1 00:00:03,845 --> 00:0:11,693 Subtitle edited by Anisul Kabir Akil More from- http://subscene.com/u/776104 2 00:02:21,322 --> 00:02:24,090 [Phone Ringing] 3 00:02:27,661 --> 00:02:31,064 [Ringing Continues] HARRY, ANSWER THAT. 4 00:02:33,500 --> 00:02:37,503 SO WHAT DO YOU WANT TO HACK FOR, BICKLE? I CAN'T SLEEP NIGHTS. 5 00:02:37,571 --> 00:02:41,507 THERE'S PORNO THEATERS FOR THAT. I KNOW, I TRIED THAT. 6 00:02:41,575 --> 00:02:45,979 [Man Speaking Over P.A.] 7 00:02:46,046 --> 00:02:50,116 SO WHAT DO YOU DO NOW? OH, RIDE AROUND NIGHTS MOSTLY. 8 00:02:50,184 --> 00:02:54,720 SUBWAYS, BUSSES. FIGURED IF I'M GONNA DO THAT, I MIGHT AS WELL GET PAID FOR IT. 9 00:02:54,788 --> 00:02:57,256 WANNA WORK UPTOWN NIGHTS, SOUTH BRONX, HARLEM? 10 00:02:57,324 --> 00:03:00,826 -I'LL WORK ANYTIME, ANYWHERE. -WILL YOU WORK JEWISH HOLIDAYS? 11 00:03:00,894 --> 00:03:02,112 ANYTIME, ANYWHERE. 12 00:03:02,138 --> 00:03:05,723 ALL RIGHT, LET ME SEE YOUR CHAUFFEUR'S LICENSE. 13 00:03:05,765 --> 00:03:09,235 [P.A. Continues] HOW'S YOUR DRIVIN' RECORD? 14 00:03:09,303 --> 00:03:12,838 IT'S CLEAN. IT'S REAL CLEAN, LIKE MY CONSCIENCE. 15 00:03:12,906 --> 00:03:14,852 GONNA BREAK MY CHOPS? TROUBLE WITH GUYS LIKE 16 00:03:14,878 --> 00:03:16,867 YOU, COMIN' IN, BREAK MY CHOPS ALL THE TIME. 17 00:03:16,910 --> 00:03:19,845 IF YOU'RE GONNA BREAK MY CHOPS, YOU CAN TAKE IT ON THE ARCHES RIGHT NOW. 18 00:03:19,913 --> 00:03:23,716 SORRY, SIR. I DIDN'T MEAN THAT. 19 00:03:23,783 --> 00:03:26,552 - PHYSICAL? - CLEAN. 20 00:03:26,620 --> 00:03:28,554 AGE? TWENTY-SIX. 21 00:03:28,622 --> 00:03:34,260 EDUCATION? WELL, SOME. I-- HERE, THERE, YA KNOW. 22 00:03:34,328 --> 00:03:37,863 [Shouting Over P.A.] HEY, HOROWITZ! 23 00:03:37,931 --> 00:03:41,200 - MILITARY RECORD? - UH, HONORABLE DISCHARGE, 24 00:03:41,268 --> 00:03:44,603 MAY, 1973. 25 00:03:44,671 --> 00:03:46,739 WHAT, WERE YOU IN THE ARMY? MARINES. 26 00:03:48,875 --> 00:03:52,078 I WAS IN THE MARINES TOO. 27 00:03:53,647 --> 00:03:58,184 SO WHAT IS IT? YOU NEED AN EXTRA JOB? 28 00:03:58,252 --> 00:04:00,819 ARE YOU MOONLIGHTING? 29 00:04:00,887 --> 00:04:06,092 WELL, I-- I JUST WANNA WORK LONG HOURS. WHAT'S MOONLIGHTING? 30 00:04:06,160 --> 00:04:11,030 LOOK, UH, JUST FILL OUT THESE FORMS AND CHECK BACK TOMORROW WHEN THE SHIFT BREAKS. 31 00:04:11,098 --> 00:04:13,166 O'BRIEN, PLEASE STEP UP. 32 00:04:13,233 --> 00:04:17,970 TAKE THE CAR OUT TO 58th STREET, PLEASE, 'CAUSE IT'S CROWDED ON 57th. 33 00:04:19,873 --> 00:04:22,575 [Man Shouting] 34 00:04:27,981 --> 00:04:31,484 [Man] ALL RIGHT, ALL RIGHT. I'M COMIN' DOWN THERE. 35 00:04:33,320 --> 00:04:37,290 [Dispatcher Shouting] 36 00:04:47,401 --> 00:04:50,069 [Horns Honking] 37 00:05:00,147 --> 00:05:04,217 [Woman Shouting] 38 00:05:13,527 --> 00:05:15,528 [Bickle Narrating] MAY 10. 39 00:05:15,596 --> 00:05:18,124 THANK GOD FOR THE RAIN WHICH HAS HELPED WASH AWAY 40 00:05:18,150 --> 00:05:20,424 THE GARBAGE AND THE TRASH OFF THE SIDEWALKS. 41 00:05:22,202 --> 00:05:24,203 I'M WORKIN' LONG HOURS NOW. 42 00:05:24,271 --> 00:05:28,274 SIX IN THE AFTERNOON TO SIX IN THE MORNING; SOMETIMES EIGHT IN THE MORNING. 43 00:05:28,342 --> 00:05:31,544 SIX DAYS A WEEK; SOMETIMES SEVEN DAYS A WEEK. 44 00:05:31,612 --> 00:05:34,547 IT'S A LONG HUSTLE, BUT IT KEEPS ME REAL BUSY. 45 00:05:34,615 --> 00:05:39,718 I CAN TAKE IN 300, 350 A WEEK, SOMETIMES EVEN MORE WHEN I DO IT OFF THE METER. 46 00:06:04,578 --> 00:06:07,680 ALL THE ANIMALS COME OUT AT NIGHT. 47 00:06:07,747 --> 00:06:12,418 WHORES, SKUNK PUSSIES, BUGGERS, QUEENS, FAIRIES, DOPERS, JUNKIES. 48 00:06:13,887 --> 00:06:16,955 SICK, VENAL. 49 00:06:18,992 --> 00:06:23,762 SOMEDAY A REAL RAIN'LL COME AND WASH ALL THIS SCUM OFF THE STREETS. 50 00:06:30,504 --> 00:06:35,107 I GO ALL OVER. I TAKE PEOPLE TO THE BRONX, BROOKLYN. I TAKE 'EM TO HARLEM. 51 00:06:35,175 --> 00:06:38,277 I DON'T CARE. DON'T MAKE NO DIFFERENCE TO ME. 52 00:06:38,345 --> 00:06:44,016 IT DOES TO SOME. SOME WON'T EVEN TAKE SPOOKS. DON'T MAKE NO DIFFERENCE TO ME. 53 00:06:44,084 --> 00:06:46,151 [Man] DRIVER, 48th AND 6th, PLEASE. 54 00:06:46,220 --> 00:06:50,256 MAN, YOU'RE A GORGEOUS, BROWN, BEAUTIFUL LITTLE GIRL. [Woman] SWEETIE. 55 00:06:50,324 --> 00:06:52,558 [Man Laughing] 56 00:06:52,626 --> 00:06:55,228 I CAN'T AFFORD TO GET STOPPED ANYWHERE. 57 00:06:55,295 --> 00:06:58,163 OH, NO, WE WOULDN'T WANT THAT TO HAPPEN. [Giggles] 58 00:06:58,232 --> 00:07:01,066 [Man] THERE'LL BE A BIG TIP IN IT FOR YOU YOU DO THE RIGHT THINGS. 59 00:07:01,134 --> 00:07:03,236 YOU GOT A WAY. [Laughs] 60 00:07:03,303 --> 00:07:07,906 YOU GOT A WAY. NOW YOU'RE TALKIN'. 61 00:07:07,974 --> 00:07:11,810 [Laughing] OH, DRIVER, HURRY UP, WILL YA? 62 00:07:11,878 --> 00:07:15,080 YES, IT'S GONNA BE FINE, HONEY. 63 00:07:44,578 --> 00:07:47,546 [Alarm Buzzing] 64 00:07:49,215 --> 00:07:52,251 [Bickle Narrating] EACH NIGHT WHEN I RETURN THE CAB TO THE GARAGE, 65 00:07:52,319 --> 00:07:55,954 I HAVE TO CLEAN THE COME OFF THE BACKSEAT. 66 00:07:58,725 --> 00:08:01,694 SOME NIGHTS I CLEAN OFF THE BLOOD. 67 00:08:19,212 --> 00:08:22,515 [Movie: Passionate Moaning] 68 00:08:34,928 --> 00:08:40,265 CAN I HELP YOU? YEAH, WHAT'S YOUR NAME? MY NAME IS TRAVIS. 69 00:08:40,334 --> 00:08:44,069 THAT'S NICE. WHAT CAN I DO FOR YOU? 70 00:08:44,137 --> 00:08:48,207 WELL, I'D LIKE TO KNOW WHAT YOUR NAME IS. WHAT'S YOUR NAME? 71 00:08:48,274 --> 00:08:51,243 GIMME A BREAK. YOU CAN TELL ME WHAT YOUR NAME IS. 72 00:08:51,311 --> 00:08:55,147 I'M NOT GONNA DO ANYTHING. DO YOU WANT ME TO CALL THE MANAGER? 73 00:08:55,215 --> 00:08:57,883 YOU DON'T HAVE TO CALL THE MANAGER-- TROY! 74 00:08:57,951 --> 00:09:02,455 ALL RIGHT, OKAY. I MEAN-- OKAY. 75 00:09:02,522 --> 00:09:05,991 CAN I HAVE A CHUCKLES THERE? 76 00:09:06,059 --> 00:09:10,629 AND, UH, DO YOU HAVE ANY JUJUS? THEY LAST LONGER. I'D LIKE TO GET SOME. 77 00:09:10,697 --> 00:09:13,699 WHAT YOU SEE IS WHAT WE GOT. 78 00:09:13,767 --> 00:09:16,736 [Passionate Moaning Continues] 79 00:09:22,075 --> 00:09:24,343 I'LL TAKE THESE. 80 00:09:25,579 --> 00:09:27,546 COCA-COLA. 81 00:09:27,614 --> 00:09:32,585 WE DON'T HAVE COCA-COLA. ROYAL CROWN COLA IS ALL WE GOT. [Pouring Cola] 82 00:09:32,652 --> 00:09:35,053 A DOLLAR, EIGHTY-FIVE. 83 00:09:45,198 --> 00:09:48,166 [Moaning Continues] 84 00:09:57,043 --> 00:10:01,146 [Bickle Narrating] TWELVE HOURS OF WORK AND I STILL CAN'T SLEEP. 85 00:10:01,214 --> 00:10:04,717 DAMN. THE DAYS GO ON AND ON. 86 00:10:04,785 --> 00:10:06,852 THEY DON'T END. 87 00:10:08,321 --> 00:10:11,891 ALL MY LIFE NEEDED WAS A SENSE OF SOMEPLACE TO GO. 88 00:10:11,958 --> 00:10:16,361 I DON'T BELIEVE THAT ONE SHOULD DEVOTE HIS LIFE TO MORBID SELF-ATTENTION. 89 00:10:16,430 --> 00:10:19,865 I BELIEVE THAT SOMEONE SHOULD BECOME A PERSON LIKE OTHER PEOPLE. 90 00:10:22,769 --> 00:10:28,507 I FIRST SAW HER AT PALANTINE CAMPAIGN HEADQUARTERS AT 63rd AND BROADWAY. 91 00:10:28,575 --> 00:10:31,209 SHE WAS WEARING A WHITE DRESS. 92 00:10:31,277 --> 00:10:33,913 SHE APPEARED LIKE AN ANGEL. 93 00:10:33,980 --> 00:10:37,082 OUT OF THIS FILTHY MASS... 94 00:10:37,150 --> 00:10:40,285 SHE IS ALONE. 95 00:10:40,353 --> 00:10:44,022 THEY... CANNOT... 96 00:10:44,090 --> 00:10:47,860 TOUCH... HER. 97 00:10:52,732 --> 00:10:56,502 [Phone Ringing] 98 00:10:58,805 --> 00:11:02,107 YES. WELL, YOU DELIVERED TWO BOXES. 99 00:11:02,175 --> 00:11:05,210 I THINK IT'S A TOTAL OF 5,000 CAMPAIGN BUTTONS. 100 00:11:05,278 --> 00:11:07,379 NOW, ALL THE ONES WE HAD BEFORE... 101 00:11:07,447 --> 00:11:11,851 AND OUR SLOGAN IS "WE ARE THE PEOPLE," AND "ARE" IS UNDERLINED. 102 00:11:11,918 --> 00:11:14,419 THESE NEW BUTTONS HAVE "WE" UNDERLINED. 103 00:11:14,488 --> 00:11:16,922 THAT READS, "WE ARE THE PEOPLE." 104 00:11:16,990 --> 00:11:19,024 WELL, I THINK THERE'S A DIFFERENCE. 105 00:11:19,092 --> 00:11:23,295 "WE ARE THE PEOPLE," IS NOT THE SAME AS "WE ARE THE PEOPLE." 106 00:11:23,363 --> 00:11:25,865 LET'S NOT FIGHT. 107 00:11:25,932 --> 00:11:28,433 LOOK, WE'LL MAKE IT REAL SIMPLE. 108 00:11:28,502 --> 00:11:33,238 WE DON'T PAY FOR THE BUTTONS. WE THROW THE BUTTONS AWAY. [Woman] TOM. 109 00:11:33,306 --> 00:11:35,508 COME HERE A MINUTE. 110 00:11:36,610 --> 00:11:38,844 WHAT? 111 00:11:42,816 --> 00:11:44,884 [People Chattering] 112 00:11:44,951 --> 00:11:47,319 THIS CANVAS REPORT IS ABOUT READY TO GO. 113 00:11:47,387 --> 00:11:49,482 CHECK IT OUT WITH ANDY AND IF HE OKAYS IT, HAVE 114 00:11:49,508 --> 00:11:51,515 A COPY SENT TO HEADQUARTERS AND EVERY CLIENT. 115 00:11:51,558 --> 00:11:54,727 I GOTTA GET THAT NEW YORK TIMES ARTICLE XEROXED. DON'T FORGET THE NEW PHOTOS. 116 00:11:54,794 --> 00:11:58,430 I DIDN'T. NOW, LOOK, WE HAVE TO EMPHASIZE THE MANDATORY WELFARE PROGRAM. 117 00:11:58,498 --> 00:12:02,100 THAT'S THE ISSUE THAT SHOULD BE PUSHED. FIRST PUSH THE MAN, THEN THE ISSUE. 118 00:12:02,168 --> 00:12:04,537 SENATOR PALANTINE IS A DYNAMIC MAN. 119 00:12:04,604 --> 00:12:08,941 - AN INTELLIGENT, INTERESTING, FRESH, FASCINATING MAN-- - YOU FORGOT SEXY. 120 00:12:09,009 --> 00:12:11,944 - I DID NOT FORGET SEXY. - LISTEN TO WHAT YOU'RE SAYING. 121 00:12:12,012 --> 00:12:15,263 YOU SOUND LIKE YOU'RE SELLING MOUTHWASH. WE ARE SELLING MOUTHWASH. 122 00:12:15,331 --> 00:12:17,533 ARE WE AUTHORIZED TO DO THAT? VERY FUNNY. 123 00:12:17,601 --> 00:12:20,268 WE CAN GET IN TROUBLE SELLING PHARMACEUTICALS IN A CAMPAIGN OFFICE. 124 00:12:20,336 --> 00:12:23,372 MY UNCLE'S IN JAIL BECAUSE OF THAT. 125 00:12:23,439 --> 00:12:27,409 WELL, IT'S NOT REALLY JAIL. 'COURSE LIVING WITH HIS WIFE, ANYTHING WOULD BE JAIL. 126 00:12:27,477 --> 00:12:30,145 LOOK OVER THERE. I LOVE YOU. 127 00:12:30,213 --> 00:12:32,648 - NOTICE ANYTHING? - NO. 128 00:12:32,716 --> 00:12:36,919 WELL, PUT YOUR GLASSES ON. OKAY, JUST A MINUTE. ALL RIGHT. 129 00:12:36,987 --> 00:12:39,421 THAT TAXI DRIVER'S BEEN STARING AT US. 130 00:12:39,489 --> 00:12:42,257 [Horns Honking] 131 00:12:48,565 --> 00:12:52,401 - WHAT TAXI DRIVER? - THAT ONE. THE ONE THAT'S SITTING THERE. 132 00:12:52,468 --> 00:12:55,871 HOW LONG HAS HE BEEN THERE? I DON'T KNOW, BUT IT FEELS LIKE A LONG TIME. 133 00:12:55,939 --> 00:12:59,207 DOES HE BOTHER YOU? [Sarcastically] NO. 134 00:12:59,275 --> 00:13:03,445 YOU REALLY MEAN YES AND YOU'RE BEING SARCASTIC. OH, YOU'RE QUICK. 135 00:13:03,513 --> 00:13:05,981 WELL, I TRY TO BE REAL QUICK. I TELL YOU WHAT. 136 00:13:06,049 --> 00:13:09,284 I'LL PLAY THE MALE IN THIS RELATIONSHIP-- GOOD LUCK. 137 00:13:09,352 --> 00:13:12,788 I'LL GO OUTSIDE AND TELL HIM TO MOVE. I DON'T NEED GOOD LUCK. THANK YOU. 138 00:13:12,856 --> 00:13:15,524 OH, YES, YOU DO. YOU JUST THINK YOU DON'T. 139 00:13:20,964 --> 00:13:22,998 [Slurping] 140 00:13:23,066 --> 00:13:27,335 SAY, YOU'RE BLOCKING OUR DOORWAY. YOU THINK YOU MIGHT WANNA MOVE THE CAB? 141 00:13:27,403 --> 00:13:30,105 [Tires Screeching] 142 00:14:11,147 --> 00:14:14,149 [Door Opens] 143 00:14:14,217 --> 00:14:16,785 [Door Closes] 144 00:14:47,083 --> 00:14:50,853 [Horns Honking] 145 00:15:07,737 --> 00:15:11,339 YOU KNOW, EYE SHADOW, MASCARA, 146 00:15:11,407 --> 00:15:13,008 LIPSTICK, ROUGE. 147 00:15:13,076 --> 00:15:16,611 [Man #2] IT'S NOT ROUGE. IT'S "BLUSH-ON" THEY CALL IT. 148 00:15:16,680 --> 00:15:21,216 [Man #1] THE KIND WITH A BRUSH? YEAH, IT'S BLUSH-ON. 149 00:15:22,251 --> 00:15:24,586 TRAVIS. HEY, WIZARD. 150 00:15:24,654 --> 00:15:27,455 THAT'S BLUSH-ON. MY WIFE USES IT. 151 00:15:27,523 --> 00:15:29,491 ASK TRAVIS. HE'S A LADIES MAN. 152 00:15:29,559 --> 00:15:32,127 YEAH. CUP OF COFFEE, PLEASE. 153 00:15:32,195 --> 00:15:35,230 ANYWAY, WHATEVER THE FUCK IT IS, SHE USES A LOT OF IT. 154 00:15:35,298 --> 00:15:37,800 AND THEN PERFUME, THE SPRAY KIND. 155 00:15:37,867 --> 00:15:40,435 AND THEN GET THIS. IN THE MIDDLE OF THE TRIBOROUGH BRIDGE-- 156 00:15:40,503 --> 00:15:43,872 THIS WOMAN IS BEAUTIFUL-- SHE CHANGES HER PANTYHOSE. 