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{\an7}♪ ♪
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{\an7}♪ ♪
>> Announcer: FROM
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{\an7}>> Announcer: FROM
NEW YORK CITY, THE ONLY CITY IN
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{\an7}NEW YORK CITY, THE ONLY CITY IN
AMERICA.
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{\an7}AMERICA.
THIS IS THE SHOW THAT INVENTED
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{\an7}THIS IS THE SHOW THAT INVENTED
NEWS.
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{\an7}NEWS.
IT IS "THE DAILY SHOW" WITH YOUR
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{\an7}IT IS "THE DAILY SHOW" WITH YOUR
HOST LESLIE JONES!
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{\an7}HOST LESLIE JONES!
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
♪ ♪
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{\an7}♪ ♪
>> Leslie: HEY!
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{\an7}>> Leslie: HEY!
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
WHOO!
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{\an7}WHOO!
WHAT’S GOING ON, EVERYBODY?
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{\an7}WHAT’S GOING ON, EVERYBODY?
WELCOME TO "THE DAILY SHOW."
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{\an7}WELCOME TO "THE DAILY SHOW."
I’M LESLIE JONES!
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{\an7}I’M LESLIE JONES!
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
WHOO!
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{\an7}WHOO!
YO, WE GOT SO MUCH TO TALK ABOUT
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{\an7}YO, WE GOT SO MUCH TO TALK ABOUT
TONIGHT.
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{\an7}TONIGHT.
BUT FIRST, I WOULD LIKE TO GIVE
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{\an7}BUT FIRST, I WOULD LIKE TO GIVE
A SHOUT OUT
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{\an7}A SHOUT OUT
TO TREVOR NOAH.
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{\an7}TO TREVOR NOAH.
ONE OF THE THINGS THAT MOVED ME
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{\an7}ONE OF THE THINGS THAT MOVED ME
SO MUCH IN HIS LAST SHOW, HE
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{\an7}SO MUCH IN HIS LAST SHOW, HE
SAID, "IF YOU WANT TO TRULY
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{\an7}SAID, "IF YOU WANT TO TRULY
LEARN ABOUT AMERICA, TALK TO
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{\an7}LEARN ABOUT AMERICA, TALK TO
BLACK WOMEN."
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{\an7}BLACK WOMEN."
WELL, GUESS WHO’S COMING TO
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{\an7}WELL, GUESS WHO’S COMING TO
DINNER, BABY!
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{\an7}DINNER, BABY!
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
WE GOT A GREAT SHOW FOR YOU.
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{\an7}WE GOT A GREAT SHOW FOR YOU.
MORRIS CHESTNUT IS HERE.
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{\an7}MORRIS CHESTNUT IS HERE.
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
ALL RIGHT.
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{\an7}ALL RIGHT.
SO LET’S GET INTO HEADLINES!
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{\an7}SO LET’S GET INTO HEADLINES!
♪ ♪
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{\an7}♪ ♪
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
YEAH!
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{\an7}YEAH!
YOU GUYS REMEMBER THAT FOR THE
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{\an7}YOU GUYS REMEMBER THAT FOR THE
PAST SIX MONTHS, WE’VE BEEN
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{\an7}PAST SIX MONTHS, WE’VE BEEN
ROASTING THE SHIT OUT
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{\an7}ROASTING THE SHIT OUT
OF DONALD TRUMP FOR KEEPING
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{\an7}OF DONALD TRUMP FOR KEEPING
CLASSIFIED DOCUMENTS AT HIS
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{\an7}CLASSIFIED DOCUMENTS AT HIS
HOUSE?
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{\an7}HOUSE?
AND I HAVE TO AGREE!
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{\an7}AND I HAVE TO AGREE!
WHAT KIND OF MORON, I MEAN, WHAT
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{\an7}WHAT KIND OF MORON, I MEAN, WHAT
KIND OF IRRESPONSIBLE PIECE OF
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{\an7}KIND OF IRRESPONSIBLE PIECE OF
SHIT WOULD KEEP CLASSIFIED
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{\an7}SHIT WOULD KEEP CLASSIFIED
DOCUMENTS AT HIS HOUSE?
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{\an7}DOCUMENTS AT HIS HOUSE?
I MEAN, HE’S GOT TO BE THE ONLY
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{\an7}I MEAN, HE’S GOT TO BE THE ONLY
DUMBASS THAT WOULD DO SOMETHING
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{\an7}DUMBASS THAT WOULD DO SOMETHING
SO STUPID!
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{\an7}SO STUPID!
>> BREAKING NEWS FROM THE
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{\an7}>> BREAKING NEWS FROM THE
WHITE HOUSE.
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{\an7}WHITE HOUSE.
MORE CLASSIFIED DOCUMENTS WERE
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{\an7}MORE CLASSIFIED DOCUMENTS WERE
FOUND IN PRESIDENT BIDEN’S
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{\an7}FOUND IN PRESIDENT BIDEN’S
DELAWARE HOME.
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{\an7}DELAWARE HOME.
[APPLAUSE]
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{\an7}[APPLAUSE]
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
>> Leslie: JUST ROLL THE
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{\an7}>> Leslie: JUST ROLL THE
DAMN TAPE.
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{\an7}DAMN TAPE.
>> THIS MORNING, PRESIDENT BIDEN
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{\an7}>> THIS MORNING, PRESIDENT BIDEN
IS FACING GROWING CALLS FOR
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{\an7}IS FACING GROWING CALLS FOR
TRANSPARENCY FROM REPUBLICANS
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{\an7}TRANSPARENCY FROM REPUBLICANS
AND EVEN SOME DEMOCRATS AMID THE
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{\an7}AND EVEN SOME DEMOCRATS AMID THE
SPECIAL COUNSEL’S INVESTIGATION
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{\an7}SPECIAL COUNSEL’S INVESTIGATION
INTO HIS HANDLING OF CLASSIFIED
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{\an7}INTO HIS HANDLING OF CLASSIFIED
DOCUMENTS AFTER HE LEFT THE
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{\an7}DOCUMENTS AFTER HE LEFT THE
OBAMA ADMINISTRATION.
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{\an7}OBAMA ADMINISTRATION.
PRESSURE IS MOUNTING AFTER
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{\an7}PRESSURE IS MOUNTING AFTER
THIS WEEKEND, THE WHITE HOUSE
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{\an7}THIS WEEKEND, THE WHITE HOUSE
COUNSEL’S OFFICE SAID ADDITIONAL
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{\an7}COUNSEL’S OFFICE SAID ADDITIONAL
PAGES OF CLASSIFIED DOCUMENTS
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{\an7}PAGES OF CLASSIFIED DOCUMENTS
WERE DISCOVERED INSIDE THE
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{\an7}WERE DISCOVERED INSIDE THE
PRESIDENT’S DELAWARE HOME.
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{\an7}PRESIDENT’S DELAWARE HOME.
IT COMES AFTER ABOUT A DOZEN
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{\an7}IT COMES AFTER ABOUT A DOZEN
INITIALLY DISCOVERED AT
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{\an7}INITIALLY DISCOVERED AT
MR. BIDEN’S PRIVATE OFFICE,
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{\an7}MR. BIDEN’S PRIVATE OFFICE,
INCLUDING AT LEAST ONE DOCUMENT
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{\an7}INCLUDING AT LEAST ONE DOCUMENT
MARKED TOP SECRET, ACCORDING TO
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{\an7}MARKED TOP SECRET, ACCORDING TO
THAT FOLLOWED BY TWO BATCHES
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{\an7}THAT FOLLOWED BY TWO BATCHES
DISCOVERED IN DELAWARE INCLUDING
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{\an7}DISCOVERED IN DELAWARE INCLUDING
INSIDE HIS GARAGE.
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{\an7}INSIDE HIS GARAGE.
>> CLASSIFIED MATERIAL NEXT TO
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{\an7}>> CLASSIFIED MATERIAL NEXT TO
YOUR CORVETTE, WHAT WERE YOU
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{\an7}YOUR CORVETTE, WHAT WERE YOU
THINKING?
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{\an7}THINKING?
>> BY THE WAY, MY CORVETTE IS IN
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{\an7}>> BY THE WAY, MY CORVETTE IS IN
A LOCKED GARAGE, OKAY, SO IT’S
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{\an7}A LOCKED GARAGE, OKAY, SO IT’S
NOT LIKE THEY ARE SITTING OUT ON
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{\an7}NOT LIKE THEY ARE SITTING OUT ON
THE STREET.
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{\an7}THE STREET.
>> Leslie: WHAT!
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{\an7}>> Leslie: WHAT!
THIS IS A NATIONAL SECURITY
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{\an7}THIS IS A NATIONAL SECURITY
EMERGENCY, OKAY?
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{\an7}EMERGENCY, OKAY?
A MAN THIS OLD WITH ACCESS TO A
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{\an7}A MAN THIS OLD WITH ACCESS TO A
CORVETTE?
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{\an7}CORVETTE?
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
NO.
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{\an7}NO.
I DON’T KNOW WHAT’S MORE SCARY,
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{\an7}I DON’T KNOW WHAT’S MORE SCARY,
BIDEN LOSING THE NUCLEAR CODES
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{\an7}BIDEN LOSING THE NUCLEAR CODES
OR BIDEN GOING 85 ON THE
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{\an7}OR BIDEN GOING 85 ON THE
HIGHWAY.
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{\an7}HIGHWAY.
BIDEN, PLEASE DO NOT DRIVE THAT
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{\an7}BIDEN, PLEASE DO NOT DRIVE THAT
CORVETTE!
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{\an7}CORVETTE!
YO ASS CAN’T EVEN RIDE A BIKE!
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{\an7}YO ASS CAN’T EVEN RIDE A BIKE!
