1 00:00:08,663 --> 00:00:11,465 . >>> YOU'RE WATCHING THE AFC CHAMPIONSHIP ON CBS. 2 00:00:11,467 --> 00:00:16,870 >>> YOU'RE WATCHING THE AFC CHAMPIONSHIP ON CBS. [ CHEERS AND APPLAUSE ] 3 00:00:16,872 --> 00:00:19,073 CHAMPIONSHIP ON CBS. [ CHEERS AND APPLAUSE ] >> HELLO EVERYONE WELCOME TO THE 4 00:00:19,075 --> 00:00:21,175 [ CHEERS AND APPLAUSE ] >> HELLO EVERYONE WELCOME TO THE AFC CHAMPIONSHIP BETWEEN THE 5 00:00:21,177 --> 00:00:22,810 >> HELLO EVERYONE WELCOME TO THE AFC CHAMPIONSHIP BETWEEN THE BALTIMORE RAVENS AND THE KANSAS 6 00:00:22,812 --> 00:00:24,344 AFC CHAMPIONSHIP BETWEEN THE BALTIMORE RAVENS AND THE KANSAS CITY CHIEFS. 7 00:00:24,346 --> 00:00:26,714 BALTIMORE RAVENS AND THE KANSAS CITY CHIEFS. I'M JIM NANTZ ALONGSIDE TONY 8 00:00:26,716 --> 00:00:27,014 CITY CHIEFS. I'M JIM NANTZ ALONGSIDE TONY ROMO. 9 00:00:27,016 --> 00:00:29,483 I'M JIM NANTZ ALONGSIDE TONY ROMO. DO YOU LOVE TO SHAKE, RATTLE, 10 00:00:29,485 --> 00:00:30,150 ROMO. DO YOU LOVE TO SHAKE, RATTLE, AND ROLL? 11 00:00:30,152 --> 00:00:34,021 DO YOU LOVE TO SHAKE, RATTLE, AND ROLL? BECAUSE YOU'LL DO ALL THREE ON A 12 00:00:34,023 --> 00:00:36,657 AND ROLL? BECAUSE YOU'LL DO ALL THREE ON A BOEING MAX 739. 13 00:00:36,659 --> 00:00:38,525 BECAUSE YOU'LL DO ALL THREE ON A BOEING MAX 739. ARE YOU EXCITED FOR TODAY'S 14 00:00:38,527 --> 00:00:38,859 BOEING MAX 739. ARE YOU EXCITED FOR TODAY'S MATCHUP? 15 00:00:38,861 --> 00:00:40,661 ARE YOU EXCITED FOR TODAY'S MATCHUP? >> WITHOUT A DOUBT, JIM. 16 00:00:40,663 --> 00:00:42,863 MATCHUP? >> WITHOUT A DOUBT, JIM. WE'VE GOT TWO GENERATIONAL 17 00:00:42,865 --> 00:00:45,432 >> WITHOUT A DOUBT, JIM. WE'VE GOT TWO GENERATIONAL TALENTS AT QUARTERBACK, TWO 18 00:00:45,434 --> 00:00:46,166 WE'VE GOT TWO GENERATIONAL TALENTS AT QUARTERBACK, TWO ELITE DEFENSES. 19 00:00:46,168 --> 00:00:48,235 TALENTS AT QUARTERBACK, TWO ELITE DEFENSES. I EXPECT IT TO BE AN ALL-OUT 20 00:00:48,237 --> 00:00:49,536 ELITE DEFENSES. I EXPECT IT TO BE AN ALL-OUT BATTLE FOR THE NEXT THREE HOURS. 21 00:00:49,538 --> 00:00:51,138 I EXPECT IT TO BE AN ALL-OUT BATTLE FOR THE NEXT THREE HOURS. AND AFTER THAT, IT'S ALL OVER. 22 00:00:51,140 --> 00:00:51,972 BATTLE FOR THE NEXT THREE HOURS. AND AFTER THAT, IT'S ALL OVER. >> ALL OVER? 23 00:00:51,974 --> 00:00:52,773 AND AFTER THAT, IT'S ALL OVER. >> ALL OVER? >> FOOTBALL. 24 00:00:52,775 --> 00:00:54,108 >> ALL OVER? >> FOOTBALL. AFTER TODAY, IT'S JUST -- IT'S 25 00:00:54,110 --> 00:00:56,210 >> FOOTBALL. AFTER TODAY, IT'S JUST -- IT'S DONE. 26 00:00:56,212 --> 00:00:57,945 AFTER TODAY, IT'S JUST -- IT'S DONE. >> WELL, THERE'S STILL THE SUPER 27 00:00:57,947 --> 00:00:58,245 DONE. >> WELL, THERE'S STILL THE SUPER BOWL. 28 00:00:58,247 --> 00:01:01,148 >> WELL, THERE'S STILL THE SUPER BOWL. >> YEAH, BUT THAT'S NOT REAL 29 00:01:01,150 --> 00:01:02,316 BOWL. >> YEAH, BUT THAT'S NOT REAL FOOTBALL. 30 00:01:02,318 --> 00:01:03,117 >> YEAH, BUT THAT'S NOT REAL FOOTBALL. SUPER BOWL IS FOR COMMERCIALS 31 00:01:03,119 --> 00:01:05,319 FOOTBALL. SUPER BOWL IS FOR COMMERCIALS AND USHER AND PEOPLE WHO NEVER 32 00:01:05,321 --> 00:01:06,687 SUPER BOWL IS FOR COMMERCIALS AND USHER AND PEOPLE WHO NEVER WATCH FOOTBALL ASKING HOW MANY 33 00:01:06,689 --> 00:01:08,756 AND USHER AND PEOPLE WHO NEVER WATCH FOOTBALL ASKING HOW MANY POINTS A TOUCHDOWN IS WORTH. 34 00:01:08,758 --> 00:01:10,591 WATCH FOOTBALL ASKING HOW MANY POINTS A TOUCHDOWN IS WORTH. TODAY'S THE LAST REAL FOOTBALL 35 00:01:10,593 --> 00:01:13,193 POINTS A TOUCHDOWN IS WORTH. TODAY'S THE LAST REAL FOOTBALL DAY FOR JUST US GUYS. 36 00:01:13,195 --> 00:01:15,996 TODAY'S THE LAST REAL FOOTBALL DAY FOR JUST US GUYS. >> TONY, ARE YOU OKAY, BUD? 37 00:01:15,998 --> 00:01:18,599 DAY FOR JUST US GUYS. >> TONY, ARE YOU OKAY, BUD? >> NAH, NOT REALLY. 38 00:01:18,601 --> 00:01:19,933 >> TONY, ARE YOU OKAY, BUD? >> NAH, NOT REALLY. >> ALL RIGHT. 39 00:01:19,935 --> 00:01:21,635 >> NAH, NOT REALLY. >> ALL RIGHT. WELL, LET'S THROW IT OVER TO 40 00:01:21,637 --> 00:01:23,370 >> ALL RIGHT. WELL, LET'S THROW IT OVER TO JAMES BROWN AND OUR HALF TIME 41 00:01:23,372 --> 00:01:25,372 WELL, LET'S THROW IT OVER TO JAMES BROWN AND OUR HALF TIME CREW FOR A SNEAK PEEK AT WHAT'S 42 00:01:25,374 --> 00:01:25,706 JAMES BROWN AND OUR HALF TIME CREW FOR A SNEAK PEEK AT WHAT'S AHEAD. 43 00:01:25,708 --> 00:01:27,007 CREW FOR A SNEAK PEEK AT WHAT'S AHEAD. >> THANKS, JIM. 44 00:01:27,009 --> 00:01:29,109 AHEAD. >> THANKS, JIM. I'M HERE WITH PHIL SIMMS, BILL 45 00:01:29,111 --> 00:01:30,878 >> THANKS, JIM. I'M HERE WITH PHIL SIMMS, BILL COWHER, AND NATE BURLESON. 46 00:01:30,880 --> 00:01:32,112 I'M HERE WITH PHIL SIMMS, BILL COWHER, AND NATE BURLESON. AND WE WERE JUST LISTENING TO 47 00:01:32,114 --> 00:01:33,180 COWHER, AND NATE BURLESON. AND WE WERE JUST LISTENING TO WHAT TONY SAID, AND REALLY GOT 48 00:01:33,182 --> 00:01:35,182 AND WE WERE JUST LISTENING TO WHAT TONY SAID, AND REALLY GOT US THINKING. 49 00:01:35,184 --> 00:01:35,749 WHAT TONY SAID, AND REALLY GOT US THINKING. >> YEAH. 50 00:01:35,751 --> 00:01:37,284 US THINKING. >> YEAH. I'M REALIZING THAT AFTER THIS 51 00:01:37,286 --> 00:01:40,921 >> YEAH. I'M REALIZING THAT AFTER THIS GAME ENDS, THERE'S JUST NOTHING. 52 00:01:40,923 --> 00:01:42,856 I'M REALIZING THAT AFTER THIS GAME ENDS, THERE'S JUST NOTHING. >> WELL, WHAT ARE MEN SUPPOSED 53 00:01:42,858 --> 00:01:44,958 GAME ENDS, THERE'S JUST NOTHING. >> WELL, WHAT ARE MEN SUPPOSED TO DO ON SUNDAYS NOW? 54 00:01:44,960 --> 00:01:45,959 >> WELL, WHAT ARE MEN SUPPOSED TO DO ON SUNDAYS NOW? JUST GO TO THEIR FRIENDS' HOUSES 55 00:01:45,961 --> 00:01:48,829 TO DO ON SUNDAYS NOW? JUST GO TO THEIR FRIENDS' HOUSES FOR NO REASON? 56 00:01:48,831 --> 00:01:50,430 JUST GO TO THEIR FRIENDS' HOUSES FOR NO REASON? >> WITHOUT FOOTBALL, WHAT ARE WE 57 00:01:50,432 --> 00:01:51,298 FOR NO REASON? >> WITHOUT FOOTBALL, WHAT ARE WE GOING TO TALK ABOUT? 58 00:01:51,300 --> 00:01:52,733 >> WITHOUT FOOTBALL, WHAT ARE WE GOING TO TALK ABOUT? I MEAN, DOES ANYONE HAVE 59 00:01:52,735 --> 00:01:55,035 GOING TO TALK ABOUT? I MEAN, DOES ANYONE HAVE ANYTHING REMOTELY INTERESTING OR 60 00:01:55,037 --> 00:01:56,270 I MEAN, DOES ANYONE HAVE ANYTHING REMOTELY INTERESTING OR INSIGHTFUL TO SAY? 61 00:01:56,272 --> 00:01:57,638 ANYTHING REMOTELY INTERESTING OR INSIGHTFUL TO SAY? >> I WISH INSTEAD OF SALT, THE 62 00:01:57,640 --> 00:02:02,209 INSIGHTFUL TO SAY? >> I WISH INSTEAD OF SALT, THE OCEAN WAS FULL OF SUGAR. 63 00:02:02,211 --> 00:02:03,677 >> I WISH INSTEAD OF SALT, THE OCEAN WAS FULL OF SUGAR. >> OH, JESUS. 64 00:02:03,679 --> 00:02:04,745 OCEAN WAS FULL OF SUGAR. >> OH, JESUS. WE'RE DOOMED. 65 00:02:04,747 --> 00:02:07,047 >> OH, JESUS. WE'RE DOOMED. >> WELL, COME ON NOW. 66 00:02:07,049 --> 00:02:08,615 WE'RE DOOMED. >> WELL, COME ON NOW. DON'T FORGET WE STILL GOT THE 67 00:02:08,617 --> 00:02:10,017 >> WELL, COME ON NOW. DON'T FORGET WE STILL GOT THE PRO BOWL COMING UP. 68 00:02:10,019 --> 00:02:11,718 DON'T FORGET WE STILL GOT THE PRO BOWL COMING UP. >> JIM, I HAVE BEEN COVERING 69 00:02:11,720 --> 00:02:13,720 PRO BOWL COMING UP. >> JIM, I HAVE BEEN COVERING FOOTBALL FOR 30 YEARS, AND I 70 00:02:13,722 --> 00:02:15,689 >> JIM, I HAVE BEEN COVERING FOOTBALL FOR 30 YEARS, AND I HAVE NEVER ONCE WATCHED THE PRO 71 00:02:15,691 --> 00:02:15,989 FOOTBALL FOR 30 YEARS, AND I HAVE NEVER ONCE WATCHED THE PRO BOWL. 72 00:02:15,991 --> 00:02:18,826 HAVE NEVER ONCE WATCHED THE PRO BOWL. >> YOU KNOW, THIS ISN'T JUST 73 00:02:18,828 --> 00:02:19,359 BOWL. >> YOU KNOW, THIS ISN'T JUST ABOUT US. 74 00:02:19,361 --> 00:02:21,795 >> YOU KNOW, THIS ISN'T JUST ABOUT US. AMERICA NEEDS FOOTBALL. 75 00:02:21,797 --> 00:02:22,529 ABOUT US. AMERICA NEEDS FOOTBALL. IT'S THE ONLY THING EVERYONE 76 00:02:22,531 --> 00:02:23,497 AMERICA NEEDS FOOTBALL. IT'S THE ONLY THING EVERYONE STILL WATCHES. 77 00:02:23,499 --> 00:02:24,898 IT'S THE ONLY THING EVERYONE STILL WATCHES. >> ESPECIALLY LIVE. 78 00:02:24,900 --> 00:02:27,434 STILL WATCHES. >> ESPECIALLY LIVE. THERE'S NO OTHER LIVE TV THAT'S 79 00:02:27,436 --> 00:02:31,772 >> ESPECIALLY LIVE. THERE'S NO OTHER LIVE TV THAT'S EVEN REMOTELY WATCHABLE. 80 00:02:31,774 --> 00:02:35,209 THERE'S NO OTHER LIVE TV THAT'S EVEN REMOTELY WATCHABLE. >> WELL, THANK GOD CBS STILL HAS 81 00:02:35,211 --> 00:02:36,677 EVEN REMOTELY WATCHABLE. >> WELL, THANK GOD CBS STILL HAS "BLUE BLOODS," THE NUMBER ONE 82 00:02:36,679 --> 00:02:38,979 >> WELL, THANK GOD CBS STILL HAS "BLUE BLOODS," THE NUMBER ONE DRAMA IN EVERY DENTIST OFFICE. 83 00:02:38,981 --> 00:02:41,915 "BLUE BLOODS," THE NUMBER ONE DRAMA IN EVERY DENTIST OFFICE. >> "BLUE BLOODS" NOW IN ITS -- 84 00:02:41,917 --> 00:02:43,116 DRAMA IN EVERY DENTIST OFFICE. >> "BLUE BLOODS" NOW IN ITS -- WAIT, FINAL SEASON? 85 00:02:43,118 --> 00:02:44,718 >> "BLUE BLOODS" NOW IN ITS -- WAIT, FINAL SEASON? NOW THEY'RE TAKING "BLUE BLOODS" 86 00:02:44,720 --> 00:02:45,586 WAIT, FINAL SEASON? NOW THEY'RE TAKING "BLUE BLOODS" FROM US TOO? 87 00:02:45,588 --> 00:02:46,587 NOW THEY'RE TAKING "BLUE BLOODS" FROM US TOO? >> WHAT THE HELL ARE THEY EVEN 88 00:02:46,589 --> 00:02:48,856 FROM US TOO? >> WHAT THE HELL ARE THEY EVEN REPLACING IT WITH? 89 00:02:48,858 --> 00:02:53,060 >> WHAT THE HELL ARE THEY EVEN REPLACING IT WITH? >> OH, MY -- SO HELP ME TODD? 90 00:02:53,062 --> 00:02:53,727 REPLACING IT WITH? >> OH, MY -- SO HELP ME TODD? WHAT IS THAT? 91 00:02:53,729 --> 00:02:58,432 >> OH, MY -- SO HELP ME TODD? WHAT IS THAT? >> IT SOUNDS TODD DAMN AWFUL. 92 00:02:58,434 --> 00:03:00,467 WHAT IS THAT? >> IT SOUNDS TODD DAMN AWFUL. >> OUR WHOLE CULTURE IS UPSIDE 93 00:03:00,469 --> 00:03:00,767 >> IT SOUNDS TODD DAMN AWFUL. >> OUR WHOLE CULTURE IS UPSIDE DOWN. 94 00:03:00,769 --> 00:03:02,536 >> OUR WHOLE CULTURE IS UPSIDE DOWN. PEOPLE ARE GETTING UPSET ABOUT 95 00:03:02,538 --> 00:03:03,871 DOWN. PEOPLE ARE GETTING UPSET ABOUT "BARBIE" GETTING STUBBED. 96 00:03:03,873 --> 00:03:07,107 PEOPLE ARE GETTING UPSET ABOUT "BARBIE" GETTING STUBBED. WHAT ABOUT "YELLOWSTONE"? 97 00:03:07,109 --> 00:03:08,208 "BARBIE" GETTING STUBBED. WHAT ABOUT "YELLOWSTONE"? ZERO EMMY NOMINATIONS? 98 00:03:08,210 --> 00:03:11,745 WHAT ABOUT "YELLOWSTONE"? ZERO EMMY NOMINATIONS? >> "YELLOWSTONE" IS OUR 99 00:03:11,747 --> 00:03:12,412 ZERO EMMY NOMINATIONS? >> "YELLOWSTONE" IS OUR "BARBIE." 100 00:03:12,414 --> 00:03:14,581 >> "YELLOWSTONE" IS OUR "BARBIE." AND I UNDERSTAND THAT MARGOT 101 00:03:14,583 --> 00:03:16,683 "BARBIE." AND I UNDERSTAND THAT MARGOT ROBBIE GOT SNUBBED, I REALLY DO, 102 00:03:16,685 --> 00:03:19,553 AND I UNDERSTAND THAT MARGOT ROBBIE GOT SNUBBED, I REALLY DO, BUT -- I'M SORRY. 103 00:03:19,555 --> 00:03:20,187 ROBBIE GOT SNUBBED, I REALLY DO, BUT -- I'M SORRY. BUT THEY'RE COMING AFTER 104 00:03:20,189 --> 00:03:24,024 BUT -- I'M SORRY. BUT THEY'RE COMING AFTER GOSLING? 105 00:03:24,026 --> 00:03:26,126 BUT THEY'RE COMING AFTER GOSLING? KEN WAS THE FIRST TIME I FELT 106 00:03:26,128 --> 00:03:28,862 GOSLING? KEN WAS THE FIRST TIME I FELT SEEN IN A MOVIE. 107 00:03:28,864 --> 00:03:29,796 KEN WAS THE FIRST TIME I FELT SEEN IN A MOVIE. >> ALL RIGHT. 108 00:03:29,798 --> 00:03:31,365 SEEN IN A MOVIE. >> ALL RIGHT. GUYS, I THINK WE ALL NEED TO 109 00:03:31,367 --> 00:03:32,766 >> ALL RIGHT. GUYS, I THINK WE ALL NEED TO JUST CALM DOWN, OKAY? 110 00:03:32,768 --> 00:03:35,168 GUYS, I THINK WE ALL NEED TO JUST CALM DOWN, OKAY? LET'S GO TO TRACY WOLFSON WHO'S 111 00:03:35,170 --> 00:03:37,004 JUST CALM DOWN, OKAY? LET'S GO TO TRACY WOLFSON WHO'S STANDING ON THE SIDELINES WITH 112 00:03:37,006 --> 00:03:39,239 LET'S GO TO TRACY WOLFSON WHO'S STANDING ON THE SIDELINES WITH KANSAS CITY CHIEFS HEAD COACH 113 00:03:39,241 --> 00:03:40,941 STANDING ON THE SIDELINES WITH KANSAS CITY CHIEFS HEAD COACH ANDY REID. 114 00:03:40,943 --> 00:03:41,775 KANSAS CITY CHIEFS HEAD COACH ANDY REID. >> COACH REID, ARE YOU UPSET 115 00:03:41,777 --> 00:03:43,310 ANDY REID. >> COACH REID, ARE YOU UPSET ABOUT THE SEASON ENDING? 116 00:03:43,312 --> 00:03:43,810 >> COACH REID, ARE YOU UPSET ABOUT THE SEASON ENDING? >> WHY? 117 00:03:43,812 --> 00:03:45,279 ABOUT THE SEASON ENDING? >> WHY? BECAUSE IT'S THE ONLY TIME I GET 118 00:03:45,281 --> 00:03:47,214 >> WHY? BECAUSE IT'S THE ONLY TIME I GET TO HANG OUT WITH TAYLOR SWIFT 119 00:03:47,216 --> 00:03:49,082 BECAUSE IT'S THE ONLY TIME I GET TO HANG OUT WITH TAYLOR SWIFT AND NOW THAT'S OVER? 120 00:03:49,084 --> 00:03:49,449 TO HANG OUT WITH TAYLOR SWIFT AND NOW THAT'S OVER? I'M SORRY. 121 00:03:49,451 --> 00:03:52,152 AND NOW THAT'S OVER? I'M SORRY. I NEED TO GO. 122 00:03:52,154 --> 00:03:54,821 I'M SORRY. I NEED TO GO. >> GUYS, WHAT IS GOING ON? 123 00:03:54,823 --> 00:03:57,758 I NEED TO GO. >> GUYS, WHAT IS GOING ON? CAN WE JUST DO OUR FINAL 124 00:03:57,760 --> 00:03:58,158 >> GUYS, WHAT IS GOING ON? CAN WE JUST DO OUR FINAL PREDICTIONS? 125 00:03:58,160 --> 00:03:59,760 CAN WE JUST DO OUR FINAL PREDICTIONS? >> I PREDICT THAT PEOPLE WILL BE 126 00:03:59,762 --> 00:04:02,095 PREDICTIONS? >> I PREDICT THAT PEOPLE WILL BE SO DEPRESSED THAT DRY JANUARY 127 00:04:02,097 --> 00:04:04,398 >> I PREDICT THAT PEOPLE WILL BE SO DEPRESSED THAT DRY JANUARY WILL GIVE WAY TO LIVER FAILURE 128 00:04:04,400 --> 00:04:04,765 SO DEPRESSED THAT DRY JANUARY WILL GIVE WAY TO LIVER FAILURE FEBRUARY. 129 00:04:04,767 --> 00:04:07,801 WILL GIVE WAY TO LIVER FAILURE FEBRUARY. >> I PREDICT THAT ONE OF US WILL 130 00:04:07,803 --> 00:04:08,902 FEBRUARY. >> I PREDICT THAT ONE OF US WILL APPEAR IN A COMMERCIAL FOR PENIS 131 00:04:08,904 --> 00:04:11,371 >> I PREDICT THAT ONE OF US WILL APPEAR IN A COMMERCIAL FOR PENIS PILLS. 132 00:04:11,373 --> 00:04:13,974 APPEAR IN A COMMERCIAL FOR PENIS PILLS. BUT WE WON'T KNOW WHETHER THEY 133 00:04:13,976 --> 00:04:16,777 PILLS. BUT WE WON'T KNOW WHETHER THEY MAKE YOUR PENIS LONGER, HARDER, 134 00:04:16,779 --> 00:04:19,913 BUT WE WON'T KNOW WHETHER THEY MAKE YOUR PENIS LONGER, HARDER, STRAIGHTER, OR MAKE IT LOSE 135 00:04:19,915 --> 00:04:20,247 MAKE YOUR PENIS LONGER, HARDER, STRAIGHTER, OR MAKE IT LOSE WEIGHT. 136 00:04:20,249 --> 00:04:21,281 STRAIGHTER, OR MAKE IT LOSE WEIGHT. >> WELL, I PREDICT I'M GOING TO 137 00:04:21,283 --> 00:04:23,483 WEIGHT. >> WELL, I PREDICT I'M GOING TO CRY. 138 00:04:23,485 --> 00:04:24,251 >> WELL, I PREDICT I'M GOING TO CRY. BECAUSE I LOVE YOU GUYS SO DAMN 139 00:04:24,253 --> 00:04:27,254 CRY. BECAUSE I LOVE YOU GUYS SO DAMN MUCH. 140 00:04:27,256 --> 00:04:30,691 BECAUSE I LOVE YOU GUYS SO DAMN MUCH. >> I PREDICT RAVENS. 141 00:04:30,693 --> 00:04:33,093 MUCH. >> I PREDICT RAVENS. >> YOU KNOW, I JUST REALIZED 142 00:04:33,095 --> 00:04:33,727 >> I PREDICT RAVENS. >> YOU KNOW, I JUST REALIZED SOMETHING. 143 00:04:33,729 --> 00:04:35,529 >> YOU KNOW, I JUST REALIZED SOMETHING. AFTER TODAY, WE MAY NOT HAVE 144 00:04:35,531 --> 00:04:39,232 SOMETHING. AFTER TODAY, WE MAY NOT HAVE FOOTBALL, BUT WE STILL HAVE EACH 145 00:04:39,234 --> 00:04:39,533 AFTER TODAY, WE MAY NOT HAVE FOOTBALL, BUT WE STILL HAVE EACH OTHER. 