1 00:00:03,236 --> 00:00:07,073 [ relaxing music ] [ Sheila and Deacon laughing ] 2 00:00:07,140 --> 00:00:09,442 [ Deacon grunting ] >> Sheila: You are the gift 3 00:00:09,509 --> 00:00:15,148 that just keeps giving. That was incredible. 4 00:00:15,215 --> 00:00:23,123 >> Deacon: You're telling me. >> Sheila: Yeah, but... 5 00:00:23,189 --> 00:00:27,861 was it really worth the risk? If Bill finds out, 6 00:00:27,927 --> 00:00:32,899 he could literally kill us. ♪♪♪ 7 00:00:35,402 --> 00:00:38,304 >> Liam: Can you really be certain Sheila isn't 8 00:00:38,371 --> 00:00:45,111 messing with you? ♪♪♪ 9 00:00:50,984 --> 00:00:53,887 >> Liam: Hey! How'd your big meeting go? 10 00:00:53,953 --> 00:00:56,389 >> Hope: Not good. >> Liam: Not good? 11 00:00:56,456 --> 00:00:58,324 What do you mean not good? What happened? 12 00:00:58,391 --> 00:01:03,129 >> Hope: Oh, well, um... Steffy says that we need 13 00:01:03,196 --> 00:01:06,733 to pause production on Hope for the Future. 14 00:01:06,800 --> 00:01:08,868 >> Liam: Pause? She said pause? 15 00:01:08,935 --> 00:01:12,272 >> Hope: Yes. And unless we find a solution, 16 00:01:12,338 --> 00:01:16,876 my line could be history. >> Brooke: I'm well aware 17 00:01:16,943 --> 00:01:19,245 that Hope for the Future hasn't been performing well 18 00:01:19,312 --> 00:01:23,917 lately, but to put it on pause? It's in a transitional 19 00:01:23,983 --> 00:01:28,021 phase, a dip in numbers is expected. 20 00:01:28,087 --> 00:01:30,924 >> Taylor: It's a pretty big dip, though. 21 00:01:30,990 --> 00:01:36,296 But there is a solution. >> Brooke: Great! What is it? 22 00:01:36,362 --> 00:01:41,501 >> Taylor: Thomas. ♪♪♪ 23 00:01:43,803 --> 00:01:52,645 ♪♪♪ 24 00:01:54,047 --> 00:01:55,949 >> Brooke: Thomas. >> Taylor: Brooke, the line 25 00:01:56,015 --> 00:01:58,184 was doing great when Thomas was lead designer. 26 00:01:58,251 --> 00:02:00,920 Everyone loved what he and Hope created together. 27 00:02:00,987 --> 00:02:03,389 And then he was let go, and the vision changed, 28 00:02:03,456 --> 00:02:07,293 and the numbers tanked, so yes, bringing back Thomas 29 00:02:07,360 --> 00:02:13,299 is the solution. >> Liam: I am really surprised 30 00:02:13,366 --> 00:02:16,569 that Steffy would even consider dropping Hope for 31 00:02:16,636 --> 00:02:19,405 the Future. I mean, your line has been a huge asset 32 00:02:19,472 --> 00:02:22,375 to Forrester Creations. Like-- >> Hope: Mm-hmm. Yeah, until 33 00:02:22,442 --> 00:02:25,912 now. I mean, the numbers are just-- They just 34 00:02:25,979 --> 00:02:27,547 keep getting worse. >> Liam: Okay, they're not 35 00:02:27,614 --> 00:02:30,083 gonna keep getting-- Listen. You-- you just need time, 36 00:02:30,149 --> 00:02:32,151 right? You need time. You need time to regroup, 37 00:02:32,218 --> 00:02:34,354 you need time to figure out the new direction-- You're-- 38 00:02:34,420 --> 00:02:36,789 you're not only gonna revive HFTF, you're gonna make it 39 00:02:36,856 --> 00:02:39,826 better than ever. I know this. Okay? I know-- I know this. 40 00:02:39,893 --> 00:02:49,769 ♪♪♪ >> Sheila: Bill has burned 41 00:02:49,836 --> 00:02:53,139 every bridge to keep me out of prison. He has set me up 42 00:02:53,206 --> 00:02:58,745 at his-- his mansion in Bel-Air. And yet I-- 43 00:02:58,811 --> 00:03:01,714 The more time I spend with him, I-- I-- I can't even 44 00:03:01,781 --> 00:03:04,884 explain it, Deacon. He is all over the place. 