1 00:00:00,733 --> 00:00:02,333 Kevin: Today on "This Old House"... 2 00:00:02,400 --> 00:00:03,700 A plumbing penetration 3 00:00:03,766 --> 00:00:05,366 is one of the most vulnerable places on a roof. 4 00:00:05,433 --> 00:00:09,566 So we are going to seal them up and blend them in. 5 00:00:09,633 --> 00:00:11,833 Richard: Then we'll reveal how the homeowners are going to heat 6 00:00:11,900 --> 00:00:13,833 and cool this century-old building. 7 00:00:13,900 --> 00:00:16,300 Tom: And we'll take a trip to country music's biggest stage 8 00:00:16,366 --> 00:00:18,833 and talk to one of its biggest stars. 9 00:00:18,900 --> 00:00:26,133 ♪♪ 10 00:00:26,200 --> 00:00:28,133 Man: Ahh. That's it. 11 00:00:28,200 --> 00:00:36,233 ♪♪ 12 00:00:36,300 --> 00:00:44,433 ♪♪ 13 00:00:46,766 --> 00:00:55,100 ♪♪ 14 00:00:55,166 --> 00:00:56,566 Kevin: Hey there, I'm Kevin O'Connor, 15 00:00:56,633 --> 00:00:58,566 and welcome back to "This Old House" 16 00:00:58,633 --> 00:01:01,133 and to where we're working in East Nashville, Tennessee, 17 00:01:01,200 --> 00:01:03,366 just about three miles outside of downtown, 18 00:01:03,433 --> 00:01:06,533 renovating this 1920s brick cottage. 19 00:01:06,600 --> 00:01:08,400 Morning, Javi. Javier: Hey, Kevin. 20 00:01:08,466 --> 00:01:09,566 Kevin: So, we're not changing 21 00:01:09,633 --> 00:01:11,366 the footprint of this house at all. 22 00:01:11,433 --> 00:01:13,366 That's important here in the Historic District. 23 00:01:13,433 --> 00:01:15,700 But the homeowners did want to pick up some extra living space. 24 00:01:15,766 --> 00:01:18,266 And they're doing that by raising the height 25 00:01:18,333 --> 00:01:20,100 of the basement 10 feet 26 00:01:20,166 --> 00:01:21,566 and completely rebuilding that. 27 00:01:21,633 --> 00:01:23,400 So, you may recall, 28 00:01:23,466 --> 00:01:26,200 we rolled this house off of the old foundation, 29 00:01:26,266 --> 00:01:28,833 set it temporarily in the backyard, 30 00:01:28,900 --> 00:01:31,033 and then rebuilt the new foundation 31 00:01:31,100 --> 00:01:34,666 with 10-foot-high precast concrete walls. 32 00:01:34,733 --> 00:01:37,166 The house then came back onto that foundation, 33 00:01:37,233 --> 00:01:41,300 and currently is sitting just about 1/4 inch above it. 34 00:01:41,366 --> 00:01:42,866 Over the past couple weeks, 35 00:01:42,933 --> 00:01:44,400 the crew has been here doing demo. 36 00:01:44,466 --> 00:01:46,433 We have taken it back to the studs, 37 00:01:46,500 --> 00:01:48,800 and then the framers came in to put up the partition walls. 38 00:01:48,866 --> 00:01:50,266 So now we've got a new floor plan. 39 00:01:50,333 --> 00:01:51,633 Let me walk you through it. 40 00:01:51,700 --> 00:01:52,966 This was the dining room. 41 00:01:53,033 --> 00:01:54,866 It's going to become a music room right there. 42 00:01:54,933 --> 00:01:56,600 The original living room's floor plan 43 00:01:56,666 --> 00:01:58,100 stays just about the same. 44 00:01:58,166 --> 00:01:59,500 Fireplace stays. 45 00:01:59,566 --> 00:02:01,266 This wood treatment goes away. 46 00:02:01,333 --> 00:02:02,733 On the other side of this wall, 47 00:02:02,800 --> 00:02:06,200 what was a primary bedroom becomes a new office space. 48 00:02:06,266 --> 00:02:08,933 And then as you walk through this opening right here, 49 00:02:09,000 --> 00:02:10,966 you may recall that the old kitchen, 50 00:02:11,033 --> 00:02:14,100 which was small and narrow, it ended right here. 51 00:02:14,166 --> 00:02:15,933 That wall came down to open this up 52 00:02:16,000 --> 00:02:18,000 so that we have kitchen and dining room 53 00:02:18,066 --> 00:02:22,900 and the ability to walk out onto a new deck into the backyard. 54 00:02:22,966 --> 00:02:26,133 Right here was the only full bath in the house. 55 00:02:26,200 --> 00:02:27,433 That is gone. 56 00:02:27,500 --> 00:02:29,966 We have framed out for a half bath down here 57 00:02:30,033 --> 00:02:33,066 and we've picked up a lot more space up top. 58 00:02:33,133 --> 00:02:36,600 The second floor was basically an unfinished attic 59 00:02:36,666 --> 00:02:38,266 with a narrow central staircase. 60 00:02:38,333 --> 00:02:40,300 Now new living space, 61 00:02:40,366 --> 00:02:43,133 which you're going to access by a new staircase right here. 62 00:02:43,200 --> 00:02:45,100 And all of this living space 63 00:02:45,166 --> 00:02:47,333 is basically made possible by a new dormer 64 00:02:47,400 --> 00:02:49,166 put off the back of the house. 65 00:02:49,233 --> 00:02:51,300 No additional footprint -- [ Banging ] 66 00:02:51,366 --> 00:02:52,500 You can hear the guys up on the roof 67 00:02:52,566 --> 00:02:53,700 getting ready to shingle it. 68 00:02:53,766 --> 00:02:55,400 No additional footprint, 69 00:02:55,466 --> 00:02:57,366 and you can't see the dormer from the front street, 70 00:02:57,433 --> 00:02:59,366 which the Historic District likes. 71 00:02:59,433 --> 00:03:01,600 So, there will be two bedrooms behind me 72 00:03:01,666 --> 00:03:03,400 right here for the kids. 73 00:03:03,466 --> 00:03:07,433 They will have a full bathroom right in here. 74 00:03:07,500 --> 00:03:09,966 And you can see this is the pocket door hardware 75 00:03:10,033 --> 00:03:11,600 that's being put together. 76 00:03:11,666 --> 00:03:13,400 That's going to go right here. 77 00:03:13,466 --> 00:03:15,466 And it's going to separate this space, 78 00:03:15,533 --> 00:03:17,566 with a play area between the bedrooms and the bathroom, 79 00:03:17,633 --> 00:03:19,466 from the primary suite. 