157 00:15:43,940 --> 00:15:45,373 NO. OH, YEAH. 158 00:15:45,441 --> 00:15:49,044 WHAT'D YOU DO? I THREW THE METER, YA KNOW, 159 00:15:49,112 --> 00:15:53,448 AND I JUMP IN THE BACKSEAT AND I WHIP IT OUT AND I SAID, "YOU KNOW WHAT THIS IS?" 160 00:15:53,516 --> 00:15:56,284 [Laughing] SHE SAYS, "IT'S LOVE." I MEAN, I FUCK HER BRAINS OUT. 161 00:15:56,352 --> 00:16:01,023 SHE GOES WILD. AND SHE SAYS, "IT'S THE GREATEST SINGLE EXPERIENCE OF MY LIFE." 162 00:16:01,091 --> 00:16:04,760 AND SHE GAVE ME A $200 TIP AND HER PHONE NUMBER IN ACAPULCO. 163 00:16:04,828 --> 00:16:08,330 TRAVIS, YOU KNOW DOUGHBOY, CHARLIE T.? 164 00:16:09,365 --> 00:16:12,400 HEY, TRAVIS, GOT CHANGE FOR A NICKEL? 165 00:16:12,468 --> 00:16:15,303 WE CALL HIM DOUGHBOY 'CAUSE HE'LL DO ANYTHING FOR A BUCK. 166 00:16:15,371 --> 00:16:19,474 [Doughboy] SO, UH-- SO HOW'S IT HANGIN'? 167 00:16:23,847 --> 00:16:26,615 WHAT'S THAT? 168 00:16:26,682 --> 00:16:32,287 WELL, I JUST HEARD ON THE RADIO SOME FLEET DRIVER FROM BELL JUST GOT ALL CUT UP. 169 00:16:32,355 --> 00:16:36,158 STICK-UP? NAH, HE GOT CUT UP BY SOME CRAZY FUCKER. 170 00:16:36,226 --> 00:16:38,360 CUT HALF HIS EAR OFF. WHERE? 171 00:16:38,427 --> 00:16:41,230 THEY SAID 122nd STREET. 172 00:16:41,297 --> 00:16:43,732 FUCKIN' MAU-MAU LAND. 173 00:16:46,836 --> 00:16:50,172 [Doughboy] YOU RUN ALL OVER TOWN, DON'T YOU, TRAVIS? 174 00:16:51,540 --> 00:16:53,541 TRAVIS? 175 00:16:57,113 --> 00:16:59,547 TRAVIS! 176 00:16:59,615 --> 00:17:02,550 YOU RUN ALL OVER TOWN, DON'T YOU? YEAH. 177 00:17:02,618 --> 00:17:07,055 I MEAN, YOU HANDLE SOME PRETTY ROUGH CUSTOMERS, HUH? YEAH, I HAVE. 178 00:17:07,123 --> 00:17:10,392 YOU CARRY A PIECE? NO. 179 00:17:10,459 --> 00:17:12,360 YOU NEED ONE? NO. 180 00:17:12,428 --> 00:17:14,937 IF YOU EVER NEED ONE, I KNOW A FELLOW THAT CAN 181 00:17:14,963 --> 00:17:17,524 GET YOU A REAL NICE DEAL. LOTS OF SHIT AROUND. 182 00:17:17,566 --> 00:17:20,602 [Fizzing] [Wizard] I NEVER USE MINE. I'M CONSERVATIVE. 183 00:17:20,670 --> 00:17:24,572 BUT IT'S A GOOD THING TO HAVE JUST AS A THREAT. 184 00:17:24,640 --> 00:17:27,176 [Fizzing Continues] 185 00:17:34,284 --> 00:17:39,922 [Doughboy] WELL, I'M GONNA GO DO MY DIRT. TRAVIS. 186 00:17:42,358 --> 00:17:44,326 LOOK. 187 00:17:44,393 --> 00:17:49,198 A PIECE OF ERROL FLYNN'S BATHTUB. DIG THE SYMBOLS. 188 00:17:49,265 --> 00:17:53,902 "F", 4-0-5-4-3-4. 189 00:17:53,970 --> 00:17:56,205 THE WATERMARK. 190 00:17:56,272 --> 00:17:58,240 THERE'S ONE PERSON, 191 00:17:58,308 --> 00:18:01,776 THERE'S TWO PERSONS AND THERE'S THREE PERSONS. 192 00:18:01,845 --> 00:18:04,213 I GOT THIS AT HIS ESTATE, THE PINES. 193 00:18:04,280 --> 00:18:08,516 LOOK, WHY DON'T YOU TAKE IT, AND IF YOU CAN SELL IT, YOU GIVE ME HALF OF WHAT YOU GOT. 194 00:18:08,584 --> 00:18:10,552 NO, I DON'T WANT IT. 195 00:18:10,619 --> 00:18:13,922 WELL, I'M GONNA GET IN MY CAB AND BOOGIE. 196 00:18:27,270 --> 00:18:30,839 - OHH! I'M TERRIBLY SORRY. - WHAT? WELL. 197 00:18:30,907 --> 00:18:34,877 - NOTHING. - THAT'S VERY CUTE. THANK YOU. 198 00:18:34,944 --> 00:18:36,945 HEY, YOU WANNA SEE SOMETHING? 199 00:18:37,013 --> 00:18:42,550 [Typing] WAIT. I JUST TYPED "YOU WANNA SEE SOMETHING?" WHAT? 200 00:18:42,618 --> 00:18:46,188 IF YOU HAD THESE THREE FINGERS MISSING ON THIS HAND, YEAH? 201 00:18:46,256 --> 00:18:49,024 AND THAT HAND MISSING ON THAT HAND, YEAH? 202 00:18:49,092 --> 00:18:52,527 HOW WOULD YOU LIGHT A MATCH? I WOULDN'T LIGHT A MATCH. 203 00:18:52,595 --> 00:18:56,731 GO AHEAD. GIVE IT A TRY. [Phones Ringing] 204 00:18:56,799 --> 00:18:58,833 WELL, I DON'T THINK I COULD DO IT. 205 00:18:58,902 --> 00:19:02,237 NO? IT'S GONNA BE DIFFICULT. 206 00:19:02,305 --> 00:19:04,639 I'LL GIVE IT A TRY. 207 00:19:10,413 --> 00:19:14,516 OHH. I GOT MY THUMB BACK FOR A SECOND. THANK GOD. 208 00:19:16,585 --> 00:19:19,587 JUST A MINUTE. 209 00:19:24,928 --> 00:19:26,861 I CAN'T DO IT. 210 00:19:26,930 --> 00:19:29,364 WELL, THE GUY AT THE NEWSSTAND CAN DO IT. 211 00:19:29,432 --> 00:19:32,401 WELL, I DON'T WORK AT A NEWSSTAND. 212 00:19:32,468 --> 00:19:34,436 ANYWAY, HE'S PROBABLY ITALIAN. NO. 213 00:19:34,503 --> 00:19:36,438 YOU SURE HE'S NOT ITALIAN? HE'S BLACK. 214 00:19:36,505 --> 00:19:40,008 WELL, IF HE HAD BEEN ITALIAN, HE MIGHT HAVE BEEN A THIEF. THE MOB DOES THAT. 215 00:19:40,076 --> 00:19:43,812 IF A THIEF SCREWS UP ON THE JOB, THEY'LL BLOW HIS FINGERS OFF. 216 00:19:43,879 --> 00:19:46,815 I'LL TELL YOU SOMETHING ELSE. THIS SOUNDS LIKE A JOKE, BUT IT'S TRUE. 217 00:19:46,882 --> 00:19:49,070 IF THEY KILL A STOOL PIGEON, THEY LEAVE A 218 00:19:49,096 --> 00:19:51,544 CANARY ON THE BODY. APPARENTLY, IT'S SYMBOLIC. 219 00:19:51,587 --> 00:19:55,324 WHY NOT A PIGEON INSTEAD OF A CANARY? I DON'T KNOW WHY NOT A PIGEON. 220 00:19:55,391 --> 00:19:57,892 WAIT A MINUTE. YOU GOTTA CATCH A PIGEON. 221 00:19:57,961 --> 00:20:01,629 A CANARY, YOU CAN WALK INTO A PET STORE, AS LONG AS YOU PAY FOR IT, BOOM, 222 00:20:01,697 --> 00:20:04,799 KILL IT RIGHT THERE, PUT IT ON ANYONE YOU WANT. 223 00:20:18,848 --> 00:20:21,749 [People Chattering] 224 00:20:21,817 --> 00:20:24,786 [Phones Ringing] 225 00:20:30,126 --> 00:20:34,096 HI. I'D LIKE TO VOLUNTEER. GREAT. I'LL TAKE YOU RIGHT OVER HERE. 226 00:20:34,163 --> 00:20:37,499 THAT'S ALL RIGHT. I'D RATHER VOLUNTEER TO HER, IF YOU DON'T MIND. 227 00:20:39,235 --> 00:20:42,770 WHY DO YOU FEEL THAT YOU HAVE TO VOLUNTEER TO ME? 228 00:20:42,838 --> 00:20:48,310 BECAUSE I THINK THAT YOU ARE THE MOST BEAUTIFUL WOMAN I'VE EVER SEEN. 229 00:20:49,678 --> 00:20:54,016 THANKS. BUT WHAT DO YOU THINK OF PALANTINE? 230 00:20:56,852 --> 00:20:59,754 WELL, I-- CHARLES PALANTINE? 231 00:20:59,822 --> 00:21:03,058 THE MAN YOU'RE VOLUNTEERING TO HELP ELECT PRESIDENT? 232 00:21:03,126 --> 00:21:05,560 WELL, I'M SURE HE'LL MAKE A GOOD PRESIDENT. 233 00:21:05,628 --> 00:21:10,732 I DON'T KNOW EXACTLY WHAT HIS POLICIES ARE, BUT I'M SURE HE'LL MAKE A GOOD ONE. 234 00:21:10,799 --> 00:21:13,135 YOU WANNA CANVAS? YEAH, I'LL CANVAS. 235 00:21:13,202 --> 00:21:15,904 HOW DO YOU FEEL ABOUT THE SENATOR'S STAND ON WELFARE? 236 00:21:15,971 --> 00:21:20,575 I DON'T REALLY KNOW THE SENATOR'S STAND, BUT I'M SURE IT'S A GOOD STAND. 237 00:21:20,643 --> 00:21:23,611 ARE YOU SURE OF THAT? YEAH. 238 00:21:26,082 --> 00:21:28,716 WELL, WE ALL WORK TOGETHER HERE FULL-TIME, DAY AND NIGHT. 239 00:21:28,784 --> 00:21:32,820 IF YOU WOULD STEP OVER THERE, I'M SURE THE GENTLEMAN WILL SIGN YOU UP. 240 00:21:32,888 --> 00:21:38,126 I DRIVE A TAXI AT NIGHT, SO IT'S KIND OF HARD FOR ME TO, UH... WORK IN THE DAY. 241 00:21:38,194 --> 00:21:41,530 SO, UH-- THEN WHAT EXACTLY DO YOU WANT? 242 00:21:41,597 --> 00:21:45,133 WOULD YOU LIKE TO COME HAVE SOME COFFEE AND PIE WITH ME? 243 00:21:45,201 --> 00:21:47,436 WHY? WHY? 244 00:21:47,503 --> 00:21:50,338 YEAH. I'LL TELL YOU WHY. 245 00:21:50,406 --> 00:21:55,110 I THINK YOU'RE A LONELY PERSON. I DRIVE BY THIS PLACE A LOT, I SEE YOU HERE. 246 00:21:55,178 --> 00:21:57,942 I SEE A LOT OF PEOPLE AROUND YOU AND I SEE ALL 247 00:21:57,968 --> 00:22:00,673 THESE PHONES AND ALL THIS STUFF ON YOUR DESK. 248 00:22:00,716 --> 00:22:04,652 THAT MEANS NOTHING. AND THEN WHEN I CAME INSIDE AND I MET YOU, 249 00:22:04,720 --> 00:22:07,681 I SAW IN YOUR EYES AND I SAW THE WAY YOU CARRIED 250 00:22:07,707 --> 00:22:10,183 YOURSELF THAT YOU'RE NOT A HAPPY PERSON. 251 00:22:10,226 --> 00:22:12,807 AND I THINK YOU NEED SOMETHING. IF YOU WANNA 252 00:22:12,833 --> 00:22:15,355 CALL IT A FRIEND, YOU CAN CALL IT A FRIEND. 253 00:22:15,398 --> 00:22:18,066 YOU GONNA BE MY FRIEND? 254 00:22:18,134 --> 00:22:20,168 YEAH. 255 00:22:27,577 --> 00:22:29,844 WHAT DO YOU SAY? 256 00:22:33,249 --> 00:22:36,951 IT'S A LITTLE HARD STANDING HERE AND ASKING YOU, SO-- 257 00:22:41,224 --> 00:22:44,859 FIVE MINUTES, THAT'S ALL. JUST OUTSIDE. RIGHT AROUND HERE. 258 00:22:44,927 --> 00:22:47,395 I'M THERE TO PROTECT YOU. 259 00:22:47,463 --> 00:22:49,998 [Laughs] 260 00:22:53,102 --> 00:22:55,537 COME ON, JUST TAKE A LITTLE BREAK. 261 00:22:57,940 --> 00:23:01,709 I HAVE A BREAK AT 4:00, AND IF YOU'RE HERE-- 4:00 TODAY? 262 00:23:01,777 --> 00:23:03,678 YES. I'LL BE HERE. 263 00:23:03,746 --> 00:23:06,248 I'M SURE YOU WILL. 264 00:23:06,315 --> 00:23:08,883 ALL RIGHT. 4:00 P.M.? RIGHT. 265 00:23:08,951 --> 00:23:11,286 OUTSIDE IN THE FRONT? YES. 266 00:23:11,354 --> 00:23:14,989 OKAY. OH, MY NAME IS TRAVIS? BETSY? 267 00:23:15,057 --> 00:23:17,792 TRAVIS. YEAH. 268 00:23:17,860 --> 00:23:20,295 I APPRECIATE THIS, BETSY. 269 00:23:35,211 --> 00:23:37,912 [Bickle Narrating] MAY 26, 4:00 P.M. 270 00:23:37,980 --> 00:23:42,350 I TOOK BETSY TO CHILD'S COFFEE SHOP ON COLUMBUS CIRCLE. 271 00:23:42,418 --> 00:23:47,121 I HAD BLACK COFFEE AND APPLE PIE WITH A SLICE OF MELTED YELLOW CHEESE. 272 00:23:47,190 --> 00:23:49,090 I THINK THAT WAS A GOOD SELECTION. 273 00:23:49,158 --> 00:23:54,429 BETSY HAD COFFEE AND A FRUIT SALAD DISH, BUT SHE COULD HAVE HAD ANYTHING SHE WANTED. 274 00:23:54,497 --> 00:23:57,932 FIFTEEN THOUSAND VOLUNTEERS IN NEW YORK ALONE'S NOT BAD. 275 00:23:58,000 --> 00:24:01,369 BUT CHRIST, THE ORGANIZATIONAL PROBLEMS. MMM. 276 00:24:01,437 --> 00:24:04,673 I KNOW WHAT YOU MEAN. I GOT THE SAME PROBLEMS. 277 00:24:04,740 --> 00:24:10,312 I GOTTA GET ORGANIZED. YA KNOW, LITTLE THINGS, LIKE MY APARTMENT, POSSESSIONS. 278 00:24:10,379 --> 00:24:12,642 I SHOULD GET ONE OF THOSE SIGNS THAT SAYS, "ONE 279 00:24:12,668 --> 00:24:14,741 OF THESE DAYS I'M GONNA GET 'ORGANEZIZED'." 280 00:24:14,783 --> 00:24:18,520 YOU MEAN ORGANIZED? "ORGANEZIZED." 281 00:24:18,588 --> 00:24:21,523 "ORGANEZIZED." IT'S A JOKE. 282 00:24:21,591 --> 00:24:24,726 O-R-G-A-N-E-Z-I-Z-E-D. 283 00:24:24,793 --> 00:24:27,399 OH, YOU MEAN ORGANEZIZED, LIKE THOSE LITTLE 284 00:24:27,425 --> 00:24:30,089 SIGNS THEY HAVE IN OFFICES THAT SAY "THIMK". 285 00:24:35,304 --> 00:24:37,739 DO YOU LIKE THE PLACE YOU WORK IN? 286 00:24:37,806 --> 00:24:42,009 WE'VE GOT SOME GOOD PEOPLE WORKING FOR US. AND I THINK PALANTINE'S GOT A GOOD CHANCE. 287 00:24:46,115 --> 00:24:49,117 YOU KNOW, YOU HAVE BEAUTIFUL EYES? 288 00:24:54,857 --> 00:24:58,926 DO YOU LIKE THE GUY YOU WORK WITH? HE'S OKAY. 289 00:24:58,994 --> 00:25:01,929 YEAH, I KNOW, BUT DO YOU LIKE HIM? 290 00:25:01,997 --> 00:25:04,311 HE'S FUNNY AND HE'S VERY GOOD AT HIS JOB. 291 00:25:04,337 --> 00:25:06,926 HE'S OKAY, THOUGH HE DOES HAVE A FEW PROBLEMS. 292 00:25:06,969 --> 00:25:10,472 - I WOULD SAY HE HAS QUITE A FEW PROBLEMS. - [Laughs] 293 00:25:10,539 --> 00:25:14,542 HIS ENERGY SEEMS TO GO IN THE WRONG PLACES. 294 00:25:14,610 --> 00:25:17,545 WHEN I WALKED IN AND I SAW YOU TWO SITTING THERE, 295 00:25:17,613 --> 00:25:20,179 I COULD TELL BY THE WAY YOU WERE BOTH RELATING 296 00:25:20,205 --> 00:25:22,442 THAT THERE WAS NO CONNECTION WHATSOEVER. 297 00:25:22,485 --> 00:25:25,920 AND I FELT WHEN I WALKED IN THAT THERE WAS SOMETHING BETWEEN US. 298 00:25:25,988 --> 00:25:28,757 THERE WAS AN IMPULSE THAT WE WERE BOTH FOLLOWING. 299 00:25:28,824 --> 00:25:31,826 SO THAT GAVE ME THE RIGHT TO COME IN AND TALK TO YOU. 300 00:25:31,894 --> 00:25:34,016 OTHERWISE I NEVER WOULD HAVE FELT THAT I HAD 301 00:25:34,042 --> 00:25:36,022 THE RIGHT TO TALK TO YOU OR SAY ANYTHING. 302 00:25:36,064 --> 00:25:39,668 I NEVER WOULD HAVE HAD THE COURAGE TO TALK TO YOU. 303 00:25:39,735 --> 00:25:42,537 AND WITH HIM I FELT THERE WAS NOTHING AND I COULD SENSE IT. 304 00:25:42,605 --> 00:25:46,608 AND WHEN I WALKED IN, I KNEW I WAS RIGHT. DID YOU FEEL THAT WAY? 305 00:25:48,944 --> 00:25:51,245 I WOULDN'T BE HERE IF I DIDN'T. 306 00:25:53,683 --> 00:25:56,518 - WHERE ARE YOU FROM? - UPSTATE. 307 00:26:00,489 --> 00:26:05,427 THAT FELLOW, I DON'T LIKE HIM. NOT THAT I DON'T LIKE HIM. I JUST THINK HE'S SILLY. 