CAPTIONING MADE POSSIBLE BY WARNER BROS.
OK, PUNCH...
OK. PUNCH IT IN.
RIGHT.
OK,
LET'S, FIRST OF ALL,
REFRESH THE SCREEN HERE
AND GO IN A FORMAT RULER.
THERE.
ALL RIGHT.
NOW, FILE?
RIGHT.
[BEEP]
AND IT'S IN MEMORY?
RIGHT.
AND...
MARK THIS IN PREFIX CODES.
PREFIX CODE. RIGHT, RIGHT.
OK.
YEAH, YOU GOT IT.
ANOTHER WEEK, YOU'LL HAVE IT DOWN.
IT'S TEMPORARY.
I WON'T BE STUCK DOING THIS.
PLEASE DON'T REPEAT THAT.
OK.
BECAUSE I'D REALLY LIKE TO GET INTO PUBLISHING.
THERE AREN'T ANY OPENINGS RIGHT NOW.
I WOULD LOVE TO CREATE MY OWN MAGAZINE,
WHICH WOULD BE LIKE A FORUM
FOR WRITERS AND INTELLECTUALS
WHO CAN'T GET INTO PRINT ANYWHERE ELSE.
I'M NOT INTO EDITING IT.
GETTING IT OUT THERE,
THEY WOULD GET SOME MOMENTUM GOING
AND DO SOMETHING WITH...WITH...
EXCUSE ME, PLEASE.
I LOVE THAT BOOK.
OH, YEAH.
I THINK MILLER'S REALLY GREAT.
"THIS IS NOT A BOOK.
"THIS IS A PROLONGED INSULT,
"A GOB OF SPIT IN THE FACE OF ART,
A KICK IN THE PANTS TO TRUTH, BEAUTY, GOD."
THAT'S VERY GOOD.
THAT'S ALL I REMEMBER.
I'VE READ THIS BEFORE.
I WAS JUST REREADING IT.
I DON'T REREAD BOOKS THAT OFTEN,
BUT THIS ONE'S MY FAVORITE.
I LIKE IT BETTER
THAN CAPRICORN.
HE USED TO KISS HIMSELF AFTER HE ATE A GOOD MEAL.
IT'S MOSTLY, UH...
LET ME ASK YOU.
DOES THAT CASHIER SEEM WEIRD TO YOU?
HE KEEPS MAKING THESE STRANGE MOVEMENTS.
GOD!
I THINK HE'S JUST WAITING
TO BE DISCOVERED.
YOU WANT ANOTHER COFFEE?
NO. I'M HEADING OVER TO MY FRIEND'S HOUSE.
WHICH WAY YOU HEADED?
DOWNTOWN, SOHO.
OH, NICE. A LOFT?
YEAH. SHE'S A SCULPTRESS.
SHE'S BEEN MAKING PLASTER OF PARIS
BAGELS AND CREAM CHEESE.
REALLY?
SHE'S SELLING THEM AS PAPERWEIGHTS.
YOU WANT TO BUY ONE?
PAPERWEIGHT? YEAH, I WOULD.
HOW MUCH ARE THEY?
I DON'T KNOW.
IF YOU MIGHT BE INTERESTED,
HER NUMBER'S 243-346O.
HER NAME IS KIKI BRIDGES.
KIKI BRIDGES. OK.
NICE TALKING TO YOU.
GREAT TALKING TO YOU.
EXCUSE ME.
CAN I BORROW YOUR PEN?
THANK YOU.
[RING]
YEAH?
IS KIKI BRIDGES THERE, PLEASE?
THIS IS HER.
YOU DON'T KNOW ME,
BUT I'M INTERESTED IN YOUR PAPERWEIGHTS.
YEAH.
YOU'RE THE SCULPTRESS, RIGHT?
MM-HMM.
A GIRL I MET TONIGHT IS STAYING WITH YOU...
OH, YOU MEAN MARCY.
SHE DIDN'T TELL ME HER NAME.
HOLD ON. I'LL GET HER.
SHE TOLD ME ABOUT THESE PAPERWEIGHTS.
HELLO?
MARCY?
YEAH?
THIS IS PAUL HACKETT.
WE MET EARLIER TONIGHT.
HI.
SURE, I REMEMBER.
HOW ARE YOU?
I'M ALL RIGHT.
I JUST GOT IN,
AND I OPENED UP MY BOOK AND SAW YOUR NUMBER...
GOOD.
I'M GLAD YOU CALLED.
SO...
DO YOU WORK NEAR THAT COFFEE SHOP
OR LIVE IN THE NEIGHBORHOOD?
NO, I WAS OVER AT A GOOD FRIEND OF MINE'S.
ACTUALLY, WE HAD A TERRIBLE ARGUMENT.
THAT'S TOO BAD.
YEAH, IT IS.
WELL, I'M SURE YOU'LL STRAIGHTEN IT OUT.
YOU THINK SO?
SHOULD I TRY TO MAKE UP?
WELL, I DON'T KNOW.
MAYBE YOU'RE BETTER OFF.
I DON'T KNOW WHAT THE CIRCUMSTANCES WERE.
SOMETIMES... IT'S NOT EVEN--
IT'S NOT MY BUSINESS.
MAYBE YOU SHOULD COME OVER.
WHAT?
MAYBE YOU SHOULD COME OVER.
SURE. NOW?
YEAH. WHY NOT?
WHERE TO?
I'M AT 28 HOWARD STREET.
IT'S IN SOHO.
THE NAME ON THE BUZZER
IS FRANKLIN.
NOT BRIDGES?
BRIDGES IS CROSSED OUT.
JUST PRESS THE BUZZER.
OK. ABOUT 45 MINUTES?
GREAT. I'LL SEE YOU.
ALL RIGHT.
PAUL?
YES.
I'M REALLY GLAD YOU CALLED.
ME, TOO. ME, TOO.
OK, I'LL SEE YOU LATER.
BYE.
CAN YOU BREAK A 2O?
YEAH, SURE. NO PROBLEM.
NO HURRY.
[TIRES SQUEAL]
[HORN HONKS]
[RADIO] [SINGING IN SPANISH]
OH!
EXCUSE ME, I JUST...
DAMN.
OH, MY GOD.
[SINGING IN SPANISH]
EXCUSE ME.
MY MONEY FLEW OUT THE WINDOW.
[FLAMENCO MUSIC]
OK, THAT'LL BE 6.5O.
LISTEN, MY MONEY JUST FLEW OUT THE WINDOW.
I PUT IT IN THIS CRADLE.
YOU WENT SO FAST AROUND THAT CORNER
THAT I DON'T HAVE...
I DON'T HAVE ANY MONEY.
I'M SORRY.
LET ME SHOW YOU SOMETHING.
LOOK, THAT WAS...
I HAD $2O, AND NOW I DON'T.
I'M SORRY.
[TIRES SQUEAL]
FRANKLIN.
[BUZZ]
ARE YOU PAUL?
YEAH.
CATCH.
HI.
YOUR KEYS.
JUST PUT THEM ON THE TABLE.
I LIKE THAT.
DO YOU?
YEAH. VERY MUCH.
IT REMINDS ME OF THAT EDVARD MUNCH PAINTING.
WAS IT THE SHRIEK?
THE SCREAM.
THE SCREAM, RIGHT.
YEAH.
IT'S LIKE A 3-DIMENSIONAL VERSION
OF THAT PAINTING.
IS MARCY HERE?
SHE WENT OUT TO THE ALL-NIGHT DRUGSTORE.
IS SHE ALL RIGHT?
IT'S UNDER CONTROL.
THIS PLACE IS HUGE.
DO YOU SHARE IT WITH ANYONE?
