1 00:00:00,000 --> 00:00:00,000 (intense instrumental music) 2 00:00:00,000 --> 00:00:00,000 (beeping) 3 00:00:00,000 --> 00:00:00,760 (alarm blaring) 4 00:00:09,560 --> 00:00:13,230 (gentle instrumental music) 5 00:00:29,460 --> 00:00:33,460 (foreboding instrumental music) 6 00:01:14,960 --> 00:01:18,690 (intense instrumental music) 7 00:01:24,200 --> 00:01:27,200 - [Narrator] During the years 1949 through 1970 8 00:01:27,200 --> 00:01:30,500 Dr. Jonathan Rankin conducted extensive research 9 00:01:30,500 --> 00:01:32,500 in the field of psychic phenomena 10 00:01:32,500 --> 00:01:34,530 and catalogued hundreds of events 11 00:01:34,530 --> 00:01:37,200 that defy rational explanation. 12 00:01:37,200 --> 00:01:39,130 The most intriguing aspect of the research 13 00:01:39,130 --> 00:01:41,360 was the discovery of an apparent relationship 14 00:01:41,360 --> 00:01:45,500 between many of these events and certain cemeteries 15 00:01:45,500 --> 00:01:48,330 located throughout the United States. 16 00:01:48,330 --> 00:01:52,000 According to Dr. Rankin 453 people 17 00:01:52,000 --> 00:01:54,630 directly involved in these strange events 18 00:01:54,630 --> 00:01:57,730 were buried in only 23 separate cemeteries 19 00:01:57,730 --> 00:01:59,590 throughout the nation. 20 00:01:59,590 --> 00:02:01,430 This apparent final grouping of people 21 00:02:01,430 --> 00:02:03,300 who were touched by the unknown 22 00:02:03,300 --> 00:02:05,760 is referred to in parapsychology 23 00:02:05,760 --> 00:02:07,690 as the Rankine Cluster Phenomena. 24 00:02:08,660 --> 00:02:10,130 The following episodes are based 25 00:02:10,130 --> 00:02:12,100 on supposedly true events 26 00:02:12,100 --> 00:02:14,330 described in Dr. Rankin's writing 27 00:02:14,330 --> 00:02:17,160 and involving one of the mystery cemeteries. 28 00:02:17,160 --> 00:02:20,890 (intense instrumental music) 29 00:02:21,860 --> 00:02:24,530 (drums beating) 30 00:02:56,230 --> 00:02:59,890 (solemn instrumental music) 31 00:03:27,500 --> 00:03:29,260 There are few things as strange 32 00:03:29,260 --> 00:03:31,860 as reality, for reality comes to us 33 00:03:31,860 --> 00:03:35,500 wearing many faces disguised as all manner of things. 34 00:03:38,930 --> 00:03:40,760 What is reality and what is illusion? 35 00:03:41,830 --> 00:03:43,200 Some things we think are real 36 00:03:43,200 --> 00:03:46,860 may be merely wisps of smoke from our minds 37 00:03:46,860 --> 00:03:48,990 and some things we think illusion 38 00:03:48,990 --> 00:03:51,330 are really cloaked in that guise. 39 00:03:51,330 --> 00:03:52,730 So they may play their part 40 00:03:52,730 --> 00:03:55,100 without knowing what they really are. 41 00:03:56,430 --> 00:03:59,100 (drums beating) 42 00:04:01,030 --> 00:04:04,690 (solemn instrumental music) 43 00:04:18,400 --> 00:04:19,830 - [Preacher] And he who leadeth on. 44 00:04:19,830 --> 00:04:21,400 - [Narrator] Did these events happen by coincidence 45 00:04:21,400 --> 00:04:24,100 or by an unknown and unknowable calculation? 46 00:04:24,100 --> 00:04:25,630 - [Preacher] And whosoever liveth. 47 00:04:25,630 --> 00:04:27,890 - [Narrator] Let's start by populating this day's stage 48 00:04:27,890 --> 00:04:29,730 with some of the characters. 49 00:04:29,730 --> 00:04:31,400 - [Preacher] I know that my redeemer liveth 50 00:04:31,400 --> 00:04:33,430 and that he shall stand at the light of day 51 00:04:33,430 --> 00:04:34,660 upon the earth. 52 00:04:34,660 --> 00:04:35,630 - Dave Terrell, - Though this body 53 00:04:35,630 --> 00:04:37,160 be destroyed, judge 54 00:04:37,160 --> 00:04:38,760 shall I be God. - Frank Cameron, 55 00:04:39,930 --> 00:04:42,100 - [Preacher] Whom I shall see for myself. 56 00:04:42,100 --> 00:04:44,330 - Randy Powell, - And I shall behold. 57 00:04:44,330 --> 00:04:45,530 three young men, 58 00:04:45,530 --> 00:04:48,530 college students, all the boy next door, 59 00:04:49,400 --> 00:04:50,990 all people we've known before. 60 00:04:52,330 --> 00:04:54,830 Brother Taylor, well meaning and God fearing man. 61 00:04:55,990 --> 00:04:57,830 - [Taylor] Blessed be the name of the Lord 62 00:05:00,330 --> 00:05:04,430 and so Lord we commend to thee 63 00:05:04,430 --> 00:05:07,000 the earthly remains of John Davis. 64 00:05:09,690 --> 00:05:11,260 - [Narrator] Johnny Davis, the one 65 00:05:11,260 --> 00:05:13,230 who holds the rather dubious place of honor 66 00:05:13,230 --> 00:05:14,130 at this gathering. 67 00:05:16,890 --> 00:05:20,030 And this is Camille Davis, Johnny's mother, 68 00:05:20,030 --> 00:05:22,860 the seventh daughter of a seventh son. 69 00:05:22,860 --> 00:05:25,960 Does she have anything to do with our story, perhaps? 70 00:05:26,990 --> 00:05:27,890 Let's unfold it. 71 00:05:28,960 --> 00:05:30,930 - He was cut down untimely, 72 00:05:32,430 --> 00:05:35,930 but you and your infinite wisdom know best. 73 00:05:37,890 --> 00:05:39,960 Take the soul of this young man, Lord 74 00:05:41,130 --> 00:05:43,890 and may he dwell in your hallways forever. 75 00:05:45,430 --> 00:05:48,430 The Lord giveth and the Lord taketh away. 76 00:05:49,590 --> 00:05:52,590 Blessed be the name of the Lord, amen. 77 00:05:53,960 --> 00:05:57,690 (intense instrumental music) 78 00:06:50,990 --> 00:06:53,160 - Listen you well to my word, 79 00:06:58,200 --> 00:07:01,330 one by land, two by sky. 80 00:07:04,790 --> 00:07:08,590 Look to the heptagon for it is there. 81 00:07:08,590 --> 00:07:11,360 Seven times around go the three of you 82 00:07:14,890 --> 00:07:19,830 and may your reward be just and true. 83 00:07:26,100 --> 00:07:28,930 (engine rumbling) 84 00:07:32,160 --> 00:07:34,890 Look to the heptagon for it is there. 85 00:07:36,130 --> 00:07:39,630 Seven times around go the three of you 86 00:07:39,630 --> 00:07:42,500 and may your reward be just. 87 00:07:44,160 --> 00:07:46,960 - Excuse me, sir, would you like a refill on your drink? 88 00:07:48,130 --> 00:07:50,130 Ah sir, would you like another drink? 89 00:07:50,130 --> 00:07:52,060 - Excuse me, I think she's talking to you. 90 00:07:52,060 --> 00:07:52,990 - Would you care for something? 91 00:07:52,990 --> 00:07:54,200 - Oh, I'm sorry, yes I would. 92 00:07:54,200 --> 00:07:55,590 - Okay, here you are. 93 00:07:57,500 --> 00:07:58,500 There you go. 94 00:07:58,500 --> 00:08:00,400 - Thank you. - Thank you. 95 00:08:00,400 --> 00:08:01,860 Would you care for another? 96 00:08:01,860 --> 00:08:04,030 - Sorry father, guess I was pretty deep in thought. 97 00:08:04,030 --> 00:08:05,200 I didn't even hear her. 98 00:08:05,200 --> 00:08:07,100 - We all get that way sometimes. 99 00:08:07,100 --> 00:08:10,030 Deep thought is sometimes a bridge way across our problems. 100 00:08:25,360 --> 00:08:28,000 - Father, do you believe in the supernatural? 101 00:08:31,230 --> 00:08:32,060 - I'm sorry? 102 00:08:34,860 --> 00:08:36,400 - Well I guess it sounds pretty silly, 103 00:08:36,400 --> 00:08:37,790 but I was wondering if you believed 104 00:08:37,790 --> 00:08:38,760 in the supernatural. 105 00:08:41,400 --> 00:08:43,990 - Don't you realize the supernatural is my business? 106 00:08:44,960 --> 00:08:47,630 You might say I'm a pro at it. 107 00:08:47,630 --> 00:08:49,100 - I hadn't thought of it that way. 108 00:08:49,100 --> 00:08:50,130 I guess you're right. 109 00:08:51,160 --> 00:08:52,790 - I'm one of those many people 110 00:08:52,790 --> 00:08:54,400 who have a supernatural boss. 111 00:08:55,690 --> 00:08:58,100 He's a good boss, gentle boss, 112 00:08:58,990 --> 00:09:00,500 one who knows all the answers. 113 00:09:01,630 --> 00:09:03,660 Sometimes he doesn't tell you what they are. 114 00:09:05,630 --> 00:09:08,330 What made you think of the supernatural anyway? 115 00:09:11,060 --> 00:09:11,990 - Oh nothing. 116 00:09:11,990 --> 00:09:13,230 (solemn instrumental music) 117 00:09:13,230 --> 00:09:15,160 - [Camille] Listen you well to my word, 118 00:09:16,630 --> 00:09:19,330 one by land, two by sky. 119 00:09:24,260 --> 00:09:25,360 - Well yes, something. 120 00:09:29,500 --> 00:09:30,790 Now look father, I'm not a Catholic. 121 00:09:30,790 --> 00:09:33,430 - It doesn't make any difference. 122 00:09:37,100 --> 00:09:38,360 - No, I guess it doesn't. 123 00:09:40,430 --> 00:09:41,690 - Something has been bugging me 124 00:09:41,690 --> 00:09:43,130 for the last couple of days 125 00:09:43,130 --> 00:09:45,500 and I really need somebody to talk to about it. 126 00:09:45,500 --> 00:09:48,460 - So, I've got two ears, talk. 127 00:09:51,360 --> 00:09:55,590 - Well, I guess I should begin at the beginning. 128 00:09:59,830 --> 00:10:01,500 It all started in this pool hall. 129 00:10:03,000 --> 00:10:04,500 Randy Powell, this friend of mine and I 130 00:10:04,500 --> 00:10:07,830 and Dave Terrell, we're all roommates at state. 131 00:10:09,260 --> 00:10:11,790 I'm sorry father, I'm Frank Cameron. 132 00:10:11,790 --> 00:10:12,830 - Good to know you, Frank. 133 00:10:12,830 --> 00:10:13,790 I'm Father Dwayne. 134 00:10:13,790 --> 00:10:15,160 - Good to know you, too, father. 135 00:10:15,160 --> 00:10:16,760 (suspenseful instrumental music) 136 00:10:16,760 --> 00:10:19,460 Well anyway, we were at this pool hall, 137 00:10:19,460 --> 00:10:21,630 just having fun and there was this guy there, 138 00:10:23,100 --> 00:10:25,260 Johnny Davis, we were just sort of kidding him around, 139 00:10:25,260 --> 00:10:27,430 you know we didn't mean any harm. 140 00:10:27,430 --> 00:10:31,530 (suspenseful instrumental music) 141 00:10:32,430 --> 00:10:33,730 - Sure, she's ready. 142 00:10:35,860 --> 00:10:37,830 Don't you think so, Dave? 143 00:10:37,830 --> 00:10:39,930 - Sure she is, man. 144 00:10:39,930 --> 00:10:42,530 (laughs) She was ready last night. 145 00:10:42,530 --> 00:10:44,760 (laughing) 146 00:10:46,460 --> 00:10:47,730 - You know what? 147 00:10:47,730 --> 00:10:49,060 - [Man] What? 148 00:10:49,060 --> 00:10:51,830 - I'll bet we could fix ole Johnny up with her. 149 00:10:51,830 --> 00:10:53,100 - Oh, I don't know, man. 150 00:10:53,100 --> 00:10:54,930 She might be a little tough for him. 151 00:10:54,930 --> 00:10:56,300 - [Randy] What do think, Johnny? 152 00:10:56,300 --> 00:10:57,130 - Who is she? 153 00:10:57,130 --> 00:10:58,690 I don't know many girls. 154 00:10:58,690 --> 00:11:01,660 - She's the new kid that just moved it down the block. 155 00:11:01,660 --> 00:11:04,690 She's about 17 and well, you know. 156 00:11:04,690 --> 00:11:07,230 (laughing) 157 00:11:07,230 --> 00:11:09,630 - Hey Randy, why don't you give her a call. 158 00:11:09,630 --> 00:11:11,760 We can send ole Johnny over from right here. 159 00:11:15,730 --> 00:11:16,560 - All right. 160 00:11:17,790 --> 00:11:18,690 I'll just do that. 161 00:11:47,460 --> 00:11:48,300 Hello? 