80 00:03:19,533 --> 00:03:22,566 As you walk in, there'll be a closet. 81 00:03:22,633 --> 00:03:25,900 There will be a generous bedroom right in here. 82 00:03:25,966 --> 00:03:27,733 And then we've got a second pocket door 83 00:03:27,800 --> 00:03:29,400 which will slide right here, 84 00:03:29,466 --> 00:03:32,366 closing off a new primary bathroom. 85 00:03:32,433 --> 00:03:34,666 Now, as I said, all of this is possible 86 00:03:34,733 --> 00:03:36,700 because of the new dormer. 87 00:03:36,766 --> 00:03:39,366 And they are actually putting the roof shingles on right now. 88 00:03:39,433 --> 00:03:42,333 So I've got an appointment with Javier up on the deck. 89 00:03:43,766 --> 00:03:46,700 Javi, I just checked out the downstairs, 90 00:03:46,766 --> 00:03:49,366 and you guys are making some serious progress. 91 00:03:49,433 --> 00:03:51,266 Javier: Thank you, thank you. Kevin: Yeah, I love it. 92 00:03:51,333 --> 00:03:53,300 Javier: We are trying to give these people a better roof. 93 00:03:53,366 --> 00:03:55,800 It got hit by a tornado in 2020, 94 00:03:55,866 --> 00:03:58,200 and the job was not done properly, 95 00:03:58,266 --> 00:04:00,066 so they were having leaks everywhere. 96 00:04:00,133 --> 00:04:02,433 Kevin: So, even though they got a new roof after the tornado, 97 00:04:02,500 --> 00:04:04,066 it wasn't a good one. Javier: It wasn't a good one. 98 00:04:04,133 --> 00:04:05,533 Adam and Rachel didn't live here at the moment, 99 00:04:05,600 --> 00:04:07,166 but the neighbors told them 100 00:04:07,233 --> 00:04:08,833 that it was just storm chasers came in, did the roof, 101 00:04:08,900 --> 00:04:10,466 and out the next day. 102 00:04:10,533 --> 00:04:12,100 Kevin: Hear that a lot. So, what are you doing? 103 00:04:12,166 --> 00:04:13,100 Javier: So now, as you can tell, 104 00:04:13,166 --> 00:04:14,100 we have the stick-and-peel 105 00:04:14,166 --> 00:04:15,666 in all the proper spots. 106 00:04:15,733 --> 00:04:17,666 Kevin: This is the self-sealing membrane. 107 00:04:17,733 --> 00:04:19,633 You peel it back, you stick it down straight to the deck. 108 00:04:19,700 --> 00:04:21,233 And then if you go through it... 109 00:04:21,300 --> 00:04:23,100 Javier: no matter if you put nails through, it seals itself. 110 00:04:23,166 --> 00:04:25,166 Kevin: You've got that in sort of the "critical," 111 00:04:25,233 --> 00:04:26,666 the weaker potential spots. Javier: That is correct. 112 00:04:26,733 --> 00:04:28,166 Kevin: But then right here, 113 00:04:28,233 --> 00:04:29,500 you've got a different underlayment. 114 00:04:29,566 --> 00:04:31,433 Javier: We have a synthetic felt. 115 00:04:31,500 --> 00:04:34,666 It allows the roof to breathe and not hold moisture. 116 00:04:34,733 --> 00:04:36,233 Kevin: And that's away from the valleys, 117 00:04:36,300 --> 00:04:38,900 and that's nice and steep, so okay there. 118 00:04:38,966 --> 00:04:40,600 I heard that you're also working 119 00:04:40,666 --> 00:04:43,233 on protecting our plumbing penetrations as well. 120 00:04:43,300 --> 00:04:45,133 Can you walk me through this? 121 00:04:45,200 --> 00:04:48,333 Javier: These penetrations are always a weak point in the roof. 122 00:04:48,400 --> 00:04:50,000 Kevin: So, wait, this is -- this is, I presume, a vent. 123 00:04:50,066 --> 00:04:51,166 From where? 124 00:04:51,233 --> 00:04:52,600 Javier: This is our half bathroom 125 00:04:52,666 --> 00:04:53,600 on the first floor. 126 00:04:53,666 --> 00:04:55,000 Kevin: Oh, terrific. Okay. 127 00:04:55,066 --> 00:04:56,800 Javier: So, what we're going to do with this boot, 128 00:04:56,866 --> 00:04:59,900 and what this boot does -- it's made out of complete metal. 129 00:04:59,966 --> 00:05:02,733 As you can tell, there is no plastic components 130 00:05:02,800 --> 00:05:04,600 that will deteriorate with time. 131 00:05:04,666 --> 00:05:07,233 You can adjust this anywhere from a 3-inch pitch 132 00:05:07,300 --> 00:05:08,966 to a 12-inch pitch and adjust it, 133 00:05:09,033 --> 00:05:10,966 and it will have your boot looking straight. 134 00:05:11,033 --> 00:05:12,933 Kevin: So, depending on what the pitch of your roof is, 135 00:05:13,000 --> 00:05:15,433 you can always get this so that it's plumb. 136 00:05:15,500 --> 00:05:17,333 Javier: That is right. Kevin: Okay. 137 00:05:17,400 --> 00:05:18,533 Javier: And we have this other component 138 00:05:18,600 --> 00:05:21,100 that once it goes on here, what it does -- 139 00:05:21,166 --> 00:05:24,133 it inserts in this pipe, all the way in. 140 00:05:24,200 --> 00:05:26,300 And what this is going to do 141 00:05:26,366 --> 00:05:29,333 is going to give this little boot some extra stability 142 00:05:29,400 --> 00:05:30,666 and sustain high winds. 143 00:05:30,733 --> 00:05:32,233 Kevin: Nice. I like that. Okay. 144 00:05:32,300 --> 00:05:33,333 And are you ready to install this? 145 00:05:33,400 --> 00:05:34,366 Javier: Let's do it. 146 00:05:34,433 --> 00:05:36,033 What I want to do first, Kevin, 147 00:05:36,100 --> 00:05:38,000 is use some of this self-sealing member. 148 00:05:38,066 --> 00:05:39,900 Kevin: Yeah. 149 00:05:39,966 --> 00:05:42,533 Got that. Okay. 150 00:05:42,600 --> 00:05:44,166 Javier: And then if you hold it on that end, 151 00:05:44,233 --> 00:05:46,833 I'll hold it on this end. 152 00:05:46,900 --> 00:05:48,766 Slide it through. 153 00:05:51,600 --> 00:05:55,166 Nice. Nice and tight. 