WOULD YOU LIKE TO WORK ON THIS?
I COULD USE A BREAK.
WHAT?
IT'S NOT HARD.
WHAT ARE YOU TALKING ABOUT?
THIS IS YOURS.
WHAT DO I KNOW?
LOOK, IT'S REAL EASY.
[TELEPHONE RINGS]
YOU JUST SLAP IT ON.
[RING]
ALL RIGHT, I'M COMING.
[RING]
YEAH.
OF COURSE HE'S HERE. YOU INVITED HIM.
THAT'S YOUR PROBLEM, MARCY.
I'M NOT TELLING HIM.
I CAN'T TALK ANY LOUDER.
ALL RIGHT. HURRY UP.
HOW'S IT GOING?
I'M GIVING HIM A SHOULDER.
LOOK WHAT YOU DID TO YOUR SHIRT.
OH, GOOD.
I'LL THROW IT IN THE WASH.
IT'S OK.
IT WILL TAKE 2O MINUTES.
THAT'S... THAT'S OK.
COME ON.
YOU WANT TO LOOK NICE
FOR YOUR BIG DATE, DON'T YOU?
ALL RIGHT.
2O MINUTES?
MM-HMM.
PUT THIS ON WHILE YOU'RE WAITING.
THANKS.
DO THAT ALL DAY
AND YOUR OWN SHOULDERS GET PRETTY SORE.
YOU WANT A MASSAGE?
YOU READ MY MIND. WOULD YOU?
SURE.
I'M NOT TOO GOOD AT THIS.
JUST KNOW A FEW BASIC MOVES.
JUST MAKE IT HURT,
AND YOU'RE ON THE RIGHT TRACK.
THAT'S ALL I KNOW.
OK.
YOU HAVE A GREAT BODY.
YES.
NOT A LOT OF SCARS.
THAT'S TRUE.
IT NEVER OCCURRED TO ME.
I MEAN, SOME WOMEN I KNOW
ARE COVERED WITH THEM HEAD TO TOE.
NOT ME.
SCARS?
MM-HMM.
HORRIBLE UGLY SCARS.
I'M JUST TELLING YOU, NOW.
I...
I DON'T KNOW.
I KNOW WHEN I WAS A KID,
I HAD MY TONSILS TAKEN OUT,
AND AFTER THE OPERATION,
THEY DIDN'T HAVE ENOUGH ROOM
IN PEDIATRICS.
THEY HAD TO PUT ME IN THE BURN WARD.
WELL, BEFORE THEY WHEELED ME IN,
THIS NURSE GAVE ME
THIS BLINDFOLD TO PUT ON,
AND SHE TOLD ME
NEVER TO TAKE IT OFF.
IF I DID,
THEY'D HAVE TO DO THE OPERATION
ALL OVER AGAIN.
I DIDN'T UNDERSTAND WHAT MY TONSILS
HAD TO DO WITH MY EYES, EITHER,
BUT ANYWAY,
THAT NIGHT,
AT LEAST I THINK IT WAS NIGHT,
I HAD REACHED UP
TO UNTIE THE BLINDFOLD,
AND I SAW...
[SNORING]
HELLO, AGAIN.
SORRY. I WAS DETAINED.
DON'T WORRY ABOUT IT.
HOW ARE YOU?
GOOD.
[SNORING]
WELL, I MADE IT.
YOU WOULDN'T...
I'M HERE.
LET'S GO INTO MY ROOM
AND GET AWAY FROM THIS MESS.
SURE.
YOUR ROOMMATE WAS JUST DIPPING ALL DAY.
PUT ME TO WORK.
I FEEL LIKE A REAL SOHO ARTIST.
WHAT DID YOU DO TO HER?
I DIDN'T DO ANYTHING.
SHE WAS ASLEEP. SHE WAS TIRED.
WHAT DO YOU MEAN WHAT DID I DO?
EASY. IT WAS AN INNOCENT QUESTION.
I'M GOING TO TAKE A SHOWER.
I'LL BE RIGHT BACK, OK?
SURE.
A SHOWER WOULD PROBABLY DO YOU GOOD.
I KNEW THERE WAS SOMETHING SPECIAL
ABOUT YOU.
DO YOU HAVE TO GET UP EARLY TOMORROW?
NO. NO, I DON'T.
I THINK I CAN REALLY TALK TO YOU,
AND TONIGHT I FEEL LIKE...
I FEEL LIKE I'M GOING TO LET LOOSE.
I FEEL LIKE SOMETHING INCREDIBLE
IS REALLY GOING TO HAPPEN HERE.
I FEEL SO EXCITED,
AND I DON'T KNOW WHY.
I FEEL IT.
I'M GLAD YOU CAME.
ME, TOO.
FEEL FREE TO SMOKE A JOINT.
UH, NO. MAYBE LATER.
[TELEPHONE RINGS]
[RING]
HELLO?
IS MARCY THERE?
SHE CAN'T COME TO THE PHONE RIGHT NOW.
MAY I TAKE A MESSAGE?
WOULD YOU TELL HER GREG CALLED?
SURE.
IS SHE BACK?
UH-HUH.
THAT FELT GOOD.
YEAH.
YOU WANT ME TO CLOSE THE WINDOW?
NO, I GOT IT.
WHOEVER LIVED HERE
MUST HAVE BEEN A BODY BUILDER.
WHO'S FRANKLIN?
THE BUZZER WHEN I CAME OVER--
I TOLD YOU TO STAY ON THE BED.
RIGHT.
WAIT HERE JUST ONE MORE MINUTE.
I PROMISE.
ALL RIGHT.
YOU'RE THE BEST.
[WHISPERING]
WHAT, PAUL?
WHAT?
WHAT DID YOU SAY?
I DIDN'T SAY ANYTHING.
YOU DIDN'T JUST SAY SOMETHING JUST NOW?
NO, I DIDN'T SAY ANYTHING.
I COULD HAVE SWORN
I JUST HEARD YOU SAY SOMETHING.
WELL, I DIDN'T.
I WON'T BE ABLE TO SLEEP TONIGHT.
WHAT'S THAT SMELL?
IS THAT LINSEED?
IT'S SKIN MOISTURIZER.
I HAVE DRY SKIN.
REALLY?
FEELS PRETTY SOFT TO ME.
PLEASE.
WHAT'S THE MATTER?
NOTHING.
YOU'RE VERY NICE.
COULD WE JUST TALK?
OF COURSE.
SURE.
GREG CALLED.
HOW DID THAT FAGGOT FIND OUT I WAS HERE?
PROBABLY WANTS TO WHINE TO ME
ABOUT HIS LATEST BOYFRIEND.
FRIENDS LIKE THAT ARE HARD TO DEAL WITH SOMETIMES.
THAT'S WHAT FRIENDS ARE FOR.
I KNOW, BUT I MEANT...
I CAN'T DEAL WITH IT TONIGHT.
DOES HE WANT ME TO CALL HIM BACK?
HE DIDN'T SAY.
WELL,
SINCE YOU ANSWERED THE PHONE,
HE PROBABLY FIGURED I WAS...
I'M SCARED.
WHY DON'T YOU JUST TELL ME WHAT'S WRONG?
I WAS RAPED ONCE.
AS A MATTER OF FACT,
IT HAPPENED HERE IN THIS ROOM.
I LIVED HERE ONCE.
HE CAME IN THROUGH THERE
OFF THE FIRE ESCAPE.
HE HELD A KNIFE TO MY THROAT
AND SAID IF I MADE ANY NOISE,
HE'D CUT MY TONGUE OUT.
HE TIED ME TO THE BED.
HE TOOK HIS TIME.
SIX HOURS.
MY GOD.