162 00:11:49,230 --> 00:11:51,160 Darlene, remember me. 163 00:11:52,230 --> 00:11:54,160 This is Randy. 164 00:11:54,160 --> 00:11:55,690 Yeah. 165 00:11:55,690 --> 00:11:57,590 Well, I'm just down the street. 166 00:11:57,590 --> 00:11:58,430 Uh-huh. 167 00:12:00,630 --> 00:12:01,460 You are? 168 00:12:03,890 --> 00:12:05,930 Well, look what are you doing tonight? 169 00:12:07,590 --> 00:12:08,430 Mm-hmm. 170 00:12:09,500 --> 00:12:10,890 Yeah. 171 00:12:10,890 --> 00:12:12,630 Yeah, I just bet you are. 172 00:12:14,830 --> 00:12:17,500 Hey look, Darlene, Dave and Frank over here 173 00:12:18,660 --> 00:12:20,930 and we have a good friend named Johnny. 174 00:12:20,930 --> 00:12:22,530 He'd like to have a date with you. 175 00:12:24,030 --> 00:12:24,860 You can? 176 00:12:26,790 --> 00:12:27,630 That's terrific. 177 00:12:29,330 --> 00:12:31,200 Well you know what I mean don't you, Darlene? 178 00:12:33,060 --> 00:12:34,530 Yeah. 179 00:12:34,530 --> 00:12:36,360 Well as long as we understand each other. 180 00:12:39,230 --> 00:12:42,030 Well look, this guy that's coming over tonight 181 00:12:42,030 --> 00:12:44,330 is a personal friend of mine. 182 00:12:45,200 --> 00:12:46,030 You dig? 183 00:12:47,000 --> 00:12:48,530 Yeah. 184 00:12:48,530 --> 00:12:50,730 So I want you take real good care of him. 185 00:12:50,730 --> 00:12:51,560 Okay? 186 00:12:54,360 --> 00:12:57,130 Yeah, he'll be over in about ten minutes. 187 00:12:58,230 --> 00:13:00,230 Okay, yeah. 188 00:13:00,230 --> 00:13:01,230 Hey, uh uh, Darlene. 189 00:13:02,830 --> 00:13:03,630 Have fun. 190 00:13:12,990 --> 00:13:16,200 Well, she wants to see him. 191 00:13:18,890 --> 00:13:20,930 What, what's, what's address? 192 00:13:20,930 --> 00:13:21,960 Hey, I forgot her name. 193 00:13:21,960 --> 00:13:23,330 - Ah her name is Darlene. 194 00:13:23,330 --> 00:13:28,200 And she lives at 3536, that's it, 195 00:13:28,200 --> 00:13:30,460 3536 Hamilton, you got that? 196 00:13:30,460 --> 00:13:32,100 - [Johnny] Yeah, you fellas gonna be here? 197 00:13:32,100 --> 00:13:33,790 - [Dave] Yeah, we'll be right here when you get through. 198 00:13:33,790 --> 00:13:35,500 Okay, Johnny, get off. 199 00:13:35,500 --> 00:13:39,260 (jazzy instrumental music) 200 00:13:39,260 --> 00:13:41,530 (laughing) 201 00:13:50,060 --> 00:13:52,560 - Hey man, where was that address you sent him to? 202 00:13:54,500 --> 00:13:58,300 - I don't know, what difference does it make? 203 00:13:58,300 --> 00:14:02,360 (suspenseful instrumental music) 204 00:14:10,200 --> 00:14:12,160 (doorbell ringing) 205 00:14:12,160 --> 00:14:12,990 - Who's there? 206 00:14:14,430 --> 00:14:17,060 - It's me, Darlene, Johnny, you know Randy called. 207 00:14:17,060 --> 00:14:20,830 (intense instrumental music) 208 00:14:27,830 --> 00:14:29,560 - Who do you want? 209 00:14:29,560 --> 00:14:31,430 - Ah come on, Darlene, don't put me down. 210 00:14:31,430 --> 00:14:32,360 Just open the door. 211 00:14:33,690 --> 00:14:35,500 - There's no one here by that name. 212 00:14:35,500 --> 00:14:36,760 This is the Wilson residence. 213 00:14:36,760 --> 00:14:38,630 - Is their name Darlene? 214 00:14:38,630 --> 00:14:43,200 (suspenseful instrumental music) 215 00:14:43,200 --> 00:14:47,300 - No, young man, you've probably got the wrong address 216 00:14:47,300 --> 00:14:50,100 and besides that you're liable to get hurt 217 00:14:50,100 --> 00:14:53,330 walking up to a strange house in the middle of the night. 218 00:14:53,330 --> 00:14:55,330 Why, I've got my husband's pistol out 219 00:14:55,330 --> 00:14:57,530 and I certainly don't want to hurt anybody. 220 00:14:57,530 --> 00:14:58,790 (screams) 221 00:14:58,790 --> 00:15:00,590 (intense instrumental music) 222 00:15:00,590 --> 00:15:01,560 (gasps) Oh dear God. 223 00:15:04,300 --> 00:15:06,400 (crying) 224 00:15:07,300 --> 00:15:08,130 Oh God. 225 00:15:09,560 --> 00:15:10,960 - Darlene. 226 00:15:10,960 --> 00:15:13,230 (laughing) 227 00:15:14,330 --> 00:15:17,060 (sirens blaring) 228 00:15:21,100 --> 00:15:22,760 - He was just child. 229 00:15:24,160 --> 00:15:27,590 I, I know that I shouldn't have had the gun in the house, 230 00:15:27,590 --> 00:15:31,990 but my husband insisted because he travels so much. 231 00:15:34,030 --> 00:15:36,560 Oh my God. (crying) 232 00:15:39,330 --> 00:15:40,760 He was just a child. 233 00:15:42,160 --> 00:15:44,030 - [Officer] It's all right Mrs. Wilson, 234 00:15:44,030 --> 00:15:45,260 it was a tragic accident. 235 00:15:46,530 --> 00:15:48,200 Now I'm sure there won't be any charges, 236 00:15:48,200 --> 00:15:50,160 but you understand you'll have to be 237 00:15:50,160 --> 00:15:51,360 at the station tomorrow. 238 00:15:53,060 --> 00:15:54,200 - I'll tell my husband. 239 00:15:56,930 --> 00:15:57,990 Who was the boy? 240 00:15:58,890 --> 00:16:00,330 - [Officer] John Davis, 241 00:16:00,330 --> 00:16:02,730 lived about six blocks from here. 242 00:16:02,730 --> 00:16:05,130 Is there any reason why he might have come here? 243 00:16:06,660 --> 00:16:10,990 - [Woman] No, all I know is, he asked for a girl named. 244 00:16:15,200 --> 00:16:16,790 - Well that's how it happened, father. 245 00:16:17,960 --> 00:16:19,890 If it hadn't been for a damn fool trick, 246 00:16:19,890 --> 00:16:22,330 Johnny would still be alive today. 247 00:16:22,330 --> 00:16:27,330 - Frank, I know it's upsetting, but a lot of times 248 00:16:28,690 --> 00:16:32,130 without meaning to, we set into motion 249 00:16:32,130 --> 00:16:33,930 things we can't control. 250 00:16:33,930 --> 00:16:34,730 Now maybe if you-- 251 00:16:34,730 --> 00:16:36,230 - Wait a minute, father. 252 00:16:36,230 --> 00:16:38,500 I know what you're gonna say, I've heard it before. 253 00:16:39,690 --> 00:16:41,130 But that's not the end of the story. 254 00:16:44,400 --> 00:16:47,400 In fact, I'm not sure it's got an end. 255 00:16:50,130 --> 00:16:50,960 - Go on. 256 00:16:52,400 --> 00:16:56,430 - Well, we all went to the funeral, not a big town. 257 00:16:57,590 --> 00:16:59,130 Everyone knew and liked Johnny. 258 00:17:01,760 --> 00:17:03,460 We could have cut our own throats. 259 00:17:06,760 --> 00:17:09,030 Anyway, after the funeral, 260 00:17:10,560 --> 00:17:13,690 his mother turned to us and said the strangest thing. 261 00:17:16,030 --> 00:17:21,030 - Listen you well to my word, one by land, two by sky. 262 00:17:25,130 --> 00:17:28,690 Look to the heptagon for it is there. 263 00:17:28,690 --> 00:17:31,730 Seven times around, go the three of you 264 00:17:32,890 --> 00:17:37,630 and may your reward be just and true. 265 00:17:37,630 --> 00:17:40,060 (eerie instrumental music) 266 00:17:40,060 --> 00:17:41,760 - And that's what she said, father. 267 00:17:43,160 --> 00:17:45,230 If I could only tell you about the tone of her voice. 268 00:17:46,790 --> 00:17:48,130 The look in her eye. 269 00:17:48,130 --> 00:17:48,960 - All right. 270 00:17:50,260 --> 00:17:51,990 She had just lost her only child. 271 00:17:53,590 --> 00:17:55,660 You can't be too angry with her anger. 272 00:17:55,660 --> 00:17:58,260 - I know, I know, but it's what she said. 273 00:17:59,230 --> 00:18:01,130 And I looked up heptagon 274 00:18:01,130 --> 00:18:03,160 that means a seven sided figure 275 00:18:03,160 --> 00:18:05,730 and she said seven times around go the three of us. 276 00:18:07,300 --> 00:18:08,930 - [Dwayne] What? 277 00:18:08,930 --> 00:18:12,590 - Well, father, seven days after the funeral, 278 00:18:14,000 --> 00:18:16,660 Dave and I were going to chemistry lab. 279 00:18:16,660 --> 00:18:18,460 We were in kind of a hurry. 280 00:18:18,460 --> 00:18:22,460 (foreboding instrumental music) 281 00:18:24,860 --> 00:18:26,360 - [Frank] Hey man, you didn't. 282 00:18:26,360 --> 00:18:28,960 - [Dave] Yes I did, I got her right upside the head, man. 283 00:18:28,960 --> 00:18:30,160 - [frank] You really hit her? 284 00:18:30,160 --> 00:18:31,400 - [Dave] Yep, she just pushed me too far 285 00:18:31,400 --> 00:18:33,100 and I just hauled off and let her have it. 286 00:18:33,100 --> 00:18:34,330 - [Frank] I don't think I could hit a girl. 287 00:18:34,330 --> 00:18:35,830 - [Dave] Hey listen, man, we gotta take 288 00:18:35,830 --> 00:18:37,130 (brakes squealing) 289 00:18:37,130 --> 00:18:38,730 (intense instrumental music) 290 00:18:38,730 --> 00:18:43,690 - (screams) No. 291 00:18:43,690 --> 00:18:45,790 (crying) 292 00:18:52,330 --> 00:18:54,330 - That's the way it happened, father. 293 00:18:54,330 --> 00:18:56,830 Exactly seven days. 294 00:18:56,830 --> 00:19:01,060 - Look, Frank, strange things happen to all of us. 295 00:19:02,730 --> 00:19:05,000 You're upset because of a distraught remark 296 00:19:05,000 --> 00:19:06,790 at a graveside made by a woman 297 00:19:06,790 --> 00:19:08,200 who had lost her only child. 298 00:19:09,590 --> 00:19:11,960 Now you're looking for reasons that don't exist. 299 00:19:13,160 --> 00:19:15,590 The only reason is sheer coincidence. 300 00:19:16,660 --> 00:19:18,730 Besides time will take it away. 301 00:19:20,730 --> 00:19:22,230 I assume it was some time ago. 302 00:19:23,360 --> 00:19:26,930 - No, it wasn't, it was just last Thursday. 303 00:19:26,930 --> 00:19:28,360 - [Dwayne] Today's Thursday. 304 00:19:28,360 --> 00:19:31,300 - I know, it was one week ago today. 305 00:19:31,300 --> 00:19:36,300 That makes this the 14th day and 14 is two times seven. 306 00:19:37,030 --> 00:19:38,660 - Oh, stop it, Frank. 307 00:19:38,660 --> 00:19:41,530 You're letting a simple coincidence jar your entire life. 308 00:19:42,460 --> 00:19:43,890 And God works in strange ways, 309 00:19:43,890 --> 00:19:46,130 but he doesn't deal in hexes or witchcraft. 310 00:19:47,530 --> 00:19:50,860 Forget it, look you got a life to lead. 311 00:19:50,860 --> 00:19:53,860 My advice is just to go back to school and leave it at that. 312 00:19:54,790 --> 00:19:56,260 - Sure, father, sure. 313 00:19:58,690 --> 00:20:00,500 Thanks for letting me bend your ear. 314 00:20:01,630 --> 00:20:02,830 - What else do you think we're here for? 315 00:20:02,830 --> 00:20:05,990 (engine rumbling) 316 00:20:05,990 --> 00:20:08,500 (eerie music) 317 00:20:25,130 --> 00:20:29,460 Well, Frank, this is where I get off. 318 00:20:29,460 --> 00:20:30,430 I hope I've helped you 319 00:20:30,430 --> 00:20:31,430 - Believe me, father, you have. 320 00:20:31,430 --> 00:20:32,400 - Have a nice trip. 321 00:20:37,590 --> 00:20:40,400 (engine rumbling) 322 00:21:07,790 --> 00:21:10,630 (explosion booms) 323 00:21:16,460 --> 00:21:17,300 What happened? 324 00:21:17,300 --> 00:21:18,530 - Flight 180 crashed. 