1 00:00:02,502 --> 00:00:06,973 [ relaxing music ] 2 00:00:07,040 --> 00:00:14,948 [ phone chiming ] [ Hope sighing ] 3 00:00:15,014 --> 00:00:16,983 [ phone chiming ] 4 00:00:21,254 --> 00:00:24,958 >> Steffy: Anything? >> Hope: Not yet. 5 00:00:25,024 --> 00:00:27,060 >> Steffy: Well, shouldn't be much longer. 6 00:00:27,127 --> 00:00:30,630 >> Hope: I mean, it's-- it's bound to be good, right? 7 00:00:30,697 --> 00:00:34,067 Eric isn't a novice, and Zende helped out a lot 8 00:00:34,134 --> 00:00:35,101 with the last showing. 9 00:00:35,168 --> 00:00:38,938 >> Steffy: I'm sure the reviews will reflect that. 10 00:00:39,005 --> 00:00:40,039 But you aren't sure? 11 00:00:40,106 --> 00:00:42,409 >> Hope: Well, it's just-- You know, 12 00:00:42,475 --> 00:00:44,778 this Hope for the Future collection isn't being 13 00:00:44,844 --> 00:00:47,881 designed by Thomas and a lot rides on how 14 00:00:47,947 --> 00:00:50,016 the press reacts to that. 15 00:00:50,083 --> 00:00:56,055 ♪♪♪ >> Paris: Ooh, you bringing 16 00:00:56,122 --> 00:00:58,925 me coffee? A girl could get used to this. 17 00:00:58,992 --> 00:01:01,995 >> Thomas: Well, I just hope you know how thankful I am, 18 00:01:02,061 --> 00:01:05,165 you know, after my family kicked me out, you gave me 19 00:01:05,231 --> 00:01:07,267 a place to stay and that's a big favor. 20 00:01:07,333 --> 00:01:09,736 >> Paris: And this is your way of repaying me? 21 00:01:09,803 --> 00:01:12,172 >> Thomas: Can you think of a better way? 22 00:01:12,238 --> 00:01:18,344 ♪♪♪ 23 00:01:22,015 --> 00:01:24,017 >> Deacon: God, look at this. 24 00:01:24,083 --> 00:01:35,829 This thing is like an oil slick. Negative. 25 00:01:35,895 --> 00:01:39,999 This-- this looks pretty good. 26 00:01:45,171 --> 00:01:47,273 Mm. That's good. 27 00:01:47,340 --> 00:01:58,218 [ footsteps approaching ] Well, I'll be. 28 00:01:58,284 --> 00:01:59,352 >> Sheila: How have you been? 29 00:01:59,419 --> 00:02:03,923 Long time no see. 30 00:02:03,990 --> 00:02:06,392 You're having pizza for breakfast. 31 00:02:06,459 --> 00:02:07,460 >> Deacon: Take a bite. 32 00:02:07,527 --> 00:02:10,230 Try a slice. I'm trying to perfect my signature pie. 33 00:02:10,296 --> 00:02:10,897 >> Sheila: Hm. 34 00:02:10,964 --> 00:02:11,731 >> Deacon: Come on. 35 00:02:11,798 --> 00:02:16,769 >> Sheila: Okay. 36 00:02:16,836 --> 00:02:20,974 Mm. 37 00:02:21,040 --> 00:02:23,643 Hm. 38 00:02:23,710 --> 00:02:33,119 I'm thinking maybe a little less oregano, 39 00:02:33,186 --> 00:02:34,387 more garlic. 40 00:02:34,454 --> 00:02:36,689 >> Deacon: Hm. Noted. 41 00:02:36,756 --> 00:02:38,558 >> Sheila: Loving the sun dried tomatoes. 42 00:02:38,625 --> 00:02:39,492 >> Deacon: Delicious, right? 43 00:02:39,559 --> 00:02:40,627 >> Sheila: Mm. 44 00:02:40,693 --> 00:02:42,862 >> Deacon: So, look at you all footloose and fancy free. 45 00:02:42,929 --> 00:02:45,865 What brings you here? 46 00:02:45,932 --> 00:02:50,203 >> Sheila: I wanted to congratulate you. Really. 47 00:02:50,270 --> 00:02:55,341 New proprietor of Il Giardino, Deacon Sharpe? 