146 00:04:39,535 --> 00:04:40,834 FOOTBALL, BUT WE STILL HAVE EACH OTHER. TO QUOTE "FAST AND FURIOUS" 147 00:04:40,836 --> 00:04:42,669 OTHER. TO QUOTE "FAST AND FURIOUS" THREE THROUGH SEVEN, IT'S ABOUT 148 00:04:42,671 --> 00:04:44,237 TO QUOTE "FAST AND FURIOUS" THREE THROUGH SEVEN, IT'S ABOUT FAMILY, AND NOT COUNTING MY WIFE 149 00:04:44,239 --> 00:04:45,906 THREE THROUGH SEVEN, IT'S ABOUT FAMILY, AND NOT COUNTING MY WIFE AND THREE KIDS, YOU GUYS ARE THE 150 00:04:45,908 --> 00:04:47,074 FAMILY, AND NOT COUNTING MY WIFE AND THREE KIDS, YOU GUYS ARE THE ONLY FAMILY I GOT. 151 00:04:47,076 --> 00:04:51,111 AND THREE KIDS, YOU GUYS ARE THE ONLY FAMILY I GOT. ♪♪ 152 00:04:51,113 --> 00:04:55,349 ONLY FAMILY I GOT. ♪♪ ♪ IT'LL BE A LONG DAY WITHOUT 153 00:04:55,351 --> 00:04:58,852 ♪♪ ♪ IT'LL BE A LONG DAY WITHOUT YOU MY FRIENDS, AND I'LL TELL 154 00:04:58,854 --> 00:05:03,290 ♪ IT'LL BE A LONG DAY WITHOUT YOU MY FRIENDS, AND I'LL TELL YOU ALL ABOUT IT WHEN I SEE YOU 155 00:05:03,292 --> 00:05:03,690 YOU MY FRIENDS, AND I'LL TELL YOU ALL ABOUT IT WHEN I SEE YOU AGAIN ♪ 156 00:05:03,692 --> 00:05:07,194 YOU ALL ABOUT IT WHEN I SEE YOU AGAIN ♪ ♪ I'LL PLAY SOME GOLF IN 157 00:05:07,196 --> 00:05:09,896 AGAIN ♪ ♪ I'LL PLAY SOME GOLF IN PHOENIX, MAYBE GET SOME GAMBLING 158 00:05:09,898 --> 00:05:12,699 ♪ I'LL PLAY SOME GOLF IN PHOENIX, MAYBE GET SOME GAMBLING IN, AND I'LL TELL YOU ALL ABOUT 159 00:05:12,701 --> 00:05:15,335 PHOENIX, MAYBE GET SOME GAMBLING IN, AND I'LL TELL YOU ALL ABOUT IT WHEN THERE'S FOOTBALL AGAIN, 160 00:05:15,337 --> 00:05:20,674 IN, AND I'LL TELL YOU ALL ABOUT IT WHEN THERE'S FOOTBALL AGAIN, WHEN THERE'S FOOTBALL AGAIN ♪ 161 00:05:20,676 --> 00:05:32,252 IT WHEN THERE'S FOOTBALL AGAIN, WHEN THERE'S FOOTBALL AGAIN ♪ ♪ OH, OH, OOH, OOH, OOH, OOH, 162 00:05:32,254 --> 00:05:37,891 WHEN THERE'S FOOTBALL AGAIN ♪ ♪ OH, OH, OOH, OOH, OOH, OOH, WHEN THERE'S FOOTBALL AGAIN ♪ 163 00:05:37,893 --> 00:05:38,658 ♪ OH, OH, OOH, OOH, OOH, OOH, WHEN THERE'S FOOTBALL AGAIN ♪ >> AND LIVE FROM NEW YORK, IT'S 164 00:05:38,660 --> 00:05:47,000 WHEN THERE'S FOOTBALL AGAIN ♪ >> AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 165 00:05:47,002 --> 00:05:47,701 >> AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 166 00:05:47,703 --> 00:05:49,803 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 167 00:07:02,009 --> 00:07:03,443 FEATURING -- 168 00:07:31,072 --> 00:07:35,942 A FILM BY -- PLEASE DON'T DESTROY. MUSICAL GUEST -- JUSTIN 169 00:07:35,944 --> 00:07:40,547 DESTROY. MUSICAL GUEST -- JUSTIN TIMBERLAKE. 170 00:07:40,549 --> 00:07:48,855 MUSICAL GUEST -- JUSTIN TIMBERLAKE. AND YOUR HOST -- DAKOTA JOHNSON. 171 00:07:48,857 --> 00:07:49,556 TIMBERLAKE. AND YOUR HOST -- DAKOTA JOHNSON. LADIES AND GENTLEMEN, DAKOTA 172 00:07:49,558 --> 00:07:54,494 AND YOUR HOST -- DAKOTA JOHNSON. LADIES AND GENTLEMEN, DAKOTA JOHNSON! 173 00:07:54,496 --> 00:08:10,944 LADIES AND GENTLEMEN, DAKOTA JOHNSON! [ CHEERS AND APPLAUSE ] 174 00:08:13,814 --> 00:08:19,452 >>> THANK YOU! THANK YOU. THANK YOU VERY MUCH. 175 00:08:19,454 --> 00:08:21,154 THANK YOU. THANK YOU VERY MUCH. IT IS SO GREAT TO BE BACK 176 00:08:21,156 --> 00:08:22,422 THANK YOU VERY MUCH. IT IS SO GREAT TO BE BACK HOSTING "SATURDAY NIGHT LIVE." 177 00:08:22,424 --> 00:08:26,193 IT IS SO GREAT TO BE BACK HOSTING "SATURDAY NIGHT LIVE." [ CHEERS AND APPLAUSE ] 178 00:08:26,195 --> 00:08:28,895 HOSTING "SATURDAY NIGHT LIVE." [ CHEERS AND APPLAUSE ] THE LAST TIME I HOSTED WAS RIGHT 179 00:08:28,897 --> 00:08:30,130 [ CHEERS AND APPLAUSE ] THE LAST TIME I HOSTED WAS RIGHT AFTER THE SNL 40th. 180 00:08:30,132 --> 00:08:32,098 THE LAST TIME I HOSTED WAS RIGHT AFTER THE SNL 40th. I WAS ACTUALLY IN THE AUDIENCE 181 00:08:32,100 --> 00:08:32,632 AFTER THE SNL 40th. I WAS ACTUALLY IN THE AUDIENCE FOR THAT SPECIAL. 182 00:08:32,634 --> 00:08:36,937 I WAS ACTUALLY IN THE AUDIENCE FOR THAT SPECIAL. LOOK AT THIS PHOTO. 183 00:08:36,939 --> 00:08:39,372 FOR THAT SPECIAL. LOOK AT THIS PHOTO. LOOK AT THIS COLLECTION OF 184 00:08:39,374 --> 00:08:39,706 LOOK AT THIS PHOTO. LOOK AT THIS COLLECTION OF PEOPLE. 185 00:08:39,708 --> 00:08:41,942 LOOK AT THIS COLLECTION OF PEOPLE. SARAH PALIN, GEORGE LUCAS, 186 00:08:41,944 --> 00:08:43,043 PEOPLE. SARAH PALIN, GEORGE LUCAS, STEVEN SPIELBERG, AND LOOK WHO'S 187 00:08:43,045 --> 00:08:47,113 SARAH PALIN, GEORGE LUCAS, STEVEN SPIELBERG, AND LOOK WHO'S SITTING RIGHT BEHIND ME. 188 00:08:47,115 --> 00:08:48,882 STEVEN SPIELBERG, AND LOOK WHO'S SITTING RIGHT BEHIND ME. IT'S JUST CRAZY TO BE STANDING 189 00:08:48,884 --> 00:08:50,750 SITTING RIGHT BEHIND ME. IT'S JUST CRAZY TO BE STANDING SO CLOSE TO SOMEONE WHO WOULD 190 00:08:50,752 --> 00:08:51,484 IT'S JUST CRAZY TO BE STANDING SO CLOSE TO SOMEONE WHO WOULD BECOME THE MOST POWERFUL PERSON 191 00:08:51,486 --> 00:08:55,689 SO CLOSE TO SOMEONE WHO WOULD BECOME THE MOST POWERFUL PERSON IN AMERICA. 192 00:08:55,691 --> 00:09:00,126 BECOME THE MOST POWERFUL PERSON IN AMERICA. [ CHEERS AND APPLAUSE ] 193 00:09:00,128 --> 00:09:02,662 IN AMERICA. [ CHEERS AND APPLAUSE ] I HAVE A NEW MOVIE COMING OUT. 194 00:09:02,664 --> 00:09:06,499 [ CHEERS AND APPLAUSE ] I HAVE A NEW MOVIE COMING OUT. IT'S CALLED "MADAME WEB." 195 00:09:06,501 --> 00:09:08,802 I HAVE A NEW MOVIE COMING OUT. IT'S CALLED "MADAME WEB." IT IS IN THE MARVEL UNIVERSE, 196 00:09:08,804 --> 00:09:09,536 IT'S CALLED "MADAME WEB." IT IS IN THE MARVEL UNIVERSE, AND IT ALSO STARS SYDNEY 197 00:09:09,538 --> 00:09:12,105 IT IS IN THE MARVEL UNIVERSE, AND IT ALSO STARS SYDNEY SWEENEY. 198 00:09:12,107 --> 00:09:16,109 AND IT ALSO STARS SYDNEY SWEENEY. SO IT'S KIND OF LIKE IF AI 199 00:09:16,111 --> 00:09:16,776 SWEENEY. SO IT'S KIND OF LIKE IF AI GENERATED YOUR BOYFRIEND'S 200 00:09:16,778 --> 00:09:19,145 SO IT'S KIND OF LIKE IF AI GENERATED YOUR BOYFRIEND'S PERFECT MOVIE. 201 00:09:19,147 --> 00:09:20,880 GENERATED YOUR BOYFRIEND'S PERFECT MOVIE. I'VE BEEN DOING A LOT OF PRESS 202 00:09:20,882 --> 00:09:23,316 PERFECT MOVIE. I'VE BEEN DOING A LOT OF PRESS FOR IT, AND I'M JUST NOT GOOD AT 203 00:09:23,318 --> 00:09:24,618 I'VE BEEN DOING A LOT OF PRESS FOR IT, AND I'M JUST NOT GOOD AT TALKING TO JOURNALISTS. 204 00:09:24,620 --> 00:09:27,554 FOR IT, AND I'M JUST NOT GOOD AT TALKING TO JOURNALISTS. I THINK THE BIG PROBLEM IS THAT 205 00:09:27,556 --> 00:09:28,855 TALKING TO JOURNALISTS. I THINK THE BIG PROBLEM IS THAT I SAY STUFF, AND THEN THEY WRITE 206 00:09:28,857 --> 00:09:31,591 I THINK THE BIG PROBLEM IS THAT I SAY STUFF, AND THEN THEY WRITE IT DOWN. 207 00:09:31,593 --> 00:09:35,495 I SAY STUFF, AND THEN THEY WRITE IT DOWN. AND IT'S REALLY UNFAIR. 208 00:09:35,497 --> 00:09:37,530 IT DOWN. AND IT'S REALLY UNFAIR. BECAUSE MOST OF THE TIME, I'M 209 00:09:37,532 --> 00:09:37,864 AND IT'S REALLY UNFAIR. BECAUSE MOST OF THE TIME, I'M JOKING. 210 00:09:37,866 --> 00:09:39,899 BECAUSE MOST OF THE TIME, I'M JOKING. EVEN WHEN I WAS A KID, I DIDN'T 211 00:09:39,901 --> 00:09:42,135 JOKING. EVEN WHEN I WAS A KID, I DIDN'T TAKE INTERVIEWS SERIOUSLY. 212 00:09:42,137 --> 00:09:44,671 EVEN WHEN I WAS A KID, I DIDN'T TAKE INTERVIEWS SERIOUSLY. LOOK AT ME ON THIS RED CARPET 213 00:09:44,673 --> 00:09:48,041 TAKE INTERVIEWS SERIOUSLY. LOOK AT ME ON THIS RED CARPET WITH MY DAD WHEN I WAS 7. 214 00:09:48,043 --> 00:09:49,075 LOOK AT ME ON THIS RED CARPET WITH MY DAD WHEN I WAS 7. >> WELL, THEY'RE MY BIGGEST 215 00:09:49,077 --> 00:09:50,977 WITH MY DAD WHEN I WAS 7. >> WELL, THEY'RE MY BIGGEST FANS, AND THE BEST BAROMETER 216 00:09:50,979 --> 00:09:59,386 >> WELL, THEY'RE MY BIGGEST FANS, AND THE BEST BAROMETER THAT I HAVE, AND THEY LOVE THE 217 00:09:59,388 --> 00:09:59,686 FANS, AND THE BEST BAROMETER THAT I HAVE, AND THEY LOVE THE SHOW. 218 00:09:59,688 --> 00:10:00,086 THAT I HAVE, AND THEY LOVE THE SHOW. [ LAUGHTER ] 219 00:10:00,088 --> 00:10:00,487 SHOW. [ LAUGHTER ] [ APPLAUSE ] 220 00:10:00,489 --> 00:10:01,321 [ LAUGHTER ] [ APPLAUSE ] >> ANYWAY, I'M SO EXCITED TO BE 221 00:10:01,323 --> 00:10:07,093 [ APPLAUSE ] >> ANYWAY, I'M SO EXCITED TO BE BACK AT SNL. 222 00:10:07,095 --> 00:10:09,496 >> ANYWAY, I'M SO EXCITED TO BE BACK AT SNL. IT'S ALSO A SORT OF REUNION FOR 223 00:10:09,498 --> 00:10:12,866 BACK AT SNL. IT'S ALSO A SORT OF REUNION FOR ME AND JUSTIN TIMBERLAKE. 224 00:10:12,868 --> 00:10:15,035 IT'S ALSO A SORT OF REUNION FOR ME AND JUSTIN TIMBERLAKE. WE WERE ACTUALLY IN A MOVIE 225 00:10:15,037 --> 00:10:15,702 ME AND JUSTIN TIMBERLAKE. WE WERE ACTUALLY IN A MOVIE TOGETHER CALLED "THE SOCIAL 226 00:10:15,704 --> 00:10:16,936 WE WERE ACTUALLY IN A MOVIE TOGETHER CALLED "THE SOCIAL NETWORK." 227 00:10:16,938 --> 00:10:28,548 TOGETHER CALLED "THE SOCIAL NETWORK." [ CHEERS AND APPLAUSE ] 228 00:10:28,550 --> 00:10:29,916 NETWORK." [ CHEERS AND APPLAUSE ] >> SHUT UP. 229 00:10:29,918 --> 00:10:31,785 [ CHEERS AND APPLAUSE ] >> SHUT UP. I REMEMBER THOSE DAYS, DAKOTA. 230 00:10:31,787 --> 00:10:33,486 >> SHUT UP. I REMEMBER THOSE DAYS, DAKOTA. >> JUSTIN, WHAT ARE YOU DOING UP 231 00:10:33,488 --> 00:10:33,787 I REMEMBER THOSE DAYS, DAKOTA. >> JUSTIN, WHAT ARE YOU DOING UP HERE? 232 00:10:33,789 --> 00:10:34,921 >> JUSTIN, WHAT ARE YOU DOING UP HERE? ARE YOU LOST? 233 00:10:34,923 --> 00:10:36,856 HERE? ARE YOU LOST? >> I HEARD MY NAME. 234 00:10:36,858 --> 00:10:37,691 ARE YOU LOST? >> I HEARD MY NAME. I THOUGHT THAT WAS MY CUE. 235 00:10:37,693 --> 00:10:38,091 >> I HEARD MY NAME. I THOUGHT THAT WAS MY CUE. >> OH, NO. 236 00:10:38,093 --> 00:10:40,927 I THOUGHT THAT WAS MY CUE. >> OH, NO. YOU'RE THE MUSICAL GUEST. 237 00:10:40,929 --> 00:10:42,896 >> OH, NO. YOU'RE THE MUSICAL GUEST. >> OKAY. 238 00:10:42,898 --> 00:10:46,266 YOU'RE THE MUSICAL GUEST. >> OKAY. WELL, IF YOU WANT ME TO BE IN 239 00:10:46,268 --> 00:10:46,800 >> OKAY. WELL, IF YOU WANT ME TO BE IN SKETCHES, I HAVE -- 240 00:10:46,802 --> 00:10:51,137 WELL, IF YOU WANT ME TO BE IN SKETCHES, I HAVE -- [ CHEERS AND APPLAUSE ] 241 00:10:51,139 --> 00:10:54,474 SKETCHES, I HAVE -- [ CHEERS AND APPLAUSE ] -- I'VE HOSTED BEFORE. 242 00:10:54,476 --> 00:10:55,608 [ CHEERS AND APPLAUSE ] -- I'VE HOSTED BEFORE. >> YEAH. 243 00:10:55,610 --> 00:10:56,309 -- I'VE HOSTED BEFORE. >> YEAH. WELL, THAT WAS TEN YEARS AGO, 244 00:10:56,311 --> 00:11:00,146 >> YEAH. WELL, THAT WAS TEN YEARS AGO, SO. 245 00:11:00,148 --> 00:11:01,715 WELL, THAT WAS TEN YEARS AGO, SO. >> WAS IT THAT LONG? 246 00:11:01,717 --> 00:11:03,983 SO. >> WAS IT THAT LONG? >> WELL, I MEAN, EITHER WAY, I'M 247 00:11:03,985 --> 00:11:05,151 >> WAS IT THAT LONG? >> WELL, I MEAN, EITHER WAY, I'M SO HAPPY YOU CHOSE MY SHOW FOR 248 00:11:05,153 --> 00:11:07,220 >> WELL, I MEAN, EITHER WAY, I'M SO HAPPY YOU CHOSE MY SHOW FOR YOUR COMEBACK. 249 00:11:07,222 --> 00:11:12,759 SO HAPPY YOU CHOSE MY SHOW FOR YOUR COMEBACK. [ CHEERS AND APPLAUSE ] 250 00:11:12,761 --> 00:11:14,627 YOUR COMEBACK. [ CHEERS AND APPLAUSE ] >> IT'S -- HMM, COMEBACK. 251 00:11:14,629 --> 00:11:16,596 [ CHEERS AND APPLAUSE ] >> IT'S -- HMM, COMEBACK. IS THAT WHAT WE'RE CALLING IT? 252 00:11:16,598 --> 00:11:17,397 >> IT'S -- HMM, COMEBACK. IS THAT WHAT WE'RE CALLING IT? >> YEAH. 253 00:11:17,399 --> 00:11:18,331 IS THAT WHAT WE'RE CALLING IT? >> YEAH. COMEBACK IN A GOOD WAY. 254 00:11:18,333 --> 00:11:18,965 >> YEAH. COMEBACK IN A GOOD WAY. >> OKAY. 255 00:11:18,967 --> 00:11:20,533 COMEBACK IN A GOOD WAY. >> OKAY. I SEE WHAT THIS IS. 256 00:11:20,535 --> 00:11:22,736 >> OKAY. I SEE WHAT THIS IS. THIS IS WHERE WE MAKE A JOKE 257 00:11:22,738 --> 00:11:24,371 I SEE WHAT THIS IS. THIS IS WHERE WE MAKE A JOKE LIKE FIRST HE WAS BRINGING SEXY 258 00:11:24,373 --> 00:11:26,172 THIS IS WHERE WE MAKE A JOKE LIKE FIRST HE WAS BRINGING SEXY BACK, AND NOW HE'S BRINGING 259 00:11:26,174 --> 00:11:26,606 LIKE FIRST HE WAS BRINGING SEXY BACK, AND NOW HE'S BRINGING COMING BACK. 260 00:11:26,608 --> 00:11:27,307 BACK, AND NOW HE'S BRINGING COMING BACK. >> I WOULDN'T PHRASE IT LIKE 261 00:11:27,309 --> 00:11:29,342 COMING BACK. >> I WOULDN'T PHRASE IT LIKE THAT. 262 00:11:29,344 --> 00:11:31,244 >> I WOULDN'T PHRASE IT LIKE THAT. >> WELL, YEAH, YOU'RE RIGHT. 263 00:11:31,246 --> 00:11:33,279 THAT. >> WELL, YEAH, YOU'RE RIGHT. NOW THAT I HEARD THAT OUTLOUD, 264 00:11:33,281 --> 00:11:34,781 >> WELL, YEAH, YOU'RE RIGHT. NOW THAT I HEARD THAT OUTLOUD, THAT WAS -- SORRY. 265 00:11:34,783 --> 00:11:36,783 NOW THAT I HEARD THAT OUTLOUD, THAT WAS -- SORRY. ANYWAYS, JUST WANTED TO SAY GOOD 266 00:11:36,785 --> 00:11:40,220 THAT WAS -- SORRY. ANYWAYS, JUST WANTED TO SAY GOOD LUCK, AND YOU'RE GOING TO CRUSH 267 00:11:40,222 --> 00:11:40,487 ANYWAYS, JUST WANTED TO SAY GOOD LUCK, AND YOU'RE GOING TO CRUSH IT. 268 00:11:40,489 --> 00:11:40,920 LUCK, AND YOU'RE GOING TO CRUSH IT. >> THANK YOU. 269 00:11:40,922 --> 00:11:41,688 IT. >> THANK YOU. >> AND I'M HERE IF YOU NEED ME. 270 00:11:41,690 --> 00:11:42,021 >> THANK YOU. >> AND I'M HERE IF YOU NEED ME. >> OKAY. 271 00:11:42,023 --> 00:11:42,555 >> AND I'M HERE IF YOU NEED ME. >> OKAY. THANK YOU SO MUCH. 272 00:11:42,557 --> 00:11:43,356 >> OKAY. THANK YOU SO MUCH. >> ARE WE DOING IT? 273 00:11:43,358 --> 00:11:52,599 THANK YOU SO MUCH. >> ARE WE DOING IT? [ CHEERS AND APPLAUSE ] 274 00:11:52,601 --> 00:11:55,869 >> ARE WE DOING IT? [ CHEERS AND APPLAUSE ] I JUST -- I'M -- I'M HERE TO -- 275 00:11:55,871 --> 00:12:01,641 [ CHEERS AND APPLAUSE ] I JUST -- I'M -- I'M HERE TO -- I'M HERE TO SAY BREAK A LEG. 276 00:12:01,643 --> 00:12:01,975 I JUST -- I'M -- I'M HERE TO -- I'M HERE TO SAY BREAK A LEG. >> OKAY. 277 00:12:01,977 --> 00:12:03,143 I'M HERE TO SAY BREAK A LEG. >> OKAY. >> THESE ARE MY NORMAL CLOTHES. 278 00:12:03,145 --> 00:12:04,077 >> OKAY. >> THESE ARE MY NORMAL CLOTHES. BREAK A LEG. 279 00:12:04,079 --> 00:12:08,848 >> THESE ARE MY NORMAL CLOTHES. BREAK A LEG. [ CHEERS AND APPLAUSE ] 280 00:12:08,850 --> 00:12:11,551 BREAK A LEG. [ CHEERS AND APPLAUSE ] >> BEFORE WE START, I JUST WANT 281 00:12:11,553 --> 00:12:13,686 [ CHEERS AND APPLAUSE ] >> BEFORE WE START, I JUST WANT TO SAY THIS IS MY FAVORITE PLACE 282 00:12:13,688 --> 00:12:16,689 >> BEFORE WE START, I JUST WANT TO SAY THIS IS MY FAVORITE PLACE TO BE, AND I'M SO GRATEFUL TO BE 283 00:12:16,691 --> 00:12:16,990 TO SAY THIS IS MY FAVORITE PLACE TO BE, AND I'M SO GRATEFUL TO BE HERE. 284 00:12:16,992 --> 00:12:19,392 TO BE, AND I'M SO GRATEFUL TO BE HERE. WE HAVE GOT A GREAT SHOW FOR YOU 285 00:12:19,394 --> 00:12:19,726 HERE. WE HAVE GOT A GREAT SHOW FOR YOU TONIGHT. 286 00:12:19,728 --> 00:12:21,795 WE HAVE GOT A GREAT SHOW FOR YOU TONIGHT. JUSTIN TIMBERLAKE IS HERE. 287 00:12:44,919 --> 00:12:53,660 >>> MAN, IT'S SO GREAT TO GET ALL THE SIBS TOGETHER. IT'S LIKE A MINI MASON FAMILY 288 00:12:53,662 --> 00:12:54,027 ALL THE SIBS TOGETHER. IT'S LIKE A MINI MASON FAMILY REUNION. 289 00:12:54,029 --> 00:12:55,695 IT'S LIKE A MINI MASON FAMILY REUNION. >> WELL HELLO MANSON FAMILY. 290 00:12:55,697 --> 00:12:58,064 REUNION. >> WELL HELLO MANSON FAMILY. I HEAR WE'RE CELEBRATING A 291 00:12:58,066 --> 00:12:58,565 >> WELL HELLO MANSON FAMILY. I HEAR WE'RE CELEBRATING A REUNION TONIGHT. 292 00:12:58,567 --> 00:13:00,366 I HEAR WE'RE CELEBRATING A REUNION TONIGHT. >> OH, IT'S MASON. 293 00:13:00,368 --> 00:13:00,667 REUNION TONIGHT. >> OH, IT'S MASON. SORRY. 294 00:13:00,669 --> 00:13:02,135 >> OH, IT'S MASON. SORRY. WE'RE JUST NOT THE MANSON 295 00:13:02,137 --> 00:13:02,469 SORRY. WE'RE JUST NOT THE MANSON FAMILY. 296 00:13:02,471 --> 00:13:04,437 WE'RE JUST NOT THE MANSON FAMILY. >> SORRY. 297 00:13:04,439 --> 00:13:06,940 FAMILY. >> SORRY. MR. MASON, GUESS I'M JUST A 298 00:13:06,942 --> 00:13:08,208 >> SORRY. MR. MASON, GUESS I'M JUST A LITTLE OFF MY GAME TODAY. 