1 00:00:03,132 --> 00:00:06,363 {\an7}♪ ♪ 2 00:00:06,363 --> 00:00:08,330 {\an7}♪ ♪ >> Announcer: FROM 3 00:00:08,330 --> 00:00:10,231 {\an7}>> Announcer: FROM NEW YORK CITY, THE ONLY CITY IN 4 00:00:10,231 --> 00:00:11,396 {\an7}NEW YORK CITY, THE ONLY CITY IN AMERICA. 5 00:00:11,396 --> 00:00:14,033 {\an7}AMERICA. THIS IS THE SHOW THAT INVENTED 6 00:00:14,033 --> 00:00:15,363 {\an7}THIS IS THE SHOW THAT INVENTED NEWS. 7 00:00:15,363 --> 00:00:18,066 {\an7}NEWS. IT IS "THE DAILY SHOW" WITH YOUR 8 00:00:18,066 --> 00:00:20,099 {\an7}IT IS "THE DAILY SHOW" WITH YOUR HOST LESLIE JONES! 9 00:00:20,099 --> 00:00:20,693 {\an7}HOST LESLIE JONES! [CHEERS AND APPLAUSE] 10 00:00:20,693 --> 00:00:26,396 {\an7}[CHEERS AND APPLAUSE] ♪ ♪ 11 00:00:26,396 --> 00:00:31,000 {\an7}♪ ♪ >> Leslie: HEY! 12 00:00:31,000 --> 00:00:32,033 {\an7}>> Leslie: HEY! [CHEERS AND APPLAUSE] 13 00:00:32,033 --> 00:00:34,627 {\an7}[CHEERS AND APPLAUSE] WHOO! 14 00:00:34,627 --> 00:00:35,495 {\an7}WHOO! WHAT’S GOING ON, EVERYBODY? 15 00:00:35,495 --> 00:00:37,066 {\an7}WHAT’S GOING ON, EVERYBODY? WELCOME TO "THE DAILY SHOW." 16 00:00:37,066 --> 00:00:39,627 {\an7}WELCOME TO "THE DAILY SHOW." I’M LESLIE JONES! 17 00:00:39,627 --> 00:00:40,957 {\an7}I’M LESLIE JONES! [CHEERS AND APPLAUSE] 18 00:00:40,957 --> 00:00:42,858 {\an7}[CHEERS AND APPLAUSE] WHOO! 19 00:00:42,858 --> 00:00:43,627 {\an7}WHOO! YO, WE GOT SO MUCH TO TALK ABOUT 20 00:00:43,627 --> 00:00:47,330 {\an7}YO, WE GOT SO MUCH TO TALK ABOUT TONIGHT. 21 00:00:47,330 --> 00:00:48,099 {\an7}TONIGHT. BUT FIRST, I WOULD LIKE TO GIVE 22 00:00:48,099 --> 00:00:48,957 {\an7}BUT FIRST, I WOULD LIKE TO GIVE A SHOUT OUT 23 00:00:48,957 --> 00:00:50,627 {\an7}A SHOUT OUT TO TREVOR NOAH. 24 00:00:50,627 --> 00:00:51,462 {\an7}TO TREVOR NOAH. ONE OF THE THINGS THAT MOVED ME 25 00:00:51,462 --> 00:00:52,165 {\an7}ONE OF THE THINGS THAT MOVED ME SO MUCH IN HIS LAST SHOW, HE 26 00:00:52,165 --> 00:00:53,264 {\an7}SO MUCH IN HIS LAST SHOW, HE SAID, "IF YOU WANT TO TRULY 27 00:00:53,264 --> 00:00:54,000 {\an7}SAID, "IF YOU WANT TO TRULY LEARN ABOUT AMERICA, TALK TO 28 00:00:54,000 --> 00:00:55,033 {\an7}LEARN ABOUT AMERICA, TALK TO BLACK WOMEN." 29 00:00:55,033 --> 00:00:58,759 {\an7}BLACK WOMEN." WELL, GUESS WHO’S COMING TO 30 00:00:58,759 --> 00:01:01,462 {\an7}WELL, GUESS WHO’S COMING TO DINNER, BABY! 31 00:01:01,462 --> 00:01:05,825 {\an7}DINNER, BABY! [CHEERS AND APPLAUSE] 32 00:01:05,825 --> 00:01:09,627 {\an7}[CHEERS AND APPLAUSE] WE GOT A GREAT SHOW FOR YOU. 33 00:01:09,627 --> 00:01:12,099 {\an7}WE GOT A GREAT SHOW FOR YOU. MORRIS CHESTNUT IS HERE. 34 00:01:12,099 --> 00:01:14,759 {\an7}MORRIS CHESTNUT IS HERE. [CHEERS AND APPLAUSE] 35 00:01:14,759 --> 00:01:17,264 {\an7}[CHEERS AND APPLAUSE] ALL RIGHT. 36 00:01:17,264 --> 00:01:17,957 {\an7}ALL RIGHT. SO LET’S GET INTO HEADLINES! 37 00:01:17,957 --> 00:01:20,033 {\an7}SO LET’S GET INTO HEADLINES! ♪ ♪ 38 00:01:20,033 --> 00:01:22,726 {\an7}♪ ♪ [CHEERS AND APPLAUSE] 39 00:01:22,726 --> 00:01:23,726 {\an7}[CHEERS AND APPLAUSE] YEAH! 40 00:01:23,726 --> 00:01:25,198 {\an7}YEAH! YOU GUYS REMEMBER THAT FOR THE 41 00:01:25,198 --> 00:01:30,891 {\an7}YOU GUYS REMEMBER THAT FOR THE PAST SIX MONTHS, WE’VE BEEN 42 00:01:30,891 --> 00:01:31,825 {\an7}PAST SIX MONTHS, WE’VE BEEN ROASTING THE SHIT OUT 43 00:01:31,825 --> 00:01:33,165 {\an7}ROASTING THE SHIT OUT OF DONALD TRUMP FOR KEEPING 44 00:01:33,165 --> 00:01:33,858 {\an7}OF DONALD TRUMP FOR KEEPING CLASSIFIED DOCUMENTS AT HIS 45 00:01:33,858 --> 00:01:34,231 {\an7}CLASSIFIED DOCUMENTS AT HIS HOUSE? 46 00:01:34,231 --> 00:01:35,759 {\an7}HOUSE? AND I HAVE TO AGREE! 47 00:01:35,759 --> 00:01:38,429 {\an7}AND I HAVE TO AGREE! WHAT KIND OF MORON, I MEAN, WHAT 48 00:01:38,429 --> 00:01:41,759 {\an7}WHAT KIND OF MORON, I MEAN, WHAT KIND OF IRRESPONSIBLE PIECE OF 49 00:01:41,759 --> 00:01:42,891 {\an7}KIND OF IRRESPONSIBLE PIECE OF SHIT WOULD KEEP CLASSIFIED 50 00:01:42,891 --> 00:01:47,825 {\an7}SHIT WOULD KEEP CLASSIFIED DOCUMENTS AT HIS HOUSE? 51 00:01:47,825 --> 00:01:50,429 {\an7}DOCUMENTS AT HIS HOUSE? I MEAN, HE’S GOT TO BE THE ONLY 52 00:01:50,429 --> 00:01:52,396 {\an7}I MEAN, HE’S GOT TO BE THE ONLY DUMBASS THAT WOULD DO SOMETHING 53 00:01:52,396 --> 00:01:55,792 {\an7}DUMBASS THAT WOULD DO SOMETHING SO STUPID! 54 00:01:55,792 --> 00:01:57,825 {\an7}SO STUPID! >> BREAKING NEWS FROM THE 55 00:01:57,825 --> 00:01:58,264 {\an7}>> BREAKING NEWS FROM THE WHITE HOUSE. 56 00:01:58,264 --> 00:01:59,462 {\an7}WHITE HOUSE. MORE CLASSIFIED DOCUMENTS WERE 57 00:01:59,462 --> 00:02:01,396 {\an7}MORE CLASSIFIED DOCUMENTS WERE FOUND IN PRESIDENT BIDEN’S 58 00:02:01,396 --> 00:02:03,594 {\an7}FOUND IN PRESIDENT BIDEN’S DELAWARE HOME. 59 00:02:03,594 --> 00:02:06,495 {\an7}DELAWARE HOME. [APPLAUSE] 60 00:02:06,495 --> 00:02:11,165 {\an7}[APPLAUSE] [CHEERS AND APPLAUSE] 61 00:02:11,165 --> 00:02:12,330 {\an7}[CHEERS AND APPLAUSE] >> Leslie: JUST ROLL THE 62 00:02:12,330 --> 00:02:13,363 {\an7}>> Leslie: JUST ROLL THE DAMN TAPE. 63 00:02:13,363 --> 00:02:14,891 {\an7}DAMN TAPE. >> THIS MORNING, PRESIDENT BIDEN 64 00:02:14,891 --> 00:02:15,594 {\an7}>> THIS MORNING, PRESIDENT BIDEN IS FACING GROWING CALLS FOR 65 00:02:15,594 --> 00:02:16,330 {\an7}IS FACING GROWING CALLS FOR TRANSPARENCY FROM REPUBLICANS 66 00:02:16,330 --> 00:02:17,891 {\an7}TRANSPARENCY FROM REPUBLICANS AND EVEN SOME DEMOCRATS AMID THE 67 00:02:17,891 --> 00:02:19,330 {\an7}AND EVEN SOME DEMOCRATS AMID THE SPECIAL COUNSEL’S INVESTIGATION 68 00:02:19,330 --> 00:02:20,495 {\an7}SPECIAL COUNSEL’S INVESTIGATION INTO HIS HANDLING OF CLASSIFIED 69 00:02:20,495 --> 00:02:21,198 {\an7}INTO HIS HANDLING OF CLASSIFIED DOCUMENTS AFTER HE LEFT THE 70 00:02:21,198 --> 00:02:23,858 {\an7}DOCUMENTS AFTER HE LEFT THE OBAMA ADMINISTRATION. 71 00:02:23,858 --> 00:02:25,825 {\an7}OBAMA ADMINISTRATION. PRESSURE IS MOUNTING AFTER 72 00:02:25,825 --> 00:02:27,033 {\an7}PRESSURE IS MOUNTING AFTER THIS WEEKEND, THE WHITE HOUSE 73 00:02:27,033 --> 00:02:28,594 {\an7}THIS WEEKEND, THE WHITE HOUSE COUNSEL’S OFFICE SAID ADDITIONAL 74 00:02:28,594 --> 00:02:29,594 {\an7}COUNSEL’S OFFICE SAID ADDITIONAL PAGES OF CLASSIFIED DOCUMENTS 75 00:02:29,594 --> 00:02:30,495 {\an7}PAGES OF CLASSIFIED DOCUMENTS WERE DISCOVERED INSIDE THE 76 00:02:30,495 --> 00:02:33,330 {\an7}WERE DISCOVERED INSIDE THE PRESIDENT’S DELAWARE HOME. 77 00:02:33,330 --> 00:02:35,231 {\an7}PRESIDENT’S DELAWARE HOME. IT COMES AFTER ABOUT A DOZEN 78 00:02:35,231 --> 00:02:35,858 {\an7}IT COMES AFTER ABOUT A DOZEN INITIALLY DISCOVERED AT 79 00:02:35,858 --> 00:02:37,957 {\an7}INITIALLY DISCOVERED AT MR. BIDEN’S PRIVATE OFFICE, 80 00:02:37,957 --> 00:02:40,561 {\an7}MR. BIDEN’S PRIVATE OFFICE, INCLUDING AT LEAST ONE DOCUMENT 81 00:02:40,561 --> 00:02:41,330 {\an7}INCLUDING AT LEAST ONE DOCUMENT MARKED TOP SECRET, ACCORDING TO 82 00:02:41,330 --> 00:02:44,000 {\an7}MARKED TOP SECRET, ACCORDING TO THAT FOLLOWED BY TWO BATCHES 83 00:02:44,000 --> 00:02:45,594 {\an7}THAT FOLLOWED BY TWO BATCHES DISCOVERED IN DELAWARE INCLUDING 84 00:02:45,594 --> 00:02:47,033 {\an7}DISCOVERED IN DELAWARE INCLUDING INSIDE HIS GARAGE. 