45 00:03:04,951 --> 00:03:09,589 And one minute, he's gushing to me a-- about his life, 46 00:03:09,656 --> 00:03:12,492 and-- and his past, and he wants me to open up 47 00:03:12,559 --> 00:03:17,764 about mine to him as well, and then the next, it's almost 48 00:03:17,830 --> 00:03:24,470 like he struggles to-- to even be near me. 49 00:03:29,576 --> 00:03:37,450 I don't know. Sometimes I... 50 00:03:37,517 --> 00:03:41,788 I really wonder where I stand with Bill. 51 00:03:41,854 --> 00:03:47,527 ♪♪♪ 52 00:03:50,196 --> 00:03:54,233 >> Brooke: Is Hope considering letting Thomas return? 53 00:03:54,300 --> 00:03:57,470 >> Taylor: She seemed to be leaning that way. 54 00:03:57,537 --> 00:03:59,872 >> Brooke: And I can't imagine Liam would be thrilled 55 00:03:59,939 --> 00:04:02,442 about this. >> Taylor: No, and we're all 56 00:04:02,508 --> 00:04:05,979 aware of that. Hope's gonna have a discussion with him 57 00:04:06,045 --> 00:04:09,282 before she makes any decision, but-- but Brooke, you are 58 00:04:09,349 --> 00:04:15,488 a huge part of this! You-- you-- Maybe you could just, 59 00:04:15,555 --> 00:04:20,526 you know, look past the CPS call, you know, and see 60 00:04:20,593 --> 00:04:23,296 the bright side? >> Brooke: The bright side? 61 00:04:23,363 --> 00:04:25,398 >> Taylor: Mm-hmm. >> Brooke: It cost me 62 00:04:25,465 --> 00:04:27,100 my marriage. >> Taylor: But you gained 63 00:04:27,166 --> 00:04:30,403 a really good friend, and you know, if it wasn't 64 00:04:30,470 --> 00:04:32,839 for Thomas, we would still be fighting over Ridge, 65 00:04:32,905 --> 00:04:36,209 but look at us! Choosing ourselves, and did 66 00:04:36,275 --> 00:04:38,578 I mention we're friends? >> Brooke: Oh, yeah. 67 00:04:38,645 --> 00:04:40,413 Friends, yeah. >> Taylor: Come on, Brooke, 68 00:04:40,480 --> 00:04:43,883 please. Just find it in your heart to consider Thomas, 69 00:04:43,950 --> 00:04:48,755 and be open-minded about him. >> Thomas: I hope you can. 70 00:04:54,093 --> 00:05:02,902 Hey, Brooke. I-- I hurt you, and I'm sorry, and I don't 71 00:05:02,969 --> 00:05:05,838 deserve your forgiveness, but I'm asking. 72 00:05:05,905 --> 00:05:12,178 Not just for me, but for Hope and her line. 73 00:05:12,245 --> 00:05:20,086 ♪♪♪ >> Liam: Oh, man. Well, sorry 74 00:05:20,153 --> 00:05:22,422 you're facing so many challenges right now, 75 00:05:22,488 --> 00:05:26,292 'cause you're a good person, and you're a selfless person. 76 00:05:26,359 --> 00:05:29,595 You do kind and selfless things. Exhibit A, 77 00:05:29,662 --> 00:05:32,799 when Caroline died. You swooped right in and 78 00:05:32,865 --> 00:05:35,702 you became exactly the mother that Douglas needed, a mother 79 00:05:35,768 --> 00:05:37,670 who would love him, and protect him, and teach 80 00:05:37,737 --> 00:05:39,872 him right from wrong while also giving him the space 81 00:05:39,939 --> 00:05:42,508 to grow and become his own person. That's the kind 82 00:05:42,575 --> 00:05:45,378 of investment that's gonna pay off. It will. And yeah, 83 00:05:45,445 --> 00:05:48,881 Douglas is-- He's going through a thing right now 84 00:05:48,948 --> 00:05:51,350 and so for whatever reason, he feels more comfortable 85 00:05:51,417 --> 00:05:55,388 at Steffy's, but just as you're a hero to me, 86 00:05:55,455 --> 00:06:01,294 you're a hero to him twofold. The kid'll be back, promise. 