154 00:05:55,233 --> 00:05:57,666 And I also have these pieces right here, Kevin, 155 00:05:57,733 --> 00:06:00,866 that I want to put around, maybe like on the bottom, 156 00:06:00,933 --> 00:06:02,166 and then it goes up a little bit. 157 00:06:02,233 --> 00:06:04,100 That keeps it tight. 158 00:06:04,166 --> 00:06:07,333 Kevin: Okay. That's in. Let me put mine on here. 159 00:06:11,100 --> 00:06:12,400 Javier: Alright. Nice and tight. 160 00:06:12,466 --> 00:06:13,633 Kevin: Okay. That's down. 161 00:06:13,700 --> 00:06:17,966 Javier: So we are ready to nail this right here. 162 00:06:18,033 --> 00:06:21,000 Kevin: We want to get this cap down in here. 163 00:06:21,066 --> 00:06:23,333 Make sure it goes where it's supposed to 164 00:06:23,400 --> 00:06:25,033 before we nail off. 165 00:06:25,100 --> 00:06:26,800 Hang on. 166 00:06:26,866 --> 00:06:28,866 That just seated into the PVC. Javier: Oh, yeah. 167 00:06:28,933 --> 00:06:30,100 Beautiful. Boom! 168 00:06:30,166 --> 00:06:32,133 Kevin: Oh, look at that. Javier: Yeah. 169 00:06:32,200 --> 00:06:33,666 Can I see that hammer? Kevin: Yes, sir. 170 00:06:33,733 --> 00:06:34,766 Javier: Thank you. 171 00:06:45,800 --> 00:06:49,700 Kevin: So, this is nice because right here, 172 00:06:49,766 --> 00:06:52,866 those nails are going through this sticky membrane, 173 00:06:52,933 --> 00:06:55,533 so that's self-sealing. Javier: That's right. 174 00:06:55,600 --> 00:06:57,500 Kevin: Let's make sure -- and through a shingle 175 00:06:57,566 --> 00:07:01,433 with the self-sealing beneath it on this course. 176 00:07:01,500 --> 00:07:02,766 Javier: We're going to grab another piece 177 00:07:02,833 --> 00:07:04,866 of the self-sealer and I'm going to put it on top, 178 00:07:04,933 --> 00:07:07,066 and that'll give us a little bit of extra protection. 179 00:07:08,666 --> 00:07:10,566 Kevin: Okay. Like that? Javier: So now this is on. 180 00:07:10,633 --> 00:07:12,233 We're going to go ahead and finish the shingles. 181 00:07:12,300 --> 00:07:15,400 Kevin, I went ahead and did a little bit of pre-cutting. 182 00:07:15,466 --> 00:07:16,600 That way it fits. 183 00:07:16,666 --> 00:07:17,866 You see how this fits right now? 184 00:07:17,933 --> 00:07:19,700 Kevin: Oh, yeah. Okay. 185 00:07:19,766 --> 00:07:22,366 So you're just continuing the course to your left. 186 00:07:22,433 --> 00:07:23,900 Javier: That's right. 187 00:07:23,966 --> 00:07:26,366 Kevin: And so they give you a strike zone here marked out. 188 00:07:26,433 --> 00:07:31,100 So you can just fly on this roof when you got the gun. 189 00:07:36,633 --> 00:07:37,733 Javier: And then we're going to put this 190 00:07:37,800 --> 00:07:39,766 one last shingle above this boot. 191 00:07:39,833 --> 00:07:42,700 Kevin: Also pre-cut. Very nice. Javier: Also pre-cut. 192 00:07:42,766 --> 00:07:45,000 Kevin: You good there? Javier: I'm good here. 193 00:07:53,900 --> 00:07:55,166 Last one. Kevin: Nice. 194 00:07:55,233 --> 00:07:56,566 We got it covered on the top. 195 00:07:56,633 --> 00:07:59,766 We leave the bottom exposed where it can run out. 196 00:07:59,833 --> 00:08:01,733 And that's sweet, Javi, right there. 197 00:08:01,800 --> 00:08:03,600 So no storm chaser job here, right? 198 00:08:03,666 --> 00:08:05,066 Javier: No, sir. No storm chasing here. 199 00:08:05,133 --> 00:08:06,533 Kevin: Good for another 20, maybe 50 years. 200 00:08:06,600 --> 00:08:08,300 Thanks, Javi. Javier: Thank you Kevin. 201 00:08:12,633 --> 00:08:14,133 Richard: So, even though this is a renovation, 202 00:08:14,200 --> 00:08:16,233 from a plumbing and mechanical standpoint, 203 00:08:16,300 --> 00:08:19,200 fundamentally this is a new house, a new build. 204 00:08:19,266 --> 00:08:21,333 So the plumbing and mechanical is underway 205 00:08:21,400 --> 00:08:22,800 here in the basement. 206 00:08:22,866 --> 00:08:25,066 We had to start by having the plumber run the drain lines 207 00:08:25,133 --> 00:08:28,133 that will go underneath our future poured slab right here. 208 00:08:28,200 --> 00:08:30,500 There's a sewer line that goes right out to the sewer, 209 00:08:30,566 --> 00:08:32,833 and there's a branch that comes over here. 210 00:08:32,900 --> 00:08:34,666 So, the rough-in right here 211 00:08:34,733 --> 00:08:36,366 is for the half bath down here in the basement. 212 00:08:36,433 --> 00:08:38,133 And then right above us on the first floor 213 00:08:38,200 --> 00:08:39,733 will also be a half bath 214 00:08:39,800 --> 00:08:41,900 that'll rough down to here as well. 215 00:08:41,966 --> 00:08:44,366 And in this back corner, we're going to have a mechanical room. 216 00:08:44,433 --> 00:08:47,100 And what we're doing is actually using a furnace 217 00:08:47,166 --> 00:08:49,566 that's two or three years old that they had just put in. 218 00:08:49,633 --> 00:08:51,933 And we're going to reuse that furnace right here 219 00:08:52,000 --> 00:08:53,200 with a condenser outside, 220 00:08:53,266 --> 00:08:55,100 so they'll have heating and air conditioning. 221 00:08:55,166 --> 00:08:58,266 And we're going to run new ductwork from this point out, 222 00:08:58,333 --> 00:08:59,766 and we're going to service the basement 223 00:08:59,833 --> 00:09:01,200 and the first floor. 224 00:09:01,266 --> 00:09:02,900 So the ductwork over here is pretty straightforward. 225 00:09:02,966 --> 00:09:04,833 There's plenty of height and everything else. 226 00:09:04,900 --> 00:09:06,366 But when we get to the center, 227 00:09:06,433 --> 00:09:08,200 we're going to have footings right here that'll go up 228 00:09:08,266 --> 00:09:10,400 and there'll be a triple laminate beam right there 229 00:09:10,466 --> 00:09:11,933 supporting everything. 