48 00:02:55,408 --> 00:02:56,509 Quite a feat. 49 00:02:56,576 --> 00:02:59,479 >> Deacon: Well, if anyone knows about feat, it's you. 50 00:02:59,546 --> 00:03:02,382 [ Sheila laughs ] Hey, listen, um, 51 00:03:02,448 --> 00:03:05,018 you're the one I ought to be congratulating. Pulling off 52 00:03:05,084 --> 00:03:08,221 getting out of prison, just like you said you would. 53 00:03:08,288 --> 00:03:11,057 ♪♪♪ 54 00:03:11,124 --> 00:03:19,832 ♪♪♪ 55 00:03:19,899 --> 00:03:29,842 ♪♪♪ 56 00:03:29,909 --> 00:03:39,819 ♪♪♪ 57 00:03:39,886 --> 00:03:47,260 ♪♪♪ 58 00:03:47,327 --> 00:03:52,999 ♪♪♪ 59 00:03:54,200 --> 00:03:56,269 >> Eric: I really like the direction that this 60 00:03:56,336 --> 00:03:57,403 design is taking. 61 00:03:57,470 --> 00:03:58,471 >> Zende: Me too. 62 00:03:58,538 --> 00:04:01,407 >> Eric: It suits Hope for the Future. Yeah. To a T. 63 00:04:01,474 --> 00:04:04,310 >> Zende: I agree. I'm really happy with it, 64 00:04:04,377 --> 00:04:07,213 with all the work that we've done in Thomas's absence. 65 00:04:07,280 --> 00:04:09,182 >> Eric: Well, you should be. 66 00:04:09,248 --> 00:04:10,483 I'm proud of you, Zende. 67 00:04:10,550 --> 00:04:12,018 >> Zende: Thanks, Granddad. 68 00:04:12,085 --> 00:04:15,955 Actually, you know, for the first time, 69 00:04:16,022 --> 00:04:18,491 I'm starting to feel really confident in my skill. 70 00:04:18,558 --> 00:04:19,726 >> Eric: You should. 71 00:04:19,792 --> 00:04:23,062 >> Zende: But if I'm being completely honest, 72 00:04:23,129 --> 00:04:25,531 I still feel like I'm designing in Thomas' shadow. 73 00:04:25,598 --> 00:04:28,167 ♪♪♪ >> Paris: You're sweet, 74 00:04:28,234 --> 00:04:31,638 but it really should be me thanking you. 75 00:04:31,704 --> 00:04:33,139 >> Thomas: Really? Why? 76 00:04:33,206 --> 00:04:35,508 >> Paris: Well, you let me hang here when I had nowhere 77 00:04:35,575 --> 00:04:38,978 else to go. So, it's only fair that I repay you. 78 00:04:39,045 --> 00:04:42,148 >> Thomas: Huh? By giving me a free place to stay? 79 00:04:42,215 --> 00:04:44,884 >> Paris: I wouldn't say free because you'll be doing 80 00:04:44,951 --> 00:04:45,652 the cooking. 81 00:04:45,718 --> 00:04:46,319 >> Thomas: Oh. 82 00:04:46,386 --> 00:04:47,286 >> Paris: And the cleaning. 83 00:04:47,353 --> 00:04:48,021 >> Thomas: Okay. 84 00:04:48,087 --> 00:04:49,222 >> Paris: And the cooking. 85 00:04:49,288 --> 00:04:50,990 >> Thomas: That's cooking twice. 86 00:04:51,057 --> 00:04:53,593 >> Paris: I just love the way you cook. 87 00:04:53,660 --> 00:04:55,194 >> Thomas: Huh. 88 00:04:55,261 --> 00:04:59,799 ♪♪♪ [ phone chiming ] 89 00:04:59,866 --> 00:05:03,236 [ Hope sighing ] >> Hope: Look, while I 90 00:05:03,302 --> 00:05:05,938 appreciate Eric and Zende stepping up in Thomas's 91 00:05:06,005 --> 00:05:09,709 absence, I mean, it is a different feel. 92 00:05:09,776 --> 00:05:12,412 >> Steffy: So, you don't think that their designs 93 00:05:12,478 --> 00:05:14,580 will generate as much positive buzz? 94 00:05:14,647 --> 00:05:19,018 >> Hope: Well, I-- I hope they do. It's just Thomas 95 00:05:19,085 --> 00:05:22,155 had the entire fashion world talking. I mean, when those 96 00:05:22,221 --> 00:05:24,624 designs hit the runway, it blew everyone away 97 00:05:24,691 --> 00:05:26,125 and the sales backed it. 98 00:05:26,192 --> 00:05:29,062 It's just, it's a hard act to follow. 