WAS HE, UH...
DID THEY GET THIS GUY?
NO.
ACTUALLY IT WAS A BOYFRIEND OF MINE.
TO TELL YOU THE TRUTH,
I SLEPT THROUGH MOST OF IT.
SO, THERE YOU ARE.
[TELEPHONE RINGS]
[RING]
YOU WANT TO GET SOME COFFEE?
LET'S GET OUT OF HERE.
IS THERE A PLACE OPEN THIS LATE?
SURE. IT'S NOT EVEN 2:OO YET.
[SLAM]
READY?
MM-HMM.
I'VE WANTED TO ASK YOU THIS ALL NIGHT.
WHO'S FRANKLIN?
FRANKLIN.
FRANKLIN IS MY HUSBAND.
REALLY?
IS THAT HIS LOFT, THEN?
HE OWNS IT, YES.
WELL, UM, DO YOU LIVE WITH HIM?
NO. HE'S IN TURKEY.
I STAYED WITH HIM THREE DAYS.
I WAS YOUNG WHEN WE MARRIED.
MY HUSBAND WAS A MOVIE FREAK.
ACTUALLY, HE WAS PARTICULARLY OBSESSED
WITH ONE MOVIE--
THE WIZARD OF OZ.
HE TALKED ABOUT IT CONSTANTLY.
I THOUGHT IT WAS CUTE AT FIRST.
ON OUR WEDDING NIGHT, I WAS A VIRGIN.
WHEN WE MADE LOVE--
YOU'VE SEEN THE FILM, RIGHT?
YEAH, I'VE SEEN IT.
WELL, WHEN WE MADE LOVE,
WHENEVER HE--
YOU KNOW, WHEN HE CAME,
HE WOULD JUST SCREAM OUT,
"SURRENDER, DOROTHY!"
THAT'S ALL.
JUST "SURRENDER, DOROTHY!"
WOW!
INSTEAD OF MOANING OR SAYING, "OH, GOD"
OR SOMETHING NORMAL.
IT WAS PRETTY CREEPY.
I TOLD HIM I THOUGHT SO,
BUT HE JUST COULDN'T STOP.
HE JUST COULDN'T STOP.
HE SAID HE DIDN'T EVEN REALIZE
IT WAS HAPPENING.
HE JUST COULDN'T STOP,
SO I BROKE THE WHOLE THING OFF.
WOW.
SORRY.
I'M PUTTING YOU THROUGH THE MILL TONIGHT.
IT'S OK. I'M USED TO IT.
YOU KNOW, I STILL LOVE HIM VERY MUCH.
IN FACT, WE WRITE EACH OTHER EVERY DAY.
NATURALLY, I DON'T LIKE TO TALK ABOUT IT.
CHECK?
IT'S ON THE HOUSE.
REALLY?
WHAT THE HELL.
DIFFERENT RULES APPLY THIS LATE.
IT'S LIKE, UH, AFTER HOURS.
THANKS, PETER.
HAVE A GOOD EVENING.
UH...
IT'S OK. IT'S...
DO YOU WANT ME TO GO?
[CRYING]
[THUNDER]
[WHISPERING]
...THE PILL MAKES ME SICK.
EVERYTHING MAKES YOU SICK, MARCY.
THE GUYS GAVE IT TO ME.
OH, MY...
GOD!
OH, GOD!
OH!
BLAH!
OH!
WELL...
HERE WE ARE.
SO, HOW ABOUT THAT JOINT?
YEAH.
GOOD IDEA.
GREAT.
[DOOR CLOSES]
WHAT TYPE OF POT IS THIS?
IT'S COLOMBIAN.
THAT'S A LIE.
WHAT?
THIS ISN'T COLOMBIAN.
I DON'T EVEN THINK IT'S POT.
THE GUY WHO SOLD IT SAID IT WAS.
HE'S A LIAR. SO ARE YOU.
THAT'S SHIT.
DON'T GET UPSET. I WON'T BUY FROM HIM.
THAT'S HORSESHIT!
ARE YOU ALL RIGHT?
WHERE ARE THOSE PLASTER-OF-PARIS PAPERWEIGHTS
I CAME HERE FOR?
I CAME TO SEE YOU, TOO,
BUT WHERE ARE THE PAPERWEIGHTS?
WHAT'S THE MATTER?
I WANT TO SEE A PLASTER-OF-PARIS
BAGEL-AND-CREAM-CHEESE PAPERWEIGHT!
NOW COUGH IT UP.
RIGHT NOW?
YES, RIGHT NOW.
THEY'RE IN KIKI'S BEDROOM.
THEN GET THEM.
AS WE SIT HERE CHATTING, THERE ARE IMPORTANT PAPERS
FLYING RAMPANT AROUND MY APARTMENT.
FINE.
[CRYING]
I DON'T KNOW, KIKI.
SORRY ABOUT THAT.
AAH!
IT'S REALLY COMING DOWN, HUH?
YOU BET. HERE YOU GO.
THE FARE IS $1.5O.
WHAT?
FARE WENT UP TO $1.5O AS OF MIDNIGHT.
YOU'RE KIDDING.
LOOK...
I'VE GOT 97 CENTS.
NO.
IT'S RAINING LIKE MAD OUTSIDE.
NO.
WOULD YOU GIVE ME A BREAK?
SORRY, I CAN'T DO THAT. I COULD LOSE MY JOB.
WELL, WHO WOULD KNOW, EXACTLY?
I COULD GET DRUNK, TALK TO SOMEONE.
WHO KNOWS?
GIVE ME A GODDAMN TOKEN!
NO, GOD DAMN IT!
I CAN'T SELL TOKENS FOR 97 CENTS.
WE'D LOSE MONEY.
THERE'S THE TRAIN! COME ON!
CAN I HELP YOU?
I WANTED TO TAKE THE EXPRESS--
HEY! I'M TALKING TO YOU!
I KNOW. I'M SORRY.
I DON'T KNOW WHAT CAME OVER ME.
THE FARES WENT UP AND I HAVE 97 CENTS.
I WON'T EVEN TAKE THE TRAIN.
THAT'S THE ONE I WANTED.
MUST BE A FULL MOON OUT THERE.
[MUSIC PLAYING]
* YOU'RE MINE *
* YES, YOU ARE *
* YOU'RE MINE *
* AND I NEED YOU SO *
* YOU'RE MINE *
* NEVER WILL I *
* LET YOU GO *
* OH, DARLIN' *
* I'M SO GLAD YOU'RE MINE *
* I THANK THE LORD FOR YOU *
* AND I'M SURE YOU'LL THANK HIM, TOO *
CAN I GET YOU SOMETHING?
I HAVE 97 CENTS.
HMM.
IT'S NOT VERY MUCH.
NO, IT'S NOT.
DO I HAVE TO ORDER SOMETHING?
CAN I JUST SIT HERE FOR A MINUTE?
UH, YES. SURE.
THANKS.
ANY TIME.
* I NEED YOU *
* YOU'RE MINE *
* AND YOU'LL ALWAYS BE *
* YOU'RE MINE *
* AND YOU'LL SEE THE LORD *
* MADE YOU FOR ME *
* OH, DARLIN' *
* I'M SO GLAD YOU'RE MINE *
[UNZIPS PANTS]
[URINATES]
* YOU'RE MINE *
* AND WE BELONG TOGETHER *
* YES, WE BELONG TOGETHER *
* AH *
* FOR ETERNITY *
* ETERNITY *
* YOU'RE MINE... **
WHAT'LL IT BE?
I DON'T WANT ANYTHING.
I JUST WANT TO SIT HERE.
OK?
SURE.