85 00:02:47,033 --> 00:02:48,462 {\an7}INSIDE HIS GARAGE. >> CLASSIFIED MATERIAL NEXT TO 86 00:02:48,462 --> 00:02:49,627 {\an7}>> CLASSIFIED MATERIAL NEXT TO YOUR CORVETTE, WHAT WERE YOU 87 00:02:49,627 --> 00:02:50,660 {\an7}YOUR CORVETTE, WHAT WERE YOU THINKING? 88 00:02:50,660 --> 00:02:54,165 {\an7}THINKING? >> BY THE WAY, MY CORVETTE IS IN 89 00:02:54,165 --> 00:02:55,693 {\an7}>> BY THE WAY, MY CORVETTE IS IN A LOCKED GARAGE, OKAY, SO IT’S 90 00:02:55,693 --> 00:02:58,033 {\an7}A LOCKED GARAGE, OKAY, SO IT’S NOT LIKE THEY ARE SITTING OUT ON 91 00:02:58,033 --> 00:03:01,297 {\an7}NOT LIKE THEY ARE SITTING OUT ON THE STREET. 92 00:03:01,297 --> 00:03:04,759 {\an7}THE STREET. >> Leslie: WHAT! 93 00:03:04,759 --> 00:03:07,165 {\an7}>> Leslie: WHAT! THIS IS A NATIONAL SECURITY 94 00:03:07,165 --> 00:03:07,759 {\an7}THIS IS A NATIONAL SECURITY EMERGENCY, OKAY? 95 00:03:07,759 --> 00:03:11,330 {\an7}EMERGENCY, OKAY? A MAN THIS OLD WITH ACCESS TO A 96 00:03:11,330 --> 00:03:15,891 {\an7}A MAN THIS OLD WITH ACCESS TO A CORVETTE? 97 00:03:15,891 --> 00:03:16,693 {\an7}CORVETTE? [CHEERS AND APPLAUSE] 98 00:03:16,693 --> 00:03:17,066 {\an7}[CHEERS AND APPLAUSE] NO. 99 00:03:17,066 --> 00:03:18,198 {\an7}NO. I DON’T KNOW WHAT’S MORE SCARY, 100 00:03:18,198 --> 00:03:18,924 {\an7}I DON’T KNOW WHAT’S MORE SCARY, BIDEN LOSING THE NUCLEAR CODES 101 00:03:18,924 --> 00:03:20,363 {\an7}BIDEN LOSING THE NUCLEAR CODES OR BIDEN GOING 85 ON THE 102 00:03:20,363 --> 00:03:26,264 {\an7}OR BIDEN GOING 85 ON THE HIGHWAY. 103 00:03:26,264 --> 00:03:27,792 {\an7}HIGHWAY. BIDEN, PLEASE DO NOT DRIVE THAT 104 00:03:27,792 --> 00:03:28,561 {\an7}BIDEN, PLEASE DO NOT DRIVE THAT CORVETTE! 105 00:03:28,561 --> 00:03:31,528 {\an7}CORVETTE! YO ASS CAN’T EVEN RIDE A BIKE! 106 00:03:31,528 --> 00:03:36,594 {\an7}YO ASS CAN’T EVEN RIDE A BIKE! [APPLAUSE] 107 00:03:36,594 --> 00:03:38,198 {\an7}[APPLAUSE] LET ME TELL YOU SOMETHING, HE 108 00:03:38,198 --> 00:03:39,363 {\an7}LET ME TELL YOU SOMETHING, HE PROBABLY LOVES TALKING ABOUT THE 109 00:03:39,363 --> 00:03:40,627 {\an7}PROBABLY LOVES TALKING ABOUT THE SCANDAL BECAUSE IT GIVES HIM A 110 00:03:40,627 --> 00:03:41,528 {\an7}SCANDAL BECAUSE IT GIVES HIM A CHANCE TO TALK ABOUT HIS 111 00:03:41,528 --> 00:03:44,000 {\an7}CHANCE TO TALK ABOUT HIS CORVETTE. 112 00:03:44,000 --> 00:03:46,792 {\an7}CORVETTE. "HEY, EVERYBODY, I’VE GOT STOLEN 113 00:03:46,792 --> 00:03:47,693 {\an7}"HEY, EVERYBODY, I’VE GOT STOLEN DOCUMENTS NEXT TO MY SWEET 114 00:03:47,693 --> 00:03:50,858 {\an7}DOCUMENTS NEXT TO MY SWEET CORVETTE! 115 00:03:50,858 --> 00:03:51,726 {\an7}CORVETTE! GO, GREASED LIGHTNIN’, YOU’RE 116 00:03:51,726 --> 00:03:54,066 {\an7}GO, GREASED LIGHTNIN’, YOU’RE BURNIN’ UP THE QUARTER MILE. 117 00:03:54,066 --> 00:03:55,726 {\an7}BURNIN’ UP THE QUARTER MILE. GREASED LIGHTNIN’, GO, GREASED 118 00:03:55,726 --> 00:04:00,099 {\an7}GREASED LIGHTNIN’, GO, GREASED LIGHTNIN’!" 119 00:04:00,099 --> 00:04:05,891 {\an7}LIGHTNIN’!" [CHEERS AND APPLAUSE] 120 00:04:05,891 --> 00:04:10,429 {\an7}[CHEERS AND APPLAUSE] AND LOOK, I KNOW THIS IS A BIG 121 00:04:10,429 --> 00:04:11,264 {\an7}AND LOOK, I KNOW THIS IS A BIG SCANDAL, BUT HONESTLY, I THINK 122 00:04:11,264 --> 00:04:12,033 {\an7}SCANDAL, BUT HONESTLY, I THINK THESE DOCUMENTS WERE PRETTY SAFE 123 00:04:12,033 --> 00:04:15,792 {\an7}THESE DOCUMENTS WERE PRETTY SAFE AT BIDEN’S HOUSE. 124 00:04:15,792 --> 00:04:16,462 {\an7}AT BIDEN’S HOUSE. BECAUSE IT’S HARD TO FIND 125 00:04:16,462 --> 00:04:17,825 {\an7}BECAUSE IT’S HARD TO FIND ANYTHING IN AN OLD MAN’S GARAGE. 126 00:04:17,825 --> 00:04:19,264 {\an7}ANYTHING IN AN OLD MAN’S GARAGE. "GRANDPA! 127 00:04:19,264 --> 00:04:21,627 {\an7}"GRANDPA! WHERE’S THE DOCUMENTS?!" 128 00:04:21,627 --> 00:04:28,528 {\an7}WHERE’S THE DOCUMENTS?!" "IT’S BY THE LEAF BLOWER!" 129 00:04:28,528 --> 00:04:31,330 {\an7}"IT’S BY THE LEAF BLOWER!" "YOU HAVE SIX LEAF BLOWERS 130 00:04:31,330 --> 00:04:34,066 {\an7}"YOU HAVE SIX LEAF BLOWERS , GRANDPA!" 131 00:04:34,066 --> 00:04:35,033 {\an7}, GRANDPA!" BUT CAN I JUST SAY THIS FOR A 132 00:04:35,033 --> 00:04:36,924 {\an7}BUT CAN I JUST SAY THIS FOR A MINUTE? 133 00:04:36,924 --> 00:04:38,594 {\an7}MINUTE? I AM SO DISAPPOINTED IN YOU, 134 00:04:38,594 --> 00:04:39,066 {\an7}I AM SO DISAPPOINTED IN YOU, JOE BIDEN. 135 00:04:39,066 --> 00:04:39,726 {\an7}JOE BIDEN. BECAUSE THIS IS THE TRUMP 136 00:04:39,726 --> 00:04:41,264 {\an7}BECAUSE THIS IS THE TRUMP SCANDAL YOU COPY? 137 00:04:41,264 --> 00:04:43,627 {\an7}SCANDAL YOU COPY? STEALING DOCUMENTS? 138 00:04:43,627 --> 00:04:45,000 {\an7}STEALING DOCUMENTS? YOU COULD HAVE BEEN BLACKBALLS 139 00:04:45,000 --> 00:04:46,693 {\an7}YOU COULD HAVE BEEN BLACKBALLS DEEP IN PORN STARS, YOU DUMB 140 00:04:46,693 --> 00:04:50,231 {\an7}DEEP IN PORN STARS, YOU DUMB [BLEEP]! 141 00:04:50,231 --> 00:04:55,000 {\an7}[BLEEP]! [APPLAUSE] 142 00:04:55,000 --> 00:04:55,858 {\an7}[APPLAUSE] BUT THERE’S A BIGGER PROBLEM 143 00:04:55,858 --> 00:04:58,264 {\an7}BUT THERE’S A BIGGER PROBLEM HERE. 144 00:04:58,264 --> 00:04:59,066 {\an7}HERE. BECAUSE FIRST, IT WAS TRUMP, NOW 145 00:04:59,066 --> 00:04:59,660 {\an7}BECAUSE FIRST, IT WAS TRUMP, NOW IT’S BIDEN. 146 00:04:59,660 --> 00:05:01,495 {\an7}IT’S BIDEN. WHAT I NEED TO KNOW IS, WHO IS 147 00:05:01,495 --> 00:05:07,594 {\an7}WHAT I NEED TO KNOW IS, WHO IS IN CHARGE OF THESE DOCUMENTS? 148 00:05:07,594 --> 00:05:08,363 {\an7}IN CHARGE OF THESE DOCUMENTS? WHO IS THE BITCH WHO IS FREELY 149 00:05:08,363 --> 00:05:11,462 {\an7}WHO IS THE BITCH WHO IS FREELY GIVING OUT CLASSIFIED DOCUMENTS? 150 00:05:11,462 --> 00:05:12,066 {\an7}GIVING OUT CLASSIFIED DOCUMENTS? [CHEERS AND APPLAUSE] 151 00:05:12,066 --> 00:05:24,165 {\an7}[CHEERS AND APPLAUSE] WHO THE [BLEEP] IS THIS PERSON? 