230 00:09:12,000 --> 00:09:14,666 It'll be a bit of a challenge for us to get that ductwork 231 00:09:14,733 --> 00:09:17,600 across to right here, but when we do, 232 00:09:17,666 --> 00:09:20,800 we're going to take these beautiful cast-iron registers, 233 00:09:20,866 --> 00:09:22,200 original to the house, 234 00:09:22,266 --> 00:09:24,033 and what we're going to do is relocate them 235 00:09:24,100 --> 00:09:25,866 and actually put them into the living room 236 00:09:25,933 --> 00:09:28,466 and make them real showpieces on that first floor. 237 00:09:28,533 --> 00:09:30,466 So, down here in the basement and the first floor, 238 00:09:30,533 --> 00:09:32,233 it's pretty straightforward from a ductwork standpoint. 239 00:09:32,300 --> 00:09:35,366 Now, upstairs, there's a few challenges. 240 00:09:35,433 --> 00:09:38,266 So, up here in the top floor, this was unheated attic, 241 00:09:38,333 --> 00:09:40,066 and now all the bedrooms are up here. 242 00:09:40,133 --> 00:09:42,233 So it's a perfect case for putting in 243 00:09:42,300 --> 00:09:43,633 a couple of heat pumps. 244 00:09:43,700 --> 00:09:45,333 But we had to start with where we could put them. 245 00:09:45,400 --> 00:09:47,266 The first logical place for a ducted unit 246 00:09:47,333 --> 00:09:49,166 was right here under this knee wall. 247 00:09:49,233 --> 00:09:50,733 You can see the unit right there, 248 00:09:50,800 --> 00:09:53,133 hung and isolated for noise vibration. 249 00:09:53,200 --> 00:09:55,466 But look, there's no place to run it here. 250 00:09:55,533 --> 00:09:57,333 There's no attic. 251 00:09:57,400 --> 00:09:59,433 So, what the installers did is they found a place 252 00:09:59,500 --> 00:10:02,066 to be able to send the supply down into the floor 253 00:10:02,133 --> 00:10:04,433 below my feet right here, in a joist bay. 254 00:10:04,500 --> 00:10:07,800 Supply comes over here, comes up here, 255 00:10:07,866 --> 00:10:10,900 and now we'll feed the two kids' bedrooms right here. 256 00:10:10,966 --> 00:10:14,266 What they're going to do is box this in to match the other side 257 00:10:14,333 --> 00:10:15,833 so it looks balanced. 258 00:10:15,900 --> 00:10:17,266 So, now we've got the kids' bedrooms done. 259 00:10:17,333 --> 00:10:19,033 We got this center area done. 260 00:10:19,100 --> 00:10:22,466 But the primary needs its own separate system. 261 00:10:22,533 --> 00:10:24,366 So, it was a perfect candidate 262 00:10:24,433 --> 00:10:26,500 to put one of these high sidewall cassettes right here. 263 00:10:26,566 --> 00:10:28,133 And that's normally where people put them 264 00:10:28,200 --> 00:10:30,133 because oftentimes in retrofit 265 00:10:30,200 --> 00:10:33,300 it's the easiest to run the line sets and the wires. 266 00:10:33,366 --> 00:10:35,800 But what we can do is right over this doorway, 267 00:10:35,866 --> 00:10:37,433 we actually put it right up here. 268 00:10:37,500 --> 00:10:39,066 So you walk in the room, you see nothing, 269 00:10:39,133 --> 00:10:40,933 but the room's the perfect temperature. 270 00:10:41,000 --> 00:10:42,833 So, our plumber Trevor is busy doing the rough-in 271 00:10:42,900 --> 00:10:44,000 up here in the primary. 272 00:10:44,066 --> 00:10:45,566 How are you? Trevor: Hi, Richard. 273 00:10:45,633 --> 00:10:47,100 Richard: I double-checked all of your drain work down there. 274 00:10:47,166 --> 00:10:48,700 It's beautiful. Always in the right place, too. 275 00:10:48,766 --> 00:10:50,133 Trevor: Good. That's what I aim for. 276 00:10:50,200 --> 00:10:51,600 Richard: What are you working on today? 277 00:10:51,666 --> 00:10:53,133 Trevor: So, we're roughing in the vanity 278 00:10:53,200 --> 00:10:54,866 in the primary bathroom here. Richard: Okay. 279 00:10:54,933 --> 00:10:56,666 Trevor: Original plan showed a double vanity. 280 00:10:56,733 --> 00:10:58,833 They decided to change it to a single vanity. 281 00:10:58,900 --> 00:11:02,300 So we're going to come up with two drains anyways. 282 00:11:02,366 --> 00:11:03,833 That way in the future, 283 00:11:03,900 --> 00:11:05,366 when they decide to add a second one -- 284 00:11:05,433 --> 00:11:06,500 Richard: Just in case they change their mind. 285 00:11:06,566 --> 00:11:07,900 Trevor: ...it's there. 286 00:11:08,000 --> 00:11:09,266 They don't have to open up the ceiling below us. 287 00:11:09,333 --> 00:11:10,800 Richard: Alright, so you got two separate drains. 288 00:11:10,866 --> 00:11:12,900 A lot of times, I would see a plumber come up 289 00:11:12,966 --> 00:11:15,400 and just do a double wye or a double tee-wye. 290 00:11:15,466 --> 00:11:16,566 But you don't. Trevor: Nope. 291 00:11:16,633 --> 00:11:17,766 I don't like drilling through studs, 292 00:11:17,833 --> 00:11:19,266 because it weakens the wall. 293 00:11:19,333 --> 00:11:21,000 And with this being a floating vanity, 294 00:11:21,066 --> 00:11:22,700 they need all the support they can get. 295 00:11:22,766 --> 00:11:23,700 Richard: You need the structure to hold that thing up. 296 00:11:23,766 --> 00:11:24,933 Trevor: That's right. 297 00:11:25,000 --> 00:11:26,033 Richard: And they can change their mind. 298 00:11:26,100 --> 00:11:27,266 Trevor: They can change their mind, too. 299 00:11:27,333 --> 00:11:28,533 Richard: Alright, what else did you find 300 00:11:28,600 --> 00:11:29,600 on this primary bathroom that was a challenge? 