:21:15,057 --> 00:21:15,826
{\an7}>> John: WOW.
>> I THINK I JUST HOOKED UP WITH
319
00:21:15,826 --> 00:21:16,595
{\an7}>> I THINK I JUST HOOKED UP WITH
MY CHILDHOOD SWEETHEART AND WE
320
00:21:16,595 --> 00:21:17,925
{\an7}MY CHILDHOOD SWEETHEART AND WE
HAD A LOVE TUNNEL, IT WAS
321
00:21:17,925 --> 00:21:18,397
{\an7}HAD A LOVE TUNNEL, IT WAS
FABULOUS.
322
00:21:18,397 --> 00:21:19,661
{\an7}FABULOUS.
IT WAS HOT AND SEXY AND SCARY.
323
00:21:19,661 --> 00:21:20,057
{\an7}IT WAS HOT AND SEXY AND SCARY.
[LAUGHTER]
324
00:21:20,057 --> 00:21:21,793
{\an7}[LAUGHTER]
IT WAS SCARY.
325
00:21:21,793 --> 00:21:22,595
{\an7}IT WAS SCARY.
THEN WE WERE GOING TO GET
326
00:21:22,595 --> 00:21:24,694
{\an7}THEN WE WERE GOING TO GET
MARRIED AND WAS GOING TO BE
327
00:21:24,694 --> 00:21:25,859
{\an7}MARRIED AND WAS GOING TO BE
AMAZING AND THEN I LEFT BECAUSE
328
00:21:25,859 --> 00:21:27,562
{\an7}AMAZING AND THEN I LEFT BECAUSE
IT DIDN’T SERVE ME, DIDN’T SERVE
329
00:21:27,562 --> 00:21:28,595
{\an7}IT DIDN’T SERVE ME, DIDN’T SERVE
MY HIGHER PURPOSE, I SPOKE TO
330
00:21:28,595 --> 00:21:29,331
{\an7}MY HIGHER PURPOSE, I SPOKE TO
GOD AND GOD SAID GET YOUR ASS
331
00:21:29,331 --> 00:21:30,661
{\an7}GOD AND GOD SAID GET YOUR ASS
OUT THERE.
332
00:21:30,661 --> 00:21:35,364
{\an7}OUT THERE.
AND I SAID, OKAY.
333
00:21:35,364 --> 00:21:36,123
{\an7}AND I SAID, OKAY.
I TELL HIM, HE’S LISTENED TO THE
334
00:21:36,123 --> 00:21:36,892
{\an7}I TELL HIM, HE’S LISTENED TO THE
MUSIC, HE LOVES THE PROJECT, WE
335
00:21:36,892 --> 00:21:38,958
{\an7}MUSIC, HE LOVES THE PROJECT, WE
ARE STILL GOOD FRIENDS.
336
00:21:38,958 --> 00:21:41,793
{\an7}ARE STILL GOOD FRIENDS.
>> John: THAT’S BEAUTIFUL.
337
00:21:41,793 --> 00:21:42,727
{\an7}>> John: THAT’S BEAUTIFUL.
LOVE YOU.
338
00:21:42,727 --> 00:21:47,298
{\an7}LOVE YOU.
THANK YOU FOR COMING!
339
00:21:47,298 --> 00:21:48,958
{\an7}THANK YOU FOR COMING!
"I LOVE YOU BUT THIS IS GOODBYE"
340
00:21:48,958 --> 00:21:50,430
{\an7}"I LOVE YOU BUT THIS IS GOODBYE"
IS AVAILABLE NOW.
341
00:21:50,430 --> 00:21:51,024
{\an7}IS AVAILABLE NOW.
OKAY.
342
00:21:51,024 --> 00:21:52,364
{\an7}OKAY.
WE ARE GOING TO TAKE A QUICK
343
00:21:52,364 --> 00:21:53,430
{\an7}WE ARE GOING TO TAKE A QUICK
BREAK.