299 00:13:08,210 --> 00:13:09,375 MR. MASON, GUESS I'M JUST A LITTLE OFF MY GAME TODAY. >> NO, NO. 300 00:13:09,377 --> 00:13:10,143 LITTLE OFF MY GAME TODAY. >> NO, NO. ALL GOOD. 301 00:13:10,145 --> 00:13:12,345 >> NO, NO. ALL GOOD. WE'RE READY TO ORDER IF YOU ARE, 302 00:13:12,347 --> 00:13:12,679 ALL GOOD. WE'RE READY TO ORDER IF YOU ARE, THOUGH. 303 00:13:12,681 --> 00:13:13,046 WE'RE READY TO ORDER IF YOU ARE, THOUGH. >> YEAH. 304 00:13:13,048 --> 00:13:14,013 THOUGH. >> YEAH. GO FOR IT. 305 00:13:14,015 --> 00:13:15,982 >> YEAH. GO FOR IT. LET'S GET STARTED. 306 00:13:15,984 --> 00:13:17,650 GO FOR IT. LET'S GET STARTED. >> THE SHRIMP SCAMPI. 307 00:13:17,652 --> 00:13:19,118 LET'S GET STARTED. >> THE SHRIMP SCAMPI. NOT GOING TO WRITE THAT DOWN? 308 00:13:19,120 --> 00:13:21,421 >> THE SHRIMP SCAMPI. NOT GOING TO WRITE THAT DOWN? >> I'VE WORKED HERE A LONG TIME. 309 00:13:21,423 --> 00:13:23,690 NOT GOING TO WRITE THAT DOWN? >> I'VE WORKED HERE A LONG TIME. I HAVEN'T WRITTEN DOWN AN ORDER 310 00:13:23,692 --> 00:13:24,123 >> I'VE WORKED HERE A LONG TIME. I HAVEN'T WRITTEN DOWN AN ORDER IN 15 YEARS. 311 00:13:24,125 --> 00:13:24,891 I HAVEN'T WRITTEN DOWN AN ORDER IN 15 YEARS. >> IMPRESSIVE. 312 00:13:24,893 --> 00:13:27,594 IN 15 YEARS. >> IMPRESSIVE. WELL, I'LL DO THE CALIFORNIA 313 00:13:27,596 --> 00:13:28,161 >> IMPRESSIVE. WELL, I'LL DO THE CALIFORNIA CLUB. 314 00:13:28,163 --> 00:13:29,462 WELL, I'LL DO THE CALIFORNIA CLUB. >> GOT YA. 315 00:13:29,464 --> 00:13:32,565 CLUB. >> GOT YA. >> I'LL DO THE BONE-IN RIBEYE. 316 00:13:32,567 --> 00:13:35,602 >> GOT YA. >> I'LL DO THE BONE-IN RIBEYE. >> AND CAESAR SALAD FOR ME AND 317 00:13:35,604 --> 00:13:39,205 >> I'LL DO THE BONE-IN RIBEYE. >> AND CAESAR SALAD FOR ME AND CHICKEN FINGERS FOR THE LITTLE 318 00:13:39,207 --> 00:13:39,506 >> AND CAESAR SALAD FOR ME AND CHICKEN FINGERS FOR THE LITTLE GUY. 319 00:13:39,508 --> 00:13:41,274 CHICKEN FINGERS FOR THE LITTLE GUY. >> THAT'LL BE THE SHRIMP SCAMPI, 320 00:13:41,276 --> 00:13:43,843 GUY. >> THAT'LL BE THE SHRIMP SCAMPI, THE CALIFORNIA SALAD, THE 321 00:13:43,845 --> 00:13:45,545 >> THAT'LL BE THE SHRIMP SCAMPI, THE CALIFORNIA SALAD, THE BONE-IN SALAD, AND CHICKEN 322 00:13:45,547 --> 00:13:46,646 THE CALIFORNIA SALAD, THE BONE-IN SALAD, AND CHICKEN FONGERS FOR THE LITTLE GUY? 323 00:13:46,648 --> 00:13:48,248 BONE-IN SALAD, AND CHICKEN FONGERS FOR THE LITTLE GUY? >> THAT'S NOT IT. 324 00:13:48,250 --> 00:13:49,516 FONGERS FOR THE LITTLE GUY? >> THAT'S NOT IT. >> SO SORRY. 325 00:13:49,518 --> 00:13:51,885 >> THAT'S NOT IT. >> SO SORRY. THIS HAS NEVER HAPPENED TO ME 326 00:13:51,887 --> 00:13:52,218 >> SO SORRY. THIS HAS NEVER HAPPENED TO ME BEFORE. 327 00:13:52,220 --> 00:13:53,887 THIS HAS NEVER HAPPENED TO ME BEFORE. BUT I GOT IT NOW. 328 00:13:53,889 --> 00:13:55,822 BEFORE. BUT I GOT IT NOW. IT'S GOING TO BE THE RIBEYE, THE 329 00:13:55,824 --> 00:13:59,559 BUT I GOT IT NOW. IT'S GOING TO BE THE RIBEYE, THE CHICKEN FONGERS, THE BAGEL WITH 330 00:13:59,561 --> 00:14:01,494 IT'S GOING TO BE THE RIBEYE, THE CHICKEN FONGERS, THE BAGEL WITH FONGER SAUCE, ADVIL ON THE 331 00:14:01,496 --> 00:14:05,899 CHICKEN FONGERS, THE BAGEL WITH FONGER SAUCE, ADVIL ON THE ROCKS, AND A MANGO JUUL POD FOR 332 00:14:05,901 --> 00:14:06,866 FONGER SAUCE, ADVIL ON THE ROCKS, AND A MANGO JUUL POD FOR THE LITTLE GUY? 333 00:14:06,868 --> 00:14:07,467 ROCKS, AND A MANGO JUUL POD FOR THE LITTLE GUY? >> NOT CLOSE. 334 00:14:07,469 --> 00:14:08,201 THE LITTLE GUY? >> NOT CLOSE. >> WOW. 335 00:14:08,203 --> 00:14:11,704 >> NOT CLOSE. >> WOW. I THINK I'M FREAKING OUT NOW. 336 00:14:11,706 --> 00:14:14,140 >> WOW. I THINK I'M FREAKING OUT NOW. MY APOLOGIES, CHARLES MANSON. 337 00:14:14,142 --> 00:14:15,608 I THINK I'M FREAKING OUT NOW. MY APOLOGIES, CHARLES MANSON. >> IT'S DAVE MASON. 338 00:14:15,610 --> 00:14:16,409 MY APOLOGIES, CHARLES MANSON. >> IT'S DAVE MASON. >> SORRY. 339 00:14:16,411 --> 00:14:17,777 >> IT'S DAVE MASON. >> SORRY. IS THERE A PROBLEM OVER HERE? 340 00:14:17,779 --> 00:14:18,678 >> SORRY. IS THERE A PROBLEM OVER HERE? >> YEAH. 341 00:14:18,680 --> 00:14:20,113 IS THERE A PROBLEM OVER HERE? >> YEAH. I AM JUST HAVING TROUBLE TAKING 342 00:14:20,115 --> 00:14:20,813 >> YEAH. I AM JUST HAVING TROUBLE TAKING THEIR ORDERS. 343 00:14:20,815 --> 00:14:22,582 I AM JUST HAVING TROUBLE TAKING THEIR ORDERS. DO YOU WANT TO TAKE OVER WHILE I 344 00:14:22,584 --> 00:14:23,683 THEIR ORDERS. DO YOU WANT TO TAKE OVER WHILE I DO SOME BREATH WORK TO CALM 345 00:14:23,685 --> 00:14:23,983 DO YOU WANT TO TAKE OVER WHILE I DO SOME BREATH WORK TO CALM DOWN? 346 00:14:23,985 --> 00:14:27,020 DO SOME BREATH WORK TO CALM DOWN? >> SURE THING. 347 00:14:27,022 --> 00:14:28,087 DOWN? >> SURE THING. WHAT CAN I GET YOU? 348 00:14:28,089 --> 00:14:28,955 >> SURE THING. WHAT CAN I GET YOU? >> ALL RIGHT. 349 00:14:28,957 --> 00:14:31,324 WHAT CAN I GET YOU? >> ALL RIGHT. WE'LL GET THE SHRIMP SCAMPI. 350 00:14:31,326 --> 00:14:31,724 >> ALL RIGHT. WE'LL GET THE SHRIMP SCAMPI. >> UH-HUH. 351 00:14:31,726 --> 00:14:33,493 WE'LL GET THE SHRIMP SCAMPI. >> UH-HUH. >> THE CALIFORNIA CLUB. 352 00:14:33,495 --> 00:14:33,826 >> UH-HUH. >> THE CALIFORNIA CLUB. >> YEP. 353 00:14:33,828 --> 00:14:37,630 >> THE CALIFORNIA CLUB. >> YEP. >> CAESAR SALAD, THE RIBEYE, AND 354 00:14:37,632 --> 00:14:39,933 >> YEP. >> CAESAR SALAD, THE RIBEYE, AND CHICKEN FINGERS FOR THE LITTLE 355 00:14:39,935 --> 00:14:40,233 >> CAESAR SALAD, THE RIBEYE, AND CHICKEN FINGERS FOR THE LITTLE GUY. 356 00:14:40,235 --> 00:14:41,568 CHICKEN FINGERS FOR THE LITTLE GUY. >> SO THAT'S FOUR RIBEYES FOR 357 00:14:41,570 --> 00:14:43,603 GUY. >> SO THAT'S FOUR RIBEYES FOR THE TABLE AND CHICKEN FONGERS 358 00:14:43,605 --> 00:14:44,504 >> SO THAT'S FOUR RIBEYES FOR THE TABLE AND CHICKEN FONGERS FOR THE LITTLE GUY. 359 00:14:44,506 --> 00:14:44,837 THE TABLE AND CHICKEN FONGERS FOR THE LITTLE GUY. >> NO. 360 00:14:44,839 --> 00:14:46,005 FOR THE LITTLE GUY. >> NO. >> I'M SORRY. 361 00:14:46,007 --> 00:14:46,272 >> NO. >> I'M SORRY. NO. 362 00:14:46,274 --> 00:14:48,608 >> I'M SORRY. NO. SO FOUR CHICKEN FONGERS FOR THE 363 00:14:48,610 --> 00:14:50,443 NO. SO FOUR CHICKEN FONGERS FOR THE TABLE, FOUR CHICKEN FONGERS FOR 364 00:14:50,445 --> 00:14:54,213 SO FOUR CHICKEN FONGERS FOR THE TABLE, FOUR CHICKEN FONGERS FOR THE KITCHEN, AND A DIET ADVIL 365 00:14:54,215 --> 00:14:54,814 TABLE, FOUR CHICKEN FONGERS FOR THE KITCHEN, AND A DIET ADVIL FOR THE LITTLE GAY. 366 00:14:54,816 --> 00:14:55,248 THE KITCHEN, AND A DIET ADVIL FOR THE LITTLE GAY. >> EXCUSE ME. 367 00:14:55,250 --> 00:14:55,648 FOR THE LITTLE GAY. >> EXCUSE ME. LITTLE GAY? 368 00:14:55,650 --> 00:14:58,918 >> EXCUSE ME. LITTLE GAY? >> SORRY. 369 00:14:58,920 --> 00:15:01,220 LITTLE GAY? >> SORRY. I'M SO SORRY. 370 00:15:01,222 --> 00:15:01,654 >> SORRY. I'M SO SORRY. WHEW. 371 00:15:01,656 --> 00:15:03,957 I'M SO SORRY. WHEW. I'M NERVOUS. 372 00:15:03,959 --> 00:15:06,025 WHEW. I'M NERVOUS. PARTIALLY BECAUSE TODAY IS MY 373 00:15:06,027 --> 00:15:08,761 I'M NERVOUS. PARTIALLY BECAUSE TODAY IS MY FIRST DAY AS MANAGER, AND 374 00:15:08,763 --> 00:15:11,664 PARTIALLY BECAUSE TODAY IS MY FIRST DAY AS MANAGER, AND PARTIALLY BECAUSE, UM, WELL, I 375 00:15:11,666 --> 00:15:14,734 FIRST DAY AS MANAGER, AND PARTIALLY BECAUSE, UM, WELL, I KNOW WHAT YOU DID TO SHARON 376 00:15:14,736 --> 00:15:15,034 PARTIALLY BECAUSE, UM, WELL, I KNOW WHAT YOU DID TO SHARON TATE. 377 00:15:15,036 --> 00:15:17,236 KNOW WHAT YOU DID TO SHARON TATE. >> WE'RE NOT THE MANSONS. 378 00:15:17,238 --> 00:15:18,571 TATE. >> WE'RE NOT THE MANSONS. YOU KNOW WHAT, I'M GOING TO TELL 379 00:15:18,573 --> 00:15:23,142 >> WE'RE NOT THE MANSONS. YOU KNOW WHAT, I'M GOING TO TELL THE CHEF DIRECTLY. 380 00:15:23,144 --> 00:15:24,911 YOU KNOW WHAT, I'M GOING TO TELL THE CHEF DIRECTLY. EXCUSE ME, CAN I GET THE SHRIMP 381 00:15:24,913 --> 00:15:25,244 THE CHEF DIRECTLY. EXCUSE ME, CAN I GET THE SHRIMP SCAMPI? 382 00:15:25,246 --> 00:15:26,112 EXCUSE ME, CAN I GET THE SHRIMP SCAMPI? >> NEVER HEARD OF THAT, BUT 383 00:15:26,114 --> 00:15:26,746 SCAMPI? >> NEVER HEARD OF THAT, BUT COMING UP. 384 00:15:26,748 --> 00:15:28,514 >> NEVER HEARD OF THAT, BUT COMING UP. >> I WANT THE SHRIMP SCAMPI. 385 00:15:28,516 --> 00:15:30,049 COMING UP. >> I WANT THE SHRIMP SCAMPI. >> OH, I GOT IT. 386 00:15:30,051 --> 00:15:34,787 >> I WANT THE SHRIMP SCAMPI. >> OH, I GOT IT. COMING RIGHT UP. 387 00:15:34,789 --> 00:15:35,388 >> OH, I GOT IT. COMING RIGHT UP. ONE SCOOBY SHAMPOOEY. 388 00:15:35,390 --> 00:15:38,858 COMING RIGHT UP. ONE SCOOBY SHAMPOOEY. >> NO, I WANT THE SKIMP -- DAMN 389 00:15:38,860 --> 00:15:39,125 ONE SCOOBY SHAMPOOEY. >> NO, I WANT THE SKIMP -- DAMN IT. 390 00:15:39,127 --> 00:15:39,792 >> NO, I WANT THE SKIMP -- DAMN IT. NOW I'M DOING IT. 391 00:15:39,794 --> 00:15:40,960 IT. NOW I'M DOING IT. >> I'M SORRY. 392 00:15:40,962 --> 00:15:43,429 NOW I'M DOING IT. >> I'M SORRY. IT'S HONESTLY BEEN A REALLY 393 00:15:43,431 --> 00:15:44,697 >> I'M SORRY. IT'S HONESTLY BEEN A REALLY CRAZY SHIFT AND EVERYONE IS 394 00:15:44,699 --> 00:15:44,998 IT'S HONESTLY BEEN A REALLY CRAZY SHIFT AND EVERYONE IS FRIED. 395 00:15:45,000 --> 00:15:47,600 CRAZY SHIFT AND EVERYONE IS FRIED. I WILL GET YOUR MEAL COMPED. 396 00:15:47,602 --> 00:15:48,701 FRIED. I WILL GET YOUR MEAL COMPED. LET'S JUST START OVER. 397 00:15:48,703 --> 00:15:49,636 I WILL GET YOUR MEAL COMPED. LET'S JUST START OVER. WHAT WOULD YOU LIKE? 398 00:15:49,638 --> 00:15:52,271 LET'S JUST START OVER. WHAT WOULD YOU LIKE? >> YOU KNOW, THE CHICKEN FONGERS 399 00:15:52,273 --> 00:15:52,972 WHAT WOULD YOU LIKE? >> YOU KNOW, THE CHICKEN FONGERS LOOKED PRETTY GOOD. 400 00:15:52,974 --> 00:15:54,540 >> YOU KNOW, THE CHICKEN FONGERS LOOKED PRETTY GOOD. >> WHAT ARE YOU DOING AT OUR 401 00:15:54,542 --> 00:15:54,841 LOOKED PRETTY GOOD. >> WHAT ARE YOU DOING AT OUR TABLE? 402 00:15:54,843 --> 00:15:55,742 >> WHAT ARE YOU DOING AT OUR TABLE? >> I'M SORRY. 403 00:15:55,744 --> 00:15:59,145 TABLE? >> I'M SORRY. I THINK I JUST FEEL FLUSTERED 404 00:15:59,147 --> 00:16:01,314 >> I'M SORRY. I THINK I JUST FEEL FLUSTERED BECAUSE YOUR SHORT FRIEND IS 405 00:16:01,316 --> 00:16:01,848 I THINK I JUST FEEL FLUSTERED BECAUSE YOUR SHORT FRIEND IS STARING AT MY RACK. 406 00:16:01,850 --> 00:16:03,016 BECAUSE YOUR SHORT FRIEND IS STARING AT MY RACK. >> HE'S NOT SHORT. 407 00:16:03,018 --> 00:16:03,549 STARING AT MY RACK. >> HE'S NOT SHORT. HE'S A CHILD. 408 00:16:03,551 --> 00:16:05,251 >> HE'S NOT SHORT. HE'S A CHILD. >> ALL RIGHT. 409 00:16:05,253 --> 00:16:05,551 HE'S A CHILD. >> ALL RIGHT. FINE. 410 00:16:05,553 --> 00:16:06,919 >> ALL RIGHT. FINE. IF IT'S SO IMPORTANT TO YOU ALL, 411 00:16:06,921 --> 00:16:08,921 FINE. IF IT'S SO IMPORTANT TO YOU ALL, WHY DON'T YOU JUST GIVE ME YOUR 412 00:16:08,923 --> 00:16:11,090 IF IT'S SO IMPORTANT TO YOU ALL, WHY DON'T YOU JUST GIVE ME YOUR ORDERED ONE MORE TIME, AND I 413 00:16:11,092 --> 00:16:13,760 WHY DON'T YOU JUST GIVE ME YOUR ORDERED ONE MORE TIME, AND I WILL WRITE IT DOWN. 414 00:16:13,762 --> 00:16:15,428 ORDERED ONE MORE TIME, AND I WILL WRITE IT DOWN. >> FOR THE LOVE OF GOD, THIS IS 415 00:16:15,430 --> 00:16:17,897 WILL WRITE IT DOWN. >> FOR THE LOVE OF GOD, THIS IS THE LAST TIME WE DO THIS! 416 00:16:17,899 --> 00:16:19,866 >> FOR THE LOVE OF GOD, THIS IS THE LAST TIME WE DO THIS! THE SCRIMP SCAMPI, THE 417 00:16:19,868 --> 00:16:21,968 THE LAST TIME WE DO THIS! THE SCRIMP SCAMPI, THE CALIFORNIA CLUB, THE CAESAR 418 00:16:21,970 --> 00:16:24,337 THE SCRIMP SCAMPI, THE CALIFORNIA CLUB, THE CAESAR SALAD, THE BONE-IN RIBEYE, AND 419 00:16:24,339 --> 00:16:27,907 CALIFORNIA CLUB, THE CAESAR SALAD, THE BONE-IN RIBEYE, AND THE CHICKEN FINGERS, NOT THE 420 00:16:27,909 --> 00:16:29,909 SALAD, THE BONE-IN RIBEYE, AND THE CHICKEN FINGERS, NOT THE CHICKEN FONGERS, FOR THE LITTLE 421 00:16:29,911 --> 00:16:30,777 THE CHICKEN FINGERS, NOT THE CHICKEN FONGERS, FOR THE LITTLE GUY. 422 00:16:30,779 --> 00:16:33,246 CHICKEN FONGERS, FOR THE LITTLE GUY. YOU GOT IT NOW? 423 00:16:33,248 --> 00:16:34,247 GUY. YOU GOT IT NOW? >> WILL YOU REPEAT THAT ONE MORE 424 00:16:34,249 --> 00:16:34,547 YOU GOT IT NOW? >> WILL YOU REPEAT THAT ONE MORE TIME? 425 00:16:34,549 --> 00:16:37,150 >> WILL YOU REPEAT THAT ONE MORE TIME? BECAUSE I ACCIDENTALLY DREW YOU. 426 00:16:37,152 --> 00:16:38,151 TIME? BECAUSE I ACCIDENTALLY DREW YOU. >> OH, COME ON. 427 00:16:38,153 --> 00:16:46,993 BECAUSE I ACCIDENTALLY DREW YOU. >> OH, COME ON. >> THAT IS VERY GOOD. 428 00:16:46,995 --> 00:16:48,795 >> OH, COME ON. >> THAT IS VERY GOOD. >>> DAVID, COULD YOU LOOK IN THE 429 00:16:48,797 --> 00:16:50,563 >> THAT IS VERY GOOD. >>> DAVID, COULD YOU LOOK IN THE CABINET FOR THE TV REMOTE? 430 00:16:50,565 --> 00:16:52,298 >>> DAVID, COULD YOU LOOK IN THE CABINET FOR THE TV REMOTE? MY LEG'S HURTING SOMETHING AWFUL 431 00:16:52,300 --> 00:16:52,632 CABINET FOR THE TV REMOTE? MY LEG'S HURTING SOMETHING AWFUL TODAY. 432 00:16:52,634 --> 00:16:56,169 MY LEG'S HURTING SOMETHING AWFUL TODAY. >> YEAH, SURE, DAD. 433 00:16:56,171 --> 00:16:56,969 TODAY. >> YEAH, SURE, DAD. OH, WHOA. 434 00:16:56,971 --> 00:16:58,638 >> YEAH, SURE, DAD. OH, WHOA. ARE THESE -- 435 00:16:58,640 --> 00:17:00,540 OH, WHOA. ARE THESE -- >> HOME MOVIES? 436 00:17:00,542 --> 00:17:00,840 ARE THESE -- >> HOME MOVIES? YEP. 437 00:17:00,842 --> 00:17:03,443 >> HOME MOVIES? YEP. >> YOUR FATHER ALWAYS HAD THAT 438 00:17:03,445 --> 00:17:03,843 YEP. >> YOUR FATHER ALWAYS HAD THAT CAMERA OUT. 439 00:17:03,845 --> 00:17:05,478 >> YOUR FATHER ALWAYS HAD THAT CAMERA OUT. >> DO YOU MIND IF I PUT THEM ON? 440 00:17:05,480 --> 00:17:07,413 CAMERA OUT. >> DO YOU MIND IF I PUT THEM ON? >> I WOULD LOVE THAT. 441 00:17:07,415 --> 00:17:08,748 >> DO YOU MIND IF I PUT THEM ON? >> I WOULD LOVE THAT. >> LET'S JUST BE QUIET. 442 00:17:08,750 --> 00:17:09,382 >> I WOULD LOVE THAT. >> LET'S JUST BE QUIET. WE DON'T WANT TO WAKE UP 443 00:17:09,384 --> 00:17:13,286 >> LET'S JUST BE QUIET. WE DON'T WANT TO WAKE UP GRANDMA. 444 00:17:13,288 --> 00:17:15,154 WE DON'T WANT TO WAKE UP GRANDMA. >> GOD DAVID! 445 00:17:15,156 --> 00:17:16,089 GRANDMA. >> GOD DAVID! I MISS THOSE DAYS. 446 00:17:16,091 --> 00:17:17,090 >> GOD DAVID! I MISS THOSE DAYS. >> THE ONLY THING I DON'T MISS 447 00:17:17,092 --> 00:17:20,426 I MISS THOSE DAYS. >> THE ONLY THING I DON'T MISS ARE THOSE GRASS STAINS. 448 00:17:20,428 --> 00:17:22,161 >> THE ONLY THING I DON'T MISS ARE THOSE GRASS STAINS. ♪ HAPPY BIRTHDAY TO YOU ♪ 449 00:17:22,163 --> 00:17:27,767 ARE THOSE GRASS STAINS. ♪ HAPPY BIRTHDAY TO YOU ♪ >> OH, WOW, MY THIRD BIRTHDAY. 450 00:17:27,769 --> 00:17:28,534 ♪ HAPPY BIRTHDAY TO YOU ♪ >> OH, WOW, MY THIRD BIRTHDAY. >> YOU JUST ABOUT ATE THAT WHOLE 451 00:17:28,536 --> 00:17:28,935 >> OH, WOW, MY THIRD BIRTHDAY. >> YOU JUST ABOUT ATE THAT WHOLE DURN CAKE. 452 00:17:28,937 --> 00:17:30,336 >> YOU JUST ABOUT ATE THAT WHOLE DURN CAKE. >> WHAT'S THIS ONE, DAD? 453 00:17:30,338 --> 00:17:31,771 DURN CAKE. >> WHAT'S THIS ONE, DAD? >> THAT IS THE DAY THAT I FOUND 454 00:17:31,773 --> 00:17:33,639 >> WHAT'S THIS ONE, DAD? >> THAT IS THE DAY THAT I FOUND OUT I WAS GOING TO BE A DADDY. 