301 00:11:29,666 --> 00:11:31,100 Trevor: Well, as typical, 302 00:11:31,166 --> 00:11:32,766 shower drain is dead center of a beam. 303 00:11:32,833 --> 00:11:34,066 Richard: Oh, it always is, isn't it? 304 00:11:34,133 --> 00:11:35,400 Trevor: It always is. Richard: And so I see 305 00:11:35,466 --> 00:11:36,566 that you've cut all the structure out. 306 00:11:36,633 --> 00:11:38,133 Trevor: We have. 307 00:11:38,200 --> 00:11:40,066 The framers will come back, box it out, 308 00:11:40,133 --> 00:11:42,533 give that structural back, then we'll put the drain in. 309 00:11:42,600 --> 00:11:43,966 Richard: It'll be solid, and the drain'll be in the right place. 310 00:11:44,033 --> 00:11:45,466 Trevor: That's correct. Richard: Okay, good. 311 00:11:45,533 --> 00:11:46,800 Any other tips or tricks you think about? 312 00:11:46,866 --> 00:11:48,366 Trevor: I don't like noise, 313 00:11:48,433 --> 00:11:50,400 so we put expansion loops on all the water lines. 314 00:11:50,466 --> 00:11:52,433 That way they don't pop and creak when you're using them. 315 00:11:52,500 --> 00:11:53,800 Richard: So, when heated water goes through, 316 00:11:53,866 --> 00:11:54,800 the water wants to expand. 317 00:11:54,866 --> 00:11:56,000 It just won't make that noise. 318 00:11:56,066 --> 00:11:57,366 Trevor: That's correct. Richard: Good. 319 00:11:57,433 --> 00:11:59,200 So, a good job by you is not seen and not heard. 320 00:11:59,266 --> 00:12:00,466 Trevor: That's right. Richard: Good, my friend. 321 00:12:00,533 --> 00:12:02,533 Thanks for all your good work. Trevor: Thanks. 322 00:12:04,966 --> 00:12:06,600 Tom: No trip to Nashville is complete 323 00:12:06,666 --> 00:12:09,233 without seeing country music's biggest stage, 324 00:12:09,300 --> 00:12:11,766 the Grand Ole Opry. 325 00:12:11,833 --> 00:12:15,100 It's where you can see artists past, present and future 326 00:12:15,166 --> 00:12:17,100 under one legendary roof. 327 00:12:17,166 --> 00:12:20,333 Terri: It's our house, you know. It's the house we all gather. 328 00:12:20,400 --> 00:12:22,666 It's the table we all sit at together. 329 00:12:22,733 --> 00:12:24,700 Suzy: Stepping onto the Opry stage 330 00:12:24,766 --> 00:12:28,700 is like remembering every little exciting moment 331 00:12:28,766 --> 00:12:31,433 that you've ever had in the music business. 332 00:12:31,500 --> 00:12:33,566 Pam: What's funny, I don't care how many thousands of people 333 00:12:33,633 --> 00:12:35,400 you've played in front of -- 334 00:12:35,466 --> 00:12:37,600 something about being in that circle 335 00:12:37,666 --> 00:12:39,566 feels kind of sacred. 336 00:12:41,066 --> 00:12:42,866 Jenn: Hi. Dan: Hey, y'all. Dan Rogers. 337 00:12:42,933 --> 00:12:44,700 Jenn: Dan, nice to meet you. Tom: Hey, Dan. Nice to meet you. 338 00:12:44,766 --> 00:12:46,000 Dan: Nice to see you. 339 00:12:46,066 --> 00:12:48,733 This is Jim, our backstage security officer. 340 00:12:48,800 --> 00:12:50,000 Tom: Pleasure to meet you. 341 00:12:50,066 --> 00:12:51,866 Jenn: Nice to meet you. 342 00:12:51,933 --> 00:12:54,000 Dan: If you were anyone else, you would have to show your ID, 343 00:12:54,066 --> 00:12:56,300 and Jim would probably tell you what dressing room 344 00:12:56,366 --> 00:12:58,300 you're headed for, 345 00:12:58,366 --> 00:13:00,533 but we'll save you those pieces this evening, 346 00:13:00,600 --> 00:13:03,433 and I think we can start a tour of this great place. 347 00:13:03,500 --> 00:13:05,300 Jenn: Yeah. Tom: Let's go. 348 00:13:05,366 --> 00:13:07,500 Dan: So this dressing room is called Into the Circle. 349 00:13:07,566 --> 00:13:09,900 It's the first dressing room you pass 350 00:13:09,966 --> 00:13:12,400 when you walk into the Grand Ole Opry House. 351 00:13:12,466 --> 00:13:15,433 And it is specifically for folks 352 00:13:15,500 --> 00:13:19,966 who are making their Opry debut that particular evening. 353 00:13:20,033 --> 00:13:22,100 So, usually when I walk by this dressing room, 354 00:13:22,166 --> 00:13:24,133 one, it's full of people 355 00:13:24,200 --> 00:13:27,333 because everybody's here to see their son, daughter, grandson, 356 00:13:27,400 --> 00:13:29,500 granddaughter, what have you... Tom: I see. Sure. 357 00:13:29,566 --> 00:13:31,133 Dan: ...make their dreams come true. 358 00:13:31,200 --> 00:13:34,666 And it's probably also the room where people are 359 00:13:34,733 --> 00:13:37,066 the most nervous. Jenn: Right. 360 00:13:37,133 --> 00:13:41,333 Dan: So, all of these quotes are either what someone had to say 361 00:13:41,400 --> 00:13:44,600 when they were onstage making their debut, 362 00:13:44,666 --> 00:13:48,866 or remembering that moment in their lives. 363 00:13:48,933 --> 00:13:51,866 And my favorite thing about the room 364 00:13:51,933 --> 00:13:54,266 is that when you exit the room -- 365 00:13:54,333 --> 00:13:56,900 perhaps like you're walking to make your debut -- 366 00:13:56,966 --> 00:13:59,666 you see Taylor Swift's immortal words, 367 00:13:59,733 --> 00:14:02,200 "Oh, my God, I'm on the Opry!" 368 00:14:02,266 --> 00:14:03,200 Jenn: That's great. Tom: [ Laughs ] 369 00:14:03,266 --> 00:14:06,533 Dan: From September 1, 2006. 370 00:14:06,600 --> 00:14:08,866 So, these shots -- 371 00:14:08,933 --> 00:14:11,466 you'll just see all kinds of shots back here, obviously. 372 00:14:11,533 --> 00:14:14,366 But these are all from more recent nights 373 00:14:14,433 --> 00:14:17,366 at the Grand Ole Opry, some great collaborations. 374 00:14:17,433 --> 00:14:22,166 And this place is really the heartbeat of the Opry House. 