87 00:06:01,360 --> 00:06:06,799 >> Hope: Liam. I'm-- I'm-- I'm trying really, really 88 00:06:06,866 --> 00:06:10,870 hard to be patient, but it's like, every day that Douglas 89 00:06:10,937 --> 00:06:16,209 is gone, I feel like he's getting further and further 90 00:06:16,275 --> 00:06:21,848 away. I just-- I worry that in no time, he's just going 91 00:06:21,914 --> 00:06:24,784 to be completely out of reach. >> Liam: No, that's not 92 00:06:24,851 --> 00:06:27,453 gonna happen. He's-- he's basically on an extended 93 00:06:27,520 --> 00:06:30,423 playdate with Kelly and Hayes, and you know something? 94 00:06:30,490 --> 00:06:33,159 Look at it this way. It gives us some much needed 95 00:06:33,226 --> 00:06:38,030 time with Beth, right? And she's at her cutest 96 00:06:38,097 --> 00:06:40,566 possible stage right now. You should have a mother and 97 00:06:40,633 --> 00:06:42,535 daughter day, right? You should take her out for 98 00:06:42,602 --> 00:06:44,804 ice cream, and eat so much of it that you both get 99 00:06:44,871 --> 00:06:48,941 brain freeze. Now, as for Hope for the Future... 100 00:06:49,008 --> 00:06:54,947 it's gonna work out, my love. And if nothing else, 101 00:06:55,014 --> 00:07:02,221 you'll always have me. ♪♪♪ 102 00:07:02,288 --> 00:07:04,657 >> Deacon: Can't believe Spencer talks about his 103 00:07:04,724 --> 00:07:07,426 feelings. Hell, I didn't even think he had any feelings. 104 00:07:07,493 --> 00:07:10,663 >> Sheila: Oh, he's got a ton of them. You know, he-- 105 00:07:10,730 --> 00:07:13,432 he keeps telling me about his past, and he wants me 106 00:07:13,499 --> 00:07:16,869 to open up about mine, it's-- >> Deacon: Well, you do have 107 00:07:16,936 --> 00:07:19,372 an effect on men. Get us to do things we-- 108 00:07:19,438 --> 00:07:22,675 we never thought we could. And against our 109 00:07:22,742 --> 00:07:25,645 better judgment. [ Sheila chuckling ] 110 00:07:25,711 --> 00:07:31,317 >> Sheila: Are you complaining? >> Deacon: Never. 111 00:07:31,384 --> 00:07:35,488 You thinking about Spencer? I'll try not to be offended. 112 00:07:35,555 --> 00:07:39,025 >> Sheila: Oh, you know, it's just that I-- I've been 113 00:07:39,091 --> 00:07:42,128 feeling this way even-- even before all of this 114 00:07:42,195 --> 00:07:46,399 because I know what Bill's drug is with women. I-- it-- 115 00:07:46,465 --> 00:07:51,604 it's all about the excitement of-- of that initial 116 00:07:51,671 --> 00:07:57,276 attraction, the endless possibilities, the, you know, 117 00:07:57,343 --> 00:08:00,346 I can't get enough of each other moment. 118 00:08:00,413 --> 00:08:05,618 It's all about the chase. And then she gives in. 119 00:08:05,685 --> 00:08:14,427 And she's his whole world, for that moment. 120 00:08:14,493 --> 00:08:18,631 'Til the glow wears off and then reality sets in. 121 00:08:18,698 --> 00:08:23,269 And he's looking for his next fix. 122 00:08:23,336 --> 00:08:26,072 What happens when I'm that woman? 123 00:08:26,138 --> 00:08:31,010 When I'm the one that he wants to be done with? 124 00:08:31,077 --> 00:08:35,181 Do I go back to prison? >> Deacon: If Bill finds out 125 00:08:35,248 --> 00:08:42,255 about you and me, prison might be the safer bet. 126 00:08:42,321 --> 00:08:50,062 >> Sheila: Bill finding out about us is not an option. 