1 00:00:01,199 --> 00:00:04,059 [instrumental music] 2 00:00:07,219 --> 00:00:09,169 (Will) It's been a while since I left the family 3 00:00:09,189 --> 00:00:10,230 and moved back to Philly. 4 00:00:10,250 --> 00:00:11,289 Well, yeah, I miss them a lot 5 00:00:12,009 --> 00:00:13,080 but I got me a great job 6 00:00:13,099 --> 00:00:14,220 at Duke's House of Cheesesteaks. 7 00:00:14,240 --> 00:00:16,039 And, like they say 8 00:00:16,059 --> 00:00:18,000 life goes on. 9 00:00:18,019 --> 00:00:19,160 Hey, Smith. 10 00:00:22,260 --> 00:00:24,160 Yo, man, what's up? 11 00:00:24,179 --> 00:00:26,089 Come here. 12 00:00:30,239 --> 00:00:32,000 What's up? 13 00:00:32,020 --> 00:00:33,219 What does this contract say? 14 00:00:35,020 --> 00:00:37,000 - "Fresh Prince of Bel-Air." - That's right. 15 00:00:37,020 --> 00:00:39,240 Not Philadelphia, Bel-Air. 16 00:00:39,259 --> 00:00:41,240 Well, yeah, man, but, you know, my mama-- 17 00:00:41,259 --> 00:00:43,159 Get in the van. 18 00:00:47,079 --> 00:00:48,280 Yo, homes, to Bel-Air. 19 00:00:49,000 --> 00:00:50,250 [theme song] 20 00:00:50,270 --> 00:00:52,049 ♪ Now this is a story ♪ 21 00:00:52,070 --> 00:00:54,149 ♪ All about how my life got flipped ♪ 22 00:00:54,170 --> 00:00:56,200 ♪ Turned upside-down and I'd like to take a minute ♪ 23 00:00:56,219 --> 00:00:59,060 ♪ Just sit right there I'll tell you how I became the prince ♪ 24 00:00:59,079 --> 00:01:01,079 ♪ Of a town called Bel-Air ♪ 25 00:01:09,189 --> 00:01:12,099 ♪ In West Philadelphia born and raised ♪ 26 00:01:12,120 --> 00:01:15,000 ♪ On the playground is where I spent most of my days ♪ 27 00:01:15,019 --> 00:01:16,289 ♪ Chillin' out maxin' relaxing all cool ♪ 28 00:01:17,010 --> 00:01:19,140 ♪ And all shootin' some b-ball outside of the school ♪ 29 00:01:19,159 --> 00:01:22,039 ♪ When a couple of guys who were up to no good ♪ 30 00:01:22,060 --> 00:01:24,010 ♪ Started makin' trouble in my neighborhood ♪ 31 00:01:24,030 --> 00:01:26,140 ♪ I got in one little fight and my mom got scared ♪ 32 00:01:26,159 --> 00:01:27,289 ♪ And said you're moving with your auntie ♪ 33 00:01:28,010 --> 00:01:29,010 ♪ And uncle in Bel-Air ♪ 34 00:01:29,030 --> 00:01:30,039 ♪ I whistled for a cab ♪ 35 00:01:30,060 --> 00:01:31,069 ♪ And when it came near ♪ 36 00:01:31,090 --> 00:01:32,189 ♪ The license plate said fresh ♪ 37 00:01:32,210 --> 00:01:33,270 ♪ And it had dice in the mirror ♪ 38 00:01:33,289 --> 00:01:35,009 ♪ If anything I can say ♪ 39 00:01:35,030 --> 00:01:36,049 ♪ That this cab was rare ♪ 40 00:01:36,069 --> 00:01:37,090 ♪ But I thought nah forget it ♪ 41 00:01:37,109 --> 00:01:39,289 ♪ Yo homes to Bel-Air ♪ 42 00:01:40,009 --> 00:01:43,020 ♪ I pulled up to a house about seven or eight ♪ 43 00:01:43,039 --> 00:01:45,250 ♪ And I yelled to the cabbie yo homes smell you later ♪ 44 00:01:45,270 --> 00:01:48,060 ♪ I looked at my kingdom I was finally there ♪ 45 00:01:48,079 --> 00:01:51,039 ♪ To sit on my throne as the prince of Bel-Air ♪♪ 46 00:02:03,250 --> 00:02:06,069 [instrumental music] 47 00:02:12,009 --> 00:02:14,139 Mr. Jazz is here to see you. 48 00:02:14,159 --> 00:02:17,110 If you need me, I'll be hiding the silver. 49 00:02:19,250 --> 00:02:22,129 Hey, Jazz, what's up, man? 50 00:02:22,150 --> 00:02:24,079 - Psssh! - Psssh. 51 00:02:24,099 --> 00:02:25,270 Man, my best friend's back from Philly 52 00:02:25,289 --> 00:02:27,189 and I gotta hear about it on the street? 53 00:02:27,210 --> 00:02:29,069 Well, I tried to get in touch with you, Jazz. 54 00:02:29,090 --> 00:02:32,090 - Where are you staying? - On the street. 55 00:02:32,110 --> 00:02:34,180 At least until Jewel lets me back in the house. 