455 00:17:33,641 --> 00:17:33,973 >> THAT IS THE DAY THAT I FOUND OUT I WAS GOING TO BE A DADDY. COME ON. 456 00:17:33,975 --> 00:17:39,912 OUT I WAS GOING TO BE A DADDY. COME ON. POP IT IN. 457 00:17:39,914 --> 00:17:42,048 COME ON. POP IT IN. >> SHE LIKES TO SLEEP AROUND, 458 00:17:42,050 --> 00:17:44,484 POP IT IN. >> SHE LIKES TO SLEEP AROUND, AND HE'S A BROKE-ASS LIAR. 459 00:17:44,486 --> 00:17:46,586 >> SHE LIKES TO SLEEP AROUND, AND HE'S A BROKE-ASS LIAR. THERE'S JUST ONE THING WE DON'T 460 00:17:46,588 --> 00:17:46,919 AND HE'S A BROKE-ASS LIAR. THERE'S JUST ONE THING WE DON'T KNOW -- 461 00:17:46,921 --> 00:17:49,922 THERE'S JUST ONE THING WE DON'T KNOW -- >> IS HE THE FATHER? 462 00:17:49,924 --> 00:17:53,693 KNOW -- >> IS HE THE FATHER? >> YOU KNOW YOU ARE, RAY. 463 00:17:53,695 --> 00:17:56,362 >> IS HE THE FATHER? >> YOU KNOW YOU ARE, RAY. YOU'RE DEADBEAT ASS IS THE 464 00:17:56,364 --> 00:17:56,662 >> YOU KNOW YOU ARE, RAY. YOU'RE DEADBEAT ASS IS THE DADDY. 465 00:17:56,664 --> 00:17:57,296 YOU'RE DEADBEAT ASS IS THE DADDY. ADMIT IT! 466 00:17:57,298 --> 00:17:59,332 DADDY. ADMIT IT! >> THAT BABY DON'T EVEN LOOK 467 00:17:59,334 --> 00:17:59,932 ADMIT IT! >> THAT BABY DON'T EVEN LOOK LIKE ME! 468 00:17:59,934 --> 00:18:01,901 >> THAT BABY DON'T EVEN LOOK LIKE ME! HOW CAN I BE THE DADDY? 469 00:18:01,903 --> 00:18:02,835 LIKE ME! HOW CAN I BE THE DADDY? >> WHAT'S THIS? 470 00:18:02,837 --> 00:18:04,937 HOW CAN I BE THE DADDY? >> WHAT'S THIS? >> IT'S THE COREY DERVITCH SHOW. 471 00:18:04,939 --> 00:18:06,839 >> WHAT'S THIS? >> IT'S THE COREY DERVITCH SHOW. WE OWE A LOT TO THAT GOOD MAN. 472 00:18:06,841 --> 00:18:09,475 >> IT'S THE COREY DERVITCH SHOW. WE OWE A LOT TO THAT GOOD MAN. >> AMEN. 473 00:18:09,477 --> 00:18:11,010 WE OWE A LOT TO THAT GOOD MAN. >> AMEN. >> AMBER HAS A BABY NAMED DAVID, 474 00:18:11,012 --> 00:18:11,911 >> AMEN. >> AMBER HAS A BABY NAMED DAVID, AND SHE'S CONVINCED THE FATHER 475 00:18:11,913 --> 00:18:14,313 >> AMBER HAS A BABY NAMED DAVID, AND SHE'S CONVINCED THE FATHER IS RAY, A MAN SHE MET AT A 476 00:18:14,315 --> 00:18:16,783 AND SHE'S CONVINCED THE FATHER IS RAY, A MAN SHE MET AT A BACKYARD WRESTLING EVENT. 477 00:18:16,785 --> 00:18:18,317 IS RAY, A MAN SHE MET AT A BACKYARD WRESTLING EVENT. >> YO, YO, I JUST WANT TO SAY 478 00:18:18,319 --> 00:18:18,785 BACKYARD WRESTLING EVENT. >> YO, YO, I JUST WANT TO SAY ONE THING. 479 00:18:18,787 --> 00:18:19,652 >> YO, YO, I JUST WANT TO SAY ONE THING. I JUST WANT TO SAY ONE THING. 480 00:18:19,654 --> 00:18:21,420 ONE THING. I JUST WANT TO SAY ONE THING. SHE A HO. 481 00:18:21,422 --> 00:18:24,857 I JUST WANT TO SAY ONE THING. SHE A HO. >> OH! 482 00:18:24,859 --> 00:18:26,292 SHE A HO. >> OH! >> DAD! 483 00:18:26,294 --> 00:18:28,094 >> OH! >> DAD! >> NO, SHH. 484 00:18:28,096 --> 00:18:29,495 >> DAD! >> NO, SHH. WATCH THIS PART. 485 00:18:29,497 --> 00:18:31,798 >> NO, SHH. WATCH THIS PART. >> NOW HOW Y'ALL KNOW I'M THE 486 00:18:31,800 --> 00:18:34,133 WATCH THIS PART. >> NOW HOW Y'ALL KNOW I'M THE DADDY WHEN SHE BE SLEEPING WITH 487 00:18:34,135 --> 00:18:34,534 >> NOW HOW Y'ALL KNOW I'M THE DADDY WHEN SHE BE SLEEPING WITH EVERYBODY. 488 00:18:34,536 --> 00:18:36,068 DADDY WHEN SHE BE SLEEPING WITH EVERYBODY. >> WELL, OF COURSE I'VE BEEN 489 00:18:36,070 --> 00:18:36,769 EVERYBODY. >> WELL, OF COURSE I'VE BEEN SLEEPING WITH EVERYBODY. 490 00:18:36,771 --> 00:18:38,171 >> WELL, OF COURSE I'VE BEEN SLEEPING WITH EVERYBODY. I GOT THIS ASS, DON'T I? 491 00:18:38,173 --> 00:18:42,809 SLEEPING WITH EVERYBODY. I GOT THIS ASS, DON'T I? I GOT THIS ASS, DON'T I? 492 00:18:42,811 --> 00:18:44,544 I GOT THIS ASS, DON'T I? I GOT THIS ASS, DON'T I? >> BUT WAIT, THERE'S ANOTHER MAN 493 00:18:44,546 --> 00:18:45,678 I GOT THIS ASS, DON'T I? >> BUT WAIT, THERE'S ANOTHER MAN WHO MIGHT BE THE FATHER. 494 00:18:45,680 --> 00:18:48,014 >> BUT WAIT, THERE'S ANOTHER MAN WHO MIGHT BE THE FATHER. AND HERE HE IS, AMBER'S COWORKER 495 00:18:48,016 --> 00:18:50,216 WHO MIGHT BE THE FATHER. AND HERE HE IS, AMBER'S COWORKER AT GAME STOP, ZACH BARBACANO, 496 00:18:50,218 --> 00:18:53,553 AND HERE HE IS, AMBER'S COWORKER AT GAME STOP, ZACH BARBACANO, AKA, SPOOKY. 497 00:18:53,555 --> 00:18:54,086 AT GAME STOP, ZACH BARBACANO, AKA, SPOOKY. >> BOO! 498 00:18:54,088 --> 00:18:56,289 AKA, SPOOKY. >> BOO! >> OH, OKAY! 499 00:18:56,291 --> 00:18:57,223 >> BOO! >> OH, OKAY! YEAH, OKAY. 500 00:18:57,225 --> 00:18:57,690 >> OH, OKAY! YEAH, OKAY. SHUT UP! 501 00:18:57,692 --> 00:19:00,293 YEAH, OKAY. SHUT UP! >> WHO THE HELL IS SPOOKY? 502 00:19:00,295 --> 00:19:01,694 SHUT UP! >> WHO THE HELL IS SPOOKY? >> WE HAVE A QUESTION IN THE 503 00:19:01,696 --> 00:19:03,129 >> WHO THE HELL IS SPOOKY? >> WE HAVE A QUESTION IN THE AUDIENCE FROM AMBER'S MOTHER. 504 00:19:03,131 --> 00:19:05,231 >> WE HAVE A QUESTION IN THE AUDIENCE FROM AMBER'S MOTHER. >> I HAVE A QUESTION FOR SPOOKY. 505 00:19:05,233 --> 00:19:07,733 AUDIENCE FROM AMBER'S MOTHER. >> I HAVE A QUESTION FOR SPOOKY. YOU MEAN TO TELL ME THAT THE 506 00:19:07,735 --> 00:19:09,001 >> I HAVE A QUESTION FOR SPOOKY. YOU MEAN TO TELL ME THAT THE ENTIRE TIME YOU WERE SLEEPING 507 00:19:09,003 --> 00:19:11,037 YOU MEAN TO TELL ME THAT THE ENTIRE TIME YOU WERE SLEEPING WITH MY DAUGHTER, YOU WERE ALSO 508 00:19:11,039 --> 00:19:14,340 ENTIRE TIME YOU WERE SLEEPING WITH MY DAUGHTER, YOU WERE ALSO SLEEPING WITH ME? 509 00:19:14,342 --> 00:19:15,575 WITH MY DAUGHTER, YOU WERE ALSO SLEEPING WITH ME? >> IT AIN'T EVEN LIKE THAT. 510 00:19:15,577 --> 00:19:18,344 SLEEPING WITH ME? >> IT AIN'T EVEN LIKE THAT. >> OH, SO THAT'S HOW IT IS, MA? 511 00:19:18,346 --> 00:19:22,582 >> IT AIN'T EVEN LIKE THAT. >> OH, SO THAT'S HOW IT IS, MA? >> FIGHT ME! 512 00:19:22,584 --> 00:19:26,085 >> OH, SO THAT'S HOW IT IS, MA? >> FIGHT ME! >> I'M GOING TO KILL YOU! 513 00:19:26,087 --> 00:19:28,754 >> FIGHT ME! >> I'M GOING TO KILL YOU! >> WAIT, WAIT, ARE WE EVEN SURE 514 00:19:28,756 --> 00:19:29,622 >> I'M GOING TO KILL YOU! >> WAIT, WAIT, ARE WE EVEN SURE THIS IS A BABY? 515 00:19:29,624 --> 00:19:32,825 >> WAIT, WAIT, ARE WE EVEN SURE THIS IS A BABY? I MEAN, LOOK AT THIS THING! 516 00:19:32,827 --> 00:19:36,729 THIS IS A BABY? I MEAN, LOOK AT THIS THING! LOOK LIKE A DAMN BENJAMIN 517 00:19:36,731 --> 00:19:37,063 I MEAN, LOOK AT THIS THING! LOOK LIKE A DAMN BENJAMIN BUTTON. 518 00:19:37,065 --> 00:19:40,032 LOOK LIKE A DAMN BENJAMIN BUTTON. SAY IT WITH ME, Y'ALL -- UGLY 519 00:19:40,034 --> 00:19:40,333 BUTTON. SAY IT WITH ME, Y'ALL -- UGLY BABY. 520 00:19:40,335 --> 00:19:42,902 SAY IT WITH ME, Y'ALL -- UGLY BABY. >> UGLY BABY! 521 00:19:42,904 --> 00:19:44,437 BABY. >> UGLY BABY! UGLY BABY! 522 00:19:44,439 --> 00:19:45,304 >> UGLY BABY! UGLY BABY! UGLY BABY! 523 00:19:45,306 --> 00:19:47,006 UGLY BABY! UGLY BABY! >> WELL, WE HAVE THE RESULTS 524 00:19:47,008 --> 00:19:47,440 UGLY BABY! >> WELL, WE HAVE THE RESULTS RIGHT HERE. 525 00:19:47,442 --> 00:19:48,875 >> WELL, WE HAVE THE RESULTS RIGHT HERE. >> WHATEVER HAPPENS, I STILL 526 00:19:48,877 --> 00:19:51,143 RIGHT HERE. >> WHATEVER HAPPENS, I STILL PLAN ON BEING IN THIS BABY'S 527 00:19:51,145 --> 00:19:51,444 >> WHATEVER HAPPENS, I STILL PLAN ON BEING IN THIS BABY'S LIFE. 528 00:19:51,446 --> 00:19:55,948 PLAN ON BEING IN THIS BABY'S LIFE. >> WHEN IT COMES TO 6-MONTH-OLD 529 00:19:55,950 --> 00:19:58,651 LIFE. >> WHEN IT COMES TO 6-MONTH-OLD DAVID, SPOOKY, YOU ARE NOT THE 530 00:19:58,653 --> 00:19:58,985 >> WHEN IT COMES TO 6-MONTH-OLD DAVID, SPOOKY, YOU ARE NOT THE FATHER. 531 00:19:58,987 --> 00:20:02,255 DAVID, SPOOKY, YOU ARE NOT THE FATHER. >> YES! 532 00:20:02,257 --> 00:20:06,058 FATHER. >> YES! GOD IS REAL, Y'ALL, COME ON! 533 00:20:06,060 --> 00:20:07,526 >> YES! GOD IS REAL, Y'ALL, COME ON! I TOLD Y'ALL! 534 00:20:07,528 --> 00:20:08,394 GOD IS REAL, Y'ALL, COME ON! I TOLD Y'ALL! >> STOP! 535 00:20:08,396 --> 00:20:10,429 I TOLD Y'ALL! >> STOP! THIS IS SO EMBARRASSING. 536 00:20:10,431 --> 00:20:11,097 >> STOP! THIS IS SO EMBARRASSING. >> BABY? 537 00:20:11,099 --> 00:20:11,831 THIS IS SO EMBARRASSING. >> BABY? >> WHAT? 538 00:20:11,833 --> 00:20:13,566 >> BABY? >> WHAT? >> WILL YOU MARRY ME? 539 00:20:13,568 --> 00:20:13,866 >> WHAT? >> WILL YOU MARRY ME? >> NO. 540 00:20:13,868 --> 00:20:16,402 >> WILL YOU MARRY ME? >> NO. GET AWAY FROM ME! 541 00:20:16,404 --> 00:20:17,303 >> NO. GET AWAY FROM ME! >> I TOLD YOU. 542 00:20:17,305 --> 00:20:19,038 GET AWAY FROM ME! >> I TOLD YOU. I TOLD YOU. 543 00:20:19,040 --> 00:20:20,640 >> I TOLD YOU. I TOLD YOU. I TOLD YOU. 544 00:20:20,642 --> 00:20:25,678 I TOLD YOU. I TOLD YOU. >> SPOOKY, LOOK OUT! 545 00:20:25,680 --> 00:20:26,946 I TOLD YOU. >> SPOOKY, LOOK OUT! >> WHO WANTS SOME? 546 00:20:26,948 --> 00:20:29,615 >> SPOOKY, LOOK OUT! >> WHO WANTS SOME? >> THAT'S WHY YOU NEED A CANE? 547 00:20:29,617 --> 00:20:31,484 >> WHO WANTS SOME? >> THAT'S WHY YOU NEED A CANE? YOU TOLD ME IT WAS A SKIING 548 00:20:31,486 --> 00:20:31,851 >> THAT'S WHY YOU NEED A CANE? YOU TOLD ME IT WAS A SKIING ACCIDENT. 549 00:20:31,853 --> 00:20:33,352 YOU TOLD ME IT WAS A SKIING ACCIDENT. >> LOOK, SON, I KNOW IT'S A LOT 550 00:20:33,354 --> 00:20:34,687 ACCIDENT. >> LOOK, SON, I KNOW IT'S A LOT TO TAKE IN. 551 00:20:34,689 --> 00:20:36,923 >> LOOK, SON, I KNOW IT'S A LOT TO TAKE IN. >> IT DOESN'T MATTER WHERE WE 552 00:20:36,925 --> 00:20:37,256 TO TAKE IN. >> IT DOESN'T MATTER WHERE WE STARTED. 553 00:20:37,258 --> 00:20:37,823 >> IT DOESN'T MATTER WHERE WE STARTED. LOOK AT US NOW. 554 00:20:37,825 --> 00:20:41,260 STARTED. LOOK AT US NOW. WE ARE A FAMILY. 555 00:20:41,262 --> 00:20:45,531 LOOK AT US NOW. WE ARE A FAMILY. AND WE LOVE EACH OTHER. 556 00:20:45,533 --> 00:20:46,499 WE ARE A FAMILY. AND WE LOVE EACH OTHER. OH, LOOKS LIKE GRANDMA'S NEW 557 00:20:46,501 --> 00:20:50,169 AND WE LOVE EACH OTHER. OH, LOOKS LIKE GRANDMA'S NEW NURSE IS HERE. 558 00:20:50,171 --> 00:20:51,037 OH, LOOKS LIKE GRANDMA'S NEW NURSE IS HERE. >> LET'S GO, LINDA. 559 00:20:51,039 --> 00:20:54,006 NURSE IS HERE. >> LET'S GO, LINDA. TIME FOR YOUR MEDICATION. 560 00:20:54,008 --> 00:21:01,013 >> LET'S GO, LINDA. TIME FOR YOUR MEDICATION. I SWITCHED THE RESULTS. 561 00:21:26,239 --> 00:21:34,413 ♪♪ >>> IT'S THE BARRY GIBB TALK SHOW. 562 00:21:34,415 --> 00:21:35,081 >>> IT'S THE BARRY GIBB TALK SHOW. ♪ WELL ♪ 563 00:21:35,083 --> 00:21:36,916 SHOW. ♪ WELL ♪ >> TONIGHT, THERE'S GUEST 564 00:21:36,918 --> 00:21:37,383 ♪ WELL ♪ >> TONIGHT, THERE'S GUEST STAR -- 565 00:21:37,385 --> 00:21:39,652 >> TONIGHT, THERE'S GUEST STAR -- ♪ IN A ROOM FULL OF STRANGERS ♪ 566 00:21:39,654 --> 00:21:42,722 STAR -- ♪ IN A ROOM FULL OF STRANGERS ♪ >> FROM THE NATION, ELIE MYSTAL. 567 00:21:42,724 --> 00:21:44,857 ♪ IN A ROOM FULL OF STRANGERS ♪ >> FROM THE NATION, ELIE MYSTAL. ♪ DISCUSSING POLITICS. 568 00:21:44,859 --> 00:21:47,293 >> FROM THE NATION, ELIE MYSTAL. ♪ DISCUSSING POLITICS. >> COACH OF THE FORWARD PARTY, 569 00:21:47,295 --> 00:21:47,827 ♪ DISCUSSING POLITICS. >> COACH OF THE FORWARD PARTY, ANDREW YANG. 570 00:21:47,829 --> 00:21:50,463 >> COACH OF THE FORWARD PARTY, ANDREW YANG. ♪ AND THE ISSUES OF THE DAY, 571 00:21:50,465 --> 00:21:52,331 ANDREW YANG. ♪ AND THE ISSUES OF THE DAY, HEY ♪ 572 00:21:52,333 --> 00:21:57,436 ♪ AND THE ISSUES OF THE DAY, HEY ♪ >> BLOGGER AND POLITICAL 573 00:21:57,438 --> 00:21:59,372 HEY ♪ >> BLOGGER AND POLITICAL ACTIVIST, JOANNE CARDUCCI. 574 00:21:59,374 --> 00:22:00,940 >> BLOGGER AND POLITICAL ACTIVIST, JOANNE CARDUCCI. ♪ AND I WANT TO TALK TO YOU 575 00:22:00,942 --> 00:22:03,476 ACTIVIST, JOANNE CARDUCCI. ♪ AND I WANT TO TALK TO YOU THOUGH YOU MAY NOT WANT ME TO ♪ 576 00:22:03,478 --> 00:22:05,044 ♪ AND I WANT TO TALK TO YOU THOUGH YOU MAY NOT WANT ME TO ♪ >> AND AS ALWAYS -- 577 00:22:05,046 --> 00:22:07,079 THOUGH YOU MAY NOT WANT ME TO ♪ >> AND AS ALWAYS -- ♪ GUESS WHAT, I'M STILL GOING TO 578 00:22:07,081 --> 00:22:08,014 >> AND AS ALWAYS -- ♪ GUESS WHAT, I'M STILL GOING TO TALK TO YOU ♪ 579 00:22:08,016 --> 00:22:10,049 ♪ GUESS WHAT, I'M STILL GOING TO TALK TO YOU ♪ >> BARRY'S BROTHER ROBIN. 580 00:22:10,051 --> 00:22:13,452 TALK TO YOU ♪ >> BARRY'S BROTHER ROBIN. ♪ I DON'T CARE WHAT YOU SAY, 581 00:22:13,454 --> 00:22:15,955 >> BARRY'S BROTHER ROBIN. ♪ I DON'T CARE WHAT YOU SAY, TALKIN' IT UP ON THE BARRY GIBB 582 00:22:15,957 --> 00:22:19,925 ♪ I DON'T CARE WHAT YOU SAY, TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, TALKIN' 'BOUT ISSUES, 583 00:22:19,927 --> 00:22:21,794 TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, TALKIN' 'BOUT ISSUES, TALKIN' 'BOUT REAL IMPORTANT 584 00:22:21,796 --> 00:22:22,194 TALK SHOW, TALKIN' 'BOUT ISSUES, TALKIN' 'BOUT REAL IMPORTANT ISSUES ♪ 585 00:22:22,196 --> 00:22:25,264 TALKIN' 'BOUT REAL IMPORTANT ISSUES ♪ ♪ TALKIN' IT UP ON THE BARRY 586 00:22:25,266 --> 00:22:28,868 ISSUES ♪ ♪ TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, CHECKIN' OUT 587 00:22:28,870 --> 00:22:32,438 ♪ TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, CHECKIN' OUT POLITICS IN THIS CRAZY, CRAZY 588 00:22:32,440 --> 00:22:33,639 GIBB TALK SHOW, CHECKIN' OUT POLITICS IN THIS CRAZY, CRAZY TOWN, YEAH ♪ 589 00:22:33,641 --> 00:22:34,340 POLITICS IN THIS CRAZY, CRAZY TOWN, YEAH ♪ >> LADIES AND GENTLEMEN, YOUR 590 00:22:34,342 --> 00:22:35,408 TOWN, YEAH ♪ >> LADIES AND GENTLEMEN, YOUR HOST, BARRY GIBB. 591 00:22:35,410 --> 00:22:40,913 >> LADIES AND GENTLEMEN, YOUR HOST, BARRY GIBB. [ CHEERS AND APPLAUSE ] 592 00:22:40,915 --> 00:22:41,580 HOST, BARRY GIBB. [ CHEERS AND APPLAUSE ] >> GOOD EVENING, LADIES AND 593 00:22:41,582 --> 00:22:43,883 [ CHEERS AND APPLAUSE ] >> GOOD EVENING, LADIES AND GENTLEMEN. 594 00:22:43,885 --> 00:22:46,185 >> GOOD EVENING, LADIES AND GENTLEMEN. WE'VE GOT A GREAT SHOW FOR YOU 595 00:22:46,187 --> 00:22:46,519 GENTLEMEN. WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 596 00:22:46,521 --> 00:22:48,788 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. THIS IS MY SHOW, AND IT'S A 597 00:22:48,790 --> 00:22:50,122 TONIGHT. THIS IS MY SHOW, AND IT'S A NO-NONSENSE SHOW. 598 00:22:50,124 --> 00:22:50,790 THIS IS MY SHOW, AND IT'S A NO-NONSENSE SHOW. I DON'T TAKE ANY CRAP FROM 599 00:22:50,792 --> 00:22:53,259 NO-NONSENSE SHOW. I DON'T TAKE ANY CRAP FROM ANYONE. 600 00:22:53,261 --> 00:22:54,593 I DON'T TAKE ANY CRAP FROM ANYONE. LET'S GET RIGHT TO IT. 601 00:22:54,595 --> 00:22:57,630 ANYONE. LET'S GET RIGHT TO IT. IT'S AN ELECTION YEAR, AND 602 00:22:57,632 --> 00:23:00,633 LET'S GET RIGHT TO IT. IT'S AN ELECTION YEAR, AND PEOPLE SEEM DISILLUSIONED BY THE 603 00:23:00,635 --> 00:23:01,667 IT'S AN ELECTION YEAR, AND PEOPLE SEEM DISILLUSIONED BY THE POLITICAL SYSTEM. 604 00:23:01,669 --> 00:23:03,502 PEOPLE SEEM DISILLUSIONED BY THE POLITICAL SYSTEM. PEOPLE FEEL ONE CANDIDATE IS TOO 605 00:23:03,504 --> 00:23:05,604 POLITICAL SYSTEM. PEOPLE FEEL ONE CANDIDATE IS TOO OLD AND THE OTHER WILL BE 606 00:23:05,606 --> 00:23:06,839 PEOPLE FEEL ONE CANDIDATE IS TOO OLD AND THE OTHER WILL BE DISTRACTED BY HIS LEGAL 607 00:23:06,841 --> 00:23:07,206 OLD AND THE OTHER WILL BE DISTRACTED BY HIS LEGAL PROBLEMS. 