99 00:05:29,128 --> 00:05:31,397 >> Steffy: That's true, but my grandfather's been 100 00:05:31,464 --> 00:05:32,498 doing this forever. 101 00:05:32,565 --> 00:05:35,735 And Zende is a great designer too. 102 00:05:35,802 --> 00:05:36,903 >> Hope: You're right. 103 00:05:36,969 --> 00:05:39,806 You're right. I'm probably worrying over nothing. 104 00:05:39,872 --> 00:05:42,775 Like we already don't have enough to worry about. 105 00:05:42,842 --> 00:05:45,945 >> Steffy: Ugh. I still can't believe Sheila's 106 00:05:46,012 --> 00:05:46,779 out of prison. 107 00:05:46,846 --> 00:05:52,885 ♪♪♪ >> Sheila: This is huge for 108 00:05:52,952 --> 00:05:59,092 you, Deacon, taking over as the owner of Il Giardino. 109 00:05:59,158 --> 00:06:01,127 That's what you always wanted. 110 00:06:01,194 --> 00:06:02,295 I'm really happy for you. 111 00:06:02,361 --> 00:06:06,966 >> Deacon: Thanks. I'm happy for you too. Somehow, 112 00:06:07,033 --> 00:06:08,868 some way, you managed to do it again. 113 00:06:08,935 --> 00:06:09,936 You landed on your feet. 114 00:06:10,002 --> 00:06:12,105 You swore you get out of prison. I thought you 115 00:06:12,171 --> 00:06:13,840 were loony tunes, I'll admit it. 116 00:06:13,906 --> 00:06:15,408 You proved me wrong again. 117 00:06:15,475 --> 00:06:19,345 >> Sheila: Yeah. Well, what did I always tell you, Daddy? 118 00:06:19,412 --> 00:06:22,115 Never count Sheila Carter out. 119 00:06:22,181 --> 00:06:25,084 >> Deacon: Daddy won't ever again. 120 00:06:25,151 --> 00:06:29,021 ♪♪♪ 121 00:06:34,994 --> 00:06:37,830 >> Eric: I understand you feeling that way, I really do. 122 00:06:37,897 --> 00:06:40,933 I mean, in spite of the despicable 123 00:06:41,000 --> 00:06:43,936 things that Thomas has done in his past, he's a very 124 00:06:44,003 --> 00:06:45,204 gifted designer. 125 00:06:45,271 --> 00:06:48,007 But so are you, Zende, don't you forget that, 126 00:06:48,074 --> 00:06:49,108 all right? 127 00:06:49,175 --> 00:06:52,044 Now, as far as Hope for the Future goes, 128 00:06:52,111 --> 00:06:53,279 we've put our heads together. 129 00:06:53,346 --> 00:06:55,515 We've come up with a-- With some really nice 130 00:06:55,581 --> 00:06:58,251 different directions for the line. I think this 131 00:06:58,317 --> 00:07:00,653 collaboration has been a big success, don't you? 132 00:07:00,720 --> 00:07:02,121 >> Zende: Yeah, absolutely, Granddad. 133 00:07:02,188 --> 00:07:03,189 >> Eric: Good. 134 00:07:03,256 --> 00:07:06,526 >> Zende: And I appreciate your support, but I still 135 00:07:06,592 --> 00:07:09,962 have to wonder how our collection will be received. 136 00:07:10,029 --> 00:07:12,331 I'm not Thomas. 137 00:07:12,398 --> 00:07:15,568 >> Paris: I know it's been hard on you being the outcast 138 00:07:15,635 --> 00:07:17,637 of the family. 139 00:07:17,703 --> 00:07:20,840 >> Thomas: Yeah. I mean, all I was trying to do was bring 140 00:07:20,907 --> 00:07:22,341 my mom and dad back together. 