[APPLAUSE]
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{\an7}[APPLAUSE]
LET ME TELL YOU SOMETHING, HE
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{\an7}LET ME TELL YOU SOMETHING, HE
PROBABLY LOVES TALKING ABOUT THE
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{\an7}PROBABLY LOVES TALKING ABOUT THE
SCANDAL BECAUSE IT GIVES HIM A
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{\an7}SCANDAL BECAUSE IT GIVES HIM A
CHANCE TO TALK ABOUT HIS
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{\an7}CHANCE TO TALK ABOUT HIS
CORVETTE.
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{\an7}CORVETTE.
"HEY, EVERYBODY, I’VE GOT STOLEN
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{\an7}"HEY, EVERYBODY, I’VE GOT STOLEN
DOCUMENTS NEXT TO MY SWEET
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{\an7}DOCUMENTS NEXT TO MY SWEET
CORVETTE!
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{\an7}CORVETTE!
GO, GREASED LIGHTNIN’, YOU’RE
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{\an7}GO, GREASED LIGHTNIN’, YOU’RE
BURNIN’ UP THE QUARTER MILE.
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{\an7}BURNIN’ UP THE QUARTER MILE.
GREASED LIGHTNIN’, GO, GREASED
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{\an7}GREASED LIGHTNIN’, GO, GREASED
LIGHTNIN’!"
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{\an7}LIGHTNIN’!"
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
AND LOOK, I KNOW THIS IS A BIG
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{\an7}AND LOOK, I KNOW THIS IS A BIG
SCANDAL, BUT HONESTLY, I THINK
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{\an7}SCANDAL, BUT HONESTLY, I THINK
THESE DOCUMENTS WERE PRETTY SAFE
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{\an7}THESE DOCUMENTS WERE PRETTY SAFE
AT BIDEN’S HOUSE.
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{\an7}AT BIDEN’S HOUSE.
BECAUSE IT’S HARD TO FIND
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{\an7}BECAUSE IT’S HARD TO FIND
ANYTHING IN AN OLD MAN’S GARAGE.
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{\an7}ANYTHING IN AN OLD MAN’S GARAGE.
"GRANDPA!
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{\an7}"GRANDPA!
WHERE’S THE DOCUMENTS?!"
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{\an7}WHERE’S THE DOCUMENTS?!"
"IT’S BY THE LEAF BLOWER!"
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{\an7}"IT’S BY THE LEAF BLOWER!"
"YOU HAVE SIX LEAF BLOWERS
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{\an7}"YOU HAVE SIX LEAF BLOWERS
, GRANDPA!"
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{\an7}, GRANDPA!"
BUT CAN I JUST SAY THIS FOR A
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{\an7}BUT CAN I JUST SAY THIS FOR A
MINUTE?
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{\an7}MINUTE?
I AM SO DISAPPOINTED IN YOU,
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{\an7}I AM SO DISAPPOINTED IN YOU,
JOE BIDEN.
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{\an7}JOE BIDEN.
BECAUSE THIS IS THE TRUMP
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{\an7}BECAUSE THIS IS THE TRUMP
SCANDAL YOU COPY?
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{\an7}SCANDAL YOU COPY?
STEALING DOCUMENTS?
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{\an7}STEALING DOCUMENTS?
YOU COULD HAVE BEEN BLACKBALLS
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{\an7}YOU COULD HAVE BEEN BLACKBALLS
DEEP IN PORN STARS, YOU DUMB
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{\an7}DEEP IN PORN STARS, YOU DUMB
[BLEEP]!
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{\an7}[BLEEP]!
[APPLAUSE]
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{\an7}[APPLAUSE]
BUT THERE’S A BIGGER PROBLEM
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{\an7}BUT THERE’S A BIGGER PROBLEM
HERE.
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{\an7}HERE.
BECAUSE FIRST, IT WAS TRUMP, NOW
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{\an7}BECAUSE FIRST, IT WAS TRUMP, NOW
IT’S BIDEN.
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{\an7}IT’S BIDEN.
WHAT I NEED TO KNOW IS, WHO IS
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{\an7}WHAT I NEED TO KNOW IS, WHO IS
IN CHARGE OF THESE DOCUMENTS?
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{\an7}IN CHARGE OF THESE DOCUMENTS?
WHO IS THE BITCH WHO IS FREELY
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{\an7}WHO IS THE BITCH WHO IS FREELY
GIVING OUT CLASSIFIED DOCUMENTS?
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{\an7}GIVING OUT CLASSIFIED DOCUMENTS?
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
WHO THE [BLEEP] IS THIS PERSON?
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{\an7}WHO THE [BLEEP] IS THIS PERSON?
"WHAT’S UP, YO?
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{\an7}"WHAT’S UP, YO?
WANT TO GET THE DOCUMENTS?
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{\an7}WANT TO GET THE DOCUMENTS?
CHECK THIS OUT, THOUGH.
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{\an7}CHECK THIS OUT, THOUGH.
I JUST CAME BACK FROM LUNCH,
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{\an7}I JUST CAME BACK FROM LUNCH,
AND I SMOKED THE BIGGEST SPLIFF
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{\an7}AND I SMOKED THE BIGGEST SPLIFF
I HAVE EVER ROLLED.
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{\an7}I HAVE EVER ROLLED.
SO IT IS YOUR LUCKY DAY.
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{\an7}SO IT IS YOUR LUCKY DAY.
I WILL HOOK YOU UP WITH ANY
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{\an7}I WILL HOOK YOU UP WITH ANY
DOCUMENTS YOU NEED.
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{\an7}DOCUMENTS YOU NEED.
JUST TAKE WHAT YOU WANT.
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{\an7}JUST TAKE WHAT YOU WANT.
BUT WAIT.
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{\an7}BUT WAIT.
I’M GOING TO NEED TO GET YOU TO
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{\an7}I’M GOING TO NEED TO GET YOU TO
SIGN, HOLD ON, LET ME GET
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{\an7}SIGN, HOLD ON, LET ME GET
SOMETHING FOR YOU TO SIGN -- YOU
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{\an7}SOMETHING FOR YOU TO SIGN -- YOU
KNOW WHAT.
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{\an7}KNOW WHAT.
I WILL REMEMBER YOU.
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{\an7}I WILL REMEMBER YOU.
I TRUST YOU.
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{\an7}I TRUST YOU.
I TRUST -- BUT YOU GOT TO BE
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{\an7}I TRUST -- BUT YOU GOT TO BE
COOL, SON.
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{\an7}COOL, SON.
YOU GOT TO BE COOL WITH THESE
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{\an7}YOU GOT TO BE COOL WITH THESE
DOCUMENTS, OKAY?
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{\an7}DOCUMENTS, OKAY?
WHERE ARE YOU GOING TO HIDE THE
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{\an7}WHERE ARE YOU GOING TO HIDE THE
MAT?
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{\an7}MAT?
IN THE CORVETTE?
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{\an7}IN THE CORVETTE?
[BLEEP], YOU GOT A CORVETTE!
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{\an7}[BLEEP], YOU GOT A CORVETTE!
TAKE WHATEVER YOU NEED.
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{\an7}TAKE WHATEVER YOU NEED.
YOU ARE A G."
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{\an7}YOU ARE A G."
[CHEERS AND APPLAUSE]
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{\an7}[CHEERS AND APPLAUSE]
OH, MY GOD!
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{\an7}OH, MY GOD!
[LAUGHS]
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{\an7}[LAUGHS]
OKAY, BUT LET’S MOVE ON.
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{\an7}OKAY, BUT LET’S MOVE ON.
LET ME SHOW YOU WHAT IS GOING ON
184
00:06:29,066 --> 00:06:29,924
{\an7}LET ME SHOW YOU WHAT IS GOING ON
IN BOSTON.
185
00:06:29,924 --> 00:06:30,924
{\an7}IN BOSTON.
>> A MONUMENT MEANT TO
186
00:06:30,924 --> 00:06:32,297
{\an7}>> A MONUMENT MEANT TO
HONOR THE REVEREND
187
00:06:32,297 --> 00:06:33,561
{\an7}HONOR THE REVEREND
DR. MARTIN LUTHER KING JR.
188
00:06:33,561 --> 00:06:34,000
{\an7}DR. MARTIN LUTHER KING JR.
AND HIS WIFE
189
00:06:34,000 --> 00:06:35,099
{\an7}AND HIS WIFE
CORETTA SCOTT KING’S LEGACY
190
00:06:35,099 --> 00:06:36,264
{\an7}CORETTA SCOTT KING’S LEGACY
FACING SOMETHING BACKLASH.
191
00:06:36,264 --> 00:06:37,429
{\an7}FACING SOMETHING BACKLASH.
IT’S CALLED THE EMBRACE.
192
00:06:37,429 --> 00:06:39,726
{\an7}IT’S CALLED THE EMBRACE.
THE STATUE WAS UNVEILED FRIDAY
193
00:06:39,726 --> 00:06:40,330
{\an7}THE STATUE WAS UNVEILED FRIDAY
ON THE BOSTON COMMON.
194
00:06:40,330 --> 00:06:41,099
{\an7}ON THE BOSTON COMMON.
IT WAS INSPIRED BY A PHOTOGRAPH
195
00:06:41,099 --> 00:06:41,792
{\an7}IT WAS INSPIRED BY A PHOTOGRAPH
OF THE COUPLE HUGGING AFTER
196
00:06:41,792 --> 00:06:43,198
{\an7}OF THE COUPLE HUGGING AFTER
DR. KING WON THE NOBEL PEACE
197
00:06:43,198 --> 00:06:47,099
{\an7}DR. KING WON THE NOBEL PEACE
PRIZE BACK IN 1964.
198
00:06:47,099 --> 00:06:49,594
{\an7}PRIZE BACK IN 1964.
SO LOOK AT THE HANDS IN THE
199
00:06:49,594 --> 00:06:49,957
{\an7}SO LOOK AT THE HANDS IN THE
PICTURE.
200
00:06:49,957 --> 00:06:50,957
{\an7}PICTURE.