608 00:23:07,208 --> 00:23:07,940 DISTRACTED BY HIS LEGAL PROBLEMS. ROBIN, DO YOU HAVE ANYTHING TO 609 00:23:07,942 --> 00:23:08,641 PROBLEMS. ROBIN, DO YOU HAVE ANYTHING TO ADD? 610 00:23:08,643 --> 00:23:11,744 ROBIN, DO YOU HAVE ANYTHING TO ADD? >> NO. 611 00:23:11,746 --> 00:23:12,144 ADD? >> NO. NO, I DON'T. 612 00:23:12,146 --> 00:23:17,516 >> NO. NO, I DON'T. >> OKAY. 613 00:23:17,518 --> 00:23:20,352 NO, I DON'T. >> OKAY. ELIE, DO YOU THINK THE MEDIA IS 614 00:23:20,354 --> 00:23:23,055 >> OKAY. ELIE, DO YOU THINK THE MEDIA IS OVERSTATING THE NEGATIVES OF THE 615 00:23:23,057 --> 00:23:24,623 ELIE, DO YOU THINK THE MEDIA IS OVERSTATING THE NEGATIVES OF THE NATION TO GET VIEWS AND CLICKS? 616 00:23:24,625 --> 00:23:26,192 OVERSTATING THE NEGATIVES OF THE NATION TO GET VIEWS AND CLICKS? >> WELL, THAT'S AN INTERESTING 617 00:23:26,194 --> 00:23:26,559 NATION TO GET VIEWS AND CLICKS? >> WELL, THAT'S AN INTERESTING QUESTION. 618 00:23:26,561 --> 00:23:27,460 >> WELL, THAT'S AN INTERESTING QUESTION. >> OH, IS IT? 619 00:23:27,462 --> 00:23:29,061 QUESTION. >> OH, IS IT? IT'S INTERESTING? 620 00:23:29,063 --> 00:23:30,129 >> OH, IS IT? IT'S INTERESTING? YOU FIND IT INTERESTING? 621 00:23:30,131 --> 00:23:31,263 IT'S INTERESTING? YOU FIND IT INTERESTING? >> YEAH, I DO. 622 00:23:31,265 --> 00:23:34,667 YOU FIND IT INTERESTING? >> YEAH, I DO. >> WELL, I FIND YOU INTERESTING, 623 00:23:34,669 --> 00:23:34,967 >> YEAH, I DO. >> WELL, I FIND YOU INTERESTING, OKAY? 624 00:23:34,969 --> 00:23:36,769 >> WELL, I FIND YOU INTERESTING, OKAY? YOU LOOK LIKE IF DON KING ATE 625 00:23:36,771 --> 00:23:37,770 OKAY? YOU LOOK LIKE IF DON KING ATE ANOTHER DON KING! 626 00:23:37,772 --> 00:23:40,239 YOU LOOK LIKE IF DON KING ATE ANOTHER DON KING! I WILL UNHINGE MY JAW AND BITE 627 00:23:40,241 --> 00:23:42,808 ANOTHER DON KING! I WILL UNHINGE MY JAW AND BITE YOUR HEAD OFF LIKE A GOLDFISH 628 00:23:42,810 --> 00:23:43,209 I WILL UNHINGE MY JAW AND BITE YOUR HEAD OFF LIKE A GOLDFISH CRACKER -- 629 00:23:43,211 --> 00:23:45,044 YOUR HEAD OFF LIKE A GOLDFISH CRACKER -- ♪ THE SNACK THAT SMILES BACK, 630 00:23:45,046 --> 00:23:49,615 CRACKER -- ♪ THE SNACK THAT SMILES BACK, THE SNACK THAT SMILES BACK ♪ 631 00:23:49,617 --> 00:23:51,617 ♪ THE SNACK THAT SMILES BACK, THE SNACK THAT SMILES BACK ♪ I WILL PSYCHOLOGICALLY DESTROY 632 00:23:51,619 --> 00:23:51,884 THE SNACK THAT SMILES BACK ♪ I WILL PSYCHOLOGICALLY DESTROY YOU. 633 00:23:51,886 --> 00:23:53,519 I WILL PSYCHOLOGICALLY DESTROY YOU. EVERY MONTH I WILL REPLACE YOUR 634 00:23:53,521 --> 00:23:56,288 YOU. EVERY MONTH I WILL REPLACE YOUR SHOES WITH AN IDENTICAL PAIR OF 635 00:23:56,290 --> 00:23:58,057 EVERY MONTH I WILL REPLACE YOUR SHOES WITH AN IDENTICAL PAIR OF ONE BIGGER SIZE SO YOU THINK 636 00:23:58,059 --> 00:23:59,525 SHOES WITH AN IDENTICAL PAIR OF ONE BIGGER SIZE SO YOU THINK YOUR FEET ARE SHRINKING. 637 00:23:59,527 --> 00:24:01,193 ONE BIGGER SIZE SO YOU THINK YOUR FEET ARE SHRINKING. I FEAR NOTHING! 638 00:24:01,195 --> 00:24:03,195 YOUR FEET ARE SHRINKING. I FEAR NOTHING! I WATCHED "SALTBURN" WITH MY 639 00:24:03,197 --> 00:24:03,996 I FEAR NOTHING! I WATCHED "SALTBURN" WITH MY ENTIRE FAMILY! 640 00:24:03,998 --> 00:24:05,898 I WATCHED "SALTBURN" WITH MY ENTIRE FAMILY! AND I KNEW ABOUT THE BATHTUB 641 00:24:05,900 --> 00:24:06,599 ENTIRE FAMILY! AND I KNEW ABOUT THE BATHTUB SCENE BEFOREHAND, AND I LOVED 642 00:24:06,601 --> 00:24:09,435 AND I KNEW ABOUT THE BATHTUB SCENE BEFOREHAND, AND I LOVED IT! 643 00:24:09,437 --> 00:24:13,973 SCENE BEFOREHAND, AND I LOVED IT! ♪ HUMP, HUMP, HUMP, HUMP, 644 00:24:13,975 --> 00:24:17,843 IT! ♪ HUMP, HUMP, HUMP, HUMP, LICKING THE DRAIN, HUMPING THE 645 00:24:17,845 --> 00:24:18,210 ♪ HUMP, HUMP, HUMP, HUMP, LICKING THE DRAIN, HUMPING THE GRAVE ♪ 646 00:24:18,212 --> 00:24:18,911 LICKING THE DRAIN, HUMPING THE GRAVE ♪ DO YOU HAVE ANYTHING TO ADD, 647 00:24:18,913 --> 00:24:24,717 GRAVE ♪ DO YOU HAVE ANYTHING TO ADD, ROBIN? 648 00:24:24,719 --> 00:24:29,255 DO YOU HAVE ANYTHING TO ADD, ROBIN? >> NO. 649 00:24:29,257 --> 00:24:32,057 ROBIN? >> NO. NO, I DON'T. 650 00:24:32,059 --> 00:24:36,962 >> NO. NO, I DON'T. >> LET'S GET TO OUR NEXT GUEST. 651 00:24:36,964 --> 00:24:39,732 NO, I DON'T. >> LET'S GET TO OUR NEXT GUEST. ANDREW YANG, CULTURE OF THE 652 00:24:39,734 --> 00:24:42,835 >> LET'S GET TO OUR NEXT GUEST. ANDREW YANG, CULTURE OF THE FORWARD PARTY. 653 00:24:42,837 --> 00:24:45,237 ANDREW YANG, CULTURE OF THE FORWARD PARTY. DO YOU THINK A THIRD PARTY 654 00:24:45,239 --> 00:24:46,539 FORWARD PARTY. DO YOU THINK A THIRD PARTY CANDIDATE COULD GAIN ENOUGH 655 00:24:46,541 --> 00:24:48,174 DO YOU THINK A THIRD PARTY CANDIDATE COULD GAIN ENOUGH VOTES TO WIN THE GENERAL 656 00:24:48,176 --> 00:24:48,541 CANDIDATE COULD GAIN ENOUGH VOTES TO WIN THE GENERAL ELECTION? 657 00:24:48,543 --> 00:24:49,942 VOTES TO WIN THE GENERAL ELECTION? >> WELL, BARRY -- 658 00:24:49,944 --> 00:24:50,709 ELECTION? >> WELL, BARRY -- >> CALL ME SIR. 659 00:24:50,711 --> 00:24:51,911 >> WELL, BARRY -- >> CALL ME SIR. >> EXCUSE ME? 660 00:24:51,913 --> 00:24:55,681 >> CALL ME SIR. >> EXCUSE ME? >> YOU WILL CALL ME SIR BARRY 661 00:24:55,683 --> 00:24:55,981 >> EXCUSE ME? >> YOU WILL CALL ME SIR BARRY GIBB. 662 00:24:55,983 --> 00:24:59,451 >> YOU WILL CALL ME SIR BARRY GIBB. I WAS KNIGHTED IN 2018 FOR 663 00:24:59,453 --> 00:25:00,586 GIBB. I WAS KNIGHTED IN 2018 FOR OUTSTANDING CONTRIBUTIONS TO THE 664 00:25:00,588 --> 00:25:01,420 I WAS KNIGHTED IN 2018 FOR OUTSTANDING CONTRIBUTIONS TO THE MUSIC INDUSTRY. 665 00:25:01,422 --> 00:25:05,324 OUTSTANDING CONTRIBUTIONS TO THE MUSIC INDUSTRY. I WILL RIP OUT YOUR LOWER 666 00:25:05,326 --> 00:25:07,293 MUSIC INDUSTRY. I WILL RIP OUT YOUR LOWER INTESTINE AND USE IT AS MY OWN 667 00:25:07,295 --> 00:25:08,661 I WILL RIP OUT YOUR LOWER INTESTINE AND USE IT AS MY OWN PERSONALIZED ZIP LINE. 668 00:25:08,663 --> 00:25:11,063 INTESTINE AND USE IT AS MY OWN PERSONALIZED ZIP LINE. ♪ ZIP LINE, ZIP LINE, ZIP LINE 669 00:25:11,065 --> 00:25:13,566 PERSONALIZED ZIP LINE. ♪ ZIP LINE, ZIP LINE, ZIP LINE TO OUTER SPACE, SELFIE ♪ 670 00:25:13,568 --> 00:25:14,266 ♪ ZIP LINE, ZIP LINE, ZIP LINE TO OUTER SPACE, SELFIE ♪ DO YOU HAVE ANYTHING TO ADD, 671 00:25:14,268 --> 00:25:20,673 TO OUTER SPACE, SELFIE ♪ DO YOU HAVE ANYTHING TO ADD, ROBIN? 672 00:25:20,675 --> 00:25:21,273 DO YOU HAVE ANYTHING TO ADD, ROBIN? >> NO. 673 00:25:21,275 --> 00:25:21,674 ROBIN? >> NO. NO, I DON'T. 674 00:25:21,676 --> 00:25:22,942 >> NO. NO, I DON'T. >> REALLY? 675 00:25:22,944 --> 00:25:28,113 NO, I DON'T. >> REALLY? >> NO. 676 00:25:28,115 --> 00:25:32,151 >> REALLY? >> NO. >> JOANNE CARDUCCI. 677 00:25:32,153 --> 00:25:38,524 >> NO. >> JOANNE CARDUCCI. ♪ JOANNE, JOANNE, JOANNE 678 00:25:38,526 --> 00:25:39,491 >> JOANNE CARDUCCI. ♪ JOANNE, JOANNE, JOANNE CARDUCCI ♪ 679 00:25:39,493 --> 00:25:41,393 ♪ JOANNE, JOANNE, JOANNE CARDUCCI ♪ WE ARE -- 680 00:25:41,395 --> 00:25:44,930 CARDUCCI ♪ WE ARE -- ♪ WE ARE FROM AUSTRALIA, AND WE 681 00:25:44,932 --> 00:25:51,337 WE ARE -- ♪ WE ARE FROM AUSTRALIA, AND WE SWIM IN THE CORAL REEF ♪ 682 00:25:51,339 --> 00:25:57,209 ♪ WE ARE FROM AUSTRALIA, AND WE SWIM IN THE CORAL REEF ♪ ♪ MY DAD'S A KANGAROO, EATING 683 00:25:57,211 --> 00:25:58,477 SWIM IN THE CORAL REEF ♪ ♪ MY DAD'S A KANGAROO, EATING THE WEIRD BREAD THEY BRING TO 684 00:25:58,479 --> 00:26:03,616 ♪ MY DAD'S A KANGAROO, EATING THE WEIRD BREAD THEY BRING TO THE TABLE, OUTBACK STEAKHOUSE ♪ 685 00:26:03,618 --> 00:26:06,919 THE WEIRD BREAD THEY BRING TO THE TABLE, OUTBACK STEAKHOUSE ♪ >> HI. 686 00:26:06,921 --> 00:26:07,186 THE TABLE, OUTBACK STEAKHOUSE ♪ >> HI. #. 687 00:26:07,188 --> 00:26:10,823 >> HI. #. >> I KNOW THAT YOU'RE A VOCAL 688 00:26:10,825 --> 00:26:11,924 #. >> I KNOW THAT YOU'RE A VOCAL CRITIC OF PRESIDENT TRUMP. 689 00:26:11,926 --> 00:26:13,926 >> I KNOW THAT YOU'RE A VOCAL CRITIC OF PRESIDENT TRUMP. HOWEVER, PEOPLE HAVE SAID THAT 690 00:26:13,928 --> 00:26:16,028 CRITIC OF PRESIDENT TRUMP. HOWEVER, PEOPLE HAVE SAID THAT HE WAS CORRECT ABOUT THE BORDER 691 00:26:16,030 --> 00:26:16,595 HOWEVER, PEOPLE HAVE SAID THAT HE WAS CORRECT ABOUT THE BORDER AND CHINA. 692 00:26:16,597 --> 00:26:18,831 HE WAS CORRECT ABOUT THE BORDER AND CHINA. >> WELL, THAT DEPENDS ON 693 00:26:18,833 --> 00:26:19,198 AND CHINA. >> WELL, THAT DEPENDS ON WHICH -- 694 00:26:19,200 --> 00:26:21,367 >> WELL, THAT DEPENDS ON WHICH -- >> HOW DARE YOU INTERRUPT ME! 695 00:26:21,369 --> 00:26:23,569 WHICH -- >> HOW DARE YOU INTERRUPT ME! I DO NOT PLAY! 696 00:26:23,571 --> 00:26:24,770 >> HOW DARE YOU INTERRUPT ME! I DO NOT PLAY! I AM LEGEND! 697 00:26:24,772 --> 00:26:28,574 I DO NOT PLAY! I AM LEGEND! YOU CANNOT BREAK ME! 698 00:26:28,576 --> 00:26:31,610 I AM LEGEND! YOU CANNOT BREAK ME! I HAVE NOT CRIED IN 77 YEARS, 699 00:26:31,612 --> 00:26:33,846 YOU CANNOT BREAK ME! I HAVE NOT CRIED IN 77 YEARS, EXCEPT DURING EPISODES OF THE 700 00:26:33,848 --> 00:26:39,485 I HAVE NOT CRIED IN 77 YEARS, EXCEPT DURING EPISODES OF THE AUSTRALIAN CHILDREN'S SHOW 701 00:26:39,487 --> 00:26:42,955 EXCEPT DURING EPISODES OF THE AUSTRALIAN CHILDREN'S SHOW "BLUEY," BUT IF YOU DON'T CRY AT 702 00:26:42,957 --> 00:26:44,790 AUSTRALIAN CHILDREN'S SHOW "BLUEY," BUT IF YOU DON'T CRY AT "BLUEY" YOU'RE NOT A REAL MAN 703 00:26:44,792 --> 00:26:49,228 "BLUEY," BUT IF YOU DON'T CRY AT "BLUEY" YOU'RE NOT A REAL MAN ♪ IF YOU DON'T CRY AT "BLUEY" 704 00:26:49,230 --> 00:26:50,796 "BLUEY" YOU'RE NOT A REAL MAN ♪ IF YOU DON'T CRY AT "BLUEY" YOU'RE NOT A REAL MAN ♪ 705 00:26:50,798 --> 00:26:51,497 ♪ IF YOU DON'T CRY AT "BLUEY" YOU'RE NOT A REAL MAN ♪ DO YOU HAVE ANYTHING TO ADD, 706 00:26:51,499 --> 00:26:55,768 YOU'RE NOT A REAL MAN ♪ DO YOU HAVE ANYTHING TO ADD, ROBIN? 707 00:26:55,770 --> 00:26:59,305 DO YOU HAVE ANYTHING TO ADD, ROBIN? HE DOESN'T. 708 00:26:59,307 --> 00:27:01,740 ROBIN? HE DOESN'T. >> YOU KNOW, I HAVE SOMETHING TO 709 00:27:01,742 --> 00:27:03,042 HE DOESN'T. >> YOU KNOW, I HAVE SOMETHING TO ADD -- 710 00:27:03,044 --> 00:27:08,447 >> YOU KNOW, I HAVE SOMETHING TO ADD -- >> I WILL USE YOUR RIB CAGE AS A 711 00:27:08,449 --> 00:27:10,115 ADD -- >> I WILL USE YOUR RIB CAGE AS A LOBSTER TRAP! 712 00:27:10,117 --> 00:27:12,217 >> I WILL USE YOUR RIB CAGE AS A LOBSTER TRAP! ♪ DIG YOUR CORPSE, USE YOUR RIB 713 00:27:12,219 --> 00:27:14,953 LOBSTER TRAP! ♪ DIG YOUR CORPSE, USE YOUR RIB CAGE AS A TRAP, DIG UP YOUR 714 00:27:14,955 --> 00:27:17,456 ♪ DIG YOUR CORPSE, USE YOUR RIB CAGE AS A TRAP, DIG UP YOUR CORPSE, USE YOUR RIB CAGE AS A 715 00:27:17,458 --> 00:27:24,697 CAGE AS A TRAP, DIG UP YOUR CORPSE, USE YOUR RIB CAGE AS A TRAP, RIB CAGE AS A, RIB CAGE AS 716 00:27:24,699 --> 00:27:25,898 CORPSE, USE YOUR RIB CAGE AS A TRAP, RIB CAGE AS A, RIB CAGE AS A TRAP ♪ 717 00:27:25,900 --> 00:27:27,533 TRAP, RIB CAGE AS A, RIB CAGE AS A TRAP ♪ THAT'S ALL THE TIME WE HAVE. 718 00:27:27,535 --> 00:27:28,033 A TRAP ♪ THAT'S ALL THE TIME WE HAVE. WE HAVE BEEN -- 719 00:27:28,035 --> 00:27:31,203 THAT'S ALL THE TIME WE HAVE. WE HAVE BEEN -- ♪ TALKIN' IT UP ON THE BARRY 720 00:27:31,205 --> 00:27:34,373 WE HAVE BEEN -- ♪ TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, TALKIN' 'BOUT 721 00:27:34,375 --> 00:27:39,712 ♪ TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, TALKIN' 'BOUT CHEST HAIR, TALKIN' 'BOUT COOL 722 00:27:39,714 --> 00:27:40,179 GIBB TALK SHOW, TALKIN' 'BOUT CHEST HAIR, TALKIN' 'BOUT COOL MEDALLIONS ♪ 723 00:27:40,181 --> 00:27:43,549 CHEST HAIR, TALKIN' 'BOUT COOL MEDALLIONS ♪ ♪ TALKIN' IT UP ON THE BARRY 724 00:27:43,551 --> 00:27:45,884 MEDALLIONS ♪ ♪ TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, TALKIN' 'BOUT 725 00:27:45,886 --> 00:27:50,055 ♪ TALKIN' IT UP ON THE BARRY GIBB TALK SHOW, TALKIN' 'BOUT POLITICS IN THIS CRAZY, CRAZY 726 00:27:50,057 --> 00:27:50,422 GIBB TALK SHOW, TALKIN' 'BOUT POLITICS IN THIS CRAZY, CRAZY TOWN ♪ 727 00:27:50,424 --> 00:27:56,228 POLITICS IN THIS CRAZY, CRAZY TOWN ♪ ♪ OH, YEAH, OH, YEAH, OH, YEAH, 728 00:27:56,230 --> 00:28:04,036 TOWN ♪ ♪ OH, YEAH, OH, YEAH, OH, YEAH, OH, YEAH HI-YA ♪ 729 00:28:04,038 --> 00:28:06,839 ♪ OH, YEAH, OH, YEAH, OH, YEAH, OH, YEAH HI-YA ♪ >>> I THINK MY DOG IS ADDICTED 730 00:28:06,841 --> 00:28:07,439 OH, YEAH HI-YA ♪ >>> I THINK MY DOG IS ADDICTED TO ADDERALL. 731 00:28:07,441 --> 00:28:08,273 >>> I THINK MY DOG IS ADDICTED TO ADDERALL. >> HELLO. 732 00:28:08,275 --> 00:28:10,843 TO ADDERALL. >> HELLO. >> DAKOTA! 733 00:28:10,845 --> 00:28:11,210 >> HELLO. >> DAKOTA! WHAT'S UP? 734 00:28:11,212 --> 00:28:11,677 >> DAKOTA! WHAT'S UP? >> HOW ARE YOU? 735 00:28:11,679 --> 00:28:12,411 WHAT'S UP? >> HOW ARE YOU? >> WE ARE SUCH BIG FANS. 736 00:28:12,413 --> 00:28:13,645 >> HOW ARE YOU? >> WE ARE SUCH BIG FANS. >> ARE YOU KIDDING? 737 00:28:13,647 --> 00:28:15,214 >> WE ARE SUCH BIG FANS. >> ARE YOU KIDDING? I'VE SEEN ALL YOUR VIDEOS. 738 00:28:15,216 --> 00:28:15,914 >> ARE YOU KIDDING? I'VE SEEN ALL YOUR VIDEOS. >> ARE YOU SERIOUS? 739 00:28:15,916 --> 00:28:16,648 I'VE SEEN ALL YOUR VIDEOS. >> ARE YOU SERIOUS? >> YES. 740 00:28:16,650 --> 00:28:22,688 >> ARE YOU SERIOUS? >> YES. THEY'RE REALLY -- NOT FOR ME. 741 00:28:22,690 --> 00:28:23,355 >> YES. THEY'RE REALLY -- NOT FOR ME. >> WHAT? 742 00:28:23,357 --> 00:28:24,957 THEY'RE REALLY -- NOT FOR ME. >> WHAT? >> NOT HOW I EXPECTED YOU TO 743 00:28:24,959 --> 00:28:25,724 >> WHAT? >> NOT HOW I EXPECTED YOU TO COME IN HERE. 744 00:28:25,726 --> 00:28:29,027 >> NOT HOW I EXPECTED YOU TO COME IN HERE. MUST BE THAT DRY SENSE OF HUMOR. 745 00:28:29,029 --> 00:28:30,195 COME IN HERE. MUST BE THAT DRY SENSE OF HUMOR. WE HAD AN IDEA FOR YOU. 746 00:28:30,197 --> 00:28:31,330 MUST BE THAT DRY SENSE OF HUMOR. WE HAD AN IDEA FOR YOU. >> YEAH. 747 00:28:31,332 --> 00:28:33,432 WE HAD AN IDEA FOR YOU. >> YEAH. BASICALLY, ONE OF US WOULD PLAY 748 00:28:33,434 --> 00:28:35,100 >> YEAH. BASICALLY, ONE OF US WOULD PLAY YOUR BOYFRIEND AND -- 749 00:28:35,102 --> 00:28:36,902 BASICALLY, ONE OF US WOULD PLAY YOUR BOYFRIEND AND -- >> SORRY. 750 00:28:36,904 --> 00:28:38,404 YOUR BOYFRIEND AND -- >> SORRY. THAT'S THE FIRST FUNNY THING 751 00:28:38,406 --> 00:28:39,104 >> SORRY. THAT'S THE FIRST FUNNY THING YOU'VE EVER SAID. 752 00:28:39,106 --> 00:28:40,572 THAT'S THE FIRST FUNNY THING YOU'VE EVER SAID. >> THAT WASN'T A JOKE. 753 00:28:40,574 --> 00:28:43,675 YOU'VE EVER SAID. >> THAT WASN'T A JOKE. >> SO IS IT LIKE A MAKE-A-WISH 754 00:28:43,677 --> 00:28:44,109 >> THAT WASN'T A JOKE. >> SO IS IT LIKE A MAKE-A-WISH THING? 755 00:28:44,111 --> 00:28:45,911 >> SO IS IT LIKE A MAKE-A-WISH THING? DOES MY CHARACTER HAVE BRAIN 756 00:28:45,913 --> 00:28:46,245 THING? DOES MY CHARACTER HAVE BRAIN DAMAGE? 757 00:28:46,247 --> 00:28:48,881 DOES MY CHARACTER HAVE BRAIN DAMAGE? >> DID WE DO SOMETHING TO OFFEND 758 00:28:48,883 --> 00:28:49,148 DAMAGE? >> DID WE DO SOMETHING TO OFFEND YOU? 759 00:28:49,150 --> 00:28:49,548 >> DID WE DO SOMETHING TO OFFEND YOU? >> NO. 760 00:28:49,550 --> 00:28:51,683 YOU? >> NO. I'VE ALWAYS WANTED TO MEET THE 761 00:28:51,685 --> 00:28:52,351 >> NO. I'VE ALWAYS WANTED TO MEET THE LONELIER ISLAND. 762 00:28:52,353 --> 00:28:52,918 I'VE ALWAYS WANTED TO MEET THE LONELIER ISLAND. >> ALL RIGHT. 763 00:28:52,920 --> 00:28:53,719 LONELIER ISLAND. >> ALL RIGHT. LET'S DO IT THEN. 764 00:28:53,721 --> 00:28:54,920 >> ALL RIGHT. LET'S DO IT THEN. >> IT'S ON NOW. 765 00:28:54,922 --> 00:28:56,088 LET'S DO IT THEN. >> IT'S ON NOW. >> YEAH, IT'S LIKE THAT. 766 00:28:56,090 --> 00:28:58,290 >> IT'S ON NOW. >> YEAH, IT'S LIKE THAT. >> WELL, HEY, I'VE ALWAYS WANTED 767 00:28:58,292 --> 00:29:00,292 >> YEAH, IT'S LIKE THAT. >> WELL, HEY, I'VE ALWAYS WANTED TO MEET THE STAR OF "MADAME 768 00:29:00,294 --> 00:29:00,592 >> WELL, HEY, I'VE ALWAYS WANTED TO MEET THE STAR OF "MADAME WEB." 769 00:29:00,594 --> 00:29:03,929 TO MEET THE STAR OF "MADAME WEB." CAN YOU INTRODUCE ME TO SYDNEY 770 00:29:03,931 --> 00:29:05,831 WEB." CAN YOU INTRODUCE ME TO SYDNEY SWEENEY? 