308 00:26:07,196 --> 00:26:11,065 I DON'T THINK HE RESPECTS YOU. 309 00:26:11,133 --> 00:26:14,436 I DON'T BELIEVE I'VE EVER MET ANYONE QUITE LIKE YOU. 310 00:26:25,815 --> 00:26:30,585 YOU WANNA GO TO, UH, UH... MOVIE WITH ME? 311 00:26:30,653 --> 00:26:35,523 I HAVE TO GO BACK TO WORK. I DON'T MEAN NOW. I MEAN ANOTHER TIME? 312 00:26:40,896 --> 00:26:44,833 SURE. YOU KNOW WHAT YOU REMIND ME OF? 313 00:26:44,900 --> 00:26:47,301 WHAT? THAT SONG. 314 00:26:48,504 --> 00:26:51,539 BY... KRIS KRISTOFFERSON. 315 00:26:53,942 --> 00:26:57,278 WHO'S THAT? THE SONGWRITER. 316 00:26:57,346 --> 00:27:00,749 "HE'S A PROPHET--" "HE'S A PROPHET AND A PUSHER. 317 00:27:00,816 --> 00:27:05,086 PARTLY TRUTH, PARTLY FICTION. A WALKING CONTRADICTION." 318 00:27:06,756 --> 00:27:10,024 YOU SAYING THAT ABOUT ME? WELL, WHO ELSE WOULD I BE TALKING ABOUT? 319 00:27:10,092 --> 00:27:13,862 I'M NO PUSHER. I NEVER HAVE PUSHED. [Laughing] 320 00:27:13,929 --> 00:27:18,733 NO, NO, JUST THE PART ABOUT THE CONTRADICTIONS. YOU ARE THAT. 321 00:27:47,996 --> 00:27:51,032 [Bickle Narrating] I CALLED BETSY AGAIN AT HER OFFICE AND SHE SAID... 322 00:27:51,099 --> 00:27:54,736 MAYBE WE'D GO TO A MOVIE TOGETHER AFTER SHE GETS OFF WORK TOMORROW. 323 00:27:54,804 --> 00:27:57,439 THAT'S MY DAY OFF. AT FIRST SHE HESITATED, 324 00:27:57,506 --> 00:28:01,509 BUT I CALLED HER AGAIN AND THEN SHE AGREED. 325 00:28:01,577 --> 00:28:06,314 BETSY. BETSY. OH, NO. BETSY WHAT? I FORGOT TO ASK HER LAST NAME AGAIN. 326 00:28:06,381 --> 00:28:10,117 DAMN! I GOTTA REMEMBER STUFF LIKE THAT. 327 00:28:20,830 --> 00:28:24,466 [Man] I DON'T THINK WE HAVE TO WORRY ABOUT ANYBODY HERE COMMITTING THEMSELVES... 328 00:28:24,533 --> 00:28:26,768 UNTIL THINGS START COMING IN FROM CALIFORNIA. 329 00:28:26,836 --> 00:28:30,705 THIS IS MAKING ME NERVOUS. I THINK WE SHOULD HAVE WAITED FOR THE LIMO. 330 00:28:30,773 --> 00:28:32,678 [Man #2] I DON'T MIND TAKING A CAB, BUT I 331 00:28:32,704 --> 00:28:34,834 MIND GOING TO CALIFORNIA WITHOUT PREPARATION. 332 00:28:34,877 --> 00:28:36,811 THAT'S GOING TO GET US IN TROUBLE. 333 00:28:36,879 --> 00:28:39,614 ARE YOU CHARLES PALANTINE, THE CANDIDATE? 334 00:28:39,682 --> 00:28:41,716 YES, I AM. 335 00:28:41,784 --> 00:28:44,185 I'M ONE OF YOUR BIGGEST SUPPORTERS. 336 00:28:44,252 --> 00:28:47,889 I TELL EVERYBODY THAT COMES IN THIS TAXI THAT THEY HAVE TO VOTE FOR YOU. 337 00:28:47,957 --> 00:28:52,527 WHY, THANK YOU... TRAVIS. 338 00:28:52,595 --> 00:28:56,230 I'M SURE YOU'RE GONNA WIN, SIR. EVERYBODY I KNOW IS GONNA VOTE FOR YOU. 339 00:28:56,298 --> 00:28:59,066 IN FACT, I WAS GONNA PUT ONE OF YOUR STICKERS IN MY TAXI, 340 00:28:59,134 --> 00:29:03,137 BUT THE COMPANY SAID IT WAS AGAINST THEIR POLICY, BUT THEY DON'T KNOW ANYTHING. 341 00:29:03,205 --> 00:29:04,566 THEY'RE A BUNCH OF JERKS. 342 00:29:04,592 --> 00:29:07,967 I HAVE LEARNED MORE ABOUT AMERICA FROM RIDING IN CABS... 343 00:29:08,010 --> 00:29:10,011 THAN IN ALL THE LIMOS IN THE COUNTRY. 344 00:29:11,814 --> 00:29:14,949 OH, YEAH? THAT'S TRUE. 345 00:29:15,017 --> 00:29:17,752 CAN I ASK YOU SOMETHING, TRAVIS? SURE. 346 00:29:17,820 --> 00:29:21,122 WHAT IS THE ONE THING ABOUT THIS COUNTRY THAT BUGS YOU THE MOST? 347 00:29:21,189 --> 00:29:25,960 WELL, I DON'T KNOW. I DON'T FOLLOW POLITICAL ISSUES THAT CLOSELY, SIR. 348 00:29:26,028 --> 00:29:28,195 I DON'T KNOW. 349 00:29:28,263 --> 00:29:30,665 OH, WELL, THERE MUST BE SOMETHING. 350 00:29:30,733 --> 00:29:34,802 WELL... WHATEVER IT IS, HE SHOULD CLEAN UP THIS CITY HERE... 351 00:29:34,870 --> 00:29:39,440 BECAUSE THIS CITY HERE IS LIKE AN OPEN SEWER; IT'S FULL OF FILTH AND SCUM. 352 00:29:39,508 --> 00:29:42,376 AND SOMETIMES I CAN HARDLY TAKE IT. 353 00:29:42,444 --> 00:29:45,680 WHOEVER BECOMES THE PRESIDENT SHOULD JUST-- [Honks Horn] 354 00:29:45,748 --> 00:29:47,949 REALLY CLEAN IT UP. 355 00:29:48,017 --> 00:29:51,619 SOMETIMES I GO OUT AND I SMELL IT, I GET HEADACHES IT'S SO BAD. 356 00:29:51,687 --> 00:29:55,122 IT'S LIKE-- THEY JUST NEVER GO AWAY, YA KNOW. 357 00:29:55,190 --> 00:29:59,060 IT'S LIKE THINGS-- THE PRESIDENT SHOULD JUST CLEAN UP THIS WHOLE MESS HERE. 358 00:29:59,127 --> 00:30:03,164 HE SHOULD JUST FLUSH IT RIGHT DOWN THE FUCKIN' TOILET. 359 00:30:08,403 --> 00:30:13,207 WELL, UH... I THINK I KNOW WHAT YOU MEAN, TRAVIS. 360 00:30:13,275 --> 00:30:15,376 BUT IT'S NOT GONNA BE EASY. 361 00:30:15,444 --> 00:30:19,047 WE'RE GOING TO HAVE TO MAKE SOME RADICAL CHANGES. DAMN STRAIGHT. 362 00:30:20,683 --> 00:30:24,919 HERE YOU GO, TRAVIS. KEEP THE CHANGE. THANK YOU. 363 00:30:27,723 --> 00:30:30,625 NICE TALKIN' TO YOU, TRAVIS. NICE TALKIN' TO YOU, SIR. YOU'RE A GOOD MAN. 364 00:30:30,693 --> 00:30:34,295 I KNOW YOU'RE GONNA WIN. THANK YOU. I THANK YOU. 365 00:30:36,465 --> 00:30:41,368 [People Chattering] 366 00:30:56,251 --> 00:30:59,420 COME ON, MAN. JUST GET ME OUTTA HERE, ALL RIGHT? 367 00:31:02,524 --> 00:31:04,892 COME ON! 368 00:31:04,960 --> 00:31:08,096 COME ON, BABY. THIS IS A REAL DRAG. COME ON. 369 00:31:08,163 --> 00:31:11,432 COME ON, DON'T MAKE NO SCENE. 370 00:31:11,500 --> 00:31:14,535 YOU WANNA GET BUSTED? NOW, BITCH, BE COOL! 371 00:31:23,612 --> 00:31:26,014 DON'T START NO TROUBLE. 372 00:31:26,081 --> 00:31:28,616 CABBIE, JUST FORGET ABOUT THIS. IT'S NOTHIN'. 373 00:31:28,684 --> 00:31:31,819 BE COOL, BITCH! 374 00:31:39,261 --> 00:31:42,396 [Man] COME ON! ARE YOU GONNA START THAT? 375 00:31:48,137 --> 00:31:51,338 COME ON NOW, BABY. 376 00:32:13,295 --> 00:32:16,297 [Boys Shouting] 377 00:32:18,000 --> 00:32:22,303 [Shouting Continues] 378 00:32:24,106 --> 00:32:26,340 GO ON, GET YOUR ASS OUTTA HERE! 379 00:32:43,192 --> 00:32:45,559 [Turns Engine Off] 380 00:33:35,343 --> 00:33:38,412 HI THERE. HI. 381 00:33:38,480 --> 00:33:41,415 DID YOU HAVE A NICE DAY TODAY? NOT PARTICULARLY. 382 00:33:41,483 --> 00:33:44,886 GOT A PRESENT FOR YOU. OHH. 383 00:33:44,953 --> 00:33:47,321 ♪ [Jazz Drumming] 384 00:33:47,389 --> 00:33:51,058 NOW BACK TO GENE KRUPA'S SYNCOPATED STYLE SHORTLY. 385 00:33:59,234 --> 00:34:03,704 NOW WHY'D YOU DO THAT? WHAT THE HELL. WHAT ELSE AM I GONNA DO WITH MY MONEY? 386 00:34:03,772 --> 00:34:06,674 I WISH YOU WOULD'VE LISTENED TO THIS. 387 00:34:06,741 --> 00:34:09,376 WELL, I WOULD'VE, EXCEPT FOR MY RECORD PLAYER DOESN'T WORK NOW. 388 00:34:09,444 --> 00:34:11,412 YOUR STEREO'S BROKEN? YEAH. 389 00:34:11,479 --> 00:34:14,148 HOW DO YOU STAND IT? I COULDN'T LIVE WITHOUT MUSIC. 390 00:34:14,216 --> 00:34:17,852 WELL, I DON'T FOLLOW MUSIC TOO MUCH, BUT I WOULD REALLY LIKE TO. 391 00:34:17,920 --> 00:34:21,755 THEN YOU HAVEN'T HEARD THIS RECORD YET. NO. 392 00:34:21,824 --> 00:34:26,928 BUT I WAS THINKING, MAYBE, YOU KNOW, WE COULD LISTEN TO IT ON YOUR RECORD PLAYER. 393 00:34:26,995 --> 00:34:30,731 NOW GOING BACK TO 40 YEARS OF CHICK WEBB. 394 00:34:30,799 --> 00:34:32,967 ♪ [Jazz Drumming] 395 00:34:46,414 --> 00:34:49,951 YOU GOTTA BE KIDDING. WHY? 396 00:34:50,018 --> 00:34:52,619 THIS IS A DIRTY MOVIE. 397 00:34:52,687 --> 00:34:55,256 NO, NO, THIS-- THIS IS-- THIS IS A MOVIE THAT... 398 00:34:55,324 --> 00:34:59,093 A LOT OF COUPLES COME TO; ALL KINDS OF COUPLES GO HERE. 399 00:34:59,161 --> 00:35:01,595 YOU SURE ABOUT THAT? YEAH. 400 00:35:01,663 --> 00:35:04,899 YEAH, I SEE 'EM ALL THE TIME. 401 00:35:06,735 --> 00:35:09,370 COME ON. 402 00:35:09,437 --> 00:35:13,975 [Movie: Man Speaking French] 403 00:35:17,880 --> 00:35:21,382 [Speaking French] 404 00:35:43,071 --> 00:35:45,039 [Mutters] 405 00:35:47,175 --> 00:35:50,211 EXCUSE ME! [Man] SHUT THE FUCK UP. 406 00:35:50,279 --> 00:35:52,947 WHERE YOU GOING? I HAVE TO LEAVE NOW. 407 00:35:53,015 --> 00:35:57,051 WHY? I DON'T KNOW WHY I CAME IN HERE. I DON'T LIKE THESE MOVIES. 408 00:35:57,119 --> 00:36:01,055 I MEAN, I-- YOU KNOW, I DIDN'T KNOW YOU'D FEEL THAT WAY ABOUT THESE MOVIES. 409 00:36:01,123 --> 00:36:04,792 I DON'T KNOW MUCH ABOUT MOVIES-- ARE THESE THE ONLY KIND OF MOVIES YOU GO TO? 410 00:36:04,859 --> 00:36:07,194 YEAH, I COME AND-- THIS IS NOT SO BAD. 411 00:36:07,262 --> 00:36:12,566 TAKING ME TO A PLACE LIKE THIS IS ABOUT AS EXCITING TO ME AS SAYING, "LET'S FUCK." 412 00:36:14,202 --> 00:36:17,238 I'M-- THERE ARE OTHER PLACES I CAN TAKE YOU. 413 00:36:17,306 --> 00:36:21,542 PLENTY OF OTHER MOVIES I CAN TAKE YOU TO. I DON'T KNOW MUCH ABOUT THEM. 414 00:36:21,609 --> 00:36:23,844 WE'RE JUST DIFFERENT. 415 00:36:23,912 --> 00:36:26,314 HEY, WAIT A SECOND. I HAVE TO GO. 416 00:36:26,381 --> 00:36:29,483 I'VE GOTTA GO NOW. WAIT. WAIT A SECOND. I WANNA TALK TO YOU. 417 00:36:29,551 --> 00:36:31,552 LOOK, I HAVE TO GO. WAIT A SECOND. 418 00:36:31,619 --> 00:36:33,587 TAXI! 419 00:36:33,655 --> 00:36:38,025 CAN'T I TALK TO YOU AT LEAST? WON'T YOU AT LEAST TALK TO ME? I DIDN'T KNOW YOU-- 420 00:36:38,093 --> 00:36:41,095 LOOK, WON'T YOU TAKE THE RECORD? I'VE ALREADY GOT IT. 421 00:36:41,163 --> 00:36:45,967 BUT, PLEASE, PLEASE, I BOUGHT IT FOR YOU. NOW I'VE GOT TWO. LET'S GO. 422 00:36:46,034 --> 00:36:49,003 CAN I CALL YOU? 423 00:36:49,071 --> 00:36:52,506 JESUS CHRIST! I GOT A TAXI! 424 00:36:52,574 --> 00:36:56,277 [Horn Honks] 425 00:36:56,345 --> 00:36:58,712 HELLO, BETSY. 426 00:36:58,780 --> 00:37:02,350 HI, IT'S TRAVIS. 427 00:37:02,417 --> 00:37:05,853 HOW YOU DOIN'? LISTEN, I'M SORRY ABOUT THE OTHER NIGHT. 428 00:37:05,920 --> 00:37:08,522 I DIDN'T KNOW THAT WAS THE WAY YOU FELT ABOUT IT. 429 00:37:10,425 --> 00:37:15,729 WELL, I DIDN'T KNOW THAT WAS THE WAY YOU FELT. I WOULD'VE TAKEN YOU SOMEWHERE ELSE. 430 00:37:15,797 --> 00:37:19,666 UH, ARE YOU FEELING BETTER OR-- 431 00:37:19,734 --> 00:37:23,871 OH, MAYBE YOU HAD A VIRUS OR SOMETHING; 24-HOUR VIRUS, YA KNOW. 432 00:37:23,938 --> 00:37:25,873 IT CAN HAPPEN. YEAH. 433 00:37:25,940 --> 00:37:28,242 UM... YOU, UH-- 434 00:37:30,812 --> 00:37:34,382 YOU BEEN WORKING HARD, HUH? WELL, IT'S-- YEAH. 435 00:37:34,449 --> 00:37:37,184 UH-- 436 00:37:37,252 --> 00:37:40,888 WOULD YOU LIKE TO HAVE SOME DINNER WITH ME... 437 00:37:40,955 --> 00:37:43,991 IN THE NEXT FEW DAYS OR SOMETHIN'? 438 00:37:46,594 --> 00:37:50,898 WELL, HOW 'BOUT A CUP OF COFFEE? I COULD COME BY THE HEADQUARTERS OR SOMETHING. 439 00:37:50,965 --> 00:37:53,334 WE COULD, UH-- 440 00:37:53,402 --> 00:37:57,704 OH, OK-- OKAY. OKAY. OH-- 441 00:37:57,772 --> 00:38:02,176 DID YOU GET MY FLOWERS IN THE-- 442 00:38:02,244 --> 00:38:06,780 YOU DIDN'T GET THEM? BUT I SENT, UH, SOME FLOWERS, UH-- 443 00:38:10,552 --> 00:38:13,154 YEAH, WELL-- OKAY, OKAY. 444 00:38:13,221 --> 00:38:17,658 CAN I CALL YOU AGAIN... UH, UH, TOMORROW OR THE NEXT DAY? 445 00:38:17,725 --> 00:38:22,596 OKAY. NO, I'M GONNA-- OKAY, YEAH, SURE, OKAY. SO LONG. 446 00:38:22,664 --> 00:38:24,631 [Hangs Up Phone] 447 00:38:24,699 --> 00:38:27,401 [Bickle Narrating] I TRIED SEVERAL TIMES TO CALL HER... 448 00:38:27,469 --> 00:38:31,638 BUT AFTER THE FIRST CALL SHE WOULDN'T COME TO THE PHONE ANY LONGER. 449 00:38:31,706 --> 00:38:34,141 I ALSO SENT FLOWERS, BUT WITH NO LUCK. 450 00:38:34,209 --> 00:38:37,211 THE SMELL OF THE FLOWERS ONLY MADE ME SICKER. 451 00:38:37,279 --> 00:38:42,283 THE HEADACHES GOT WORSE. I THINK I GOT STOMACH CANCER. 452 00:38:42,350 --> 00:38:44,885 I SHOULDN'T COMPLAIN, THOUGH. 453 00:38:44,953 --> 00:38:47,688 YOU'RE ONLY AS HEALTHY-- 454 00:38:47,755 --> 00:38:51,092 YOU'RE ONLY AS HEALTHY AS YOU FEEL. 455 00:38:51,094 --> 00:38:54,595 YOU' 456 00:38:54,662 --> 00:39:02,470 YOU'RE ONLY AS HEALTHY AS YOU FEEL. 457 00:39:26,794 --> 00:39:27,967 TAKE YOUGET YOUR HANDS OFF ME! I JUST WANT YOU TO 458 00:39:27,993 --> 00:39:29,188 KNOW I PLEASE, JUST LEAVE. OKAY. THEN JUST LEAVE! 459 00:39:29,231 --> 00:39:31,798 TAKE 'EM OFF! THEN JUST LEAVE THEN. COME ON. 460 00:39:31,866 --> 00:39:34,152 I WANNA TELL YOU YOU'RE IN A HELL AND YOU'RE 461 00:39:34,178 --> 00:39:36,362 GONNA DIE IN A HELL LIKE THE REST OF THEM! 462 00:39:36,404 --> 00:39:39,540 COME ON NOW. THERE'S A COP ACROSS THE STREET. YOU'RE LIKE THE REST OF THEM. 463 00:39:39,608 --> 00:39:43,477 [Tom] I'M CALLING THE COP. OFFICER! 464 00:39:43,545 --> 00:39:46,647 OFFICER! 465 00:39:46,714 --> 00:39:50,784 LOOK, DON'T COME AROUND HERE BECAUSE I'LL CALL THE POLICE! 