375 00:14:22,233 --> 00:14:24,000 It's the family room. 376 00:14:24,066 --> 00:14:26,200 In most places, you would hear this 377 00:14:26,266 --> 00:14:29,733 probably called the green room, but the Opry is family. 378 00:14:29,800 --> 00:14:31,633 We call it the family room. 379 00:14:31,700 --> 00:14:33,300 These are the shots that you would have, you know, 380 00:14:33,366 --> 00:14:35,200 over your fireplace 381 00:14:35,266 --> 00:14:37,766 if you had a photo collection at home of the Opry. 382 00:14:37,833 --> 00:14:40,333 Tom: A lot of history here. Dan: A whole lot of history. 383 00:14:40,400 --> 00:14:42,466 And you ready to hit the stage yourself? 384 00:14:42,533 --> 00:14:43,533 Tom: Oh, boy. Jenn: Let's go. Let's go. 385 00:14:43,600 --> 00:14:44,733 Tom: Lead the way. 386 00:14:44,800 --> 00:14:50,966 ♪♪ 387 00:14:51,033 --> 00:14:52,633 Tom: Wow. Dan: You have arrived. 388 00:14:52,700 --> 00:14:55,300 Tom: This is amazing. Dan: Nashville, Tennessee. 389 00:14:55,366 --> 00:14:59,566 Grand Ole Opry, truly the home of country music. 390 00:14:59,633 --> 00:15:01,366 Ground zero for country music. 391 00:15:01,433 --> 00:15:03,933 Tom: How many people sit here? Dan: 4,400. 392 00:15:04,000 --> 00:15:05,433 And if I'm doing my job right, 393 00:15:05,500 --> 00:15:08,966 every seat in this place is filled. 394 00:15:09,033 --> 00:15:10,733 Jenn: How many shows a week happen here? 395 00:15:10,800 --> 00:15:13,966 Dan: More often than not, we're doing five, six, seven 396 00:15:14,033 --> 00:15:16,066 Opry shows a week. Jenn: Wow. 397 00:15:16,133 --> 00:15:19,266 Dan: Which means that in the past year, 398 00:15:19,333 --> 00:15:24,266 everyone from Garth Brooks to Brad Paisley 399 00:15:24,333 --> 00:15:27,500 to great bluegrass artists 400 00:15:27,566 --> 00:15:31,833 have walked to that really, really important piece of wood. 401 00:15:31,900 --> 00:15:33,733 Tom: I was going to ask you about the circle. 402 00:15:33,800 --> 00:15:35,766 Dan: So, that circle of wood 403 00:15:35,833 --> 00:15:38,166 was removed from the Ryman Auditorium, 404 00:15:38,233 --> 00:15:42,166 which housed the Opry from 1943 to 1974. 405 00:15:42,233 --> 00:15:45,566 So, truly, when you step on that circle, 406 00:15:45,633 --> 00:15:49,733 you're stepping where greats like Patsy Cline, 407 00:15:49,800 --> 00:15:51,900 Hank Williams once stood. 408 00:15:51,966 --> 00:15:54,866 I've seen people brought to tears on that circle. 409 00:15:54,933 --> 00:15:56,600 There's just something really, 410 00:15:56,666 --> 00:15:58,700 really special about those planks of wood 411 00:15:58,766 --> 00:16:00,100 that intimidate folks. 412 00:16:00,166 --> 00:16:01,766 Jenn: So, how is the place set up? 413 00:16:01,833 --> 00:16:03,333 How are the musicians set up and organized? 414 00:16:03,400 --> 00:16:05,866 Dan: We'll have a staff band out here. 415 00:16:05,933 --> 00:16:08,166 The background singers are right here behind us. 416 00:16:08,233 --> 00:16:09,966 And then in these pews 417 00:16:10,033 --> 00:16:12,100 are usually invited guests here at the Opry. 418 00:16:12,166 --> 00:16:13,933 Tom: Well, where do we get to sit? 419 00:16:14,000 --> 00:16:15,600 Dan: We're going to take care of you 420 00:16:15,666 --> 00:16:18,066 with some very special seating 421 00:16:18,133 --> 00:16:20,366 out here amongst the 4,400 folks, 422 00:16:20,433 --> 00:16:24,433 and we have something really special for this fine lady. 423 00:16:28,433 --> 00:16:31,100 Jenn: Dan wasn't kidding about doing something special, 424 00:16:31,166 --> 00:16:33,266 because I got to meet country music legend 425 00:16:33,333 --> 00:16:34,666 Trisha Yearwood, 426 00:16:34,733 --> 00:16:37,866 who's been a member of the Opry since 1999. 427 00:16:37,933 --> 00:16:40,133 Thank you for meeting with me. Trisha: My pleasure. 428 00:16:40,200 --> 00:16:42,000 Jenn: What's it like backstage here at the Opry? 429 00:16:42,066 --> 00:16:43,200 Trisha: Well, on a regular night, 430 00:16:43,266 --> 00:16:44,733 these dressing rooms are all full, 431 00:16:44,800 --> 00:16:46,666 and you hear music in every room, 432 00:16:46,733 --> 00:16:49,333 and everybody just gets together and knows each other. 433 00:16:49,400 --> 00:16:51,666 The halls are usually loud and fun and like, 434 00:16:51,733 --> 00:16:53,266 "Oh, hey, good to see you." 435 00:16:53,333 --> 00:16:55,600 It's really is -- I always say the Opry's a family. 436 00:16:55,666 --> 00:16:57,666 That's absolutely what it feels like backstage. 437 00:16:57,733 --> 00:16:59,133 Jenn: How old were you 438 00:16:59,200 --> 00:17:00,900 when you knew that you wanted to sing? 439 00:17:00,966 --> 00:17:03,633 Trisha: I knew at 5 that I... I sang all the time. 440 00:17:03,700 --> 00:17:05,633 I wanted to be Cher, actually, at 5. 441 00:17:05,700 --> 00:17:07,566 Jenn: [ Laughs ] Trisha: And I kind of still do. 442 00:17:07,633 --> 00:17:09,933 But I just loved music and I was singing all the time, 443 00:17:10,000 --> 00:17:12,300 and it just never went away. Jenn: Yeah, yeah, yeah. 444 00:17:12,366 --> 00:17:14,100 Trisha: And I remember praying about it and being like, 445 00:17:14,166 --> 00:17:15,966 "If I'm supposed to do something else, 446 00:17:16,033 --> 00:17:17,866 show me the path, show me what I'm supposed to do. 447 00:17:17,933 --> 00:17:20,733 But if I'm supposed to do this, help me figure this out." 448 00:17:20,800 --> 00:17:22,366 Jenn: That's cool. So you just followed it? 449 00:17:22,433 --> 00:17:23,766 Trisha: I did. Jenn: That's amazing. 450 00:17:23,833 --> 00:17:25,033 Trisha: Still following it. Jenn: That's so great. 