771 00:29:05,833 --> 00:29:06,799 CAN YOU INTRODUCE ME TO SYDNEY SWEENEY? >> WHAT'S HER SUPERPOWER? 772 00:29:06,801 --> 00:29:08,033 SWEENEY? >> WHAT'S HER SUPERPOWER? WHISPERING IN MONOTONE? 773 00:29:08,035 --> 00:29:12,671 >> WHAT'S HER SUPERPOWER? WHISPERING IN MONOTONE? >> HOW DOES IT FEEL TO BE IN THE 774 00:29:12,673 --> 00:29:14,106 WHISPERING IN MONOTONE? >> HOW DOES IT FEEL TO BE IN THE LEAST VIRAL TAYLOR SWIFT VIDEO 775 00:29:14,108 --> 00:29:14,640 >> HOW DOES IT FEEL TO BE IN THE LEAST VIRAL TAYLOR SWIFT VIDEO SHE'S HAD? 776 00:29:14,642 --> 00:29:16,308 LEAST VIRAL TAYLOR SWIFT VIDEO SHE'S HAD? >> DO YOU STILL HAVE TO 777 00:29:16,310 --> 00:29:18,210 SHE'S HAD? >> DO YOU STILL HAVE TO AUDITION, OR DO THEY GIVE YOU 778 00:29:18,212 --> 00:29:20,546 >> DO YOU STILL HAVE TO AUDITION, OR DO THEY GIVE YOU THE PART AS SOON AS AUBREY PLAZA 779 00:29:20,548 --> 00:29:21,146 AUDITION, OR DO THEY GIVE YOU THE PART AS SOON AS AUBREY PLAZA SAYS NO. 780 00:29:21,148 --> 00:29:23,582 THE PART AS SOON AS AUBREY PLAZA SAYS NO. >> I CAN TELL BY LOOKING AT YOU 781 00:29:23,584 --> 00:29:25,684 SAYS NO. >> I CAN TELL BY LOOKING AT YOU YOU GUYS LOVED HAMILTON. 782 00:29:25,686 --> 00:29:26,685 >> I CAN TELL BY LOOKING AT YOU YOU GUYS LOVED HAMILTON. >> NO, WE DO NOT. 783 00:29:26,687 --> 00:29:29,054 YOU GUYS LOVED HAMILTON. >> NO, WE DO NOT. >> HEY, I LOVE THAT YOU'RE STILL 784 00:29:29,056 --> 00:29:29,922 >> NO, WE DO NOT. >> HEY, I LOVE THAT YOU'RE STILL DOING BANGS. 785 00:29:29,924 --> 00:29:32,591 >> HEY, I LOVE THAT YOU'RE STILL DOING BANGS. VERY OBAMA FIRST TERM. 786 00:29:32,593 --> 00:29:34,860 DOING BANGS. VERY OBAMA FIRST TERM. >> THAT'S ALMOST AS FUNNY AS THE 787 00:29:34,862 --> 00:29:36,862 VERY OBAMA FIRST TERM. >> THAT'S ALMOST AS FUNNY AS THE MOVIE YOU MADE THAT NO ONE SAW. 788 00:29:36,864 --> 00:29:38,597 >> THAT'S ALMOST AS FUNNY AS THE MOVIE YOU MADE THAT NO ONE SAW. >> MORE PEOPLE SAW IT THAN 789 00:29:38,599 --> 00:29:38,997 MOVIE YOU MADE THAT NO ONE SAW. >> MORE PEOPLE SAW IT THAN "DADDIO." 790 00:29:38,999 --> 00:29:40,732 >> MORE PEOPLE SAW IT THAN "DADDIO." >> IS "DADDIO" WHO YOU CALLED TO 791 00:29:40,734 --> 00:29:41,200 "DADDIO." >> IS "DADDIO" WHO YOU CALLED TO GET YOUR JOB. 792 00:29:41,202 --> 00:29:43,902 >> IS "DADDIO" WHO YOU CALLED TO GET YOUR JOB. >> YOU WANT TO DO THE PARENT 793 00:29:43,904 --> 00:29:44,203 GET YOUR JOB. >> YOU WANT TO DO THE PARENT THING? 794 00:29:44,205 --> 00:29:44,970 >> YOU WANT TO DO THE PARENT THING? >> NOT REALLY. 795 00:29:44,972 --> 00:29:46,872 THING? >> NOT REALLY. NEPO TRUCE? 796 00:29:46,874 --> 00:29:47,473 >> NOT REALLY. NEPO TRUCE? >> NEPO TRUCE. 797 00:29:47,475 --> 00:29:48,173 NEPO TRUCE? >> NEPO TRUCE. >> A FOOT IN THE DOOR AND SO 798 00:29:48,175 --> 00:29:51,577 >> NEPO TRUCE. >> A FOOT IN THE DOOR AND SO MUCH MORE. 799 00:29:51,579 --> 00:29:53,712 >> A FOOT IN THE DOOR AND SO MUCH MORE. >> I HATE WITH YOU GUYS DO THAT. 800 00:29:53,714 --> 00:29:55,347 MUCH MORE. >> I HATE WITH YOU GUYS DO THAT. >> I DON'T KNOW WHY WE'RE 801 00:29:55,349 --> 00:29:56,348 >> I HATE WITH YOU GUYS DO THAT. >> I DON'T KNOW WHY WE'RE INSULTING EACH OTHER. 802 00:29:56,350 --> 00:29:59,918 >> I DON'T KNOW WHY WE'RE INSULTING EACH OTHER. I'M GENERALLY A BIG FAN OF 803 00:29:59,920 --> 00:30:00,219 INSULTING EACH OTHER. I'M GENERALLY A BIG FAN OF YOURS. 804 00:30:00,221 --> 00:30:00,953 I'M GENERALLY A BIG FAN OF YOURS. I LOVED BIGGER SPLASH. 805 00:30:00,955 --> 00:30:02,888 YOURS. I LOVED BIGGER SPLASH. IS THAT WHAT YOU HOPED IT WOULD 806 00:30:02,890 --> 00:30:03,989 I LOVED BIGGER SPLASH. IS THAT WHAT YOU HOPED IT WOULD MAKE IN THE BOX OFFICE? 807 00:30:03,991 --> 00:30:04,790 IS THAT WHAT YOU HOPED IT WOULD MAKE IN THE BOX OFFICE? >> LET'S GO! 808 00:30:04,792 --> 00:30:06,525 MAKE IN THE BOX OFFICE? >> LET'S GO! >> WHAT'S IT LIKE LOOKING LIKE 809 00:30:06,527 --> 00:30:09,161 >> LET'S GO! >> WHAT'S IT LIKE LOOKING LIKE THE LAST THREE GUYS A LESBIAN 810 00:30:09,163 --> 00:30:10,329 >> WHAT'S IT LIKE LOOKING LIKE THE LAST THREE GUYS A LESBIAN SLEEPS WITH BEFORE COMING OUT? 811 00:30:10,331 --> 00:30:10,863 THE LAST THREE GUYS A LESBIAN SLEEPS WITH BEFORE COMING OUT? >> NICE. 812 00:30:10,865 --> 00:30:12,431 SLEEPS WITH BEFORE COMING OUT? >> NICE. YOU'RE GOING TO HAVE TO DO A LOT 813 00:30:12,433 --> 00:30:13,565 >> NICE. YOU'RE GOING TO HAVE TO DO A LOT BETTER THAN -- 814 00:30:13,567 --> 00:30:15,934 YOU'RE GOING TO HAVE TO DO A LOT BETTER THAN -- >> THIS IS MY IMPRESSION OF THE 815 00:30:15,936 --> 00:30:17,402 BETTER THAN -- >> THIS IS MY IMPRESSION OF THE ONLY LINE PEOPLE WILL CARE ABOUT 816 00:30:17,404 --> 00:30:17,936 >> THIS IS MY IMPRESSION OF THE ONLY LINE PEOPLE WILL CARE ABOUT THIS SHOW. 817 00:30:17,938 --> 00:30:19,671 ONLY LINE PEOPLE WILL CARE ABOUT THIS SHOW. LADIES AND GENTLEMEN, JUSTIN 818 00:30:19,673 --> 00:30:20,072 THIS SHOW. LADIES AND GENTLEMEN, JUSTIN TIMBERLAKE. 819 00:30:20,074 --> 00:30:22,708 LADIES AND GENTLEMEN, JUSTIN TIMBERLAKE. >> WHAT DID YOU JUST SAY? 820 00:30:22,710 --> 00:30:25,644 TIMBERLAKE. >> WHAT DID YOU JUST SAY? I WAS JUST LOOKING AT YOUR 821 00:30:25,646 --> 00:30:26,545 >> WHAT DID YOU JUST SAY? I WAS JUST LOOKING AT YOUR MOVIE'S 40% ON ROTTEN TOMATOES. 822 00:30:26,547 --> 00:30:28,881 I WAS JUST LOOKING AT YOUR MOVIE'S 40% ON ROTTEN TOMATOES. >> I'M GOING TO CHANGE THE CUE 823 00:30:28,883 --> 00:30:30,582 MOVIE'S 40% ON ROTTEN TOMATOES. >> I'M GOING TO CHANGE THE CUE CARDS SO YOU SAY THE N WORD 824 00:30:30,584 --> 00:30:31,850 >> I'M GOING TO CHANGE THE CUE CARDS SO YOU SAY THE N WORD DURING YOUR MONOLOGUE. 825 00:30:31,852 --> 00:30:33,852 CARDS SO YOU SAY THE N WORD DURING YOUR MONOLOGUE. I'M SO SORRY ABOUT THAT. 826 00:30:33,854 --> 00:30:35,053 DURING YOUR MONOLOGUE. I'M SO SORRY ABOUT THAT. >> I'M SORRY TOO. 827 00:30:35,055 --> 00:30:37,823 I'M SO SORRY ABOUT THAT. >> I'M SORRY TOO. I DON'T KNOW WHY I SAID ANY OF 828 00:30:37,825 --> 00:30:38,123 >> I'M SORRY TOO. I DON'T KNOW WHY I SAID ANY OF THAT. 829 00:30:38,125 --> 00:30:39,825 I DON'T KNOW WHY I SAID ANY OF THAT. I WAS JUST TRYING TO RIB YOU 830 00:30:39,827 --> 00:30:40,125 THAT. I WAS JUST TRYING TO RIB YOU GUYS. 831 00:30:40,127 --> 00:30:41,393 I WAS JUST TRYING TO RIB YOU GUYS. >> THAT MAKES ME FEEL BETTER. 832 00:30:41,395 --> 00:30:42,528 GUYS. >> THAT MAKES ME FEEL BETTER. >> THANK GOD. 833 00:30:42,530 --> 00:30:44,363 >> THAT MAKES ME FEEL BETTER. >> THANK GOD. WE'RE HUGE, HUGE FANS. 834 00:30:44,365 --> 00:30:45,163 >> THANK GOD. WE'RE HUGE, HUGE FANS. >> WE LOVE YOU. 835 00:30:45,165 --> 00:30:46,532 WE'RE HUGE, HUGE FANS. >> WE LOVE YOU. >> SERIOUSLY, I THINK YOU GUYS 836 00:30:46,534 --> 00:30:47,866 >> WE LOVE YOU. >> SERIOUSLY, I THINK YOU GUYS ARE AWESOME. 837 00:30:47,868 --> 00:30:49,001 >> SERIOUSLY, I THINK YOU GUYS ARE AWESOME. I'VE ALWAYS LOVED WORKAHOLICS. 838 00:30:49,003 --> 00:30:56,275 ARE AWESOME. I'VE ALWAYS LOVED WORKAHOLICS. >> I HATE YOU! 839 00:30:56,277 --> 00:31:00,078 I'VE ALWAYS LOVED WORKAHOLICS. >> I HATE YOU! >>> HEY, MAMA. 840 00:31:00,080 --> 00:31:00,846 >> I HATE YOU! >>> HEY, MAMA. ARE YOU LIKE US, A PRETTY LADY 841 00:31:00,848 --> 00:31:02,881 >>> HEY, MAMA. ARE YOU LIKE US, A PRETTY LADY WHO DRIVES A BIG CAR? 842 00:31:02,883 --> 00:31:05,050 ARE YOU LIKE US, A PRETTY LADY WHO DRIVES A BIG CAR? >> ARE YOU BETWEEN 12 AND 70 AND 843 00:31:05,052 --> 00:31:07,419 WHO DRIVES A BIG CAR? >> ARE YOU BETWEEN 12 AND 70 AND GO TO TARGET EVERY DAMN DAY? 844 00:31:07,421 --> 00:31:09,321 >> ARE YOU BETWEEN 12 AND 70 AND GO TO TARGET EVERY DAMN DAY? >> ARE YOU PHYSICALLY OR AT 845 00:31:09,323 --> 00:31:12,991 GO TO TARGET EVERY DAMN DAY? >> ARE YOU PHYSICALLY OR AT LEAST SPIRITUALLY BLOND? 846 00:31:12,993 --> 00:31:15,093 >> ARE YOU PHYSICALLY OR AT LEAST SPIRITUALLY BLOND? >> WELL, WE'RE STILL ROCKING OUR 847 00:31:15,095 --> 00:31:17,696 LEAST SPIRITUALLY BLOND? >> WELL, WE'RE STILL ROCKING OUR BIG DUMB HATS, BUT -- 848 00:31:17,698 --> 00:31:19,531 >> WELL, WE'RE STILL ROCKING OUR BIG DUMB HATS, BUT -- >> I KNOW WHAT YOU'RE THINKING. 849 00:31:19,533 --> 00:31:21,934 BIG DUMB HATS, BUT -- >> I KNOW WHAT YOU'RE THINKING. WASN'T THAT LAST YEAR'S DUMB ASS 850 00:31:21,936 --> 00:31:22,234 >> I KNOW WHAT YOU'RE THINKING. WASN'T THAT LAST YEAR'S DUMB ASS THING? 851 00:31:22,236 --> 00:31:23,569 WASN'T THAT LAST YEAR'S DUMB ASS THING? >> HELL YEAH. 852 00:31:23,571 --> 00:31:26,171 THING? >> HELL YEAH. THAT'S WHY NOW WE'RE ALL ABOUT 853 00:31:26,173 --> 00:31:26,838 >> HELL YEAH. THAT'S WHY NOW WE'RE ALL ABOUT THEM -- 854 00:31:26,840 --> 00:31:28,840 THAT'S WHY NOW WE'RE ALL ABOUT THEM -- >> BIG DUMB CUPS. 855 00:31:28,842 --> 00:31:29,708 THEM -- >> BIG DUMB CUPS. >> IT'S MORE THAN JUST A CUP. 856 00:31:29,710 --> 00:31:32,411 >> BIG DUMB CUPS. >> IT'S MORE THAN JUST A CUP. IT'S A BIG CUP. 857 00:31:32,413 --> 00:31:34,479 >> IT'S MORE THAN JUST A CUP. IT'S A BIG CUP. >> IS THERE A VOID IN YOUR LIFE? 858 00:31:34,481 --> 00:31:37,215 IT'S A BIG CUP. >> IS THERE A VOID IN YOUR LIFE? FILL IT WITH CUP. 859 00:31:37,217 --> 00:31:41,053 >> IS THERE A VOID IN YOUR LIFE? FILL IT WITH CUP. >> BIG DUMB CUPS. 860 00:31:41,055 --> 00:31:42,955 FILL IT WITH CUP. >> BIG DUMB CUPS. >> HAVE WOMEN KILLED FOR THIS 861 00:31:42,957 --> 00:31:43,221 >> BIG DUMB CUPS. >> HAVE WOMEN KILLED FOR THIS CUP? 862 00:31:43,223 --> 00:31:43,555 >> HAVE WOMEN KILLED FOR THIS CUP? ALMOST. 863 00:31:43,557 --> 00:31:45,691 CUP? ALMOST. AND A BUNCH. 864 00:31:45,693 --> 00:31:47,593 ALMOST. AND A BUNCH. >> THIS IS THE CUP THAT SAYS I'M 865 00:31:47,595 --> 00:31:48,594 AND A BUNCH. >> THIS IS THE CUP THAT SAYS I'M A VIRGIN BUT I ALSO HAVE SIX 866 00:31:48,596 --> 00:31:51,597 >> THIS IS THE CUP THAT SAYS I'M A VIRGIN BUT I ALSO HAVE SIX KIDS. 867 00:31:51,599 --> 00:31:54,399 A VIRGIN BUT I ALSO HAVE SIX KIDS. >> IT'S THE CUP THAT SAYS MY 868 00:31:54,401 --> 00:31:57,302 KIDS. >> IT'S THE CUP THAT SAYS MY FAVORITE RAPPER, THAT'S KESHA. 869 00:31:57,304 --> 00:31:59,738 >> IT'S THE CUP THAT SAYS MY FAVORITE RAPPER, THAT'S KESHA. >> AND IT SAYS TO THE WORLD WHEN 870 00:31:59,740 --> 00:32:01,039 FAVORITE RAPPER, THAT'S KESHA. >> AND IT SAYS TO THE WORLD WHEN TRADER JOE'S DROPS A NEW SNACK, 871 00:32:01,041 --> 00:32:03,208 >> AND IT SAYS TO THE WORLD WHEN TRADER JOE'S DROPS A NEW SNACK, I TOUCH MYSELF. 872 00:32:03,210 --> 00:32:05,310 TRADER JOE'S DROPS A NEW SNACK, I TOUCH MYSELF. >> AND IT'S THE CUP THAT SAYS I 873 00:32:05,312 --> 00:32:06,078 I TOUCH MYSELF. >> AND IT'S THE CUP THAT SAYS I START DECORATING FOR CHRISTMAS 874 00:32:06,080 --> 00:32:08,680 >> AND IT'S THE CUP THAT SAYS I START DECORATING FOR CHRISTMAS TOMORROW. 875 00:32:08,682 --> 00:32:13,118 START DECORATING FOR CHRISTMAS TOMORROW. >> BIG DUMB CUP. 876 00:32:13,120 --> 00:32:13,852 TOMORROW. >> BIG DUMB CUP. >> MM. 877 00:32:13,854 --> 00:32:17,089 >> BIG DUMB CUP. >> MM. YOU CAN REALLY TASTE THE 878 00:32:17,091 --> 00:32:17,456 >> MM. YOU CAN REALLY TASTE THE BACTERIA. 879 00:32:17,458 --> 00:32:21,927 YOU CAN REALLY TASTE THE BACTERIA. >> I'M GETTING LEAD. 880 00:32:21,929 --> 00:32:23,795 BACTERIA. >> I'M GETTING LEAD. >> IF YOUR CAR EXPLODES, YOU 881 00:32:23,797 --> 00:32:26,865 >> I'M GETTING LEAD. >> IF YOUR CAR EXPLODES, YOU WON'T SURVIVE, BUT YOUR BIG DUMB 882 00:32:26,867 --> 00:32:27,466 >> IF YOUR CAR EXPLODES, YOU WON'T SURVIVE, BUT YOUR BIG DUMB CUP WILL. 883 00:32:27,468 --> 00:32:28,166 WON'T SURVIVE, BUT YOUR BIG DUMB CUP WILL. >> AND IT DOESN'T LEAK AT ALL. 884 00:32:28,168 --> 00:32:32,604 CUP WILL. >> AND IT DOESN'T LEAK AT ALL. SEE. 885 00:32:32,606 --> 00:32:35,340 >> AND IT DOESN'T LEAK AT ALL. SEE. >> AND IT HOLDS ALMOST AN ENTIRE 886 00:32:35,342 --> 00:32:35,807 SEE. >> AND IT HOLDS ALMOST AN ENTIRE BOTTLE OF JOSH. 887 00:32:35,809 --> 00:32:39,378 >> AND IT HOLDS ALMOST AN ENTIRE BOTTLE OF JOSH. GET IN THERE, JOSH. 888 00:32:39,380 --> 00:32:41,380 BOTTLE OF JOSH. GET IN THERE, JOSH. >> WANT TO HEAR A SECRET? 889 00:32:41,382 --> 00:32:46,685 GET IN THERE, JOSH. >> WANT TO HEAR A SECRET? IF I'M NOT SIPPIN', I'M PEEIN'. 890 00:32:46,687 --> 00:32:50,188 >> WANT TO HEAR A SECRET? IF I'M NOT SIPPIN', I'M PEEIN'. >> WHY DO YOU THINK THEY SPELL 891 00:32:50,190 --> 00:32:52,090 IF I'M NOT SIPPIN', I'M PEEIN'. >> WHY DO YOU THINK THEY SPELL IT C-U-P? 892 00:32:52,092 --> 00:32:52,457 >> WHY DO YOU THINK THEY SPELL IT C-U-P? I'M BAD. 893 00:32:52,459 --> 00:32:55,627 IT C-U-P? I'M BAD. >> GIRL, YOU'RE CRAZY, MAMA. 894 00:32:55,629 --> 00:32:57,162 I'M BAD. >> GIRL, YOU'RE CRAZY, MAMA. NOW, WAIT JUST A MINUTE. 895 00:32:57,164 --> 00:32:58,230 >> GIRL, YOU'RE CRAZY, MAMA. NOW, WAIT JUST A MINUTE. DID YOUR CUP MAYBE GET BIGGER? 896 00:32:58,232 --> 00:33:02,734 NOW, WAIT JUST A MINUTE. DID YOUR CUP MAYBE GET BIGGER? >> MAYBE. 897 00:33:02,736 --> 00:33:04,569 DID YOUR CUP MAYBE GET BIGGER? >> MAYBE. >> I GOT TWO CUPS. 898 00:33:04,571 --> 00:33:05,404 >> MAYBE. >> I GOT TWO CUPS. ONE FOR ME, AND ONE FOR MY 899 00:33:05,406 --> 00:33:08,440 >> I GOT TWO CUPS. ONE FOR ME, AND ONE FOR MY GRANDMA'S ASHES. 900 00:33:08,442 --> 00:33:09,941 ONE FOR ME, AND ONE FOR MY GRANDMA'S ASHES. SHE'S STILL WITH US, BUT NANA, 901 00:33:09,943 --> 00:33:13,645 GRANDMA'S ASHES. SHE'S STILL WITH US, BUT NANA, WHEN YOU KICK, WE GOT THE CUP. 902 00:33:13,647 --> 00:33:16,648 SHE'S STILL WITH US, BUT NANA, WHEN YOU KICK, WE GOT THE CUP. >> I GOT ONE CUP FOR EACH OF MY 903 00:33:16,650 --> 00:33:21,453 WHEN YOU KICK, WE GOT THE CUP. >> I GOT ONE CUP FOR EACH OF MY KIDS, BRIXTON, BRAXTON, 904 00:33:21,455 --> 00:33:22,354 >> I GOT ONE CUP FOR EACH OF MY KIDS, BRIXTON, BRAXTON, BROWNSTONE, AND LIL' STANLEY. 905 00:33:22,356 --> 00:33:23,388 KIDS, BRIXTON, BRAXTON, BROWNSTONE, AND LIL' STANLEY. >> WELL, I GOT THE VERSION 906 00:33:23,390 --> 00:33:27,192 BROWNSTONE, AND LIL' STANLEY. >> WELL, I GOT THE VERSION DESIGNED BY UGG. 907 00:33:27,194 --> 00:33:30,462 >> WELL, I GOT THE VERSION DESIGNED BY UGG. MM, TASTES LIKE FOOT. 908 00:33:30,464 --> 00:33:33,131 DESIGNED BY UGG. MM, TASTES LIKE FOOT. >> EACH CUP WEIGHS UP TO 35 909 00:33:33,133 --> 00:33:33,465 MM, TASTES LIKE FOOT. >> EACH CUP WEIGHS UP TO 35 POUNDS. 910 00:33:33,467 --> 00:33:33,965 >> EACH CUP WEIGHS UP TO 35 POUNDS. DON'T BELIEVE ME? 911 00:33:33,967 --> 00:33:40,806 POUNDS. DON'T BELIEVE ME? GET A CLOSEUP. 912 00:33:40,808 --> 00:33:47,045 DON'T BELIEVE ME? GET A CLOSEUP. YOU LOOK COOL FROM HEAD TO TOE. 913 00:33:47,047 --> 00:33:48,980 GET A CLOSEUP. YOU LOOK COOL FROM HEAD TO TOE. >> BIG DUMB CUP GOES EVERYWHERE 914 00:33:48,982 --> 00:33:51,249 YOU LOOK COOL FROM HEAD TO TOE. >> BIG DUMB CUP GOES EVERYWHERE I GO. 915 00:33:51,251 --> 00:33:54,886 >> BIG DUMB CUP GOES EVERYWHERE I GO. GYM, CHURCH, MY WEDDING. 916 00:33:54,888 --> 00:33:55,921 I GO. GYM, CHURCH, MY WEDDING. >> AND BIG DUMB CUP IS ALSO AN 917 00:33:55,923 --> 00:33:57,389 GYM, CHURCH, MY WEDDING. >> AND BIG DUMB CUP IS ALSO AN AIR FRYER. 