325 00:21:18,530 --> 00:21:19,360 - Oh my God, where are they taking them? 326 00:21:19,360 --> 00:21:20,330 - [Man] Hangar B. 327 00:21:20,330 --> 00:21:24,030 (energetic instrumental music) 328 00:21:28,430 --> 00:21:31,200 (sirens wailing) 329 00:22:00,460 --> 00:22:02,690 (coughing) 330 00:22:35,960 --> 00:22:38,060 (crying) 331 00:22:47,030 --> 00:22:49,200 (wailing) 332 00:22:53,360 --> 00:22:56,830 (dramatic instrumental music) 333 00:22:56,830 --> 00:22:59,100 (coughing) 334 00:23:00,500 --> 00:23:04,060 (eerie instrumental music) 335 00:23:29,830 --> 00:23:32,000 (gasping) 336 00:23:54,960 --> 00:23:57,230 (coughing) 337 00:23:58,630 --> 00:24:02,400 (intense instrumental music) 338 00:24:04,200 --> 00:24:05,100 - Frank. 339 00:24:05,100 --> 00:24:07,930 (heavy breathing) 340 00:24:09,500 --> 00:24:10,330 Frank. 341 00:24:13,400 --> 00:24:14,730 - Hello, father. 342 00:24:15,690 --> 00:24:19,590 (gagging and coughing) 343 00:24:19,590 --> 00:24:22,230 - It's quite all right, Frank. 344 00:24:22,230 --> 00:24:27,230 - No, it's not, father, it's the 14th day remember? 345 00:24:28,100 --> 00:24:31,330 (gentle instrumental music) 346 00:24:34,990 --> 00:24:38,160 - [Man] There's nothing more you can do, father. 347 00:24:38,160 --> 00:24:41,930 (intense instrumental music) 348 00:24:45,200 --> 00:24:48,860 (gentle instrumental music) 349 00:24:56,360 --> 00:24:58,100 - Father, could I talk to you a minute 350 00:24:58,100 --> 00:24:59,590 something's bothering me? 351 00:24:59,590 --> 00:25:01,430 - Well certainly, Father Dwayne shall we go inside? 352 00:25:01,430 --> 00:25:02,760 - No, that's not necessary. 353 00:25:03,960 --> 00:25:07,560 What I have to ask is so strange and unreasonable 354 00:25:07,560 --> 00:25:10,690 that not only do I want God and you to hear it, 355 00:25:10,690 --> 00:25:12,460 I want the outdoors to hear it, too. 356 00:25:12,460 --> 00:25:14,200 - Couldn't be as bad as that. 357 00:25:14,200 --> 00:25:15,860 - Well probably not, father, 358 00:25:15,860 --> 00:25:19,590 but if you remember, I had just gotten off 359 00:25:19,590 --> 00:25:22,160 of flight 180 before that crash. 360 00:25:24,960 --> 00:25:27,030 You recall seven people were killed. 361 00:25:27,890 --> 00:25:30,690 - Yes, yes I do, terrible thing. 362 00:25:31,860 --> 00:25:33,790 It was last Thursday, wasn't it? 363 00:25:33,790 --> 00:25:35,460 - Yes, seven days ago. 364 00:25:37,160 --> 00:25:39,460 Let me tell you the story 365 00:25:39,460 --> 00:25:41,100 that one of the more unfortunate people 366 00:25:41,100 --> 00:25:42,360 on that plane told me. 367 00:25:42,360 --> 00:25:45,930 (eerie instrumental music) 368 00:25:51,100 --> 00:25:52,760 (screams) 369 00:25:52,760 --> 00:25:54,860 (crying) 370 00:26:00,130 --> 00:26:02,460 (screaming) 371 00:26:03,860 --> 00:26:08,590 So father, do you think such a series of coincidences 372 00:26:08,590 --> 00:26:10,500 can just happen? 373 00:26:10,500 --> 00:26:14,360 - Well Father Dwayne, I'll not say to you no. 374 00:26:14,360 --> 00:26:16,060 I know your heart is troubled 375 00:26:16,060 --> 00:26:19,760 and this would be the 21st day, wouldn't it? 376 00:26:21,100 --> 00:26:22,760 - Yes, it would. 377 00:26:22,760 --> 00:26:25,590 I don't know how I'm going to get this out of my mind. 378 00:26:25,590 --> 00:26:27,560 - Shall I tell you? 379 00:26:27,560 --> 00:26:29,100 - If you can father. 380 00:26:29,100 --> 00:26:32,690 - It's really fairly simple as most things usually are. 381 00:26:32,690 --> 00:26:34,990 You mentioned the third boy's name 382 00:26:34,990 --> 00:26:36,630 and you know that he attends college 383 00:26:36,630 --> 00:26:38,200 at the State University. 384 00:26:38,200 --> 00:26:40,560 Why don't you just call him there? 385 00:26:41,960 --> 00:26:42,930 - I've been afraid. 386 00:26:45,560 --> 00:26:46,830 It's a good idea, father. 387 00:26:48,230 --> 00:26:50,560 I've been waiting for God to give me the answer. 388 00:26:50,560 --> 00:26:54,030 - God moves in strange ways and sometimes 389 00:26:54,030 --> 00:26:56,500 employs the most ridiculous messengers. 390 00:26:56,500 --> 00:26:58,960 (laughing) 391 00:26:58,960 --> 00:27:02,630 (solemn instrumental music) 392 00:27:03,990 --> 00:27:08,030 - Thank you, operator. 393 00:27:33,560 --> 00:27:36,100 (phone ringing) 394 00:27:36,100 --> 00:27:37,100 - Yeah. 395 00:27:37,100 --> 00:27:39,300 - [Dwayne] Randy, Randy Powell? 396 00:27:39,300 --> 00:27:41,430 - Nah, this is Joe's Pool Hall, he ain't here. 397 00:27:41,430 --> 00:27:44,500 - It's sort of important I'd like to talk to him. 398 00:27:44,500 --> 00:27:46,400 - Oh, I'm sorry, sir I was just kidding. 399 00:27:46,400 --> 00:27:48,130 Randy's gone for the day, 400 00:27:48,130 --> 00:27:50,260 but I can have him call you when he gets in this evening. 401 00:27:52,560 --> 00:27:53,960 No sir, he's gone skydiving. 402 00:27:57,460 --> 00:28:00,260 (foreboding instrumental music) 403 00:28:00,260 --> 00:28:02,200 - [Rod] So Randy Powell went skydiving. 404 00:28:03,360 --> 00:28:06,260 What was it that woman named Camille said, 405 00:28:06,260 --> 00:28:08,200 one by land and two my air? 406 00:28:09,360 --> 00:28:11,130 Didn't Frank say that he found a heptagon 407 00:28:11,130 --> 00:28:13,260 to be a seven sided figure? 408 00:28:13,260 --> 00:28:17,130 And didn't Dave die seven days after Johnny's funeral 409 00:28:17,130 --> 00:28:18,930 and Frank 14 days after? 410 00:28:20,100 --> 00:28:22,560 What is the reality and what is the illusion? 411 00:28:23,430 --> 00:28:24,730 Our story doesn't tell us, 412 00:28:26,130 --> 00:28:29,060 but I wonder if Randy knows that it's the 21st day? 413 00:28:31,660 --> 00:28:36,660 - Listen you, one by land, two by sky. 414 00:28:41,590 --> 00:28:43,760 Look for the hexagon for it is there. 415 00:28:46,030 --> 00:28:48,960 Seven times around go the three of you 416 00:28:50,160 --> 00:28:53,330 and may your reward to be just and true. 417 00:28:55,200 --> 00:28:58,960 (intense instrumental music) 418 00:29:01,500 --> 00:29:05,500 (foreboding instrumental music) 419 00:29:13,460 --> 00:29:16,200 (birds chirping) 420 00:29:20,330 --> 00:29:23,130 - [Rod] It is tradition that ghosts and ghouls 421 00:29:23,130 --> 00:29:25,530 and various other citizens of the grotesque 422 00:29:25,530 --> 00:29:27,590 wrapped themselves in malevolent mists 423 00:29:27,590 --> 00:29:29,530 and deep darkness. 424 00:29:29,530 --> 00:29:32,100 Horror is a condition existing most often 425 00:29:32,100 --> 00:29:33,590 when morning seems farthest away. 426 00:29:33,590 --> 00:29:35,100 (barking) 427 00:29:35,100 --> 00:29:37,730 So it would seem unlikely that this bright spring day 428 00:29:37,730 --> 00:29:41,790 in 1906 would begin a horror that to this day 429 00:29:41,790 --> 00:29:43,690 haunts a small community in southern Missouri. 430 00:29:43,690 --> 00:29:44,630 (barking) 431 00:29:44,630 --> 00:29:48,200 (gentle instrumental music) 432 00:29:49,360 --> 00:29:52,560 A boy and his dog chased dreams and butterflies 433 00:29:52,560 --> 00:29:54,130 back and forth across Saturday. 434 00:30:06,200 --> 00:30:09,430 Observe one man child and one man child's dog 435 00:30:09,430 --> 00:30:12,560 on their way to a uniquely soul-shattering rendezvous 436 00:30:12,560 --> 00:30:15,730 with darkness, a terrifying encounter with the unknown 437 00:30:15,730 --> 00:30:19,400 (gentle instrumental music) 438 00:30:42,860 --> 00:30:45,030 (barking) 439 00:30:49,930 --> 00:30:51,430 - Lady, hey, Lady. 440 00:30:53,630 --> 00:30:55,790 (barking) 441 00:30:57,830 --> 00:30:59,430 Lady. 442 00:30:59,430 --> 00:31:00,360 Here, Lady. 443 00:31:01,990 --> 00:31:04,160 (barking) 444 00:31:04,990 --> 00:31:05,830 Here, Lady. 445 00:31:08,360 --> 00:31:12,030 (gentle instrumental music) 446 00:31:30,530 --> 00:31:32,030 - Joe, where is that boy? 447 00:31:33,500 --> 00:31:35,430 He goes fishing and plumb forgets about the time. 448 00:31:36,890 --> 00:31:39,960 He's got that dog with him, so I guess it's all right. 449 00:31:39,960 --> 00:31:41,500 I do wish he'd hurry though. 450 00:31:41,500 --> 00:31:43,630 I'm worried the pot liquor and this stew's 451 00:31:43,630 --> 00:31:45,160 gonna be thick as molasses. 452 00:31:46,830 --> 00:31:47,930 - Gonna get colder tonight. 453 00:31:47,930 --> 00:31:51,260 (thunder crashing) 454 00:31:51,260 --> 00:31:53,060 Funny weather for this time of year. 455 00:31:55,100 --> 00:31:56,660 Fog will be thickened pea soup. 456 00:31:58,430 --> 00:31:59,830 Or maybe that pot liquor. 457 00:32:01,160 --> 00:32:03,260 You better water it down again, ma. 458 00:32:03,260 --> 00:32:04,730 - Sometimes that boys a caution. 459 00:32:04,730 --> 00:32:06,060 (clanking) 460 00:32:06,060 --> 00:32:08,630 Oh goodness, you gave me a start. 461 00:32:08,630 --> 00:32:11,300 - Pa, I can't find Lady no place. 462 00:32:11,300 --> 00:32:13,460 I looked and looked, I ain't found her no place. 463 00:32:13,460 --> 00:32:16,760 - Any place and don't say ain't. 464 00:32:16,760 --> 00:32:18,230 - Pa, I couldn't find her. 465 00:32:18,230 --> 00:32:19,760 Will you help me look? 466 00:32:19,760 --> 00:32:21,690 - Son, she'll come home. 467 00:32:21,690 --> 00:32:24,430 Probably out chasing the Coon or a rabbit. 468 00:32:25,830 --> 00:32:28,530 ma maybe the old gal found herself a new lover. 469 00:32:30,460 --> 00:32:31,690 Get your hands washed up. 470 00:32:34,460 --> 00:32:36,730 (gentle instrumental music) 471 00:32:36,730 --> 00:32:38,890 (howling) 472 00:33:30,560 --> 00:33:32,760 - Lady, Lady. 473 00:33:32,760 --> 00:33:34,730 Here Lady. 474 00:33:34,730 --> 00:33:38,300 (gentle instrumental music) 475 00:33:42,500 --> 00:33:44,660 (howling) 476 00:33:54,690 --> 00:33:58,690 (foreboding instrumental music) 477 00:34:04,400 --> 00:34:05,230 Here Lady. 478 00:34:13,590 --> 00:34:15,760 (howling) 479 00:34:50,030 --> 00:34:52,530 Here Lady. 480 00:34:56,830 --> 00:34:59,330 (eerie music) 481 00:35:00,430 --> 00:35:02,590 (moaning) 482 00:35:09,460 --> 00:35:12,230 (dramatic music) 483 00:35:23,890 --> 00:35:26,000 (groans) 484 00:35:28,660 --> 00:35:29,500 Lady. 485 00:35:30,560 --> 00:35:32,860 Is that you, Lady? 486 00:35:32,860 --> 00:35:35,430 (groans) 487 00:35:35,430 --> 00:35:38,100 (deep groaning) 488 00:35:43,060 --> 00:35:45,690 I didn't know what it was, pa. 489 00:35:45,690 --> 00:35:46,530 Please. 490 00:35:46,530 --> 00:35:47,360 No, don't. 491 00:35:48,330 --> 00:35:49,460 Don't. 492 00:35:49,460 --> 00:35:50,300 Oh, please. 493 00:35:50,300 --> 00:35:51,160 (footsteps approaching) 494 00:35:51,160 --> 00:35:53,730 (deep moaning) 495 00:36:01,100 --> 00:36:03,060 - Son, it's me, son. 496 00:36:04,230 --> 00:36:06,260 What in the world are you doing out here? 497 00:36:06,260 --> 00:36:07,860 (deep groaning) 498 00:36:07,860 --> 00:36:08,960 - Papa, papa. 499 00:36:10,360 --> 00:36:11,790 Is it really you? 500 00:36:14,030 --> 00:36:16,030 I didn't know what is was, pa. 501 00:36:16,030 --> 00:36:18,890 - It's all right, son, it's all right now. 502 00:36:18,890 --> 00:36:22,060 What possessed you to come out here, son? 503 00:36:22,060 --> 00:36:23,530 Your ma and I was worried, son 504 00:36:23,530 --> 00:36:25,590 when you weren't home in bed. 505 00:36:25,590 --> 00:36:27,830 Is that your dog down in that hole? 506 00:36:27,830 --> 00:36:29,760 - I don't think it's Lady, pa. 507 00:36:29,760 --> 00:36:31,400 It's a crazy town, ain't it? 508 00:36:31,400 --> 00:36:33,560 (wailing) 509 00:36:36,160 --> 00:36:37,000 - Crazy. 