141 00:07:22,408 --> 00:07:25,077 >> Paris: Mm. It was a bit more than that. 142 00:07:25,144 --> 00:07:27,413 >> Thomas: Yeah, you're right. It was. 143 00:07:27,480 --> 00:07:30,449 >> Paris: But I can also tell that you really love 144 00:07:30,516 --> 00:07:31,517 your family. 145 00:07:31,584 --> 00:07:37,190 >> Thomas: I do. You know, sometimes I don't play by 146 00:07:37,256 --> 00:07:40,092 the same rules, but I think my heart is 147 00:07:40,159 --> 00:07:41,294 always in the right place. 148 00:07:41,360 --> 00:07:44,564 >> Paris: I can see both sides. 149 00:07:44,630 --> 00:07:47,700 >> Thomas: Yeah. Well, it-- I'll say, it's really nice 150 00:07:47,767 --> 00:07:50,736 to know that I have at least one person in my corner. 151 00:07:50,803 --> 00:07:53,372 >> Paris: Mm-hmm. And it's nice to know that I have 152 00:07:53,439 --> 00:07:55,842 someone like Thomas Forrester in my life. 153 00:07:55,908 --> 00:07:57,710 >> Thomas: Hey. 154 00:07:57,777 --> 00:08:00,580 That's what I'm talking about. 155 00:08:00,646 --> 00:08:06,953 ♪♪♪ >> Steffy: I am sure Sheila 156 00:08:07,019 --> 00:08:09,555 thinks she is free to go wherever she pleases, 157 00:08:09,622 --> 00:08:11,858 but she will get nowhere near Kelly and Hayes. 158 00:08:11,924 --> 00:08:15,061 >> Hope: Well, I feel the exact same way. 159 00:08:15,127 --> 00:08:17,697 Keeping the children safe from that woman is priority 160 00:08:17,763 --> 00:08:20,566 number one. Especially now that Kelly and Douglas 161 00:08:20,633 --> 00:08:22,068 are spending so much time together. 162 00:08:22,134 --> 00:08:24,103 >> Steffy: Yeah. Kelly loves having him over. 163 00:08:24,170 --> 00:08:26,105 And she loves going to your place too. 164 00:08:26,172 --> 00:08:28,708 >> Hope: They're so sweet together. I mean, there's 165 00:08:28,774 --> 00:08:31,677 just been a lot of changes in Douglas' life after what 166 00:08:31,744 --> 00:08:35,348 Thomas did. So, I think him spending extra time with 167 00:08:35,414 --> 00:08:37,583 his Aunt Steffy and his cousins is exactly 168 00:08:37,650 --> 00:08:38,684 what he needs. 169 00:08:38,751 --> 00:08:42,922 [ Steffy scoffing ] >> Steffy: Thomas is 170 00:08:42,989 --> 00:08:46,759 my brother. I mean, I-- I love him, but I'm just 171 00:08:46,826 --> 00:08:50,363 so disappointed in him, what he's done. 172 00:08:50,429 --> 00:08:55,167 >> Hope: Has he um, reached out to you at all or tried 173 00:08:55,234 --> 00:08:56,802 to reconnect? 174 00:08:56,869 --> 00:09:01,073 >> Steffy: No. He hasn't really been on my mind. 175 00:09:01,140 --> 00:09:03,476 I'm way more focused on the threat of Sheila 176 00:09:03,542 --> 00:09:05,311 right now. 177 00:09:05,378 --> 00:09:08,948 >> Sheila: So, you gonna make any changes here or 178 00:09:09,015 --> 00:09:11,584 are you just going to work on perfecting your 179 00:09:11,651 --> 00:09:12,685 signature pie? 180 00:09:12,752 --> 00:09:14,520 >> Deacon: Okay. You know what? When the hungry masses 181 00:09:14,587 --> 00:09:16,455 are camped out around the corner, you will not 182 00:09:16,522 --> 00:09:17,356 be laughing. 