1
00:00:01,368 --> 00:00:03,869
- OH, DICK!
- OH, MARY!

2
00:00:03,871 --> 00:00:06,138
- WE MUSTN'T
DO THIS HERE.
- YES, WE MUST DO IT.

3
00:00:06,140 --> 00:00:08,373
- WE CAN'T!
- WE CAN.  I MEASURED.

4
00:00:08,375 --> 00:00:11,176
OH!  I HAVE
AN EARLY CLASS
TOMORROW.

5
00:00:11,178 --> 00:00:13,178
YOU HEAR WHAT
SHE SAID, DICK?

6
00:00:13,180 --> 00:00:15,180
SHE'S GOT AN EARLY
CLASS TOMORROW.

7
00:00:15,182 --> 00:00:17,249
WILL YOU BE QUIET?

8
00:00:17,251 --> 00:00:20,052
CAN'T YOU SEE
I'M TRYING TO GET
TO SECOND BASE HERE?

9
00:00:20,054 --> 00:00:23,054
THINGS HAVE REALLY
CHANGED SINCE SHE
ENTERED THE PICTURE.

10
00:00:23,056 --> 00:00:26,258
NOW WE EVEN HAVE
TO ACT LIKE HUMANS
WHEN WE'RE BY OURSELVES.

11
00:00:26,260 --> 00:00:28,627
SHE'S LIKE
THAT YOKO WOMAN

12
00:00:28,629 --> 00:00:30,629
WHO RUINED
HER HUSBAND'S BAND.

13
00:00:30,631 --> 00:00:32,731
OH, YEAH.

14
00:00:32,733 --> 00:00:35,500
YOU REMEMBER
THAT EPISODE WHERE
SHE CONVINCED RICKY

15
00:00:35,502 --> 00:00:37,602
THAT SHE COULD PLAY
THE BONGOS?

16
00:00:42,476 --> 00:00:45,377
- THIS BITES.
-<i> ( Mary yelps )</i>

17
00:00:45,379 --> 00:00:47,512
SO DOES SHE.

18
00:00:47,514 --> 00:00:49,514
<i> ( '50s rock music playing )</i>

19
00:01:24,117 --> 00:01:25,717
WHAT?

20
00:01:30,257 --> 00:01:32,424
THE CRUST IN YOUR EYES,
IT'S STILL THERE.

21
00:01:32,426 --> 00:01:34,960
OH, NO!
NO, DON'T TOUCH IT.

22
00:01:34,962 --> 00:01:37,296
IT'S BEAUTIFUL.

23
00:01:37,298 --> 00:01:39,364
MY GOD, YOU'RE
A MORNING PERSON.

24
00:01:39,366 --> 00:01:41,200
NO.

25
00:01:41,202 --> 00:01:43,202
NO, I'M
A MARY PERSON.

26
00:01:43,204 --> 00:01:45,637
OH!  OH, THAT'S
SO SWEET.

27
00:01:45,639 --> 00:01:48,040
I HAD THE STRANGEST DREAM
THAT YOUR BROTHER HARRY

28
00:01:48,042 --> 00:01:50,808
WAS CURLED UP AT OUR FEET
IN THE MIDDLE
OF THE NIGHT.

29
00:01:55,749 --> 00:01:57,682
IT WON'T HAPPEN AGAIN.

30
00:01:59,386 --> 00:02:01,719
- I'LL FINISH DRESSING.
- CAN I HELP YOU?

31
00:02:01,721 --> 00:02:03,355
NO.

32
00:02:04,925 --> 00:02:07,058
DO YOU MIND?

33
00:02:07,060 --> 00:02:09,561
I AM TRYING
TO SLEEP.

34
00:02:12,966 --> 00:02:15,634
- SHE SLEPT OVER AGAIN?
- SLEPT?  NO.

35
00:02:17,203 --> 00:02:19,504
WELL, EVENTUALLY,
BUT I THINK THE INNUENDO

36
00:02:19,506 --> 00:02:21,773
IS DELIGHTFULLY CLEAR.

37
00:02:21,775 --> 00:02:24,776
DON'T YOU SEE
WHAT'S GOING ON HERE?
SHE HOGS THE BATHROOM.

38
00:02:24,778 --> 00:02:27,345
SHE LEAVES STUFF
IN THE SINK
FOR ME TO WASH.

39
00:02:27,347 --> 00:02:29,480
AND LAST NIGHT
SHE FORCED US TO WATCH

40
00:02:29,482 --> 00:02:33,418
AN A&E BIOGRAPHY
ON SUSAN SAINT JAMES.

41
00:02:33,420 --> 00:02:36,188
- WHAT'S YOUR POINT,
LIEUTENANT?
- YOU LET IN AN OUTSIDER.

42
00:02:36,190 --> 00:02:38,624
- SHE'S GETTING IN THE WAY
OF THIS MISSION.
- I'M GIVING YOU

43
00:02:38,626 --> 00:02:40,625
AN OPPORTUNITY
TO OBSERVE HER
UP CLOSE.

44
00:02:40,627 --> 00:02:42,794
WELL, SHE'S
NO JO ANNE WORLEY,

45
00:02:42,796 --> 00:02:44,730
BUT QUARTERS TO HER.

46
00:02:46,634 --> 00:02:48,333
HELLO, TOMMY.

47
00:02:48,335 --> 00:02:52,003
I REALLY WANT
THE TWO OF US
TO BE FRIENDS.

48
00:02:52,005 --> 00:02:53,972
DON'T YOU HAVE
ANY FRIENDS
OF YOUR OWN?