918 00:33:57,391 --> 00:34:02,227 >> AND BIG DUMB CUP IS ALSO AN AIR FRYER. YUM. 919 00:34:02,229 --> 00:34:05,831 AIR FRYER. YUM. >> I THINK MY CUP IS PREGNANT. 920 00:34:05,833 --> 00:34:09,334 YUM. >> I THINK MY CUP IS PREGNANT. WITH ANOTHER CUP. 921 00:34:09,336 --> 00:34:09,668 >> I THINK MY CUP IS PREGNANT. WITH ANOTHER CUP. >> AWW. 922 00:34:09,670 --> 00:34:12,404 WITH ANOTHER CUP. >> AWW. SO CUTE! 923 00:34:12,406 --> 00:34:13,438 >> AWW. SO CUTE! >> HEY, GIRLS. 924 00:34:13,440 --> 00:34:15,207 SO CUTE! >> HEY, GIRLS. DID YOU KNOW GUYS LIKE THESE 925 00:34:15,209 --> 00:34:15,974 >> HEY, GIRLS. DID YOU KNOW GUYS LIKE THESE CUPS TOO? 926 00:34:15,976 --> 00:34:18,043 DID YOU KNOW GUYS LIKE THESE CUPS TOO? >> FOR REAL? 927 00:34:18,045 --> 00:34:18,443 CUPS TOO? >> FOR REAL? >> NO WAY. 928 00:34:18,445 --> 00:34:18,977 >> FOR REAL? >> NO WAY. >> YEAH. 929 00:34:18,979 --> 00:34:21,179 >> NO WAY. >> YEAH. I GOT A MANLY RED ONE, AND I 930 00:34:21,181 --> 00:34:22,547 >> YEAH. I GOT A MANLY RED ONE, AND I LOVE HOW IT KEEPS MY COLD BREW 931 00:34:22,549 --> 00:34:22,848 I GOT A MANLY RED ONE, AND I LOVE HOW IT KEEPS MY COLD BREW COLD. 932 00:34:22,850 --> 00:34:28,353 LOVE HOW IT KEEPS MY COLD BREW COLD. >> SHOW US. 933 00:34:28,355 --> 00:34:29,020 COLD. >> SHOW US. >> GROSS! 934 00:34:29,022 --> 00:34:30,222 >> SHOW US. >> GROSS! >> YOU SOUND LIKE A BABY ON A 935 00:34:30,224 --> 00:34:30,489 >> GROSS! >> YOU SOUND LIKE A BABY ON A TIT. 936 00:34:30,491 --> 00:34:33,859 >> YOU SOUND LIKE A BABY ON A TIT. GET OUT OF HERE. 937 00:34:33,861 --> 00:34:38,530 TIT. GET OUT OF HERE. >> THAT WAS A CLOSE ONE. 938 00:34:38,532 --> 00:34:38,864 GET OUT OF HERE. >> THAT WAS A CLOSE ONE. WAIT. 939 00:34:38,866 --> 00:34:40,599 >> THAT WAS A CLOSE ONE. WAIT. MAMA, BE REAL WITH ME. 940 00:34:40,601 --> 00:34:41,800 WAIT. MAMA, BE REAL WITH ME. DID YOUR CUP JUST GET EVEN 941 00:34:41,802 --> 00:34:42,134 MAMA, BE REAL WITH ME. DID YOUR CUP JUST GET EVEN BIGGER? 942 00:34:42,136 --> 00:34:46,705 DID YOUR CUP JUST GET EVEN BIGGER? >> MAYBE. 943 00:34:46,707 --> 00:34:47,806 BIGGER? >> MAYBE. >> BIG DUMB CUPS FROM THE MAKERS 944 00:34:47,808 --> 00:34:53,278 >> MAYBE. >> BIG DUMB CUPS FROM THE MAKERS OF BIG ASS HOUSE. 945 00:35:18,154 --> 00:35:24,326 >>> LADIES AND GENTLEMEN, JUSTIN TIMBERLAKE. [ CHEERS AND APPLAUSE ] 946 00:35:24,328 --> 00:35:26,561 TIMBERLAKE. [ CHEERS AND APPLAUSE ] >> ONE, TWO, THREE, FOUR! 947 00:35:26,563 --> 00:35:27,496 [ CHEERS AND APPLAUSE ] >> ONE, TWO, THREE, FOUR! ♪♪ 948 00:35:27,498 --> 00:35:28,563 >> ONE, TWO, THREE, FOUR! ♪♪ ♪ YOU KNOW I'M AN ANIMAL 949 00:35:28,565 --> 00:35:29,097 ♪♪ ♪ YOU KNOW I'M AN ANIMAL I BELONG IN THE 950 00:35:29,099 --> 00:35:30,699 ♪ YOU KNOW I'M AN ANIMAL I BELONG IN THE WILD WILD WILD ♪ 951 00:35:30,701 --> 00:35:32,300 I BELONG IN THE WILD WILD WILD ♪ ♪ WHEN I GET OUT OF CONTROL 952 00:35:32,302 --> 00:35:33,368 WILD WILD WILD ♪ ♪ WHEN I GET OUT OF CONTROL AIN'T NO BRINGING ME 953 00:35:33,370 --> 00:35:34,436 ♪ WHEN I GET OUT OF CONTROL AIN'T NO BRINGING ME DOWN, DOWN, DOWN ♪ 954 00:35:34,438 --> 00:35:35,504 AIN'T NO BRINGING ME DOWN, DOWN, DOWN ♪ ♪ YEAH 955 00:35:35,506 --> 00:35:37,138 DOWN, DOWN, DOWN ♪ ♪ YEAH YOU KNOW I GO CRAZY 956 00:35:37,140 --> 00:35:38,773 ♪ YEAH YOU KNOW I GO CRAZY I GO OFF THE WALL ♪ 957 00:35:38,775 --> 00:35:39,274 YOU KNOW I GO CRAZY I GO OFF THE WALL ♪ ♪ NO MJ 958 00:35:39,276 --> 00:35:40,342 I GO OFF THE WALL ♪ ♪ NO MJ BUT I'M WALKING ON MOONS 959 00:35:40,344 --> 00:35:42,511 ♪ NO MJ BUT I'M WALKING ON MOONS IT'S AMAZING BABY ♪ 960 00:35:42,513 --> 00:35:44,112 BUT I'M WALKING ON MOONS IT'S AMAZING BABY ♪ ♪ I KNOW YOU'RE A GOOD ONE 961 00:35:44,114 --> 00:35:46,848 IT'S AMAZING BABY ♪ ♪ I KNOW YOU'RE A GOOD ONE CLOSEST THING TO SAINT 962 00:35:46,850 --> 00:35:47,916 ♪ I KNOW YOU'RE A GOOD ONE CLOSEST THING TO SAINT SO I COME ALIVE ALIVE 963 00:35:47,918 --> 00:35:48,450 CLOSEST THING TO SAINT SO I COME ALIVE ALIVE EVERY TIME TIME 964 00:35:48,452 --> 00:35:51,653 SO I COME ALIVE ALIVE EVERY TIME TIME WE INTERCHANGE ♪ 965 00:35:51,655 --> 00:35:52,787 EVERY TIME TIME WE INTERCHANGE ♪ ♪ YEAH DON'T CONDEMN ME 966 00:35:52,789 --> 00:35:53,855 WE INTERCHANGE ♪ ♪ YEAH DON'T CONDEMN ME I GET DOWN ON MY KNEES 967 00:35:53,857 --> 00:35:55,490 ♪ YEAH DON'T CONDEMN ME I GET DOWN ON MY KNEES AND CONFESS TO YOUR TEMPLE ♪ 968 00:35:55,492 --> 00:35:56,191 I GET DOWN ON MY KNEES AND CONFESS TO YOUR TEMPLE ♪ ♪ YOU TAKE ME AND SERVE ME 969 00:35:56,193 --> 00:35:57,092 AND CONFESS TO YOUR TEMPLE ♪ ♪ YOU TAKE ME AND SERVE ME MERCY ♪ 970 00:35:57,094 --> 00:35:58,693 ♪ YOU TAKE ME AND SERVE ME MERCY ♪ ♪ SOMETHING ABOUT 971 00:35:58,695 --> 00:35:59,794 MERCY ♪ ♪ SOMETHING ABOUT HOW WE BREAK ALL OF THE RULES 972 00:35:59,796 --> 00:36:00,328 ♪ SOMETHING ABOUT HOW WE BREAK ALL OF THE RULES MAKE A SINNER FEEL 973 00:36:00,330 --> 00:36:01,396 HOW WE BREAK ALL OF THE RULES MAKE A SINNER FEEL SO BLESSED ♪ 974 00:36:01,398 --> 00:36:02,464 MAKE A SINNER FEEL SO BLESSED ♪ ♪ YOU TAKE ALL OF MY WRONGS 975 00:36:02,466 --> 00:36:04,099 SO BLESSED ♪ ♪ YOU TAKE ALL OF MY WRONGS MOVE RIGHT ALONG 976 00:36:04,101 --> 00:36:05,700 ♪ YOU TAKE ALL OF MY WRONGS MOVE RIGHT ALONG TAKE ME AND FIX MY MESS ♪ 977 00:36:05,702 --> 00:36:06,835 MOVE RIGHT ALONG TAKE ME AND FIX MY MESS ♪ ♪ GET ME UP WHEN I'M LOW 978 00:36:06,837 --> 00:36:07,903 TAKE ME AND FIX MY MESS ♪ ♪ GET ME UP WHEN I'M LOW HAND ON MY SOUL 979 00:36:07,905 --> 00:36:08,970 ♪ GET ME UP WHEN I'M LOW HAND ON MY SOUL LIKE YOU SEE RIGHT INSIDE ♪ 980 00:36:08,972 --> 00:36:10,038 HAND ON MY SOUL LIKE YOU SEE RIGHT INSIDE ♪ ♪ I COME OUT A NEW MAN 981 00:36:10,040 --> 00:36:12,173 LIKE YOU SEE RIGHT INSIDE ♪ ♪ I COME OUT A NEW MAN NO BLOOD ON MY HANDS 982 00:36:12,175 --> 00:36:13,808 ♪ I COME OUT A NEW MAN NO BLOOD ON MY HANDS SANCTIFIED ♪ 983 00:36:13,810 --> 00:36:16,011 NO BLOOD ON MY HANDS SANCTIFIED ♪ ♪ RID ME OF MY SI 984 00:36:16,013 --> 00:36:17,579 SANCTIFIED ♪ ♪ RID ME OF MY SI TAKE AND FORGIVE THEM 985 00:36:17,581 --> 00:36:19,214 ♪ RID ME OF MY SI TAKE AND FORGIVE THEM MAKE ME A NEW MAN 986 00:36:19,216 --> 00:36:24,019 TAKE AND FORGIVE THEM MAKE ME A NEW MAN AND I'M SANCTIFIED ♪ 987 00:36:24,021 --> 00:36:29,558 MAKE ME A NEW MAN AND I'M SANCTIFIED ♪ ♪♪ 988 00:36:29,560 --> 00:36:30,759 AND I'M SANCTIFIED ♪ ♪♪ ♪ YEAH, YEAH, SING ♪ 989 00:36:30,761 --> 00:36:31,660 ♪♪ ♪ YEAH, YEAH, SING ♪ ♪ RID ME OF MY SINS 990 00:36:31,662 --> 00:36:32,727 ♪ YEAH, YEAH, SING ♪ ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM 991 00:36:32,729 --> 00:36:35,463 ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM CAN I GET A WITNESS 992 00:36:35,465 --> 00:36:41,269 TAKE AND FORGIVE THEM CAN I GET A WITNESS SANCTIFIED ♪ 993 00:36:41,271 --> 00:36:43,905 CAN I GET A WITNESS SANCTIFIED ♪ ♪♪ 994 00:36:43,907 --> 00:36:47,275 SANCTIFIED ♪ ♪♪ ♪♪ 995 00:36:47,277 --> 00:36:55,884 ♪♪ ♪♪ SANCTIFIED 996 00:36:55,886 --> 00:36:56,484 ♪♪ SANCTIFIED 997 00:36:56,486 --> 00:36:56,885 SANCTIFIED 998 00:36:56,887 --> 00:36:57,485 YEAHHH ♪ ♪ I GOTTA COME TO YOU 999 00:36:57,487 --> 00:36:57,819 YEAHHH ♪ ♪ I GOTTA COME TO YOU ONLY YOU 1000 00:36:57,821 --> 00:36:58,453 ♪ I GOTTA COME TO YOU ONLY YOU WHEN I WANT TO REPENT ♪ 1001 00:36:58,455 --> 00:36:59,020 ONLY YOU WHEN I WANT TO REPENT ♪ ♪ SURRENDER MY ALL 1002 00:36:59,022 --> 00:36:59,554 WHEN I WANT TO REPENT ♪ ♪ SURRENDER MY ALL RIGHT AT YOUR THRONE 1003 00:36:59,556 --> 00:37:00,789 ♪ SURRENDER MY ALL RIGHT AT YOUR THRONE AND DO IT AGAIN ♪ 1004 00:37:00,791 --> 00:37:03,491 RIGHT AT YOUR THRONE AND DO IT AGAIN ♪ ♪ YEAH YOU CRUCIFY ME 1005 00:37:03,493 --> 00:37:04,559 AND DO IT AGAIN ♪ ♪ YEAH YOU CRUCIFY ME BURN ME UP UNTIL 1006 00:37:04,561 --> 00:37:05,126 ♪ YEAH YOU CRUCIFY ME BURN ME UP UNTIL THERE'S NOTHING LEFT 1007 00:37:05,128 --> 00:37:07,262 BURN ME UP UNTIL THERE'S NOTHING LEFT INSIDE ME ♪ 1008 00:37:07,264 --> 00:37:08,363 THERE'S NOTHING LEFT INSIDE ME ♪ ♪ RIGHT HAND 1009 00:37:08,365 --> 00:37:09,998 INSIDE ME ♪ ♪ RIGHT HAND TO YOUR EVERY WORD 1010 00:37:10,000 --> 00:37:11,600 ♪ RIGHT HAND TO YOUR EVERY WORD MY RELIGION MY LOVE ♪ 1011 00:37:11,602 --> 00:37:12,267 TO YOUR EVERY WORD MY RELIGION MY LOVE ♪ ♪ BAPTIZED IN YOUR OCEAN 1012 00:37:12,269 --> 00:37:13,768 MY RELIGION MY LOVE ♪ ♪ BAPTIZED IN YOUR OCEAN WILLING AND OPEN 1013 00:37:13,770 --> 00:37:15,337 ♪ BAPTIZED IN YOUR OCEAN WILLING AND OPEN NEVER ENOUGH ♪ 1014 00:37:15,339 --> 00:37:16,438 WILLING AND OPEN NEVER ENOUGH ♪ ♪ YEAH 1015 00:37:16,440 --> 00:37:19,140 NEVER ENOUGH ♪ ♪ YEAH YOU NEVER JUDGE ME 1016 00:37:19,142 --> 00:37:20,208 ♪ YEAH YOU NEVER JUDGE ME YOU JUST TAKE YOUR HALO 1017 00:37:20,210 --> 00:37:21,843 YOU NEVER JUDGE ME YOU JUST TAKE YOUR HALO PUT IT RIGHT ABOVE ME ♪ 1018 00:37:21,845 --> 00:37:22,944 YOU JUST TAKE YOUR HALO PUT IT RIGHT ABOVE ME ♪ ♪ AND THERE'S 1019 00:37:22,946 --> 00:37:23,445 PUT IT RIGHT ABOVE ME ♪ ♪ AND THERE'S SOMETHING ABOUT 1020 00:37:23,447 --> 00:37:24,045 ♪ AND THERE'S SOMETHING ABOUT ABOUT HOW WE BREAK 1021 00:37:24,047 --> 00:37:24,613 SOMETHING ABOUT ABOUT HOW WE BREAK ALL OF THE RULES ♪ 1022 00:37:24,615 --> 00:37:25,213 ABOUT HOW WE BREAK ALL OF THE RULES ♪ ♪ MAKE A SINNER FEEL 1023 00:37:25,215 --> 00:37:26,681 ALL OF THE RULES ♪ ♪ MAKE A SINNER FEEL SO BLESSED ♪ 1024 00:37:26,683 --> 00:37:27,382 ♪ MAKE A SINNER FEEL SO BLESSED ♪ ♪ YOU TAKE ALL OF MY WRONGS 1025 00:37:27,384 --> 00:37:28,850 SO BLESSED ♪ ♪ YOU TAKE ALL OF MY WRONGS MOVE RIGHT ALONG 1026 00:37:28,852 --> 00:37:30,485 ♪ YOU TAKE ALL OF MY WRONGS MOVE RIGHT ALONG TAKE ME AND FIX MY MESS ♪ 1027 00:37:30,487 --> 00:37:31,553 MOVE RIGHT ALONG TAKE ME AND FIX MY MESS ♪ ♪ GET ME UP WHEN I'M LOW 1028 00:37:31,555 --> 00:37:32,654 TAKE ME AND FIX MY MESS ♪ ♪ GET ME UP WHEN I'M LOW HAND ON MY SOUL 1029 00:37:32,656 --> 00:37:34,289 ♪ GET ME UP WHEN I'M LOW HAND ON MY SOUL LIKE YOU SEE RIGHT INSIDE ♪ 1030 00:37:34,291 --> 00:37:35,390 HAND ON MY SOUL LIKE YOU SEE RIGHT INSIDE ♪ ♪ I COME OUT A NEW MAN 1031 00:37:35,392 --> 00:37:39,160 LIKE YOU SEE RIGHT INSIDE ♪ ♪ I COME OUT A NEW MAN NO BLOOD ON MY HANDS 1032 00:37:39,162 --> 00:37:39,661 ♪ I COME OUT A NEW MAN NO BLOOD ON MY HANDS SANCTIFIED ♪ 1033 00:37:39,663 --> 00:37:40,795 NO BLOOD ON MY HANDS SANCTIFIED ♪ ♪ RID ME OF MY SINS 1034 00:37:40,797 --> 00:37:42,330 SANCTIFIED ♪ ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM 1035 00:37:42,332 --> 00:37:44,499 ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM CAN I GET A WITNESS 1036 00:37:44,501 --> 00:37:48,837 TAKE AND FORGIVE THEM CAN I GET A WITNESS SANCTIFIED ♪ 1037 00:37:48,839 --> 00:37:49,170 CAN I GET A WITNESS SANCTIFIED ♪ ♪♪ 1038 00:37:49,172 --> 00:37:53,408 SANCTIFIED ♪ ♪♪ ♪♪ 1039 00:37:53,410 --> 00:37:53,942 ♪♪ ♪♪ ♪ OOOOH 1040 00:37:53,944 --> 00:37:58,813 ♪♪ ♪ OOOOH SANCTIFIED 1041 00:37:58,815 --> 00:38:02,584 ♪ OOOOH SANCTIFIED YEAH ♪ 1042 00:38:02,586 --> 00:38:03,251 SANCTIFIED YEAH ♪ ♪ I GET DOWN ON MY KNEES 1043 00:38:03,253 --> 00:38:03,652 YEAH ♪ ♪ I GET DOWN ON MY KNEES EVERY NIGHT 1044 00:38:03,654 --> 00:38:05,253 ♪ I GET DOWN ON MY KNEES EVERY NIGHT AND I PRAY FOR YOU ♪ 1045 00:38:05,255 --> 00:38:05,787 EVERY NIGHT AND I PRAY FOR YOU ♪ ♪ DON'T YOU SEE 1046 00:38:05,789 --> 00:38:06,888 AND I PRAY FOR YOU ♪ ♪ DON'T YOU SEE YOU'RE MY SAVIOR 1047 00:38:06,890 --> 00:38:09,024 ♪ DON'T YOU SEE YOU'RE MY SAVIOR I'M MADE FOR YOU ♪ 1048 00:38:09,026 --> 00:38:09,691 YOU'RE MY SAVIOR I'M MADE FOR YOU ♪ ♪ I GET DOWN ON MY KNEES 1049 00:38:09,693 --> 00:38:10,625 I'M MADE FOR YOU ♪ ♪ I GET DOWN ON MY KNEES EVERY NIGHT 1050 00:38:10,627 --> 00:38:15,630 ♪ I GET DOWN ON MY KNEES EVERY NIGHT AND I PRAY FOR YOU ♪ 1051 00:38:15,632 --> 00:38:16,398 EVERY NIGHT AND I PRAY FOR YOU ♪ LADIES AND GENTLEMEN, MAKE SOME 1052 00:38:16,400 --> 00:38:18,633 AND I PRAY FOR YOU ♪ LADIES AND GENTLEMEN, MAKE SOME NOISE! 1053 00:38:18,635 --> 00:38:19,134 LADIES AND GENTLEMEN, MAKE SOME NOISE! ♪ DON'T YOU SEE 1054 00:38:19,136 --> 00:38:19,668 NOISE! ♪ DON'T YOU SEE YOU'RE MY SAVIOR 1055 00:38:19,670 --> 00:38:20,235 ♪ DON'T YOU SEE YOU'RE MY SAVIOR SWEAR IT'S ONLY RIGHT 1056 00:38:20,237 --> 00:38:20,735 YOU'RE MY SAVIOR SWEAR IT'S ONLY RIGHT THAT I -- ♪ 1057 00:38:20,737 --> 00:38:21,269 SWEAR IT'S ONLY RIGHT THAT I -- ♪ ♪ HOLD THE TOAST 1058 00:38:21,271 --> 00:38:21,836 THAT I -- ♪ ♪ HOLD THE TOAST JUST FOR MY PROTECTION 1059 00:38:21,838 --> 00:38:22,370 ♪ HOLD THE TOAST JUST FOR MY PROTECTION NEED THE HOLY GHOST 1060 00:38:22,372 --> 00:38:23,004 JUST FOR MY PROTECTION NEED THE HOLY GHOST 'TIL THE RESURRECTION ♪ 1061 00:38:23,006 --> 00:38:23,705 NEED THE HOLY GHOST 'TIL THE RESURRECTION ♪ ♪ BUT I STILL MIGHT BECKON 1062 00:38:23,707 --> 00:38:24,239 'TIL THE RESURRECTION ♪ ♪ BUT I STILL MIGHT BECKON ANGELS MY COMPLEXION 1063 00:38:24,241 --> 00:38:24,739 ♪ BUT I STILL MIGHT BECKON ANGELS MY COMPLEXION TO SWOOP DOWN ♪ 1064 00:38:24,741 --> 00:38:25,306 ANGELS MY COMPLEXION TO SWOOP DOWN ♪ ♪ YO DIRECTION AND 1065 00:38:25,308 --> 00:38:26,107 TO SWOOP DOWN ♪ ♪ YO DIRECTION AND MAKE YO CONNECTION TO ME 1066 00:38:26,109 --> 00:38:26,775 ♪ YO DIRECTION AND MAKE YO CONNECTION TO ME YUH JUST A BIT STRONGER ♪ 1067 00:38:26,777 --> 00:38:28,276 MAKE YO CONNECTION TO ME YUH JUST A BIT STRONGER ♪ ♪ I KNOW IT'S WRONG TO 1068 00:38:28,278 --> 00:38:29,344 YUH JUST A BIT STRONGER ♪ ♪ I KNOW IT'S WRONG TO SIT BACK AND CONJURE 1069 00:38:29,346 --> 00:38:29,911 ♪ I KNOW IT'S WRONG TO SIT BACK AND CONJURE A MILLION WAYS FOR YOU 1070 00:38:29,913 --> 00:38:30,979 SIT BACK AND CONJURE A MILLION WAYS FOR YOU TO HEAL THE MONSTER ♪ 1071 00:38:30,981 --> 00:38:31,646 A MILLION WAYS FOR YOU TO HEAL THE MONSTER ♪ ♪ THAT HAS BEEN POSTURED 1072 00:38:31,648 --> 00:38:33,648 TO HEAL THE MONSTER ♪ ♪ THAT HAS BEEN POSTURED INSIDE MY LOINS 1073 00:38:33,650 --> 00:38:34,749 ♪ THAT HAS BEEN POSTURED INSIDE MY LOINS YUH BOING ♪ 1074 00:38:34,751 --> 00:38:35,817 INSIDE MY LOINS YUH BOING ♪ ♪ THAT'S WHAT IT DO 1075 00:38:35,819 --> 00:38:36,351 YUH BOING ♪ ♪ THAT'S WHAT IT DO WHEN I SEE YOU 1076 00:38:36,353 --> 00:38:37,419 ♪ THAT'S WHAT IT DO WHEN I SEE YOU I KNOW YOU SEE THROUGH ME 1077 00:38:37,421 --> 00:38:38,486 WHEN I SEE YOU I KNOW YOU SEE THROUGH ME AND I AIN'T SEE THROUGH♪ 1078 00:38:38,488 --> 00:38:39,587 I KNOW YOU SEE THROUGH ME AND I AIN'T SEE THROUGH♪ ♪ BUT YOU NEVER TREAT ME 1079 00:38:39,589 --> 00:38:41,189 AND I AIN'T SEE THROUGH♪ ♪ BUT YOU NEVER TREAT ME LIKE I AM FECAL MATTER ♪ 1080 00:38:41,191 --> 00:38:42,290 ♪ BUT YOU NEVER TREAT ME LIKE I AM FECAL MATTER ♪ ♪ WOW HAD TA SMILE 1081 00:38:42,292 --> 00:38:43,391 LIKE I AM FECAL MATTER ♪ ♪ WOW HAD TA SMILE I KNOW I AIN'T SPOKE 1082 00:38:43,393 --> 00:38:46,061 ♪ WOW HAD TA SMILE I KNOW I AIN'T SPOKE TO YOU LIKE THIS AWHILE ♪ 1083 00:38:46,063 --> 00:38:46,628 I KNOW I AIN'T SPOKE TO YOU LIKE THIS AWHILE ♪ ♪ I KNOW U CRIED ME 1084 00:38:46,630 --> 00:38:47,262 TO YOU LIKE THIS AWHILE ♪ ♪ I KNOW U CRIED ME A RIVER LIKE THE NILE ♪ 1085 00:38:47,264 --> 00:38:47,929 ♪ I KNOW U CRIED ME A RIVER LIKE THE NILE ♪ ♪ BUT HELL I GOT BAPTIZED 1086 00:38:47,931 --> 00:38:48,763 A RIVER LIKE THE NILE ♪ ♪ BUT HELL I GOT BAPTIZED IN IT AND CAME OUT 1087 00:38:48,765 --> 00:38:49,364 ♪ BUT HELL I GOT BAPTIZED IN IT AND CAME OUT SO SO SO SO MUCH BETTER 1088 00:38:49,366 --> 