THE ART PIECE FEATURES THE
201
00:06:50,957 --> 00:06:52,660
{\an7}THE ART PIECE FEATURES THE
COUPLE’S ARMS DURING THE EMBRACE
202
00:06:52,660 --> 00:06:53,429
{\an7}COUPLE’S ARMS DURING THE EMBRACE
AND NOT THEIR HEADS, WHICH HAS
203
00:06:53,429 --> 00:07:05,693
{\an7}AND NOT THEIR HEADS, WHICH HAS
SPARKED A MIXED REACTION.
204
00:07:05,693 --> 00:07:09,858
{\an7}SPARKED A MIXED REACTION.
>> Leslie: HAS ANYONE IN HERE
205
00:07:09,858 --> 00:07:13,396
{\an7}>> Leslie: HAS ANYONE IN HERE
EVER BEEN [BLEEP] OUT?
206
00:07:13,396 --> 00:07:16,528
{\an7}EVER BEEN [BLEEP] OUT?
[CHEERS AND APPLAUSE]
207
00:07:16,528 --> 00:07:16,957
{\an7}[CHEERS AND APPLAUSE]
I’M SERIOUS!
208
00:07:16,957 --> 00:07:19,264
{\an7}I’M SERIOUS!
I’M SERIOUS!
209
00:07:19,264 --> 00:07:26,231
{\an7}I’M SERIOUS!
HAS ANYONE EVER PARTICIPATED IN
210
00:07:26,231 --> 00:07:27,924
{\an7}HAS ANYONE EVER PARTICIPATED IN
THE MUNCH MUNCHING MUNCH MUNCH?
211
00:07:27,924 --> 00:07:29,033
{\an7}THE MUNCH MUNCHING MUNCH MUNCH?
CAUSE THEY ARE CELEBRATING YOU
212
00:07:29,033 --> 00:07:30,660
{\an7}CAUSE THEY ARE CELEBRATING YOU
IN BOSTON.
213
00:07:30,660 --> 00:07:33,000
{\an7}IN BOSTON.
THEY ARE CELEBRATING YOU IN
214
00:07:33,000 --> 00:07:33,528
{\an7}THEY ARE CELEBRATING YOU IN
BOSTON RIGHT NOW.
215
00:07:33,528 --> 00:07:37,066
{\an7}BOSTON RIGHT NOW.
[CHEERS AND APPLAUSE]
216
00:07:37,066 --> 00:07:38,627
{\an7}[CHEERS AND APPLAUSE]
LISTEN, LISTEN, I KNOW DOCTOR
217
00:07:39,924 --> 00:07:40,363
{\an7}LISTEN, LISTEN, I KNOW DOCTOR
CAIN WENT DOWN IN HISTORY, BUTCAIN WENT DOWN IN HISTORY, BUT
THIS IS
218
00:07:43,627 --> 00:07:44,759
{\an7}NOT --
219
00:07:44,759 --> 00:07:46,066
{\an7}NOT --
HOW IT SHOULD BE.
220
00:07:46,066 --> 00:07:47,561
{\an7}HOW IT SHOULD BE.
AND LET ME TELL YOU SOMETHING.
221
00:07:47,561 --> 00:07:49,594
{\an7}AND LET ME TELL YOU SOMETHING.
EVEN THOUGH I’M ABOUT TO GO
222
00:07:49,594 --> 00:07:51,429
{\an7}EVEN THOUGH I’M ABOUT TO GO
STRAIGHT HARD ON THIS STATUE, I
223
00:07:51,429 --> 00:07:54,033
{\an7}STRAIGHT HARD ON THIS STATUE, I
GOT TO TALK TO THE WHITE PEOPLE
224
00:07:54,033 --> 00:08:01,099
{\an7}GOT TO TALK TO THE WHITE PEOPLE
FOR A SECOND.
225
00:08:01,099 --> 00:08:03,495
{\an7}FOR A SECOND.
WHITE PEOPLE, YOU DON’T NEED TO
226
00:08:03,495 --> 00:08:05,891
{\an7}WHITE PEOPLE, YOU DON’T NEED TO
BE SAYING SHIT ABOUT THIS
227
00:08:05,891 --> 00:08:06,264
{\an7}BE SAYING SHIT ABOUT THIS
STATUE.
228
00:08:06,264 --> 00:08:07,066
{\an7}STATUE.
YOU UNDERSTAND?
229
00:08:07,066 --> 00:08:11,033
{\an7}YOU UNDERSTAND?
BLACK HANDS ONLY.
230
00:08:11,033 --> 00:08:11,924
{\an7}BLACK HANDS ONLY.
YOU NEED TO SIT YOUR ASS IN THE
231
00:08:11,924 --> 00:08:14,858
{\an7}YOU NEED TO SIT YOUR ASS IN THE
BACK OF THE BUS FOR THIS ONE,
232
00:08:14,858 --> 00:08:15,198
{\an7}BACK OF THE BUS FOR THIS ONE,
OKAY?
233
00:08:15,198 --> 00:08:20,264
{\an7}OKAY?
YOU NEED TO HONOR THIS STATUE.
234
00:08:20,264 --> 00:08:25,495
{\an7}YOU NEED TO HONOR THIS STATUE.
THAT IS A CIVIL RIGHTS ICON.
235
00:08:25,495 --> 00:08:26,066
{\an7}THAT IS A CIVIL RIGHTS ICON.
[APPLAUSE]
236
00:08:26,066 --> 00:08:34,330
{\an7}[APPLAUSE]
GOING DOWN ON HIS WIFE.
237
00:08:34,330 --> 00:08:37,297
{\an7}GOING DOWN ON HIS WIFE.
YOU SHOW DAMN RESPECT!
238
00:08:37,297 --> 00:08:42,957
{\an7}YOU SHOW DAMN RESPECT!
[CHEERS AND APPLAUSE]
239
00:08:42,957 --> 00:08:46,297
{\an7}[CHEERS AND APPLAUSE]
OKAY, BLACK PEOPLE:
240
00:08:46,297 --> 00:08:48,891
{\an7}OKAY, BLACK PEOPLE:
WHAT THE [BLEEP] ARE WE GOING TO
241
00:08:48,891 --> 00:08:50,000
{\an7}WHAT THE [BLEEP] ARE WE GOING TO
DO?
242
00:08:50,000 --> 00:08:51,165
{\an7}DO?
WE GOT TO TALK ABOUT THIS, WE
243
00:08:51,165 --> 00:08:52,132
{\an7}WE GOT TO TALK ABOUT THIS, WE
GOT TO TALK ABOUT THIS BECAUSE
244
00:08:52,132 --> 00:08:53,066
{\an7}GOT TO TALK ABOUT THIS BECAUSE
YOU KNOW IT’S MESSED UP
245
00:08:53,066 --> 00:08:54,396
{\an7}YOU KNOW IT’S MESSED UP
WHEN BLACK PEOPLE AND
246
00:08:54,396 --> 00:08:55,099
{\an7}WHEN BLACK PEOPLE AND
THE PROUD BOYS HATE THE SAME
247
00:08:55,099 --> 00:08:58,561
{\an7}THE PROUD BOYS HATE THE SAME
STATUE.
248
00:08:58,561 --> 00:09:00,627
{\an7}STATUE.
BUT I DON’T KNOW, I DON’T KNOW,
249
00:09:00,627 --> 00:09:02,957
{\an7}BUT I DON’T KNOW, I DON’T KNOW,
I MEAN, I GUESS, MAYBE WE WILL
250
00:09:02,957 --> 00:09:05,231
{\an7}I MEAN, I GUESS, MAYBE WE WILL
END UP LIKING IT, YOU KNOW WHAT
251
00:09:05,231 --> 00:09:05,660
{\an7}END UP LIKING IT, YOU KNOW WHAT
I’M SAYING?
252
00:09:05,660 --> 00:09:06,462
{\an7}I’M SAYING?
WE MIGHT END UP LIKING IT.
253
00:09:06,462 --> 00:09:07,561
{\an7}WE MIGHT END UP LIKING IT.
DID YOU KNOW THAT PEOPLE HATED
254
00:09:07,561 --> 00:09:08,297
{\an7}DID YOU KNOW THAT PEOPLE HATED
THE EIFFEL TOWER WHEN IT FIRST
255
00:09:08,297 --> 00:09:09,693
{\an7}THE EIFFEL TOWER WHEN IT FIRST
WENT UP?
256
00:09:09,693 --> 00:09:11,132
{\an7}WENT UP?
YOU KNOW, THE FRENCH PEOPLE WAS
257
00:09:11,132 --> 00:09:11,462
{\an7}YOU KNOW, THE FRENCH PEOPLE WAS
LIKE,
258
00:09:11,462 --> 00:09:22,099
{\an7}LIKE,
"IT RUINS ZEE SKYLINE.
259
00:09:22,099 --> 00:09:23,429
{\an7}"IT RUINS ZEE SKYLINE.
OH --
260
00:09:23,429 --> 00:09:25,132
{\an7}OH --
"THAT IS THE WORST IMPRESSION OF
261
00:09:25,132 --> 00:09:27,165
{\an7}"THAT IS THE WORST IMPRESSION OF
A FRENCH PERSON EVER DONE IN THE
262
00:09:27,165 --> 00:09:27,825
{\an7}A FRENCH PERSON EVER DONE IN THE
HISTORY.
263
00:09:27,825 --> 00:09:29,726
{\an7}HISTORY.
WHAT ABOUT CHRIST THE REDEEMER?
264
00:09:29,726 --> 00:09:30,528
{\an7}WHAT ABOUT CHRIST THE REDEEMER?
I BET WHEN THEY FIRST PUT IT UP,
265
00:09:30,528 --> 00:09:32,165
{\an7}I BET WHEN THEY FIRST PUT IT UP,
IT JUST LOOKED LIKE JESUS WAS
266
00:09:32,165 --> 00:09:32,693
{\an7}IT JUST LOOKED LIKE JESUS WAS
LIKE, "WHAT’S UP?
267
00:09:32,693 --> 00:09:39,825
{\an7}LIKE, "WHAT’S UP?
WHY Y’ALL KILL ME?"