49
00:02:55,576 --> 00:02:57,576
YOU'RE PROBABLY
VERY CONFUSED

50
00:02:57,578 --> 00:03:00,044
ABOUT WHAT'S
GOING ON BETWEEN
YOUR FATHER AND ME.

51
00:03:00,046 --> 00:03:02,881
NO, NOT REALLY.
I HAVE EXCELLENT HEARING.

52
00:03:04,985 --> 00:03:07,386
I JUST WANT YOU TO KNOW
THAT YOUR FATHER AND I

53
00:03:07,388 --> 00:03:10,822
- ARE GOING TO BE SEEING
A LOT MORE OF EACH OTHER.
- OH, WOW.

54
00:03:10,824 --> 00:03:13,858
HOW MUCH COULD
POSSIBLY BE LEFT?

55
00:03:13,860 --> 00:03:16,561
WELL, GOTTA GO.
SEE YOU AT THE OFFICE.

56
00:03:16,563 --> 00:03:19,164
I HAVE AN IDEA.
WHY DON'T I RIDE
WITH YOU?

57
00:03:19,166 --> 00:03:21,166
I THINK IT WOULD BE
A BETTER IDEA

58
00:03:21,168 --> 00:03:23,668
IF WE RODE SEPARATELY,
IF YOU KNOW WHAT I MEAN.

59
00:03:23,670 --> 00:03:27,071
- I DON'T KNOW WHAT YOU MEAN.
- PEOPLE MIGHT START
THINKING

60
00:03:27,073 --> 00:03:29,140
THAT WE'RE
SLEEPING TOGETHER.

61
00:03:29,142 --> 00:03:32,410
- ( gasps )  WHAT?!
- WE ARE.

62
00:03:32,412 --> 00:03:34,412
WE ARE, I SWEAR.

63
00:03:34,414 --> 00:03:36,414
WHY CAN'T YOU TWO
JUST RIDE TOGETHER?

64
00:03:36,416 --> 00:03:39,183
- I NEED THE CAR
TO GO SHOPPING.
- I NEED A RIDE DOWNTOWN.

65
00:03:39,185 --> 00:03:41,219
IT'S JUST NOT
A GOOD IDEA.

66
00:03:41,221 --> 00:03:43,721
- WHY NOT?
- THIS IS EXACTLY WHAT
I WAS TALKING ABOUT.

67
00:03:43,723 --> 00:03:46,991
- SHE HAS A CAR...
- IT'S REALLY NONE
OF OUR BUSINESS...

68
00:03:46,993 --> 00:03:49,093
YOU KNOW WHAT?!

69
00:03:49,095 --> 00:03:51,095
I DON'T WANT TO
START A FIGHT HERE.

70
00:03:51,097 --> 00:03:53,098
IT'S OKAY FOR YOU
TO RIDE WITH ME TODAY.

71
00:03:53,100 --> 00:03:55,199
- YES!
- COME ON.

72
00:04:02,375 --> 00:04:04,308
WHAT'S THIS?

73
00:04:05,679 --> 00:04:08,513
I WON.
I WON $150!

74
00:04:09,750 --> 00:04:11,850
YOU DON'T
UNDERSTAND, LADY.

75
00:04:11,852 --> 00:04:14,752
YOU OWE<i> US</i> $150.

76
00:04:14,754 --> 00:04:18,223
OH, I SEE.
SO YOU LURE ME DOWN HERE
TO COLLECT MY PRIZE.

77
00:04:18,225 --> 00:04:20,692
THEN YOU PULL THE OLD
BAIT AND SWITCH.

78
00:04:20,694 --> 00:04:23,128
-<i> ( phone rings )</i>
- I'LL TAKE CARE
OF THIS.

79
00:04:27,234 --> 00:04:29,635
SALLY?

80
00:04:29,637 --> 00:04:33,138
HELLO, DON.
IT'S BEEN A LONG TIME.

81
00:04:33,140 --> 00:04:35,540
I THOUGHT YOU WALKED OUT
OF MY LIFE FOR GOOD.

82
00:04:35,542 --> 00:04:38,777
I'M BACK.
I RAN INTO TROUBLE
OUT THERE IN THE CITY.

83
00:04:38,779 --> 00:04:41,947
- THE CITY IS
FULL OF TROUBLE.
- I FOUND THIS ON MY CAR.

84
00:04:47,254 --> 00:04:49,254
PARKED IN
A HANDICAP ZONE.

85
00:04:50,958 --> 00:04:54,425
I'M SURE YOU HAD
A GOOD REASON.

86
00:04:54,427 --> 00:04:57,395
YES.  IT WAS
THE CLOSEST SPOT
TO THE STORE.

87
00:04:58,899 --> 00:05:01,166
WORKS FOR ME.

88
00:05:01,168 --> 00:05:03,735
- CONSIDER THIS
TAKEN CARE OF.
- JUST LIKE THAT?

89
00:05:03,737 --> 00:05:06,238
JUST LIKE THAT.

90
00:05:06,240 --> 00:05:08,540
WOW.

91
00:05:08,542 --> 00:05:11,443
SALLY, CAN I TAKE
YOU OUT TONIGHT?

92
00:05:14,748 --> 00:05:16,948
- 'KAY.
- ( chuckles )

93
00:05:21,421 --> 00:05:23,588
- NO.  STOP IT.
- WE'RE NOT IN THE OFFICE.

94
00:05:23,590 --> 00:05:25,656
- BEHAVE YOURSELF.
- LET'S GO BACK
IN THE CAR.

95
00:05:25,658 --> 00:05:28,493
- NO.
- NOT IN THE CAR,
NOT IN THE BAR,

96
00:05:28,495 --> 00:05:30,495
NOT IN THE HOUSE,
NOT UP YOUR BLOUSE.