BUT IF YOU'RE LOOKING TO MAKE FRIENDS,
LOOKS LIKE A SLOW NIGHT.
YEAH.
WELL, IT IS LATE.
NOT FOR THIS PLACE. THINGS ARE USUALLY HOPPING.
THAT'S ALL RIGHT.
I JUST WANT TO GET IN OUT OF THE RAIN.
I REALLY JUST WANT TO GO HOME.
AREN'T THE SUBWAYS RUNNING?
MM-HMM.
BUT I HAPPEN TO BE BROKE AT THE MOMENT.
CHRIST!
I'LL GIVE YOU THE MONEY.
REALLY? THAT WOULD MEAN SO MUCH!
[KNOCKING]
AH, CHRIST! NOT ANOTHER ONE!
ANOTHER WHAT?
GUY LIVES IN THE SAME BUILDING AS ME.
HE'S BEEN BY HERE THREE TIMES TONIGHT
TO TELL ME ABOUT THREE SEPARATE BURGLARIES
IN THIS NEIGHBORHOOD ALL TONIGHT.
SHIT.
WHAT?
I CAN'T REMEMBER IF I TURNED
MY BURGLAR ALARM ON AT HOME TONIGHT.
OH, WELL, ANYWAY.
IT'S ALL RIGHT.
THAT'S ALL RIGHT.
FORGET IT.
WHAT IF I GOT A RUSH?
I SEE YOUR POINT. WHAT ABOUT A KEY?
I KEEP IT IN MY APARTMENT.
DAMN. THAT'S TOO BAD.
LISTEN, HOW WOULD YOU LIKE TO DO ME A FAVOR?
FOR SUBWAY FARE? YOU GOT IT.
I'M AT 158 SPRING STREET.
WAIT.
WOW. WHAT AM I DOING?
RIGHT, RIGHT.
YOU DON'T KNOW ME. I DON'T KNOW YOU.
I MIGHT RIP YOU OFF, RIGHT?
I WON'T RIP YOU OFF.
WITH WHAT I'VE BEEN THROUGH TONIGHT,
THE LAST THING I WANT TO DO
IS STEAL FROM SOMEBODY.
I WANT TO GET HOME.
HERE ARE MY KEYS. THIS IS MY DEPOSIT.
IF I DON'T COME BACK, THEY'RE YOURS.
EVERYTHING I OWN IS YOURS.
I JUST WANT TO GET HOME.
OK. ALL RIGHT.
UH...HERE.
THE REGISTER KEYS
ARE OVER THE LIGHT SWITCH.
THE ALARM IS UNDERNEATH.
IT'S A BEEPING RED LIGHT.
BEEPING RED LIGHT. 158 SPRING.
I'LL BE RIGHT BACK.
[THUNDER]
[SIREN]
OH, NO.
OH, GOD.
OH, JESUS!
WHAT'S COME FROM PHIL?
I'M NOT READING IT. I'M JEALOUS.
IS THIS OUR LOCAL FRIENDLY BURGLAR?
DID YOU GET WHAT YOU WANTED?
WHO ARE YOU?
I'M A FRIEND OF TOM'S.
THREE TOMS LIVE HERE.
I'M NOT A BURGLAR. GET YOUR HANDS OFF ME.
WHICH TOM?
I DON'T KNOW TOM'S LAST NAME.
HOW DID YOU GET IN?
SEE THIS? HE GAVE ME THE KEYS.
SORRY, BUT THERE HAVE BEEN
EIGHT BREAK-INS HERE JUST LAST WEEK.
OK, I'M SORRY.
I DIDN'T KNOW THAT.
HEY, LET'S HIT RADIO SHACK TONIGHT, MAN.
WAIT FOR THE NEW MODELS.
HEY! WHERE'D YOU GET THAT?
[TIRES SQUEAL]
[CRASH]
[BUZZER]
KIKI! GOD, WHAT HAPPENED?
THROW DOWN THE KEYS.
THROW IT. BE CAREFUL.
THAT'S RIGHT.
GIVE IT A GOOD THROW.
OH!
HOLD ON, KIKI.
AH, SHIT!
OH!
WHAT HAVE THEY DONE?
WHAT ARE THESE GUYS, SAILORS?
LOOK AT THIS WORK. IT'S SO ELABORATE.
HOW'D THEY GET IN?
WHO?
THE BURGLARS.
THE BURGLARS? WHAT BURGLARS?
THE ONES THAT TOOK YOUR SCULPTURE AND TV.
GOD.
NEIL AND PEPE?
WHO?
NEIL AND PEPE. FRIENDS OF MINE.
I JUST SOLD THEM MY TELEVISION.
[DOOR CREAKING]
[FOOTSTEPS]
THIS THE GUY?
YEAH.
I'M HORST.
I'M PAUL.
HI.
THAT WAS RUDE OF YOU BEFORE, PAUL.
YOU REALLY OUGHT TO BE ASHAMED.
I AM.
I DON'T KNOW WHAT CAME OVER ME.
LACK OF DISCIPLINE.
POSSIBLY.
WELL, IT'S NOT TOO LATE
TO FINISH WHAT YOU STARTED.
MARCY... IT'S PAUL.
[KNOCKING]
HI.
UM...
LISTEN. I OWE YOU AN APOLOGY.
THERE'S JUST NO EXCUSE
FOR LEAVING THE WAY I DID.
I JUST FIGURED
IT'S NOT WORKING OUT BETWEEN US,
AND, UH...
HELL, I'LL NEVER SEE YOU AGAIN.
I THINK I GOT SPOOKED WITH THAT STORY
ABOUT YOUR HUSBAND AND YOUR BOYFRIEND.
I MEAN, THAT WAS REALLY WEIRD.
WHAT WAS THAT ALL ABOUT?
AND, UH...
I GATHERED THERE'S SOMETHING WRONG
OR YOU HAVE SOME BURNS OR SOMETHING,
AND I JUST COULDN'T HANDLE THAT.
I'M SORRY.
I DON'T KNOW WHAT HAPPENED TO ME.
MAYBE THE TIMING'S OFF OR SOMETHING,
BUT, UH...
I THINK I JUST BETTER GO.
OK?
MARCY?
WHAT--
OH, JESUS!
MARCY!
OH, GOD!
BREATHE! BREATHE!
KIKI! KIKI!
COME ON!
OH, JESUS!
GOD!
THINK!
OW!
KIKI! KIKI!
KIKI!
HORST!
"PAUL AND MARCY,
"HORST AND I WENT TO CLUB BERLIN FOR DRINKS.
SEE YA, KIKI."
SHIT.
OPERATOR, GIVE ME THE POLICE.
I WANT TO REPORT A DEATH.
OH, GOD.
OH, NO!
[TICKING]
[DOOR CLOSES]
[THUNDER]
PSST.
HEY, IT'S ME.
I QUIT MY JOB.
SO WHAT?
LET'S CELEBRATE. PIER THREE IS OPEN.
I DON'T KNOW WHAT YOUR PROBLEM IS,
BUT I'VE GOT TO GET HOME.
OH.
LOOK AT THIS.
HUH.
NOW WHAT?
THIS IS INCREDIBLE.
WHERE THE HELL IS HE?
I LIVE ACROSS THE STREET.
WOULD YOU LIKE A TV DINNER?
OH, WAIT! NEIL! PEPE!
WAIT! I DIDN'T KNOW!
IT'S THAT DUDE AGAIN!
I DIDN'T KNOW.
OH.
OH, GOD.
MY PLACE?
[PLAYS LAST TRAIN TO CLARKSVILLE]
YOU LIKE THE MONKEES?
WHAT'S YOUR NAME?
JULIE.