183 00:09:17,423 --> 00:09:19,325 >> Sheila: Oh, I-- I probably will be. 184 00:09:19,392 --> 00:09:21,327 >> Deacon: You won't get a seat. 185 00:09:25,464 --> 00:09:28,734 Sheila, you know, I can read your mind. 186 00:09:28,801 --> 00:09:31,270 I know you're thinking about the alley. 187 00:09:31,337 --> 00:09:34,206 What happened that night. 188 00:09:34,273 --> 00:09:36,943 Some incredible things. 189 00:09:37,009 --> 00:09:42,949 >> Sheila: Yeah. Unfortunate and deeply regrettable. 190 00:09:43,015 --> 00:09:44,650 >> Deacon: Yeah. 191 00:09:44,717 --> 00:09:47,553 >> Sheila: But I'm trying to not dwell on that. 192 00:09:47,620 --> 00:09:50,056 I would much rather think of the happy memories 193 00:09:50,122 --> 00:09:51,457 I have here. 194 00:09:51,524 --> 00:09:53,225 One in particular. 195 00:09:53,292 --> 00:09:56,996 >> Deacon: Oh, yeah? 196 00:09:57,063 --> 00:10:01,801 >> Sheila: Yeah. You remember when you closed early 197 00:10:01,867 --> 00:10:16,749 and you planned a special night out for me? 198 00:10:16,816 --> 00:10:19,685 and you planned a special night out for me? 199 00:10:19,752 --> 00:10:22,855 It just... 200 00:10:22,922 --> 00:10:26,892 It meant the world to me. 201 00:10:26,959 --> 00:10:28,227 And so does this. 202 00:10:28,294 --> 00:10:33,733 Coming here to your restaurant now as a totally free woman. 203 00:10:33,799 --> 00:10:35,735 >> Deacon: It's pretty cool. 204 00:10:35,801 --> 00:10:39,372 But I gotta ask, how'd you do it? 205 00:10:39,438 --> 00:10:42,408 And what the hell is going on with you and Spencer? 206 00:10:42,475 --> 00:10:46,112 ♪♪♪ 207 00:10:56,055 --> 00:10:57,990 >> Paris: Oh, my goodness. 208 00:10:58,057 --> 00:10:59,325 Is it really that late? 209 00:10:59,392 --> 00:11:01,160 >> Thomas: Why? You have somewhere to be? 210 00:11:01,227 --> 00:11:03,029 >> Paris: I have a Hope for the Future meeting 211 00:11:03,095 --> 00:11:04,230 this morning. 212 00:11:04,296 --> 00:11:06,198 >> Thomas: You're sitting in on those now? 213 00:11:06,265 --> 00:11:08,300 >> Paris: We're all pitching in these days. 214 00:11:08,367 --> 00:11:11,137 >> Thomas: Ah, since I was banished from Forrester, 215 00:11:11,203 --> 00:11:12,104 you mean? 216 00:11:12,171 --> 00:11:14,407 >> Paris: Well, Hope's line is in transition. 217 00:11:14,473 --> 00:11:17,443 It's a very stressful time, so we're all rallying around 218 00:11:17,510 --> 00:11:19,145 her and giving her our support. 219 00:11:19,211 --> 00:11:21,547 >> Thomas: She wouldn't need that if I was still around. 220 00:11:21,614 --> 00:11:24,216 Hope wouldn't be worrying about a thing if I was 221 00:11:24,283 --> 00:11:26,118 still lead designer. 222 00:11:26,185 --> 00:11:32,158 That's not ego. And I-- I've proven myself 223 00:11:32,224 --> 00:11:34,627 and everyone knows it. 224 00:11:34,693 --> 00:11:38,464 >> Hope: I will admit, I really do miss 225 00:11:38,531 --> 00:11:39,498 Thomas' designs. 226 00:11:39,565 --> 00:11:42,435 [ phone chiming ] I mean, he really did capture 227 00:11:42,501 --> 00:11:44,303 the essence of Hope for the Future. 