97
00:05:30,497 --> 00:05:33,431
I CANNOT TOUCH
YOU HERE OR THERE.
I CANNOT TOUCH YOU ANYWHERE.

98
00:05:35,836 --> 00:05:38,336
JUDITH!
FATHER RICE.

99
00:05:38,338 --> 00:05:40,338
- HELLO, DR. ALBRIGHT.
- DR. SOLOMON AND I

100
00:05:40,340 --> 00:05:43,608
JUST RAN
INTO EACH OTHER
ON THE WAY IN.

101
00:05:43,610 --> 00:05:45,844
DR. SUTER.

102
00:05:45,846 --> 00:05:48,947
- WHAT?
- I SAID, DR. SUTER!

103
00:05:50,083 --> 00:05:53,151
- YOU AGAIN!
- DO YOU NEED ANY HELP?

104
00:05:53,153 --> 00:05:55,153
GET AWAY FROM ME.

105
00:05:55,155 --> 00:05:58,190
( stammers )

106
00:05:58,192 --> 00:06:00,125
GOOD FOR YOU!
STAY INDEPENDENT!

107
00:06:02,129 --> 00:06:04,428
DICK, RUMOR HAS IT

108
00:06:04,430 --> 00:06:07,165
THAT YOU AND A CERTAIN
ANTHROPOLOGY PROFESSOR

109
00:06:07,167 --> 00:06:09,601
ARE, UH... GOING
AT IT PRETTY GOOD.

110
00:06:09,603 --> 00:06:12,237
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

111
00:06:12,239 --> 00:06:14,005
YEAH, RIGHT.

112
00:06:15,575 --> 00:06:17,242
<i> ( slide whistle )</i>

113
00:06:17,244 --> 00:06:20,311
<i> ( object plinks )</i>

114
00:06:20,313 --> 00:06:22,913
-<i> ( beeping )</i>
- I GOTTA GET ME
AN ANVIL.

115
00:06:24,952 --> 00:06:27,118
-<i> ( tires screeching )</i>
- HARRY, I NEED A RIDE.

116
00:06:27,120 --> 00:06:30,321
- NO.
- YOU KNOW,
I OUTRANK YOU.

117
00:06:30,323 --> 00:06:33,157
OH.  WELL,
IN THAT CASE,
NO, SIR.

118
00:06:35,028 --> 00:06:37,261
PLEASE?
JUST GIVE ME A RIDE.

119
00:06:37,263 --> 00:06:40,098
LOOK, COME ON.
CAN'T YOU SEE
THAT I'M BUSY?

120
00:06:40,100 --> 00:06:42,200
WHAT, IS IT
TOO MUCH TO ASK

121
00:06:42,202 --> 00:06:44,502
FOR A LITTLE TIME
FOR HARRY?

122
00:06:44,504 --> 00:06:46,504
I'LL TELL YOU WHAT.

123
00:06:46,506 --> 00:06:49,007
IF THE ROADRUNNER
WINS THIS NEXT ONE,
YOU TAKE ME.

124
00:06:49,009 --> 00:06:51,776
BUT IF HE DOESN'T,
I'LL NEVER ASK YOU AGAIN.

125
00:06:54,714 --> 00:06:57,682
OKAY, YOU'RE ON.

126
00:06:57,684 --> 00:06:59,684
I'VE SEEN THIS
NEXT SCHEME BEFORE,

127
00:06:59,686 --> 00:07:02,787
AND IT'S
FAR TOO BRILLIANT
TO FAIL TWICE.

128
00:07:05,959 --> 00:07:08,293
<i> ( slide whistle )</i>

129
00:07:08,295 --> 00:07:10,461
<i> ( crashes )</i>

130
00:07:10,463 --> 00:07:12,630
LET'S GO.

131
00:07:12,632 --> 00:07:14,399
- Dick:<i> YOU'RE WRONG.</i>
- Judith:<i> I'M RIGHT.</i>

132
00:07:14,401 --> 00:07:16,101
-<i> YOU'RE WRONG.</i>
-<i> I'M NOT WRONG.</i>

133
00:07:16,103 --> 00:07:17,802
YOU'RE WRONG
ABOUT THAT, TOO.

134
00:07:17,804 --> 00:07:20,271
THERE'S NO WAY
TO OBSERVE A SOCIETY
WITHOUT INTRUDING.

135
00:07:20,273 --> 00:07:22,640
- ONE CAN'T HELP
BUT LEAVE FOOTPRINTS.
- OF COURSE NOT.

136
00:07:22,642 --> 00:07:25,443
I'VE SEEN
YOUR BIPEDAL GAIT.

137
00:07:25,445 --> 00:07:27,445
SO LET ME GET
THIS STRAIGHT.

138
00:07:27,447 --> 00:07:30,114
YOU'RE SAYING
THAT YOU COULD DROP
RIGHT OUT OF THE SKY

139
00:07:30,116 --> 00:07:32,684
INTO SOME STRANGE
CULTURE AND WALK
AMONGST THEM UNNOTICED?

140
00:07:32,686 --> 00:07:34,485
YES!

141
00:07:34,487 --> 00:07:36,654
HYPOTHETICALLY.

142
00:07:36,656 --> 00:07:38,723
MARY, YOU'RE
AN ANTHROPOLOGIST.
BACK ME UP.

143
00:07:38,725 --> 00:07:42,060
I'M AFRAID I'D HAVE
TO AGREE WITH DR. SOLOMON.

144
00:07:42,062 --> 00:07:44,829
OF COURSE.
WHAT WAS I THINKING?

145
00:07:44,831 --> 00:07:46,430
YOU'RE SLEEPING
WITH HIM.