510 00:36:38,430 --> 00:36:39,830 I agree with you there, son. 511 00:36:42,690 --> 00:36:46,430 - It's not Lady, pa, let's go. 512 00:36:46,430 --> 00:36:47,360 - [Joe] Come on. 513 00:36:47,360 --> 00:36:51,300 (foreboding instrumental music) 514 00:36:57,860 --> 00:37:00,030 (wailing) 515 00:37:04,960 --> 00:37:08,030 (birds chirping) 516 00:37:08,030 --> 00:37:09,990 - Anyway, the fact of the matter is 517 00:37:09,990 --> 00:37:11,930 the boy lost his dog. 518 00:37:11,930 --> 00:37:13,460 Yeah, you remember Lady. 519 00:37:13,460 --> 00:37:15,760 Yeah, we've used her for huntin'. 520 00:37:15,760 --> 00:37:17,330 Now it seems the boy was fishing 521 00:37:17,330 --> 00:37:19,200 and fell asleep. 522 00:37:19,200 --> 00:37:21,690 The dern dog plumb disappeared 523 00:37:21,690 --> 00:37:22,960 and she ain't come back. 524 00:37:24,160 --> 00:37:27,960 Well, the kid asked his pa to help find the dog, 525 00:37:27,960 --> 00:37:31,200 but heck, Joe he said dog will come back 526 00:37:31,200 --> 00:37:32,730 and didn't pay it no more mind. 527 00:37:35,690 --> 00:37:37,690 Well, the boy went out looking for his dog 528 00:37:37,690 --> 00:37:38,990 in the middle of the night. 529 00:37:38,990 --> 00:37:40,230 - [Man] Well, you find him? 530 00:37:40,230 --> 00:37:42,130 - Heck no, and that ain't the whole story. 531 00:37:42,130 --> 00:37:43,860 Come on doc. 532 00:37:44,930 --> 00:37:47,330 Joe went out looking for his son, 533 00:37:47,330 --> 00:37:48,930 found him near out of his mind 534 00:37:48,930 --> 00:37:51,100 at the edge of a big hole in the ground. 535 00:37:52,100 --> 00:37:53,990 What hole in the ground? 536 00:37:53,990 --> 00:37:56,430 - I don't know just some big hole somewhere 537 00:37:56,430 --> 00:37:58,230 near Joe's place. 538 00:37:58,230 --> 00:38:00,790 - I'd imagine with all these heavy rains we've been having, 539 00:38:00,790 --> 00:38:02,660 it washed an opening to a cave. 540 00:38:02,660 --> 00:38:04,260 You know this county's full of 'em. 541 00:38:04,260 --> 00:38:07,400 - Yeah, that's true, underground rivers and places 542 00:38:07,400 --> 00:38:10,260 if you fell into em', man you'd never get out. 543 00:38:10,260 --> 00:38:13,000 - Yeah, the craziest thing was the sounds 544 00:38:13,000 --> 00:38:15,760 coming out of that hole in the ground. 545 00:38:15,760 --> 00:38:18,500 Joe and the boy both heard crazy sounds, 546 00:38:18,500 --> 00:38:21,230 weird like, like someone was in trouble 547 00:38:21,230 --> 00:38:22,430 in there at first. 548 00:38:22,430 --> 00:38:24,400 Maybe an animal down in there. 549 00:38:24,400 --> 00:38:25,960 - [Man] Probably the dog. 550 00:38:25,960 --> 00:38:27,400 - Hmm? 551 00:38:27,400 --> 00:38:28,460 - I said it was probably the dog. 552 00:38:28,460 --> 00:38:30,890 - No, they don't think so. 553 00:38:30,890 --> 00:38:33,030 Anyways, Joe is going up to the constable, 554 00:38:33,030 --> 00:38:34,560 trying to get him to go out there 555 00:38:34,560 --> 00:38:35,690 and check up on it. 556 00:38:35,690 --> 00:38:37,260 He thinks-- 557 00:38:37,260 --> 00:38:38,830 - Any of you boys wanna go with us out to Joe's place? 558 00:38:38,830 --> 00:38:42,460 Seems like there's a new cave opening, maybe anyway. 559 00:38:42,460 --> 00:38:44,430 Joe seems to think there's something down in it, 560 00:38:44,430 --> 00:38:45,300 moaning and groaning. 561 00:38:45,300 --> 00:38:46,230 - That's right. 562 00:38:46,230 --> 00:38:47,590 - Yeah, we heard, I'll go. 563 00:38:47,590 --> 00:38:48,530 You know we haven't had 564 00:38:48,530 --> 00:38:50,060 as much excitement around here 565 00:38:50,060 --> 00:38:53,360 since widow Jones got into trouble at that book sale. 566 00:38:53,360 --> 00:38:54,530 - All right, let's go. 567 00:38:56,130 --> 00:38:57,330 - Me, too. 568 00:38:57,330 --> 00:38:59,200 Wouldn't want to miss this, back later. 569 00:38:59,200 --> 00:39:00,130 - [Man] Doc. 570 00:39:00,130 --> 00:39:00,990 - I don't want them to leave me. 571 00:39:00,990 --> 00:39:03,990 (suspenseful music) 572 00:39:07,460 --> 00:39:08,590 (grunting) 573 00:39:08,590 --> 00:39:09,930 - Now, now, Jonas. 574 00:39:09,930 --> 00:39:11,130 Jonas, that's all right. 575 00:39:11,130 --> 00:39:13,060 It's just the constable and some other men 576 00:39:13,060 --> 00:39:15,400 gone out to investigate a new cave 577 00:39:15,400 --> 00:39:17,630 where someone or something's fallin' on in. 578 00:39:17,630 --> 00:39:20,000 Now go on home, Jonas, go on. 579 00:39:20,000 --> 00:39:20,930 That a boy. 580 00:39:20,930 --> 00:39:24,830 (foreboding instrumental music) 581 00:39:48,730 --> 00:39:52,560 (dramatic instrumental music) 582 00:40:12,460 --> 00:40:14,130 - What are you gonna do, pa? 583 00:40:14,130 --> 00:40:15,590 Somebody going down the hole? 584 00:40:15,590 --> 00:40:18,230 - Don't know yet, son, we haven't decided. 585 00:40:18,230 --> 00:40:19,960 The constable's gonna look it over. 586 00:40:19,960 --> 00:40:23,630 (gentle instrumental music) 587 00:40:27,230 --> 00:40:29,860 (wailing) 588 00:40:29,860 --> 00:40:33,860 (foreboding instrumental music) 589 00:40:43,360 --> 00:40:45,530 (wailing) 590 00:40:52,360 --> 00:40:53,760 - Come on, boys, take a look at this. 591 00:40:58,260 --> 00:41:02,760 - What's going on with this geyser? 592 00:41:02,760 --> 00:41:06,160 - Well, that's got some hair on it, don't it? 593 00:41:06,160 --> 00:41:08,060 - It wasn't here two day ago, I tell you. 594 00:41:08,060 --> 00:41:10,790 I walked right through here. 595 00:41:10,790 --> 00:41:12,000 - Wow. - Don't get too close. 596 00:41:12,000 --> 00:41:12,930 - [Man] Wow. 597 00:41:12,930 --> 00:41:14,690 - Well what do you think? 598 00:41:14,690 --> 00:41:16,360 - I don't know, Joe. 599 00:41:17,760 --> 00:41:20,860 It's got to take an awful lot to fill that hole. 600 00:41:20,860 --> 00:41:22,060 - Here, let's try this. 601 00:41:22,060 --> 00:41:26,460 (dramatic instrumental music) 602 00:41:26,460 --> 00:41:28,630 (wailing) 603 00:41:47,530 --> 00:41:49,330 (rumbling) 604 00:41:49,330 --> 00:41:52,230 - Pa, that didn't sound like Lady, does it? 605 00:41:52,230 --> 00:41:54,060 - I don't think it could be the dogs. 606 00:41:57,130 --> 00:41:58,860 - I never heard of noise like that before. 607 00:42:00,460 --> 00:42:02,400 - I know one thing, we don't leave 608 00:42:02,400 --> 00:42:03,530 we're gonna get soaked. 609 00:42:03,530 --> 00:42:05,690 - Yeah, you may be right, Joe. 610 00:42:05,690 --> 00:42:06,960 Nothing we can do around here, 611 00:42:06,960 --> 00:42:08,000 at least why it's not without robot. 612 00:42:08,000 --> 00:42:09,860 Come on, boys. 613 00:42:09,860 --> 00:42:12,030 (thunder crashing) 614 00:42:12,030 --> 00:42:13,560 - Come on. 615 00:42:13,560 --> 00:42:15,130 - What about my dog, pa? 616 00:42:15,130 --> 00:42:16,790 You think it might be her down there? 617 00:42:16,790 --> 00:42:19,060 - No dog ever made a sound like that. 618 00:42:19,930 --> 00:42:20,860 Come on. 619 00:42:20,860 --> 00:42:23,630 (foreboding instrumental music) 620 00:42:23,630 --> 00:42:26,560 (thunder crashing) 621 00:42:37,360 --> 00:42:38,360 - Thank you, Mr. Jacobs. 622 00:42:38,360 --> 00:42:39,200 - You're quite welcome. 623 00:42:39,200 --> 00:42:41,730 - Ah, I don't know. 624 00:42:41,730 --> 00:42:43,160 I think we should have stayed out there. 625 00:42:43,160 --> 00:42:45,500 It'll stop raining a few minutes. 626 00:42:46,990 --> 00:42:49,400 Besides there might be somebody down there. 627 00:42:49,400 --> 00:42:50,930 - [Man] Who? 628 00:42:50,930 --> 00:42:53,430 - Well how in the hell do I know. 629 00:42:53,430 --> 00:42:55,330 Anybody, old fool. 630 00:42:56,560 --> 00:42:59,460 But, if there is someone down there, 631 00:43:00,500 --> 00:43:01,530 then I think we ought to go now 632 00:43:01,530 --> 00:43:02,790 and try to get him out. 633 00:43:02,790 --> 00:43:06,000 You know a little Christian attitude 634 00:43:06,000 --> 00:43:07,560 wouldn't hurt any of us around here. 635 00:43:07,560 --> 00:43:10,460 (thunder clashing) 636 00:43:11,830 --> 00:43:13,330 Ole Joe mentioned the mayor's 637 00:43:13,330 --> 00:43:16,030 about to fold, could be she's flipped in the hole. 638 00:43:16,030 --> 00:43:19,000 - Well I think we oughta go back out there tomorrow. 639 00:43:20,460 --> 00:43:23,360 - Whatever's out there in that hole ain't human or animal. 640 00:43:25,330 --> 00:43:26,860 It's the work of the devil. 641 00:43:26,860 --> 00:43:30,860 (foreboding instrumental music) 642 00:43:34,130 --> 00:43:37,760 - Maybe it's a, it's a warning. 643 00:43:43,860 --> 00:43:46,760 (thunder clashing) 644 00:43:53,860 --> 00:43:56,030 (wailing) 645 00:44:10,430 --> 00:44:12,590 (wailing) 646 00:44:33,560 --> 00:44:36,060 (eerie music) 647 00:44:50,860 --> 00:44:52,690 (wailing) 648 00:44:52,690 --> 00:44:57,100 - Son, go saddle the mare and ride into town 649 00:44:57,100 --> 00:44:58,890 and get the constable. 650 00:44:58,890 --> 00:45:03,230 Ask him to get Hank and Ned and anybody else he can find 651 00:45:03,230 --> 00:45:05,100 and meet me at the hole. 652 00:45:05,100 --> 00:45:06,860 It's time we settle this thing. 653 00:45:06,860 --> 00:45:10,690 (dramatic instrumental music) 654 00:45:14,890 --> 00:45:17,400 - Joe, I wish you wouldn't go, 655 00:45:21,060 --> 00:45:22,730 not tonight anyways. 656 00:45:24,830 --> 00:45:25,960 Why don't you wait till tomorrow 657 00:45:25,960 --> 00:45:27,230 when you have more light? 658 00:45:28,890 --> 00:45:30,330 What difference does it make? 659 00:45:33,200 --> 00:45:34,630 I have a worry about it, Joe. 660 00:45:36,100 --> 00:45:38,990 Now look here, woman you and your fore warnings 661 00:45:38,990 --> 00:45:40,760 and premonitions nonsense. 662 00:45:40,760 --> 00:45:42,430 Why the boy still thinks it has something 663 00:45:42,430 --> 00:45:43,890 to do with his dog. 664 00:45:43,890 --> 00:45:45,960 Now, I really don't think the dog is down there, 665 00:45:45,960 --> 00:45:48,360 but we to Jess to at least try. 666 00:45:48,360 --> 00:45:49,830 Don't you agree? 667 00:45:49,830 --> 00:45:53,400 And that, that wailing noise is gettin' serious. 