268
00:09:39,825 --> 00:09:41,726
{\an7}WHY Y’ALL KILL ME?"
BUT NOW EVERYBODY LOVES IT.
269
00:09:41,726 --> 00:09:42,693
{\an7}BUT NOW EVERYBODY LOVES IT.
SO MAYBE IT’S JUST A MATTER OF
270
00:09:42,693 --> 00:09:45,264
{\an7}SO MAYBE IT’S JUST A MATTER OF
TIME.
271
00:09:45,264 --> 00:09:46,957
{\an7}TIME.
MAYBE IT’S JUST A MATTER OF
272
00:09:46,957 --> 00:09:47,363
{\an7}MAYBE IT’S JUST A MATTER OF
TIME.
273
00:09:47,363 --> 00:09:49,165
{\an7}TIME.
IN TIME, WE WILL SEE THE STATUE
274
00:09:49,165 --> 00:09:56,429
{\an7}IN TIME, WE WILL SEE THE STATUE
FOR WHAT IT TRULY IS.
275
00:09:56,429 --> 00:09:59,396
{\an7}FOR WHAT IT TRULY IS.
MARTIN LUTHER KING GOING DOWN
276
00:09:59,396 --> 00:09:59,825
{\an7}MARTIN LUTHER KING GOING DOWN
ON HIS WIFE.
277
00:09:59,825 --> 00:10:02,726
{\an7}ON HIS WIFE.
I CAN’T UNSEE IT.
278
00:10:02,726 --> 00:10:03,264
{\an7}I CAN’T UNSEE IT.
I CAN’T UNSEE IT.
279
00:10:03,264 --> 00:10:07,000
{\an7}I CAN’T UNSEE IT.
IT IS WHAT IT IS!
280
00:10:07,000 --> 00:10:07,429
{\an7}IT IS WHAT IT IS!
[APPLAUSE]
281
00:10:07,429 --> 00:10:08,429
{\an7}[APPLAUSE]
YOU KNOW WHAT, I CAN’T JUST TALK
282
00:10:08,429 --> 00:10:09,561
{\an7}YOU KNOW WHAT, I CAN’T JUST TALK
ABOUT THIS MYSELF.
283
00:10:09,561 --> 00:10:10,660
{\an7}ABOUT THIS MYSELF.
I NEED ANOTHER BLACK WOMAN ON MY
284
00:10:10,660 --> 00:10:17,858
{\an7}I NEED ANOTHER BLACK WOMAN ON MY
SIDE.
285
00:10:17,858 --> 00:10:18,495
{\an7}SIDE.
Y’ALL, GIVE IT UP FOR
286
00:10:18,495 --> 00:10:20,825
{\an7}Y’ALL, GIVE IT UP FOR
DULCE SLOAN, EVERYONE.
287
00:10:20,825 --> 00:10:26,594
{\an7}DULCE SLOAN, EVERYONE.
[CHEERS AND APPLAUSE]
288
00:10:26,594 --> 00:10:28,561
{\an7}[CHEERS AND APPLAUSE]
>> GIRL, I MEAN, IT’S --
289
00:10:28,561 --> 00:10:30,825
{\an7}>> GIRL, I MEAN, IT’S --
>> Leslie: WHAT DO YOU THINK
290
00:10:30,825 --> 00:10:32,330
{\an7}>> Leslie: WHAT DO YOU THINK
ABOUT THIS STATUE?
291
00:10:32,330 --> 00:10:34,231
{\an7}ABOUT THIS STATUE?
>> LISTEN, NOW I KNOW THAT YOU
292
00:10:34,231 --> 00:10:35,891
{\an7}>> LISTEN, NOW I KNOW THAT YOU
THOUGHT IT LOOKED LIKE --
293
00:10:35,891 --> 00:10:39,330
{\an7}THOUGHT IT LOOKED LIKE --
>> Leslie: HE’S GOING DOWN ON
294
00:10:39,330 --> 00:10:39,693
{\an7}>> Leslie: HE’S GOING DOWN ON
CORETTA.
295
00:10:39,693 --> 00:10:41,132
{\an7}CORETTA.
>> FROM THE ANGLE THAT YOU SAW.
296
00:10:41,132 --> 00:10:43,396
{\an7}>> FROM THE ANGLE THAT YOU SAW.
FROM THE ANGLE I SAW, IT LOOKS
297
00:10:43,396 --> 00:10:44,660
{\an7}FROM THE ANGLE I SAW, IT LOOKS
LIKE...
298
00:10:44,660 --> 00:10:51,627
{\an7}LIKE...
IT LOOKS LIKE HANDS CRADLING A
299
00:10:51,627 --> 00:10:54,297
{\an7}IT LOOKS LIKE HANDS CRADLING A
BIG PENIS.
300
00:10:54,297 --> 00:10:56,000
{\an7}BIG PENIS.
LIKE A BRONZE AT THAT GOT LEFT
301
00:10:56,000 --> 00:10:56,858
{\an7}LIKE A BRONZE AT THAT GOT LEFT
OUT IN THE SUN.
302
00:10:56,858 --> 00:10:58,396
{\an7}OUT IN THE SUN.
NO MATTER WHICH WAY YOU LOOK AT
303
00:10:58,396 --> 00:11:00,264
{\an7}NO MATTER WHICH WAY YOU LOOK AT
IT, IT’S A DIFFERENT EROTIC TO
304
00:11:00,264 --> 00:11:00,660
{\an7}IT, IT’S A DIFFERENT EROTIC TO
ACT RIGHT?
305
00:11:00,660 --> 00:11:04,726
{\an7}ACT RIGHT?
IT IS A RUBIK’S CUBE.
306
00:11:04,726 --> 00:11:06,726
{\an7}IT IS A RUBIK’S CUBE.
EVERY TIME YOU SPIN IT, YOU JUST
307
00:11:06,726 --> 00:11:08,528
{\an7}EVERY TIME YOU SPIN IT, YOU JUST
GOT TO PICK IT UP AND MOVE IT
308
00:11:08,528 --> 00:11:08,891
{\an7}GOT TO PICK IT UP AND MOVE IT
AROUND.
309
00:11:08,891 --> 00:11:13,000
{\an7}AROUND.
BECAUSE YOU NEVER SOLVED ONE.
310
00:11:13,000 --> 00:11:14,759
{\an7}BECAUSE YOU NEVER SOLVED ONE.
NONE OF US HAS EVER SOLVED ONE.
311
00:11:14,759 --> 00:11:17,297
{\an7}NONE OF US HAS EVER SOLVED ONE.
DON’T ACT SURPRISED.
312
00:11:17,297 --> 00:11:19,594
{\an7}DON’T ACT SURPRISED.
DO THEY EVER GET A MARTIN STATUE
313
00:11:19,594 --> 00:11:20,396
{\an7}DO THEY EVER GET A MARTIN STATUE
RIGHT?
314
00:11:20,396 --> 00:11:21,099
{\an7}RIGHT?
>> Leslie: NEVER.
315
00:11:21,099 --> 00:11:23,627
{\an7}>> Leslie: NEVER.
>> LOOK AT THIS STATUE.
316
00:11:23,627 --> 00:11:28,330
{\an7}>> LOOK AT THIS STATUE.
I MEAN, WHAT THE HELL IS THIS?
317
00:11:28,330 --> 00:11:29,396
{\an7}I MEAN, WHAT THE HELL IS THIS?
THE MAN LITERALLY MARCHED FOR
318
00:11:29,396 --> 00:11:30,099
{\an7}THE MAN LITERALLY MARCHED FOR
FREEDOM AND HIS STATUE DON’T
319
00:11:30,099 --> 00:11:35,000
{\an7}FREEDOM AND HIS STATUE DON’T
HAVE NO LEGS?
320
00:11:35,000 --> 00:11:35,858
{\an7}HAVE NO LEGS?
YOU KNOW WHY PEOPLE LIKE THE
321
00:11:35,858 --> 00:11:38,330
{\an7}YOU KNOW WHY PEOPLE LIKE THE
MONA LISA?
322
00:11:38,330 --> 00:11:39,825
{\an7}MONA LISA?
BECAUSE I CAN SEE THE BITCH.
323
00:11:39,825 --> 00:11:42,000
{\an7}BECAUSE I CAN SEE THE BITCH.
AND SHE’S GIVING FIERCE, SHE’S
324
00:11:42,000 --> 00:11:45,132
{\an7}AND SHE’S GIVING FIERCE, SHE’S
GIVING UNBOTHERED, SHE’S GIVING
325
00:11:45,132 --> 00:11:46,396
{\an7}GIVING UNBOTHERED, SHE’S GIVING
LEGACY.
326
00:11:46,396 --> 00:11:48,561
{\an7}LEGACY.
AM I PRETTY?
327
00:11:48,561 --> 00:11:51,660
{\an7}AM I PRETTY?
DOESN’T MATTER, I’M FAMOUS.
328
00:11:51,660 --> 00:11:56,792
{\an7}DOESN’T MATTER, I’M FAMOUS.
[APPLAUSE]
329
00:11:56,792 --> 00:11:59,792
{\an7}[APPLAUSE]
NOW SAY WHAT YOU WILL ABOUT THEM
330
00:11:59,792 --> 00:12:00,660
{\an7}NOW SAY WHAT YOU WILL ABOUT THEM
GOOFY ASS CONSERVATIVES BUT THEY
331
00:12:00,660 --> 00:12:02,957
{\an7}GOOFY ASS CONSERVATIVES BUT THEY
KNOW HOW TO MAKE A STATUE.
332
00:12:02,957 --> 00:12:07,099
{\an7}KNOW HOW TO MAKE A STATUE.
IT’S A WHITE DUDE ON A HORSE.
333
00:12:07,099 --> 00:12:10,099
{\an7}IT’S A WHITE DUDE ON A HORSE.
IT’S ALWAYS A WHITE DUDE ON A
334
00:12:10,099 --> 00:12:11,231
{\an7}IT’S ALWAYS A WHITE DUDE ON A
HORSE.