152 00:05:24,165 --> 00:05:28,957 {\an7}WHO THE [BLEEP] IS THIS PERSON? "WHAT’S UP, YO? 153 00:05:28,957 --> 00:05:30,759 {\an7}"WHAT’S UP, YO? WANT TO GET THE DOCUMENTS? 154 00:05:30,759 --> 00:05:31,825 {\an7}WANT TO GET THE DOCUMENTS? CHECK THIS OUT, THOUGH. 155 00:05:31,825 --> 00:05:38,198 {\an7}CHECK THIS OUT, THOUGH. I JUST CAME BACK FROM LUNCH, 156 00:05:38,198 --> 00:05:41,396 {\an7}I JUST CAME BACK FROM LUNCH, AND I SMOKED THE BIGGEST SPLIFF 157 00:05:41,396 --> 00:05:43,066 {\an7}AND I SMOKED THE BIGGEST SPLIFF I HAVE EVER ROLLED. 158 00:05:43,066 --> 00:05:44,066 {\an7}I HAVE EVER ROLLED. SO IT IS YOUR LUCKY DAY. 159 00:05:44,066 --> 00:05:45,429 {\an7}SO IT IS YOUR LUCKY DAY. I WILL HOOK YOU UP WITH ANY 160 00:05:45,429 --> 00:05:46,363 {\an7}I WILL HOOK YOU UP WITH ANY DOCUMENTS YOU NEED. 161 00:05:46,363 --> 00:05:48,066 {\an7}DOCUMENTS YOU NEED. JUST TAKE WHAT YOU WANT. 162 00:05:48,066 --> 00:05:48,561 {\an7}JUST TAKE WHAT YOU WANT. BUT WAIT. 163 00:05:48,561 --> 00:05:50,165 {\an7}BUT WAIT. I’M GOING TO NEED TO GET YOU TO 164 00:05:50,165 --> 00:05:52,462 {\an7}I’M GOING TO NEED TO GET YOU TO SIGN, HOLD ON, LET ME GET 165 00:05:52,462 --> 00:05:54,132 {\an7}SIGN, HOLD ON, LET ME GET SOMETHING FOR YOU TO SIGN -- YOU 166 00:05:54,132 --> 00:05:54,528 {\an7}SOMETHING FOR YOU TO SIGN -- YOU KNOW WHAT. 167 00:05:54,528 --> 00:05:55,858 {\an7}KNOW WHAT. I WILL REMEMBER YOU. 168 00:05:55,858 --> 00:05:58,594 {\an7}I WILL REMEMBER YOU. I TRUST YOU. 169 00:05:58,594 --> 00:06:00,726 {\an7}I TRUST YOU. I TRUST -- BUT YOU GOT TO BE 170 00:06:00,726 --> 00:06:01,495 {\an7}I TRUST -- BUT YOU GOT TO BE COOL, SON. 171 00:06:01,495 --> 00:06:03,330 {\an7}COOL, SON. YOU GOT TO BE COOL WITH THESE 172 00:06:03,330 --> 00:06:03,891 {\an7}YOU GOT TO BE COOL WITH THESE DOCUMENTS, OKAY? 173 00:06:03,891 --> 00:06:06,033 {\an7}DOCUMENTS, OKAY? WHERE ARE YOU GOING TO HIDE THE 174 00:06:06,033 --> 00:06:06,363 {\an7}WHERE ARE YOU GOING TO HIDE THE MAT? 175 00:06:06,363 --> 00:06:11,132 {\an7}MAT? IN THE CORVETTE? 176 00:06:11,132 --> 00:06:15,264 {\an7}IN THE CORVETTE? [BLEEP], YOU GOT A CORVETTE! 177 00:06:15,264 --> 00:06:17,231 {\an7}[BLEEP], YOU GOT A CORVETTE! TAKE WHATEVER YOU NEED. 178 00:06:17,231 --> 00:06:19,957 {\an7}TAKE WHATEVER YOU NEED. YOU ARE A G." 179 00:06:19,957 --> 00:06:22,792 {\an7}YOU ARE A G." [CHEERS AND APPLAUSE] 180 00:06:22,792 --> 00:06:25,033 {\an7}[CHEERS AND APPLAUSE] OH, MY GOD! 181 00:06:25,033 --> 00:06:26,165 {\an7}OH, MY GOD! [LAUGHS] 182 00:06:26,165 --> 00:06:27,429 {\an7}[LAUGHS] OKAY, BUT LET’S MOVE ON. 183 00:06:27,429 --> 00:06:29,066 {\an7}OKAY, BUT LET’S MOVE ON. LET ME SHOW YOU WHAT IS GOING ON 184 00:06:29,066 --> 00:06:29,924 {\an7}LET ME SHOW YOU WHAT IS GOING ON IN BOSTON. 185 00:06:29,924 --> 00:06:30,924 {\an7}IN BOSTON. >> A MONUMENT MEANT TO 186 00:06:30,924 --> 00:06:32,297 {\an7}>> A MONUMENT MEANT TO HONOR THE REVEREND 187 00:06:32,297 --> 00:06:33,561 {\an7}HONOR THE REVEREND DR. MARTIN LUTHER KING JR. 188 00:06:33,561 --> 00:06:34,000 {\an7}DR. MARTIN LUTHER KING JR. AND HIS WIFE 189 00:06:34,000 --> 00:06:35,099 {\an7}AND HIS WIFE CORETTA SCOTT KING’S LEGACY 190 00:06:35,099 --> 00:06:36,264 {\an7}CORETTA SCOTT KING’S LEGACY FACING SOMETHING BACKLASH. 191 00:06:36,264 --> 00:06:37,429 {\an7}FACING SOMETHING BACKLASH. IT’S CALLED THE EMBRACE. 192 00:06:37,429 --> 00:06:39,726 {\an7}IT’S CALLED THE EMBRACE. THE STATUE WAS UNVEILED FRIDAY 193 00:06:39,726 --> 00:06:40,330 {\an7}THE STATUE WAS UNVEILED FRIDAY ON THE BOSTON COMMON. 194 00:06:40,330 --> 00:06:41,099 {\an7}ON THE BOSTON COMMON. IT WAS INSPIRED BY A PHOTOGRAPH 195 00:06:41,099 --> 00:06:41,792 {\an7}IT WAS INSPIRED BY A PHOTOGRAPH OF THE COUPLE HUGGING AFTER 196 00:06:41,792 --> 00:06:43,198 {\an7}OF THE COUPLE HUGGING AFTER DR. KING WON THE NOBEL PEACE 197 00:06:43,198 --> 00:06:47,099 {\an7}DR. KING WON THE NOBEL PEACE PRIZE BACK IN 1964. 198 00:06:47,099 --> 00:06:49,594 {\an7}PRIZE BACK IN 1964. SO LOOK AT THE HANDS IN THE 199 00:06:49,594 --> 00:06:49,957 {\an7}SO LOOK AT THE HANDS IN THE PICTURE. 200 00:06:49,957 --> 00:06:50,957 {\an7}PICTURE. THE ART PIECE FEATURES THE 201 00:06:50,957 --> 00:06:52,660 {\an7}THE ART PIECE FEATURES THE COUPLE’S ARMS DURING THE EMBRACE 202 00:06:52,660 --> 00:06:53,429 {\an7}COUPLE’S ARMS DURING THE EMBRACE AND NOT THEIR HEADS, WHICH HAS 203 00:06:53,429 --> 00:07:05,693 {\an7}AND NOT THEIR HEADS, WHICH HAS SPARKED A MIXED REACTION. 204 00:07:05,693 --> 00:07:09,858 {\an7}SPARKED A MIXED REACTION. >> Leslie: HAS ANYONE IN HERE 205 00:07:09,858 --> 00:07:13,396 {\an7}>> Leslie: HAS ANYONE IN HERE EVER BEEN [BLEEP] OUT? 206 00:07:13,396 --> 00:07:16,528 {\an7}EVER BEEN [BLEEP] OUT? [CHEERS AND APPLAUSE] 207 00:07:16,528 --> 00:07:16,957 {\an7}[CHEERS AND APPLAUSE] I’M SERIOUS! 208 00:07:16,957 --> 00:07:19,264 {\an7}I’M SERIOUS! I’M SERIOUS! 209 00:07:19,264 --> 00:07:26,231 {\an7}I’M SERIOUS! HAS ANYONE EVER PARTICIPATED IN 210 00:07:26,231 --> 00:07:27,924 {\an7}HAS ANYONE EVER PARTICIPATED IN THE MUNCH MUNCHING MUNCH MUNCH? 211 00:07:27,924 --> 00:07:29,033 {\an7}THE MUNCH MUNCHING MUNCH MUNCH? CAUSE THEY ARE CELEBRATING YOU 212 00:07:29,033 --> 00:07:30,660 {\an7}CAUSE THEY ARE CELEBRATING YOU IN BOSTON. 213 00:07:30,660 --> 00:07:33,000 {\an7}IN BOSTON. THEY ARE CELEBRATING YOU IN 214 00:07:33,000 --> 00:07:33,528 {\an7}THEY ARE CELEBRATING YOU IN BOSTON RIGHT NOW. 215 00:07:33,528 --> 00:07:37,066 {\an7}BOSTON RIGHT NOW. [CHEERS AND APPLAUSE] 216 00:07:37,066 --> 00:07:38,627 {\an7}[CHEERS AND APPLAUSE] LISTEN, LISTEN, I KNOW DOCTOR 217 00:07:39,924 --> 00:07:40,363 {\an7}LISTEN, LISTEN, I KNOW DOCTOR CAIN WENT DOWN IN HISTORY, BUTCAIN WENT DOWN IN HISTORY, BUT THIS IS 218 00:07:43,627 --> 00:07:44,759 {\an7}NOT -- 219 00:07:44,759 --> 00:07:46,066 {\an7}NOT -- HOW IT SHOULD BE. 220 00:07:46,066 --> 00:07:47,561 {\an7}HOW IT SHOULD BE. AND LET ME TELL YOU SOMETHING. 221 00:07:47,561 --> 00:07:49,594 {\an7}AND LET ME TELL YOU SOMETHING. EVEN THOUGH I’M ABOUT TO GO 222 00:07:49,594 --> 00:07:51,429 {\an7}EVEN THOUGH I’M ABOUT TO GO STRAIGHT HARD ON THIS STATUE, I 223 00:07:51,429 --> 00:07:54,033 {\an7}STRAIGHT HARD ON THIS STATUE, I GOT TO TALK TO THE WHITE PEOPLE 224 00:07:54,033 --> 00:08:01,099 {\an7}GOT TO TALK TO THE WHITE PEOPLE FOR A SECOND. 225 00:08:01,099 --> 00:08:03,495 {\an7}FOR A SECOND. WHITE PEOPLE, YOU DON’T NEED TO 226 00:08:03,495 --> 00:08:05,891 {\an7}WHITE PEOPLE, YOU DON’T NEED TO BE SAYING SHIT ABOUT THIS 227 00:08:05,891 --> 00:08:06,264 {\an7}BE SAYING SHIT ABOUT THIS STATUE. 