466 00:39:50,852 --> 00:39:54,355 [Bickle Narrating] I REALIZE NOW HOW MUCH SHE'S JUST LIKE THE OTHERS. 467 00:39:54,422 --> 00:39:57,991 COLD AND DISTANT, AND MANY PEOPLE ARE LIKE THAT. 468 00:39:58,059 --> 00:40:01,395 WOMEN FOR SURE. THEY'RE LIKE A UNION. 469 00:40:02,730 --> 00:40:04,898 [Man] YO, CAB! 470 00:40:11,973 --> 00:40:17,077 OKAY, PULL OVER TO THE CURB OVER THERE. RIGHT OVER TO THE CURB. RIGHT OVER THERE. 471 00:40:17,145 --> 00:40:20,080 NO, NO, DON'T, DON'T, DON'T-- WHOA! 472 00:40:20,148 --> 00:40:24,718 THE FUCKIN' METER, WHAT ARE YOU DOIN'? WHAT ARE YOU DOIN' HITTIN' THE METER? 473 00:40:24,786 --> 00:40:28,222 DID I TELL YOU-- DID I TELL YOU TO DO THAT WITH THE METER? 474 00:40:28,290 --> 00:40:30,742 PUT THE METER BACK, LET THE NUMBERS GO. I 475 00:40:30,768 --> 00:40:33,452 DON'T CARE WHAT I PAY. I'M NOT GETTING OUT. 476 00:40:33,495 --> 00:40:37,297 PUT THE METER BACK ON. PUT IT DOWN. 477 00:40:37,365 --> 00:40:39,599 PUT IT-- THAT'S RIGHT. 478 00:40:39,668 --> 00:40:42,970 PUT IT-- PUT IT DOWN! 479 00:40:43,038 --> 00:40:48,175 THAT'S RIGHT. WHY YOU WRITING? DON'T WRITE! 480 00:40:48,242 --> 00:40:51,444 PUT THE THING DOWN. JUST SIT. 481 00:40:53,148 --> 00:40:55,749 I DIDN'T TELL YOU TO WRITE. I DIDN'T TELL YOU TO DO ANYTHING. 482 00:40:55,817 --> 00:41:00,954 I JUST SAID, "PULL OVER TO THE CURB." PULL OVER TO THE CURB. WE'RE GONNA SIT HERE. 483 00:41:01,022 --> 00:41:03,290 WE'RE GONNA SIT. 484 00:41:21,442 --> 00:41:26,646 CABBIE, YOU SEE THAT LIGHT UP THERE? THE WINDOW? 485 00:41:26,715 --> 00:41:29,349 THE LIGHT? THE WINDOW UP THERE ON THE SECOND FLOOR? 486 00:41:32,386 --> 00:41:36,957 THE ONE THAT'S CLOSEST-- THE ONE THAT'S CLOSEST TO THE EDGE OF THE BUILDING? 487 00:41:37,025 --> 00:41:41,929 THE LIGHT UP IN THE WINDOW, SECOND STORY? 488 00:41:41,996 --> 00:41:47,201 WHAT, ARE YOU BLIND? DO-DO YOU SEE THE LIGHT? YEAH. 489 00:41:47,268 --> 00:41:49,502 YEAH, YOU SEE IT. GOOD. 490 00:41:51,572 --> 00:41:55,242 SEE THE WOMAN IN THE WINDOW? 491 00:41:55,309 --> 00:41:58,078 DO YOU-- DO YOU SEE THE WOMAN IN THE WINDOW? 492 00:41:58,146 --> 00:42:00,948 YEAH. 493 00:42:01,015 --> 00:42:03,865 YOU SEE THE WOMAN. GOOD. BECAUSE I WANT YOU 494 00:42:03,891 --> 00:42:06,611 TO SEE THAT WOMAN 'CAUSE THAT'S MY WIFE. 495 00:42:08,857 --> 00:42:11,225 BUT THAT'S NOT MY APARTMENT. [Chuckles] 496 00:42:13,628 --> 00:42:17,330 IT'S NOT MY APARTMENT. YOU KNOW WHO LIVES THERE, HUH? 497 00:42:17,398 --> 00:42:19,648 I MEAN, YOU WOULDN'T KNOW WHO LIVES THERE. 498 00:42:19,674 --> 00:42:22,027 I'M JUST SAYIN', "YOU KNOW WHO LIVES THERE?" 499 00:42:22,070 --> 00:42:26,073 [Chuckles] A NIGGER LIVES THERE. HOW DO YOU LIKE THAT? 500 00:42:33,081 --> 00:42:37,084 AND I-- I'M GONNA KILL HER. [Chuckles] 501 00:42:37,152 --> 00:42:40,420 THERE'S NOTHING ELSE. I JUST-- I'M GONNA KILL HER. 502 00:42:40,488 --> 00:42:43,523 NOW WHAT DO YOU THINK OF THAT? HMM? 503 00:42:43,591 --> 00:42:46,760 I SAID, WHAT DO YOU THINK OF THAT? 504 00:42:46,828 --> 00:42:50,998 DON'T ANSWER. YOU DON'T HAVE TO ANSWER EVERYTHING. 505 00:42:54,302 --> 00:42:57,637 I'M GONNA KILL HER. I'M GONNA KILL HER WITH A .44 MAGNUM PISTOL. 506 00:42:57,705 --> 00:43:02,776 AND A .44 MAGNUM PISTOL, I'M GONNA KILL HER WITH THAT GUN. 507 00:43:02,844 --> 00:43:06,713 [Chuckles] DID YOU EVER SEE WHAT A .44 MAGNUM WOULD DO TO A WOMAN'S FACE? 508 00:43:06,781 --> 00:43:10,750 I MEAN IT'LL FUCKIN' DESTROY IT. JUST BLOW IT RIGHT APART. 509 00:43:10,819 --> 00:43:13,320 THAT'S WHAT IT CAN DO TO HER FACE. 510 00:43:13,387 --> 00:43:17,791 NOW, DID YOU EVER SEE WHAT IT CAN DO TO A WOMAN'S PUSSY? NOW THAT YOU SHOULD SEE. 511 00:43:17,859 --> 00:43:22,429 THAT YOU SHOULD SEE-- WHAT A .44 MAGNUM'S GONNA DO TO A WOMAN'S PUSSY YOU SHOULD SEE. 512 00:43:27,735 --> 00:43:29,870 WHAT'S THAT? 513 00:43:29,938 --> 00:43:33,173 I-- I KNOW YOU MUST THINK THAT I'M, YOU KNOW-- [Chuckles] 514 00:43:33,241 --> 00:43:37,845 YOU MUST THINK I'M PRETTY SICK OR SOMETHING. YOU MUST THINK I'M PRETTY SICK. 515 00:43:37,912 --> 00:43:41,114 RIGHT? YOU MUST THINK I'M PRETTY SICK? HMM? 516 00:43:41,182 --> 00:43:44,351 [Laughs] 517 00:43:44,418 --> 00:43:49,022 RIGHT? I BET YOU-- I BET YOU REALLY THINK I'M SICK, RIGHT? YOU THINK I'M SICK? 518 00:43:49,090 --> 00:43:51,624 [Laughing] 519 00:43:54,195 --> 00:43:57,630 YOU THINK I'M SICK? [Laughing] 520 00:44:00,068 --> 00:44:03,289 YOU DON'T HAVE TO ANSWER THAT. I'M PAYING FOR THE RIDE. 521 00:44:03,315 --> 00:44:05,097 YOU DON'T HAVE TO ANSWER THAT. 522 00:44:05,139 --> 00:44:09,276 I PICKED UP THIS MIDGET. YA KNOW, HE'S VERY WELL DRESSED. 523 00:44:09,344 --> 00:44:12,980 ITALIAN SUIT, GOOD-LOOKING. HAD A BEAUTIFUL TALL BLOND. 524 00:44:13,047 --> 00:44:17,017 A LADY MIDGET? NO, THE GUY WAS A MIDGET. THE BLOND WAS A LADY. 525 00:44:17,085 --> 00:44:19,052 I GOT IT. THOSE MIDGETS ARE FUNNY. 526 00:44:19,120 --> 00:44:23,623 [Laughing] SOMETIMES I LIKE TO HOLD A MIDGET. YEAH? 527 00:44:23,691 --> 00:44:27,054 THEY'RE FUNNY. THEY ALWAYS WANNA SIT IN THE FRONT SEAT. 528 00:44:27,080 --> 00:44:27,920 SHIT. 529 00:44:27,962 --> 00:44:32,065 [Wizard] THEN I PICK UP THESE TWO FAGS. THEY'RE GOING DOWNTOWN. 530 00:44:32,133 --> 00:44:34,001 [Buzzing] 531 00:44:34,068 --> 00:44:37,804 THEY'RE WEARING THESE RHINESTONE T-SHIRTS. THEY START ARGUIN'. 532 00:44:37,872 --> 00:44:41,641 THEY START YELLIN'. THE OTHER SAYS, "YOU BITCH." STARTS BEATING HIM ON THE HEAD. 533 00:44:41,709 --> 00:44:44,245 I SAY, "LOOK, I DON'T CARE WHAT YOU DO IN THE 534 00:44:44,271 --> 00:44:46,805 PRIVACY OF YOUR OWN HOME BEHIND CLOSED DOORS. 535 00:44:46,847 --> 00:44:50,717 "THIS IS AN AMERICAN FREE COUNTRY. WE'VE GOT A 'PURSUIT OF HAPPINESS' THING. 536 00:44:50,785 --> 00:44:52,819 "YOU'RE CONSENTING YOU'RE ADULT. 537 00:44:52,887 --> 00:44:57,757 "BUT IN MY FUCKIN' CAB, DON'T GO BUSTIN' HEADS. 538 00:44:57,825 --> 00:45:00,593 YA KNOW WHAT I MEAN? GOD LOVES YOU. DO WHAT YOU WANT." 539 00:45:00,661 --> 00:45:04,497 TELL 'EM TO GO TO CALIFORNIA, 'CAUSE OUT IN CALIFORNIA WHEN TWO FAGS SPLIT UP, 540 00:45:04,565 --> 00:45:08,235 ONE'S GOTTA PAY THE OTHER ONE ALIMONY. [Charlie T. Mutters] 541 00:45:08,303 --> 00:45:12,505 NOT BAD. THEY'RE WAY AHEAD OUT THERE, YA KNOW WHAT I MEAN? CALIFORNIA. 542 00:45:12,573 --> 00:45:15,508 SO I TELL 'EM TO GET OUT OF THE FUCKIN' CAB. 543 00:45:15,576 --> 00:45:20,280 [Cabbie] ONE TIME I SAW A COP CHASING THIS GUY WITH ONE LEG. HE WAS ON CRUTCHES. 544 00:45:20,348 --> 00:45:23,250 - [Wizard] THE COP? - NO, NO. THE DUDE THAT HE WAS CHASING. 545 00:45:23,318 --> 00:45:25,718 FUCKIN' COPS, THEY CHASE ANYTHING. [Doughboy] HEY, TRAVIS. 546 00:45:25,786 --> 00:45:28,555 YOU GOT THAT FIVE YOU OWE ME? 547 00:45:30,191 --> 00:45:34,027 MY MAN IS LOADED. LOAD-ED. 548 00:45:34,095 --> 00:45:38,765 I'D BE BROKE TONIGHT IF I HADN'T CAUGHT ME SOME PEOPLE FROM OHIO OUT AT KENNEDY. 549 00:45:38,833 --> 00:45:43,437 I TOOK 'EM INTO MANHATTAN BY WAY OF LONG BEACH. TIPPED ME FIVE DOLLARS. 550 00:45:43,504 --> 00:45:47,107 [Wizard] WHAT'S THE ACTION AROUND? PRETTY SLOW. 551 00:45:47,175 --> 00:45:49,642 I'M SHOVIN' ON. 552 00:45:49,710 --> 00:45:52,245 WIZ, WAIT. 553 00:45:52,313 --> 00:45:56,483 CAN I TALK TO YOU FOR A SECOND? [Charlie T.] BYE, KILLER. 554 00:45:56,550 --> 00:45:58,785 [Imitates Gun Firing] 555 00:45:58,853 --> 00:46:01,754 [Restaurant Clerk] THANK YOU. NEXT. 556 00:46:01,822 --> 00:46:05,792 [Rattling Chain] 557 00:46:15,236 --> 00:46:19,106 [Muttering] YOU COULD HAVE ALL YOU WANT. 558 00:46:19,173 --> 00:46:23,143 [Groans] HEY, DON'T BE HITTIN' ON ME! DON'T BE HITTIN'! 559 00:46:23,211 --> 00:46:25,912 YOU BETTER TAKE YOUR ASS OUTTA HERE! 560 00:46:31,152 --> 00:46:34,021 YEAH? I KNOW YOU AND I AIN'T TALKED TOO MUCH. 561 00:46:34,088 --> 00:46:37,957 YEAH. BUT I FIGURED YOU'VE BEEN AROUND A LOT SO YOU COULD-- 562 00:46:38,026 --> 00:46:40,427 SHOOT, THAT'S WHY THEY CALL ME THE "WIZARD". 563 00:46:40,495 --> 00:46:45,132 I GOT-- IT'S JUST THAT I GOT, UH-- 564 00:46:45,199 --> 00:46:48,001 I GOT, UH-- THINGS GOT YOU DOWN? 565 00:46:48,069 --> 00:46:51,238 YEAH. YEAH, IT HAPPENS. HAPPENS TO THE BEST OF US. 566 00:46:51,305 --> 00:46:54,908 YEAH, IT GOT ME REAL DOWN. REAL-- 567 00:47:00,648 --> 00:47:03,316 I JUST WANNA GO OUT AND, YA KNOW, LIKE REALLY, 568 00:47:03,384 --> 00:47:07,587 REALLY, REALLY DO SOMETHING. 569 00:47:07,655 --> 00:47:10,290 TAXI LIFE, YOU MEAN? 570 00:47:11,459 --> 00:47:14,127 YEAH, WELL-- 571 00:47:14,195 --> 00:47:17,164 NAH, IT'S-- 572 00:47:17,231 --> 00:47:19,232 I DON'T KNOW. 573 00:47:20,834 --> 00:47:23,570 I JUST WANNA GO OUT... 574 00:47:23,637 --> 00:47:26,606 AND REALLY-- 575 00:47:26,674 --> 00:47:30,009 YA KNOW, I REALLY WANNA-- I GOT SOME BAD IDEAS IN MY HEAD. 576 00:47:30,078 --> 00:47:32,979 I JUST-- 577 00:47:33,047 --> 00:47:36,183 ALL RIGHT, LOOK. LOOK AT IT THIS WAY. YA KNOW, UH-- 578 00:47:36,250 --> 00:47:41,154 A MAN-- A MAN TAKES A JOB, YA KNOW? 579 00:47:41,222 --> 00:47:45,058 AND THAT JOB-- I MEAN LIKE THAT, YOU KNOW-- 580 00:47:45,126 --> 00:47:47,794 YOU KNOW, THAT BECOMES WHAT HE IS. 581 00:47:47,861 --> 00:47:50,930 YOU KNOW, LIKE, UH-- 582 00:47:50,998 --> 00:47:55,001 YOU KNOW, YOU DO A THING AND THAT'S WHAT YOU ARE. LIKE I'VE BEEN-- 583 00:47:55,069 --> 00:47:59,106 I'VE BEEN A CABBIE FOR 17 YEARS, YA KNOW; TEN YEARS AT NIGHT. 584 00:47:59,173 --> 00:48:02,609 I STILL DON'T OWN MY OWN CAB. YOU KNOW WHY? 585 00:48:02,676 --> 00:48:06,980 BECAUSE I DON'T WANT TO. THAT MUST BE WHAT I WANT. 586 00:48:07,047 --> 00:48:10,417 YOU KNOW, TO BE ON THE NIGHT SHIFT DRIVIN' SOMEBODY ELSE'S CAB. 587 00:48:10,485 --> 00:48:13,620 YA UNDERSTAND? I MEAN, YOU BECOME-- 588 00:48:13,687 --> 00:48:16,223 YOU GET A JOB. YOU BECOME THE JOB. 589 00:48:16,290 --> 00:48:19,859 I MEAN LIKE, ONE GUY LIVES IN BROOKLYN. ONE GUY LIVES IN SUTTON PLACE. 590 00:48:19,927 --> 00:48:22,762 YOU GOT A LAWYER. ANOTHER GUY'S A DOCTOR. 591 00:48:22,830 --> 00:48:27,900 ANOTHER GUY DIES. ANOTHER GUY GETS WELL. YA KNOW, PEOPLE ARE BORN. 592 00:48:27,968 --> 00:48:31,070 I ENVY YOU YOUR YOUTH. 593 00:48:31,139 --> 00:48:34,941 GO OUT, GET LAID. GET DRUNK. YOU KNOW, DO ANYTHING. 594 00:48:36,577 --> 00:48:40,547 YOU GOT NO CHOICE ANYWAY. I MEAN, WE'RE ALL FUCKED. 595 00:48:42,250 --> 00:48:45,051 OR MORE OR LESS, YA KNOW. 596 00:48:46,053 --> 00:48:48,255 [Chuckles] 597 00:48:48,322 --> 00:48:52,825 I DON'T KNOW. THAT'S ABOUT THE DUMBEST THING I EVER HEARD. 598 00:48:52,893 --> 00:48:57,364 IT'S NOT BERTRAND RUSSELL. BUT WHAT DO YOU WANT? I'M A CABBIE, YOU KNOW. 599 00:48:57,431 --> 00:49:00,767 WHAT DO I KNOW? I MEAN, I DON'T EVEN KNOW WHAT THE FUCK YOU'RE TALKIN' ABOUT. 600 00:49:00,834 --> 00:49:04,737 WELL, I DON'T KNOW. MAYBE I DON'T KNOW EITHER. 601 00:49:04,805 --> 00:49:10,243 DON'T WORRY SO MUCH. RELAX, KILLER. YOU'RE GONNA BE ALL RIGHT. 602 00:49:10,311 --> 00:49:14,047 I KNOW. I'VE SEEN A LOT OF PEOPLE AND, UH-- 603 00:49:14,114 --> 00:49:16,849 I KNOW, OKAY? YEAH. 604 00:49:16,917 --> 00:49:19,919 THANKS, MAN. 605 00:49:19,987 --> 00:49:21,954 I GUESS-- 606 00:49:24,091 --> 00:49:26,793 YEAH. YEAH, YOU KNOW, YOU'RE ALL RIGHT. YOU'RE ALL RIGHT. 607 00:49:35,703 --> 00:49:38,672 [Engine Starts] 608 00:49:44,878 --> 00:49:47,563 WHAT DO YOU THINK OF YOUR OPPONENT-- GOODWIN'S 609 00:49:47,589 --> 00:49:49,874 CHANCES-- IN THE UP-AND-COMING PRIMARY? 610 00:49:49,917 --> 00:49:55,021 WELL, MR. GOODWIN IS A FINE MAN. I WOULD CERTAINLY, IF IT CAME TO IT, PREFER HIM... 611 00:49:55,089 --> 00:49:58,358 TO OUR OPPONENT IN THE OTHER PARTY. 612 00:49:58,426 --> 00:50:01,994 I THINK THAT MY PROGRAMS ARE BETTER DEFINED THAN HIS. 613 00:50:02,062 --> 00:50:03,889 THEY'RE MORE IMAGINATIVE THAN HIS, AND 614 00:50:03,915 --> 00:50:06,023 MOREOVER, I HAVE A BETTER CHANCE OF WINNING. 