335
00:12:11,231 --> 00:12:12,693
{\an7}HORSE.
THERE IS NO CONFUSION!
336
00:12:12,693 --> 00:12:14,033
{\an7}THERE IS NO CONFUSION!
SO LISTEN, THAT’S WHAT THE
337
00:12:14,033 --> 00:12:14,660
{\an7}SO LISTEN, THAT’S WHAT THE
LIBERALS NEED TO DO.
338
00:12:14,660 --> 00:12:16,726
{\an7}LIBERALS NEED TO DO.
MAKE A STATUE OF MLK, IN HIS
339
00:12:16,726 --> 00:12:18,891
{\an7}MAKE A STATUE OF MLK, IN HIS
SUIT, ON A HORSE!
340
00:12:18,891 --> 00:12:22,198
{\an7}SUIT, ON A HORSE!
[APPLAUSE]
341
00:12:22,198 --> 00:12:22,759
{\an7}[APPLAUSE]
>> Leslie: YEAH, BUT
342
00:12:22,759 --> 00:12:25,594
{\an7}>> Leslie: YEAH, BUT
DID MLK HAVE A HORSE?
343
00:12:25,594 --> 00:12:27,396
{\an7}DID MLK HAVE A HORSE?
>> I DON’T KNOW!
344
00:12:27,396 --> 00:12:29,825
{\an7}>> I DON’T KNOW!
AND NEITHER DO Y’ALL!
345
00:12:29,825 --> 00:12:31,396
{\an7}AND NEITHER DO Y’ALL!
SO PUT HIM ON A HORSE, PUT HIM
346
00:12:31,396 --> 00:12:34,594
{\an7}SO PUT HIM ON A HORSE, PUT HIM
ON A THRONE --
347
00:12:34,594 --> 00:12:35,825
{\an7}ON A THRONE --
HELL, PUT HIM IN
348
00:12:35,825 --> 00:12:38,957
{\an7}HELL, PUT HIM IN
JOE BIDEN’S CORVETTE!
349
00:12:38,957 --> 00:12:43,264
{\an7}JOE BIDEN’S CORVETTE!
[APPLAUSE]
350
00:12:43,264 --> 00:12:44,000
{\an7}[APPLAUSE]
AT LEAST WE WOULD KNOW WHO IT
351
00:12:44,000 --> 00:12:46,759
{\an7}AT LEAST WE WOULD KNOW WHO IT
WAS.
352
00:12:46,759 --> 00:12:49,330
{\an7}WAS.
BECAUSE YOU KNOW WHAT, MAIS
353
00:12:49,330 --> 00:12:49,693
{\an7}BECAUSE YOU KNOW WHAT, MAIS
LESLIE?
354
00:12:49,693 --> 00:12:51,000
{\an7}LESLIE?
>> Leslie: YES, BABY?
355
00:12:51,000 --> 00:12:55,429
{\an7}>> Leslie: YES, BABY?
>> I ALSO HAVE A DREAM.
356
00:12:55,429 --> 00:12:56,924
{\an7}>> I ALSO HAVE A DREAM.
I HAVE A DREAM
357
00:12:56,924 --> 00:12:59,660
{\an7}I HAVE A DREAM
OF AN MLK STATUE WITH FEET.
358
00:12:59,660 --> 00:13:02,132
{\an7}OF AN MLK STATUE WITH FEET.
WITH A TORSO AND LEGS AND ARMS
359
00:13:02,132 --> 00:13:06,033
{\an7}WITH A TORSO AND LEGS AND ARMS
IN THE RIGHT PLACE.
360
00:13:06,033 --> 00:13:07,396
{\an7}IN THE RIGHT PLACE.
>> Leslie: AMEN!
361
00:13:07,396 --> 00:13:08,396
{\an7}>> Leslie: AMEN!
>> A STATUE THAT DOESN’T LOOK
362
00:13:08,396 --> 00:13:12,033
{\an7}>> A STATUE THAT DOESN’T LOOK
LIKE A SEX ACT.
363
00:13:12,033 --> 00:13:14,429
{\an7}LIKE A SEX ACT.
BECAUSE RIGHT NOW, IT LOOKS LIKE
364
00:13:14,429 --> 00:13:15,462
{\an7}BECAUSE RIGHT NOW, IT LOOKS LIKE
A PENIS.
365
00:13:15,462 --> 00:13:16,528
{\an7}A PENIS.
>> Leslie: HALLELUJAH.
366
00:13:16,528 --> 00:13:17,858
{\an7}>> Leslie: HALLELUJAH.
>> IF YOU WANT THERE TO BE A
367
00:13:17,858 --> 00:13:21,330
{\an7}>> IF YOU WANT THERE TO BE A
PENIS, THEN FINE, YOU CAN GIVE
368
00:13:21,330 --> 00:13:23,231
{\an7}PENIS, THEN FINE, YOU CAN GIVE
HIM A PENIS.
369
00:13:23,231 --> 00:13:24,858
{\an7}HIM A PENIS.
THE GREAT MARTIN LUTHER KING HAD
370
00:13:24,858 --> 00:13:25,891
{\an7}THE GREAT MARTIN LUTHER KING HAD
A PENIS.
371
00:13:25,891 --> 00:13:26,594
{\an7}A PENIS.
SO THEY SAY.
372
00:13:26,594 --> 00:13:31,429
{\an7}SO THEY SAY.
BUT DON’T MAKE THAT GREAT MAN,
373
00:13:31,429 --> 00:13:34,297
{\an7}BUT DON’T MAKE THAT GREAT MAN,
GIVE HIM A GOOD, CHRISTIAN
374
00:13:34,297 --> 00:13:35,693
{\an7}GIVE HIM A GOOD, CHRISTIAN
PENIS, AND PUT IT WHERE A PENIS
375
00:13:35,693 --> 00:13:36,528
{\an7}PENIS, AND PUT IT WHERE A PENIS
IS SUPPOSED TO GO.
376
00:13:36,528 --> 00:13:42,033
{\an7}IS SUPPOSED TO GO.
BECAUSE I KNOW A COUPLE PLACES
377
00:13:42,033 --> 00:13:46,231
{\an7}BECAUSE I KNOW A COUPLE PLACES
WHERE A PENIS IS SUPPOSED TO GO,
378
00:13:46,231 --> 00:13:48,462
{\an7}WHERE A PENIS IS SUPPOSED TO GO,
LESLIE, I’M TELLING YOU --
379
00:13:48,462 --> 00:13:50,165
{\an7}LESLIE, I’M TELLING YOU --
>> Leslie: OKAY, OKAY, YOU
380
00:13:50,165 --> 00:13:52,858
{\an7}>> Leslie: OKAY, OKAY, YOU
WRITE, YOU WRITE.
381
00:13:52,858 --> 00:13:53,594
{\an7}WRITE, YOU WRITE.
[CHEERS AND APPLAUSE]
382
00:13:53,594 --> 00:13:54,891
{\an7}[CHEERS AND APPLAUSE]
BRING IT BACK TO MLK, BRING IT
383
00:13:54,891 --> 00:13:57,132
{\an7}BRING IT BACK TO MLK, BRING IT
BACK TO MLK.
384
00:13:57,132 --> 00:13:59,561
{\an7}BACK TO MLK.
>> YOU ALL GOT TO BE CAREFUL, I
385
00:13:59,561 --> 00:14:01,561
{\an7}>> YOU ALL GOT TO BE CAREFUL, I
HAVE A DRESS ON.
386
00:14:01,561 --> 00:14:06,033
{\an7}HAVE A DRESS ON.
>> Leslie: Y’ALL, GIVE IT UP
387
00:14:06,033 --> 00:14:10,099
{\an7}>> Leslie: Y’ALL, GIVE IT UP
FOR DULCE!
388
00:14:10,099 --> 00:14:13,297
{\an7}FOR DULCE!
[CHEERS AND APPLAUSE]
389
00:14:13,297 --> 00:14:14,495
{\an7}[CHEERS AND APPLAUSE]
WHEN WE COME BACK --
390
00:14:14,495 --> 00:14:15,066
{\an7}WHEN WE COME BACK --
[LAUGHTER]
391
00:14:15,066 --> 00:14:15,858
{\an7}[LAUGHTER]
WHEN WE COME BACK, I’LL FIND OUT
392
00:14:15,858 --> 00:14:17,792
{\an7}WHEN WE COME BACK, I’LL FIND OUT
WHAT YOU DID ON MLK DAY.
393
00:14:29,201 --> 00:14:56,531
{\an7}[CHEERS AND APPLAUSE]
394
00:14:56,531 --> 00:14:58,026
{\an7}[CHEERS AND APPLAUSE]
395
00:14:58,026 --> 00:14:58,696
{\an7}[CHEERS AND APPLAUSE]
>> Leslie: WELCOME BACK TO
396
00:14:58,696 --> 00:14:59,234
{\an7}>> Leslie: WELCOME BACK TO
"THE DAILY SHOW!"
397
00:14:59,234 --> 00:15:00,894
{\an7}"THE DAILY SHOW!"
AS WE MENTIONED BEFORE, MLK DAY
398
00:15:00,894 --> 00:15:01,366
{\an7}AS WE MENTIONED BEFORE, MLK DAY
WAS YESTERDAY.
399
00:15:01,366 --> 00:15:02,234
{\an7}WAS YESTERDAY.
AND EVERYBODY CELEBRATES IT
400
00:15:02,234 --> 00:15:02,762
{\an7}AND EVERYBODY CELEBRATES IT
THEIR OWN WAY.
401
00:15:02,762 --> 00:15:03,663
{\an7}THEIR OWN WAY.
AND A LOT OF THOSE WAYS ARE
402
00:15:03,663 --> 00:15:04,125
{\an7}AND A LOT OF THOSE WAYS ARE
WRONG.
403
00:15:04,125 --> 00:15:05,201
{\an7}WRONG.