344
00:21:53,430 --> 00:21:55,057
{\an7}BREAK.
WE’LL BE RIGHT BACK AFTER THIS.
345
00:21:55,057 --> 00:21:56,397
{\an7}WE’LL BE RIGHT BACK AFTER THIS.
[CHEERS AND APPLAUSE]
346
00:21:56,397 --> 00:21:57,694
{\an7}[CHEERS AND APPLAUSE]
♪ ♪
347
00:22:03,582 --> 00:22:04,209
{\an7}[CHEERS AND APPLAUSE]
348
00:22:04,209 --> 00:22:04,945
{\an7}[CHEERS AND APPLAUSE]
>> John: WELL, THAT’S OUR SHOW
349
00:22:04,945 --> 00:22:05,549
{\an7}>> John: WELL, THAT’S OUR SHOW
FOR TONIGHT.
350
00:22:05,549 --> 00:22:07,285
{\an7}FOR TONIGHT.
BUT BEFORE WE GO, PLEASE
351
00:22:07,285 --> 00:22:08,747
{\an7}BUT BEFORE WE GO, PLEASE
CONSIDER SUPPORTING THE FRESH
352
00:22:08,747 --> 00:22:10,143
{\an7}CONSIDER SUPPORTING THE FRESH
AIR FUND.
353
00:22:10,143 --> 00:22:11,549
{\an7}AIR FUND.
THEY PROVIDE FREE OUTDOOR SUMMER
354
00:22:11,549 --> 00:22:12,945
{\an7}THEY PROVIDE FREE OUTDOOR SUMMER
EXPERIENCES FOR CHILDREN FROM
355
00:22:12,945 --> 00:22:14,351
{\an7}EXPERIENCES FOR CHILDREN FROM
NEW YORK CITY’S UNDERSERVED
356
00:22:14,351 --> 00:22:14,780
{\an7}NEW YORK CITY’S UNDERSERVED
COMMUNITIES.
357
00:22:14,780 --> 00:22:16,044
{\an7}COMMUNITIES.
AND I WAS ONE OF THEM.
358
00:22:16,044 --> 00:22:17,384
{\an7}AND I WAS ONE OF THEM.
THEY TOOK MY BROTHER AND ME AND
359
00:22:17,384 --> 00:22:18,450
{\an7}THEY TOOK MY BROTHER AND ME AND
MY COUSIN AND IT WAS
360
00:22:18,450 --> 00:22:19,417
{\an7}MY COUSIN AND IT WAS
LIFE-CHANGING.
361
00:22:19,417 --> 00:22:21,176
{\an7}LIFE-CHANGING.
IF YOU CAN COME I REALLY
362
00:22:21,176 --> 00:22:22,483
{\an7}IF YOU CAN COME I REALLY
APPRECIATE YOU DONATE TO THEM AT
363
00:22:22,483 --> 00:22:23,450
{\an7}APPRECIATE YOU DONATE TO THEM AT
THE LINK BELOW.
364
00:22:23,450 --> 00:22:25,318
{\an7}THE LINK BELOW.
NOW HERE IT IS, YOUR
365
00:22:25,318 --> 00:22:27,516
{\an7}NOW HERE IT IS, YOUR
"MOMENT OF ZEN."
366
00:22:27,516 --> 00:22:30,110
{\an7}"MOMENT OF ZEN."
>> POSSIBLY TO BE SEEN FROM
367
00:22:30,110 --> 00:22:30,582
{\an7}>> POSSIBLY TO BE SEEN FROM
UNITED STATES.
368
00:22:30,582 --> 00:22:31,681
{\an7}UNITED STATES.
>> YOUR NETS WILL BECOME
369
00:22:31,681 --> 00:22:32,077
{\an7}>> YOUR NETS WILL BECOME
ONE-SIDED.
370
00:22:32,077 --> 00:22:32,945
{\an7}ONE-SIDED.
>> I THINK IT WAS URANUS.