615 00:50:06,066 --> 00:50:11,137 I THINK IT'S ACADEMIC, THOUGH, 'CAUSE HE'S NOT GONNA WIN THE PRIMARY. I AM. 616 00:50:11,205 --> 00:50:14,807 [Man] WELL, ONE MORE THING I'D LIKE TO ASK YOU AND THAT'S ABOUT YOUR CAMPAIGN. 617 00:50:14,875 --> 00:50:17,577 HOW IS YOUR CAMPAIGN GOING? HOW DO YOU FEEL IT'S GOING? 618 00:50:17,645 --> 00:50:19,946 WHEN WE CAME UP WITH OUR SLOGAN, "WE ARE THE PEOPLE," 619 00:50:20,013 --> 00:50:22,515 WHAT I SAID, "LET THE PEOPLE RULE." 620 00:50:22,583 --> 00:50:25,685 I FELT THAT I WAS BEING SOMEWHAT OVERLY OPTIMISTIC. 621 00:50:25,753 --> 00:50:29,589 I MUST TELL YOU THAT I'M MORE OPTIMISTIC NOW THAN EVER BEFORE. 622 00:50:29,657 --> 00:50:33,660 THE PEOPLE ARE RISING TO THE DEMANDS THAT I HAVE MADE ON THEM. 623 00:50:33,728 --> 00:50:36,195 THE PEOPLE ARE BEGINNING TO RULE. 624 00:50:36,264 --> 00:50:40,400 I FEEL IT AS THE CROWDS SWELL. I KNOW IT WILL CONTINUE THROUGH THE PRIMARY. 625 00:50:40,468 --> 00:50:42,569 I KNOW IT WILL CONTINUE IN MIAMI. 626 00:50:42,637 --> 00:50:47,540 AND I KNOW IT WILL RISE TO AN UNPRECEDENTED SWELL IN NOVEMBER. 627 00:50:47,608 --> 00:50:49,276 [Static] 628 00:50:56,651 --> 00:50:59,653 [Car Tires Skidding] [Horn Honking] 629 00:51:10,898 --> 00:51:12,899 [Horn Honks] 630 00:51:23,243 --> 00:51:25,779 [Baby Crying] 631 00:51:25,846 --> 00:51:28,415 [Dog Barking] 632 00:51:43,431 --> 00:51:47,400 [Woman Gasps] [Tires Skidding] 633 00:51:57,077 --> 00:52:00,046 [People Chattering] 634 00:52:14,127 --> 00:52:18,832 BITCH, GODDAMN! I'LL BLOW HER FACE OFF! I'LL KILL HER, GODDAMN IT! 635 00:52:18,899 --> 00:52:22,469 DAMN! IF I GET MY HANDS ON HER, I'LL KILL HER! GODDAMN MOTHERFUCKER! 636 00:52:22,536 --> 00:52:25,711 I SWEAR I'LL KILL HER! I'LL KILL THAT FUCKIN' BITCH! 637 00:52:25,737 --> 00:52:28,132 I GET MY HANDS ON HER, I'LL KILL HER! 638 00:52:28,175 --> 00:52:30,243 HEY, SPORT. HEY, SPORT. 639 00:52:30,310 --> 00:52:32,345 I'LL KILL HER! DAMN IT! 640 00:52:32,413 --> 00:52:35,281 TAXI CAB'S FOLLOWING. DON'T LOOK AT HIM. 641 00:52:35,349 --> 00:52:38,150 SON OF A BITCH! 642 00:52:51,499 --> 00:52:54,467 HEY, GUYS. 643 00:52:56,003 --> 00:52:58,705 YOU WANNA TAKE A WALK? YEAH. 644 00:52:58,773 --> 00:53:01,541 [Siren Wailing In The Distance] 645 00:53:10,117 --> 00:53:14,220 [Bickle Narrating] LONELINESS HAS FOLLOWED ME MY WHOLE LIFE; EVERYWHERE. 646 00:53:14,288 --> 00:53:17,223 IN BARS, IN CARS, 647 00:53:17,291 --> 00:53:19,926 SIDEWALKS, STORES; EVERYWHERE. 648 00:53:20,994 --> 00:53:25,632 THERE'S NO ESCAPE. I'M GOD'S LONELY MAN. 649 00:53:28,469 --> 00:53:31,404 JUNE 8. 650 00:53:31,472 --> 00:53:34,140 MY LIFE HAS TAKEN ANOTHER TURN AGAIN. 651 00:53:34,207 --> 00:53:37,744 THE DAYS MOVE ALONG WITH REGULARITY, OVER AND OVER. 652 00:53:37,812 --> 00:53:40,613 ONE DAY INDISTINGUISHABLE FROM THE NEXT. 653 00:53:40,681 --> 00:53:43,316 A LONG CONTINUOUS CHAIN. 654 00:53:43,383 --> 00:53:46,920 THEN SUDDENLY, THERE IS A CHANGE. 655 00:53:51,692 --> 00:53:55,061 [Horn Honking] 656 00:54:02,235 --> 00:54:06,205 TRAVIS, THIS HERE'S EASY ANDY. HE'S A TRAVELING SALESMAN. HOW YA DOING, TRAVIS? 657 00:54:14,448 --> 00:54:17,083 [Door Unlocking] 658 00:54:30,030 --> 00:54:32,999 YOU GOT A .44 MAGNUM? IT'S AN EXPENSIVE WEAPON. 659 00:54:33,066 --> 00:54:35,034 THAT'S ALL RIGHT, I GOT MONEY. 660 00:54:35,102 --> 00:54:37,136 IT'S A REAL MONSTER. 661 00:54:37,204 --> 00:54:42,108 STOP A CAR AT A HUNDRED YARDS PUT A ROUND RIGHT THROUGH THE ENGINE BLOCK. 662 00:54:52,553 --> 00:54:54,821 HERE YOU GO. 663 00:54:54,889 --> 00:54:57,456 IT'S A PREMIUM HIGH-RESALE WEAPON. 664 00:55:01,795 --> 00:55:03,730 LOOK AT THAT. 665 00:55:03,797 --> 00:55:06,533 LOOK AT THAT. THAT'S A BEAUTY. 666 00:55:10,938 --> 00:55:15,675 I COULD SELL THIS GUN TO SOME JUNGLE BUNNY IN HARLEM FOR FIVE HUNDRED BUCKS. 667 00:55:15,743 --> 00:55:19,145 BUT I JUST DEAL HIGH QUALITY GOODS TO THE RIGHT PEOPLE. 668 00:55:19,212 --> 00:55:21,915 [Pulls Trigger] HOW 'BOUT THAT? 669 00:55:21,982 --> 00:55:24,884 THIS MIGHT BE A LITTLE TOO BIG FOR PRACTICAL PURPOSES. 670 00:55:24,952 --> 00:55:29,589 IN WHICH CASE FOR YOU, I'D RECOMMEND... .38 SNUB-NOSE. 671 00:55:31,058 --> 00:55:33,026 LOOK AT THIS. 672 00:55:34,728 --> 00:55:37,730 LOOK AT THAT. THAT'S A BEAUTIFUL LITTLE GUN. 673 00:55:37,798 --> 00:55:40,499 IT'S NICKEL-PLATED, SNUB-NOSE. 674 00:55:40,568 --> 00:55:45,337 OTHERWISE THE SAME AS A SERVICE REVOLVER. THAT'LL STOP ANYTHING THAT MOVES. 675 00:55:45,405 --> 00:55:48,975 THE MAGNUM, THEY USE THAT IN AFRICA FOR KILLIN' ELEPHANTS. 676 00:55:49,043 --> 00:55:52,144 THAT .38, THAT'S A FINE GUN. 677 00:55:52,212 --> 00:55:55,181 [Children Laughing] 678 00:55:57,217 --> 00:55:59,586 SOME OF THESE GUNS ARE LIKE TOYS. 679 00:55:59,653 --> 00:56:03,056 THAT .38, YOU GO OUT AND HAMMER NAILS WITH IT ALL DAY, 680 00:56:03,123 --> 00:56:06,693 COME BACK AND IT'LL CUT DEAD CENTER ON TARGET EVERY TIME. 681 00:56:06,760 --> 00:56:11,197 IT'S GOT A REALLY NICE ACTION TO IT AND A HECK OF A WALLOP. 682 00:56:12,700 --> 00:56:14,901 YOU INTERESTED IN AN AUTOMATIC? 683 00:56:14,969 --> 00:56:18,972 IT'S A COLT .25 AUTOMATIC. IT'S A NICE LITTLE GUN. 684 00:56:19,039 --> 00:56:21,140 [Cocks Gun] IT'S A BEAUTIFUL LITTLE GUN. 685 00:56:21,208 --> 00:56:24,176 HOLDS SIX SHOTS IN THE CLIP, ONE SHOT IN THE CHAMBER. 686 00:56:24,244 --> 00:56:27,213 THAT'S IF YOU'RE DUMB ENOUGH TO PUT A ROUND IN THE CHAMBER. [Pulls Trigger] 687 00:56:27,280 --> 00:56:31,584 HERE. LOOK AT THIS. A .380 WALTHER. 688 00:56:31,652 --> 00:56:34,754 HOLDS EIGHT SHOTS IN THE CLIP. 689 00:56:34,822 --> 00:56:37,223 THAT'S A NICE GUN. 690 00:56:37,290 --> 00:56:43,096 YEAH, THAT'S A BEAUTIFUL LITTLE GUN. LOOK AT THAT. [Cocking Gun] 691 00:56:43,163 --> 00:56:47,767 DURING WORLD WAR II, THEY USED THIS GUN TO REPLACE THE P-38. 692 00:56:47,835 --> 00:56:50,503 JUST GIVEN OUT TO OFFICERS. 693 00:56:56,276 --> 00:56:58,745 ISN'T THAT A LITTLE HONEY? 694 00:57:06,353 --> 00:57:10,023 HOW MUCH FOR EVERYTHING? OH, ALL TOGETHER. 695 00:57:10,090 --> 00:57:14,827 WELL, ONLY A JACKASS WOULD CARRY THAT CANYON IN THE STREETS LIKE THAT. HERE. 696 00:57:14,895 --> 00:57:19,165 HERE'S A BEAUTIFUL HANDMADE HOLSTER I HAD MADE IN MEXICO. 697 00:57:19,232 --> 00:57:21,534 FORTY DOLLARS. 698 00:57:21,601 --> 00:57:24,971 THREE-FIFTY FOR THE MAGNUM. TWO-FIFTY FOR THE .38. 699 00:57:25,039 --> 00:57:28,507 ONE AND A QUARTER FOR THE .25. ONE-FIFTY FOR THE .380. 700 00:57:28,575 --> 00:57:32,945 YOU TAKE THIS. AND WAIT HERE, I'LL WALK DOWN WITH YOU. 701 00:57:33,013 --> 00:57:35,848 HOW 'BOUT DOPE? GRASS, HASH, COKE, 702 00:57:35,916 --> 00:57:40,186 MESCALINE, DOWNERS, NEMBUTAL, TUNIAL, CHLORO HYDRATES? 703 00:57:40,253 --> 00:57:43,790 HOW 'BOUT UPPERS, AMPHETAMINES? NO, I'M NOT INTERESTED IN THAT STUFF. 704 00:57:43,857 --> 00:57:47,593 CRYSTAL METH? I CAN GET YOU CRYSTAL METH. NITROUS OXIDE. HOW 'BOUT THAT? 705 00:57:47,661 --> 00:57:49,635 HOW 'BOUT A CADILLAC? I CAN GET YOU A BRAND-NEW 706 00:57:49,661 --> 00:57:51,388 CADILLAC WITH THE PINK SLIP FOR 2 GRAND. 707 00:57:59,339 --> 00:58:01,473 [Bickle Narrating] JUNE 29. 708 00:58:01,541 --> 00:58:05,411 I GOTTA GET IN SHAPE NOW. TOO MUCH SITTING HAS RUINED MY BODY. 709 00:58:05,478 --> 00:58:08,380 TOO MUCH ABUSE HAS GONE ON FOR TOO LONG. 710 00:58:08,448 --> 00:58:12,952 FROM NOW ON IT'LL BE 50 PUSHUPS EACH MORNING, 50 PULL-UPS. 711 00:58:13,020 --> 00:58:16,846 THERE WILL BE NO MORE PILLS. THERE WILL BE NO MORE BAD FOOD. 712 00:58:16,872 --> 00:58:18,816 NO MORE DESTROYERS OF MY BODY. 713 00:58:18,859 --> 00:58:22,829 FROM NOW ON IT'LL BE TOTAL ORGANIZATION. EVERY MUSCLE MUST BE TIGHT. 714 00:58:22,896 --> 00:58:25,898 [Gunshots] 715 00:58:37,845 --> 00:58:41,247 [Movie: Woman] WOW! LOOK AT THE SIZE OF THAT. 716 00:58:41,314 --> 00:58:44,851 OH, YEAH. OH, YEAH. 717 00:58:44,918 --> 00:58:48,387 OH, IT LOOKS SO GOOD. [Moans] 718 00:58:48,455 --> 00:58:51,090 MMM. 719 00:58:51,158 --> 00:58:54,961 MMM. IT'S GETTING HARDER... AND HARDER. 720 00:58:55,028 --> 00:58:58,430 IT'S THROBBING NOW. [Passionate Breathing] 721 00:58:58,498 --> 00:59:02,701 [Bickle Narrating] THE IDEA HAD BEEN GROWING IN MY BRAIN FOR SOME TIME. 722 00:59:02,770 --> 00:59:06,722 TRUE FORCE. ALL THE KING'S MEN... 723 00:59:06,790 --> 00:59:10,159 CANNOT PUT IT BACK TOGETHER AGAIN. 724 00:59:10,227 --> 00:59:12,228 [Clicking] 725 00:59:24,875 --> 00:59:27,342 [Distant Traffic Noise] 726 00:59:33,216 --> 00:59:35,350 [Clicks] 727 01:00:01,044 --> 01:00:03,712 [Clicks] 728 01:00:41,484 --> 01:00:43,685 [Snapping] 729 01:01:02,873 --> 01:01:05,440 [Chinking] 730 01:01:10,247 --> 01:01:13,415 WHERE ARE WE SUPPOSED TO GET MORE OF THESE? WHERE DO YOU THINK? 731 01:01:13,483 --> 01:01:16,685 BACK AT HEADQUARTERS-- [All Talking At Once] 732 01:01:16,753 --> 01:01:18,654 COME ON. ALL RIGHT. IT'LL WORK. 733 01:01:18,722 --> 01:01:21,423 MAYBE IT'S THESE SPEAKERS. IT'S NOT THE SPEAKERS. I'VE DONE THIS A HUNDRED TIMES. 734 01:01:21,491 --> 01:01:23,860 YOU'VE DONE THIS BEFORE? I'VE DONE THIS BEFORE. DON'T WORRY ABOUT IT. 735 01:01:23,927 --> 01:01:26,628 WHEN WAS THE LAST TIME YOU DID THIS? I'VE NEVER DONE THIS BEFORE. 736 01:01:26,696 --> 01:01:28,764 BETSY. ...HAVING SOMETHING LIKE THIS. 737 01:01:28,832 --> 01:01:30,766 BETSY! [Screaming] WHAT? 738 01:01:30,834 --> 01:01:33,635 BETSY! COME HERE, COME HERE. 739 01:01:33,703 --> 01:01:36,205 [Crowd Murmurings] 740 01:02:28,825 --> 01:02:30,793 HI. 741 01:02:32,495 --> 01:02:35,564 HEY, YOU'RE A SECRET SERVICE MAN, AREN'T YA? 742 01:02:35,632 --> 01:02:38,834 HUH? JUST WAITING FOR THE SENATOR. 743 01:02:40,304 --> 01:02:42,939 YOU'RE WAITING FOR THE SENATOR? 744 01:02:43,006 --> 01:02:45,007 OH! 745 01:02:46,310 --> 01:02:48,811 THAT'S A VERY GOOD ANSWER. 746 01:02:48,878 --> 01:02:53,282 SHIT, MAN. I'M WAITING FOR THE SUN TO SHINE. [Dog Barks] 747 01:02:53,350 --> 01:02:55,952 YEAH. 748 01:02:56,019 --> 01:02:59,956 NO, THE REASON I ASKED IF YOU WERE A SECRET SERVICE MAN-- 749 01:03:00,023 --> 01:03:02,791 I WON'T SAY ANYTHING-- BECAUSE I S-- 750 01:03:06,729 --> 01:03:09,798 [Quiet Chuckle] I SAW SOME SUSPICIOUS-LOOKING PEOPLE OVER THERE. 751 01:03:09,866 --> 01:03:12,068 YOU DID? YEAH, THEY WERE OVER THERE. RIGHT OVER THERE. 752 01:03:17,740 --> 01:03:19,741 THEY WERE JUST HERE, I-- 753 01:03:23,180 --> 01:03:25,481 THEY WERE VERY, VERY, UHH-- 754 01:03:25,548 --> 01:03:27,516 SUSPICIOUS. YEAH. 755 01:03:30,787 --> 01:03:32,955 [Muttering] 756 01:03:33,023 --> 01:03:37,226 IS IT HARD TO GET TO BE IN THE SECRET SERVICE? WHY? 757 01:03:37,294 --> 01:03:40,463 WELL, I WAS JUST CURIOUS, 'CAUSE I THINK I'D BE GOOD AT IT. 758 01:03:40,530 --> 01:03:42,531 I'M VERY OBSERVANT. OH? 759 01:03:42,599 --> 01:03:45,567 I WAS IN THE MARINE CORP, YOU KNOW. 760 01:03:45,635 --> 01:03:47,603 I'M GOOD WITH CROWDS. 761 01:03:50,007 --> 01:03:54,076 I NOTICE THERE'S A LITTLE PIN THERE. THAT'S LIKE A SIGNAL, ISN'T IT? HUH? 762 01:03:54,144 --> 01:03:58,347 SORT OF. SIGNAL. A SECRET SIGNAL FOR THE SECRET SERVICE. 763 01:04:02,486 --> 01:04:06,422 HEY, WHAT KIND OF GUNS DO YOU GUYS CARRY? .38s? .45s? 764 01:04:06,490 --> 01:04:09,858 .357 MAGNUMS? SOMETHING BIGGER, MAYBE? 765 01:04:09,926 --> 01:04:12,495 HEY LOOK, UH, IF YOU'RE REALLY INTERESTED, 766 01:04:12,562 --> 01:04:16,732 IF YOU GIVE ME YOUR NAME AND ADDRESS, WE'LL SEND YOU INFORMATION ON HOW TO APPLY. 767 01:04:16,799 --> 01:04:18,800 HOW'S THAT? 768 01:04:21,004 --> 01:04:22,905 YOU WILL? SURE. 769 01:04:22,972 --> 01:04:25,074 OKAY. WHY NOT? 770 01:04:29,312 --> 01:04:31,280 MY NAME IS HENRY... 771 01:04:32,615 --> 01:04:34,816 KRINKLE: K-R-I-N-K-L-E. 772 01:04:38,655 --> 01:04:41,457 154 HOPPER AVENUE. 773 01:04:43,093 --> 01:04:45,061 HOPPER. YEAH. 774 01:04:47,330 --> 01:04:50,132 YOU KNOW, LIKE A RABBIT. HIP, HOP. HEH HEH! 775 01:04:50,200 --> 01:04:53,035 [Vehicle Horn Honking] 776 01:04:53,103 --> 01:04:55,071 FAIRLAWN, NEW JERSEY. 777 01:04:57,941 --> 01:05:01,577 IS THERE A ZIP CODE WITH THAT, HENRY? YEAH, 610452. 778 01:05:04,581 --> 01:05:07,083 OKAY? THAT'S, UH, SIX DIGITS. 