127 00:08:50,129 --> 00:08:52,798 Because there's no telling what he's gonna do. 128 00:08:52,865 --> 00:09:01,874 ♪♪♪ 129 00:09:04,543 --> 00:09:09,515 [ Taylor laughing ] >> Thomas: You know, one of 130 00:09:09,582 --> 00:09:12,084 the things that I've been working on most in therapy 131 00:09:12,151 --> 00:09:15,454 is impulse control, and obviously, I need a little 132 00:09:15,521 --> 00:09:19,292 bit more of that, right? >> Brooke: Mm-hmm. 133 00:09:19,358 --> 00:09:22,995 >> Thomas: Look, what I did was wrong. Calling CPS... 134 00:09:23,062 --> 00:09:28,467 it was horribly wrong. I mean, my dad told me that 135 00:09:28,534 --> 00:09:31,103 you were gonna call CPS, and that just gave me 136 00:09:31,170 --> 00:09:34,373 that idea, and I thought, "I can get my family 137 00:09:34,440 --> 00:09:37,109 back together." And it kind of worked, right? 138 00:09:37,176 --> 00:09:41,247 Because he left you, and he went to my mom, and-- 139 00:09:41,314 --> 00:09:44,717 and they were about to get married. The problem is, 140 00:09:44,784 --> 00:09:46,852 is that it all started with a lie. 141 00:09:46,919 --> 00:09:51,524 And that is horribly wrong. It's something I never 142 00:09:51,590 --> 00:09:55,361 should have done. >> Brooke: You see, 143 00:09:55,428 --> 00:09:59,298 the problem here is that I've heard these heartfelt 144 00:09:59,365 --> 00:10:04,003 apologies before. And it does seem like you mean it, 145 00:10:04,070 --> 00:10:06,706 but you still cost me my marriage. 146 00:10:06,772 --> 00:10:10,643 >> Thomas: I did cost you a marriage, but in that, 147 00:10:10,710 --> 00:10:16,015 I gained you a wonderful friend, so. 148 00:10:16,082 --> 00:10:19,018 >> Brooke: And I'm very pleased about that. 149 00:10:19,085 --> 00:10:22,822 >> Taylor: Me too. >> Brooke: I just wish 150 00:10:22,888 --> 00:10:26,125 we could have gotten here a little differently, right? 151 00:10:26,192 --> 00:10:28,461 You know, I-- I wish you didn't have 152 00:10:28,527 --> 00:10:33,232 to manipulate Ridge and me, but here we are, 153 00:10:33,299 --> 00:10:39,939 so we'll just deal with it, and we'll get past it. 154 00:10:40,006 --> 00:10:44,276 The question is, what about my daughter? 155 00:10:44,343 --> 00:10:46,846 How do I ever trust you with Hope again? 156 00:10:46,912 --> 00:10:55,187 ♪♪♪ [ Hope sighing ] 157 00:10:55,254 --> 00:10:57,723 >> Hope: You know, all this talk about me 158 00:10:57,790 --> 00:11:01,594 and how I'm doing, you sure you doing okay? 159 00:11:01,660 --> 00:11:05,798 >> Liam: I kinda, uh, feel like you have a lot of stuff 160 00:11:05,865 --> 00:11:07,800 on your plate already without me piling on, and so, 161 00:11:07,867 --> 00:11:11,971 maybe not. >> Hope: Ah, well. See, um, 162 00:11:12,038 --> 00:11:16,709 that's the thing about marriage. Kind of makes it 163 00:11:16,776 --> 00:11:24,517 so that your stuff is also my stuff, so. 164 00:11:24,583 --> 00:11:28,854 Tell me what's on your mind. >> Liam: It's my dad, 165 00:11:28,921 --> 00:11:32,925 of course. Of course, it's my dad, like... 166 00:11:32,992 --> 00:11:37,196 I was just over at the house, and the creep factor is 167 00:11:37,263 --> 00:11:40,332 off the charts. >> Hope: Sheila? 168 00:11:40,399 --> 00:11:42,902 >> Liam: Yeah, of course Sheila. I don't get it. 169 00:11:42,968 --> 00:11:46,172 I don't get the whole relationship with 170 00:11:46,238 --> 00:11:48,607 Sheila Carter. That like-- What is he doing? 