SO I WENT AROUND NEW YORK
404
00:15:05,201 --> 00:15:05,960
{\an7}SO I WENT AROUND NEW YORK
YESTERDAY TO FIND OUT HOW PEOPLE
405
00:15:05,960 --> 00:15:06,498
{\an7}YESTERDAY TO FIND OUT HOW PEOPLE
WERE CELEBRATING.
406
00:15:06,498 --> 00:15:07,894
{\an7}WERE CELEBRATING.
SO CHECK IT OUT.
407
00:15:07,894 --> 00:15:09,498
{\an7}SO CHECK IT OUT.
>> Leslie: SINCE
408
00:15:09,498 --> 00:15:10,597
{\an7}>> Leslie: SINCE
"THE DAILY SHOW" FINALLY HIRED A
409
00:15:10,597 --> 00:15:13,366
{\an7}"THE DAILY SHOW" FINALLY HIRED A
BLACK HOST, WE CAN PROPERLY
410
00:15:13,366 --> 00:15:14,125
{\an7}BLACK HOST, WE CAN PROPERLY
CELEBRATE MARTIN LUTHER KING DAY
411
00:15:14,125 --> 00:15:15,861
{\an7}CELEBRATE MARTIN LUTHER KING DAY
BY ASKING NEW YORKERS HOW
412
00:15:15,861 --> 00:15:17,960
{\an7}BY ASKING NEW YORKERS HOW
THEY CELEBRATE HIS LEGACY.
413
00:15:17,960 --> 00:15:18,696
{\an7}THEY CELEBRATE HIS LEGACY.
SHUT UP.
414
00:15:18,696 --> 00:15:20,267
{\an7}SHUT UP.
DON’T INTERRUPT ME ON
415
00:15:20,267 --> 00:15:20,894
{\an7}DON’T INTERRUPT ME ON
MARTIN LUTHER KING DAY.
416
00:15:20,894 --> 00:15:22,026
{\an7}MARTIN LUTHER KING DAY.
THAT AIN’T COOL.
417
00:15:22,026 --> 00:15:24,729
{\an7}THAT AIN’T COOL.
SO LET’S DO THIS.
418
00:15:24,729 --> 00:15:27,564
{\an7}SO LET’S DO THIS.
DO Y’ALL KNOW WHAT TODAY IS?
419
00:15:27,564 --> 00:15:30,432
{\an7}DO Y’ALL KNOW WHAT TODAY IS?
>> YOU KNOW WHAT IT IS TODAY?
420
00:15:30,432 --> 00:15:31,927
{\an7}>> YOU KNOW WHAT IT IS TODAY?
>> IT’S MONDAY.
421
00:15:31,927 --> 00:15:33,267
{\an7}>> IT’S MONDAY.
>> Leslie: WHAT DID YOU DO
422
00:15:33,267 --> 00:15:33,597
{\an7}>> Leslie: WHAT DID YOU DO
TODAY?
423
00:15:33,597 --> 00:15:34,795
{\an7}TODAY?
>> TODAY, WE JUST BROKE UP.
424
00:15:34,795 --> 00:15:36,729
{\an7}>> TODAY, WE JUST BROKE UP.
>> JUST CHECKED OUT OF OUR
425
00:15:36,729 --> 00:15:37,059
{\an7}>> JUST CHECKED OUT OF OUR
HOTEL.
426
00:15:37,059 --> 00:15:38,927
{\an7}HOTEL.
>> WE ARE GOING TO GO GET COFFEE
427
00:15:38,927 --> 00:15:40,092
{\an7}>> WE ARE GOING TO GO GET COFFEE
COME WALK AROUND.
428
00:15:40,092 --> 00:15:42,696
{\an7}COME WALK AROUND.
>> Leslie: SO WHICH ONE OF
429
00:15:42,696 --> 00:15:43,465
{\an7}>> Leslie: SO WHICH ONE OF
THOSE CELEBRATES
430
00:15:43,465 --> 00:15:44,092
{\an7}THOSE CELEBRATES
MARTIN LUTHER KING DAY?
431
00:15:44,092 --> 00:15:45,597
{\an7}MARTIN LUTHER KING DAY?
>> WELL, NONE OF WHAT WE HAVE
432
00:15:45,597 --> 00:15:47,993
{\an7}>> WELL, NONE OF WHAT WE HAVE
TALKED ABOUT SO FAR.
433
00:15:47,993 --> 00:15:49,432
{\an7}TALKED ABOUT SO FAR.
>> Leslie: SO THIS AIN’T
434
00:15:49,432 --> 00:15:51,059
{\an7}>> Leslie: SO THIS AIN’T
REPARATIONS, BUT THIS IS ENOUGH.
435
00:15:51,059 --> 00:15:52,234
{\an7}REPARATIONS, BUT THIS IS ENOUGH.
THAT’S RIGHT.
436
00:15:52,234 --> 00:15:54,762
{\an7}THAT’S RIGHT.
GIVE ME ONE HAND.
437
00:15:54,762 --> 00:15:55,498
{\an7}GIVE ME ONE HAND.
YEAH!
438
00:15:55,498 --> 00:15:57,092
{\an7}YEAH!
WHAT ARE YOU ALL DOING TO
439
00:15:57,092 --> 00:15:58,158
{\an7}WHAT ARE YOU ALL DOING TO
CELEBRATE MLK?
440
00:15:58,158 --> 00:15:58,927
{\an7}CELEBRATE MLK?
>> CAME TO NEW YORK.
441
00:15:58,927 --> 00:16:00,498
{\an7}>> CAME TO NEW YORK.
>> Leslie: CAME TO NEW YORK?
442
00:16:00,498 --> 00:16:00,927
{\an7}>> Leslie: CAME TO NEW YORK?
THAT’S THAT?
443
00:16:00,927 --> 00:16:01,894
{\an7}THAT’S THAT?
THAT’S ALL YOU GOING TO DO?
444
00:16:01,894 --> 00:16:04,234
{\an7}THAT’S ALL YOU GOING TO DO?
>> WENT TO SOME SHOWS, GET SOME
445
00:16:04,234 --> 00:16:05,861
{\an7}>> WENT TO SOME SHOWS, GET SOME
FOOD, DO SOME SHOPPING.
446
00:16:05,861 --> 00:16:08,663
{\an7}FOOD, DO SOME SHOPPING.
>> Leslie: I WILL GET BACK TO
447
00:16:08,663 --> 00:16:09,927
{\an7}>> Leslie: I WILL GET BACK TO
DR. KING ON JUNETEENTH AND Y’ALL
448
00:16:09,927 --> 00:16:12,630
{\an7}DR. KING ON JUNETEENTH AND Y’ALL
BETTER HAVE DONE BETTER.
449
00:16:12,630 --> 00:16:13,399
{\an7}BETTER HAVE DONE BETTER.
REFUSED TO MOVE TO THE BACK OF
450
00:16:13,399 --> 00:16:17,993
{\an7}REFUSED TO MOVE TO THE BACK OF
THE BOX BUS.
451
00:16:17,993 --> 00:16:20,564
{\an7}THE BOX BUS.
THAT WAS ROSA PARKS!
452
00:16:20,564 --> 00:16:23,399
{\an7}THAT WAS ROSA PARKS!
NAME A FAMOUS MLK QUOTE.
453
00:16:23,399 --> 00:16:25,267
{\an7}NAME A FAMOUS MLK QUOTE.
>> I HAVE A DREAM.
454
00:16:25,267 --> 00:16:26,630
{\an7}>> I HAVE A DREAM.
>> I HAVE A DREAM.
455
00:16:26,630 --> 00:16:28,762
{\an7}>> I HAVE A DREAM.
>> Leslie: AND WHAT DOES HE
456
00:16:28,762 --> 00:16:29,333
{\an7}>> Leslie: AND WHAT DOES HE
SAY AFTER THAT?
457
00:16:29,333 --> 00:16:30,762
{\an7}SAY AFTER THAT?
>> I AM NOT SURE.
458
00:16:30,762 --> 00:16:33,861
{\an7}>> I AM NOT SURE.
>> Leslie: NAME A FAMOUS MLK
459
00:16:33,861 --> 00:16:34,201
{\an7}>> Leslie: NAME A FAMOUS MLK
QUOTE.
460
00:16:34,201 --> 00:16:35,795
{\an7}QUOTE.
BESIDES "I HAVE A DREAM."
461
00:16:35,795 --> 00:16:41,333
{\an7}BESIDES "I HAVE A DREAM."
>> BESIDES "I HAVE A DREAM?"
462
00:16:41,333 --> 00:16:43,597
{\an7}>> BESIDES "I HAVE A DREAM?"
>> Leslie: I WILL PAY YOU
463
00:16:43,597 --> 00:16:44,828
{\an7}>> Leslie: I WILL PAY YOU
$1 MILLION IF YOU CAN TELL ME
464
00:16:44,828 --> 00:16:45,399
{\an7}$1 MILLION IF YOU CAN TELL ME
SOMETHING ELSE THAT
465
00:16:45,399 --> 00:16:47,300
{\an7}SOMETHING ELSE THAT
MARTIN LUTHER KING SAID.
466
00:16:47,300 --> 00:16:48,927
{\an7}MARTIN LUTHER KING SAID.
>> HE TOLD HIS CHILDREN THAT HE
467
00:16:48,927 --> 00:16:51,366
{\an7}>> HE TOLD HIS CHILDREN THAT HE
LOVED THEM.
468
00:16:51,366 --> 00:16:54,059
{\an7}LOVED THEM.
>> Leslie: MILLION DOLLARS!
469
00:16:54,059 --> 00:16:57,092
{\an7}>> Leslie: MILLION DOLLARS!
[LAUGHTER]
470
00:16:57,092 --> 00:16:57,828
{\an7}[LAUGHTER]
YOU DO NOT KNOW.
471
00:16:57,828 --> 00:16:58,432
{\an7}YOU DO NOT KNOW.
[LAUGHTER]
472
00:16:58,432 --> 00:16:59,861
{\an7}[LAUGHTER]
>> CAN WE GOOGLE IT?