228 00:08:06,264 --> 00:08:07,066 {\an7}STATUE. YOU UNDERSTAND? 229 00:08:07,066 --> 00:08:11,033 {\an7}YOU UNDERSTAND? BLACK HANDS ONLY. 230 00:08:11,033 --> 00:08:11,924 {\an7}BLACK HANDS ONLY. YOU NEED TO SIT YOUR ASS IN THE 231 00:08:11,924 --> 00:08:14,858 {\an7}YOU NEED TO SIT YOUR ASS IN THE BACK OF THE BUS FOR THIS ONE, 232 00:08:14,858 --> 00:08:15,198 {\an7}BACK OF THE BUS FOR THIS ONE, OKAY? 233 00:08:15,198 --> 00:08:20,264 {\an7}OKAY? YOU NEED TO HONOR THIS STATUE. 234 00:08:20,264 --> 00:08:25,495 {\an7}YOU NEED TO HONOR THIS STATUE. THAT IS A CIVIL RIGHTS ICON. 235 00:08:25,495 --> 00:08:26,066 {\an7}THAT IS A CIVIL RIGHTS ICON. [APPLAUSE] 236 00:08:26,066 --> 00:08:34,330 {\an7}[APPLAUSE] GOING DOWN ON HIS WIFE. 237 00:08:34,330 --> 00:08:37,297 {\an7}GOING DOWN ON HIS WIFE. YOU SHOW DAMN RESPECT! 238 00:08:37,297 --> 00:08:42,957 {\an7}YOU SHOW DAMN RESPECT! [CHEERS AND APPLAUSE] 239 00:08:42,957 --> 00:08:46,297 {\an7}[CHEERS AND APPLAUSE] OKAY, BLACK PEOPLE: 240 00:08:46,297 --> 00:08:48,891 {\an7}OKAY, BLACK PEOPLE: WHAT THE [BLEEP] ARE WE GOING TO 241 00:08:48,891 --> 00:08:50,000 {\an7}WHAT THE [BLEEP] ARE WE GOING TO DO? 242 00:08:50,000 --> 00:08:51,165 {\an7}DO? WE GOT TO TALK ABOUT THIS, WE 243 00:08:51,165 --> 00:08:52,132 {\an7}WE GOT TO TALK ABOUT THIS, WE GOT TO TALK ABOUT THIS BECAUSE 244 00:08:52,132 --> 00:08:53,066 {\an7}GOT TO TALK ABOUT THIS BECAUSE YOU KNOW IT’S MESSED UP 245 00:08:53,066 --> 00:08:54,396 {\an7}YOU KNOW IT’S MESSED UP WHEN BLACK PEOPLE AND 246 00:08:54,396 --> 00:08:55,099 {\an7}WHEN BLACK PEOPLE AND THE PROUD BOYS HATE THE SAME 247 00:08:55,099 --> 00:08:58,561 {\an7}THE PROUD BOYS HATE THE SAME STATUE. 248 00:08:58,561 --> 00:09:00,627 {\an7}STATUE. BUT I DON’T KNOW, I DON’T KNOW, 249 00:09:00,627 --> 00:09:02,957 {\an7}BUT I DON’T KNOW, I DON’T KNOW, I MEAN, I GUESS, MAYBE WE WILL 250 00:09:02,957 --> 00:09:05,231 {\an7}I MEAN, I GUESS, MAYBE WE WILL END UP LIKING IT, YOU KNOW WHAT 251 00:09:05,231 --> 00:09:05,660 {\an7}END UP LIKING IT, YOU KNOW WHAT I’M SAYING? 252 00:09:05,660 --> 00:09:06,462 {\an7}I’M SAYING? WE MIGHT END UP LIKING IT. 253 00:09:06,462 --> 00:09:07,561 {\an7}WE MIGHT END UP LIKING IT. DID YOU KNOW THAT PEOPLE HATED 254 00:09:07,561 --> 00:09:08,297 {\an7}DID YOU KNOW THAT PEOPLE HATED THE EIFFEL TOWER WHEN IT FIRST 255 00:09:08,297 --> 00:09:09,693 {\an7}THE EIFFEL TOWER WHEN IT FIRST WENT UP? 256 00:09:09,693 --> 00:09:11,132 {\an7}WENT UP? YOU KNOW, THE FRENCH PEOPLE WAS 257 00:09:11,132 --> 00:09:11,462 {\an7}YOU KNOW, THE FRENCH PEOPLE WAS LIKE, 258 00:09:11,462 --> 00:09:22,099 {\an7}LIKE, "IT RUINS ZEE SKYLINE. 259 00:09:22,099 --> 00:09:23,429 {\an7}"IT RUINS ZEE SKYLINE. OH -- 260 00:09:23,429 --> 00:09:25,132 {\an7}OH -- "THAT IS THE WORST IMPRESSION OF 261 00:09:25,132 --> 00:09:27,165 {\an7}"THAT IS THE WORST IMPRESSION OF A FRENCH PERSON EVER DONE IN THE 262 00:09:27,165 --> 00:09:27,825 {\an7}A FRENCH PERSON EVER DONE IN THE HISTORY. 263 00:09:27,825 --> 00:09:29,726 {\an7}HISTORY. WHAT ABOUT CHRIST THE REDEEMER? 264 00:09:29,726 --> 00:09:30,528 {\an7}WHAT ABOUT CHRIST THE REDEEMER? I BET WHEN THEY FIRST PUT IT UP, 265 00:09:30,528 --> 00:09:32,165 {\an7}I BET WHEN THEY FIRST PUT IT UP, IT JUST LOOKED LIKE JESUS WAS 266 00:09:32,165 --> 00:09:32,693 {\an7}IT JUST LOOKED LIKE JESUS WAS LIKE, "WHAT’S UP? 267 00:09:32,693 --> 00:09:39,825 {\an7}LIKE, "WHAT’S UP? WHY Y’ALL KILL ME?" 268 00:09:39,825 --> 00:09:41,726 {\an7}WHY Y’ALL KILL ME?" BUT NOW EVERYBODY LOVES IT. 269 00:09:41,726 --> 00:09:42,693 {\an7}BUT NOW EVERYBODY LOVES IT. SO MAYBE IT’S JUST A MATTER OF 270 00:09:42,693 --> 00:09:45,264 {\an7}SO MAYBE IT’S JUST A MATTER OF TIME. 271 00:09:45,264 --> 00:09:46,957 {\an7}TIME. MAYBE IT’S JUST A MATTER OF 272 00:09:46,957 --> 00:09:47,363 {\an7}MAYBE IT’S JUST A MATTER OF TIME. 273 00:09:47,363 --> 00:09:49,165 {\an7}TIME. IN TIME, WE WILL SEE THE STATUE 274 00:09:49,165 --> 00:09:56,429 {\an7}IN TIME, WE WILL SEE THE STATUE FOR WHAT IT TRULY IS. 275 00:09:56,429 --> 00:09:59,396 {\an7}FOR WHAT IT TRULY IS. MARTIN LUTHER KING GOING DOWN 276 00:09:59,396 --> 00:09:59,825 {\an7}MARTIN LUTHER KING GOING DOWN ON HIS WIFE. 277 00:09:59,825 --> 00:10:02,726 {\an7}ON HIS WIFE. I CAN’T UNSEE IT. 278 00:10:02,726 --> 00:10:03,264 {\an7}I CAN’T UNSEE IT. I CAN’T UNSEE IT. 279 00:10:03,264 --> 00:10:07,000 {\an7}I CAN’T UNSEE IT. IT IS WHAT IT IS! 280 00:10:07,000 --> 00:10:07,429 {\an7}IT IS WHAT IT IS! [APPLAUSE] 281 00:10:07,429 --> 00:10:08,429 {\an7}[APPLAUSE] YOU KNOW WHAT, I CAN’T JUST TALK 282 00:10:08,429 --> 00:10:09,561 {\an7}YOU KNOW WHAT, I CAN’T JUST TALK ABOUT THIS MYSELF. 283 00:10:09,561 --> 00:10:10,660 {\an7}ABOUT THIS MYSELF. I NEED ANOTHER BLACK WOMAN ON MY 284 00:10:10,660 --> 00:10:17,858 {\an7}I NEED ANOTHER BLACK WOMAN ON MY SIDE. 285 00:10:17,858 --> 00:10:18,495 {\an7}SIDE. Y’ALL, GIVE IT UP FOR 286 00:10:18,495 --> 00:10:20,825 {\an7}Y’ALL, GIVE IT UP FOR DULCE SLOAN, EVERYONE. 287 00:10:20,825 --> 00:10:26,594 {\an7}DULCE SLOAN, EVERYONE. [CHEERS AND APPLAUSE] 288 00:10:26,594 --> 00:10:28,561 {\an7}[CHEERS AND APPLAUSE] >> GIRL, I MEAN, IT’S -- 289 00:10:28,561 --> 00:10:30,825 {\an7}>> GIRL, I MEAN, IT’S -- >> Leslie: WHAT DO YOU THINK 290 00:10:30,825 --> 00:10:32,330 {\an7}>> Leslie: WHAT DO YOU THINK ABOUT THIS STATUE? 291 00:10:32,330 --> 00:10:34,231 {\an7}ABOUT THIS STATUE? >> LISTEN, NOW I KNOW THAT YOU 292 00:10:34,231 --> 00:10:35,891 {\an7}>> LISTEN, NOW I KNOW THAT YOU THOUGHT IT LOOKED LIKE -- 293 00:10:35,891 --> 00:10:39,330 {\an7}THOUGHT IT LOOKED LIKE -- >> Leslie: HE’S GOING DOWN ON 294 00:10:39,330 --> 00:10:39,693 {\an7}>> Leslie: HE’S GOING DOWN ON CORETTA. 295 00:10:39,693 --> 00:10:41,132 {\an7}CORETTA. >> FROM THE ANGLE THAT YOU SAW. 296 00:10:41,132 --> 00:10:43,396 {\an7}>> FROM THE ANGLE THAT YOU SAW. FROM THE ANGLE I SAW, IT LOOKS 297 00:10:43,396 --> 00:10:44,660 {\an7}FROM THE ANGLE I SAW, IT LOOKS LIKE... 298 00:10:44,660 --> 00:10:51,627 {\an7}LIKE... IT LOOKS LIKE HANDS CRADLING A 299 00:10:51,627 --> 00:10:54,297 {\an7}IT LOOKS LIKE HANDS CRADLING A BIG PENIS. 300 00:10:54,297 --> 00:10:56,000 {\an7}BIG PENIS. LIKE A BRONZE AT THAT GOT LEFT 301 00:10:56,000 --> 00:10:56,858 {\an7}LIKE A BRONZE AT THAT GOT LEFT OUT IN THE SUN. 302 00:10:56,858 --> 00:10:58,396 {\an7}OUT IN THE SUN. NO MATTER WHICH WAY YOU LOOK AT 303 00:10:58,396 --> 00:11:00,264 {\an7}NO MATTER WHICH WAY YOU LOOK AT IT, IT’S A DIFFERENT EROTIC TO 304 00:11:00,264 --> 00:11:00,660 {\an7}IT, IT’S A DIFFERENT EROTIC TO ACT RIGHT? 