779 01:05:07,150 --> 01:05:09,251 SIX, ONE-- 780 01:05:09,319 --> 01:05:11,320 OH, WELL, 61045. 781 01:05:13,156 --> 01:05:15,091 OKAY. 782 01:05:15,158 --> 01:05:18,060 I WAS THINKING OF MY TELEPHONE NUMBER. 783 01:05:18,128 --> 01:05:22,498 WELL, I'VE GOT IT ALL. HENRY, WE'LL GET ALL THE STUFF RIGHT OUT TO YA. 784 01:05:22,566 --> 01:05:26,102 THANKS A LOT. HEY, GREAT. THANKS A LOT. HELL. JESUS. 785 01:05:26,169 --> 01:05:28,137 BE CAREFUL TODAY. RIGHT. WILL DO. 786 01:05:28,205 --> 01:05:31,039 YOU HAVE TO BE CAREFUL LIVIN' AROUND A PLACE LIKE THIS. 787 01:05:31,108 --> 01:05:33,109 BYE. 788 01:05:35,011 --> 01:05:36,979 [Vehicle Honking] 789 01:05:40,250 --> 01:05:42,684 - DAMN! - [Crowd Murmurings Rise] 790 01:05:42,752 --> 01:05:44,720 [Shouts, Squeals] 791 01:05:56,633 --> 01:05:58,601 [Muttering] 792 01:06:04,307 --> 01:06:06,908 YEAH. 793 01:06:06,976 --> 01:06:08,910 HUH? HUH? 794 01:06:08,978 --> 01:06:11,347 HUH? FASTER THAN YOU. 795 01:06:11,414 --> 01:06:13,382 YOU FUCKIN' SON OF A-- 796 01:06:13,450 --> 01:06:16,185 I SAW YOU COMIN', YOU FUCKIN'... 797 01:06:16,253 --> 01:06:18,487 SHIT-HEEL. 798 01:06:18,555 --> 01:06:20,523 [Mutters] 799 01:06:21,525 --> 01:06:24,360 I'M STANDIN' HERE. YOU MAKE THE MOVE. 800 01:06:24,427 --> 01:06:26,428 YOU MAKE THE MOVE. 801 01:06:26,496 --> 01:06:28,464 IT'S YOUR MOVE. 802 01:06:30,133 --> 01:06:33,269 HEH! DON'T TRY IT, YOU FUCK. [Clicking] 803 01:06:39,909 --> 01:06:41,877 YOU TALKIN' TO ME? 804 01:06:43,846 --> 01:06:45,814 YOU TALKIN' TO ME? 805 01:06:47,884 --> 01:06:49,851 YOU TALKIN' TO ME? 806 01:06:52,055 --> 01:06:54,956 WELL, THEN WHO THE HELL ELSE ARE YOU TALKING-- YOU TALKIN' TO ME? 807 01:06:55,992 --> 01:06:58,460 WELL, I'M THE ONLY ONE HERE. 808 01:06:59,829 --> 01:07:02,364 WHO THE FUCK DO YOU THINK YOU'RE TALKING TO? 809 01:07:03,500 --> 01:07:05,934 OH, YEAH? HUH? 810 01:07:07,337 --> 01:07:10,639 'KAY. [Snapping, Clicking] 811 01:07:10,707 --> 01:07:12,675 HUH? 812 01:07:16,112 --> 01:07:18,614 [Bickle Narrating] LISTEN, YOU FUCKERS, YOU SCREW-HEADS-- 813 01:07:18,682 --> 01:07:21,450 HERE IS A MAN WHO WOULD NOT TAKE IT ANYMORE; 814 01:07:21,518 --> 01:07:23,885 WHO WOULD NOT LET-- 815 01:07:23,953 --> 01:07:26,755 LISTEN, YOU FUCKERS, YOU SCREW-HEADS-- 816 01:07:26,823 --> 01:07:30,593 HERE IS A MAN WHO WOULD NOT TAKE IT ANYMORE; 817 01:07:30,660 --> 01:07:35,364 A MAN WHO STOOD UP AGAINST THE SCUM, THE CUNTS, THE DOGS, THE FILTH, THE SHIT. 818 01:07:35,432 --> 01:07:37,533 HERE IS SOMEONE WHO STOOD UP. 819 01:07:37,601 --> 01:07:40,402 HERE IS-- 820 01:07:40,470 --> 01:07:42,438 [Grunting] HUH? [Clicks] 821 01:07:44,874 --> 01:07:46,842 YOU'RE DEAD. 822 01:07:46,909 --> 01:07:48,877 [Woman Screams] 823 01:07:58,988 --> 01:08:00,956 [Children Chattering] 824 01:08:01,991 --> 01:08:03,959 [Siren Wailing] 825 01:08:13,703 --> 01:08:15,937 HEY, TRAVIS, EL TITERE. ¿QUE PASA? 826 01:08:16,005 --> 01:08:18,307 HI, MELIO. ¿QUE PASA? HEY, ALL RIGHT. 827 01:08:18,375 --> 01:08:20,842 [Radio: Spanish Broadcast, Faint] 828 01:08:28,418 --> 01:08:31,553 [Melio] YEAH, MAN? [Man] OKAY, SHUT YOUR FUCKIN' MOUTH AND GIMME THE CASH. 829 01:08:31,621 --> 01:08:34,122 [Thug] COME ON, COME ON. [Register Opens, Bell Dings] 830 01:08:34,190 --> 01:08:37,058 LET'S GO. GIMME THE GODDAMN CASH. DON'T SHOOT, I'M GETTIN' IT. 831 01:08:37,126 --> 01:08:39,295 STOP TAKIN' SO LONG. COME ON! 832 01:08:39,362 --> 01:08:42,030 LET ME HAVE IT. GIMME THE BREAD. 833 01:08:42,098 --> 01:08:44,101 THIS ALL YOU GOT. REACH IN YOUR SOCK AND GET THE REST. 834 01:08:44,127 --> 01:08:45,292 THAT'S IT. I DON'T HAVE MORE. 835 01:08:45,335 --> 01:08:47,536 GIMME THE REST OF THE GODDAMN CASH! THAT'S ALL I GOT! 836 01:08:47,604 --> 01:08:49,672 YOU GOT MORE. GIVE ME MORE. I'M TELLIN' YA, I AIN'T GOT NO MONEY! 837 01:08:49,739 --> 01:08:51,873 REACH IN YOUR SOCK. YOU GOT MORE BREAD. THAT'S IT, MAN. 838 01:08:51,941 --> 01:08:54,109 GIVE ME THE REST OF THE FUCKIN' BREAD. HEY. HEY. 839 01:08:59,449 --> 01:09:01,617 DID YOU GET 'IM? YEAH, I GOT 'IM. 840 01:09:05,689 --> 01:09:08,457 SHIT, MAN. 841 01:09:10,660 --> 01:09:13,261 IS HE DEAD? I DON'T KNOW. HIS EYES ARE MOVING. 842 01:09:15,198 --> 01:09:17,165 i MARICON! MAU-MAU! 843 01:09:19,068 --> 01:09:22,671 HEY, LISTEN, I AIN'T GOT A PERMIT FOR THIS THING. I DON'T KNOW WHAT I'M GONNA DO. 844 01:09:22,739 --> 01:09:25,474 i CARAJO! i TU PUTA MADRE! 845 01:09:27,577 --> 01:09:30,679 DON'T WORRY ABOUT IT MAN. I'LL TAKE CARE OF IT. CAN I GIVE YOU SOME MONEY? 846 01:09:30,747 --> 01:09:33,048 NO, MAN, JUST GET OUT OF HERE. CAN I GIVE YOU SOME MONEY? 847 01:09:33,115 --> 01:09:35,250 NO. NO, MAN, I'LL TAKE CARE OF IT. GO AHEAD. YEAH? 848 01:09:35,318 --> 01:09:38,554 YEAH. ¡MAMON! ¡TE VOY A JODER MARICON! 849 01:09:38,621 --> 01:09:41,289 THAT'S THE FIFTH MOTHERFUCKER THIS YEAR! 850 01:09:41,358 --> 01:09:43,359 YOU WANNA BUY THAT LITTLE DOPE, HUH? 851 01:09:43,426 --> 01:09:45,861 YOU WANNA BUY THAT COKE AND THAT MARIJUANA? [Grunting] 852 01:09:45,928 --> 01:09:48,564 ¡MARICON! 853 01:09:48,631 --> 01:09:50,599 ♪ [Slow Dance] 854 01:10:11,988 --> 01:10:15,691 ♪ AWAKE AGAIN I CAN'T PRETEND ♪ 855 01:10:18,327 --> 01:10:21,096 ♪ AND I KNOW I'M ALONE 856 01:10:21,163 --> 01:10:26,635 ♪ AND CLOSE TO THE END 857 01:10:26,703 --> 01:10:28,670 ♪ OF THE FEELING 858 01:10:28,738 --> 01:10:33,909 ♪ WE'VE KNOWN 859 01:10:34,977 --> 01:10:38,680 ♪ HOW LONG HAVE I BEEN SLEEPING ♪ 860 01:10:40,383 --> 01:10:46,254 ♪ HOW LONG HAVE I BEEN DRIFTING ALONE HERE TONIGHT ♪ 861 01:10:46,322 --> 01:10:50,426 ♪ HOW LONG HAVE I BEEN RUNNING FOR ♪ 862 01:10:50,493 --> 01:10:53,194 ♪ THAT MORNING FLIGHT 863 01:10:53,262 --> 01:10:58,834 ♪ FOR THE WHISPERED PROMISES AND THE CHANGIN' RIGHT ♪ 864 01:10:58,902 --> 01:11:03,605 ♪ OF THE BED WHERE WE BOTH LIE ♪ 865 01:11:03,673 --> 01:11:08,109 ♪ LATE FOR THE SKY 866 01:11:26,629 --> 01:11:29,932 [Palantine] WALT WHITMAN, THAT GREAT AMERICAN POET, 867 01:11:29,999 --> 01:11:32,233 SPOKE FOR ALL OF US WHEN HE SAID, 868 01:11:32,301 --> 01:11:36,972 "I AM THE MAN. I SUFFERED. I WAS THERE." 869 01:11:37,039 --> 01:11:41,009 TODAY I SAY TO YOU, WE ARE THE PEOPLE. 870 01:11:41,077 --> 01:11:43,946 WE SUFFERED. WE WERE THERE. 871 01:11:44,013 --> 01:11:46,949 [Applause] 872 01:11:47,016 --> 01:11:50,218 WE THE PEOPLE SUFFERED IN VIET NAM. 873 01:11:50,286 --> 01:11:53,555 WE THE PEOPLE SUFFERED. WE STILL SUFFER... 874 01:11:53,623 --> 01:11:58,794 FROM UNEMPLOYMENT, INFLATION, CRIME AND CORRUPTION. 875 01:11:58,862 --> 01:12:00,863 [Applause] 876 01:12:01,998 --> 01:12:04,032 [Bickle Narrating] DEAR FATHER AND MOTHER, 877 01:12:04,100 --> 01:12:07,402 JULY IS THE MONTH I REMEMBER WHICH BRINGS... 878 01:12:07,470 --> 01:12:10,171 NOT ONLY YOUR WEDDING ANNIVERSARY, 879 01:12:10,239 --> 01:12:13,542 BUT ALSO FATHER'S DAY AND MOTHER'S BIRTHDAY. 880 01:12:13,610 --> 01:12:16,612 I'M SORRY I CAN'T REMEMBER THE EXACT DATES, 881 01:12:16,679 --> 01:12:20,883 BUT I HOPE THIS CARD WILL TAKE CARE OF THEM ALL. 882 01:12:20,950 --> 01:12:24,285 I'M SORRY AGAIN I CANNOT SEND YOU MY ADDRESS... 883 01:12:24,353 --> 01:12:26,922 LIKE I PROMISED TO LAST YEAR, 884 01:12:26,990 --> 01:12:29,725 BUT THE SENSITIVE NATURE OF MY WORK FOR THE GOVERNMENT... 885 01:12:29,792 --> 01:12:33,094 DEMANDS UTMOST SECRECY. 886 01:12:33,162 --> 01:12:36,431 I KNOW YOU WILL UNDERSTAND. WE ARE, ALL OF US-- [Continues, Indistinct] 887 01:12:36,499 --> 01:12:39,300 I AM HEALTHY AND WELL AND MAKING LOTS OF MONEY. 888 01:12:39,368 --> 01:12:41,603 I HAVE BEEN GOING WITH A GIRL FOR SEVERAL MONTHS, 889 01:12:41,671 --> 01:12:44,239 AND I KNOW YOU WOULD BE PROUD IF YOU COULD SEE HER. 890 01:12:44,306 --> 01:12:48,877 HER NAME IS BETSY, BUT I CAN TELL YOU NO MORE THAN THAT. 891 01:12:48,945 --> 01:12:52,848 HEY, CABBIE, YA CAN'T PARK HERE. [Vehicle Horns Honking] 892 01:12:52,916 --> 01:12:55,784 COME ON! COME ON, LET'S GO, LET'S GO! MOVE IT! 893 01:12:55,852 --> 01:12:58,219 [Palantine] NO MORE WILL WE THE PEOPLE... 894 01:12:58,287 --> 01:13:02,190 BEAR THE BURDEN OF SUFFERING FOR THE FEW. 895 01:13:02,258 --> 01:13:05,827 NO MORE WILL WE FIGHT THE WARS OF THE FEW... [Applause] 896 01:13:05,895 --> 01:13:07,896 TO THE HARM OF THE MANY. 897 01:13:12,018 --> 01:13:16,087 [Bickle Continues] I HOPE THIS CARD FINDS YOU ALL WELL AS IT DOES ME. 898 01:13:16,155 --> 01:13:19,691 I HOPE NO ONE HAS DIED. DON'T WORRY ABOUT ME. 899 01:13:19,759 --> 01:13:23,294 ONE DAY THERE'LL BE A KNOCK ON THE DOOR AND IT'LL BE ME. 900 01:13:23,362 --> 01:13:25,313 LOVE, TRAVIS. 901 01:13:32,605 --> 01:13:36,474 - DON'T YOU HAVE SOME IDEA? - WELL, I'M NOT THE ONE WHO WANTS TO TALK. 902 01:13:36,543 --> 01:13:40,946 [Woman] BUT YOU MUST KNOW THE REASON I DIDN'T MARRY HIM. [Clicking] 903 01:13:41,014 --> 01:13:44,049 IT'S BECAUSE I COULDN'T STAND TO BE A CAUSE OF DIVORCE, 904 01:13:44,116 --> 01:13:46,117 AND... 905 01:13:47,554 --> 01:13:50,889 NOW HE'S GETTING DIVORCED ANYWAY, 906 01:13:50,957 --> 01:13:52,925 AND, UH-- 907 01:13:54,761 --> 01:13:56,929 PHILIP WANTS TO MARRY ME, BROCK. 908 01:14:00,332 --> 01:14:02,333 I DO LOVE HIM. 909 01:14:06,072 --> 01:14:08,239 [Sighs] WHAT ABOUT US, JILL? 910 01:14:09,876 --> 01:14:11,877 OUR MARRIAGE? 911 01:14:14,380 --> 01:14:16,514 YOU GOTTA KNOW THAT OUR MARRIAGE WASN'T LEGAL. 912 01:14:16,583 --> 01:14:19,384 IN THE EYES OF GOD, WE ARE MARRIED. 913 01:14:22,021 --> 01:14:24,890 BROCK, PLEASE DON'T... 914 01:14:24,958 --> 01:14:27,626 DO THIS TO ME. 915 01:14:27,694 --> 01:14:29,695 I LOVE HIM-- 916 01:14:38,938 --> 01:14:40,905 DAMN. 917 01:14:41,941 --> 01:14:43,942 GODDAMN. 918 01:14:52,285 --> 01:14:54,252 HEY! 919 01:15:16,275 --> 01:15:18,510 [Indistinct Conversing] 920 01:15:18,578 --> 01:15:21,079 WHAT, ARE YOU TRYING TO GET RID OF ME? [Laughs] 921 01:15:24,183 --> 01:15:26,518 YOU LOOKIN' FOR SOME ACTION? YEAH. 922 01:15:30,689 --> 01:15:33,358 YOU SEE THAT GUY OVER THERE? YEAH. 923 01:15:33,426 --> 01:15:36,495 ALL RIGHT. YOU GO TALK TO HIM. HIS NAME IS MATTHEW. 924 01:15:36,562 --> 01:15:40,632 I'LL BE OVER THERE WAITIN' FOR YOU. OKAY. 925 01:15:40,699 --> 01:15:42,601 ♪ I WENT TO CHINATOWN 926 01:15:42,668 --> 01:15:45,537 ♪ TO BUY SOME EGG FOO YOUNG ♪ IS YOUR NAME MATTHEW? 927 01:15:45,605 --> 01:15:47,539 I WANT SOME ACTION. 928 01:15:47,607 --> 01:15:50,175 OFFICER-- [Scoffs] 929 01:15:50,243 --> 01:15:54,212 I SWEAR I'M CLEAN. I'M JUST WAITING HERE FOR A FRIEND. 930 01:15:54,280 --> 01:15:56,848 YOU GONNA BUST ME FOR NOTHIN', MAN? 931 01:15:56,915 --> 01:15:59,151 I'M NOT A COP. 932 01:15:59,218 --> 01:16:01,520 I AIN'T NO COP. THEY WHY YOU ASK ME FOR ACTION? 933 01:16:04,323 --> 01:16:06,291 BECAUSE SHE SENT ME OVER. 934 01:16:08,761 --> 01:16:11,530 I SUPPOSE THAT AIN'T A .38 YOU'VE GOT IN YOUR SOCK. 935 01:16:11,597 --> 01:16:14,732 .38? NAH. HUH? HUH? [Chuckles] 936 01:16:14,800 --> 01:16:17,636 I'M CLEAN, MAN. 937 01:16:17,703 --> 01:16:20,672 SHIT, YOU'RE A REAL COWBOY? YEAH. 938 01:16:20,739 --> 01:16:23,175 THAT'S NICE, MAN. ALL RIGHT. 939 01:16:23,242 --> 01:16:25,644 IT'S ALL RIGHT. FIFTEEN DOLLARS, FIFTEEN MINUTES. 940 01:16:25,711 --> 01:16:27,712 TWENTY-FIVE DOLLARS, HALF AN HOUR. 941 01:16:29,715 --> 01:16:31,650 AH, SHIT. 942 01:16:31,717 --> 01:16:37,088 COWBOY, HUH? I ONCE HAD A HORSE... IN CONEY ISLAND. 943 01:16:37,156 --> 01:16:40,325 SHE GOT HIT BY A CAR. OH-- 944 01:16:41,360 --> 01:16:43,328 WELL, TAKE IT OR LEAVE IT. 945 01:16:43,396 --> 01:16:46,331 IF YOU WANT TO SAVE YOURSELF SOME MONEY, DON'T FUCK HER... 946 01:16:46,399 --> 01:16:49,334 'CAUSE YOU'LL BE BACK HERE EVERY NIGHT FOR SOME MORE, MAN. 947 01:16:49,402 --> 01:16:53,505 SHE'S 12 AND A HALF YEARS OLD. YOU AIN'T NEVER HAD NO PUSSY LIKE THAT. 948 01:16:53,573 --> 01:16:56,308 YOU CAN DO ANYTHING YOU WANT WITH HER. YOU CAN COME ON HER, FUCK HER IN THE MOUTH, 949 01:16:56,375 --> 01:16:58,677 FUCK HER IN THE ASS, COME ON HER FACE, MAN. 950 01:16:58,744 --> 01:17:01,946 SHE'LL GET YOUR COCK SO HARD, SHE'LL MAKE IT EXPLODE. 