* AND I'LL MEET YOU AT THE STATION *
* YOU CAN BE HERE BY 4:3O *
* 'CAUSE I'VE MADE YOUR RESERVATION *
* DON'T BE SLOW... **
I'M PAUL.
ROUGH NIGHT, HUH, PAUL?
YOU LOOK DEPRESSED.
I CAME DOWNTOWN TONIGHT...
OH, GOD!
I DIDN'T EVEN KNOW THIS GIRL.
OH, MY...
GOD.
I DIDN'T EVEN KNOW HER.
HANG ON.
[MUSIC STOPS]
[PLAYS CHELSEA MORNING]
IS THAT BETTER?
* WOKE UP, IT WAS A CHELSEA MORNING *
CHELSEA MORNING.
* ...WAS A SONG OUTSIDE MY WINDOW *
GO ON. TALK TO ME.
I'M... I'M FINE.
REALLY.
I'M REALLY, UH... JUST WAITING
FOR THEM TO OPEN UP DOWNSTAIRS.
I'LL JUST GET MY KEYS AND GO HOME.
BOY, OH, BOY.
OH, BOY.
[THUNDER]
JUST LET IT GO, HONEY. TELL ME YOUR PROBLEMS.
I DON'T THINK SO.
PAUL, LIGHTEN UP. WHAT IS THIS?
THIS DOOM AND GLOOM AND--
BE LOOSEY GOOSEY. COME ON.
WHAT ARE YOU TALKING ABOUT?
TELL ME YOUR PROBLEMS.
WHERE THE HELL IS HE?
WHAT TIME IS IT?
LATE.
[THUNDER]
JESUS.
[THUNDER]
* WHEN THE CURTAIN OPENS **
YOU REALLY HATE THAT JOB, HUH?
YEAH. I HATE BOTH MY JOBS.
OH, YEAH? WHAT ELSE DO YOU DO?
I WORK IN THE XEROX SHOP DOWNSTAIRS.
DOWNSTAIRS?
YEAH. I'VE GOT THE KEYS.
YOU WANT TO SEE IT?
UM... NO THANKS.
I'VE HAD ABOUT ENOUGH EXCITEMENT.
IT'S A LOUSY JOB,
BUT I CAN GET FREE COPIES.
GEE WHIZ.
HEY, WHAT IS THAT-- "GEE WHIZ"?
I MEAN, YOU'RE HUMORING ME?
I DON'T HAVE TO TAKE THAT SHIT.
YOU CAN'T SAY ANYTHING
WITHOUT GETTING A SMART ANSWER.
YOU THINK I DON'T NOTICE?
I KNOW WHAT'S GOING ON!
I OVERHEAR CUSTOMERS MAKING FUN OF ME.
I DIDN'T MEAN ANYTHING.
IT WAS RAINING, AND I INVITED YOU
TO COME INTO MY HOME!
YOU'RE NOT STUPID.
SO I HAVE TROUBLE FIGURING OUT TAX.
8% IS A BITCH!
SO I MAKE MISTAKES! SUE ME!
CALL YOUR LAWYERS!
OK, COME ON. I'M SORRY.
YOU WANT TO SIT DOWN?
OK.
COME HERE.
I'M SORRY I WAS RUDE BEFORE.
I REALLY AM.
OK, NO MORE CRYING. PLEASE.
WHAT A NIGHT.
HEY, PAUL?
HMM?
DO YOU LIKE MY HAIRDO?
YES.
YES, I DO.
WHY DON'T YOU TOUCH IT?
I'D MESS IT UP.
YOU WON'T.
I... YOU WANT ME TO?
YEAH.
OK.
[METAL CLANGING]
OH!
THAT'S HIM!
OOH!
OH, THANK GOD HE'S THERE!
OW!
WHAT'S THE MATTER?
OOH!
WELL, NOTHING. I JUST...
YOU KNOW, I REALLY GOT THE FEELING
THAT YOU KIND OF LIKED ME.
I MEAN, YOU'RE NOT GOING TO LEAVE NOW,
ARE YOU?
ALL RIGHT. I'M GOING TO...
HERE'S WHAT I'LL DO.
I'LL GO TO THE BAR,
GIVE YOUR BOSS BACK HIS KEYS.
I'LL GET MY KEYS AND BE BACK.
SHOULD TAKE ABOUT TWO MINUTES.
SURE.
JULIE, TWO MINUTES. OK?
* ACROSS ALL THE RIVERS *
* BEYOND EVERY CLOUD *
WELL, WELL. WHAT HAPPENED TO YOU?
LONG, DIFFICULT STORY.
HONESTLY, WHEN YOU DIDN'T SHOW UP,
I FIGURED YOU DID ROB ME BLIND.
MY NEIGHBOR SAW YOU LEAVE.
HE WASN'T SURE ABOUT YOU, EITHER.
BUT HERE YOU ARE.
YOU HAD ME WORRIED.
HOW ABOUT A DRINK?
YOU LOOK LIKE YOU COULD USE ONE.
DO YOU HAPPEN TO HAVE
ANY POWERFUL APHRODISIACS BACK THERE?
SHE WON'T PUT OUT?
IT'S NOT FOR HER. IT'S FOR ME.
I'VE GOTTEN MYSELF INVOLVED WITH...
ONE OF YOUR COCKTAIL WAITRESSES.
MISS BEEHIVE, 1965.
YES.
DON'T EVEN ASK ME HOW.
TAKE OFF. WHAT'LL SHE DO, KILL HERSELF?
[TELEPHONE RINGS]
TERMINAL.
MM-HMM.
WHAT'S UP, RICH?
* AND STARRY NIGHT *
* OH, WHAT A MYSTERY *
* THAT SEALS SO TIGHT *
* OVER THE MOUNTAIN A GIRL WAITS... *
YOU KNOW...
YOU'RE RIGHT.
JUST GIVE ME MY KEYS. I'M GOING HOME.
* DARLING, HERE I AM *
* OVER THE MOUNTAIN *
* BUT ALL OF THE MOUNTAINS IN THE WORLD *
* COULDN'T BLOCK YOUR LOVE FROM MY HEART **
WHAT'S THE MATTER?
DEAD.
MY...
MY GIRLFRIEND...
JUST KILLED HERSELF A LITTLE WHILE AGO.
TOOK SOME SLEEPING PILLS.
JESUS.
OH, NO!
YEP.
WE HAD AN ARGUMENT.
I TOLD HER TO GET OUT.
I...
IT'S MY FAULT.
GOD!
MARCY.
MARCY! MARCY!
MARCY!
* ONE SUMMER NIGHT *
* I KISSED YOUR LIPS *
I...
* ONE SUMMER NIGHT *
OH...
* I HELD YOU CLOSE **
I JUST DON'T KNOW WHAT TO SAY.
WHAT CAN YOU SAY?
AFTER ALL, IT WASN'T YOUR FAULT.
I'M GOING TO, UM...
I'LL BE RIGHT BACK, OK? STAY CALM.
[BUZZ]
ARE YOU ALL RIGHT?
WHY, YES.
YOU SAID TWO MINUTES, THOUGH.
I KNOW. I KNOW.
I'M SORRY.
MISS ME?
LIKE I'VE NEVER MISSED ANYONE
IS HOW MUCH I MISSED YOU.
REALLY?
I REALLY MISSED YOU.
THAT'S VERY SWEET.
I'M GOING TO GIVE YOU A PRESENT.
THAT'S REALLY NOT NECESSARY AT ALL.
I'VE ONLY KNOWN YOU AN HOUR.
NO.
YOU SAID YOU'D COME BACK, AND YOU DID.
THAT'S SOMETHING TO BE COMMENDED...
AND REWARDED.