228 00:11:44,370 --> 00:11:47,173 >> Steffy: And of the woman behind it. 229 00:11:47,239 --> 00:11:50,076 >> Hope: Yes. Thomas was very intuitive. 230 00:11:50,142 --> 00:11:53,179 And creatively, it was almost as if he knew what 231 00:11:53,245 --> 00:11:54,447 I wanted before I even did. 232 00:11:54,513 --> 00:11:58,818 I mean, I-- [ phone chiming ] 233 00:11:58,884 --> 00:12:01,787 >> Eric: Ladies, are we interrupting? 234 00:12:01,854 --> 00:12:04,323 >> Steffy: No, we were actually discussing Hope's line. 235 00:12:04,390 --> 00:12:05,691 >> Zende: Meeting still on? 236 00:12:05,758 --> 00:12:08,561 >> Hope: Yes. But has anyone seen Paris? 237 00:12:08,627 --> 00:12:10,763 >> Zende: No. I thought she might be with-- with you two. 238 00:12:10,830 --> 00:12:12,465 >> Steffy: I'm sure she's running late. 239 00:12:12,531 --> 00:12:13,466 She'll be here soon. 240 00:12:13,532 --> 00:12:16,068 >> Hope: And speaking of Paris, are things good 241 00:12:16,135 --> 00:12:17,169 between you two? 242 00:12:17,236 --> 00:12:18,838 >> Zende: Yeah. Yeah. 243 00:12:18,904 --> 00:12:21,507 They're-- We're just friends now. It's cool. Anyway, 244 00:12:21,574 --> 00:12:22,808 I'm kinda anxious. 245 00:12:22,875 --> 00:12:25,878 The reviews now that Thomas isn't part of the design team, 246 00:12:25,945 --> 00:12:27,113 has anyone heard anything yet? 247 00:12:27,179 --> 00:12:30,916 [ phone chiming] Is that it? 248 00:12:35,421 --> 00:12:37,156 >> Hope: Mm-hmm. 249 00:12:37,223 --> 00:12:38,491 >> Steffy: What's it say? 250 00:12:38,557 --> 00:12:44,830 ♪♪♪ >> Deacon: Don't get me wrong. 251 00:12:44,897 --> 00:12:46,565 I am happy for you. 252 00:12:46,632 --> 00:12:48,734 I don't condone all the things that you've done, 253 00:12:48,801 --> 00:12:52,204 especially in that alley, but uh, I do like seeing you 254 00:12:52,271 --> 00:12:53,706 like this. 255 00:12:53,772 --> 00:12:56,675 >> Sheila: Not behind bars. 256 00:12:56,742 --> 00:13:00,479 >> Deacon: Happy, upbeat. 257 00:13:00,546 --> 00:13:03,516 Sheila, you are amazing. 258 00:13:03,582 --> 00:13:04,583 You pulled off the impossible. 259 00:13:04,650 --> 00:13:05,384 Hell, I'll say it. 260 00:13:05,451 --> 00:13:06,318 You know what? 261 00:13:06,385 --> 00:13:08,487 You are a freaking genius. 262 00:13:08,554 --> 00:13:11,624 An evil genius, but a genius nonetheless. 263 00:13:11,690 --> 00:13:14,260 Did you really get Guthrie to take the rap? 264 00:13:14,326 --> 00:13:17,163 I mean, you played that guy like a cheap fiddle. 265 00:13:17,229 --> 00:13:19,798 >> Sheila: Well, what can I say? Mike has always had 266 00:13:19,865 --> 00:13:20,766 a soft spot for me. 267 00:13:20,833 --> 00:13:21,800 >> Deacon: Mm-hmm. Yeah. 268 00:13:21,867 --> 00:13:23,636 And you capitalized on it big time, right? 269 00:13:23,702 --> 00:13:26,438 Look, playing Guthrie's one thing, but playing 270 00:13:26,505 --> 00:13:30,476 Dollar Bill, I mean, that's impressive. 271 00:13:30,543 --> 00:13:35,481 So I gotta ask again, how did you do it? 272 00:13:35,548 --> 00:13:43,022 ♪♪♪ 273 00:13:52,031 --> 00:13:53,966 >> Paris: The Hope for the Future meeting probably 274 00:13:54,033 --> 00:13:55,234 already started. 