56 00:02:34,199 --> 00:02:36,219 Hey, man, it's good to see you, man. 57 00:02:36,240 --> 00:02:39,120 By the way, who's playing the mother this year? 58 00:02:41,210 --> 00:02:43,139 It's the same mom. 59 00:02:44,289 --> 00:02:46,069 Who are you? 60 00:02:46,090 --> 00:02:49,050 Oh, come on, Jazz, that's Baby Nicky. 61 00:02:54,139 --> 00:02:55,199 Man, I'm going back on the street 62 00:02:55,219 --> 00:02:57,150 where things make sense. 63 00:02:57,170 --> 00:02:59,180 Honey, I am leaving in five minutes 64 00:02:59,199 --> 00:03:00,270 whether you are ready or not. 65 00:03:00,289 --> 00:03:02,240 Nicky, go get your brother, Carlton. 66 00:03:02,259 --> 00:03:04,229 Hey, hey, Uncle Phil, man, I gotta give you props 67 00:03:04,250 --> 00:03:06,280 for investing in this record store, man. 68 00:03:07,000 --> 00:03:08,110 That must've been a lot of money. 69 00:03:08,129 --> 00:03:10,069 Ho-how much are we really worth? 70 00:03:10,090 --> 00:03:11,080 We? 71 00:03:11,099 --> 00:03:14,039 [laughing] 72 00:03:14,060 --> 00:03:15,139 "We." 73 00:03:17,069 --> 00:03:18,189 [laughs] 74 00:03:18,210 --> 00:03:20,099 Girls, Vivian, let's go! 75 00:03:20,120 --> 00:03:24,000 Philip, I do not appreciate being rushed like this. 76 00:03:24,020 --> 00:03:25,289 It's your big opening, I want to look beautiful. 77 00:03:26,009 --> 00:03:28,110 Well, Vivian, I don't have that kind of time. 78 00:03:28,129 --> 00:03:30,079 Carlton, let's go. 79 00:03:30,099 --> 00:03:32,150 Daddy, I'm so excited you bought a record store. 80 00:03:32,170 --> 00:03:34,139 Finally an investment where I can hang out. 81 00:03:34,159 --> 00:03:35,289 Oh, nothing stopped you from hanging out 82 00:03:36,009 --> 00:03:37,199 at my hardware store. 83 00:03:37,219 --> 00:03:39,039 Hey, hey, look, Uncle Phil, I ain't playing, man. 84 00:03:39,060 --> 00:03:41,030 I am in your will, right? 85 00:03:41,050 --> 00:03:43,069 Well, if he is, I'll fight it. 86 00:03:44,129 --> 00:03:46,199 I'm going, but I'm not staying long. 87 00:03:46,219 --> 00:03:48,030 I'm conferencing with my producers 88 00:03:48,050 --> 00:03:49,280 about my talk-show persona. 89 00:03:50,000 --> 00:03:52,210 Am I antagonizing like Geraldo? 90 00:03:52,229 --> 00:03:55,210 Am I investigative like Donahue? 91 00:03:55,229 --> 00:03:58,020 Maybe you should go bald like Montel. 92 00:04:00,080 --> 00:04:02,050 Okay, now, are we missing anyone? 93 00:04:02,069 --> 00:04:04,009 Just G, but we don't take him nowhere anyway. 94 00:04:04,030 --> 00:04:06,110 (Phil) 'Okay. Come on, let's go.' 95 00:04:08,020 --> 00:04:10,039 [instrumental music] 96 00:04:12,090 --> 00:04:15,110 Yo, Uncle Phil, man, this place is on book. 97 00:04:15,129 --> 00:04:17,250 Hey, you know, this is the kind of place 98 00:04:17,269 --> 00:04:19,149 I could see myself managing. 99 00:04:19,170 --> 00:04:21,180 [chuckles] 100 00:04:21,199 --> 00:04:24,170 Call me stupid, but I'm in this to make some money. 101 00:04:24,189 --> 00:04:27,160 Hey, Uncle Phil, I'm telling you, man, I could see that. 102 00:04:27,180 --> 00:04:29,029 From the time I walked in this place 103 00:04:29,050 --> 00:04:30,069 I was having visions, man. 104 00:04:30,089 --> 00:04:31,149 You know what? 105 00:04:31,170 --> 00:04:34,259 You ain't got no X-rated skin flicks up in here. 106 00:04:34,279 --> 00:04:36,050 You toss some of them up in here 107 00:04:36,069 --> 00:04:37,220 you be making it hand over fist. 108 00:04:37,240 --> 00:04:40,209 - Hand over fist. - Will, Will, Will! 109 00:04:40,230 --> 00:04:44,000 No offense, but in the world of business and finance 110 00:04:44,019 --> 00:04:46,079 I consider you the anti-profit. 111 00:04:46,100 --> 00:04:48,100 Wait, wait, Uncle Phil, I'm serious, man. 112 00:04:48,120 --> 00:04:50,060 I-I feel this, you gotta let me in on this. 113 00:04:50,079 --> 00:04:52,090 - No. - Why not? 114 00:04:55,079 --> 00:04:59,129 I mean, mother, you watch my show, am I too soft-spoken? 