305 00:11:00,660 --> 00:11:04,726 {\an7}ACT RIGHT? IT IS A RUBIK’S CUBE. 306 00:11:04,726 --> 00:11:06,726 {\an7}IT IS A RUBIK’S CUBE. EVERY TIME YOU SPIN IT, YOU JUST 307 00:11:06,726 --> 00:11:08,528 {\an7}EVERY TIME YOU SPIN IT, YOU JUST GOT TO PICK IT UP AND MOVE IT 308 00:11:08,528 --> 00:11:08,891 {\an7}GOT TO PICK IT UP AND MOVE IT AROUND. 309 00:11:08,891 --> 00:11:13,000 {\an7}AROUND. BECAUSE YOU NEVER SOLVED ONE. 310 00:11:13,000 --> 00:11:14,759 {\an7}BECAUSE YOU NEVER SOLVED ONE. NONE OF US HAS EVER SOLVED ONE. 311 00:11:14,759 --> 00:11:17,297 {\an7}NONE OF US HAS EVER SOLVED ONE. DON’T ACT SURPRISED. 312 00:11:17,297 --> 00:11:19,594 {\an7}DON’T ACT SURPRISED. DO THEY EVER GET A MARTIN STATUE 313 00:11:19,594 --> 00:11:20,396 {\an7}DO THEY EVER GET A MARTIN STATUE RIGHT? 314 00:11:20,396 --> 00:11:21,099 {\an7}RIGHT? >> Leslie: NEVER. 315 00:11:21,099 --> 00:11:23,627 {\an7}>> Leslie: NEVER. >> LOOK AT THIS STATUE. 316 00:11:23,627 --> 00:11:28,330 {\an7}>> LOOK AT THIS STATUE. I MEAN, WHAT THE HELL IS THIS? 317 00:11:28,330 --> 00:11:29,396 {\an7}I MEAN, WHAT THE HELL IS THIS? THE MAN LITERALLY MARCHED FOR 318 00:11:29,396 --> 00:11:30,099 {\an7}THE MAN LITERALLY MARCHED FOR FREEDOM AND HIS STATUE DON’T 319 00:11:30,099 --> 00:11:35,000 {\an7}FREEDOM AND HIS STATUE DON’T HAVE NO LEGS? 320 00:11:35,000 --> 00:11:35,858 {\an7}HAVE NO LEGS? YOU KNOW WHY PEOPLE LIKE THE 321 00:11:35,858 --> 00:11:38,330 {\an7}YOU KNOW WHY PEOPLE LIKE THE MONA LISA? 322 00:11:38,330 --> 00:11:39,825 {\an7}MONA LISA? BECAUSE I CAN SEE THE BITCH. 323 00:11:39,825 --> 00:11:42,000 {\an7}BECAUSE I CAN SEE THE BITCH. AND SHE’S GIVING FIERCE, SHE’S 324 00:11:42,000 --> 00:11:45,132 {\an7}AND SHE’S GIVING FIERCE, SHE’S GIVING UNBOTHERED, SHE’S GIVING 325 00:11:45,132 --> 00:11:46,396 {\an7}GIVING UNBOTHERED, SHE’S GIVING LEGACY. 326 00:11:46,396 --> 00:11:48,561 {\an7}LEGACY. AM I PRETTY? 327 00:11:48,561 --> 00:11:51,660 {\an7}AM I PRETTY? DOESN’T MATTER, I’M FAMOUS. 328 00:11:51,660 --> 00:11:56,792 {\an7}DOESN’T MATTER, I’M FAMOUS. [APPLAUSE] 329 00:11:56,792 --> 00:11:59,792 {\an7}[APPLAUSE] NOW SAY WHAT YOU WILL ABOUT THEM 330 00:11:59,792 --> 00:12:00,660 {\an7}NOW SAY WHAT YOU WILL ABOUT THEM GOOFY ASS CONSERVATIVES BUT THEY 331 00:12:00,660 --> 00:12:02,957 {\an7}GOOFY ASS CONSERVATIVES BUT THEY KNOW HOW TO MAKE A STATUE. 332 00:12:02,957 --> 00:12:07,099 {\an7}KNOW HOW TO MAKE A STATUE. IT’S A WHITE DUDE ON A HORSE. 333 00:12:07,099 --> 00:12:10,099 {\an7}IT’S A WHITE DUDE ON A HORSE. IT’S ALWAYS A WHITE DUDE ON A 334 00:12:10,099 --> 00:12:11,231 {\an7}IT’S ALWAYS A WHITE DUDE ON A HORSE. 335 00:12:11,231 --> 00:12:12,693 {\an7}HORSE. THERE IS NO CONFUSION! 336 00:12:12,693 --> 00:12:14,033 {\an7}THERE IS NO CONFUSION! SO LISTEN, THAT’S WHAT THE 337 00:12:14,033 --> 00:12:14,660 {\an7}SO LISTEN, THAT’S WHAT THE LIBERALS NEED TO DO. 338 00:12:14,660 --> 00:12:16,726 {\an7}LIBERALS NEED TO DO. MAKE A STATUE OF MLK, IN HIS 339 00:12:16,726 --> 00:12:18,891 {\an7}MAKE A STATUE OF MLK, IN HIS SUIT, ON A HORSE! 340 00:12:18,891 --> 00:12:22,198 {\an7}SUIT, ON A HORSE! [APPLAUSE] 341 00:12:22,198 --> 00:12:22,759 {\an7}[APPLAUSE] >> Leslie: YEAH, BUT 342 00:12:22,759 --> 00:12:25,594 {\an7}>> Leslie: YEAH, BUT DID MLK HAVE A HORSE? 343 00:12:25,594 --> 00:12:27,396 {\an7}DID MLK HAVE A HORSE? >> I DON’T KNOW! 344 00:12:27,396 --> 00:12:29,825 {\an7}>> I DON’T KNOW! AND NEITHER DO Y’ALL! 345 00:12:29,825 --> 00:12:31,396 {\an7}AND NEITHER DO Y’ALL! SO PUT HIM ON A HORSE, PUT HIM 346 00:12:31,396 --> 00:12:34,594 {\an7}SO PUT HIM ON A HORSE, PUT HIM ON A THRONE -- 347 00:12:34,594 --> 00:12:35,825 {\an7}ON A THRONE -- HELL, PUT HIM IN 348 00:12:35,825 --> 00:12:38,957 {\an7}HELL, PUT HIM IN JOE BIDEN’S CORVETTE! 349 00:12:38,957 --> 00:12:43,264 {\an7}JOE BIDEN’S CORVETTE! [APPLAUSE] 350 00:12:43,264 --> 00:12:44,000 {\an7}[APPLAUSE] AT LEAST WE WOULD KNOW WHO IT 351 00:12:44,000 --> 00:12:46,759 {\an7}AT LEAST WE WOULD KNOW WHO IT WAS. 352 00:12:46,759 --> 00:12:49,330 {\an7}WAS. BECAUSE YOU KNOW WHAT, MAIS 353 00:12:49,330 --> 00:12:49,693 {\an7}BECAUSE YOU KNOW WHAT, MAIS LESLIE? 354 00:12:49,693 --> 00:12:51,000 {\an7}LESLIE? >> Leslie: YES, BABY? 355 00:12:51,000 --> 00:12:55,429 {\an7}>> Leslie: YES, BABY? >> I ALSO HAVE A DREAM. 356 00:12:55,429 --> 00:12:56,924 {\an7}>> I ALSO HAVE A DREAM. I HAVE A DREAM 357 00:12:56,924 --> 00:12:59,660 {\an7}I HAVE A DREAM OF AN MLK STATUE WITH FEET. 358 00:12:59,660 --> 00:13:02,132 {\an7}OF AN MLK STATUE WITH FEET. WITH A TORSO AND LEGS AND ARMS 359 00:13:02,132 --> 00:13:06,033 {\an7}WITH A TORSO AND LEGS AND ARMS IN THE RIGHT PLACE. 360 00:13:06,033 --> 00:13:07,396 {\an7}IN THE RIGHT PLACE. >> Leslie: AMEN! 361 00:13:07,396 --> 00:13:08,396 {\an7}>> Leslie: AMEN! >> A STATUE THAT DOESN’T LOOK 362 00:13:08,396 --> 00:13:12,033 {\an7}>> A STATUE THAT DOESN’T LOOK LIKE A SEX ACT. 363 00:13:12,033 --> 00:13:14,429 {\an7}LIKE A SEX ACT. BECAUSE RIGHT NOW, IT LOOKS LIKE 364 00:13:14,429 --> 00:13:15,462 {\an7}BECAUSE RIGHT NOW, IT LOOKS LIKE A PENIS. 365 00:13:15,462 --> 00:13:16,528 {\an7}A PENIS. >> Leslie: HALLELUJAH. 366 00:13:16,528 --> 00:13:17,858 {\an7}>> Leslie: HALLELUJAH. >> IF YOU WANT THERE TO BE A 367 00:13:17,858 --> 00:13:21,330 {\an7}>> IF YOU WANT THERE TO BE A PENIS, THEN FINE, YOU CAN GIVE 368 00:13:21,330 --> 00:13:23,231 {\an7}PENIS, THEN FINE, YOU CAN GIVE HIM A PENIS. 369 00:13:23,231 --> 00:13:24,858 {\an7}HIM A PENIS. THE GREAT MARTIN LUTHER KING HAD 370 00:13:24,858 --> 00:13:25,891 {\an7}THE GREAT MARTIN LUTHER KING HAD A PENIS. 371 00:13:25,891 --> 00:13:26,594 {\an7}A PENIS. SO THEY SAY. 372 00:13:26,594 --> 00:13:31,429 {\an7}SO THEY SAY. BUT DON’T MAKE THAT GREAT MAN, 373 00:13:31,429 --> 00:13:34,297 {\an7}BUT DON’T MAKE THAT GREAT MAN, GIVE HIM A GOOD, CHRISTIAN 374 00:13:34,297 --> 00:13:35,693 {\an7}GIVE HIM A GOOD, CHRISTIAN PENIS, AND PUT IT WHERE A PENIS 375 00:13:35,693 --> 00:13:36,528 {\an7}PENIS, AND PUT IT WHERE A PENIS IS SUPPOSED TO GO. 376 00:13:36,528 --> 00:13:42,033 {\an7}IS SUPPOSED TO GO. BECAUSE I KNOW A COUPLE PLACES 377 00:13:42,033 --> 00:13:46,231 {\an7}BECAUSE I KNOW A COUPLE PLACES WHERE A PENIS IS SUPPOSED TO GO, 378 00:13:46,231 --> 00:13:48,462 {\an7}WHERE A PENIS IS SUPPOSED TO GO, LESLIE, I’M TELLING YOU -- 379 00:13:48,462 --> 00:13:50,165 {\an7}LESLIE, I’M TELLING YOU -- >> Leslie: OKAY, OKAY, YOU 380 00:13:50,165 --> 00:13:52,858 {\an7}>> Leslie: OKAY, OKAY, YOU WRITE, YOU WRITE. 