171 00:11:48,674 --> 00:11:51,343 >> Hope: Well, according to your dad, he's in love and 172 00:11:51,410 --> 00:11:54,747 I take it that you're not buying it. 173 00:11:54,814 --> 00:11:58,350 >> Liam: Honestly, I don't know what my dad feels 174 00:11:58,417 --> 00:12:03,389 for Sheila. ♪♪♪ 175 00:12:08,260 --> 00:12:15,000 ♪♪♪ [ phone dinging ] 176 00:12:15,067 --> 00:12:20,506 >> Deacon: Let me guess. >> Sheila: He wants to know 177 00:12:20,573 --> 00:12:23,209 where I am. >> Deacon: You gonna respond 178 00:12:23,275 --> 00:12:25,311 to him? >> Sheila: No, I am not used 179 00:12:25,377 --> 00:12:27,413 to answering to anyone. >> Deacon: Hell of a way 180 00:12:27,480 --> 00:12:29,215 to live your life. >> Sheila: Well, what am 181 00:12:29,281 --> 00:12:31,884 I supposed to do, Deacon? What, am I-- am I just 182 00:12:31,951 --> 00:12:35,521 supposed to leave? Because that is not an option. 183 00:12:35,588 --> 00:12:38,390 You know the reality is-- is Bill put everything on 184 00:12:38,457 --> 00:12:42,394 the line to keep me out of prison. Underestimating 185 00:12:42,461 --> 00:12:46,332 him would be dangerous. I-- if-- if Bill were to find out 186 00:12:46,398 --> 00:12:50,736 what the two of us did here today, it-- I could go back 187 00:12:50,803 --> 00:12:54,673 to prison, or worse! I'm serious, Deacon. 188 00:12:54,740 --> 00:12:57,343 >> Deacon: I'm-- I'm dead serious, too, I-- Sorry, it's-- 189 00:12:57,409 --> 00:13:01,614 >> Sheila: This is not a joke! Bill can never know what 190 00:13:01,680 --> 00:13:03,949 happened here today. You've got to swear that to me! 191 00:13:04,016 --> 00:13:05,918 >> Deacon: I-- I-- >> Sheila: Swear it to me! 192 00:13:05,985 --> 00:13:08,354 Swear it to me! >> Deacon: I-- I swear it! 193 00:13:08,420 --> 00:13:14,860 I sw-- It's okay. I swear it. ♪♪♪ 194 00:13:35,147 --> 00:13:37,950 >> Brooke: The damage you caused with the CPS call, 195 00:13:38,017 --> 00:13:40,753 it didn't just hurt Taylor and Ridge and me, 196 00:13:40,819 --> 00:13:44,356 it also hurt my daughter. Not because she lost you 197 00:13:44,423 --> 00:13:46,625 as a lead designer, but because she considered 198 00:13:46,692 --> 00:13:50,829 you a friend. And she worked really hard to trust you 199 00:13:50,896 --> 00:13:54,333 again, Thomas. And you betrayed her faith. 200 00:13:54,400 --> 00:13:57,670 And now you just want to come back to work for 201 00:13:57,736 --> 00:13:59,772 Hope for the Future as a lead designer and act like 202 00:13:59,838 --> 00:14:05,578 none of this ever happened? >> Thomas: I-- I do want to 203 00:14:05,644 --> 00:14:09,682 come back and work with Hope again. And I-- Look, I don't-- 204 00:14:09,748 --> 00:14:13,385 I don't blame you for being skeptical about my apologies. 205 00:14:13,452 --> 00:14:15,588 Yeah, I want to prove to everyone that I'm a better 206 00:14:15,654 --> 00:14:18,991 man, but most importantly, my son. I love him more than 207 00:14:19,058 --> 00:14:21,594 anything in the world, and I want to make sure that 208 00:14:21,660 --> 00:14:27,233 he knows that I am the kind of man that he can look up to. 209 00:14:27,299 --> 00:14:30,402 >> Taylor: You know what I've learned? I've-- I've 210 00:14:30,469 --> 00:14:37,109 learned that everyone makes mistakes, right? Doesn't mean 211 00:14:37,176 --> 00:14:39,912 that they have to pay for those mistakes for the rest 212 00:14:39,979 --> 00:14:46,952 of their life. Sometimes good people make bad choices, 213 00:14:47,019 --> 00:14:54,660 and it doesn't mean they're bad. It means they're human. 214 00:14:54,727 --> 00:14:57,796 >> Brooke: Okay, so if you work with Hope, you won't be 215 00:14:57,863 --> 00:15:02,368 obsessed with her, 'cause your mom and I both 216 00:15:02,434 --> 00:15:06,572 agree, your fixation on my daughter has to be over, 217 00:15:06,639 --> 00:15:08,941 or there's nothing more to discuss. 