668 00:45:53,400 --> 00:45:55,260 - It could be danger-- 669 00:45:55,260 --> 00:45:58,690 - Please, ma, we'll be home fore long, you'll see. 670 00:46:00,130 --> 00:46:03,790 - Oh, you two, there's no stopping you. 671 00:46:04,930 --> 00:46:06,400 You be careful now, ya hear. 672 00:46:06,400 --> 00:46:07,860 - We will, ma, we will. 673 00:46:07,860 --> 00:46:11,530 (gentle instrumental music) 674 00:46:15,930 --> 00:46:18,360 (door slams) 675 00:46:21,760 --> 00:46:23,930 (wailing) 676 00:46:25,560 --> 00:46:27,690 - That's the scariest sound I ever heard. 677 00:46:28,760 --> 00:46:30,860 Makes your skin sort of crawl. 678 00:46:30,860 --> 00:46:34,530 (gentle instrumental music) 679 00:46:40,990 --> 00:46:43,160 - Well, I'll say it again, there ain't nothing 680 00:46:43,160 --> 00:46:45,530 neither human or animal in that hole. 681 00:46:45,530 --> 00:46:47,030 - You may be right. 682 00:46:47,030 --> 00:46:48,200 You know I say we're oughta drop 683 00:46:48,200 --> 00:46:49,560 a stick of dynamite down that hole 684 00:46:49,560 --> 00:46:50,760 and blow it to kingdom come. 685 00:46:50,760 --> 00:46:53,130 - No, no the dog might be down there. 686 00:46:53,130 --> 00:46:55,100 - [Man] It ain't human and it ain't animal. 687 00:46:55,100 --> 00:46:58,200 (footsteps approaching) 688 00:46:58,200 --> 00:46:59,460 - What's that? 689 00:46:59,460 --> 00:47:00,400 - [Man] What's what? 690 00:47:00,400 --> 00:47:02,330 - That noise in the trees. 691 00:47:02,330 --> 00:47:03,730 - [Man] I'm hearing nothing. 692 00:47:05,760 --> 00:47:07,000 - Awe, it's the dummy. 693 00:47:07,000 --> 00:47:09,590 - Oh boy, that's all we need, him out here. 694 00:47:09,590 --> 00:47:10,830 How'd he get out here anyway? 695 00:47:10,830 --> 00:47:12,330 - Ah, he must have walked, I guess. 696 00:47:12,330 --> 00:47:14,330 - Yeah, I remember reading about a cave like that once. 697 00:47:14,330 --> 00:47:15,860 So they used big rooms. 698 00:47:16,960 --> 00:47:19,730 Went back for miles, I mean miles. 699 00:47:19,730 --> 00:47:22,130 All underground, mind you. 700 00:47:22,130 --> 00:47:25,530 Like a city almost room after room 701 00:47:25,530 --> 00:47:27,400 of these crazy pillars of rocks. 702 00:47:27,400 --> 00:47:30,960 A million different colors, some different, some crazy. 703 00:47:32,360 --> 00:47:34,060 Some of the pillars even upside down 704 00:47:34,060 --> 00:47:35,300 hanging from the ceiling. 705 00:47:35,300 --> 00:47:36,690 - Somebody ought to go down there. 706 00:47:36,690 --> 00:47:37,560 - Not me. 707 00:47:38,730 --> 00:47:39,960 - [Man] Hell no, you bust the rope. 708 00:47:39,960 --> 00:47:41,960 - What do you think we oughta do it, Joe? 709 00:47:43,760 --> 00:47:45,060 - I'll do it, pa. 710 00:47:45,060 --> 00:47:46,690 It just might be Lady. 711 00:47:46,690 --> 00:47:48,890 And I wanna get her back, pa. 712 00:47:48,890 --> 00:47:52,400 She might be hurt too and how'd she ever get out? 713 00:47:52,400 --> 00:47:54,860 It's not likely to have anything to do with the dog, son. 714 00:47:54,860 --> 00:47:56,930 - Yes, but it might be, pa. 715 00:47:56,930 --> 00:48:00,030 And if it is, I'd never forgive myself. 716 00:48:01,500 --> 00:48:05,260 - Well if it means so much to you, I'll go down here. 717 00:48:05,260 --> 00:48:07,100 Least ways to take a look. 718 00:48:07,100 --> 00:48:09,630 I'm sure not gonna let you do it. 719 00:48:09,630 --> 00:48:11,060 Bill. 720 00:48:11,060 --> 00:48:13,430 See if you can throw that rope over that limb, 721 00:48:13,430 --> 00:48:15,400 let her hang down right here. 722 00:48:15,400 --> 00:48:16,790 - Okay, men, watch the rope. 723 00:48:21,300 --> 00:48:23,460 (wailing) 724 00:48:26,200 --> 00:48:27,830 - [Man] Man, I wouldn't go down there 725 00:48:27,830 --> 00:48:29,790 for a million dollars. 726 00:48:29,790 --> 00:48:31,160 - If I gave you a million dollars, 727 00:48:31,160 --> 00:48:32,530 I wouldn't want you to go down that hole 728 00:48:32,530 --> 00:48:34,000 on the end of a rope. 729 00:48:34,000 --> 00:48:35,330 - Well if I went down there I wouldn't want you 730 00:48:35,330 --> 00:48:36,430 on the top end either. 731 00:48:37,660 --> 00:48:39,330 - All right, you men hold on tight 732 00:48:39,330 --> 00:48:40,530 to the end of that rope. 733 00:48:41,960 --> 00:48:45,230 It's plenty deep, and there may be water down there, too. 734 00:48:46,400 --> 00:48:48,500 All right, let's get it over with. 735 00:48:48,500 --> 00:48:49,630 Got that lantern ready? 736 00:48:52,030 --> 00:48:53,690 (gasps) 737 00:48:53,690 --> 00:48:54,730 - Oh my God. 738 00:48:54,730 --> 00:48:58,730 (foreboding instrumental music) 739 00:49:19,400 --> 00:49:20,230 Joe. 740 00:49:23,160 --> 00:49:24,630 Oh, Joe. 741 00:49:24,630 --> 00:49:25,560 - Ole Dan has it. 742 00:49:25,560 --> 00:49:26,830 - [Joe] Take it slow, Tom. 743 00:49:26,830 --> 00:49:28,760 - Well where in the hell have you been? 744 00:49:28,760 --> 00:49:30,160 - I got here as soon as I could. 745 00:49:30,160 --> 00:49:31,590 - Well come on, give us a hand on this rope. 746 00:49:31,590 --> 00:49:33,430 We're letting Joe down in the hole. 747 00:49:33,430 --> 00:49:34,690 - [Man] Why didn't you say so? 748 00:49:34,690 --> 00:49:35,960 - [Man] All right, take it slow, Tom. 749 00:49:35,960 --> 00:49:36,630 Remember, you got a lantern down there. 750 00:49:36,630 --> 00:49:37,430 (wailing) 751 00:49:37,430 --> 00:49:40,300 Can't go too fast. 752 00:49:40,300 --> 00:49:41,430 - He ain't on there. 753 00:49:41,430 --> 00:49:44,360 (melancholy music) 754 00:49:59,230 --> 00:50:00,400 - Oh Joe. 755 00:50:01,790 --> 00:50:03,300 - You ain't something. 756 00:50:03,300 --> 00:50:04,830 Heavy as you are you oughta be on the end of this rope 757 00:50:04,830 --> 00:50:06,160 when we're ready to pull Joe up. 758 00:50:06,160 --> 00:50:07,860 - Is that rope still slack? (Joe screaming) 759 00:50:07,860 --> 00:50:10,030 (wailing) 760 00:50:11,460 --> 00:50:12,300 - God, what's happening? 761 00:50:13,230 --> 00:50:14,530 - Oh Joe. 762 00:50:14,530 --> 00:50:16,030 - Pull it up, pull it up. 763 00:50:16,030 --> 00:50:17,260 Somethings happened to my pa. 764 00:50:17,260 --> 00:50:18,560 - Come on, pull, pull. 765 00:50:18,560 --> 00:50:19,930 - [Man] Well, I'm pulling, pulling. 766 00:50:19,930 --> 00:50:22,130 - Hurry up, hurry. - Be careful. 767 00:50:22,130 --> 00:50:24,100 - [Man] Hold on, let's get him out of there. 768 00:50:24,100 --> 00:50:25,460 - [Man] Pull, pull. 769 00:50:25,460 --> 00:50:26,860 - [Man] I'm pulling. 770 00:50:26,860 --> 00:50:28,300 (men yelling) 771 00:50:28,300 --> 00:50:29,530 - Pa, pa. 772 00:50:29,530 --> 00:50:30,560 - Pull it harder. 773 00:50:30,560 --> 00:50:31,590 - [Man] Hurry, hurry. 774 00:50:31,590 --> 00:50:32,530 - [Man] Pull, pull. 775 00:50:33,860 --> 00:50:35,060 - Pa. - Pull it. 776 00:50:35,060 --> 00:50:36,200 - Pull harder. 777 00:50:36,200 --> 00:50:37,500 - Pa. 778 00:50:37,500 --> 00:50:39,100 - Pull harder. 779 00:50:39,100 --> 00:50:41,460 - Come on, pull, pull. 780 00:50:41,460 --> 00:50:43,130 - Hurry. - Be careful, pull. 781 00:50:43,130 --> 00:50:44,100 - Pa, pa. 782 00:50:44,100 --> 00:50:47,300 - Pull. (wailing) 783 00:50:47,300 --> 00:50:48,630 - [Man] He's dead. 784 00:50:48,630 --> 00:50:50,790 - [Jess] Pa? 785 00:50:50,790 --> 00:50:51,660 - He's still breathing. 786 00:50:51,660 --> 00:50:53,300 - [Man] Help him out. 787 00:50:53,300 --> 00:50:56,260 - Here put this under his head. 788 00:50:56,260 --> 00:50:57,200 - [Jess] Pa? 789 00:50:57,200 --> 00:50:58,730 - [Man] He's still breathing. 790 00:50:58,730 --> 00:51:00,130 - God, look at his eyes. 791 00:51:00,130 --> 00:51:03,560 (gentle instrumental music) 792 00:51:03,560 --> 00:51:04,400 - Joe. 793 00:51:13,860 --> 00:51:15,830 - Funny weather at this time of year. 794 00:51:18,530 --> 00:51:21,130 - Pa, I can't find Lady any place. 795 00:51:22,730 --> 00:51:24,530 - [Joe] Go saddle the mare and ride into town 796 00:51:24,530 --> 00:51:25,890 and get the constable. 797 00:51:25,890 --> 00:51:27,430 It's time we settle this thing. 798 00:51:29,160 --> 00:51:31,330 - [Constable] What do you think we ought to do, Joe? 799 00:51:31,330 --> 00:51:33,630 - [Jess] I'll do it, pa, it just might be Lady 800 00:51:33,630 --> 00:51:35,100 and I wanna to get her back, pa. 801 00:51:35,100 --> 00:51:36,400 - [Joe] It means so much to you, 802 00:51:36,400 --> 00:51:38,030 I'll go down there. 803 00:51:38,030 --> 00:51:41,690 (gentle instrumental music) 804 00:51:44,930 --> 00:51:45,890 - He's alive. 805 00:51:45,890 --> 00:51:46,730 - [Man] Lift him up. 806 00:51:46,730 --> 00:51:49,500 (Joe murmuring) 807 00:51:51,630 --> 00:51:53,100 - Easy now, easy. 808 00:51:53,100 --> 00:51:55,260 (wailing) 809 00:51:58,130 --> 00:52:00,460 (screaming) 810 00:52:05,160 --> 00:52:08,930 (intense instrumental music) 811 00:52:13,060 --> 00:52:14,960 - [Jess] Pa, come back. 812 00:52:16,960 --> 00:52:18,560 Pa, come back. 813 00:52:18,560 --> 00:52:20,130 Pa, don't leave me. 814 00:52:23,730 --> 00:52:26,560 - [Rod] No one knows what happened down in that cave. 815 00:52:26,560 --> 00:52:28,590 Joe is a strong intelligent man 816 00:52:28,590 --> 00:52:31,030 who had lived his entire life close to the earth. 817 00:52:31,030 --> 00:52:32,790 Never before had he intruded upon 818 00:52:32,790 --> 00:52:34,690 the affairs of that godless society 819 00:52:34,690 --> 00:52:35,760 that dwells deep within 820 00:52:35,760 --> 00:52:38,100 the bowels of the earth. - Pa, pa. 821 00:52:38,100 --> 00:52:41,730 - [Rod] But he did leave him after a manner of speaking. 822 00:52:42,860 --> 00:52:44,890 Somehow through this wild experience 823 00:52:44,890 --> 00:52:46,760 he had lost his mind. 824 00:52:46,760 --> 00:52:49,860 He was insane and spent the rest of his life 825 00:52:49,860 --> 00:52:51,100 in the state insane asylum. 826 00:52:51,100 --> 00:52:54,930 (dramatic instrumental music) 827 00:53:00,630 --> 00:53:02,560 - Pa, pa. 828 00:53:05,130 --> 00:53:05,960 Pa, pa. 829 00:53:07,360 --> 00:53:08,590 Pa, come back. 830 00:53:29,260 --> 00:53:32,930 (gentle instrumental music) 831 00:53:34,160 --> 00:53:36,100 - [Rod] There is a bridge in our mind 832 00:53:36,100 --> 00:53:38,560 that leads through time and memory from 833 00:53:38,560 --> 00:53:41,360 what we know to sure is beyond knowing. 834 00:53:42,530 --> 00:53:44,630 It sways high and darkly dangerous 835 00:53:44,630 --> 00:53:47,100 above the canyons of our disbelief. 836 00:53:47,100 --> 00:53:50,730 Like some spectral span spun by Devils for us to tread. 837 00:53:52,130 --> 00:53:56,590 To walk this bridge is to accept all kinds of possibilities, 838 00:53:56,590 --> 00:53:58,990 especially the most exciting possibility of all, 839 00:54:00,160 --> 00:54:02,130 the possibility of impossibility. 840 00:54:03,860 --> 00:54:07,630 Some tales of the impossible so capture the imagination 841 00:54:07,630 --> 00:54:10,730 that they quickly spread over much of the country. 