381 00:13:52,858 --> 00:13:53,594 {\an7}WRITE, YOU WRITE. [CHEERS AND APPLAUSE] 382 00:13:53,594 --> 00:13:54,891 {\an7}[CHEERS AND APPLAUSE] BRING IT BACK TO MLK, BRING IT 383 00:13:54,891 --> 00:13:57,132 {\an7}BRING IT BACK TO MLK, BRING IT BACK TO MLK. 384 00:13:57,132 --> 00:13:59,561 {\an7}BACK TO MLK. >> YOU ALL GOT TO BE CAREFUL, I 385 00:13:59,561 --> 00:14:01,561 {\an7}>> YOU ALL GOT TO BE CAREFUL, I HAVE A DRESS ON. 386 00:14:01,561 --> 00:14:06,033 {\an7}HAVE A DRESS ON. >> Leslie: Y’ALL, GIVE IT UP 387 00:14:06,033 --> 00:14:10,099 {\an7}>> Leslie: Y’ALL, GIVE IT UP FOR DULCE! 388 00:14:10,099 --> 00:14:13,297 {\an7}FOR DULCE! [CHEERS AND APPLAUSE] 389 00:14:13,297 --> 00:14:14,495 {\an7}[CHEERS AND APPLAUSE] WHEN WE COME BACK -- 390 00:14:14,495 --> 00:14:15,066 {\an7}WHEN WE COME BACK -- [LAUGHTER] 391 00:14:15,066 --> 00:14:15,858 {\an7}[LAUGHTER] WHEN WE COME BACK, I’LL FIND OUT 392 00:14:15,858 --> 00:14:17,792 {\an7}WHEN WE COME BACK, I’LL FIND OUT WHAT YOU DID ON MLK DAY. 393 00:14:29,201 --> 00:14:56,531 {\an7}[CHEERS AND APPLAUSE] 394 00:14:56,531 --> 00:14:58,026 {\an7}[CHEERS AND APPLAUSE] 395 00:14:58,026 --> 00:14:58,696 {\an7}[CHEERS AND APPLAUSE] >> Leslie: WELCOME BACK TO 396 00:14:58,696 --> 00:14:59,234 {\an7}>> Leslie: WELCOME BACK TO "THE DAILY SHOW!" 397 00:14:59,234 --> 00:15:00,894 {\an7}"THE DAILY SHOW!" AS WE MENTIONED BEFORE, MLK DAY 398 00:15:00,894 --> 00:15:01,366 {\an7}AS WE MENTIONED BEFORE, MLK DAY WAS YESTERDAY. 399 00:15:01,366 --> 00:15:02,234 {\an7}WAS YESTERDAY. AND EVERYBODY CELEBRATES IT 400 00:15:02,234 --> 00:15:02,762 {\an7}AND EVERYBODY CELEBRATES IT THEIR OWN WAY. 401 00:15:02,762 --> 00:15:03,663 {\an7}THEIR OWN WAY. AND A LOT OF THOSE WAYS ARE 402 00:15:03,663 --> 00:15:04,125 {\an7}AND A LOT OF THOSE WAYS ARE WRONG. 403 00:15:04,125 --> 00:15:05,201 {\an7}WRONG. SO I WENT AROUND NEW YORK 404 00:15:05,201 --> 00:15:05,960 {\an7}SO I WENT AROUND NEW YORK YESTERDAY TO FIND OUT HOW PEOPLE 405 00:15:05,960 --> 00:15:06,498 {\an7}YESTERDAY TO FIND OUT HOW PEOPLE WERE CELEBRATING. 406 00:15:06,498 --> 00:15:07,894 {\an7}WERE CELEBRATING. SO CHECK IT OUT. 407 00:15:07,894 --> 00:15:09,498 {\an7}SO CHECK IT OUT. >> Leslie: SINCE 408 00:15:09,498 --> 00:15:10,597 {\an7}>> Leslie: SINCE "THE DAILY SHOW" FINALLY HIRED A 409 00:15:10,597 --> 00:15:13,366 {\an7}"THE DAILY SHOW" FINALLY HIRED A BLACK HOST, WE CAN PROPERLY 410 00:15:13,366 --> 00:15:14,125 {\an7}BLACK HOST, WE CAN PROPERLY CELEBRATE MARTIN LUTHER KING DAY 411 00:15:14,125 --> 00:15:15,861 {\an7}CELEBRATE MARTIN LUTHER KING DAY BY ASKING NEW YORKERS HOW 412 00:15:15,861 --> 00:15:17,960 {\an7}BY ASKING NEW YORKERS HOW THEY CELEBRATE HIS LEGACY. 413 00:15:17,960 --> 00:15:18,696 {\an7}THEY CELEBRATE HIS LEGACY. SHUT UP. 414 00:15:18,696 --> 00:15:20,267 {\an7}SHUT UP. DON’T INTERRUPT ME ON 415 00:15:20,267 --> 00:15:20,894 {\an7}DON’T INTERRUPT ME ON MARTIN LUTHER KING DAY. 416 00:15:20,894 --> 00:15:22,026 {\an7}MARTIN LUTHER KING DAY. THAT AIN’T COOL. 417 00:15:22,026 --> 00:15:24,729 {\an7}THAT AIN’T COOL. SO LET’S DO THIS. 418 00:15:24,729 --> 00:15:27,564 {\an7}SO LET’S DO THIS. DO Y’ALL KNOW WHAT TODAY IS? 419 00:15:27,564 --> 00:15:30,432 {\an7}DO Y’ALL KNOW WHAT TODAY IS? >> YOU KNOW WHAT IT IS TODAY? 420 00:15:30,432 --> 00:15:31,927 {\an7}>> YOU KNOW WHAT IT IS TODAY? >> IT’S MONDAY. 421 00:15:31,927 --> 00:15:33,267 {\an7}>> IT’S MONDAY. >> Leslie: WHAT DID YOU DO 422 00:15:33,267 --> 00:15:33,597 {\an7}>> Leslie: WHAT DID YOU DO TODAY? 423 00:15:33,597 --> 00:15:34,795 {\an7}TODAY? >> TODAY, WE JUST BROKE UP. 424 00:15:34,795 --> 00:15:36,729 {\an7}>> TODAY, WE JUST BROKE UP. >> JUST CHECKED OUT OF OUR 425 00:15:36,729 --> 00:15:37,059 {\an7}>> JUST CHECKED OUT OF OUR HOTEL. 426 00:15:37,059 --> 00:15:38,927 {\an7}HOTEL. >> WE ARE GOING TO GO GET COFFEE 427 00:15:38,927 --> 00:15:40,092 {\an7}>> WE ARE GOING TO GO GET COFFEE COME WALK AROUND. 428 00:15:40,092 --> 00:15:42,696 {\an7}COME WALK AROUND. >> Leslie: SO WHICH ONE OF 429 00:15:42,696 --> 00:15:43,465 {\an7}>> Leslie: SO WHICH ONE OF THOSE CELEBRATES 430 00:15:43,465 --> 00:15:44,092 {\an7}THOSE CELEBRATES MARTIN LUTHER KING DAY? 431 00:15:44,092 --> 00:15:45,597 {\an7}MARTIN LUTHER KING DAY? >> WELL, NONE OF WHAT WE HAVE 432 00:15:45,597 --> 00:15:47,993 {\an7}>> WELL, NONE OF WHAT WE HAVE TALKED ABOUT SO FAR. 433 00:15:47,993 --> 00:15:49,432 {\an7}TALKED ABOUT SO FAR. >> Leslie: SO THIS AIN’T 434 00:15:49,432 --> 00:15:51,059 {\an7}>> Leslie: SO THIS AIN’T REPARATIONS, BUT THIS IS ENOUGH. 435 00:15:51,059 --> 00:15:52,234 {\an7}REPARATIONS, BUT THIS IS ENOUGH. THAT’S RIGHT. 436 00:15:52,234 --> 00:15:54,762 {\an7}THAT’S RIGHT. GIVE ME ONE HAND. 437 00:15:54,762 --> 00:15:55,498 {\an7}GIVE ME ONE HAND. YEAH! 438 00:15:55,498 --> 00:15:57,092 {\an7}YEAH! WHAT ARE YOU ALL DOING TO 439 00:15:57,092 --> 00:15:58,158 {\an7}WHAT ARE YOU ALL DOING TO CELEBRATE MLK? 440 00:15:58,158 --> 00:15:58,927 {\an7}CELEBRATE MLK? >> CAME TO NEW YORK. 441 00:15:58,927 --> 00:16:00,498 {\an7}>> CAME TO NEW YORK. >> Leslie: CAME TO NEW YORK? 442 00:16:00,498 --> 00:16:00,927 {\an7}>> Leslie: CAME TO NEW YORK? THAT’S THAT? 443 00:16:00,927 --> 00:16:01,894 {\an7}THAT’S THAT? THAT’S ALL YOU GOING TO DO? 444 00:16:01,894 --> 00:16:04,234 {\an7}THAT’S ALL YOU GOING TO DO? >> WENT TO SOME SHOWS, GET SOME 445 00:16:04,234 --> 00:16:05,861 {\an7}>> WENT TO SOME SHOWS, GET SOME FOOD, DO SOME SHOPPING. 446 00:16:05,861 --> 00:16:08,663 {\an7}FOOD, DO SOME SHOPPING. >> Leslie: I WILL GET BACK TO 447 00:16:08,663 --> 00:16:09,927 {\an7}>> Leslie: I WILL GET BACK TO DR. KING ON JUNETEENTH AND Y’ALL 448 00:16:09,927 --> 00:16:12,630 {\an7}DR. KING ON JUNETEENTH AND Y’ALL BETTER HAVE DONE BETTER. 449 00:16:12,630 --> 00:16:13,399 {\an7}BETTER HAVE DONE BETTER. REFUSED TO MOVE TO THE BACK OF 450 00:16:13,399 --> 00:16:17,993 {\an7}REFUSED TO MOVE TO THE BACK OF THE BOX BUS. 451 00:16:17,993 --> 00:16:20,564 {\an7}THE BOX BUS. THAT WAS ROSA PARKS! 452 00:16:20,564 --> 00:16:23,399 {\an7}THAT WAS ROSA PARKS! NAME A FAMOUS MLK QUOTE. 453 00:16:23,399 --> 00:16:25,267 {\an7}NAME A FAMOUS MLK QUOTE. >> I HAVE A DREAM. 454 00:16:25,267 --> 00:16:26,630 {\an7}>> I HAVE A DREAM. >> I HAVE A DREAM. 