146
00:07:54,675 --> 00:07:57,509
THIS IS A DISASTER, DICK.
EVERYBODY'S TALKING
ABOUT US.

147
00:07:57,511 --> 00:07:59,544
OH, WE'RE BACK
TO THAT AGAIN.

148
00:07:59,546 --> 00:08:01,613
YOU JUST
DON'T UNDERSTAND.

149
00:08:01,615 --> 00:08:04,449
I'VE WORKED HARD
TO BE TAKEN SERIOUSLY.

150
00:08:04,451 --> 00:08:07,418
- THERE WAS A TIME
WHEN I HAD A REPUTATION.
- FOR EXCELLENCE?

151
00:08:11,624 --> 00:08:13,458
WELL, YES,

152
00:08:13,460 --> 00:08:16,361
BUT IN A VERY
SPECIFIC CATEGORY.

153
00:08:16,363 --> 00:08:18,863
WHEN I WAS
A YOUNG PROFESSOR
ON THE FAST TRACK,

154
00:08:18,865 --> 00:08:21,699
- THERE WERE
THINGS THAT I DID.
- WHAT WERE YOU DOING?

155
00:08:21,701 --> 00:08:23,968
THE DEAN.

156
00:08:25,672 --> 00:08:28,840
IS THAT LIKE
THE WATUSI?

157
00:08:28,842 --> 00:08:31,442
SOMETIMES.

158
00:08:31,444 --> 00:08:34,445
- THERE WAS THIS VERY
PRESTIGIOUS JOB OPENING.
- DID YOU GET IT?

159
00:08:34,447 --> 00:08:36,547
NO, I DIDN'T
GET THE JOB,

160
00:08:36,549 --> 00:08:39,184
BUT I DID GET
A NICKNAME--

161
00:08:39,186 --> 00:08:41,119
DR. MARY SLUTBUNNY.

162
00:08:42,522 --> 00:08:44,555
WELL, THERE'S
YOUR SILVER LINING.

163
00:08:44,557 --> 00:08:47,225
YOU JUST DON'T
GET IT, DO YOU?

164
00:08:47,227 --> 00:08:51,129
WHEN A MAN HAS AN OFFICE
ROMANCE, IT DOESN'T
AFFECT HIS CAREER.

165
00:08:51,131 --> 00:08:53,697
BUT WHEN A WOMAN HAS ONE,
NO ONE TAKES HER
SERIOUSLY.

166
00:08:53,699 --> 00:08:57,168
- I DON'T UNDERSTAND.
- I DON'T EXPECT YOU TO.

167
00:08:57,170 --> 00:08:59,170
I NEED TO BE
ALONE TONIGHT.

168
00:08:59,172 --> 00:09:00,905
BUT I'M NOT
LIKE THAT.

169
00:09:00,907 --> 00:09:04,075
- I TAKE YOU SERIOUSLY,
DR. SLUTBUNNY.
-<i> ( door closes )</i>

170
00:09:08,315 --> 00:09:11,816
SALLY, YOU LOOK
BEAUTIFUL.

171
00:09:11,818 --> 00:09:15,119
OH, DON, THAT'S JUST
THE DOUGHNUTS TALKING.

172
00:09:17,056 --> 00:09:19,224
WHAT YOU DID TODAY
WAS REALLY POWERFUL.

173
00:09:19,226 --> 00:09:22,260
YOU JUST SNAPPED YOUR
FINGERS, AND THINGS
FELL INTO PLACE.

174
00:09:22,262 --> 00:09:25,496
LET'S JUST KEEP THAT
OUR LITTLE SECRET,
SHALL WE?

175
00:09:25,498 --> 00:09:27,231
OKAY.

176
00:09:27,233 --> 00:09:29,467
WOULD YOU LIKE
ANOTHER DOUGHNUT?

177
00:09:29,469 --> 00:09:32,703
I DON'T KNOW.
ARE YOU SURE
YOU CAN AFFORD IT?

178
00:09:32,705 --> 00:09:34,705
I GET 'EM FOR FREE,

179
00:09:34,707 --> 00:09:36,707
ALL EXCEPT
THE CREAM-FILLED,

180
00:09:36,709 --> 00:09:38,776
BUT ALL THAT WILL CHANGE
WHEN I MAKE DETECTIVE.

181
00:09:40,713 --> 00:09:43,681
THAT DAY
WILL COME, DON.

182
00:09:43,683 --> 00:09:45,984
WE'LL MAKE IT COME.

183
00:09:45,986 --> 00:09:47,685
AND THEN...

184
00:09:49,022 --> 00:09:51,323
WE CAN EAT
CREAM-FILLED

185
00:09:51,325 --> 00:09:53,357
TOGETHER.

186
00:09:53,359 --> 00:09:56,294
<i> ( radio squelches,</i>
<i> muffled chatter )</i>

187
00:09:58,198 --> 00:10:00,898
ONE-DAVID-NINER.
ONE-DAVID-NINER.
COPY THAT.

188
00:10:00,900 --> 00:10:02,800
2-18?
2-18.

189
00:10:02,802 --> 00:10:05,803
- WHAT IS IT?
- IT'S A 2-18.

190
00:10:05,805 --> 00:10:07,806
- I HAVE TO GO.
- TAKE ME WITH YOU.

191
00:10:07,808 --> 00:10:09,908
- I CAN'T.
- PLEASE?

192
00:10:09,910 --> 00:10:11,876
- LET'S RIDE.
- OH, GOODY!

193
00:10:16,350 --> 00:10:19,584
THAT WAS
SO EXHILARATING, DON.

194
00:10:19,586 --> 00:10:21,653
I'VE NEVER BEEN
ON A RAID BEFORE.