115 00:04:59,149 --> 00:05:00,220 Hilary.. 116 00:05:00,240 --> 00:05:02,129 Uncle Phil, I got music in my blood. 117 00:05:02,149 --> 00:05:04,079 Will, I don't doubt that you have the potential 118 00:05:04,100 --> 00:05:06,279 but do you ever use it productively? Never. 119 00:05:07,000 --> 00:05:10,120 Do you ever apply yourself the way that you could? No. 120 00:05:10,139 --> 00:05:13,230 Why, son, when I was your age and I was working on that farm 121 00:05:13,250 --> 00:05:17,040 boy, I had to work from 9:00 in the night to 9:00 forever. 122 00:05:17,060 --> 00:05:18,170 I just worked and.. 123 00:05:18,189 --> 00:05:20,220 ♪ It's gonna make you move and groove ♪ 124 00:05:20,240 --> 00:05:23,170 ♪ Hey DJ keep playing that song ♪ 125 00:05:23,189 --> 00:05:30,069 ♪ All night on and on and on ♪ 126 00:05:30,089 --> 00:05:34,050 ♪ Mr. DJ DJ ♪ 127 00:05:34,069 --> 00:05:39,230 Ever since you left Philly, I have been trying to let you.. 128 00:05:39,250 --> 00:05:42,269 ♪ Hey hey Mr. DJ ♪ 129 00:05:42,290 --> 00:05:48,129 ♪ Hey Mr. DJ all the girls are ready ♪ 130 00:05:48,149 --> 00:05:51,139 Ching-ching! 131 00:05:51,159 --> 00:05:52,250 [laughs] 132 00:05:54,060 --> 00:05:55,240 [music playing over stereo] 133 00:05:55,259 --> 00:06:00,050 ♪ Tell me why you're playing with my mind boy ♪ 134 00:06:00,069 --> 00:06:05,199 ♪ You either do or don't you will or you won't ♪ 135 00:06:05,220 --> 00:06:10,040 ♪ Take some time to open up your eyes ♪ 136 00:06:10,060 --> 00:06:12,250 ♪ To see the things you do are foul and yes it hurts ♪ 137 00:06:12,269 --> 00:06:15,000 - Hey, can you feel it, G? - Oh, yeah. 138 00:06:15,019 --> 00:06:16,250 ♪ I really don't understand ♪ 139 00:06:16,269 --> 00:06:19,199 ♪ I want to know if you're the man ♪ 140 00:06:19,220 --> 00:06:23,290 ♪ Cause if you're not the one I'll have to change my plans ♪♪ 141 00:06:24,009 --> 00:06:26,110 Guess not. 142 00:06:26,129 --> 00:06:28,009 Ashley, I'm telling you, my boys in the studio 143 00:06:28,029 --> 00:06:30,199 were saying your vocals are all that. 144 00:06:30,220 --> 00:06:34,050 Will, I-I can't believe it. I sound so professional. 145 00:06:34,069 --> 00:06:35,189 Hey, I'm telling you you'd be surprised 146 00:06:35,209 --> 00:06:37,159 what a little creativity in the studio can do. 147 00:06:37,180 --> 00:06:40,100 Ask Janet Jackson. 148 00:06:40,120 --> 00:06:43,040 Alright, party in the house. 149 00:06:50,259 --> 00:06:52,290 Which ain't necessarily a good thing. 150 00:06:54,120 --> 00:06:57,009 - Oh, that's great. - Mm-hm. 151 00:06:57,029 --> 00:06:59,009 Wait a minute, Ashley, is that you? 152 00:06:59,029 --> 00:07:00,199 Uh-huh. 153 00:07:00,220 --> 00:07:02,160 Yeah, it sounds good, doesn't it, Uncle Phil? 154 00:07:02,180 --> 00:07:04,160 Oh, I like what I'm hearing. 155 00:07:04,180 --> 00:07:07,040 - Unh, unh. - Oooh! 156 00:07:07,060 --> 00:07:09,149 Uh, I'm telling you, this girl has a God-given talent. 157 00:07:09,170 --> 00:07:12,269 - Oh, you ain't lying. - Ohh! 158 00:07:12,290 --> 00:07:14,060 Yeah, that's why I'm gonna manage 159 00:07:14,079 --> 00:07:16,120 her professional singing career. 160 00:07:19,180 --> 00:07:23,029 No daughter of mine is getting into the music business, period. 161 00:07:23,050 --> 00:07:24,279 I've seen it ruin too many young lives. 162 00:07:25,000 --> 00:07:27,180 - But, daddy-- - I don't want any buts. 163 00:07:27,199 --> 00:07:30,250 Well, you're certainly losing that battle. 164 00:07:38,199 --> 00:07:40,120 Ashley's only 15 years old. 165 00:07:40,139 --> 00:07:41,220 Honey, you should be concentrating 166 00:07:41,240 --> 00:07:44,199 on your education, not on singing. 167 00:07:44,220 --> 00:07:46,269 - Don't you understand? - Exactly. 