455 00:16:26,630 --> 00:16:28,762 {\an7}>> I HAVE A DREAM. >> Leslie: AND WHAT DOES HE 456 00:16:28,762 --> 00:16:29,333 {\an7}>> Leslie: AND WHAT DOES HE SAY AFTER THAT? 457 00:16:29,333 --> 00:16:30,762 {\an7}SAY AFTER THAT? >> I AM NOT SURE. 458 00:16:30,762 --> 00:16:33,861 {\an7}>> I AM NOT SURE. >> Leslie: NAME A FAMOUS MLK 459 00:16:33,861 --> 00:16:34,201 {\an7}>> Leslie: NAME A FAMOUS MLK QUOTE. 460 00:16:34,201 --> 00:16:35,795 {\an7}QUOTE. BESIDES "I HAVE A DREAM." 461 00:16:35,795 --> 00:16:41,333 {\an7}BESIDES "I HAVE A DREAM." >> BESIDES "I HAVE A DREAM?" 462 00:16:41,333 --> 00:16:43,597 {\an7}>> BESIDES "I HAVE A DREAM?" >> Leslie: I WILL PAY YOU 463 00:16:43,597 --> 00:16:44,828 {\an7}>> Leslie: I WILL PAY YOU $1 MILLION IF YOU CAN TELL ME 464 00:16:44,828 --> 00:16:45,399 {\an7}$1 MILLION IF YOU CAN TELL ME SOMETHING ELSE THAT 465 00:16:45,399 --> 00:16:47,300 {\an7}SOMETHING ELSE THAT MARTIN LUTHER KING SAID. 466 00:16:47,300 --> 00:16:48,927 {\an7}MARTIN LUTHER KING SAID. >> HE TOLD HIS CHILDREN THAT HE 467 00:16:48,927 --> 00:16:51,366 {\an7}>> HE TOLD HIS CHILDREN THAT HE LOVED THEM. 468 00:16:51,366 --> 00:16:54,059 {\an7}LOVED THEM. >> Leslie: MILLION DOLLARS! 469 00:16:54,059 --> 00:16:57,092 {\an7}>> Leslie: MILLION DOLLARS! [LAUGHTER] 470 00:16:57,092 --> 00:16:57,828 {\an7}[LAUGHTER] YOU DO NOT KNOW. 471 00:16:57,828 --> 00:16:58,432 {\an7}YOU DO NOT KNOW. [LAUGHTER] 472 00:16:58,432 --> 00:16:59,861 {\an7}[LAUGHTER] >> CAN WE GOOGLE IT? 473 00:16:59,861 --> 00:17:01,927 {\an7}>> CAN WE GOOGLE IT? >> Leslie: NO! 474 00:17:01,927 --> 00:17:04,158 {\an7}>> Leslie: NO! >> I HAVE A DREAM. 475 00:17:04,158 --> 00:17:05,531 {\an7}>> I HAVE A DREAM. THAT ONE DAY... 476 00:17:05,531 --> 00:17:05,927 {\an7}THAT ONE DAY... OH, GOSH. 477 00:17:05,927 --> 00:17:06,861 {\an7}OH, GOSH. >> Leslie: I HAVE A DREAM THAT 478 00:17:06,861 --> 00:17:09,861 {\an7}>> Leslie: I HAVE A DREAM THAT ONE DAY, WHY PEOPLE ACTUALLY 479 00:17:09,861 --> 00:17:11,125 {\an7}ONE DAY, WHY PEOPLE ACTUALLY KNOW WHAT IS IN THAT DAMN 480 00:17:11,125 --> 00:17:11,498 {\an7}KNOW WHAT IS IN THAT DAMN SPEECH. 481 00:17:11,498 --> 00:17:13,861 {\an7}SPEECH. NAME FIVE BLACK PEOPLE. 482 00:17:13,861 --> 00:17:15,399 {\an7}NAME FIVE BLACK PEOPLE. THAT’S THE ONLY BLACK PERSON YOU 483 00:17:15,399 --> 00:17:15,729 {\an7}THAT’S THE ONLY BLACK PERSON YOU KNOW? 484 00:17:15,729 --> 00:17:18,894 {\an7}KNOW? >> FIVE? 485 00:17:18,894 --> 00:17:19,399 {\an7}>> FIVE? BYRON LEFTWICH. 486 00:17:19,399 --> 00:17:21,059 {\an7}BYRON LEFTWICH. >> Leslie: WHO IS BYRON 487 00:17:21,059 --> 00:17:21,927 {\an7}>> Leslie: WHO IS BYRON LEFTWICH? 488 00:17:21,927 --> 00:17:23,125 {\an7}LEFTWICH? AIN’T NOBODY KNOW HIM. 489 00:17:23,125 --> 00:17:23,993 {\an7}AIN’T NOBODY KNOW HIM. YOU MAKING UP NAMES. 490 00:17:23,993 --> 00:17:26,564 {\an7}YOU MAKING UP NAMES. HOW ARE YOU CELEBRATING YOU 491 00:17:26,564 --> 00:17:27,465 {\an7}HOW ARE YOU CELEBRATING YOU CELEBRATING MARTIN LUTHER KING? 492 00:17:27,465 --> 00:17:30,234 {\an7}CELEBRATING MARTIN LUTHER KING? >> UM, NOT TOO SURE ERIC WAS THE 493 00:17:30,234 --> 00:17:32,267 {\an7}>> UM, NOT TOO SURE ERIC WAS THE ONE THAT’S WHAT HE DIED FOR 494 00:17:32,267 --> 00:17:33,828 {\an7}ONE THAT’S WHAT HE DIED FOR CUMBERLAND? 495 00:17:33,828 --> 00:17:36,498 {\an7}CUMBERLAND? NOT DOING NOTHING ON HIS DAY? 496 00:17:36,498 --> 00:17:37,663 {\an7}NOT DOING NOTHING ON HIS DAY? NO, I’M JUST GETTING YOU. 497 00:17:37,663 --> 00:17:39,927 {\an7}NO, I’M JUST GETTING YOU. YOU CAN DO WHATEVER YOU WANT. 498 00:17:39,927 --> 00:17:43,026 {\an7}YOU CAN DO WHATEVER YOU WANT. >> WE ARE GOING TO GO SEE 499 00:17:43,026 --> 00:17:43,531 {\an7}>> WE ARE GOING TO GO SEE "THE LION KING." 500 00:17:43,531 --> 00:17:45,234 {\an7}"THE LION KING." GOT KING IN THE NAME. 501 00:17:45,234 --> 00:17:46,267 {\an7}GOT KING IN THE NAME. [LAUGHTER] 502 00:17:46,267 --> 00:17:47,300 {\an7}[LAUGHTER] >> Leslie: THAT’S THE CLOSEST 503 00:17:47,300 --> 00:17:48,158 {\an7}>> Leslie: THAT’S THE CLOSEST YOU CAN GET. 504 00:17:48,158 --> 00:17:49,597 {\an7}YOU CAN GET. >> THE FREEDOM AND LIBERTY TO GO 505 00:17:49,597 --> 00:17:51,333 {\an7}>> THE FREEDOM AND LIBERTY TO GO ABOUT AND DO WHAT YOU WANT TO 506 00:17:51,333 --> 00:17:52,993 {\an7}ABOUT AND DO WHAT YOU WANT TO DO, THAT IS HOW I CELEBRATED. 507 00:17:52,993 --> 00:17:54,399 {\an7}DO, THAT IS HOW I CELEBRATED. >> Leslie: THAT’S A QUOTE FROM 508 00:17:54,399 --> 00:17:55,465 {\an7}>> Leslie: THAT’S A QUOTE FROM A BLACK WOMAN RIGHT THERE. 509 00:17:55,465 --> 00:17:56,894 {\an7}A BLACK WOMAN RIGHT THERE. SHE EARNED THAT. 510 00:17:56,894 --> 00:17:57,432 {\an7}SHE EARNED THAT. SHE EARNED THAT. 511 00:17:57,432 --> 00:17:59,498 {\an7}SHE EARNED THAT. >> WE DO WHAT WE WANT TO DO. 512 00:17:59,498 --> 00:18:01,300 {\an7}>> WE DO WHAT WE WANT TO DO. >> Leslie: IT’S HER BIRTHDAY! 513 00:18:01,300 --> 00:18:02,465 {\an7}>> Leslie: IT’S HER BIRTHDAY! HOW OLD ARE YOU? 514 00:18:02,465 --> 00:18:03,696 {\an7}HOW OLD ARE YOU? >> I’M 50. 515 00:18:03,696 --> 00:18:06,201 {\an7}>> I’M 50. >> Leslie: WHAT! 516 00:18:06,201 --> 00:18:08,267 {\an7}>> Leslie: WHAT! YOU STILL NEED LOTION, THOUGH. 517 00:18:08,267 --> 00:18:09,795 {\an7}YOU STILL NEED LOTION, THOUGH. [LAUGHTER] 518 00:18:09,795 --> 00:18:10,399 {\an7}[LAUGHTER] [CHEERS AND APPLAUSE] 519 00:18:10,399 --> 00:18:11,597 {\an7}[CHEERS AND APPLAUSE] >> Leslie: ALL RIGHT, STAY TUNED 520 00:18:11,597 --> 00:18:14,366 {\an7}>> Leslie: ALL RIGHT, STAY TUNED BECAUSE WHEN WE COME BACK, 521 00:18:14,366 --> 00:18:16,597 {\an7}BECAUSE WHEN WE COME BACK, MORRIS CHESTNUT WILL BE JOINING 522 00:18:16,597 --> 00:18:18,597 {\an7}MORRIS CHESTNUT WILL BE JOINING ME ON THE SHOW! 523 00:18:28,273 --> 00:18:57,702 [CHEERS AND APPLAUSE] [CHEERS AND APPLAUSE] Leslie: WELCOME BACK TO "THE DAILY SHOW"! 524 00:18:57,702 --> 00:19:05,610 MY GUEST TONIGHT IS AN ACTOR AND PRODUCER YOU KNOW FROM "BOYZ IN THE HOOD" AND THE "BEST MAN" FRANCHISE. 525 00:19:05,610 --> 00:19:11,282 HE'S HERE TO TALK ABOUT THE NEW LIMITED SERIES, "THE BEST MAN: THE FINAL CHAPTERS," WHICH IS STREAMING RIGHT NOW ON PEACOCK. 526 00:19:11,282 --> 00:19:16,120 YOU SEEM QUITE PREOCCUPIED. OH, YEAH, GUESS I'M A LITTLE OFF. WHAT DO YOU NEED TO DO TO GET 527 00:19:16,120 --> 00:19:22,860 BACK ON, MR. AMERICAN? I'M NOT SURE. WHY? DO YOU HAVE ANY SUGGESTIONS? 