218 00:15:09,008 --> 00:15:12,678 ♪♪♪ >> Hope: Bill already has 219 00:15:12,745 --> 00:15:15,247 put a lot on the line for Sheila. I mean, he's risking 220 00:15:15,314 --> 00:15:18,384 all of his relationships, so there must be 221 00:15:18,450 --> 00:15:22,421 some feelings there. >> Liam: Yeah, he-- he says 222 00:15:22,488 --> 00:15:24,590 that his feelings for Sheila are genuine, but when 223 00:15:24,657 --> 00:15:27,159 I press him on it, he gets defensive. 224 00:15:27,226 --> 00:15:30,863 >> Hope: So, do you think Sheila is changing him, or-- 225 00:15:30,929 --> 00:15:33,065 >> Liam: I think-- I think I'm frustrated, is what 226 00:15:33,132 --> 00:15:35,234 I think. I mean, the guy's been basically absent from 227 00:15:35,301 --> 00:15:37,336 his own life, he's been working from home. 228 00:15:37,403 --> 00:15:39,805 What does that tell you? And it's just that the two 229 00:15:39,872 --> 00:15:42,741 of them, those personalities alone in that house together? 230 00:15:42,808 --> 00:15:45,978 It's like darkness upon darkness. It is not healthy. 231 00:15:46,045 --> 00:15:50,049 >> Hope: And Bill's not worried at all. I mean, this 232 00:15:50,115 --> 00:15:53,052 is Sheila we're talking about, she usually has an agenda. 233 00:15:53,118 --> 00:15:57,222 >> Liam: I said the same thing, but um, now I'm kind 234 00:15:57,289 --> 00:15:59,558 of convinced it's the other way around, and maybe Sheila's 235 00:15:59,625 --> 00:16:02,194 the one who should be a little worried. 236 00:16:02,261 --> 00:16:04,997 >> Hope: What does that mean? >> Liam: Let's just say 237 00:16:05,064 --> 00:16:10,536 my dad made it pretty clear that if Sheila ever crosses him, 238 00:16:10,602 --> 00:16:25,484 she'll regret it. >> Sheila: Hey, handsome. 239 00:16:25,551 --> 00:16:28,821 she'll regret it. >> Sheila: Hey, handsome. 240 00:16:28,887 --> 00:16:32,791 >> Bill: Where have you been? >> Sheila: Rodeo. 241 00:16:32,858 --> 00:16:36,261 >> Bill: No bags? >> Sheila: No, it's-- 242 00:16:36,328 --> 00:16:39,164 it's not really about the shopping, it's being able 243 00:16:39,231 --> 00:16:42,801 to go in and out of stores freely as I choose. 244 00:16:42,868 --> 00:16:48,941 I have you to thank for that. How'd your visit go with Liam? 245 00:16:49,007 --> 00:16:52,611 >> Bill: About what you'd expect. 246 00:16:52,678 --> 00:16:55,180 >> Sheila: I really wish Liam and Wyatt would at least try 247 00:16:55,247 --> 00:17:00,419 to accept me. And who knows, maybe one day. 248 00:17:00,486 --> 00:17:06,558 I will never come between you and your boys. 249 00:17:06,625 --> 00:17:11,096 Can I get you a drink? >> Bill: Sure. 250 00:17:11,163 --> 00:17:17,569 >> Sheila: 'Kay. Why are you looking at me 251 00:17:17,636 --> 00:17:26,078 that way? >> Bill: Something Liam said. 252 00:17:26,145 --> 00:17:32,985 >> Sheila: What was that? >> Bill: That I can't trust you. 253 00:17:33,051 --> 00:17:41,527 That you're playing me. >> Sheila: What did you say? 254 00:17:41,593 --> 00:17:47,032 >> Bill: Told him the truth. We're open with each other. 255 00:17:47,099 --> 00:17:53,672 We tell each other everything. That's why I trust you. 256 00:17:53,739 --> 00:18:02,214 Besides, Liam knows, you know, everyone knows that nobody 257 00:18:02,281 --> 00:18:07,019 betrays me and gets away with it. 258 00:18:07,419 --> 00:18:10,022 Nobody. ♪♪♪ 259 00:18:28,674 --> 00:18:31,677 Captioned by Los Angeles Distribution and Broadcasting, Inc.