842 00:54:10,730 --> 00:54:12,630 The girl in the bridge is such a tale. 843 00:54:13,730 --> 00:54:15,360 Countless variations of this story 844 00:54:15,360 --> 00:54:17,500 are told and retold. 845 00:54:17,500 --> 00:54:20,300 In North Carolina, it is the Lydia story. 846 00:54:20,300 --> 00:54:23,030 in Illinois it's the specter of the mists 847 00:54:23,030 --> 00:54:25,400 and in Texas it's called the white rock lady. 848 00:54:26,790 --> 00:54:29,500 Dozens of interviews and hours of newspaper research 849 00:54:29,500 --> 00:54:31,890 traced the story's origin and consequence spread 850 00:54:31,890 --> 00:54:34,730 across the country from Central Arkansas 851 00:54:34,730 --> 00:54:36,130 beginning in 1929. 852 00:54:37,560 --> 00:54:40,790 Come now and explore the possibility of the impossible. 853 00:54:41,960 --> 00:54:45,200 Come stand beside the girl on the bridge. 854 00:54:46,100 --> 00:54:50,030 (energetic instrumental music) 855 00:55:00,590 --> 00:55:04,360 (intense instrumental music) 856 00:55:09,300 --> 00:55:12,960 (solemn instrumental music) 857 00:55:23,530 --> 00:55:25,760 - We had a wonderful time. - It was fun to be happy. 858 00:55:25,760 --> 00:55:26,690 - Thanks very much. 859 00:55:26,690 --> 00:55:30,260 (mellow instrumental music) 860 00:55:59,760 --> 00:56:03,430 (upbeat instrumental music) 861 00:56:15,430 --> 00:56:18,790 (solemn instrumental music) 862 00:56:18,790 --> 00:56:21,890 (crickets chirping) 863 00:56:40,530 --> 00:56:44,730 - [Senator] Miss, miss, are you all right? 864 00:56:44,730 --> 00:56:45,630 Are you hurt? 865 00:56:52,630 --> 00:56:53,460 Are you okay? 866 00:56:57,460 --> 00:56:58,400 Are you hurt? 867 00:56:58,400 --> 00:57:01,960 (mellow instrumental music) 868 00:57:03,260 --> 00:57:04,100 - No 869 00:57:05,990 --> 00:57:06,960 I'm not hurt. 870 00:57:09,730 --> 00:57:11,060 Would you take me home? 871 00:57:12,260 --> 00:57:14,030 - Of course, I'll take you home, 872 00:57:14,030 --> 00:57:16,000 but, but what happened to you? 873 00:57:19,860 --> 00:57:21,030 Are you here all alone? 874 00:57:25,860 --> 00:57:27,260 - I don't know. 875 00:57:31,130 --> 00:57:32,230 I'm afraid so. 876 00:57:33,790 --> 00:57:35,500 - Are you sure you were all right? 877 00:57:37,400 --> 00:57:39,990 - Please, just take me home. 878 00:57:39,990 --> 00:57:41,100 - [Man] Of course, I will. 879 00:57:41,100 --> 00:57:41,990 Where do you live? 880 00:57:48,030 --> 00:57:52,690 - 3802 Cavanaugh, near the park. 881 00:57:56,200 --> 00:57:59,330 - Now come along, let me help you into the car. 882 00:57:59,330 --> 00:58:00,630 I'll see that you get home. 883 00:58:00,630 --> 00:58:04,300 (gentle instrumental music) 884 00:58:21,860 --> 00:58:22,690 - What happened? 885 00:58:22,690 --> 00:58:23,630 - I don't know. 886 00:58:23,630 --> 00:58:25,130 - Are you sure you're all right? 887 00:58:26,790 --> 00:58:27,990 - I have to go home. 888 00:58:31,860 --> 00:58:34,030 My father worries about me. 889 00:58:36,330 --> 00:58:40,260 (melodious instrumental music) 890 00:58:46,500 --> 00:58:47,830 - [John] Susan. 891 00:58:50,260 --> 00:58:51,530 - Hello. 892 00:58:51,530 --> 00:58:53,500 - [John] I want to talk to you. 893 00:58:53,500 --> 00:58:54,330 Sit down. 894 00:58:56,830 --> 00:58:57,930 - Again, father? 895 00:59:00,990 --> 00:59:04,130 - Susan, I've told you to stay away from that boy 896 00:59:05,160 --> 00:59:06,690 and I mean it. 897 00:59:06,690 --> 00:59:08,560 - [Susan] But I love him. 898 00:59:08,560 --> 00:59:09,530 - That isn't true. 899 00:59:12,130 --> 00:59:14,100 You don't even know what love is. 900 00:59:14,100 --> 00:59:15,860 - Don't I, father? 901 00:59:15,860 --> 00:59:18,860 - No, you don't and I want you 902 00:59:18,860 --> 00:59:21,990 to get rid of that boy or I will. 903 00:59:21,990 --> 00:59:24,990 - I love Paul and I wanna marry him. 904 00:59:24,990 --> 00:59:27,200 - Don't talk like a fool, Susan. 905 00:59:27,200 --> 00:59:29,530 I never want to see that boy around here again. 906 00:59:32,730 --> 00:59:34,960 And besides, he could never support you. 907 00:59:36,330 --> 00:59:39,360 - And Wesley Carver could, is that it, father? 908 00:59:39,360 --> 00:59:42,860 - Yes, he could give you everything you've always wanted 909 00:59:42,860 --> 00:59:44,360 - Everything you've always wanted. 910 00:59:44,360 --> 00:59:47,160 All I want is Paul. 911 00:59:47,160 --> 00:59:47,990 - Susan. 912 00:59:54,230 --> 00:59:56,690 I'd rather see you dead than married to that boy. 913 01:00:04,460 --> 01:00:06,930 - John 914 01:00:06,930 --> 01:00:11,890 John. 915 01:00:11,890 --> 01:00:14,200 - Yes, what is it? 916 01:00:14,200 --> 01:00:17,730 - Why do you have to talk to Susan like that? 917 01:00:17,730 --> 01:00:20,200 - Because she's my daughter and I love her. 918 01:00:20,200 --> 01:00:22,500 Because I don't want to see her ruin her life. 919 01:00:23,930 --> 01:00:25,200 - And you think that loving 920 01:00:25,200 --> 01:00:27,030 and marrying Paul will ruin her life? 921 01:00:29,760 --> 01:00:32,530 - Emma, you know what that boys family's like, 922 01:00:32,530 --> 01:00:34,330 he'd always be poor. 923 01:00:34,330 --> 01:00:35,830 - You know that boy works very hard 924 01:00:35,830 --> 01:00:37,430 at making something of himself. 925 01:00:38,860 --> 01:00:40,930 He reminds me of someone I used to know. 926 01:00:42,060 --> 01:00:43,600 I don't think I know you now, John. 927 01:00:44,600 --> 01:00:46,300 - It's me, Emma. - No, I mean it. 928 01:00:47,690 --> 01:00:50,690 When did money start to mean more than your family? 929 01:00:50,690 --> 01:00:52,130 - It doesn't. 930 01:00:52,130 --> 01:00:52,960 - Really? 931 01:00:54,100 --> 01:00:55,330 You're willing to sacrifice 932 01:00:55,330 --> 01:00:56,930 your daughter's happiness for it. 933 01:00:58,400 --> 01:01:00,330 You're breaking her heart 934 01:01:00,330 --> 01:01:02,730 and I am ashamed for you. 935 01:01:06,630 --> 01:01:08,630 - She'll get over it in time. 936 01:01:11,230 --> 01:01:13,100 I think I know what's best for her. 937 01:01:16,330 --> 01:01:17,790 She's not to see Paul again. 938 01:01:19,830 --> 01:01:22,600 I don't understand why she doesn't like that Carver boy. 939 01:01:22,600 --> 01:01:26,330 - Like him, John, she does like him. 940 01:01:27,260 --> 01:01:28,560 She just happens to believe 941 01:01:28,560 --> 01:01:30,890 you should love somebody in order to marry them. 942 01:01:30,890 --> 01:01:34,560 (solemn instrumental music) 943 01:01:40,530 --> 01:01:42,890 - [John] Don't talk like a fool, Susan. 944 01:01:42,890 --> 01:01:45,930 I never wanna see that boy around here again. 945 01:01:45,930 --> 01:01:48,990 - [Susan] I love Paul and I wanna marry him. 946 01:01:48,990 --> 01:01:52,660 (gentle instrumental music) 947 01:01:56,530 --> 01:02:00,360 (peaceful instrumental music) 948 01:02:44,560 --> 01:02:46,230 - [Paul] I love you. 949 01:02:48,860 --> 01:02:50,360 - I love you, too. 950 01:02:53,690 --> 01:02:55,990 (laughs) 951 01:02:55,990 --> 01:02:56,890 - Susan. 952 01:02:56,890 --> 01:02:58,130 - [Susan] Hmm. 953 01:02:58,130 --> 01:03:00,730 - Remember the first time we came here? 954 01:03:00,730 --> 01:03:02,230 - Always. 955 01:03:02,230 --> 01:03:04,260 You mean the time I forgot the lunch. 956 01:03:04,260 --> 01:03:06,960 (laughing) 957 01:03:06,960 --> 01:03:07,930 How could I forget? 958 01:03:07,930 --> 01:03:11,600 (gentle instrumental music) 959 01:03:17,460 --> 01:03:18,360 Don't. 960 01:03:18,360 --> 01:03:20,300 (screams) 961 01:03:20,300 --> 01:03:21,600 I wanna go swim. 962 01:03:21,600 --> 01:03:25,500 (melodious instrumental music) 963 01:05:15,690 --> 01:05:18,760 (laughs) I love you. 964 01:05:27,130 --> 01:05:27,960 - Honey. 965 01:05:29,930 --> 01:05:33,430 Why do you have to go to that party anyway? 966 01:05:33,430 --> 01:05:35,400 - You know father worries about us. 967 01:05:37,960 --> 01:05:38,760 It's all right. 968 01:05:40,330 --> 01:05:43,500 Breaking my date with Wesley won't help. 969 01:05:43,500 --> 01:05:46,530 And neither will being late. 970 01:05:46,530 --> 01:05:47,460 We better go. 971 01:05:47,460 --> 01:05:50,630 (soft instrumental music) 972 01:06:04,100 --> 01:06:06,890 - You shouldn't have said you'd go with him anyway. 973 01:06:06,890 --> 01:06:10,260 - Paul, you know I had nothing to say about that. 974 01:06:10,260 --> 01:06:13,930 (upbeat instrumental music) 975 01:06:15,130 --> 01:06:18,130 Besides, I told you I'd meet you in the gazebo. 976 01:06:20,430 --> 01:06:21,460 Cheer up. 977 01:06:28,690 --> 01:06:30,300 (energetic instrumental music) 978 01:06:30,300 --> 01:06:34,300 (indistinct background chatter) 979 01:06:58,500 --> 01:07:01,790 - Oh look, here comes Susan with Wesley Carver. 980 01:07:01,790 --> 01:07:04,260 - Well, I thought she was in love with Paul. 981 01:07:04,260 --> 01:07:07,400 - She is, but her father's in love with the Carver money. 982 01:07:08,660 --> 01:07:11,030 - She's not gonna date Wesley, is she? 983 01:07:11,030 --> 01:07:13,400 - Her father is trying to keep her from dating Paul, 984 01:07:13,400 --> 01:07:15,360 but guess who's in the gazebo? 985 01:07:15,360 --> 01:07:16,300 - Paul? 986 01:07:16,300 --> 01:07:19,890 (nostalgic instrumental music) 987 01:07:22,130 --> 01:07:26,130 (indistinct background chatter) 988 01:07:27,360 --> 01:07:28,230 - Saturday night. 989 01:07:46,960 --> 01:07:48,460 - Hi. 990 01:07:48,460 --> 01:07:50,530 - [Paul] Hi, how'd you get way so soon? 991 01:07:50,530 --> 01:07:52,130 - Oh, it was easy. 992 01:07:52,130 --> 01:07:55,200 I sent Wesley out for some punch. 993 01:07:55,200 --> 01:07:56,130 He's probably looking everywhere for me right now. 994 01:08:03,160 --> 01:08:05,160 Paul, I can't stay long. 995 01:08:07,600 --> 01:08:08,500 I love you. 996 01:08:11,260 --> 01:08:12,600 - I love you, too. 997 01:08:31,860 --> 01:08:32,690 - Oh, Paul. 998 01:08:34,430 --> 01:08:35,600 What are we gonna do? 999 01:08:39,200 --> 01:08:40,530 - I know what we could do. 1000 01:08:42,160 --> 01:08:43,060 We could run away. 1001 01:08:44,200 --> 01:08:46,030 - I've told you to stay away from that boy. 1002 01:08:46,030 --> 01:08:47,930 (laughing) 1003 01:08:47,930 --> 01:08:49,160 - What's wrong? 1004 01:08:49,160 --> 01:08:50,360 - I'm all mixed up. 1005 01:08:51,530 --> 01:08:53,260 - You don't even know what love is. 1006 01:08:53,260 --> 01:08:55,030 - [Paul] Don't worry, Susan. 1007 01:08:55,030 --> 01:08:56,560 I'll take care of you. 1008 01:08:56,560 --> 01:08:57,990 - He could never support you. 1009 01:09:00,130 --> 01:09:02,300 - Maybe we could talk to father again 1010 01:09:02,300 --> 01:09:03,230 and he could give you some ideas about-- 1011 01:09:03,230 --> 01:09:05,030 - We tried that, you know it. 1012 01:09:06,200 --> 01:09:10,790 Our only chance is to go away together. 