473
00:16:59,861 --> 00:17:01,927
{\an7}>> CAN WE GOOGLE IT?
>> Leslie: NO!
474
00:17:01,927 --> 00:17:04,158
{\an7}>> Leslie: NO!
>> I HAVE A DREAM.
475
00:17:04,158 --> 00:17:05,531
{\an7}>> I HAVE A DREAM.
THAT ONE DAY...
476
00:17:05,531 --> 00:17:05,927
{\an7}THAT ONE DAY...
OH, GOSH.
477
00:17:05,927 --> 00:17:06,861
{\an7}OH, GOSH.
>> Leslie: I HAVE A DREAM THAT
478
00:17:06,861 --> 00:17:09,861
{\an7}>> Leslie: I HAVE A DREAM THAT
ONE DAY, WHY PEOPLE ACTUALLY
479
00:17:09,861 --> 00:17:11,125
{\an7}ONE DAY, WHY PEOPLE ACTUALLY
KNOW WHAT IS IN THAT DAMN
480
00:17:11,125 --> 00:17:11,498
{\an7}KNOW WHAT IS IN THAT DAMN
SPEECH.
481
00:17:11,498 --> 00:17:13,861
{\an7}SPEECH.
NAME FIVE BLACK PEOPLE.
482
00:17:13,861 --> 00:17:15,399
{\an7}NAME FIVE BLACK PEOPLE.
THAT’S THE ONLY BLACK PERSON YOU
483
00:17:15,399 --> 00:17:15,729
{\an7}THAT’S THE ONLY BLACK PERSON YOU
KNOW?
484
00:17:15,729 --> 00:17:18,894
{\an7}KNOW?
>> FIVE?
485
00:17:18,894 --> 00:17:19,399
{\an7}>> FIVE?
BYRON LEFTWICH.
486
00:17:19,399 --> 00:17:21,059
{\an7}BYRON LEFTWICH.
>> Leslie: WHO IS BYRON
487
00:17:21,059 --> 00:17:21,927
{\an7}>> Leslie: WHO IS BYRON
LEFTWICH?
488
00:17:21,927 --> 00:17:23,125
{\an7}LEFTWICH?
AIN’T NOBODY KNOW HIM.
489
00:17:23,125 --> 00:17:23,993
{\an7}AIN’T NOBODY KNOW HIM.
YOU MAKING UP NAMES.
490
00:17:23,993 --> 00:17:26,564
{\an7}YOU MAKING UP NAMES.
HOW ARE YOU CELEBRATING YOU
491
00:17:26,564 --> 00:17:27,465
{\an7}HOW ARE YOU CELEBRATING YOU
CELEBRATING MARTIN LUTHER KING?
492
00:17:27,465 --> 00:17:30,234
{\an7}CELEBRATING MARTIN LUTHER KING?
>> UM, NOT TOO SURE ERIC WAS THE
493
00:17:30,234 --> 00:17:32,267
{\an7}>> UM, NOT TOO SURE ERIC WAS THE
ONE THAT’S WHAT HE DIED FOR
494
00:17:32,267 --> 00:17:33,828
{\an7}ONE THAT’S WHAT HE DIED FOR
CUMBERLAND?
495
00:17:33,828 --> 00:17:36,498
{\an7}CUMBERLAND?
NOT DOING NOTHING ON HIS DAY?
496
00:17:36,498 --> 00:17:37,663
{\an7}NOT DOING NOTHING ON HIS DAY?
NO, I’M JUST GETTING YOU.
497
00:17:37,663 --> 00:17:39,927
{\an7}NO, I’M JUST GETTING YOU.
YOU CAN DO WHATEVER YOU WANT.
498
00:17:39,927 --> 00:17:43,026
{\an7}YOU CAN DO WHATEVER YOU WANT.
>> WE ARE GOING TO GO SEE
499
00:17:43,026 --> 00:17:43,531
{\an7}>> WE ARE GOING TO GO SEE
"THE LION KING."
500
00:17:43,531 --> 00:17:45,234
{\an7}"THE LION KING."
GOT KING IN THE NAME.
501
00:17:45,234 --> 00:17:46,267
{\an7}GOT KING IN THE NAME.
[LAUGHTER]
502
00:17:46,267 --> 00:17:47,300
{\an7}[LAUGHTER]
>> Leslie: THAT’S THE CLOSEST
503
00:17:47,300 --> 00:17:48,158
{\an7}>> Leslie: THAT’S THE CLOSEST
YOU CAN GET.
504
00:17:48,158 --> 00:17:49,597
{\an7}YOU CAN GET.
>> THE FREEDOM AND LIBERTY TO GO
505
00:17:49,597 --> 00:17:51,333
{\an7}>> THE FREEDOM AND LIBERTY TO GO
ABOUT AND DO WHAT YOU WANT TO
506
00:17:51,333 --> 00:17:52,993
{\an7}ABOUT AND DO WHAT YOU WANT TO
DO, THAT IS HOW I CELEBRATED.
507
00:17:52,993 --> 00:17:54,399
{\an7}DO, THAT IS HOW I CELEBRATED.
>> Leslie: THAT’S A QUOTE FROM
508
00:17:54,399 --> 00:17:55,465
{\an7}>> Leslie: THAT’S A QUOTE FROM
A BLACK WOMAN RIGHT THERE.
509
00:17:55,465 --> 00:17:56,894
{\an7}A BLACK WOMAN RIGHT THERE.
SHE EARNED THAT.
510
00:17:56,894 --> 00:17:57,432
{\an7}SHE EARNED THAT.
SHE EARNED THAT.
511
00:17:57,432 --> 00:17:59,498
{\an7}SHE EARNED THAT.
>> WE DO WHAT WE WANT TO DO.
512
00:17:59,498 --> 00:18:01,300
{\an7}>> WE DO WHAT WE WANT TO DO.
>> Leslie: IT’S HER BIRTHDAY!
513
00:18:01,300 --> 00:18:02,465
{\an7}>> Leslie: IT’S HER BIRTHDAY!
HOW OLD ARE YOU?
514
00:18:02,465 --> 00:18:03,696
{\an7}HOW OLD ARE YOU?
>> I’M 50.
515
00:18:03,696 --> 00:18:06,201
{\an7}>> I’M 50.
>> Leslie: WHAT!
516
00:18:06,201 --> 00:18:08,267
{\an7}>> Leslie: WHAT!
YOU STILL NEED LOTION, THOUGH.
517
00:18:08,267 --> 00:18:09,795
{\an7}YOU STILL NEED LOTION, THOUGH.
[LAUGHTER]
518
00:18:09,795 --> 00:18:10,399
{\an7}[LAUGHTER]
[CHEERS AND APPLAUSE]
519
00:18:10,399 --> 00:18:11,597
{\an7}[CHEERS AND APPLAUSE]
>> Leslie: ALL RIGHT, STAY TUNED
520
00:18:11,597 --> 00:18:14,366
{\an7}>> Leslie: ALL RIGHT, STAY TUNED
BECAUSE WHEN WE COME BACK,
521
00:18:14,366 --> 00:18:16,597
{\an7}BECAUSE WHEN WE COME BACK,
MORRIS CHESTNUT WILL BE JOINING
522
00:18:16,597 --> 00:18:18,597
{\an7}MORRIS CHESTNUT WILL BE JOINING
ME ON THE SHOW!
523
00:18:28,273 --> 00:18:57,702
[CHEERS AND APPLAUSE]
[CHEERS AND APPLAUSE]
Leslie: WELCOME BACK TO
"THE DAILY SHOW"!
524
00:18:57,702 --> 00:19:05,610
MY GUEST TONIGHT IS AN ACTOR AND
PRODUCER YOU KNOW FROM
"BOYZ IN THE HOOD" AND
THE "BEST MAN" FRANCHISE.
525
00:19:05,610 --> 00:19:11,282
HE'S HERE TO TALK ABOUT THE NEW
LIMITED SERIES, "THE BEST MAN:
THE FINAL CHAPTERS," WHICH IS
STREAMING RIGHT NOW ON PEACOCK.
526
00:19:11,282 --> 00:19:16,120
YOU SEEM QUITE PREOCCUPIED.
OH, YEAH, GUESS I'M A LITTLE
OFF.
WHAT DO YOU NEED TO DO TO GET
527
00:19:16,120 --> 00:19:22,860
BACK ON, MR. AMERICAN?
I'M NOT SURE.
WHY?
DO YOU HAVE ANY SUGGESTIONS?
528
00:19:22,860 --> 00:19:26,431
WELL, I'M ABOUT TO GO FOR A
RUN.
YOU ARE WELCOME TO JOIN IF YOU
CAN KEEP UP.
529
00:19:26,431 --> 00:19:30,702
OF COURSE I CAN KEEP UP.
I'M A WORLD-CLASS --
WAIT, HOLD ON.
Leslie: PLEASE WELCOME
530
00:19:30,702 --> 00:19:38,876
MORRIS CHESTNUT!
[CHEERS AND APPLAUSE]
♪ ♪
THANK YOU SO MUCH.
531
00:19:38,876 --> 00:19:44,882
[CHEERS AND APPLAUSE]
WHAT'S UP, EVERYBODY?
ALL RIGHT!
[CHEERS AND APPLAUSE]
532
00:19:44,882 --> 00:19:50,588
LESLIE JONES!
I AM ON THE LESLIE JONES SHOW.
[LAUGHS]
Leslie: OH, MY GOD!
533
00:19:50,588 --> 00:19:53,925
MORRIS CHESTNUT!
[LAUGHS]
[CHEERS AND APPLAUSE]
THANK YOU, GUYS, THANK YOU.
534
00:19:53,925 --> 00:19:57,895
Leslie: OH, MY GOD!
YOU ARE THE EPITOME OF BLACK
DON'T CRACK, BRO!
YOU ARE BEAUTIFUL!
535
00:19:57,895 --> 00:20:04,302
THANK YOU.