168 00:07:46,290 --> 00:07:48,110 - Case closed. - But-- 169 00:07:48,129 --> 00:07:49,189 Now, we better start our walk, Vivian. 170 00:07:49,209 --> 00:07:51,250 Baskin-Robbins closes at 6:00. 171 00:07:56,230 --> 00:07:59,079 - I knew they'd say no. - Uh.. 172 00:07:59,100 --> 00:08:01,290 Don't worry about it, Ash, everything is right on schedule. 173 00:08:02,009 --> 00:08:03,079 Will, what are you talking about? 174 00:08:03,100 --> 00:08:05,040 You heard what daddy said. 175 00:08:05,060 --> 00:08:07,139 Oh, yeah, that's why everything is right on schedule. 176 00:08:07,160 --> 00:08:10,230 We ask his permission, he says no, we do it anyway. 177 00:08:14,000 --> 00:08:18,139 Hey, baby. Girl, how are you doing? 178 00:08:18,160 --> 00:08:20,230 I'm sorry, do I know you? 179 00:08:20,250 --> 00:08:25,089 You know me, the pool party at Q's crib. 180 00:08:25,110 --> 00:08:27,199 I'm sorry. Q doesn't have a pool. 181 00:08:27,220 --> 00:08:30,069 Oh, you know what? I'm just gonna go ahead in. 182 00:08:30,089 --> 00:08:32,129 I'm gonna surprise Gordy. You don't have to buzz him. 183 00:08:32,149 --> 00:08:34,149 Look, don't make me call the cops. 184 00:08:34,169 --> 00:08:37,120 Oh! You feisty, huh? 185 00:08:39,159 --> 00:08:41,169 - What, are you Creole? - That's it. 186 00:08:41,190 --> 00:08:43,090 Okay, alright, alright. 187 00:08:43,110 --> 00:08:45,269 Relax. I don't know why you fronting on me. 188 00:08:45,289 --> 00:08:47,250 She knows me. 189 00:08:49,059 --> 00:08:52,250 - Speaker for Mr. Berry. - We didn't order any speakers. 190 00:08:52,269 --> 00:08:56,149 It's a gift from Sony Music 191 00:08:56,169 --> 00:08:59,090 from Mr. Sock-It-To-Me. 192 00:08:59,110 --> 00:09:01,200 Okay, well, then come right in. 193 00:09:06,200 --> 00:09:08,179 Uh, just put that over there. 194 00:09:10,070 --> 00:09:12,230 You know, there's a $20 delivery charge. 195 00:09:14,120 --> 00:09:16,019 Oh, my mistake. 196 00:09:17,259 --> 00:09:19,289 Hey, listen, I am the one that is responsible 197 00:09:20,009 --> 00:09:21,289 for getting Ashford and Simpson back together. 198 00:09:22,009 --> 00:09:24,230 I deserve a damn Image Award. 199 00:09:27,169 --> 00:09:28,259 Quincy? 200 00:09:28,279 --> 00:09:31,059 Oh, come on, man, he gets one every year. 201 00:09:31,080 --> 00:09:33,240 The cheapskate, he won't even buy a pool. 202 00:09:36,120 --> 00:09:38,009 Oh, yeah? Well, look here. Listen.. 203 00:09:38,029 --> 00:09:40,019 Before I have to start throwing my weight around 204 00:09:40,039 --> 00:09:42,000 and come down there and get somebody fired 205 00:09:42,019 --> 00:09:44,120 I want my Image Award. 206 00:09:44,139 --> 00:09:46,120 Uh-huh. Uh-huh. 207 00:09:46,139 --> 00:09:48,070 Do you understand me? 208 00:09:48,090 --> 00:09:51,120 I want my Image Award now. 209 00:09:51,139 --> 00:09:53,159 That's what I said and that's what I meant. 210 00:09:53,179 --> 00:09:55,269 That's exactly how I feel about it. 211 00:09:55,289 --> 00:09:57,190 Indeed. 212 00:09:57,210 --> 00:09:59,009 I don't wanna hear about that, man. 213 00:09:59,029 --> 00:10:01,110 Listen, that is not my problem. 214 00:10:01,129 --> 00:10:04,059 Absolutely. Yeah. Uh-huh. 215 00:10:04,080 --> 00:10:07,250 Well, I tell you what, you just do that then. Uh-huh. 216 00:10:07,269 --> 00:10:09,169 Yeah, goodbye. 217 00:10:34,259 --> 00:10:36,090 Hey! 218 00:10:43,149 --> 00:10:46,070 You know me. 219 00:10:46,090 --> 00:10:47,139 I'm calling security. 220 00:10:47,159 --> 00:10:49,120 Hey, Mr. Berry, please listen. 221 00:10:49,139 --> 00:10:51,220 I just need five minutes. Please give me five minutes. 222 00:10:51,240 --> 00:10:53,179 Remember when you were managing the Chi-Lites? 223 00:10:53,200 --> 00:10:55,230 And you took him down and you broke in to Dick Clark's office. 