275 00:13:55,301 --> 00:13:57,169 >> Thomas: Yeah. Well, you're one of Hope's closest 276 00:13:57,236 --> 00:13:59,371 friends. I'm sure it'll be fine. Unlike me, 277 00:13:59,438 --> 00:14:03,008 who is persona non grata around the hallowed halls 278 00:14:03,075 --> 00:14:04,677 of Forrester Creation these days. 279 00:14:04,743 --> 00:14:07,613 >> Paris: You really miss it, don't you? Not being a part 280 00:14:07,680 --> 00:14:09,181 of the HFTF team? 281 00:14:09,248 --> 00:14:11,383 >> Thomas: Mm. Just rub it in a little more, 282 00:14:11,450 --> 00:14:13,719 why don't you? 283 00:14:13,786 --> 00:14:15,487 You should probably go ahead and get going. 284 00:14:15,554 --> 00:14:17,756 >> Paris: Right. The latest review on the collection 285 00:14:17,823 --> 00:14:19,792 designed by Zende and Eric are coming in. 286 00:14:19,858 --> 00:14:20,759 >> Thomas: Whoa. Whoa. 287 00:14:20,826 --> 00:14:21,994 That's happening today? 288 00:14:22,061 --> 00:14:23,629 >> Zende: Any minute now. 289 00:14:23,696 --> 00:14:27,233 >> Thomas: Huh. I'm-- I'm interested to see how 290 00:14:27,299 --> 00:14:30,002 their designs stack up with mine in the press. 291 00:14:30,069 --> 00:14:32,371 I'm sure mine will be considered so much better 292 00:14:32,438 --> 00:14:33,339 'cause I'm awesome. 293 00:14:33,405 --> 00:14:40,613 ♪♪♪ >> Hope: "One of the first 294 00:14:40,679 --> 00:14:43,282 successful fashion lines touting an environmental/ 295 00:14:43,349 --> 00:14:47,019 sustainability message, Hope for the Future has 296 00:14:47,086 --> 00:14:49,722 always topped itself with each new collection. 297 00:14:49,788 --> 00:14:53,092 In fact, it was only a short while ago that this reviewer 298 00:14:53,158 --> 00:14:55,928 was effusive in his praise of the line's previous 299 00:14:55,995 --> 00:14:59,031 collection spearheaded by the lead designer, 300 00:14:59,098 --> 00:15:00,933 Thomas Forrester. 301 00:15:01,000 --> 00:15:03,235 In that review, we waxed enthusiastically 302 00:15:03,302 --> 00:15:06,672 about how excited we were to see what would come next. 303 00:15:06,739 --> 00:15:09,541 In a surprise shake up, however, the latest styles 304 00:15:09,608 --> 00:15:12,378 were imagined from Hope for the Future's number two 305 00:15:12,444 --> 00:15:15,581 designer, Zende Forrester and Forrester Creation's 306 00:15:15,648 --> 00:15:17,583 founder, Eric Forrester. 307 00:15:17,650 --> 00:15:20,252 After seeing their collection, one thing is 308 00:15:20,319 --> 00:15:23,255 obvious. While the new design team shows signs of 309 00:15:23,322 --> 00:15:28,727 inspiration, it is a far cry from the artistry and 310 00:15:28,794 --> 00:15:38,704 creative innovation under Thomas Forrester." 311 00:15:38,771 --> 00:15:44,643 >> Zende: Um, the reviewer was being polite, but it's clear 312 00:15:44,710 --> 00:15:46,578 he doesn't think the collection is nearly 313 00:15:46,645 --> 00:15:49,748 as good. 314 00:15:49,815 --> 00:15:53,819 ♪♪♪ >> Thomas: Wow. The reviewer 315 00:15:53,886 --> 00:15:57,556 is being kind, but he is ripping them to shreds. 