528 00:19:22,860 --> 00:19:26,431 WELL, I'M ABOUT TO GO FOR A RUN. YOU ARE WELCOME TO JOIN IF YOU CAN KEEP UP. 529 00:19:26,431 --> 00:19:30,702 OF COURSE I CAN KEEP UP. I'M A WORLD-CLASS -- WAIT, HOLD ON. Leslie: PLEASE WELCOME 530 00:19:30,702 --> 00:19:38,876 MORRIS CHESTNUT! [CHEERS AND APPLAUSE] ♪ ♪ THANK YOU SO MUCH. 531 00:19:38,876 --> 00:19:44,882 [CHEERS AND APPLAUSE] WHAT'S UP, EVERYBODY? ALL RIGHT! [CHEERS AND APPLAUSE] 532 00:19:44,882 --> 00:19:50,588 LESLIE JONES! I AM ON THE LESLIE JONES SHOW. [LAUGHS] Leslie: OH, MY GOD! 533 00:19:50,588 --> 00:19:53,925 MORRIS CHESTNUT! [LAUGHS] [CHEERS AND APPLAUSE] THANK YOU, GUYS, THANK YOU. 534 00:19:53,925 --> 00:19:57,895 Leslie: OH, MY GOD! YOU ARE THE EPITOME OF BLACK DON'T CRACK, BRO! YOU ARE BEAUTIFUL! 535 00:19:57,895 --> 00:20:04,302 THANK YOU. LET ME JUST SAY, FIRST OF ALL, YOU WERE SO KIND AND GENEROUS, FROM THE WHOLE CAST AND THE 536 00:20:04,302 --> 00:20:08,506 WHOLE PRODUCTION, THANK YOU FOR ALL OF THE POSTS YOU DID WHEN THE STREAMING CAME OUT. WE TRULY APPRECIATE YOU. 537 00:20:08,506 --> 00:20:12,176 Leslie: I AM TELLING THE TRUTH, IT IS ONE OF THE BEST THINGS I HAVE WATCHED IN A LONG TIME. 538 00:20:12,176 --> 00:20:18,082 THANK YOU, THANK YOU. [CHEERS AND APPLAUSE] Leslie: AND I KNEW -- I KNEW IT WAS GOING TO BE GOOD 539 00:20:18,082 --> 00:20:23,621 BECAUSE YOU GUYS HAVE GREAT ACTORS. Y'ALL ARE ALREADY GOOD ACTORS. IT'S A GREAT PLOT, YOU HAVE A 540 00:20:23,621 --> 00:20:28,926 GREAT DIRECTOR, AND YOU SPENT TIME ON EVERYTHING. IT IS JUST SO APPRECIATED. THANK YOU SO MUCH. 541 00:20:28,926 --> 00:20:32,630 AND THANK YOU FOR WATCHING. THANK ALL YOU GUYS FOR WATCHING, EVERYBODY OUT THERE. [CHEERS AND APPLAUSE] 542 00:20:32,630 --> 00:20:43,975 Leslie: SO GOOD. NOW THE ONE THING I APPRECIATE ABOUT THE FRANCHISE IS HOW THEY HAVE BLACK MEN BEING 543 00:20:43,975 --> 00:20:47,845 FRIENDS AND BEING REAL. HOW DO YOU THINK -- HOW IMPORTANT IT IS DO YOU THINK THE PORTRAYAL OF FRIENDSHIPS AND 544 00:20:47,845 --> 00:20:56,587 RELATIONSHIPS BETWEEN BLACK MEN AS PORTRAYED ON TV? I THINK IT WAS VERY IMPORTANT FOR OUR MOVIE. 545 00:20:56,587 --> 00:21:01,893 JUST FOR THE -- BECAUSE LISTEN, THERE IS LIFE THAT HAPPENS, THERE'S DRAMA THAT HAPPENS, YOU ARE FRIENDS WITH SOMEBODY LONG 546 00:21:01,893 --> 00:21:06,264 ENOUGH, THERE'S BOUND TO BE SOME TYPES OF DISAGREEMENTS AND ARGUMENTS AND ALL THAT TYPE OF SITUATION. 547 00:21:06,264 --> 00:21:12,336 HOWEVER, WITH OUR FILM, IT SHOWS THAT YOU CAN OVERCOME THAT. NO MATTER WHAT YOUR DIFFERENCES ARE, NO MATTER WHAT TYPE OF 548 00:21:12,336 --> 00:21:17,842 ARGUMENTS OR DISAGREEMENTS YOU GET INTO, AS A BROTHERHOOD, YOU CAN STILL COME TOGETHER AND BE THERE FOR YOUR BROTHERS. 549 00:21:17,842 --> 00:21:22,446 SO I THINK THAT IT'S ONE OF THE THINGS THAT HAS HELPED THIS SERIES PREVAIL THROUGHOUT THE YEARS. 550 00:21:22,446 --> 00:21:28,319 [CHEERS AND APPLAUSE] Leslie: YOU KNOW, I THINK -- YES, DEFINITELY! [CHEERS AND APPLAUSE] 551 00:21:28,319 --> 00:21:34,392 ONE OF MY FAVORITE SCENES IS WHEN HE IS GOING THROUGH THE DIVORCE, AND YOU GUYS CAME OVER AND JUST STARTED SITTING AT THE 552 00:21:34,392 --> 00:21:40,698 TABLE, LIKE, WE ABOUT TO PLAY CARDS, FOOL, THAT JUST MADE MY HEART. BUT I WILL TELL YOU MY FAVORITE 553 00:21:40,698 --> 00:21:45,469 PART, THE WAY YOU DEALT WITH YOUR SON. OH, YES. Leslie: IT WAS SO GOOD. 554 00:21:45,469 --> 00:21:52,443 EVERYTHING -- EVERY TIME YOU WOULD PRAY, I'D BE LIKE, YOU HAVE THE WRONG PRAYERS. YOU GOT THE WRONG PRAYERS. 555 00:21:52,443 --> 00:21:59,951 "MAKE GOD CHANGE HIM." "MAKE GOD CHANGE HIM." BUT WHEN YOU FINALLY SAID, "GOD CHANGE ME," IT -- I BAWLED! 556 00:21:59,951 --> 00:22:06,557 I BAWLED! THANK YOU, THANK YOU, THANK YOU. Leslie: I HOPE YOU GET ALL 557 00:22:06,557 --> 00:22:10,528 THE AWARDS! SERIOUSLY, THAT WAS SO GOOD. THANK YOU. THAT STORY LINE WAS TOUGH FOR 558 00:22:10,528 --> 00:22:15,833 ME BECAUSE IT WAS SO NEW. THE PRONOUNS, AND SOMETHING THAT REALLY HASN'T BEEN EXPLORED TOO MUCH -- 559 00:22:15,833 --> 00:22:20,238 Leslie: ESPECIALLY IN THE BLACK COMMUNITY. ESPECIALLY IN THE BLACK COMMUNITY. 560 00:22:20,238 --> 00:22:23,507 I WAS ON THE FENCE BECAUSE THEY DON'T REALLY KNOW WHY MY CHARACTER FEELS THE WAY THAT HE FEELS. 561 00:22:23,507 --> 00:22:27,712 PEOPLE CAN COME TO THEIR OWN CONCLUSIONS. SO IT WAS A TOUGH STORY LINE FOR ME. 562 00:22:27,712 --> 00:22:31,649 ERIC WAS A GREAT ACTOR THAT PLAYED MY SON. THE WAY IT WAS WRITTEN WAS SO BEAUTIFUL. 563 00:22:31,649 --> 00:22:38,055 SO THANK YOU FOR ENJOYING THAT. Leslie: IT WAS ABSOLUTELY BEAUTIFUL AND I HAVE TO GIVE YOU RECOGNITION, YOU GOT YOUR 564 00:22:38,055 --> 00:22:42,126 HALL OF FAME WALK -- I THINK I'M SAYING IT RIGHT. HOLLYWOOD WALK OF FAME. YES, THANK YOU, THANK YOU. 565 00:22:42,126 --> 00:22:48,466 [CHEERS AND APPLAUSE] Leslie: I AM SO PROUD OF YOU! THANK YOU SO MUCH. 566 00:22:48,466 --> 00:22:51,702 THAT'S ME THERE. THANK YOU, THANK YOU. Leslie: YES! THANK YOU. 567 00:22:51,702 --> 00:22:57,241 Leslie: OH, MY GOD, MORRIS, THANK YOU SO MUCH FOR COMING ON MYFIRST DAY. LISTEN, THANK YOU FOR HAVING 568 00:22:57,241 --> 00:23:01,812 ME! YOU ARE KILLING IT! YOU ARE KILLING IT! CONGRATULATIONS! 569 00:23:01,812 --> 00:23:06,317 Leslie: AM I DOING GOOD? YOU ARE DOING GREAT. YOU ARE KILLING IT! YOU SHOULD KEEP DOING IT. 570 00:23:06,317 --> 00:23:09,887 [CHEERS AND APPLAUSE] THANK YOU SO MUCH. Leslie: OKAY. WE ARE GOING TO TAKE A BREAK. 571 00:23:09,887 --> 00:23:15,493 WE ARE GOING TO TAKE A BREAK. [LAUGHS] WE ARE GOING TO TAKE A QUICK BREAK BUT WE WILL BE RIGHT BACK! 572 00:23:15,493 --> 00:23:19,664 WE'LL BE RIGHT BACK AFTER THIS! [LAUGHTER] [CHEERS AND APPLAUSE] 573 00:23:26,270 --> 00:23:51,561 ♪ ♪ [CHEERS AND APPLAUSE] Leslie: THAT'S OUR SHOW FOR TONIGHT, BUT BEFORE WE GO, 574 00:23:51,561 --> 00:23:57,200 PLEASE CONSIDER SUPPORTING THE BROWN BAG LADY. THEY ARE A NON-PROFIT ROOTED IN USING KINDNESS, FOOD, AND 575 00:23:57,200 --> 00:24:03,640 ESSENTIALS AS A WAY TO IMPROVE THE LIVES OF UNHOUSED NEIGHBORS AND OTHERS THROUGHOUT LOS ANGELES. 576 00:24:03,640 --> 00:24:11,548 TO THIS DATE, THE BROWN BAG LADY HAS MADE SURE OVER 90,000 PEOPLE HAVE NOT GONE TO BED HUNGRY. [CHEERS AND APPLAUSE] 577 00:24:11,548 --> 00:24:17,888 OKAY? I LOVE HER! HER NAME IS MISS JACKIE, HER NAME IS MISS JACKIE, I LOVE 578 00:24:17,888 --> 00:24:22,459 MS. JACKIE. IF YOU WANT TO DONATE, PLEASE DONATE AT THE LINK BELOW, YOU WILL BE HELPING HOMELESS PEOPLE 579 00:24:22,459 --> 00:24:30,767 AND THAT IS MY THING, SO DO IT! [CHEERS AND APPLAUSE] [LAUGHS] AND NOW, HERE IT IS, YOUR 580 00:24:30,767 --> 00:24:32,269 "MOMENT OF ZEN." [CHEERS AND APPLAUSE]