224 00:10:55,250 --> 00:10:57,029 And you sat there and you wouldn't leave 225 00:10:57,049 --> 00:10:59,220 until he put them on American Bandstand? 226 00:10:59,240 --> 00:11:01,110 You read my book. 227 00:11:01,129 --> 00:11:02,220 Man, I'm telling you, I read everything 228 00:11:02,240 --> 00:11:04,129 that got anything to do with music. 229 00:11:04,149 --> 00:11:07,100 Hey, did you know James Brown got an orthopedic cape? 230 00:11:09,000 --> 00:11:11,080 Alright, alright, let's listen to it. 231 00:11:11,100 --> 00:11:12,230 Hey, man, I'm tellin' you you're gonna love this. 232 00:11:12,250 --> 00:11:14,190 This is the straight butter, man, you will love it. 233 00:11:14,210 --> 00:11:16,049 Alright, well, let's check it out. 234 00:11:16,070 --> 00:11:17,279 [music playing on stereo] 235 00:11:18,000 --> 00:11:20,110 - Oh, look at you, look at you. - Not bad. 236 00:11:22,100 --> 00:11:23,129 ♪ Tell me why.. ♪ 237 00:11:23,149 --> 00:11:24,240 Pass. 238 00:11:24,259 --> 00:11:26,059 Pass? What are you talking about? 239 00:11:26,080 --> 00:11:27,129 Hey, hey. Look here, son. 240 00:11:27,149 --> 00:11:30,129 It was a nice try, but I'm a very busy man. 241 00:11:30,149 --> 00:11:31,220 So if you'll excuse me. 242 00:11:31,240 --> 00:11:35,090 Oh. Oh. Okay. Alright. 243 00:11:35,110 --> 00:11:37,139 I see how you're trying to play me. 244 00:11:37,159 --> 00:11:40,019 But you know what, you better get a good look at this face 245 00:11:40,039 --> 00:11:42,159 and remember it.. 246 00:11:45,059 --> 00:11:48,190 ...because when Ashley Banks' album goes double platinum 247 00:11:48,210 --> 00:11:50,149 you're gonna be seeing it in your dreams 248 00:11:50,169 --> 00:11:52,039 and in your nightmares 249 00:11:52,059 --> 00:11:55,049 because you ain't the only game in town. 250 00:11:55,070 --> 00:11:56,259 Chht. 251 00:12:01,259 --> 00:12:04,059 Oh, and PS.. 252 00:12:04,080 --> 00:12:07,019 ...the Jheri curl played out with the jerk. 253 00:12:15,240 --> 00:12:17,080 [instrumental music] 254 00:12:20,039 --> 00:12:23,000 Let's keep it flowing on New Artist Spotlight. 255 00:12:23,019 --> 00:12:25,169 Here's a funky-five, free-flux dance mix 256 00:12:25,190 --> 00:12:28,080 of "Mandy" by Funky Bunch. 257 00:12:30,090 --> 00:12:32,139 - Hey, Johnny C. - Hey. 258 00:12:32,159 --> 00:12:33,240 How are you doing? Hey, man, you think 259 00:12:33,259 --> 00:12:35,059 you can help a young janitor out? 260 00:12:35,080 --> 00:12:37,139 Oh, sure, lay it on me, my brother. 261 00:12:37,159 --> 00:12:38,269 Bla-bla-blam-blam! 262 00:12:38,289 --> 00:12:41,100 Here it is, the next Whitney. 263 00:12:41,120 --> 00:12:43,289 - Where's the rest? - Huh? 264 00:12:44,009 --> 00:12:45,220 This is the music business. 265 00:12:45,240 --> 00:12:48,159 You need the universal lubricant. 266 00:12:54,039 --> 00:12:56,169 I-I'm talking cash, man. 267 00:12:56,190 --> 00:12:59,289 Oh. Whoo. Hey, man, you know what? 268 00:13:00,009 --> 00:13:01,070 Uh, don't even worry about it 269 00:13:01,090 --> 00:13:03,009 you probably can't help me anyway. 270 00:13:03,029 --> 00:13:05,059 Seeing as this is your last day and all. 271 00:13:05,080 --> 00:13:07,240 Oh, whoa, whoa, what's that mean? 272 00:13:10,100 --> 00:13:11,210 Brother, I was just cleaning 273 00:13:11,230 --> 00:13:14,049 the executive suite up on the 24th floor. 274 00:13:14,070 --> 00:13:15,240 They're talking about getting rid of you. 275 00:13:15,259 --> 00:13:18,100 - What? - Yeah, say you're slipping. 276 00:13:18,120 --> 00:13:21,009 They can't do this to me, I have a contract. 277 00:13:21,029 --> 00:13:23,129 Brother, let me tell you, it is so far beyond business 278 00:13:23,149 --> 00:13:25,039 up there, they're getting personal. 