DO YOU KNOW WHAT THIS IS?
NO.
[SNAP]
THIS IS A PLASTER-OF-PARIS
BAGEL-AND-CREAM-CHEESE PAPERWEIGHT.
I BOUGHT IT FROM A LOCAL ARTIST, KIKI BRIDGES.
JULIE.
HMM?
I PROMISED I'D COME BACK, AND I DID.
NOW I HAVE TO GO. I GOT TO SLEEP.
YOU UNDERSTAND, DON'T YOU?
I PROMISE I'LL SEE YOU AGAIN.
I WILL. OK?
YOU ALL RIGHT?
WHY DO YOU KEEP ASKING ME THAT?
ARE YOU NUTS?
LET'S EXCHANGE PHONE NUMBERS.
PHONE NUMBERS?
YEAH.
IT'S A GREAT IDEA.
I'LL WRITE ON THIS. WHAT'S YOUR NUMBER?
MY NUMBER IS 5-4433.
VERY EASY TO REMEMBER.
5-4433.
THAT'S NOT ENOUGH NUMBERS, BUT OK.
5-4433.
OK.
NO. KL5-4433.
I'M SORRY.
OK. SORRY. SORRY.
OH, GOD.
WAIT.
GET THAT AWAY FROM ME!
JESUS!
OH, REALLY?
YOU'LL BE SORRY FOR THIS!
OH, YOU'RE KIDDING ME.
NOT AGAIN.
JEEZ.
WHAT IS THIS?
OH, GOD.
LET'S KNOCK OFF FOR TODAY.
MY BACK'S KILLING ME.
LET'S LOOK FOR MY STATUE, MAN.
IT'S AROUND HERE SOMEPLACE.
THAT STATUE WAS THE FIRST THING I EVER BOUGHT.
SEE WHAT HAPPENS WHEN YOU PAY FOR STUFF?
SOMEBODY RIPS IT OFF.
SHIT.
COME ON.
IT'S GOT TO BE AROUND HERE SOMEPLACE, MAN.
TOM?
TOM, IT'S PAUL.
YOU DON'T WANT TO CONFRONT
ONE OF THOSE PEOPLE.
SOME OF THEM ARE DRUGGED UP.
I WASN'T OUT AN HOUR.
I COME IN,
THE CAMERAS ARE GONE.
DID YOU CALL YOUR INSURANCE AGENT?
I DON'T HAVE INSURANCE.
IT'S THAT GUY AGAIN.
HEY!
DON'T LET HIM GET AWAY.
LET'S GO THIS WAY.
MAYBE THAT'S HIM.
GET YOUR GRUBBY FACE OUT OF HERE!
GET OUT!
HEY, FELLA, WHERE YOU GOING?
REST ROOM?
THE BATHROOM'S FOR CUSTOMERS ONLY.
I'M GOING TO ORDER SOMETHING.
I WANT TO USE YOUR BATHROOM.
DIDN'T YOU HEAR ME?
GET OUT OF HERE AND STAY OUT.
UH, MENU'S ON THE TABLE.
MAKE YOURSELF COMFORTABLE.
I SET IT UP FOR YOU.
THANK YOU.
"PAUL AND MARCY,
HORST AND I WENT TO CLUB BERLIN."
I'M GOING TO PUT A QUARTER
IN THE METER AT MY CAR.
LET'S SEE.
I'LL HAVE A BURGER, MEDIUM RARE...
COFFEE.
MAY I ENTER?
I CAN'T LET YOU IN NOW.
WILL IT BE POSSIBLE TO BE ADMITTED
AT A MORE CONVENIENT TIME?
IT IS POSSIBLE,
BUT NOT AT THE MOMENT.
GOD.
IF YOU'RE SO DRAWN TO IT,
FORCE YOUR WAY IN.
GOT ANY MONEY?
YES, I HAVE MONEY.
IS THAT WHAT YOU WANT?
WHY DIDN'T YOU JUST ASK?
IT'S ALL I'VE GOT.
I DON'T WANT YOU TO FEEL
YOU LEFT ANYTHING UNTRIED.
YOU STILL HAVE TO WAIT.
HEY, MUTT.
WHY DOESN'T HE HAVE TO WAIT?
TONIGHT IS MOHAWK NIGHT.
IF YOU HAD A MOHAWK, YOU COULD GO IN.
OH, COME ON.
WE'RE BOTH ADULTS.
JUST LET ME IN!
DO YOU REALLY WANT TO GO INSIDE?
PEOPLE IN THERE ARE EXPECTING ME.
WHY DON'T YOU LET ME IN?
YOU'RE SURE?
YES, I'M SURE.
[PUNK ROCK MUSIC]
COMING THROUGH! COMING THROUGH!
TO YOUR LEFT AND STRAIGHT AHEAD.
WHAT?
RIGHT THROUGH THERE. IT'S STRAIGHT THERE.
MOHAWK THIS GUY.
WITH PLEASURE.
KIKI! KIKI!
HORST!
KIKI!
HORST!
KIKI!
HORST!
MARCY'S DEAD!
NEIL AND PEPE ARE CROOKS!
I'M BROKE! HELP!
NO! NO!
DON'T!
NO!
GOD, WHAT HAVE THEY DONE TO ME?
GOD, THOSE BARBARIANS!
GOD!
BALD.
GET ME A GUN.
HELLO.
[VOICES]
TAXI.
COME HERE.
OH!
GOD, I'M SO SORRY.
OH, THIS IS GREAT.
I GOT THE MONEY. ISN'T THAT GREAT?
GREAT. SEE HOW YOU LIKE IT!
NO, DON'T!
NO!
OH, NO, NO, NO, NO.
I DON'T BELIEVE IT.
DID YOU SEE THAT?
OH, LOOK AT YOUR ARM. IT'S BLEEDING.
OH, GREAT.
I FEEL TERRIBLE.
COME WITH ME.
I'LL GET YOU A BANDAGE.
NO. IT'S NOT THAT SERIOUS.
NO, I INSIST.
NO. DO YOU HAVE A TELEPHONE?
YEAH.
I'M SORRY.
I JUST...
YOU WOULDN'T BELIEVE
WHAT I'VE BEEN THROUGH TONIGHT.
YOU WOULDN'T BELIEVE IT.
I'M AN ICE CREAM VENDER--
MR. SOFTEE.
WHAT?
YOU MISUNDERSTOOD ME.
I SAID, "YOU WOULDN'T BELIEVE
WHAT I'VE BEEN THROUGH TONIGHT."
IT'S NOT BORING.
I HAVE MY OWN MR. SOFTEE TRUCK.
IT'S NOT BORING.
ALSO, YOU NEED A CLASS FOUR
CHAUFFEUR'S LICENSE.
GOT IT ON MY OWN.
COULD I HAVE THE NUMBER OF PETER PATZAK?
THAT'S P-A-T-Z-A-K.
NEED A PENCIL?
NO.
ON MULBERRY STREET.
THANK YOU.
5...8...
1...9...
6...2.
THAT WAS FUNNY.
PATZAK, PLEASE.
P-A-T-Z-A-K
ON MULBERRY STREET IN MANHATTAN.
THANKS.
5, 8, 6, 2...
DON'T.
9, 3, 8, O.
NOW I HAVE FORGOTTEN THE NUMBER.
HA HA HA!
ARE YOU ALL RIGHT?
I HAVE HAD A TERRIBLE, TERRIBLE NIGHT.
I'M TRYING TO ENTERTAIN YOU.
I DON'T WANT ANY ENTERTAINMENT!
I'M SORRY I DID THAT.
I'M UNDER...
OH, GOD.
I'M UNABLE TO GET HOME TONIGHT.
I CAN'T GET HOME.