195
00:10:21,655 --> 00:10:23,988
COME TO THINK OF IT,
I'VE NEVER HELD
A CRIMINAL

196
00:10:23,990 --> 00:10:26,124
OFF THE ROOF
OF A WAREHOUSE
BY HIS ANKLES

197
00:10:26,126 --> 00:10:27,725
UNTIL HE SCREAMED,
"MOMMY!"

198
00:10:29,796 --> 00:10:31,629
OH, MOMMY.

199
00:10:31,631 --> 00:10:35,166
SALLY, YOU MAKE ME
FEEL ALIVE,

200
00:10:35,168 --> 00:10:37,168
LIKE I'VE DROPPED
A STUN GUN

201
00:10:37,170 --> 00:10:39,270
DOWN MY PANTS.

202
00:10:39,272 --> 00:10:42,206
HEY, DON,
DO IT AGAIN.

203
00:10:42,208 --> 00:10:43,975
SALLY,

204
00:10:43,977 --> 00:10:46,077
YOU'RE INSATIABLE.

205
00:10:47,581 --> 00:10:49,514
( siren wailing )

206
00:10:56,656 --> 00:11:00,524
- ( whistles )
- YOU'RE HOME
AWFULLY LATE.

207
00:11:00,526 --> 00:11:03,895
DICK, I THINK
I'VE FINALLY FOUND
MY CALLING.

208
00:11:03,897 --> 00:11:06,263
- WHAT?
- I'M JOINING
THE POLICE FORCE.

209
00:11:06,265 --> 00:11:08,900
- WHY?
- BECAUSE I CAN MAKE
A DIFFERENCE.

210
00:11:08,902 --> 00:11:11,035
I'M SORRY, LIEUTENANT,
BUT I FORBID IT.

211
00:11:11,037 --> 00:11:13,604
- WHY?
- BECAUSE YOU<i> WILL</i>
MAKE A DIFFERENCE.

212
00:11:13,606 --> 00:11:15,607
SAY YOU CLEAN UP
RUTHERFORD.
WHAT'S NEXT?

213
00:11:15,609 --> 00:11:17,441
- CLEVELAND.
- EXACTLY.

214
00:11:17,443 --> 00:11:19,443
- THEN YOU CLEAN UP OHIO.
- THAT'S THE PLAN.

215
00:11:19,445 --> 00:11:21,713
SOON, THE ENTIRE MIDWEST
IS CRIME-FREE.

216
00:11:21,715 --> 00:11:23,715
WHAT'S GOING TO HAPPEN
TO ALL THOSE PEOPLE

217
00:11:23,717 --> 00:11:25,717
WHOSE INCOME
DEPENDS ON CRIME?

218
00:11:25,719 --> 00:11:28,986
THE LAWYERS,
THE INSURANCE COMPANIES,
THE 11:00 NEWS?

219
00:11:28,988 --> 00:11:31,256
HELL, THE ENTIRE
FOX NETWORK?

220
00:11:33,026 --> 00:11:35,026
THERE ARE WORLDWIDE
IMPLICATIONS HERE.

221
00:11:35,028 --> 00:11:37,061
WE'RE NOT SUPPOSED
TO INTERFERE WITH LIFE
ON THIS PLANET.

222
00:11:37,063 --> 00:11:40,297
- WHY CAN'T I INTERFERE
WITH THE PLANET?  YOU DO.
- I DO NOT.

223
00:11:40,299 --> 00:11:43,434
- WHAT DO YOU CALL WHAT YOU'RE
DOING WITH DR. ALBRIGHT?
- THAT'S DIFFERENT.

224
00:11:43,436 --> 00:11:46,671
WHEN YOU'RE IN LOVE WITH
SOMEONE, YOU'RE ALLOWED
TO SCREW UP THEIR LIFE.

225
00:11:46,673 --> 00:11:49,006
THAT'S WHAT LOVE IS.

226
00:11:49,008 --> 00:11:51,742
I UNDERSTAND.
I'LL TALK TO DON.

227
00:11:51,744 --> 00:11:53,745
THANK YOU,
LIEUTENANT.

228
00:11:53,747 --> 00:11:56,514
NOW, IF YOU'LL EXCUSE ME,
I HAVE TO GO TO BED.

229
00:11:56,516 --> 00:11:59,416
I CAN'T BE AROUND YOU
WITH A NIGHTSTICK
RIGHT NOW.

230
00:12:02,989 --> 00:12:05,489
YES,

231
00:12:05,491 --> 00:12:07,692
I SEEM TO HAVE
THAT EFFECT ON WOMEN.

232
00:12:09,996 --> 00:12:11,930
( sobbing )

233
00:12:17,671 --> 00:12:19,336
HEY.

234
00:12:19,338 --> 00:12:22,040
WOULD YOU PLEASE
TAKE IT OUTSIDE?

235
00:12:23,944 --> 00:12:25,542
( high-pitched sobbing )

236
00:12:32,652 --> 00:12:36,354
- IF ONLY I COULD BE
THAT SPOON.
- STOP IT.

237
00:12:38,358 --> 00:12:40,425
YOU LET ME BE
THE SPOON YESTERDAY.

238
00:12:40,427 --> 00:12:43,660
- CUT IT OUT.
- COME ON!

239
00:12:43,662 --> 00:12:45,897
DICK, WE'RE
PROFESSIONALS.

240
00:12:45,899 --> 00:12:47,932
WE HAVE REPUTATIONS
TO PROTECT.

241
00:12:47,934 --> 00:12:49,934
- WE'RE NOT KIDS ANYMORE.
- OH, I SEE.

242
00:12:49,936 --> 00:12:52,904
THE LOOSER THE SKIN,
THE TIGHTER THE BEHAVIOR.
IS THAT IT?