LET ME JUST SAY, FIRST OF ALL,
YOU WERE SO KIND AND GENEROUS,
FROM THE WHOLE CAST AND THE
536
00:20:04,302 --> 00:20:08,506
WHOLE PRODUCTION, THANK YOU FOR
ALL OF THE POSTS YOU DID WHEN
THE STREAMING CAME OUT.
WE TRULY APPRECIATE YOU.
537
00:20:08,506 --> 00:20:12,176
Leslie: I AM TELLING THE
TRUTH, IT IS ONE OF THE BEST
THINGS I HAVE WATCHED IN A LONG
TIME.
538
00:20:12,176 --> 00:20:18,082
THANK YOU, THANK YOU.
[CHEERS AND APPLAUSE]
Leslie: AND I KNEW -- I
KNEW IT WAS GOING TO BE GOOD
539
00:20:18,082 --> 00:20:23,621
BECAUSE YOU GUYS HAVE GREAT
ACTORS.
Y'ALL ARE ALREADY GOOD ACTORS.
IT'S A GREAT PLOT, YOU HAVE A
540
00:20:23,621 --> 00:20:28,926
GREAT DIRECTOR, AND YOU SPENT
TIME ON EVERYTHING.
IT IS JUST SO APPRECIATED.
THANK YOU SO MUCH.
541
00:20:28,926 --> 00:20:32,630
AND THANK YOU FOR WATCHING.
THANK ALL YOU GUYS FOR WATCHING,
EVERYBODY OUT THERE.
[CHEERS AND APPLAUSE]
542
00:20:32,630 --> 00:20:43,975
Leslie: SO GOOD.
NOW THE ONE THING I
APPRECIATE ABOUT THE FRANCHISE
IS HOW THEY HAVE BLACK MEN BEING
543
00:20:43,975 --> 00:20:47,845
FRIENDS AND BEING REAL.
HOW DO YOU THINK -- HOW
IMPORTANT IT IS DO YOU THINK THE
PORTRAYAL OF FRIENDSHIPS AND
544
00:20:47,845 --> 00:20:56,587
RELATIONSHIPS BETWEEN BLACK MEN
AS PORTRAYED ON TV?
I THINK IT WAS VERY IMPORTANT
FOR OUR MOVIE.
545
00:20:56,587 --> 00:21:01,893
JUST FOR THE -- BECAUSE LISTEN,
THERE IS LIFE THAT HAPPENS,
THERE'S DRAMA THAT HAPPENS, YOU
ARE FRIENDS WITH SOMEBODY LONG
546
00:21:01,893 --> 00:21:06,264
ENOUGH, THERE'S BOUND TO BE SOME
TYPES OF DISAGREEMENTS AND
ARGUMENTS AND ALL THAT TYPE OF
SITUATION.
547
00:21:06,264 --> 00:21:12,336
HOWEVER, WITH OUR FILM, IT SHOWS
THAT YOU CAN OVERCOME THAT.
NO MATTER WHAT YOUR DIFFERENCES
ARE, NO MATTER WHAT TYPE OF
548
00:21:12,336 --> 00:21:17,842
ARGUMENTS OR DISAGREEMENTS YOU
GET INTO, AS A BROTHERHOOD, YOU
CAN STILL COME TOGETHER AND BE
THERE FOR YOUR BROTHERS.
549
00:21:17,842 --> 00:21:22,446
SO I THINK THAT IT'S ONE OF THE
THINGS THAT HAS HELPED THIS
SERIES PREVAIL THROUGHOUT THE
YEARS.
550
00:21:22,446 --> 00:21:28,319
[CHEERS AND APPLAUSE]
Leslie: YOU KNOW, I
THINK -- YES, DEFINITELY!
[CHEERS AND APPLAUSE]
551
00:21:28,319 --> 00:21:34,392
ONE OF MY FAVORITE SCENES IS
WHEN HE IS GOING THROUGH THE
DIVORCE, AND YOU GUYS CAME OVER
AND JUST STARTED SITTING AT THE
552
00:21:34,392 --> 00:21:40,698
TABLE, LIKE, WE ABOUT TO PLAY
CARDS, FOOL, THAT JUST MADE MY
HEART.
BUT I WILL TELL YOU MY FAVORITE
553
00:21:40,698 --> 00:21:45,469
PART, THE WAY YOU DEALT WITH
YOUR SON.
OH, YES.
Leslie: IT WAS SO GOOD.
554
00:21:45,469 --> 00:21:52,443
EVERYTHING -- EVERY TIME YOU
WOULD PRAY, I'D BE LIKE, YOU
HAVE THE WRONG PRAYERS.
YOU GOT THE WRONG PRAYERS.
555
00:21:52,443 --> 00:21:59,951
"MAKE GOD CHANGE HIM."
"MAKE GOD CHANGE HIM."
BUT WHEN YOU FINALLY SAID, "GOD
CHANGE ME," IT -- I BAWLED!
556
00:21:59,951 --> 00:22:06,557
I BAWLED!
THANK YOU, THANK YOU,
THANK YOU.
Leslie: I HOPE YOU GET ALL
557
00:22:06,557 --> 00:22:10,528
THE AWARDS!
SERIOUSLY, THAT WAS SO GOOD.
THANK YOU.
THAT STORY LINE WAS TOUGH FOR
558
00:22:10,528 --> 00:22:15,833
ME BECAUSE IT WAS SO NEW.
THE PRONOUNS, AND SOMETHING THAT
REALLY HASN'T BEEN EXPLORED TOO
MUCH --
559
00:22:15,833 --> 00:22:20,238
Leslie: ESPECIALLY IN THE
BLACK COMMUNITY.
ESPECIALLY IN THE BLACK
COMMUNITY.
560
00:22:20,238 --> 00:22:23,507
I WAS ON THE FENCE BECAUSE THEY
DON'T REALLY KNOW WHY MY
CHARACTER FEELS THE WAY THAT HE
FEELS.
561
00:22:23,507 --> 00:22:27,712
PEOPLE CAN COME TO THEIR OWN
CONCLUSIONS.
SO IT WAS A TOUGH STORY LINE FOR
ME.
562
00:22:27,712 --> 00:22:31,649
ERIC WAS A GREAT ACTOR THAT
PLAYED MY SON.
THE WAY IT WAS WRITTEN WAS SO
BEAUTIFUL.
563
00:22:31,649 --> 00:22:38,055
SO THANK YOU FOR ENJOYING THAT.
Leslie: IT WAS ABSOLUTELY
BEAUTIFUL AND I HAVE TO GIVE YOU
RECOGNITION, YOU GOT YOUR
564
00:22:38,055 --> 00:22:42,126
HALL OF FAME WALK -- I THINK I'M
SAYING IT RIGHT.
HOLLYWOOD WALK OF FAME.
YES, THANK YOU, THANK YOU.
565
00:22:42,126 --> 00:22:48,466
[CHEERS AND APPLAUSE]
Leslie: I AM SO PROUD OF
YOU!
THANK YOU SO MUCH.
566
00:22:48,466 --> 00:22:51,702
THAT'S ME THERE.
THANK YOU, THANK YOU.
Leslie: YES!
THANK YOU.
567
00:22:51,702 --> 00:22:57,241
Leslie: OH, MY GOD, MORRIS,
THANK YOU SO MUCH FOR COMING ON
MYFIRST DAY.
LISTEN, THANK YOU FOR HAVING
568
00:22:57,241 --> 00:23:01,812
ME!
YOU ARE KILLING IT!
YOU ARE KILLING IT!
CONGRATULATIONS!
569
00:23:01,812 --> 00:23:06,317
Leslie: AM I DOING GOOD?
YOU ARE DOING GREAT.
YOU ARE KILLING IT!
YOU SHOULD KEEP DOING IT.
570
00:23:06,317 --> 00:23:09,887
[CHEERS AND APPLAUSE]
THANK YOU SO MUCH.
Leslie: OKAY.
WE ARE GOING TO TAKE A BREAK.
571
00:23:09,887 --> 00:23:15,493
WE ARE GOING TO TAKE A BREAK.
[LAUGHS]
WE ARE GOING TO TAKE A QUICK
BREAK BUT WE WILL BE RIGHT BACK!
572
00:23:15,493 --> 00:23:19,664
WE'LL BE RIGHT BACK AFTER
THIS!
[LAUGHTER]
[CHEERS AND APPLAUSE]
573
00:23:26,270 --> 00:23:51,561
♪ ♪
[CHEERS AND APPLAUSE]
Leslie: THAT'S OUR SHOW FOR
TONIGHT, BUT BEFORE WE GO,
574
00:23:51,561 --> 00:23:57,200
PLEASE CONSIDER SUPPORTING
THE BROWN BAG LADY.
THEY ARE A NON-PROFIT ROOTED IN
USING KINDNESS, FOOD, AND
575
00:23:57,200 --> 00:24:03,640
ESSENTIALS AS A WAY TO IMPROVE
THE LIVES OF UNHOUSED NEIGHBORS
AND OTHERS THROUGHOUT
LOS ANGELES.
576
00:24:03,640 --> 00:24:11,548
TO THIS DATE, THE BROWN BAG LADY
HAS MADE SURE OVER 90,000 PEOPLE
HAVE NOT GONE TO BED HUNGRY.
[CHEERS AND APPLAUSE]
577
00:24:11,548 --> 00:24:17,888
OKAY?
I LOVE HER!
HER NAME IS MISS JACKIE, HER
NAME IS MISS JACKIE, I LOVE
578
00:24:17,888 --> 00:24:22,459
MS. JACKIE.
IF YOU WANT TO DONATE, PLEASE
DONATE AT THE LINK BELOW, YOU
WILL BE HELPING HOMELESS PEOPLE
579
00:24:22,459 --> 00:24:30,767
AND THAT IS MY THING, SO DO IT!
[CHEERS AND APPLAUSE]
[LAUGHS]
AND NOW, HERE IT IS, YOUR
580
00:24:30,767 --> 00:24:32,269
"MOMENT OF ZEN."
[CHEERS AND APPLAUSE]