951 01:17:04,217 --> 01:17:06,851 BUT NO ROUGH STUFF. ALL RIGHT? 952 01:17:12,358 --> 01:17:14,459 ALL RIGHT, I'LL TAKE IT. 953 01:17:14,527 --> 01:17:18,330 HEY, MAN. TAKE OUT NO MONEY OVER HERE. 954 01:17:18,397 --> 01:17:20,965 YOU WANNA FUCK ME? YOU AIN'T GONNA FUCK ME, YOU'RE GONNA FUCK HER. 955 01:17:21,033 --> 01:17:23,167 YOU GIVE HER THE MONEY. GO AHEAD. 956 01:17:24,169 --> 01:17:26,771 CATCH YOU LATER, COPPER. 957 01:17:26,839 --> 01:17:29,307 WHAT DID YOU SAY? I'LL SEE YOU LATER, COPPER. 958 01:17:30,776 --> 01:17:32,777 I'M NO COP, MAN. 959 01:17:34,413 --> 01:17:37,249 WELL, IF YOU ARE, IT'S ENTRAPMENT ALREADY. 960 01:17:37,316 --> 01:17:39,217 HUH? 961 01:17:39,285 --> 01:17:41,653 I'M HIP. 962 01:17:41,721 --> 01:17:45,557 [Laughs] BUDDY, YOU DON'T LOOK HIP. 963 01:17:48,461 --> 01:17:51,663 GO AHEAD, HAVE YOURSELF A GOOD TIME. GO AHEAD, MAN. 964 01:17:51,731 --> 01:17:53,732 [Mimicking Gunshots] 965 01:17:58,671 --> 01:18:01,740 [Chuckling] YOU'RE A FUNNY GUY. 966 01:18:05,511 --> 01:18:09,314 BUT LOOKS AREN'T EVERYTHING. GO AHEAD, MAN. HAVE A GOOD TIME. 967 01:18:10,750 --> 01:18:12,684 HUH. 968 01:18:12,752 --> 01:18:15,086 [Bell Tolling] 969 01:18:15,154 --> 01:18:17,255 YOU'RE A FUNNY GUY, MAN. 970 01:18:27,032 --> 01:18:29,000 [Siren Wailing] 971 01:18:45,685 --> 01:18:47,652 [Siren Continues] 972 01:18:57,396 --> 01:19:00,865 HEY. THE ROOM'LL COST YA TEN BUCKS. 973 01:19:14,347 --> 01:19:16,348 I'M TIMIN' YA TOO. 974 01:19:17,416 --> 01:19:19,417 [Chuckles] 975 01:19:24,623 --> 01:19:26,591 [Door Creaking] 976 01:19:35,267 --> 01:19:37,268 COME ON. 977 01:19:46,379 --> 01:19:48,680 ARE YOU REALLY 12 AND A HALF? 978 01:19:50,315 --> 01:19:53,485 LISTEN, MISTER, IT'S YOUR TIME AND 15 MINUTES AIN'T LONG. 979 01:19:56,021 --> 01:19:59,123 WHEN THAT CIGARETTE BURNS OUT, YOUR TIME IS UP. 980 01:20:03,729 --> 01:20:05,697 HOW OLD ARE YOU? 981 01:20:07,232 --> 01:20:09,300 YOU DON'T WANT TO TELL ME? 982 01:20:09,368 --> 01:20:12,570 WHAT'S YOUR NAME? EASY. 983 01:20:12,638 --> 01:20:15,774 WELL, THAT'S NOT ANY KIND OF NAME. IT'S EASY TO REMEMBER. 984 01:20:15,841 --> 01:20:20,044 YEAH, BUT WHAT'S YOUR REAL NAME? I DON'T LIKE MY REAL NAME. 985 01:20:20,112 --> 01:20:22,280 WHAT'S YOUR REAL NAME? 986 01:20:26,151 --> 01:20:26,918 IRIS. 987 01:20:26,944 --> 01:20:30,012 WELL, WHAT'S WRONG WITH THAT? THAT'S A NICE NAME. 988 01:20:30,055 --> 01:20:32,056 THAT'S WHAT YOU THINK. 989 01:20:39,331 --> 01:20:42,634 NO, DON'T DO THAT. DON'T DO THAT. DON'T YOU REMEMBER ME? 990 01:20:42,701 --> 01:20:47,038 REMEMBER WHEN YOU GOT INTO A TAXI? IT WAS A CHECKER TAXI. 991 01:20:47,105 --> 01:20:49,281 YOU GOT IN AND THAT GUY MATTHEW CAME BY AND 992 01:20:49,307 --> 01:20:51,334 HE SAID THAT HE WANTED TO TAKE YOU AWAY? 993 01:20:51,376 --> 01:20:53,344 HE PULLED YOU AWAY. 994 01:20:54,413 --> 01:20:56,714 [Muttering] NO, I DON'T REMEMBER THAT. 995 01:20:56,782 --> 01:20:59,250 YOU DON'T REMEMBER ANY OF THAT? 996 01:20:59,318 --> 01:21:00,265 NO. 997 01:21:00,291 --> 01:21:04,080 WELL, THAT'S ALL RIGHT. I'M GONNA GET YOU OUTTA HERE. 998 01:21:04,122 --> 01:21:07,826 SO WE BETTER MAKE IT OR SPORT'LL GET MAD. SO HOW DO YOU WANNA MAKE IT? 999 01:21:07,893 --> 01:21:09,928 I DON'T WANNA MAKE IT. WHO'S SPORT? 1000 01:21:09,995 --> 01:21:12,330 OH, THAT'S MATTHEW. I CALL HIM SPORT. 1001 01:21:17,870 --> 01:21:19,838 WANNA MAKE IT LIKE THIS? 1002 01:21:21,907 --> 01:21:24,008 [Buckle Clicking] 1003 01:21:24,076 --> 01:21:26,010 [Fly Unzipping] 1004 01:21:26,078 --> 01:21:28,813 LISTEN, I-- I WA-- LISTEN, CAN'T YOU UNDERSTAND SOMETHING? 1005 01:21:28,881 --> 01:21:30,832 YOU'RE THE ONE WHO CAME INTO MY CAB. 1006 01:21:30,858 --> 01:21:32,675 YOU'RE THE ONE THAT WANTED TO GET OUT OF HERE. 1007 01:21:32,718 --> 01:21:36,420 WELL, I MUST'VE BEEN STONED. WHAT DO YOU MEAN? THEY DRUG YOU? 1008 01:21:36,489 --> 01:21:38,456 OH, COME OFF IT, MAN. 1009 01:21:39,859 --> 01:21:44,028 WHAT'RE YOU DOIN'? DON'T YOU WANNA MAKE IT? 1010 01:21:46,765 --> 01:21:49,333 NO, I DON'T WANNA MAKE IT. I WANNA HELP YOU. 1011 01:21:49,401 --> 01:21:51,369 WELL, I CAN HELP YOU. 1012 01:21:52,404 --> 01:21:54,372 [Unzipping] 1013 01:21:56,609 --> 01:21:59,677 DAMN, MAN! GODDAMN IT! 1014 01:21:59,745 --> 01:22:02,213 [Children's Voices In Distance] 1015 01:22:04,216 --> 01:22:07,184 SHIT, MAN. WHAT THE HELL'S THE MATTER WITH YOU? 1016 01:22:08,286 --> 01:22:10,221 LISTEN, WE DON'T HAVE TO MAKE IT, MISTER. 1017 01:22:10,288 --> 01:22:12,456 GODDAMN IT, DON'T YOU WANT TO GET OUTTA HERE? 1018 01:22:15,060 --> 01:22:18,195 CAN YOU UNDERSTAND WHY I CAME HERE? 1019 01:22:18,263 --> 01:22:20,231 I-I THINK I UNDERSTAND, UH-- 1020 01:22:22,234 --> 01:22:25,904 I TRIED TO GET INTO YOUR CAB ONE NIGHT AND NOW YOU WANNA TAKE ME AWAY. 1021 01:22:27,806 --> 01:22:31,643 - IS THAT IT? - YEAH, BUT DON'T YOU WANNA GO? 1022 01:22:31,710 --> 01:22:35,346 I CAN LEAVE ANY TIME I WANT TO. THEN WHAT ABOUT THAT ONE NIGHT? 1023 01:22:37,650 --> 01:22:39,617 LOOK, I WAS STONED. 1024 01:22:42,087 --> 01:22:44,155 THAT'S WHY THEY STOPPED ME. 1025 01:22:45,991 --> 01:22:49,093 AND WHEN I'M NOT STONED, I GOT NO PLACE ELSE TO GO. 1026 01:22:50,362 --> 01:22:52,296 SO THEY JUST, UH... 1027 01:22:52,364 --> 01:22:54,766 PROTECT ME FROM MYSELF. 1028 01:22:57,302 --> 01:22:59,303 [Groans] 1029 01:23:00,806 --> 01:23:03,274 AH, I DON'T KNOW. 1030 01:23:06,445 --> 01:23:08,980 I DON'T KNOW. OKAY, I TRIED. 1031 01:23:09,048 --> 01:23:13,685 HEY, I UNDERSTAND. AND IT MEANS SOMETHING, REALLY. 1032 01:23:15,588 --> 01:23:19,624 AH-- WELL, LOOK, CAN I SEE YA AGAIN? 1033 01:23:19,692 --> 01:23:22,226 [Chuckles] THAT'S NOT HARD TO DO. NO, I DON'T MEAN LIKE THAT. 1034 01:23:22,294 --> 01:23:26,497 I MEAN, YOU KNOW, REGULARLY. THIS IS NOTHING FOR A PERSON TO DO. 1035 01:23:26,565 --> 01:23:28,466 HOW ABOUT BREAKFAST TOMORROW? 1036 01:23:28,533 --> 01:23:30,768 TOMORROW? WHEN? I GET UP AT ABOUT 1:00. 1037 01:23:30,836 --> 01:23:32,770 1:00? 1:00. 1038 01:23:32,838 --> 01:23:34,806 AH. 1039 01:23:35,841 --> 01:23:38,109 WELL, I GOT A-- A THING. I DON'T-- 1040 01:23:38,176 --> 01:23:41,746 COME ON, DO YOU WANT TO OR NOT? YEAH. OKAY. ALL RIGHT. 1041 01:23:41,814 --> 01:23:43,748 OKAY, 1:00. 1:00. 1042 01:23:43,816 --> 01:23:45,783 OKAY. SEE YOU TOMORROW. 1043 01:23:47,552 --> 01:23:50,454 OH, IRIS... MY NAME IS TRAVIS. 1044 01:23:50,522 --> 01:23:52,590 THANKS A LOT TRAVIS. 1045 01:23:55,460 --> 01:23:58,229 SO LONG, IRIS. SEE YOU TOMORROW. 1046 01:24:00,265 --> 01:24:02,233 SWEET IRIS. 1047 01:24:08,406 --> 01:24:10,508 [Door Opens, Closes] 1048 01:24:26,058 --> 01:24:28,026 THIS IS YOURS. 1049 01:24:28,093 --> 01:24:30,061 SPEND IT RIGHT. 1050 01:24:35,200 --> 01:24:39,137 - COME BACK ANY TIME, COWBOY. - I WILL. 1051 01:24:45,778 --> 01:24:48,245 [Indistinct Talking, Shouting] 1052 01:24:53,485 --> 01:24:56,120 [Vehicle Horn Blowing] 1053 01:24:57,756 --> 01:25:00,725 WHY DO YOU WANT ME TO GO BACK TO MY PARENTS? 1054 01:25:00,793 --> 01:25:04,729 I MEAN, THEY HATE ME. WHY DO YOU THINK I SPLIT IN THE FIRST PLACE? 1055 01:25:04,797 --> 01:25:07,732 THERE AIN'T NOTHIN' THERE. YEAH, BUT YOU CAN'T LIVE LIKE THIS. 1056 01:25:07,800 --> 01:25:11,803 IT'S A HELL. A GIRL SHOULD LIVE AT HOME. 1057 01:25:11,870 --> 01:25:14,205 DIDN'T YOU EVER HEAR OF WOMEN'S LIB? 1058 01:25:14,272 --> 01:25:19,443 WHAT DO YOU MEAN, WOMEN'S LIB? YOU'RE A YOUNG GIRL. YOU SHOULD BE HOME NOW. 1059 01:25:19,511 --> 01:25:23,347 YOU SHOULD BE DRESSED UP, YOU SHOULD BE GOIN' OUT WITH BOYS, GOIN' TO SCHOOL. 1060 01:25:23,415 --> 01:25:27,351 YOU KNOW, THAT KIND OF STUFF. [Scoffs] GOD, ARE YOU SQUARE. 1061 01:25:27,419 --> 01:25:31,989 HEY, I'M NOT SQUARE! YOU'RE THE ONE WHO'S SQUARE. YOU'RE FULL OF SHIT, MAN. 1062 01:25:32,057 --> 01:25:34,792 WHAT'RE YOU TALKIN' ABOUT? YOU WALK OUT WITH THOSE FUCKIN' CREEPS... 1063 01:25:34,860 --> 01:25:37,294 AND LOWLIFES AND DEGENERATES OUT ON THE STREET... 1064 01:25:37,362 --> 01:25:40,364 AND YOU SELL YOUR LITTLE PUSSY FOR NOTHIN', MAN? 1065 01:25:40,432 --> 01:25:44,301 FOR SOME LOWLIFE PIMP WHO STANDS IN A HOLE? 1066 01:25:46,038 --> 01:25:49,006 I'M THE-- I'M SQUARE? YOU'RE THE ONE THAT'S SQUARE, MAN. 1067 01:25:49,074 --> 01:25:52,643 I DON'T GO SCREW AND FUCK WITH A BUNCH OF KILLERS AND JUNKIES THE WAY YOU DO. 1068 01:25:53,678 --> 01:25:56,347 YOU CALL THAT BEIN' HIP? 1069 01:25:56,414 --> 01:25:58,415 WHAT WORLD YOU FROM? 1070 01:26:03,222 --> 01:26:03,865 WHO'S A KILLER? 1071 01:26:03,891 --> 01:26:06,249 THAT GUY SPORT'S A KILLER, THAT'S WHO'S A KILLER. 1072 01:26:06,291 --> 01:26:08,893 SPORT NEVER KILLED NOBODY. HE KILLED SOMEONE. 1073 01:26:08,961 --> 01:26:11,095 HE'S A LIBRA. HE'S A WHAT? 1074 01:26:11,163 --> 01:26:14,031 I'M A LIBRA TOO. THAT'S WHY WE GET ALONG SO WELL. 1075 01:26:17,035 --> 01:26:19,837 HE LOOKS LIKE A KILLER TO ME. 1076 01:26:19,905 --> 01:26:23,607 I THINK THAT, THAT CANCERS MAKE THE BEST LOVERS, BUT-- 1077 01:26:23,675 --> 01:26:25,910 GOD, MY WHOLE FAMILY ARE EARTH SIGNS. 1078 01:26:25,978 --> 01:26:28,379 HE'S ALSO A DOPE SHOOTER. 1079 01:26:28,446 --> 01:26:31,548 SO WHAT MAKES YOU SO HIGH AND MIGHTY? WILL YOU TELL ME THAT? 1080 01:26:31,616 --> 01:26:34,952 DIDN'T YOU EVER TRY LOOKIN' IN YOUR OWN EYEBALLS IN THE MIRROR? 1081 01:26:40,959 --> 01:26:43,460 SO, WHAT ARE YOU GONNA DO ABOUT SPORT AND THAT OLD BASTARD? 1082 01:26:43,528 --> 01:26:45,496 WHEN? WHEN YOU LEAVE. 1083 01:26:49,268 --> 01:26:51,368 I DON'T KNOW. JUST LEAVE 'EM, I GUESS. YOU'RE JUST GONNA LEAVE? 1084 01:26:51,436 --> 01:26:53,737 YEAH, THEY GOT PLENTY OTHER GIRLS. 1085 01:26:53,806 --> 01:26:56,274 YEAH, BUT YOU JUST CAN'T DO THAT. WHAT'RE YOU GONNA DO? 1086 01:26:57,709 --> 01:26:59,944 WHAT DO YOU WANT ME TO DO? CALL THE COPS? 1087 01:27:00,012 --> 01:27:02,814 THE COPS DON'T DO NOTHIN'. YOU KNOW THAT. 1088 01:27:02,881 --> 01:27:07,084 SPORT NEVER TREATED ME BAD. HE DIDN'T BEAT ME UP OR ANYTHING LIKE THAT ONCE. 1089 01:27:07,152 --> 01:27:10,254 BUT YOU CAN'T ALLOW HIM TO DO THE SAME TO OTHER GIRLS. [Siren Wailing] 1090 01:27:10,322 --> 01:27:12,423 YOU CAN'T ALLOW HIM TO DO THAT. 1091 01:27:12,490 --> 01:27:14,874 HE'S THE LOWEST KIND OF PERSON IN THE WORLD. 1092 01:27:14,900 --> 01:27:17,019 SOMEBODY'S GOT TO DO SOMETHING TO HIM. 1093 01:27:17,062 --> 01:27:18,996 HE'S THE SCUM OF THE EARTH. 1094 01:27:19,064 --> 01:27:20,998 HE'S THE WORST... 1095 01:27:21,066 --> 01:27:24,302 S-S-- SUCKING SCUM I HAVE EVER, EVER SEEN. 1096 01:27:26,972 --> 01:27:29,106 YOU KNOW WHAT HE TOLD ME ABOUT YOU? 1097 01:27:31,776 --> 01:27:34,979 HE'S CALLIN' YOU NAMES. HE CALLED YOU A LITTLE PIECE OF CHICKEN. 1098 01:27:37,015 --> 01:27:40,584 HE DOESN'T-- HE-- HE DOESN'T MEAN THAT. 1099 01:27:40,652 --> 01:27:44,688 [Sighs] I'LL MOVE UP TO ONE OF THEM COMMUNES IN VERMONT. 1100 01:27:46,725 --> 01:27:49,961 [Silverware Chinking] 1101 01:27:50,028 --> 01:27:53,264 I NEVER SEEN A COMMUNE BEFORE, BUT I DON'T KNOW, YOU KNOW? 1102 01:27:53,332 --> 01:27:58,802 I SAW... SOME PICTURES ONCE IN A MAGAZINE. DIDN'T LOOK VERY CLEAN. 1103 01:27:58,871 --> 01:28:01,339 WHY DON'T YOU COME TO THE COMMUNE WITH ME? 1104 01:28:01,406 --> 01:28:05,276 WHAT, COME TO THE COMMUNE WITH YOU? NO, NO! [Chuckles] 1105 01:28:05,344 --> 01:28:07,311 WHY NOT? 1106 01:28:08,646 --> 01:28:11,382 UH, I DON'T GO TO PLACES LIKE THAT. 1107 01:28:11,449 --> 01:28:12,389 AW, COME ON. WHY NOT? 1108 01:28:12,415 --> 01:28:14,743 NAH, I DON'T GET ALONG WITH PEOPLE LIKE THAT. 1109 01:28:14,786 --> 01:28:17,255 ARE YOU A "SCORPION"? WHAT? 1110 01:28:17,322 --> 01:28:19,924 THAT'S IT. YOU'RE A SCORPION. I CAN TELL EVERY TIME. 1111 01:28:21,626 --> 01:28:24,095 BESIDES, I GOTTA STAY HERE. 1112 01:28:24,162 --> 01:28:26,898 COME ON, WHY? I GOT SOMETHING VERY IMPORTANT TO DO. 1113 01:28:26,965 --> 01:28:29,700 OH, SO WHAT'S SO IMPORTANT? 