243
00:12:54,240 --> 00:12:57,408
JUST LET ME BE
THE SPOON ONCE.
PLEASE?

244
00:12:57,410 --> 00:13:00,411
FINE.
JUST THIS ONCE.

245
00:13:06,853 --> 00:13:08,986
( moans )

246
00:13:08,988 --> 00:13:10,688
( gurgles )

247
00:13:15,328 --> 00:13:17,328
YOU'RE ABOUT
A QUART LOW.

248
00:13:19,899 --> 00:13:23,667
FROM NOW ON, I'M JUST
GOING TO SLIDE THINGS
UNDER THE DOOR.

249
00:13:23,669 --> 00:13:26,103
THE TWO OF YOU
HAVEN'T RSVP'd

250
00:13:26,105 --> 00:13:28,673
THE TRUSTEES'
COCKTAIL RECEPTION
TOMORROW NIGHT.

251
00:13:28,675 --> 00:13:30,774
WELL, I CAN'T SPEAK
FOR DR. SOLOMON,

252
00:13:30,776 --> 00:13:32,710
BUT I'LL BE THERE.

253
00:13:34,747 --> 00:13:38,082
- NINA, CAN I
ASK YOU SOMETHING?
- DAMN!  I ALMOST MADE IT.

254
00:13:39,485 --> 00:13:41,485
THERE'S A MAN
AND A WOMAN,

255
00:13:41,487 --> 00:13:44,321
AND THE WOMAN
WON'T LET THE MAN
NEAR HER IN PUBLIC.

256
00:13:44,323 --> 00:13:47,324
THE MAN IS
VERY FRUSTRATED.
WHAT SHOULD HE DO

257
00:13:47,326 --> 00:13:50,728
WHEN ALL HE WANTS
IS CLIMB TO THE TOP
OF THE ENGINEERING TOWER

258
00:13:50,730 --> 00:13:53,064
AND PROCLAIM HIS LOVE
FOR ALL THE CAMPUS
TO HEAR?

259
00:13:53,066 --> 00:13:56,167
- I WOULDN'T DO THAT
IF I WERE HIM.
- WHY NOT?

260
00:13:56,169 --> 00:13:59,270
BECAUSE DR. ALBRIGHT
WOULD KILL HIM DEAD.

261
00:14:03,210 --> 00:14:05,210
FINE.

262
00:14:05,212 --> 00:14:07,511
I WON'T.

263
00:14:10,549 --> 00:14:12,617
I DON'T KNOW WHAT
CAME OVER HER.

264
00:14:12,619 --> 00:14:15,385
SAME OLD STORY.
SHE WANTS MORE SPACE.

265
00:14:15,387 --> 00:14:17,788
I DON'T KNOW HOW
TO GIVE IT TO H--

266
00:14:17,790 --> 00:14:19,457
WAIT.
I'VE GOT IT.

267
00:14:19,459 --> 00:14:21,892
I'LL GO OUT AND BUY
TWO DOZEN ROSES,

268
00:14:21,894 --> 00:14:24,728
AND THEN I'LL
PUT A LITTLE NOTE
ON EACH ROSE THAT SAYS,

269
00:14:24,730 --> 00:14:26,964
"HOPE YOU'RE ENJOYING
YOUR SPACE."

270
00:14:26,966 --> 00:14:30,801
THEN I'LL TAKE ONE OVER
EVERY HOUR ON THE HOUR
AND GIVE IT TO HER.

271
00:14:30,803 --> 00:14:33,737
IF SHE'S NOT THERE,
I'LL LEAVE IT
ON HER DOORSTEP.

272
00:14:33,739 --> 00:14:35,973
THAT DOESN'T SOUND
LIKE A VERY GOOD IDEA.

273
00:14:35,975 --> 00:14:37,975
LOOK, DO YOU
WANT HER BACK,

274
00:14:37,977 --> 00:14:41,578
OR DO YOU
WANT HER TO THINK
YOU'RE AN IDIOT?

275
00:14:41,580 --> 00:14:44,415
- I WANT HER BACK.
- WELL, YOU'VE GOT
TO PLAY IT COOL.

276
00:14:44,417 --> 00:14:46,817
YOU HAVE TO ACT LIKE
YOU COULDN'T CARE LESS

277
00:14:46,819 --> 00:14:48,986
- WHETHER SHE
LIKES YOU OR NOT.
- BUT I DO.

278
00:14:48,988 --> 00:14:51,322
- NO, YOU DON'T.
- YES, I DO!

279
00:14:51,324 --> 00:14:53,658
NO, YOU DON'T.

280
00:14:53,660 --> 00:14:57,328
OH, RIGHT.

281
00:14:57,330 --> 00:14:59,897
- MAYBE I DON'T.
- THERE YOU GO.

282
00:14:59,899 --> 00:15:02,400
- BUT I DO!
- NO!

283
00:15:02,402 --> 00:15:04,569
TRUST ME,
SHE'LL COME
CRAWLING BACK.

284
00:15:04,571 --> 00:15:06,571
I KNOW WHAT
I'M TALKING ABOUT.

285
00:15:06,573 --> 00:15:08,573
I'VE BEEN MARRIED
FIVE TIMES.

286
00:15:10,643 --> 00:15:12,343
YEAH, WOMEN.

287
00:15:18,652 --> 00:15:21,018
OR SO I'VE HEARD.

288
00:15:23,456 --> 00:15:25,690
I UNDERSTAND,
MRS. BITTENSON.

289
00:15:25,692 --> 00:15:29,193
HIS TREE IS
DROPPING FRUIT
ON YOUR PROPERTY.