451 00:17:25,100 --> 00:17:26,533 Tell me about tonight. 452 00:17:26,600 --> 00:17:27,966 Trisha: It's about the women that have come before, 453 00:17:28,033 --> 00:17:29,733 and it's about my contemporaries. 454 00:17:29,800 --> 00:17:31,600 We're going to do some music from the past, 455 00:17:31,666 --> 00:17:33,200 we're going to do some current stuff, 456 00:17:33,266 --> 00:17:35,366 and I'm really, really excited about it. 457 00:17:35,433 --> 00:17:36,933 Jenn: You guys all empower each other. 458 00:17:37,000 --> 00:17:39,200 Trisha: We do, and you know, there's this whole idea, 459 00:17:39,266 --> 00:17:41,100 I think, sometimes that women are always competing 460 00:17:41,166 --> 00:17:42,800 against each other, 461 00:17:42,866 --> 00:17:44,800 but there's such a camaraderie and a sisterhood here. 462 00:17:44,866 --> 00:17:48,633 And the Opry really does encourage that and foster that. 463 00:17:48,700 --> 00:17:50,633 Jenn: Awesome. 464 00:17:50,700 --> 00:17:52,400 So, we're here with "This Old House." 465 00:17:52,466 --> 00:17:55,400 We're on our 46th season and we're working in East Nashville. 466 00:17:55,466 --> 00:17:58,233 Like, what's the flavor we should check out around town? 467 00:17:58,300 --> 00:18:00,266 Trisha: East Nashville's funky and cool. 468 00:18:00,333 --> 00:18:03,600 And you know, it has really changed in the last 10 years. 469 00:18:03,666 --> 00:18:05,533 So, there's a mix of everything. 470 00:18:05,600 --> 00:18:06,933 And what I love about East Nashville 471 00:18:07,000 --> 00:18:08,966 is the building that's happening there 472 00:18:09,033 --> 00:18:10,500 is a nod to what has been there. 473 00:18:10,566 --> 00:18:12,900 There's a lot of, you know, keeping... 474 00:18:12,966 --> 00:18:14,733 I'm a fan of keeping the bones of a building 475 00:18:14,800 --> 00:18:15,966 and keeping the structure and... 476 00:18:16,033 --> 00:18:17,566 Jenn: Right. Trisha: It's a funky, cool area. 477 00:18:17,633 --> 00:18:19,433 So that's going to be super fun. 478 00:18:19,500 --> 00:18:21,366 You know, I do a lot of building with Habitat for Humanity. 479 00:18:21,433 --> 00:18:23,033 So if you need, you know, I know how to do stuff. 480 00:18:23,100 --> 00:18:24,533 Jenn: If we need an extra pair of hands? 481 00:18:24,600 --> 00:18:27,433 Trisha: I have a nail gun and I have a drill 482 00:18:27,500 --> 00:18:29,233 and I carry, I bring my own tool belt. 483 00:18:29,300 --> 00:18:30,866 So, just so you know. 484 00:18:30,933 --> 00:18:33,033 Just putting it out there. Just putting it out there, guys. 485 00:18:33,100 --> 00:18:35,000 Jenn: I would love to work with you on-site. 486 00:18:35,066 --> 00:18:36,966 Trisha: We're fans of "This Old House," 487 00:18:37,033 --> 00:18:38,400 so thank you for -- thank you for highlighting Nashville. 488 00:18:38,466 --> 00:18:39,700 This is really awesome for us. 489 00:18:39,766 --> 00:18:41,200 So thanks for being here. Jenn: No worries. 490 00:18:41,266 --> 00:18:42,366 Bring your tool gun. Trisha: okay. 491 00:18:42,433 --> 00:18:43,666 Jenn: Bring everything. Trisha: I will. 492 00:18:43,733 --> 00:18:46,233 Jenn: Alright. Thank you. Trisha: Thank you. 493 00:18:46,300 --> 00:18:54,900 ♪♪ 494 00:18:55,000 --> 00:18:56,533 Tom: Hi, Lyn. What's going on up here? 495 00:18:56,600 --> 00:18:57,666 Lyn: Hey, Tommy, how are you? 496 00:18:57,733 --> 00:18:59,300 Tom: I'm well, thanks. Lyn: Good, good. 497 00:18:59,366 --> 00:19:01,800 We are putting in a pocket door frame today. 498 00:19:01,866 --> 00:19:03,400 Tom: Right here, going into the primary? 499 00:19:03,466 --> 00:19:04,666 Lyn: Yes, into the primary bedroom 500 00:19:04,733 --> 00:19:06,066 and the primary bathroom. Tom: Right. 501 00:19:06,133 --> 00:19:08,700 Well, we've done a lot of pocket doors over the years. 502 00:19:08,766 --> 00:19:11,833 We've made our own frames out of two-by stock, plywood, 503 00:19:11,900 --> 00:19:14,200 all kinds of things, and there's all kinds of pocket frames 504 00:19:14,266 --> 00:19:15,633 that you can buy, 505 00:19:15,700 --> 00:19:17,066 whether they're steel with the wood combination, 506 00:19:17,133 --> 00:19:19,033 all steel, it doesn't matter. 507 00:19:19,100 --> 00:19:20,533 You can get anything that you want. 508 00:19:20,600 --> 00:19:22,500 It's all a matter of price. Lyn: That's right. 509 00:19:22,566 --> 00:19:24,566 Tom: And you got to be careful 510 00:19:24,633 --> 00:19:26,333 because you want to make sure that they last over time. 511 00:19:26,400 --> 00:19:28,333 So, what did you have here? 512 00:19:28,400 --> 00:19:31,833 Lyn: We have an all-aluminum frame that is cut to fit. 513 00:19:31,900 --> 00:19:33,833 Tom: Alright, so it looks like you're about halfway through. 514 00:19:33,900 --> 00:19:35,500 Lyn: That's right. We've already put together 515 00:19:35,566 --> 00:19:37,833 one side of the frame, so now we've flipped it over, 516 00:19:37,900 --> 00:19:40,500 and we need to put in the side jamb and the rest of the slats. 517 00:19:40,566 --> 00:19:42,566 And then we'll be ready to set it into place. 518 00:19:42,633 --> 00:19:44,566 Tom: Alright. Looks pretty good. Why don't I give you a hand? 519 00:19:44,633 --> 00:19:47,466 Lyn: That'd be great. Tom: Alright. 520 00:19:47,533 --> 00:19:49,600 Let's get this all screwed together here. 521 00:19:49,666 --> 00:19:57,433 ♪♪ 522 00:19:57,500 --> 00:19:59,566 Alright, so now we got to hold it in position, 523 00:19:59,633 --> 00:20:01,133 and they have these little corner brackets 524 00:20:01,200 --> 00:20:02,933 so it doesn't move. 525 00:20:05,900 --> 00:20:09,500 Now we want to fasten the cross slats in. 526 00:20:13,500 --> 00:20:16,833 So, now we'll stand it up and slide it in the opening. 