1013 01:09:10,790 --> 01:09:11,790 - Yes, but maybe if we asked-- 1014 01:09:11,790 --> 01:09:12,630 - Susan. 1015 01:09:15,060 --> 01:09:16,100 Do you love me? 1016 01:09:16,100 --> 01:09:18,160 (gentle instrumental music) 1017 01:09:18,160 --> 01:09:21,430 - Yes, I love you. 1018 01:09:21,430 --> 01:09:23,030 - Do you really, really love me? 1019 01:09:24,160 --> 01:09:25,360 - Of course, I do. 1020 01:09:26,360 --> 01:09:27,630 - Then we'll work it out. 1021 01:09:30,630 --> 01:09:32,430 We might not have much, 1022 01:09:32,430 --> 01:09:33,830 but we will have each other. 1023 01:09:35,260 --> 01:09:37,360 - We would happy, wouldn't we? 1024 01:09:39,060 --> 01:09:39,990 - You know we would. 1025 01:09:39,990 --> 01:09:43,500 (soft instrumental music) 1026 01:09:51,600 --> 01:09:53,230 - There's no other way, is there? 1027 01:09:56,100 --> 01:09:57,500 - [Paul] What other way is there? 1028 01:09:57,500 --> 01:10:01,930 (gentle instrumental music) 1029 01:10:01,930 --> 01:10:03,930 Let's get married. 1030 01:10:03,930 --> 01:10:05,130 Let's get married today. 1031 01:10:07,330 --> 01:10:08,230 - [Susan] Today? 1032 01:10:08,230 --> 01:10:09,260 - Yes. 1033 01:10:09,260 --> 01:10:10,530 - [Susan] You mean to today? 1034 01:10:10,530 --> 01:10:12,760 - Yes, today, let's get married now, right now. 1035 01:10:12,760 --> 01:10:14,790 (laughs) 1036 01:10:14,790 --> 01:10:15,760 - [Susan] All right. 1037 01:10:15,760 --> 01:10:19,460 (soft instrumental music) 1038 01:10:19,460 --> 01:10:20,790 - You mean it, you really mean it. 1039 01:10:20,790 --> 01:10:22,560 (laughs) 1040 01:10:22,560 --> 01:10:23,790 - [Susan] I do. 1041 01:10:27,100 --> 01:10:27,930 - Let's go. 1042 01:10:34,100 --> 01:10:38,690 (indistinct background chatter) 1043 01:10:38,690 --> 01:10:40,330 - Hey, where you going? 1044 01:10:40,330 --> 01:10:41,160 - [Both] To get married. 1045 01:10:46,230 --> 01:10:50,300 (suspenseful instrumental music) 1046 01:11:22,790 --> 01:11:23,630 - Good evening, sir. 1047 01:11:23,630 --> 01:11:24,890 - Yes. 1048 01:11:24,890 --> 01:11:26,460 - I hate to do bother you like this, sir, 1049 01:11:26,460 --> 01:11:29,060 but my name is Senator Brooksmeyer. 1050 01:11:29,060 --> 01:11:30,300 I have a young lady in the car 1051 01:11:30,300 --> 01:11:31,930 who says she lives this address, 1052 01:11:31,930 --> 01:11:34,660 now, she's quite upset and seems 1053 01:11:34,660 --> 01:11:37,630 to have been of an accident or something like that. 1054 01:11:37,630 --> 01:11:41,100 - You've made a mistake. 1055 01:11:41,100 --> 01:11:41,930 I'm sorry. 1056 01:11:45,960 --> 01:11:49,630 (gentle instrumental music) 1057 01:12:08,300 --> 01:12:09,530 - You're willing to sacrifice 1058 01:12:09,530 --> 01:12:11,130 your daughter's happiness for it. 1059 01:12:12,600 --> 01:12:13,890 You're breaking her heart 1060 01:12:14,960 --> 01:12:16,330 and I am ashamed for you. 1061 01:12:20,890 --> 01:12:23,160 - You must have the wrong address. 1062 01:12:23,160 --> 01:12:24,160 She's gone. 1063 01:12:24,160 --> 01:12:24,990 - Gone? 1064 01:12:28,160 --> 01:12:29,860 But I would've heard the car door. 1065 01:12:31,200 --> 01:12:32,500 What's happening? 1066 01:12:32,500 --> 01:12:34,460 - I don't know, but I'm sure going to find out. 1067 01:12:34,460 --> 01:12:38,530 (suspenseful instrumental music) 1068 01:12:53,330 --> 01:12:55,690 Sir, if you'll just explain this to me. 1069 01:12:55,690 --> 01:13:00,500 - Let me step outside and close the door. 1070 01:13:02,130 --> 01:13:05,160 I don't want my wife upset again. 1071 01:13:05,160 --> 01:13:07,060 - I don't understand any of this, sir. 1072 01:13:07,930 --> 01:13:09,930 (sighs) 1073 01:13:14,230 --> 01:13:16,730 - My daughter was in an accident 1074 01:13:18,630 --> 01:13:23,130 on Woodson Road by the old bridge. 1075 01:13:24,300 --> 01:13:25,890 - That's right, that's where we found her, 1076 01:13:25,890 --> 01:13:27,230 but how did you know? 1077 01:13:30,630 --> 01:13:32,030 - Let me try to explain, 1078 01:13:35,060 --> 01:13:39,060 she was standing there, you stopped to help 1079 01:13:42,560 --> 01:13:46,130 and she asked you to bring her for this address. 1080 01:13:46,130 --> 01:13:47,760 - Well, it's right, yes. 1081 01:13:48,890 --> 01:13:51,360 - There's only one thing wrong, Senator, 1082 01:13:55,360 --> 01:13:59,830 that accident happened many years ago. 1083 01:14:03,860 --> 01:14:08,200 And my daughter 1084 01:14:08,200 --> 01:14:10,400 was killed. 1085 01:14:13,930 --> 01:14:14,730 Time 1086 01:14:15,830 --> 01:14:18,130 and time again. 1087 01:14:18,130 --> 01:14:23,000 She tries to come back, but she never makes it. 1088 01:14:23,000 --> 01:14:26,660 (solemn instrumental music) 1089 01:14:40,600 --> 01:14:41,430 God. 1090 01:14:42,730 --> 01:14:44,160 I wish she could. 1091 01:14:57,200 --> 01:14:59,130 (door shuts) 1092 01:14:59,130 --> 01:15:03,130 (melancholy instrumental music) 1093 01:15:23,790 --> 01:15:27,560 (intense instrumental music) 1094 01:15:27,560 --> 01:15:31,230 (gentle instrumental music) 1095 01:15:51,830 --> 01:15:55,730 ♪ Remembering how it used to be ♪ 1096 01:15:55,730 --> 01:16:00,730 ♪ Knowing how it could have been ♪ 1097 01:16:04,930 --> 01:16:09,300 ♪ If we could go back to yesterday ♪ 1098 01:16:09,300 --> 01:16:14,300 ♪ And live it all again 1099 01:16:17,760 --> 01:16:22,760 ♪ I know that if we had the time things would've changed ♪ 1100 01:16:24,030 --> 01:16:28,830 ♪ I think that our lives would be than the same ♪ 1101 01:16:38,460 --> 01:16:42,790 ♪ Wish I still had the kind of life ♪ 1102 01:16:42,790 --> 01:16:47,790 ♪ I once had with you 1103 01:16:50,860 --> 01:16:54,930 ♪ Before the nights were like the kind ♪ 1104 01:16:54,930 --> 01:16:59,930 ♪ I once shared with you 1105 01:17:03,160 --> 01:17:08,160 ♪ If there were only something I could do ♪ 1106 01:17:09,360 --> 01:17:13,460 ♪ It's so hard to feel after loving you ♪ 1107 01:17:26,630 --> 01:17:29,860 ♪ For all my dream looking back ♪ 1108 01:17:29,860 --> 01:17:34,860 ♪ On a life that used to be 1109 01:17:38,060 --> 01:17:41,360 ♪ Never really understanding 1110 01:17:41,360 --> 01:17:46,360 ♪ Why you had to leave 1111 01:17:50,660 --> 01:17:53,300 ♪ If we could go back and change ♪ 1112 01:17:53,300 --> 01:17:56,130 ♪ all that's been done 1113 01:17:56,130 --> 01:17:59,130 ♪ Then perhaps this lonely time ♪ 1114 01:17:59,130 --> 01:18:02,460 ♪ Never would have come 1115 01:18:24,130 --> 01:18:26,500 (suspenseful instrumental music) 1116 01:18:26,500 --> 01:18:28,230 - [Rod] It has been said that our lives 1117 01:18:28,230 --> 01:18:29,930 are merely bridges through time, 1118 01:18:30,890 --> 01:18:31,730 but what a death? 1119 01:18:32,730 --> 01:18:34,830 We know where death begins, 1120 01:18:34,830 --> 01:18:37,260 but across what does it span? 1121 01:18:37,260 --> 01:18:38,860 Where does it lead? 1122 01:18:38,860 --> 01:18:42,000 These are questions Susan could easily answer, 1123 01:18:42,000 --> 01:18:45,200 if we could but find her and this too is possible. 1124 01:18:46,400 --> 01:18:48,990 For dozens of people, including the senator, 1125 01:18:48,990 --> 01:18:52,230 say she still stands upon the bridge waiting, 1126 01:18:52,230 --> 01:18:55,260 perhaps for you to pass her way once more. 1127 01:18:55,260 --> 01:18:59,330 (suspenseful instrumental music) 1128 01:19:08,990 --> 01:19:11,160 Do we make these memorials to the dead 1129 01:19:11,160 --> 01:19:12,160 to help us remember? 1130 01:19:13,530 --> 01:19:15,830 Surely, we would never forget those we once loved. 1131 01:19:17,260 --> 01:19:19,990 Then is there some other reason, some obscure force 1132 01:19:19,990 --> 01:19:22,600 buried deep in the racial memory of man 1133 01:19:22,600 --> 01:19:24,730 that makes us create a ceremony 1134 01:19:24,730 --> 01:19:26,360 whenever one of us crosses over 1135 01:19:26,360 --> 01:19:27,960 to the next portion of eternity. 1136 01:19:29,100 --> 01:19:31,000 Can we measure that force? 1137 01:19:31,000 --> 01:19:33,330 The force released by a death 1138 01:19:33,330 --> 01:19:35,260 and do we know what form it may take? 1139 01:19:36,500 --> 01:19:38,760 We know what energy is released by a birth, 1140 01:19:38,760 --> 01:19:40,930 by the start of a life in this plane. 1141 01:19:40,930 --> 01:19:44,300 We celebrate it joyously at every anniversary, 1142 01:19:44,300 --> 01:19:46,100 but what about its opposite? 1143 01:19:46,100 --> 01:19:48,660 The energy released in this plane of existence 1144 01:19:49,560 --> 01:19:51,030 when a life comes to an end. 1145 01:19:52,030 --> 01:19:53,630 Doesn't some portion of it pass 1146 01:19:53,630 --> 01:19:55,330 for those who loved him? 1147 01:19:55,330 --> 01:19:58,830 Haven't you noticed that the ones left behind 1148 01:19:58,830 --> 01:20:02,060 seems somehow stronger, even in the midst of their grief. 1149 01:20:07,860 --> 01:20:11,000 Look at the dead boy's mother, her occult powers 1150 01:20:11,000 --> 01:20:14,430 never manifested before are almost irresistible. 1151 01:20:16,200 --> 01:20:18,060 - Listen you well to my word, 1152 01:20:23,330 --> 01:20:26,300 one by land, two by sky. 1153 01:20:29,930 --> 01:20:33,430 Look to the heptagon for it is there. 1154 01:20:33,430 --> 01:20:36,500 Seven times around go the three of you 1155 01:20:40,060 --> 01:20:44,990 and may reward be just and true. 1156 01:20:44,990 --> 01:20:49,660 (suspenseful instrumental music) 1157 01:20:49,660 --> 01:20:51,890 - [Rod] Now what about Johnny's death, 1158 01:20:51,890 --> 01:20:55,160 the accident that set in motion this whole train of events? 1159 01:20:55,160 --> 01:20:56,930 Was it an accident? 1160 01:20:56,930 --> 01:21:00,260 Was his death the climax of some unfathomable plan 1161 01:21:00,260 --> 01:21:02,360 rather than a mindless happening? 1162 01:21:02,360 --> 01:21:04,530 His mother, remember was the seventh daughter 1163 01:21:04,530 --> 01:21:05,760 of a seventh son. 1164 01:21:05,760 --> 01:21:08,730 Her powers were real even if unknown to her 1165 01:21:08,730 --> 01:21:10,030 until Johnny's death. 1166 01:21:12,230 --> 01:21:15,400 Before you dismiss this as an unfortunate accident 1167 01:21:15,400 --> 01:21:17,330 consider for a moment the incredible chain 1168 01:21:17,330 --> 01:21:20,230 of coincidental conditions that had to be met, 1169 01:21:20,230 --> 01:21:23,330 an address to send Johnny to, chosen at random, 1170 01:21:23,330 --> 01:21:25,400 a woman at home alone who opened her door 1171 01:21:25,400 --> 01:21:26,930 to a stranger at night, 1172 01:21:26,930 --> 01:21:30,030 a careful husband who left his wife a loaded automatic 1173 01:21:30,030 --> 01:21:31,160 with the safety off. 1174 01:21:32,360 --> 01:21:33,200 - Who's there? 1175 01:21:34,660 --> 01:21:36,990 - It's me Darlene, Johnny, you know Randy called. 