279 00:13:25,059 --> 00:13:26,120 One of them said your mom have a limp. 280 00:13:26,139 --> 00:13:28,279 She up on this tip, like.. 281 00:13:29,000 --> 00:13:31,230 We'll see about this. 282 00:13:31,250 --> 00:13:34,039 Oh, oh, and you should probably take the stairs, man. 283 00:13:34,059 --> 00:13:36,250 - You know, the elevator's out. - Thanks. 284 00:13:42,110 --> 00:13:45,090 [in deep voice] Alright, that's the short version of "Mandy".. 285 00:13:45,110 --> 00:13:46,289 because it's time to bump and grind 286 00:13:47,009 --> 00:13:48,230 to another Johnny C. Find. 287 00:13:48,250 --> 00:13:50,070 LA, show some love 288 00:13:50,090 --> 00:13:52,220 to Ashley Banks' "Make Up Your Mind." 289 00:13:54,139 --> 00:13:56,220 Johnny C. here with all the happening new artists 290 00:13:56,240 --> 00:13:59,009 right here on 93.4, The Groove. 291 00:13:59,029 --> 00:14:01,080 Whoa, looks like we got some requests. 292 00:14:01,100 --> 00:14:03,049 Who's this? 293 00:14:03,070 --> 00:14:05,190 [in high voice] How are you doing? 294 00:14:05,210 --> 00:14:09,039 This is Rafica calling from Watts. Ho! 295 00:14:09,059 --> 00:14:10,200 Listen, Johnny, could you play that record 296 00:14:10,220 --> 00:14:12,139 by Ashley Banks called "Make Up Your Mind?" 297 00:14:12,159 --> 00:14:14,200 See, 'cause I'm with this man who can't make up his mind. 298 00:14:14,220 --> 00:14:17,129 So, that's why I'm like, "You better make up your mind." 299 00:14:17,149 --> 00:14:19,139 [in foreign accent] My name is Tony. 300 00:14:19,159 --> 00:14:21,149 And I'd like to hear that record by Ashley Banks 301 00:14:21,169 --> 00:14:23,039 called "Make Up Your Mind" 302 00:14:23,059 --> 00:14:25,059 before I have to come down there and blow up your car. 303 00:14:27,009 --> 00:14:30,100 [in deep voice] And here we go for an unprecedented 11th time 304 00:14:30,120 --> 00:14:34,259 Ashley Banks singing "Make Up Your Mind." 305 00:14:34,279 --> 00:14:36,200 [laughs] 306 00:14:36,220 --> 00:14:39,129 [in normal voice] Whoo. 307 00:14:39,149 --> 00:14:41,080 Oh, Batman. 308 00:14:43,279 --> 00:14:47,110 ♪ Tell me why you're playing with my mind ♪ 309 00:14:47,129 --> 00:14:50,049 [in deep voice] Johnny C. 310 00:14:50,070 --> 00:14:51,159 [in normal voice] Gordy Berry? 311 00:14:51,179 --> 00:14:52,259 [in deep voice] I mean, hey. 312 00:14:52,279 --> 00:14:55,139 Hey, Gordy, what's up, man? 313 00:14:55,159 --> 00:14:59,049 The Banks girl? Yeah, yeah. She's new. 314 00:14:59,070 --> 00:15:00,200 Club dates? 315 00:15:00,220 --> 00:15:02,159 Well, uh, her manager, Will Smith, says 316 00:15:02,179 --> 00:15:04,220 she's gonna be performing this Friday night 317 00:15:04,240 --> 00:15:07,070 at the Peacock Club. 318 00:15:07,090 --> 00:15:11,000 Right, yes, yes, that's on the ULA campus. 319 00:15:11,019 --> 00:15:14,009 Sure, I'll, I'll see you there. 320 00:15:14,029 --> 00:15:16,000 Alright, peace. 321 00:15:17,279 --> 00:15:19,200 [in normal voice] Yes. I'm in. 322 00:15:19,220 --> 00:15:21,059 [laughing] 323 00:15:21,080 --> 00:15:22,220 Whoo! 324 00:15:22,240 --> 00:15:24,259 There's nobody up there. 325 00:15:24,279 --> 00:15:26,279 [in high-pitched voice] Made you look. 326 00:15:34,279 --> 00:15:36,090 Gordy. 327 00:15:37,279 --> 00:15:39,120 Ashley. That is Gordy Berry. 328 00:15:39,139 --> 00:15:42,210 That is the biggest record producer in the world. 329 00:15:42,230 --> 00:15:44,169 Look, we got a packed house out there. 330 00:15:44,190 --> 00:15:47,230 Your entire career rests on this moment. 331 00:15:47,250 --> 00:15:49,220 There will never be another chance like this. 332 00:15:49,240 --> 00:15:51,059 Your future, my future 333 00:15:51,080 --> 00:15:54,110 everything is riding on this performance. 334 00:15:54,129 --> 00:15:57,029 One more thing, relax. 