290
00:15:29,195 --> 00:15:32,096
IT'S JUST THAT THE POLICE
DEPARTMENT CAN'T DO
ANYTHING AT THIS TIME

291
00:15:32,098 --> 00:15:34,532
EXCEPT DISPATCH THREE
BLACK-AND-WHITES ASAP

292
00:15:34,534 --> 00:15:36,534
TO THAT
DIRTBAG'S HOUSE

293
00:15:36,536 --> 00:15:40,371
AND GAS HIM UNTIL
HE PICKS UP EVERY LAST
ONE OF THOSE...

294
00:15:40,373 --> 00:15:42,540
FIGS.

295
00:15:42,542 --> 00:15:46,076
I'M SORRY, SALLY.
YOU JUST WALKED INTO
A HORNET'S NEST HERE.

296
00:15:46,078 --> 00:15:49,046
- YOU WORK SO HARD,
OFFICER DON.
- RUSTY, RICO.

297
00:15:50,383 --> 00:15:53,484
PROTECT AND SERVE.
THAT'S WHAT I DO--

298
00:15:53,486 --> 00:15:55,520
PROTECT AND SERVE.

299
00:15:55,522 --> 00:15:58,589
- I GOT SOMETHING TO TELL YOU,
AND IT'S GOING TO HURT.
- THEN MAKE IT QUICK.

300
00:15:58,591 --> 00:16:00,591
- I CAN'T JOIN THE FORCE.
- BUT YOU'RE SO GOOD.

301
00:16:00,593 --> 00:16:03,628
I'M THE BEST,
BUT IT'S TOO MUCH POWER
FOR ONE PERSON TO HAVE.

302
00:16:03,630 --> 00:16:06,130
- I'D AFFECT
TOO MANY LIVES.
- NO, THERE'S NO POWER.

303
00:16:06,132 --> 00:16:09,267
I DO NOTHING.
I'M COMPLETELY
INEFFECTUAL.

304
00:16:09,269 --> 00:16:11,269
HERE'S YOUR STICK.

305
00:16:18,678 --> 00:16:21,145
I'LL NEVER FORGET
YOU, SMOKEY.

306
00:16:22,248 --> 00:16:24,081
YOU'LL BE BACK.

307
00:16:24,083 --> 00:16:27,184
A WOMAN LIKE YOU
CAN'T STAY AWAY.

308
00:16:27,186 --> 00:16:29,686
MAYBE.

309
00:16:29,688 --> 00:16:31,622
BE CAREFUL
OUT THERE.

310
00:16:36,495 --> 00:16:38,862
SO ARE WE SENDING
THE SQUAD CARS

311
00:16:38,864 --> 00:16:40,697
TO COLLECT THOSE FIGS?

312
00:16:40,699 --> 00:16:43,467
UM... NO, NO.

313
00:16:43,469 --> 00:16:45,302
I'LL JUST, UM...

314
00:16:45,304 --> 00:16:47,404
PICK 'EM UP
ON MY WAY HOME.

315
00:16:52,678 --> 00:16:54,812
OH, MY GOD.
HERE HE COMES.

316
00:16:54,814 --> 00:16:58,216
- THEY'RE GOING TO HAVE
A FIELD DAY WITH THIS ONE.
- IT'S OKAY.  CALM DOWN.

317
00:16:58,218 --> 00:17:00,117
NINA!
IT'S SO GOOD

318
00:17:00,119 --> 00:17:02,786
TO SEE YOU,

319
00:17:02,788 --> 00:17:04,822
AND ONLY YOU.

320
00:17:04,824 --> 00:17:07,091
( chuckles )
OH, DR. SOLOMON,

321
00:17:07,093 --> 00:17:09,660
I'VE NEVER SEEN YOU
WITH A TURTLENECK
BEFORE.

322
00:17:09,662 --> 00:17:11,595
HIS NAME IS HARRY.

323
00:17:14,100 --> 00:17:17,835
DR. SUTER!
OH, AND MRS. SUMNER!

324
00:17:30,550 --> 00:17:31,983
MMM!

325
00:17:34,120 --> 00:17:36,120
YOU LOOK LOVELY
THIS EVENING.

326
00:17:36,122 --> 00:17:38,122
OH, WELL, THANK--
NO!

327
00:17:41,327 --> 00:17:44,095
MMM!
THIS IS GREAT DIP,
MRS. SUMNER.

328
00:17:44,097 --> 00:17:47,765
- IT'S PÂTÉ.
- THIS IS GREAT
DIP PÂTÉ.

329
00:17:52,739 --> 00:17:55,005
- WHAT'S SHE DOING?
- YOU DON'T CARE.

330
00:17:55,007 --> 00:17:57,141
OH... RIGHT.

331
00:17:57,143 --> 00:17:59,142
DICK, IS THERE
SOMETHING--

332
00:17:59,144 --> 00:18:02,313
MARTINI, DRY.
NOT TOO DRY.
MOIST, VERY MOIST.

333
00:18:03,816 --> 00:18:06,817
I SEE.
YOU'RE PUNISHING ME.

334
00:18:06,819 --> 00:18:08,686
FINE.

335
00:18:08,688 --> 00:18:11,522
- YOU'RE GOOD.
- SMOOTH.

336
00:18:11,524 --> 00:18:13,624
BUT IT'S SO HARD.

337
00:18:13,626 --> 00:18:15,426
SHH!

338
00:18:15,428 --> 00:18:18,729
TROUBLE IN
PARADISE, MARY?

339
00:18:18,731 --> 00:18:20,831
OH, SHUT UP.

340
00:18:20,833 --> 00:18:22,833
DON'T YOU HAVE
ANYTHING BETTER TO DO?