1176 01:21:36,990 --> 01:21:41,100 (suspenseful instrumental music) 1177 01:21:47,960 --> 01:21:49,790 - Who do you want? 1178 01:21:49,790 --> 01:21:51,630 - Ah come on, Darlene, don't put me down. 1179 01:21:51,630 --> 01:21:52,600 Just open the door. 1180 01:21:53,890 --> 01:21:55,730 - There's no one here by that name, 1181 01:21:55,730 --> 01:21:57,030 this is the Wilson residence. 1182 01:21:57,030 --> 01:21:58,560 - Is their named Darlene? 1183 01:22:01,430 --> 01:22:03,430 (sighs) 1184 01:22:03,430 --> 01:22:04,230 - No, young man. 1185 01:22:05,400 --> 01:22:06,760 You've probably got the wrong address 1186 01:22:06,760 --> 01:22:10,330 and besides that you're liable to get hurt 1187 01:22:10,330 --> 01:22:11,760 walking up to a strange house 1188 01:22:11,760 --> 01:22:13,560 in the middle of the night. 1189 01:22:13,560 --> 01:22:15,560 Why I've got my husband's pistol out 1190 01:22:15,560 --> 01:22:17,630 and I certainly don't want to hurt anybody. 1191 01:22:17,630 --> 01:22:19,790 (screams) 1192 01:22:21,060 --> 01:22:23,560 (gasps) Oh dear God. 1193 01:22:26,500 --> 01:22:30,860 - [Rod] Death, sudden, violent, this is the trauma 1194 01:22:30,860 --> 01:22:33,460 that will reinforce the thrust of the mind, 1195 01:22:33,460 --> 01:22:35,300 turn loose the death force, 1196 01:22:35,300 --> 01:22:37,760 that strange parallel to the life force. 1197 01:22:38,860 --> 01:22:41,230 Where will that force go, do you know 1198 01:22:42,630 --> 01:22:45,100 and are you all together sure you would want to know? 1199 01:22:46,260 --> 01:22:48,730 Let us consider witchcraft for a moment. 1200 01:22:48,730 --> 01:22:51,330 Genuine witches are difficult to identify. 1201 01:22:51,330 --> 01:22:53,030 They operate without a license, 1202 01:22:53,030 --> 01:22:55,130 they're not required to register anywhere, 1203 01:22:56,560 --> 01:22:59,030 but witchcraft is booming in America and England. 1204 01:22:59,030 --> 01:23:02,360 Thousands of people are dabbling in black or white magic. 1205 01:23:02,360 --> 01:23:05,500 Surely then, witches must reveal themselves 1206 01:23:05,500 --> 01:23:07,630 from time to time, if only to keep 1207 01:23:07,630 --> 01:23:09,890 the faith of the coven fresh and strong. 1208 01:23:11,730 --> 01:23:15,060 Witchcraft began, apparently, with earliest mankind. 1209 01:23:15,060 --> 01:23:17,560 Once it was called the old religion, 1210 01:23:17,560 --> 01:23:20,230 probably tribal fertility rites forced underground 1211 01:23:20,230 --> 01:23:22,330 by religious persecution. 1212 01:23:22,330 --> 01:23:23,990 Experts in occult matters claimed 1213 01:23:23,990 --> 01:23:26,260 to trace the origins of black magic 1214 01:23:26,260 --> 01:23:29,430 to migrations from the lost continent of Atlantis. 1215 01:23:29,430 --> 01:23:31,690 The last of which reached Egypt 1216 01:23:31,690 --> 01:23:33,690 where the powerful secret diagrams 1217 01:23:33,690 --> 01:23:36,300 were recorded in the Egyptian Book of the Dead. 1218 01:23:38,600 --> 01:23:40,430 The Egyptian Book of the Dead, 1219 01:23:40,430 --> 01:23:43,260 famous as the source of most of today's rituals 1220 01:23:43,260 --> 01:23:44,690 in the occult. 1221 01:23:44,690 --> 01:23:46,760 In a matter of magic, whether white or black, 1222 01:23:46,760 --> 01:23:49,000 the key ingredient is belief 1223 01:23:49,000 --> 01:23:51,760 and who can measure the power of suggestion, 1224 01:23:51,760 --> 01:23:54,260 which is where belief begins. 1225 01:23:54,260 --> 01:23:56,330 Remember this suggestion by Johnny's mother 1226 01:23:56,330 --> 01:23:58,630 was reinforced by the boy's death. 1227 01:23:58,630 --> 01:24:01,730 If a victim is at all susceptible to suggestion 1228 01:24:01,730 --> 01:24:04,100 and knows a curse was put on him, 1229 01:24:04,100 --> 01:24:05,630 the knowledge alone may be enough 1230 01:24:05,630 --> 01:24:08,060 to do him in, one way or another. 1231 01:24:09,760 --> 01:24:11,560 - Whatever is out there in that hole 1232 01:24:11,560 --> 01:24:12,660 ain't human or animal. 1233 01:24:14,630 --> 01:24:15,960 It's the work of the devil. 1234 01:24:18,690 --> 01:24:20,660 - [Rod] What do you believe? 1235 01:24:20,660 --> 01:24:24,890 Because belief will make itself the power of man's mind, 1236 01:24:24,890 --> 01:24:27,260 the power of his belief is only now 1237 01:24:27,260 --> 01:24:29,360 beginning to be understood. 1238 01:24:29,360 --> 01:24:31,990 Be careful above all of what you decide you want 1239 01:24:31,990 --> 01:24:35,990 the wise man said because you will probably get it. 1240 01:24:37,460 --> 01:24:40,330 These men are making ready to explore an unknown, 1241 01:24:40,330 --> 01:24:42,690 but they have already convinced themselves of the nature 1242 01:24:42,690 --> 01:24:45,030 and quality of what they will find there. 1243 01:24:45,030 --> 01:24:48,260 They are expecting evil, anticipating enemy 1244 01:24:48,260 --> 01:24:51,560 rather than friend, danger rather than promise. 1245 01:24:51,560 --> 01:24:55,560 I ask you what did you expect them to find? 1246 01:24:55,560 --> 01:24:56,960 Because they did. 1247 01:24:56,960 --> 01:24:58,960 (wailing) 1248 01:24:58,960 --> 01:25:02,660 - [Man] Man, I wouldn't go down there for a million dollars. 1249 01:25:02,660 --> 01:25:04,030 - If I gave you a million dollars, 1250 01:25:04,030 --> 01:25:05,400 I wouldn't want you to go down that hole 1251 01:25:05,400 --> 01:25:06,500 on the end of a rope. 1252 01:25:06,500 --> 01:25:07,730 - Well, if I went down there, 1253 01:25:07,730 --> 01:25:10,130 I wouldn't want you on the top end either. 1254 01:25:10,130 --> 01:25:12,200 - [Joe] All right, you man hold on tight 1255 01:25:12,200 --> 01:25:13,400 to the end of that rope. 1256 01:25:14,790 --> 01:25:18,060 It's plenty deep and there may be water down there, too. 1257 01:25:19,330 --> 01:25:21,030 All right, let's get it over with. 1258 01:25:21,030 --> 01:25:22,300 Got that lantern ready? 1259 01:25:24,860 --> 01:25:26,500 (gasps) 1260 01:25:26,500 --> 01:25:27,330 - [Woman] Oh my God. 1261 01:25:29,760 --> 01:25:32,100 What was the exact moment when Joe decided 1262 01:25:32,100 --> 01:25:34,130 to say goodbye to his wife 1263 01:25:34,130 --> 01:25:36,830 by dropping the photograph from the wall? 1264 01:25:36,830 --> 01:25:39,330 Or was that something Joe decided? 1265 01:25:39,330 --> 01:25:42,730 Was it a voluntary thought powered by the extreme fear 1266 01:25:42,730 --> 01:25:47,530 that gripped him or involuntary, the last lucid flash 1267 01:25:47,530 --> 01:25:48,860 before his sanity went? 1268 01:25:52,430 --> 01:25:53,230 - Joe. 1269 01:25:54,660 --> 01:25:57,890 - [Rod] We remain baffled by the power of rational thought, 1270 01:25:57,890 --> 01:26:00,360 by the hidden sources of creativity, 1271 01:26:00,360 --> 01:26:02,030 by the marvels the human mind 1272 01:26:02,030 --> 01:26:03,500 can conceive and achieve. 1273 01:26:04,890 --> 01:26:07,600 We have attacked the brain with scalpel, drugs, electricity, 1274 01:26:09,030 --> 01:26:12,100 but the suspicion grows that its secrets are beyond us. 1275 01:26:13,960 --> 01:26:16,530 Is the mind more than the brain? 1276 01:26:16,530 --> 01:26:17,960 It is beginning to appear 1277 01:26:17,960 --> 01:26:20,960 that there is almost nothing the mind cannot do 1278 01:26:20,960 --> 01:26:23,660 from controlling the subtle nuances of our own bodies 1279 01:26:23,660 --> 01:26:26,790 to hurling unlikely technical complexities 1280 01:26:26,790 --> 01:26:28,690 across the galaxy. 1281 01:26:28,690 --> 01:26:32,690 May it not then preside over its own death 1282 01:26:32,690 --> 01:26:35,400 in some peculiar fashion, we may never understand? 1283 01:26:36,760 --> 01:26:38,730 Some fashion we may never want to understand. 1284 01:26:39,960 --> 01:26:42,430 Would understanding bring greater fear? 1285 01:26:44,630 --> 01:26:47,130 But we must work our way past fear 1286 01:26:47,130 --> 01:26:48,890 if mankind is to go on. 1287 01:26:50,060 --> 01:26:52,130 The next great step in the evolution of man 1288 01:26:52,130 --> 01:26:55,130 is to learn about his mind, his brain. 1289 01:26:55,130 --> 01:26:56,790 Not only where it came from, 1290 01:26:56,790 --> 01:26:59,300 we make educated guesses about that, 1291 01:26:59,300 --> 01:27:02,330 but more important, where can it possibly go? 1292 01:27:03,530 --> 01:27:06,100 Given the courage to overcome fear, 1293 01:27:06,100 --> 01:27:07,790 what can we learn about ourselves? 1294 01:27:09,230 --> 01:27:12,430 The girl on the bridge is a classic ghost story, 1295 01:27:12,430 --> 01:27:15,130 classic because it is a keystone of our culture, 1296 01:27:15,130 --> 01:27:17,860 the dear departed who do not quite depart. 1297 01:27:18,930 --> 01:27:20,760 Why can't they let go? 1298 01:27:20,760 --> 01:27:23,530 Is it because we can't let go of them? 1299 01:27:23,530 --> 01:27:27,300 Is our love the anchor that holds some part of them near? 1300 01:27:27,300 --> 01:27:30,960 (gentle instrumental music) 1301 01:27:35,260 --> 01:27:36,100 - [Senator] Miss. 1302 01:27:37,460 --> 01:27:38,630 Miss, are you all right? 1303 01:27:39,990 --> 01:27:42,430 - [Rod] Maybe it is something even stronger than love, 1304 01:27:42,430 --> 01:27:45,760 more enduring, like obligation, 1305 01:27:45,760 --> 01:27:48,330 the belief that there is something you must do. 1306 01:27:49,630 --> 01:27:51,830 And remember in the enchanted room 1307 01:27:51,830 --> 01:27:54,060 in the unique miracle of the mind, 1308 01:27:54,060 --> 01:27:55,930 what you believe to be true 1309 01:27:55,930 --> 01:27:59,430 either is true or your mind will make it so. 1310 01:28:00,830 --> 01:28:02,690 - So, Randy Powell went skydiving. 1311 01:28:03,890 --> 01:28:06,830 What was it that woman named Camille said, 1312 01:28:06,830 --> 01:28:08,760 one by land and two my air, 1313 01:28:09,930 --> 01:28:11,730 didn't Frank say that he found a heptagon 1314 01:28:11,730 --> 01:28:13,200 to be a seven sided figure 1315 01:28:14,630 --> 01:28:17,730 and didn't Dave die seven days after Johnny's funeral 1316 01:28:17,730 --> 01:28:19,460 and Frank 14 days after? 1317 01:28:20,630 --> 01:28:23,130 What is the reality and what is the illusion? 1318 01:28:23,990 --> 01:28:25,300 Our story doesn't tell us, 1319 01:28:26,660 --> 01:28:29,630 but I wonder if Randy knows that it's a 21st day? 1320 01:28:32,330 --> 01:28:33,160 - Listen you. 1321 01:28:35,460 --> 01:28:40,130 One by land, two by sky. 1322 01:28:42,160 --> 01:28:44,430 Look for the heptagon for it is there. 1323 01:28:46,730 --> 01:28:49,630 Seven times around go the three of you. 1324 01:28:50,830 --> 01:28:54,730 And may your reward be just and true. 1325 01:28:54,730 --> 01:28:58,730 (foreboding instrumental music)