335 00:15:57,049 --> 00:15:59,220 And now I'd like to introduce you to a performer 336 00:15:59,240 --> 00:16:03,210 who is a real feather in our peacock hat. 337 00:16:03,230 --> 00:16:05,289 Get it? Feather, peacock. 338 00:16:06,009 --> 00:16:07,169 [Carlton laughs] 339 00:16:07,190 --> 00:16:11,179 Anyway, ladies and gentlemen, here's Ashley Banks. 340 00:16:11,200 --> 00:16:14,070 [applauding] 341 00:16:14,090 --> 00:16:17,139 [music playing over speakers] 342 00:16:26,200 --> 00:16:28,259 Damn, she must have stage fright. 343 00:16:28,279 --> 00:16:31,039 Carlton, help me. 344 00:16:31,059 --> 00:16:34,090 Sorry, folks, wawhhh, a little technical difficulty. 345 00:16:37,029 --> 00:16:39,039 Ashley, you-you alright, babe? 346 00:16:39,059 --> 00:16:41,110 Hey, this is easy. You've done this before. 347 00:16:41,129 --> 00:16:43,230 - Before it was for fun. - Hey, this is for fun. 348 00:16:43,250 --> 00:16:46,120 Look at all these fun faces, fun people. 349 00:16:46,139 --> 00:16:48,000 Come on, baby, you're alright. Good. 350 00:16:48,019 --> 00:16:51,149 I-I'll stay right here with you, okay? I'm right here with you. 351 00:16:51,169 --> 00:16:53,000 Carlton. 352 00:16:53,019 --> 00:16:56,059 [music playing over speakers] 353 00:17:01,289 --> 00:17:06,079 ♪ Tell me why you're playing with my mind boy ♪ 354 00:17:06,099 --> 00:17:11,269 ♪ You either do or don't you will or you won't ♪ 355 00:17:11,289 --> 00:17:16,009 ♪ Got to make you open up your eyes ♪ 356 00:17:16,029 --> 00:17:20,279 ♪ To see the things you do are foul and yes it hurts ♪ 357 00:17:21,000 --> 00:17:25,279 ♪ I really don't understand I wanna know if you're the man ♪ 358 00:17:26,000 --> 00:17:29,220 ♪ Because if you're not the one I'll have to take a stand ♪ 359 00:17:29,240 --> 00:17:35,289 ♪ Although I'm crazy 'bout you I can live without you ♪ 360 00:17:36,009 --> 00:17:39,259 ♪ And you're wasting my time ♪ 361 00:17:39,279 --> 00:17:45,240 ♪ Boy it's time I told you I can wait no longer ♪ 362 00:17:45,259 --> 00:17:50,099 ♪ Got to make up your mind ♪ 363 00:17:50,119 --> 00:17:54,259 ♪ Tell me tell me I wanna know I wanna know ♪ 364 00:17:54,279 --> 00:18:00,039 ♪ Boy you're running out of time got to make up your mind ♪ 365 00:18:00,059 --> 00:18:04,259 ♪ Tell me tell me I gotta go I gotta go baby ♪ 366 00:18:04,279 --> 00:18:07,099 ♪ This is how I feel inside ♪ 367 00:18:07,119 --> 00:18:10,109 ♪ I won't waste your time or mine ♪ 368 00:18:10,130 --> 00:18:14,000 ♪ I really just don't understand ♪ 369 00:18:14,019 --> 00:18:19,009 ♪ After all I do for you still you show no gratitude ♪ 370 00:18:19,029 --> 00:18:25,019 ♪ Although I'm crazy 'bout you I can live without you ♪ 371 00:18:25,039 --> 00:18:27,009 ♪ And you're wasting my time ♪ 372 00:18:27,029 --> 00:18:29,109 ♪ Why you wanna waste my time? ♪ 373 00:18:29,130 --> 00:18:34,220 ♪ Boy it's time I told you I can wait no longer ♪ 374 00:18:34,240 --> 00:18:41,079 ♪ Got to make up your mind ♪ ♪ Got to make up your mind ♪♪ 375 00:18:41,099 --> 00:18:43,119 [cheering] 376 00:18:49,140 --> 00:18:53,059 Will, Will, get over here. 377 00:18:53,079 --> 00:18:55,200 Geoffrey must have dimed us out. 378 00:18:55,220 --> 00:18:57,079 - Hey, hey. - Hey. 379 00:18:57,099 --> 00:19:00,079 Mr. Berry, listen, I just wanna apologize for my uncle, man. 380 00:19:00,099 --> 00:19:01,160 He got a wooden plate in his head 381 00:19:01,180 --> 00:19:02,269 he just found out he got termites. 382 00:19:02,289 --> 00:19:05,019 Hey, Will, Will, Will. Listen, man. 383 00:19:05,039 --> 00:19:06,230 I heard enough. She's a knockout. 384 00:19:06,250 --> 00:19:08,140 I definitely wanna sign her. 385 00:19:08,160 --> 00:19:10,039 - You do? - Absolutely. 386 00:19:10,059 --> 00:19:13,019 I mean, I knew you would, man. I told you you was going.. 