1114 01:28:30,735 --> 01:28:33,604 DOIN' SOMETHIN' FOR THE GOVERNMENT. 1115 01:28:33,671 --> 01:28:35,873 THE CAB THING IS JUST PART TIME. 1116 01:28:35,941 --> 01:28:38,575 ARE YOU A NARC? 1117 01:28:38,643 --> 01:28:42,179 DO I LOOK LIKE A NARC? 1118 01:28:42,247 --> 01:28:44,248 YEAH! [Laughing] 1119 01:28:45,450 --> 01:28:48,219 I AM A NARC. 1120 01:28:48,287 --> 01:28:51,222 GOD! I DON'T KNOW WHO'S WEIRDER, YOU OR ME. 1121 01:28:57,229 --> 01:29:02,099 SURE YOU DON'T WANNA COME? I'LL TELL YOU WHAT. I'M GONNA GIVE YOU THE MONEY TO GO. 1122 01:29:02,167 --> 01:29:05,369 OH, NO. LOOK, YOU DON'T HAVE TO DO THAT. NO, NO. I WANT YOU TO TAKE IT. 1123 01:29:05,437 --> 01:29:08,372 I DON'T WANT YOU TO TAKE ANYTHING FROM THEM. 1124 01:29:08,440 --> 01:29:13,144 NOW, I WANNA DO IT. I DON'T HAVE ANYTHING BETTER TO DO WITH MY MONEY. 1125 01:29:13,211 --> 01:29:17,348 NOW, I MIGHT BE GOIN' AWAY FOR AWHILE. 1126 01:29:24,889 --> 01:29:27,358 [Taxi Dispatch Radio Transmission, Indistinct] 1127 01:29:42,507 --> 01:29:45,576 YOU'RE JUST A LITTLE TENSE, THAT'S ALL. 1128 01:29:46,578 --> 01:29:49,180 I DON'T LIKE WHAT I'M DOIN', SPORT. 1129 01:29:49,247 --> 01:29:52,649 AW, BABY, I DIDN'T WANT YOU TO LIKE WHAT YOU'RE DOIN'. 1130 01:29:52,717 --> 01:29:55,453 IF YOU EVER LIKED WHAT YOU WERE DOIN' YOU WOULDN'T BE MY WOMAN. 1131 01:29:58,156 --> 01:30:00,724 YOU NEVER SPEND ANY TIME WITH ME ANYMORE. 1132 01:30:00,792 --> 01:30:03,361 WELL, I GOT TO ATTEND TO BUSINESS, BABY. 1133 01:30:04,963 --> 01:30:07,898 YOU MISS YOUR MAN, DON'T YOU? 1134 01:30:07,966 --> 01:30:11,335 [Sighs] I DON'T LIKE TO BE AWAY FROM YOU EITHER. 1135 01:30:12,471 --> 01:30:14,438 YOU KNOW HOW I FEEL ABOUT YOU. 1136 01:30:16,074 --> 01:30:18,075 I DEPEND ON YOU. 1137 01:30:19,744 --> 01:30:21,745 I'D BE LOST WITHOUT YOU. 1138 01:30:23,281 --> 01:30:25,249 DON'T YOU EVER FORGET THAT. 1139 01:30:26,518 --> 01:30:28,486 ♪ [Light Jazz] 1140 01:30:34,993 --> 01:30:36,994 HOW MUCH I NEED YOU. 1141 01:30:39,431 --> 01:30:41,399 COME TO ME, BABY. 1142 01:30:51,410 --> 01:30:53,411 LET ME HOLD YOU. 1143 01:30:59,617 --> 01:31:03,554 AH, WHEN YOU'RE CLOSE TO ME LIKE THIS, I FEEL SO GOOD. 1144 01:31:08,693 --> 01:31:14,098 I ONLY WISH EVERY MAN COULD KNOW WHAT IT'S LIKE TO BE LOVED BY YOU; 1145 01:31:18,136 --> 01:31:20,204 THAT EVERY WOMAN, EVERYWHERE, 1146 01:31:22,774 --> 01:31:25,376 HAD A MAN THAT LOVES HER LIKE I LOVE YOU. 1147 01:31:29,714 --> 01:31:32,649 GOD, IT'S GOOD SO CLOSE. 1148 01:31:45,130 --> 01:31:47,631 YOU KNOW, AT TIMES LIKE THIS... 1149 01:31:47,699 --> 01:31:50,067 I KNOW I AM A LUCKY MAN. 1150 01:31:53,171 --> 01:31:56,307 TOUCHING A WOMAN WHO WANTS ME AND NEEDS ME. 1151 01:32:02,447 --> 01:32:05,182 YEAH, IT'S ONLY YOU THAT KEEPS ME TOGETHER. 1152 01:32:07,785 --> 01:32:09,753 [Gunfire] 1153 01:33:38,076 --> 01:33:42,279 [Bickle Narrating] NOW I SEE IT CLEARLY. MY WHOLE LIFE IS POINTED IN ONE DIRECTION. 1154 01:33:42,347 --> 01:33:44,781 I SEE THAT NOW. 1155 01:33:44,849 --> 01:33:47,251 THERE NEVER HAS BEEN ANY CHOICE FOR ME. 1156 01:33:47,319 --> 01:33:49,320 [Crowd Cheering] 1157 01:34:23,321 --> 01:34:25,947 LADIES AND GENTLEMEN, THE NEXT PRESIDENT OF 1158 01:34:25,973 --> 01:34:28,717 THE UNITED STATES, SENATOR CHARLES PALANTINE. 1159 01:34:28,760 --> 01:34:32,129 [Whistling, Cheering Continues] 1160 01:34:35,099 --> 01:34:37,701 THANK YOU, TOM. 1161 01:34:37,769 --> 01:34:39,870 LADIES AND GENTLEMEN, 1162 01:34:39,937 --> 01:34:44,207 WE ARE MET TODAY AT A CROSSROADS: COLUMBUS CIRCLE. 1163 01:34:44,276 --> 01:34:46,810 THIS IS NO ORDINARY PLACE. 1164 01:34:46,878 --> 01:34:51,615 IT IS A PLACE WHERE MANY ROADS AND MANY LIVES INTERSECT. 1165 01:34:51,683 --> 01:34:55,653 IT IS APPROPRIATE THAT WE MEET HERE TODAY, 1166 01:34:55,720 --> 01:34:59,189 BECAUSE THESE ARE NOT ORDINARY TIMES. 1167 01:34:59,257 --> 01:35:02,459 WE MEET AT A CROSSROADS IN HISTORY. 1168 01:35:03,695 --> 01:35:06,664 FOR FAR TOO LONG, THE WRONG ROADS HAVE BEEN TAKEN. 1169 01:35:07,699 --> 01:35:10,834 THE WRONG ROADS HAVE LED US INTO WAR, 1170 01:35:10,902 --> 01:35:13,771 INTO POVERTY, INTO UNEMPLOYMENT... 1171 01:35:13,838 --> 01:35:16,006 AND INFLATION. 1172 01:35:16,073 --> 01:35:19,710 TODAY I SAY TO YOU, WE HAVE REACHED THE TURNING POINT. 1173 01:35:23,615 --> 01:35:27,718 NO LONGER WILL WE THE PEOPLE SUFFER FOR THE FEW. 1174 01:35:27,786 --> 01:35:29,787 [Applause, Cheering] 1175 01:35:35,927 --> 01:35:40,197 NOW, I WOULD LIE TO YOU IF I TOLD YOU THE NEW ROADS WOULD BE EASY. 1176 01:35:40,264 --> 01:35:43,233 THEY WILL NOT BE EASY. 1177 01:35:43,301 --> 01:35:46,970 NOTHING THAT IS RIGHT AND GOOD HAS EVER BEEN EASY. 1178 01:35:47,038 --> 01:35:49,005 WE THE PEOPLE KNOW THAT! 1179 01:35:53,110 --> 01:35:57,214 AND WE THE PEOPLE KNOW THE RIGHT ROADS AND THE GOOD. 1180 01:35:57,281 --> 01:36:02,753 TODAY I SAY TO YOU, WE ARE THE PEOPLE, YOU AND I, 1181 01:36:02,821 --> 01:36:06,022 AND IT IS TIME TO LET THE PEOPLE RULE. 1182 01:36:06,090 --> 01:36:08,492 THANK YOU. 1183 01:36:23,608 --> 01:36:26,076 ALL RIGHT MEN. PULL BACK NOW. 1184 01:36:30,615 --> 01:36:32,583 [Man] PALANTINE! 1185 01:36:34,619 --> 01:36:36,620 PULL BACK, RIGHT. 1186 01:36:39,491 --> 01:36:42,426 [Man] YOU'VE GOT MY VOTE! THANK YOU, THANK YOU. 1187 01:36:46,664 --> 01:36:48,699 OVER THERE. GET THAT MAN. 1188 01:36:50,568 --> 01:36:53,404 [Agents Shouting] GIVE US SOME AIR! HOLD US BACK! 1189 01:36:53,471 --> 01:36:55,506 GIVE HIM SOME AIR, WILL YA? 1190 01:36:55,573 --> 01:36:59,376 [Crowd Interviewees] I NEVER SAW HIM. I SAW HIM RUN. WHERE WAS HE? 1191 01:37:25,937 --> 01:37:27,905 HEY, WHAT HAPPENING? HOW YA DOIN'? 1192 01:37:27,972 --> 01:37:29,940 GOT THE MONEY? YEAH. 1193 01:37:40,184 --> 01:37:42,085 IRIS IN HER ROOM? YEAH. 1194 01:37:42,153 --> 01:37:44,154 OKAY, TAKE CARE. RIGHT. 1195 01:38:04,642 --> 01:38:06,643 [Brakes Screeching] 1196 01:38:18,723 --> 01:38:20,757 HEY, SPORT, HOW YA DOIN'? 1197 01:38:20,825 --> 01:38:23,193 OKAY, OKAY, MY MAN. HOW-- 1198 01:38:24,395 --> 01:38:27,564 WHERE DO I KNOW YOU FROM, MAN? I DON'T KNOW. 1199 01:38:27,632 --> 01:38:30,934 HOW'S EVERYTHING IN THE PIMP BUSINESS, HUH? 1200 01:38:31,002 --> 01:38:35,138 DO I KNOW YOU? HUH? NO. DO I KNOW YOU? 1201 01:38:35,206 --> 01:38:39,442 GET OUTTA HERE. COME ON, GET LOST, HUH? DO I KNOW YOU? 1202 01:38:39,511 --> 01:38:42,679 [Scoffs] HOW'S IRIS? 1203 01:38:42,747 --> 01:38:44,648 YOU KNOW IRIS? HUH? 1204 01:38:44,716 --> 01:38:47,183 NO, I DON'T KNOW NOBODY NAMED IRIS. YOU KNOW IRIS. 1205 01:38:47,251 --> 01:38:49,920 IRIS? COME ON, GET OUTTA HERE, MAN. 1206 01:38:49,988 --> 01:38:52,422 YOU DON'T KNOW ANYBODY BY THE NAME OF IRIS? 1207 01:38:52,490 --> 01:38:56,092 I DON'T KNOW NOBODY NAMED IRIS. NO? 1208 01:38:56,160 --> 01:38:58,829 HEY, GET BACK TO YOUR FUCKIN' TRIBE BEFORE YOU GET HURT, HUH, MAN? 1209 01:38:58,897 --> 01:39:01,765 DO ME A FAVOR. I DON'T WANT NO TROUBLE, HUH? OKAY? 1210 01:39:03,367 --> 01:39:06,069 GOT A GUN? 1211 01:39:06,137 --> 01:39:09,640 GET THE FUCK OUTTA HERE, MAN. GET OUTTA HERE! 1212 01:39:09,707 --> 01:39:12,208 SUCK ON THIS! [Yelping, Groaning] 1213 01:39:46,044 --> 01:39:48,011 HEY! 1214 01:39:52,383 --> 01:39:54,350 [Gunshot] 1215 01:40:20,011 --> 01:40:22,613 [Screaming] 1216 01:40:25,516 --> 01:40:28,118 YOU CRAZY SON OF A BITCH! 1217 01:40:28,185 --> 01:40:31,421 FUCKIN' SON OF A BITCH, YOU! I'LL KILL YOU! I'LL KILL YOU! 1218 01:40:31,489 --> 01:40:34,157 I'LL KILL YOU! I'LL KILL YOU! 1219 01:40:34,225 --> 01:40:38,461 I'LL KILL YOU! I'LL FUCKIN' KILL YOU! 1220 01:40:38,529 --> 01:40:41,231 CRAZY SON OF A BITCH! I'LL KILL YOU! 1221 01:40:41,298 --> 01:40:45,301 - [Screaming] - [Clicking] 1222 01:40:47,138 --> 01:40:49,506 AAAH! 1223 01:40:53,011 --> 01:40:55,411 [Iris Screams] 1224 01:40:57,181 --> 01:41:01,284 YOU FUCKIN' BASTARD! I'LL KILL YOU! 1225 01:41:02,520 --> 01:41:06,189 YOU CRAZY SON OF A BITCH! I'LL KILL YOU! 1226 01:41:06,257 --> 01:41:08,959 I'LL KILL YOU! I'LL KILL YOU! I'LL KILL YOU! 1227 01:41:09,027 --> 01:41:11,327 I'LL KILL YOU! I'LL KILL YOU! I'LL KILL YOU! 1228 01:41:11,395 --> 01:41:13,329 [Hotel Man Moaning] 1229 01:41:13,397 --> 01:41:16,199 [Iris] STOP! 1230 01:41:16,267 --> 01:41:18,835 [Moaning Continues] 1231 01:41:22,406 --> 01:41:24,440 AAAH! 1232 01:41:26,610 --> 01:41:29,412 [Iris Screaming] NO-O-O-O! DON'T SHOOT HIM! 1233 01:41:34,285 --> 01:41:36,252 [Sobbing] 1234 01:41:43,527 --> 01:41:45,528 [Clicking] 1235 01:42:52,246 --> 01:42:54,247 [Mimicking Gunshots] 1236 01:46:07,875 --> 01:46:09,876 [Male Voice] DEAR MR. BICKLE, 1237 01:46:09,943 --> 01:46:13,946 I CAN'T SAY HOW HAPPY MRS. STEENSMA AND I WERE TO HEAR... 1238 01:46:14,014 --> 01:46:16,916 THAT YOU ARE WELL AND RECUPERATING. 1239 01:46:16,984 --> 01:46:19,952 WE TRIED TO VISIT YOU AT THE HOSPITAL... 1240 01:46:20,020 --> 01:46:22,955 WHEN WE WERE IN NEW YORK TO PICK UP IRIS, 1241 01:46:23,023 --> 01:46:25,825 BUT YOU WERE STILL IN A COMA. 1242 01:46:25,893 --> 01:46:31,464 THERE IS NO WAY WE CAN REPAY YOU FOR RETURNING OUR IRIS TO US. 1243 01:46:31,532 --> 01:46:37,069 WE THOUGHT WE HAD LOST HER AND NOW OUR LIVES ARE FULL AGAIN. 1244 01:46:37,137 --> 01:46:39,105 NEEDLESS TO SAY, 1245 01:46:39,172 --> 01:46:42,375 YOU ARE SOMETHING OF A HERO AROUND THIS HOUSEHOLD. 1246 01:46:44,011 --> 01:46:47,580 I'M SURE YOU WANT TO KNOW ABOUT IRIS. 1247 01:46:47,648 --> 01:46:51,317 SHE'S BACK IN SCHOOL AND WORKING HARD. 1248 01:46:51,385 --> 01:46:56,756 THE TRANSITION HAS BEEN VERY HARD FOR HER, AS YOU CAN WELL IMAGINE. 1249 01:46:56,824 --> 01:46:59,125 BUT WE HAVE TAKEN STEPS TO SEE... 1250 01:46:59,192 --> 01:47:02,695 SHE HAS NEVER CAUSE TO RUN AWAY AGAIN. 1251 01:47:03,997 --> 01:47:07,700 IN CONCLUSION, MRS. STEENSMA AND I... 1252 01:47:07,768 --> 01:47:12,472 WOULD LIKE TO AGAIN THANK YOU FROM THE BOTTOM OF OUR HEARTS. 1253 01:47:12,540 --> 01:47:16,743 UNFORTUNATELY, WE CANNOT AFFORD TO COME TO NEW YORK AGAIN... 1254 01:47:16,811 --> 01:47:20,914 TO THANK YOU IN PERSON, OR WE SURELY WOULD. 1255 01:47:20,981 --> 01:47:24,016 BUT IF YOU SHOULD EVER COME TO PITTSBURGH, 1256 01:47:24,084 --> 01:47:28,822 YOU WOULD FIND YOURSELF A MOST WELCOME GUEST IN OUR HOME. 1257 01:47:28,889 --> 01:47:31,090 OUR DEEPEST THANKS, 1258 01:47:31,158 --> 01:47:34,527 BURT AND IVY STEENSMA. 1259 01:47:34,595 --> 01:47:37,947 [Wizard] THIS GUY EDDIE-- THE OWNER-OPERATOR-- COMES UP AND SAYS, UH, 1260 01:47:38,015 --> 01:47:41,150 "I WANNA SWAP TIRES." I SAID, "HEY, THESE ARE NEW TIRES." 1261 01:47:41,218 --> 01:47:44,186 WHY DON'T YOU THROW IN SOMETHING ELSE... LIKE YOUR WIFE? 1262 01:47:44,254 --> 01:47:46,689 HUH! HIS WIFE WAS MISS NEW JERSEY OF 1957. 1263 01:47:46,757 --> 01:47:49,025 THAT'S WHY THE FLEET HAS NO SPARES. 1264 01:47:49,092 --> 01:47:51,394 DOUGHBOY, WIZARD... KILLER. HEY. 1265 01:47:51,462 --> 01:47:54,631 CHARLIE T. [Charlie T.] WHAT'S HAPPENIN'? 1266 01:47:54,698 --> 01:47:57,500 HEY, TRAVIS, YOU GOT A FARE. [Car Door Slamming] 1267 01:47:57,568 --> 01:48:01,871 AH, SHIT. WELL, SEE YA LATER. 1268 01:48:01,939 --> 01:48:04,040 SEE YA, TRAVIS. RIGHT. 1269 01:48:24,662 --> 01:48:26,629 [Betsy] HELLO, TRAVIS. 1270 01:48:27,832 --> 01:48:29,833 HELLO. 1271 01:48:50,020 --> 01:48:52,254 I HEAR PALANTINE GOT THE NOMINATION. 1272 01:48:53,891 --> 01:48:56,926 YEAH. WON'T BE LONG NOW. SEVENTEEN DAYS. 1273 01:48:58,228 --> 01:49:00,196 I HOPE HE WINS. 1274 01:49:13,644 --> 01:49:16,779 I READ ABOUT YOU IN THE PAPERS. HOW ARE YA? 1275 01:49:19,517 --> 01:49:21,784 OH, IT WAS NOTHIN', REALLY. I GOT OVER THAT. 1276 01:49:24,822 --> 01:49:27,089 PAPERS ALWAYS BLOW THESE THINGS UP. 1277 01:49:29,159 --> 01:49:32,461 JUST A LITTLE STIFFNESS, THAT'S ALL. 1278 01:50:08,666 --> 01:50:11,300 TRAVIS... 1279 01:50:11,368 --> 01:50:13,335 I'M-- 1280 01:50:15,472 --> 01:50:19,542 [Sighs] HOW MUCH WAS IT? 1281 01:50:19,610 --> 01:50:21,978 [Lever Creaks] 1282 01:50:27,250 --> 01:50:29,251 SO LONG.