AND I'M TRYING DESPERATELY
TO FIND A PLACE TO SLEEP.
I COULD STAY IN A PLACE ON SPRING STREET.
WHY AREN'T YOU THERE?
THE BARTENDER WHO LIVES THERE'S GIRLFRIEND
KILLED HERSELF BECAUSE OF ME.
THAT'S OUT.
THAT'S RIGHT.
THAT'S NOT A POSSIBILITY.
IF YOU LET ME MAKE THIS PHONE CALL,
YOU'D BE DOING ME A FAVOR.
THAT CAN WAIT.
I HURT YOUR ARM.
I WANT TO DRESS YOUR ARM.
ALL RIGHT.
HOW'D THAT GET THERE?
WHAT?
I WAS DIPPING PAPIER-MACHE EARLIER.
WHAT IS THIS?
"A MAN WAS TORN LIMB FROM LIMB
"BY AN IRATE MOB LAST NIGHT
"IN THE SOHO AREA OF MANHATTAN.
"NO FORM OF I.D.
WAS FOUND ON HIS SHREDDED CLOTHING."
SHREDDED?
"HIS FACE WAS PUMMELED
COMPLETELY BEYOND RECOGNITION."
WHOA!
I CAN'T HANDLE THAT.
WHY DID THEY PUMMEL HIS FACE?
THAT HURTS.
IT'S INFECTED.
STOP TOUCHING IT!
I'LL BURN IT.
NO.
I JUST NEED MATCHES.
NO, LADY!
MY NAME IS GAIL!
NO MATCHES.
THAT'S ENOUGH.
WHERE ARE YOU GOING?
I'M WALKING HOME.
HOW FAR IS HOME?
EAST 91st STREET.
EAST 91st? ARE YOU KIDDING?
LISTEN, I LIKE YOU.
I'LL GIVE YOU A RIDE HOME
IN MY MR. SOFTEE TRUCK.
WHERE'S THE TRUCK?
AROUND THE CORNER.
WELL, COME ON.
COME ON.
WHAT'S THE MATTER?
SHUT UP.
WHAT'S WRONG?
YOU'RE DEAD, PAL.
WHAT?
[TWEET]
WHAT ARE YOU DOING?
WHAT'S WRONG?
ARE YOU GIVING ME A LIFT HOME?
WHAT ARE YOU LOOKING AT?
IT'S HIM!
THAT'S HIM!
OH, SHIT!
HELP! HELP!
CALL THE POLICE!
I WENT TO SCHOOL WITH YOUR SON!
MOM, IT'S ME! I CAN'T...
GOD DAMN IT!
YOU'RE SO STUPID!
OH, COME ON!
CUT IT OUT! AAH!
[GUNSHOTS]
I'LL PROBABLY GET BLAMED FOR THAT.
WHAT DO YOU WANT FROM ME?
WHAT HAVE I DONE?
I'M JUST A WORD PROCESSOR, FOR CHRIST SAKES!
EXCUSE ME.
I...
WONDER, WOULD YOU...
OH, IT'S OK.
WOULD YOU HELP ME?
WOULD YOU PLEASE HELP ME?
WHAT DO YOU WANT ME TO DO?
WHERE DO YOU LIVE?
CAN YOU TAKE ME HOME?
THERE'S CERTAIN THINGS
THAT I WILL NOT DO.
I'M TELLING YOU IN ADVANCE.
OH.
UH...
I REALLY HAVE TO TELL YOU SOMETHING
BEFORE WE START.
I HAVE NEVER DONE THIS WITH A MAN BEFORE.
I'M A LITTLE BIT NERVOUS.
LISTEN, CAN I...
CAN I USE YOUR TELEPHONE?
SURE. IT'S, UM...
I SEE IT. THAT'S GREAT.
OPERATOR.
GET ME THE POLICE.
JUST A MINUTE.
[RINGING]
12th PRECINCT, FITZGERALD.
YES, OFFICER. THANK GOD.
MY NAME IS PAUL HACKETT. I'M IN SOHO.
I DON'T KNOW THE LOCATION.
I'M BEING PERSECUTED BY A VIGILANTE MOB.
I'M SURE YOU'RE AWARE OF THEIR ACTIONS.
I BELIEVE MY LIFE IS IN DANGER.
THERE'S A SERIES OF ROBBERIES
THAT ARE BEING CONDUCTED IN THIS NEIGHBORHOOD.
GET SOME SLEEP, BUDDY.
HELLO? HELLO?
[DIAL TONE]
HELLO?
OH...
OH, WOW!
I DON'T BELIEVE YOU.
OH, MY.
I'M SORRY.
I...
COULD I JUST CRASH OUT
ON YOUR COUCH HERE FOR A COUPLE HOURS?
WHY DON'T YOU JUST GO HOME?
I'VE BEEN ASKING MYSELF THAT ONE ALL NIGHT LONG.
SO? WHY CAN'T YOU?
ALL RIGHT.
I MET THIS GIRL TONIGHT IN A COFFEE SHOP.
I GAVE HER A CALL.
SHE SAID TO COME OVER.
IN THE CAB, ALL MY MONEY FLEW OUT THE WINDOW.
I DIDN'T GET ALONG WITH THIS GIRL.
DID YOU KNOW SUBWAY FARE WENT UP?
YES.
I DIDN'T KNOW THAT.
I HAVEN'T GOT ENOUGH MONEY TO GET HOME
UNTIL I MEET THIS BARTENDER.
HE REALLY WANTED TO GIVE ME THE MONEY...
...THEY'D PURCHASED THIS PIECE OF WORK.
I DIDN'T KNOW ANYTHING ABOUT THAT.
SHE'S PISSED OFF AT ME
FOR THE WAY I TREATED HER FRIEND.
I WENT TO APOLOGIZE,
BUT SHE'D ALREADY KILLED HERSELF...
...HE WAS ABOUT TO GIVE ME THE MONEY,
WHEN HIS PHONE RANG.
HIS GIRLFRIEND KILLED HERSELF TONIGHT.
THE GIRL I CAME TO SEE WAS DEAD, TOO!
THAT'S BECAUSE THEY'RE THE SAME PERSON!
HE DIDN'T KNOW I CAME DOWN TO,
YOU KNOW, HIS GIRLFRIEND
BECAUSE HE WOULD HAVE SMASHED MY FACE.
LUCKILY, THERE WAS THIS GIRL
WHO LET ME USE HER PHONE.
THAT WAS IT. JUST USE IT.
SHE'S THE ONE WHO'S TRYING TO KILL ME!
I JUST WANTED TO LEAVE MY APARTMENT,
MEET A NICE GIRL.
NOW I'VE GOT TO DIE FOR IT.
THAT'S THE GIRL.
THAT IS JULIE!
LOOK.
JULIE!
JULIE, IT'S ME!
WHAT ARE YOU DOING?
THAT'S THE ONE.
UNBELIEVABLE.
OH.
OH, NO.
OH.
[ICE-CREAM-TRUCK BELLS]
WHAT'S THE MATTER WITH YOU?
YOU'VE GOT TO HELP ME.
CALM DOWN.
TELL THEM IT'S NOT MY FAULT.
I DIDN'T DO IT.
MAKE THINGS CLEARER, PAL.
I JUST GOT BACK FROM THE MORGUE.
AN ANGRY MOB THINKS I'M ROBBING APARTMENTS.
I HAVE YOUR KEYS.
DID I ROB YOU?
I DIDN'T BECAUSE I'M NOT A THIEF.
STAY HERE.
WHERE ARE YOU GOING?
TO GET YOUR KEYS.
THANK YOU. GO AHEAD.
I'LL BE RIGHT HERE.