387 00:19:16,049 --> 00:19:19,220 Philip and Vivian Banks, Gordy Berry. 388 00:19:19,240 --> 00:19:22,269 Hey, listen, your daughter is quite a find. 389 00:19:22,289 --> 00:19:24,190 Listen, why don't we set something up in my office 390 00:19:24,210 --> 00:19:26,079 say, Monday, 2 o'clock. 391 00:19:26,099 --> 00:19:28,089 Excuse me, Mr. Berry, but my daughter 392 00:19:28,109 --> 00:19:30,190 will not be in your office this Monday. 393 00:19:30,210 --> 00:19:34,150 I am prepared to offer a $30,000 advance. 394 00:19:35,220 --> 00:19:37,250 - You were wonderful. - Oh, thanks. 395 00:19:37,269 --> 00:19:42,089 I'm sorry you wasted your time, Mr. Berry. 396 00:19:42,109 --> 00:19:45,000 Well, the offer is on the table. Excuse me. 397 00:19:46,150 --> 00:19:49,049 (Will) 'Wait, h-hold on a second there, Mr. Berry.' 398 00:19:49,069 --> 00:19:50,279 Uncle Phil, come on. 399 00:19:51,000 --> 00:19:52,180 You-you didn't think I was good enough 400 00:19:52,200 --> 00:19:54,029 to run your record store. 401 00:19:54,049 --> 00:19:55,240 But loo-look what I did, man. 402 00:19:55,259 --> 00:19:58,000 I made a demo tape. I got it played on the radio. 403 00:19:58,019 --> 00:20:00,130 I got the biggest record producer in the whole world 404 00:20:00,150 --> 00:20:02,000 to come down here and see Ashley, man. 405 00:20:02,019 --> 00:20:03,089 What else I gotta do? 406 00:20:03,109 --> 00:20:05,039 We will discuss this at home, Will. 407 00:20:05,059 --> 00:20:09,000 Daddy, you said yourself that I was good. 408 00:20:09,019 --> 00:20:10,250 Mom. 409 00:20:10,269 --> 00:20:12,180 It's a great opportunity. 410 00:20:14,019 --> 00:20:17,049 I just don't want anything to happen to Ashley. 411 00:20:17,069 --> 00:20:19,140 Come on, Aunt Viv, you ain't got to worry about that. 412 00:20:19,160 --> 00:20:21,180 I'm gonna be managing her. 413 00:20:24,210 --> 00:20:26,269 That ain't help nothing, did it? 414 00:20:28,130 --> 00:20:32,069 - Daddy, please. - Don't you give me that look. 415 00:20:34,099 --> 00:20:36,279 Vivian, she's giving me that look. 416 00:20:40,170 --> 00:20:42,200 Alright, alright, alright. 417 00:20:42,220 --> 00:20:44,250 If you can guarantee that this does not interfere 418 00:20:44,269 --> 00:20:46,119 with Ashley's normal life 419 00:20:46,140 --> 00:20:48,210 that means that her grades remain high 420 00:20:48,230 --> 00:20:51,049 that she's home every night for dinner 421 00:20:51,069 --> 00:20:53,039 and in bed by 11 o'clock.. 422 00:20:55,029 --> 00:20:56,039 ...you got a deal. 423 00:20:56,059 --> 00:20:58,009 [laughing] 424 00:20:58,029 --> 00:21:00,019 Hey, Gordy, where my money? 425 00:21:01,269 --> 00:21:06,269 Will, I'm going to be on you like a shadow. 426 00:21:08,150 --> 00:21:10,119 Shadow? Uncle Phil, with you 427 00:21:10,140 --> 00:21:12,170 it'd be more like an eclipse, wouldn't it? 428 00:21:12,190 --> 00:21:15,119 [both laughing] 429 00:21:15,140 --> 00:21:17,150 - Eclipse. - Eclipse. 430 00:21:17,170 --> 00:21:19,140 You know, just for that crack 431 00:21:19,160 --> 00:21:21,279 I'm gonna make myself co-manager. 432 00:21:25,039 --> 00:21:27,220 One fat joke too many. I knew it, I could feel it. 433 00:21:27,240 --> 00:21:30,069 Uh, do we have a deal? 434 00:21:30,089 --> 00:21:33,009 - We have a deal. - Excellent. 435 00:21:33,029 --> 00:21:34,150 Alright. Thanks a lot, Mr. Barry. 436 00:21:34,170 --> 00:21:35,269 My pleasure. I'll see you soon. 437 00:21:35,289 --> 00:21:37,130 (Ashley) 'Thank you.' 438 00:21:37,150 --> 00:21:42,109 Will, you better be sure you know what you're doing. 439 00:21:42,130 --> 00:21:46,119 Uncle Phil, I know exactly what I'm doing. 440 00:21:46,140 --> 00:21:49,160 [instrumental music] 441 00:21:53,039 --> 00:21:55,160 [theme music]