527 00:20:18,500 --> 00:20:21,200 We'll see if the track is level first. 528 00:20:21,266 --> 00:20:23,200 There you go. Right on the button. 529 00:20:23,266 --> 00:20:29,000 ♪♪ 530 00:20:29,066 --> 00:20:30,033 Good. 531 00:20:30,100 --> 00:20:35,100 ♪♪ 532 00:20:35,166 --> 00:20:37,266 This is actually ready for the wall board, 533 00:20:37,333 --> 00:20:39,633 but let's put the rollers in and just see how they work. 534 00:20:39,700 --> 00:20:41,800 Oh, these are nice and heavy. 535 00:20:41,866 --> 00:20:45,000 We got one roller in here. 536 00:20:45,066 --> 00:20:46,933 Another roller in. 537 00:20:47,000 --> 00:20:48,666 And let's have that 2x6. 538 00:20:48,733 --> 00:20:50,600 We have a 2x6 we put the brackets on. 539 00:20:50,666 --> 00:20:52,633 These 2x6 right here 540 00:20:52,700 --> 00:20:55,966 have these brackets that you mount the wheels to, 541 00:20:56,033 --> 00:20:58,266 and they snap in like that. 542 00:20:58,333 --> 00:21:00,366 And they'll lock in. 543 00:21:00,433 --> 00:21:04,133 And pull them out so I can do that. 544 00:21:04,200 --> 00:21:05,800 So, put it in the track. 545 00:21:05,866 --> 00:21:07,666 So, if I had to take the door off, 546 00:21:07,733 --> 00:21:09,866 I could reach up in between the top of the door 547 00:21:09,933 --> 00:21:11,066 and the bottom of the track, 548 00:21:11,133 --> 00:21:12,900 snap that down, and pull the door out. 549 00:21:12,966 --> 00:21:15,600 Alright, so now this 2x6 that we put the brackets 550 00:21:15,666 --> 00:21:17,000 that go on the top of the door, 551 00:21:17,066 --> 00:21:19,133 will represent the door. 552 00:21:19,200 --> 00:21:21,533 I'll line it up with the bracket. 553 00:21:26,366 --> 00:21:29,566 Alright. Let's see how it slides. 554 00:21:29,633 --> 00:21:32,666 Oh, that's nice. Nice and quiet. 555 00:21:32,733 --> 00:21:34,966 So, that two-by is a pretty short door, so... 556 00:21:35,033 --> 00:21:37,566 [ Both chuckle ] But it represents the door, 557 00:21:37,633 --> 00:21:39,333 and you can see how it's going to work. 558 00:21:39,400 --> 00:21:40,900 Lyn: Thanks, Tommy. 559 00:21:44,233 --> 00:21:46,166 Kevin: You can't see that dormer from the front, 560 00:21:46,233 --> 00:21:47,866 but out back, it adds so much more living space. 561 00:21:47,933 --> 00:21:49,400 Richard: And it helped us hide some ductwork, too. 562 00:21:49,466 --> 00:21:50,533 That was great. Kevin: Oh, here they are. 563 00:21:50,600 --> 00:21:51,933 Richard: Lookit. 564 00:21:52,000 --> 00:21:52,866 Kevin: So, do you guys like the new layout inside 565 00:21:52,933 --> 00:21:54,233 now that everything's framed? 566 00:21:54,300 --> 00:21:55,466 Tom: I think it looks great. Jenn: Coming along. 567 00:21:55,533 --> 00:21:56,800 Kevin: And the roof's almost done, too. 568 00:21:56,866 --> 00:21:58,566 Richard: We haven't seen much of you, stranger. 569 00:21:58,633 --> 00:22:00,500 Where you been? You didn't do much work here. 570 00:22:00,566 --> 00:22:02,733 Jenn: Well, I had a little fun last night. 571 00:22:02,800 --> 00:22:04,800 Met my new best friend, uh, Trisha. 572 00:22:04,866 --> 00:22:07,233 She's fantastic. Yes. 573 00:22:07,300 --> 00:22:09,066 So, but I do promise to get back to work here. 574 00:22:09,133 --> 00:22:10,966 Richard: Alright. Jenn: It's a little bit early, 575 00:22:11,033 --> 00:22:13,233 a little premature to get working on the landscape, 576 00:22:13,300 --> 00:22:15,866 but I am working on a design -- promise. 577 00:22:15,933 --> 00:22:18,633 Kevin: Okay, Ms. Nashville. What else we got going on? 578 00:22:18,700 --> 00:22:21,066 Richard: Actually, we're gonna get the HVAC ductwork finished, 579 00:22:21,133 --> 00:22:22,333 so that'll mean plumbing and mechanical 580 00:22:22,400 --> 00:22:23,466 will be all roughed in. 581 00:22:23,533 --> 00:22:25,066 Tom: Electricians are showing up. 582 00:22:25,133 --> 00:22:26,066 They're gonna start the rough wiring. 583 00:22:26,133 --> 00:22:27,066 Kevin: Very good. 584 00:22:27,133 --> 00:22:28,066 So, a lot of work behind us, 585 00:22:28,133 --> 00:22:29,600 but a lot still to go. 586 00:22:29,666 --> 00:22:31,266 All that coming up next time. 587 00:22:31,333 --> 00:22:33,400 Till then, I'm Kevin O'Connor. Tom: I'm Tom Silva. 588 00:22:33,466 --> 00:22:35,100 Richard: I'm Richard Trethewey. Jenn: I'm Jenn Nawada. 589 00:22:35,166 --> 00:22:36,233 Kevin: ...for "This Old House" 590 00:22:36,300 --> 00:22:38,666 here in East Nashville, Tennessee. 591 00:22:42,666 --> 00:22:44,566 Kevin: Next time on "This Old House..." 592 00:22:44,633 --> 00:22:46,266 When it comes to siding your house, 593 00:22:46,333 --> 00:22:47,933 there are more choices than ever. 594 00:22:48,000 --> 00:22:50,766 And you'll never guess what this is made of. 595 00:22:50,833 --> 00:22:52,233 We'll show you how it's made 596 00:22:52,300 --> 00:22:54,733 and we'll put it up on the house. 597 00:22:54,800 --> 00:22:57,733 And some familiar faces have flown south 598 00:22:57,800 --> 00:23:01,333 to help renovate this historic 1920s brick cottage. 599 00:23:01,400 --> 00:23:03,000 Mark: Let's step on it, Charlie! 600 00:23:03,066 --> 00:23:05,766 Charlie: Country music, barbecue, and warm weather -- 601 00:23:05,833 --> 00:23:07,233 what's not to like? 602 00:23:07,300 --> 00:23:10,666 ♪♪