316 00:15:57,623 --> 00:16:00,159 >> Paris: Wow. Even after all the hard work Zende and 317 00:16:00,225 --> 00:16:01,460 Eric put into it? 318 00:16:01,527 --> 00:16:04,229 >> Thomas: I do have all those designs ready to go. 319 00:16:04,296 --> 00:16:05,331 I could save the day. 320 00:16:05,397 --> 00:16:07,933 >> Paris: Meaning you may not be the outcast 321 00:16:08,000 --> 00:16:09,335 for much longer? 322 00:16:09,401 --> 00:16:10,669 >> Thomas: That's right. 323 00:16:10,736 --> 00:16:14,440 Hopefully, they'll be calling soon, blowing up my phone 324 00:16:14,506 --> 00:16:18,444 and begging me to come back. Huh. 325 00:16:18,510 --> 00:16:23,349 ♪♪♪ >> Deacon: So Hope filled 326 00:16:23,415 --> 00:16:25,684 me in. She gave me the skinny how you showed up at Finn 327 00:16:25,751 --> 00:16:27,986 and Steffy's and they were gonna call the cops, 328 00:16:28,053 --> 00:16:30,956 but then Bill showed up and he blackmailed them 329 00:16:31,023 --> 00:16:34,593 with something so that they wouldn't testify. 330 00:16:34,660 --> 00:16:37,863 And then he bribed the judge to drop the rest of the charges. 331 00:16:37,930 --> 00:16:41,100 Am I missing anything? 332 00:16:41,166 --> 00:16:42,601 >> Sheila: Pretty much covers it. 333 00:16:42,668 --> 00:16:45,237 >> Deacon: Huh, I mean, 'cause Bill is an absolute 334 00:16:45,304 --> 00:16:47,706 megalomaniac. He doesn't show mercy to anyone. 335 00:16:47,773 --> 00:16:51,176 Least of all someone like you. Sheila, come on, 336 00:16:51,243 --> 00:16:52,978 be honest with me. Fess up. 337 00:16:53,045 --> 00:16:56,548 How did you do this? I mean, Bill is one of the 338 00:16:56,615 --> 00:16:59,752 wealthiest people in the universe. And what, he-- 339 00:16:59,818 --> 00:17:01,286 he takes pity on you? 340 00:17:01,353 --> 00:17:05,391 You two are supposedly in a relationship? 341 00:17:05,457 --> 00:17:09,795 >> Sheila: We are in a relationship. I'm living 342 00:17:09,862 --> 00:17:13,832 with Bill at his estate. 343 00:17:13,899 --> 00:17:16,835 >> Deacon: Okay. All right. 344 00:17:16,902 --> 00:17:19,438 Yeah. Great. 345 00:17:19,505 --> 00:17:20,973 >> Sheila: You mean that? 346 00:17:21,039 --> 00:17:23,475 >> Deacon: Yeah. No, I mean, look, I think he's 347 00:17:23,542 --> 00:17:31,483 a world-class jerk, but uh, I'm happy for you. 348 00:17:31,550 --> 00:17:34,420 >> Sheila: Thank you. 349 00:17:34,486 --> 00:17:38,056 Means a lot to me. 350 00:17:38,123 --> 00:17:40,726 >> Deacon: You know how I feel about you. 351 00:17:40,793 --> 00:17:42,694 And you and I, we've been through a lot together. 352 00:17:42,761 --> 00:17:45,164 I've put my ass on the line for you more than once, 353 00:17:45,230 --> 00:17:48,767 and I think we both know why. 354 00:17:48,834 --> 00:17:50,869 Sheila, I gotta ask you. 355 00:17:50,936 --> 00:17:56,308 You and Bill, how much are you in love with him, 356 00:17:56,375 --> 00:18:00,045 and how much are you using him? 357 00:18:00,112 --> 00:18:06,952 ♪♪♪ 358 00:18:15,160 --> 00:18:18,163 Captioned by Los Angeles Distribution and Broadcasting, Inc.