341
00:18:22,835 --> 00:18:25,936
WHY DON'T YOU GET A LIFE
SO I'LL HAVE SOMEBODY
TO TALK ABOUT?

342
00:18:25,938 --> 00:18:28,505
OUCH.

343
00:18:28,507 --> 00:18:30,841
( playing jazz )

344
00:18:30,843 --> 00:18:33,244
OH, I LOVE
THESE THINGS.

345
00:18:33,246 --> 00:18:36,080
- MAY I?
- ( piano flourish )

346
00:18:38,317 --> 00:18:40,351
THIS ISN'T METRIC,
IS IT?

347
00:18:40,353 --> 00:18:42,452
( playing jazz )

348
00:18:44,490 --> 00:18:46,991
- I DIDN'T KNOW YOU PLAYED.
- NO, I'M NOT PLAYING.

349
00:18:46,993 --> 00:18:48,993
I'M ADDING.

350
00:18:48,995 --> 00:18:52,162
♪ NIGHT AND DAY ♪

351
00:18:52,164 --> 00:18:54,365
♪ YOU ARE THE ONE ♪

352
00:18:54,367 --> 00:18:57,501
♪ ONLY YOU
BENEATH THE MOON ♪

353
00:18:57,503 --> 00:18:59,669
♪ AND UNDER THE SUN ♪

354
00:19:01,174 --> 00:19:03,941
<i> ♪ WHETHER NEAR</i>
<i> TO ME OR FAR ♪</i>

355
00:19:03,943 --> 00:19:06,443
♪ IT'S NO MATTER,
DARLING  ♪

356
00:19:06,445 --> 00:19:08,112
♪ WHERE YOU ARE ♪

357
00:19:08,114 --> 00:19:10,280
♪ I THINK OF YOU... ♪

358
00:19:15,622 --> 00:19:17,955
( sobs )

359
00:19:17,957 --> 00:19:21,125
♪ NIGHT AND DAY ♪

360
00:19:21,127 --> 00:19:24,195
♪ UNDER THE HIDE
OF ME ♪

361
00:19:24,197 --> 00:19:27,497
All:
♪ THERE IS, OH, SUCH
A HUNGRY YEARNING ♪

362
00:19:27,499 --> 00:19:31,334
♪ BURNING INSIDE OF ME ♪

363
00:19:31,336 --> 00:19:33,971
<i> ♪ AND THIS TORMENT</i>
<i> WON'T BE THROUGH ♪</i>

364
00:19:33,973 --> 00:19:36,940
- ♪ TILL YOU LET ME
SPEND MY WHOLE LIFE ♪
- ♪ OOH ♪

365
00:19:36,942 --> 00:19:40,511
♪ MAKING LOVE
TO YOU-- ♪

366
00:19:40,513 --> 00:19:43,814
♪ DAY AND NIGHT ♪

367
00:19:45,651 --> 00:19:49,486
( falsetto )
♪ NIGHT AND DAY! ♪

368
00:19:53,226 --> 00:19:56,560
NOT THE WAY
I WOULD HAVE
DONE IT.

369
00:19:56,562 --> 00:19:59,396
WHATEVER.

370
00:19:59,398 --> 00:20:01,398
I'LL NEVER UNDERSTAND
THIS HUMAN OBSESSION

371
00:20:01,400 --> 00:20:03,400
WITH WHAT OTHER
PEOPLE THINK.

372
00:20:03,402 --> 00:20:06,737
I DON'T CARE
WHAT ANYBODY THINKS.

373
00:20:06,739 --> 00:20:09,640
YOU KNOW, HARRY,
MAYBE YOU SHOULD CARE
JUST A LITTLE.

374
00:20:10,877 --> 00:20:12,876
HOW DID YOU LEAVE IT
WITH OFFICER DON?

375
00:20:12,878 --> 00:20:16,213
OPEN.
I'VE NEVER BEEN OUT
WITH A GUY LIKE HIM.

376
00:20:16,215 --> 00:20:18,249
I'VE BEEN WINED
AND DINED,

377
00:20:18,251 --> 00:20:21,585
BUT I'VE NEVER
BEEN<i> DOUGHNUT-ED.</i>

378
00:20:21,587 --> 00:20:23,254
I LIKE IT.

379
00:20:23,256 --> 00:20:26,590
I'D LIKE TO BE BREADED
AND DEEP FRIED.

380
00:20:29,762 --> 00:20:32,396
AND I DON'T CARE WHAT
ANYBODY THINKS OF IT.

381
00:20:32,398 --> 00:20:35,733
YOU'RE RIGHT.
THE ONLY VOICE THAT MATTERS
IS THE ONE INSIDE YOUR HEAD.

382
00:20:35,735 --> 00:20:37,834
HA!  WHICH ONE?

383
00:20:39,238 --> 00:20:41,171
SHUT UP.

384
00:20:49,515 --> 00:20:53,350
MARY ALBRIGHT
IS MINE!

385
00:20:55,788 --> 00:20:58,622
DICK SOLOMON
IS MINE!

386
00:20:58,624 --> 00:21:00,358
<i> ( siren wails )</i>

387
00:21:00,360 --> 00:21:03,728
Man on bullhorn:
<i> You on the roof,</i>
<i> put down the bullhorn!</i>

388
00:21:03,730 --> 00:21:05,730
<i> There have been</i>
<i> complaints.</i>

389
00:21:05,732 --> 00:21:07,732
<i> Put down</i>
<i> the bullhorn!</i>

390
00:21:07,734 --> 00:21:11,902
-<i> ( dog barking )</i>
- THANKS, DON.

391
00:21:20,580 --> 00:21:24,515
<i> ( '50s rock music playing )</i>