JUST RELAX.
I WILL.
THANKS.
HE'S IN HERE!
WHAT CAN I DO FOR YOU?
WHY SO EMPTY?
INVITATION ONLY.
OH.
THEN WHERE IS EVERYBODY?
BEATS ME. MUST HAVE STAYED HOME.
WHO'S SHE?
OH, THAT'S JUNE. SHE'S ALWAYS HERE.
USUALLY NOBODY NOTICES HER.
IF YOU'RE INTERESTED, YOU BETTER HURRY.
I'M CLOSING UP IN A FEW MINUTES.
I REMEMBER, WHEN I WAS A LITTLE GIRL,
OUR HOUSE CAUGHT ON FIRE.
I'LL NEVER FORGET MY FATHER'S FACE
AS HE GATHERED ME UP
AND RACED THROUGH THE BURNING BUILDING.
I STOOD THERE SHIVERING IN MY PAJAMAS
AND WATCHED THE WORLD GO UP IN FLAMES.
WHEN IT WAS OVER, I SAID TO MYSELF,
"IS THAT ALL THERE IS TO A FIRE?"
IS THAT ALL THERE IS?
* IS THAT ALL THERE IS? *
* IF THAT'S ALL THERE IS, MY FRIENDS *
* THEN LET'S KEEP DANCING... *
EXCUSE ME, MISS.
I COULDN'T HELP NOTICING YOU,
AND I WONDERED,
WOULD YOU, UH,
CARE TO, UH,
JOIN ME FOR A DRINK?
JUST...
JUST TALKING.
I'M HAVING A REALLY,
A REALLY BAD NIGHT,
AND, UH,
I CAN'T SEEM TO FIND ANYONE WHO JUST...
JUST WILL SIT WITH ME FOR JUST...
WITHOUT...
YELLING AT ME OR SOMETHING, YOU KNOW?
I HONESTLY WOULDN'T APPROACH YOU
IN THIS STATE WERE I NOT SO...
UNUSUALLY...
INTRIGUED.
WELL...
THERE.
I BARED MY SOUL TO YOU.
MAY I?
* IF THAT'S ALL *
* THERE IS *
AND THEN I FELL IN LOVE
WITH THE MOST WONDERFUL BOY IN THE WORLD.
WE'D TAKE LONG WALKS BY THE RIVER...
[KNOCK ON DOOR]
...INTO EACH OTHER'S EYES.
WE WERE VERY MUCH IN LOVE,
AND THEN, ONE DAY, HE WENT AWAY.
AND I THOUGHT I'D DIE, BUT I DIDN'T.
[KNOCKING]
...AND WHEN I DIDN'T...
WHY ARE YOU DOING THIS?
WHAT?
YOU FLIRT WITH ME.
YOU SHARE YOUR CIGARETTE WITH ME.
YOU DANCE WITH ME.
YOU'RE NICE TO ME.
OPEN UP!
WHY ARE YOU DOING THIS?
[ANGRY MOB]
I WANT...
TO LIVE.
SORRY. CLOSING UP.
I JUST...
GO HOME.
WANT...
TO LIVE.
LIVE.
IS THAT ALL THERE IS?
* IS THAT ALL THERE IS? *
COME DOWNSTAIRS WITH ME, PAUL.
* IF THAT'S ALL THERE IS, MY FRIENDS *
COME ON.
* ...LET'S KEEP DANCING *
* LET'S BREAK OUT THE BOOZE *
* AND HAVE A BALL *
* IF THAT'S ALL *
* THERE IS *
I KNOW WHAT YOU MUST BE SAYING.
"IF THAT'S HOW SHE FEELS,
WHY DOESN'T SHE END IT ALL?"
NOT ME.
I'M NOT READY FOR THAT FINAL DISAPPOINTMENT
'CAUSE JUST AS WELL AS I'M STANDING HERE
TALKING TO YOU,
AND WHEN THAT FINAL MOMENT COMES
WHEN I'M BREATHING MY LAST BREATH,
I'LL BE SAYING...
[CRASH]
THEY GOT IN!
WHAT?
THOSE PEOPLE WANT TO KILL ME.
IS THERE ANOTHER WAY OUT OF HERE?
NO!
WHAT'S THIS?
DON'T GO IN THERE.
WHAT'S THIS?
NO, DON'T TOUCH THAT!
NO, DON'T TOUCH THAT VAT!
OH, GOD.
OH.
COME WITH ME, PAUL.
WHAT?
COME ON.
YOU'RE CLOSED, AND YOU WANT TO GO HOME.
NO ONE'S IN HERE.
YOU CANNOT REASON WITH THIS MAN.
DON'T MOVE.
I DON'T WANT TO STICK YOU.
I'LL PUT THIS PIECE HERE.
HOLD UP!
YOU DON'T SENSE THE PRESSURE HERE?
THIS IS VERY GOOD FOR THE PORES.
IT'S A TOTAL SEARCH!
ALL RIGHT.
GOOD.
NO, NO, NO.
NOW PICK THIS UP.
WHERE'S THIS LEAD TO?
A PRIVATE APARTMENT.
KNOCK ON THE DOOR.
WAIT. I'LL KNOCK.
JUNE! JUNE!
WHAT?
SOME PEOPLE WANT TO LOOK AROUND YOUR PLACE.
I'M WORKING! CAN'T YOU SEE I'M WORKING?
I KNOW. I'M SORRY.
EXCUSE ME.
HAVE YOU SEEN THIS GUY?
DOESN'T LOOK SO HARD.
IS THERE ANOTHER WAY OUT OF HERE?
NO. THAT'S IT.
ALL RIGHT, WE'RE MOVING OUT!
WE'RE SORRY WE DISTURBED YOU,
BUT WE WERE SURE THAT...
OK, LET'S BOOT IT!
WASTING TIME HERE.
IT'S OK. THEY'RE GONE.
OH, GREAT.
WILL YOU LET ME OUT OF THIS THING NOW?
NO. THEY COULD STILL COME BACK.
YOU'VE BEEN GREAT, BUT CAN YOU LET ME OUT?
I'M INVOLVED IN THIS, TOO.
I GOT TO KEEP WORKING ON YOU.
LET ME OUT OF THIS THING NOW!
DO YOU HEAR ME?
SHH.
OK, THAT'S IT.
I JUST WANT TO SEE
IF THEY'RE STILL THERE.
BE RIGHT BACK.
[CLANKING]
HA HA HA!
DIDN'T I TELL YOU, MAN?
CHECK IT OUT.
CHECK IT OUT!
OH, MAN, THIS IS JUNK.
THIS IS ANTIQUES, MAN. THIS IS OLD.
IT'S PLASTIC.
LET'S CALL IT A NIGHT.
[SPEAKING SPANISH]
IT'S MY SCULPTURE!
BE CAREFUL WITH IT.
IS IT WORTH TAKING THIS THING?
ARE YOU CRAZY, MAN? THIS IS ART.
ART SURE IS UGLY, MAN.
THE UGLIER THE ART, THE MORE IT'S WORTH.
THIS MUST BE WORTH A FORTUNE.
IT'S BY THAT FAMOUS GUY, SEGAL.
YEAH?
HE'S ON THE CARSON SHOW, MAN.
I NEVER WATCH CARSON.
THAT'S HOW MUCH YOU KNOW ABOUT ART.
I DON'T KNOW, MAN.
I'LL TAKE A STEREO ANY DAY.
A STEREO'S A STEREO.
ART IS FOREVER.
[CLOCK CHIMES]
CAPTIONING MADE POSSIBLE BY WARNER BROS.
CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org--
CAPTIONS COPYRIGHT 1985 WARNER BROS.