00:38:50,065 IN IT AND CAME OUT SO SO SO SO MUCH BETTER ♪ KNOW THAT I COULD NEVER 1089 00:38:50,067 --> 00:38:51,466 SO SO SO SO MUCH BETTER ♪ KNOW THAT I COULD NEVER TRY TA MEASURE 1090 00:38:51,468 --> 00:38:52,133 ♪ KNOW THAT I COULD NEVER TRY TA MEASURE THE WEIGHT OF YA GLORY ♪ 1091 00:38:52,135 --> 00:38:52,567 TRY TA MEASURE THE WEIGHT OF YA GLORY ♪ OOOHH ♪ 1092 00:38:52,569 --> 00:38:53,635 THE WEIGHT OF YA GLORY ♪ OOOHH ♪ ♪ BUT SOMETIMES WITH YOU 1093 00:38:53,637 --> 00:38:54,736 OOOHH ♪ ♪ BUT SOMETIMES WITH YOU IT'S LIKE MY HEADS IN THE POOL 1094 00:38:54,738 --> 00:38:55,804 ♪ BUT SOMETIMES WITH YOU IT'S LIKE MY HEADS IN THE POOL AND MY EYELIDS HAVE OPENED ♪ 1095 00:38:55,806 --> 00:38:56,838 IT'S LIKE MY HEADS IN THE POOL AND MY EYELIDS HAVE OPENED ♪ ♪ CHLORINE AHH 1096 00:38:56,840 --> 00:38:57,906 AND MY EYELIDS HAVE OPENED ♪ ♪ CHLORINE AHH THAT HO CAN BURN ♪ 1097 00:38:57,908 --> 00:38:59,040 ♪ CHLORINE AHH THAT HO CAN BURN ♪ ♪ BUT IN RETURN 1098 00:38:59,042 --> 00:39:00,108 THAT HO CAN BURN ♪ ♪ BUT IN RETURN ALL I DISCERN IS 1099 00:39:00,110 --> 00:39:00,675 ♪ BUT IN RETURN ALL I DISCERN IS TO MOVE DIFFERENT ♪ 1100 00:39:00,677 --> 00:39:01,676 ALL I DISCERN IS TO MOVE DIFFERENT ♪ ♪ ONE HAS TO UNLEARN 1101 00:39:01,678 --> 00:39:02,243 TO MOVE DIFFERENT ♪ ♪ ONE HAS TO UNLEARN AND JUST BE 1102 00:39:02,245 --> 00:39:03,845 ♪ ONE HAS TO UNLEARN AND JUST BE SANCTIFIED ♪ 1103 00:39:03,847 --> 00:39:05,980 AND JUST BE SANCTIFIED ♪ ♪ RID ME OF MY SINS 1104 00:39:05,982 --> 00:39:08,116 SANCTIFIED ♪ ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM 1105 00:39:08,118 --> 00:39:09,184 ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM MAKE ME A NEW MAN 1106 00:39:09,186 --> 00:39:11,953 TAKE AND FORGIVE THEM MAKE ME A NEW MAN NOW I'M SANCTIFIED ♪ 1107 00:39:11,955 --> 00:39:14,089 MAKE ME A NEW MAN NOW I'M SANCTIFIED ♪ ♪ RID ME OF MY SINS 1108 00:39:14,091 --> 00:39:15,156 NOW I'M SANCTIFIED ♪ ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM 1109 00:39:15,158 --> 00:39:19,527 ♪ RID ME OF MY SINS TAKE AND FORGIVE THEM CAN I GET A WITNESS 1110 00:39:19,529 --> 00:39:23,665 TAKE AND FORGIVE THEM CAN I GET A WITNESS SANCTIFIED ♪ 1111 00:39:23,667 --> 00:39:23,998 CAN I GET A WITNESS SANCTIFIED ♪ ♪♪ 1112 00:39:24,000 --> 00:39:28,670 SANCTIFIED ♪ ♪♪ ♪♪ 1113 00:39:28,672 --> 00:39:32,407 ♪♪ ♪♪ SANCTIFIED 1114 00:39:32,409 --> 00:39:41,349 ♪♪ SANCTIFIED YEAH ♪ 1115 00:39:41,351 --> 00:39:41,683 SANCTIFIED YEAH ♪ ♪♪ 1116 00:39:41,685 --> 00:39:43,118 YEAH ♪ ♪♪ ♪♪ 1117 00:39:43,120 --> 00:39:43,651 ♪♪ ♪♪ ♪ OOOOOOOOH 1118 00:39:43,653 --> 00:39:47,956 ♪♪ ♪ OOOOOOOOH SANCTIFIED 1119 00:39:47,958 --> 00:39:53,328 ♪ OOOOOOOOH SANCTIFIED YEAHHHHH ♪ 1120 00:39:53,330 --> 00:40:03,138 SANCTIFIED YEAHHHHH ♪ [ CHEERS AND APPLAUSE ] 1121 00:40:24,426 --> 00:40:27,362 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 1122 00:40:27,364 --> 00:40:33,968 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 1123 00:40:33,970 --> 00:40:35,403 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, EVERYONE. 1124 00:40:35,405 --> 00:40:36,504 [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 1125 00:40:36,506 --> 00:40:37,005 >>> GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 1126 00:40:37,007 --> 00:40:37,505 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 1127 00:40:37,507 --> 00:40:42,343 I'M MICHAEL CHE. >> I'M COLIN JOST. [ CHEERS AND APPLAUSE ] 1128 00:40:42,345 --> 00:40:45,213 >> I'M COLIN JOST. [ CHEERS AND APPLAUSE ] THE JURY IN HIS DEFAMATION KASZ 1129 00:40:45,215 --> 00:40:48,416 [ CHEERS AND APPLAUSE ] THE JURY IN HIS DEFAMATION KASZ HAS ORDER DUMP TO PAY WRITER E. 1130 00:40:48,418 --> 00:40:51,119 THE JURY IN HIS DEFAMATION KASZ HAS ORDER DUMP TO PAY WRITER E. JEAN CAROL $83.3 MILLION, AND 1131 00:40:51,121 --> 00:40:53,521 HAS ORDER DUMP TO PAY WRITER E. JEAN CAROL $83.3 MILLION, AND TRUMP IS A BILLIONAIRE, SO 1132 00:40:53,523 --> 00:40:55,590 JEAN CAROL $83.3 MILLION, AND TRUMP IS A BILLIONAIRE, SO OBVIOUSLY HE IMMEDIATELY HIT UP 1133 00:40:55,592 --> 00:40:59,060 TRUMP IS A BILLIONAIRE, SO OBVIOUSLY HE IMMEDIATELY HIT UP YOUR GRANDMA FOR FIVE BUCKS. 1134 00:40:59,062 --> 00:41:01,663 OBVIOUSLY HE IMMEDIATELY HIT UP YOUR GRANDMA FOR FIVE BUCKS. THEY ORDERED TRUMP TO PAY 1135 00:41:01,665 --> 00:41:02,096 YOUR GRANDMA FOR FIVE BUCKS. THEY ORDERED TRUMP TO PAY $83 MILLION. 1136 00:41:02,098 --> 00:41:04,833 THEY ORDERED TRUMP TO PAY $83 MILLION. THAT'S HOW UNLIKABLE HE IS. 1137 00:41:04,835 --> 00:41:05,967 $83 MILLION. THAT'S HOW UNLIKABLE HE IS. O.J. SIMPSON ONLY HAD TO PAY 33 1138 00:41:05,969 --> 00:41:08,369 THAT'S HOW UNLIKABLE HE IS. O.J. SIMPSON ONLY HAD TO PAY 33 MILLION FOR A DOUBLE MURDER. 1139 00:41:08,371 --> 00:41:10,038 O.J. SIMPSON ONLY HAD TO PAY 33 MILLION FOR A DOUBLE MURDER. >> HE DIDN'T EVEN DO IT. 1140 00:41:10,040 --> 00:41:10,371 MILLION FOR A DOUBLE MURDER. >> HE DIDN'T EVEN DO IT. >> OKAY. 1141 00:41:10,373 --> 00:41:12,373 >> HE DIDN'T EVEN DO IT. >> OKAY. WELL. 1142 00:41:12,375 --> 00:41:16,644 >> OKAY. WELL. [ LAUGHTER ] 1143 00:41:16,646 --> 00:41:17,912 WELL. [ LAUGHTER ] THIS TRIAL MUST HAVE DRIVEN 1144 00:41:17,914 --> 00:41:19,013 [ LAUGHTER ] THIS TRIAL MUST HAVE DRIVEN TRUMP CRAZY. 1145 00:41:19,015 --> 00:41:20,448 THIS TRIAL MUST HAVE DRIVEN TRUMP CRAZY. THE JUDGE KEPT TELLING HIM TO 1146 00:41:20,450 --> 00:41:21,416 TRUMP CRAZY. THE JUDGE KEPT TELLING HIM TO SHUT UP. 1147 00:41:21,418 --> 00:41:23,084 THE JUDGE KEPT TELLING HIM TO SHUT UP. THE JURY MADE HIM PAY TRIPLE 1148 00:41:23,086 --> 00:41:24,686 SHUT UP. THE JURY MADE HIM PAY TRIPLE WHAT THE JURY ASKED FOR. 1149 00:41:24,688 --> 00:41:26,788 THE JURY MADE HIM PAY TRIPLE WHAT THE JURY ASKED FOR. EVEN THE COURTROOM SKETCH ARTIST 1150 00:41:26,790 --> 00:41:28,690 WHAT THE JURY ASKED FOR. EVEN THE COURTROOM SKETCH ARTIST MADE HIM LOOK -- MADE HIM LOOK 1151 00:41:28,692 --> 00:41:30,091 EVEN THE COURTROOM SKETCH ARTIST MADE HIM LOOK -- MADE HIM LOOK LIKE THAT LADY WHO GOT HER FACE 1152 00:41:30,093 --> 00:41:32,794 MADE HIM LOOK -- MADE HIM LOOK LIKE THAT LADY WHO GOT HER FACE RIPPED OFF BY A MONKEY. 1153 00:41:32,796 --> 00:41:34,362 LIKE THAT LADY WHO GOT HER FACE RIPPED OFF BY A MONKEY. THE ONLY WAY THIS COULD'VE GONE 1154 00:41:34,364 --> 00:41:36,364 RIPPED OFF BY A MONKEY. THE ONLY WAY THIS COULD'VE GONE WORSE FOR TRUMP IS IF THEY TOOK 1155 00:41:36,366 --> 00:41:38,967 THE ONLY WAY THIS COULD'VE GONE WORSE FOR TRUMP IS IF THEY TOOK AWAY HIS BUSINESSES, WHICH IS OF 1156 00:41:38,969 --> 00:41:41,102 WORSE FOR TRUMP IS IF THEY TOOK AWAY HIS BUSINESSES, WHICH IS OF COURSE WHAT HAPPENS IN NEXT 1157 00:41:41,104 --> 00:41:41,669 AWAY HIS BUSINESSES, WHICH IS OF COURSE WHAT HAPPENS IN NEXT WEEK'S TRIAL. 1158 00:41:41,671 --> 00:41:45,373 COURSE WHAT HAPPENS IN NEXT WEEK'S TRIAL. >> AFTER RON DeSANTIS ENDORSED 1159 00:41:45,375 --> 00:41:48,676 WEEK'S TRIAL. >> AFTER RON DeSANTIS ENDORSED TRUMP, HE CALLED DeSANTIS A 1160 00:41:48,678 --> 00:41:50,078 >> AFTER RON DeSANTIS ENDORSED TRUMP, HE CALLED DeSANTIS A REALLY TERRIFIC PERSON. 1161 00:41:50,080 --> 00:41:52,780 TRUMP, HE CALLED DeSANTIS A REALLY TERRIFIC PERSON. WELL, IT'S LIKE A WISE MAN ONCE 1162 00:41:52,782 --> 00:41:53,081 REALLY TERRIFIC PERSON. WELL, IT'S LIKE A WISE MAN ONCE SAID. 1163 00:41:53,083 --> 00:41:56,451 WELL, IT'S LIKE A WISE MAN ONCE SAID. >> YOU CAN BE THE MOST WORTHLESS 1164 00:41:56,453 --> 00:41:58,253 SAID. >> YOU CAN BE THE MOST WORTHLESS REPUBLICAN IN AMERICA, BUT IF 1165 00:41:58,255 --> 00:41:59,954 >> YOU CAN BE THE MOST WORTHLESS REPUBLICAN IN AMERICA, BUT IF YOU KISS THE RING, HE'LL SAY 1166 00:41:59,956 --> 00:42:00,788 REPUBLICAN IN AMERICA, BUT IF YOU KISS THE RING, HE'LL SAY YOU'RE WONDERFUL. 1167 00:42:00,790 --> 00:42:03,291 YOU KISS THE RING, HE'LL SAY YOU'RE WONDERFUL. >> WELL. 1168 00:42:03,293 --> 00:42:05,360 YOU'RE WONDERFUL. >> WELL. AFTER THE NEW HAMPSHIRE PRIMARY, 1169 00:42:05,362 --> 00:42:06,294 >> WELL. AFTER THE NEW HAMPSHIRE PRIMARY, NIKKI HALEY ATTACKED DONALD 1170 00:42:06,296 --> 00:42:08,897 AFTER THE NEW HAMPSHIRE PRIMARY, NIKKI HALEY ATTACKED DONALD TRUMP AND CALLED OUT HIS, QUOTE, 1171 00:42:08,899 --> 00:42:10,598 NIKKI HALEY ATTACKED DONALD TRUMP AND CALLED OUT HIS, QUOTE, SENIOR MOMENTS, WHICH MADE TRUMP 1172 00:42:10,600 --> 00:42:12,500 TRUMP AND CALLED OUT HIS, QUOTE, SENIOR MOMENTS, WHICH MADE TRUMP SO ANGRY, HE ALMOST RIPPED OFF 1173 00:42:12,502 --> 00:42:14,102 SENIOR MOMENTS, WHICH MADE TRUMP SO ANGRY, HE ALMOST RIPPED OFF THE SAFETY RAILS ON HIS TOILET. 1174 00:42:14,104 --> 00:42:17,438 SO ANGRY, HE ALMOST RIPPED OFF THE SAFETY RAILS ON HIS TOILET. [ LAUGHTER ] 1175 00:42:17,440 --> 00:42:19,407 THE SAFETY RAILS ON HIS TOILET. [ LAUGHTER ] >> HAILEY ALSO CALLED TRUMP 1176 00:42:19,409 --> 00:42:20,808 [ LAUGHTER ] >> HAILEY ALSO CALLED TRUMP TOTALLY UNHINGED AND CALLED FOR 1177 00:42:20,810 --> 00:42:23,645 >> HAILEY ALSO CALLED TRUMP TOTALLY UNHINGED AND CALLED FOR HIM TO TAKE A MENTAL COMPETENCY 1178 00:42:23,647 --> 00:42:25,880 TOTALLY UNHINGED AND CALLED FOR HIM TO TAKE A MENTAL COMPETENCY TEST, AND HERE'S SOME FOOTAGE OF 1179 00:42:25,882 --> 00:42:28,283 HIM TO TAKE A MENTAL COMPETENCY TEST, AND HERE'S SOME FOOTAGE OF TRUMP TRYING TO BUZZ IN WITH HIS 1180 00:42:28,285 --> 00:42:28,650 TEST, AND HERE'S SOME FOOTAGE OF TRUMP TRYING TO BUZZ IN WITH HIS ANSWERS. 1181 00:42:28,652 --> 00:42:32,954 TRUMP TRYING TO BUZZ IN WITH HIS ANSWERS. >> DING, DING, DING, SHING, POO. 1182 00:42:32,956 --> 00:42:34,956 ANSWERS. >> DING, DING, DING, SHING, POO. >> SEE. 1183 00:42:34,958 --> 00:42:35,523 >> DING, DING, DING, SHING, POO. >> SEE. HE'S FINE. 1184 00:42:35,525 --> 00:42:36,891 >> SEE. HE'S FINE. HASN'T LOST A STEP. 1185 00:42:36,893 --> 00:42:38,993 HE'S FINE. HASN'T LOST A STEP. TRUMP DID HAVE A SLIGHT STUMBLE 1186 00:42:38,995 --> 00:42:40,428 HASN'T LOST A STEP. TRUMP DID HAVE A SLIGHT STUMBLE THIS WEEK WHILE TALKING ABOUT 1187 00:42:40,430 --> 00:42:43,564 TRUMP DID HAVE A SLIGHT STUMBLE THIS WEEK WHILE TALKING ABOUT BANKS, AND HE INTRODUCED A NEW 1188 00:42:43,566 --> 00:42:46,467 THIS WEEK WHILE TALKING ABOUT BANKS, AND HE INTRODUCED A NEW TERM CALLED DEBANK. 1189 00:42:46,469 --> 00:42:49,170 BANKS, AND HE INTRODUCED A NEW TERM CALLED DEBANK. >> WE'RE GOING TO PAY STRONG 1190 00:42:49,172 --> 00:42:50,772 TERM CALLED DEBANK. >> WE'RE GOING TO PAY STRONG PROTECTIONS TO STOP BANKS AND 1191 00:42:50,774 --> 00:42:52,607 >> WE'RE GOING TO PAY STRONG PROTECTIONS TO STOP BANKS AND REGULATORS FROM TRYING TO DEBANK 1192 00:42:52,609 --> 00:42:52,907 PROTECTIONS TO STOP BANKS AND REGULATORS FROM TRYING TO DEBANK YOU. 1193 00:42:52,909 --> 00:42:54,676 REGULATORS FROM TRYING TO DEBANK YOU. THEY'RE GOING TO DEBANK YOU, AND 1194 00:42:54,678 --> 00:42:56,377 YOU. THEY'RE GOING TO DEBANK YOU, AND WE'RE GOING TO DEBANK -- 1195 00:42:56,379 --> 00:42:57,745 THEY'RE GOING TO DEBANK YOU, AND WE'RE GOING TO DEBANK -- >> I DON'T KNOW WHAT THE HELL 1196 00:42:57,747 --> 00:42:59,981 WE'RE GOING TO DEBANK -- >> I DON'T KNOW WHAT THE HELL DEBANK MEANS, BUT HE MIGHT HAVE 1197 00:42:59,983 --> 00:43:04,852 >> I DON'T KNOW WHAT THE HELL DEBANK MEANS, BUT HE MIGHT HAVE TO TAKE D AMBULANCE TO SEE D 1198 00:43:04,854 --> 00:43:05,520 DEBANK MEANS, BUT HE MIGHT HAVE TO TAKE D AMBULANCE TO SEE D DOCTOR. 1199 00:43:05,522 --> 00:43:07,221 TO TAKE D AMBULANCE TO SEE D DOCTOR. >> PRESIDENT BIDEN IS PLANNING 1200 00:43:07,223 --> 00:43:09,724 DOCTOR. >> PRESIDENT BIDEN IS PLANNING TO SEND THE DIRECTOR OF THE CIA 1201 00:43:09,726 --> 00:43:13,328 >> PRESIDENT BIDEN IS PLANNING TO SEND THE DIRECTOR OF THE CIA TO BROKER A DEAL BETWEEN ISRAEL 1202 00:43:13,330 --> 00:43:15,063 TO SEND THE DIRECTOR OF THE CIA TO BROKER A DEAL BETWEEN ISRAEL AND HAMAS BECAUSE NO ONE EASES 1203 00:43:15,065 --> 00:43:16,698 TO BROKER A DEAL BETWEEN ISRAEL AND HAMAS BECAUSE NO ONE EASES TENSIONS IN THE MIDDLE EAST 1204 00:43:16,700 --> 00:43:18,599 AND HAMAS BECAUSE NO ONE EASES TENSIONS IN THE MIDDLE EAST QUITE LIKE THE CIA. 1205 00:43:18,601 --> 00:43:21,169 TENSIONS IN THE MIDDLE EAST QUITE LIKE THE CIA. THEY'RE LIKE THE DRAYMOND GREEN 1206 00:43:21,171 --> 00:43:23,004 QUITE LIKE THE CIA. THEY'RE LIKE THE DRAYMOND GREEN OF PEACEFUL SOLUTIONS. 1207 00:43:23,006 --> 00:43:25,606 THEY'RE LIKE THE DRAYMOND GREEN OF PEACEFUL SOLUTIONS. SINCE THE ABORTION BAN TOOK 1208 00:43:25,608 --> 00:43:28,743 OF PEACEFUL SOLUTIONS. SINCE THE ABORTION BAN TOOK EFFECT IN TEXAS, THE NUMBER OF 1209 00:43:28,745 --> 00:43:30,478 SINCE THE ABORTION BAN TOOK EFFECT IN TEXAS, THE NUMBER OF TEENAGERS GIVING BIRTH IN THE 1210 00:43:30,480 --> 00:43:32,580 EFFECT IN TEXAS, THE NUMBER OF TEENAGERS GIVING BIRTH IN THE STATE ROSE FOR 15 YEARS, WHICH 1211 00:43:32,582 --> 00:43:35,783 TEENAGERS GIVING BIRTH IN THE STATE ROSE FOR 15 YEARS, WHICH IS GREAT NEWS FOR MY NEW STORE, 1212 00:43:35,785 --> 00:43:36,818 STATE ROSE FOR 15 YEARS, WHICH IS GREAT NEWS FOR MY NEW STORE, MICHAEL CHE'S MATERNITY PROM 1213 00:43:36,820 --> 00:43:38,953 IS GREAT NEWS FOR MY NEW STORE, MICHAEL CHE'S MATERNITY PROM DRESSES. 1214 00:43:38,955 --> 00:43:39,487 MICHAEL CHE'S MATERNITY PROM DRESSES. I LIKE THIS CROWD. 1215 00:43:39,489 --> 00:43:45,059 DRESSES. I LIKE THIS CROWD. >> YEAH. 1216 00:43:45,061 --> 00:43:48,696 I LIKE THIS CROWD. >> YEAH. >> LILY GRADSTONE IS THE FIRST 1217 00:43:48,698 --> 00:43:50,098 >> YEAH. >> LILY GRADSTONE IS THE FIRST NATIVE AMERICAN WOMAN TO BE 1218 00:43:50,100 --> 00:43:51,265 >> LILY GRADSTONE IS THE FIRST NATIVE AMERICAN WOMAN TO BE NOMINATED FOR BEST ACTRESS. 1219 00:43:51,267 --> 00:43:52,333 NATIVE AMERICAN WOMAN TO BE NOMINATED FOR BEST ACTRESS. THAT'S RIGHT. 1220 00:43:52,335 --> 00:43:55,837 NOMINATED FOR BEST ACTRESS. THAT'S RIGHT. IT'S A HISTORIC MOMENT. 1221 00:43:55,839 --> 00:43:57,805 THAT'S RIGHT. IT'S A HISTORIC MOMENT. HER FELLOW NOMINEES ARE CALLING 1222 00:43:57,807 --> 00:44:02,977 IT'S A HISTORIC MOMENT. HER FELLOW NOMINEES ARE CALLING IT, PLEASE DON'T LET US WIN. 1223 00:44:02,979 --> 00:44:04,812 HER FELLOW NOMINEES ARE CALLING IT, PLEASE DON'T LET US WIN. GLADSTONE'S NOMINATION COMES 1224 00:44:04,814 --> 00:44:07,682 IT, PLEASE DON'T LET US WIN. GLADSTONE'S NOMINATION COMES AFTER SEVERAL NATIVE AMERICAN 1225 00:44:07,684 --> 00:44:11,319 GLADSTONE'S NOMINATION COMES AFTER SEVERAL NATIVE AMERICAN ACTORS WERE SNUBBED IN THE PAST, 1226 00:44:11,321 --> 00:44:12,887 AFTER SEVERAL NATIVE AMERICAN ACTORS WERE SNUBBED IN THE PAST, INCLUDING JOHNNY DEPP IN LONE 1227 00:44:12,889 --> 00:44:13,221 ACTORS WERE SNUBBED IN THE PAST, INCLUDING JOHNNY DEPP IN LONE RANGER. 1228 00:44:13,223 --> 00:44:16,457 INCLUDING JOHNNY DEPP IN LONE RANGER. >> THE JAPANESE MOVIE GODZILLA 1229 00:44:16,459 --> 00:44:18,993 RANGER. >> THE JAPANESE MOVIE GODZILLA MINUS ONE RECEIVED A SURPRISE 1230 00:44:18,995 --> 00:44:22,764 >> THE JAPANESE MOVIE GODZILLA MINUS ONE RECEIVED A SURPRISE OSCAR NOMINATION FOR VISUAL 1231 00:44:22,766 --> 00:44:23,097 MINUS ONE RECEIVED A SURPRISE OSCAR NOMINATION FOR VISUAL EFFECTS. 1232 00:44:23,099 --> 00:44:28,136 OSCAR NOMINATION FOR VISUAL EFFECTS. ALSO, THE GODZILLA PREQUEL, 1233 00:44:28,138 --> 00:44:28,603 EFFECTS. ALSO, THE GODZILLA PREQUEL, "OPPENHEIMER." 1234 00:44:28,605 --> 00:44:30,371 ALSO, THE GODZILLA PREQUEL, "OPPENHEIMER." >> SPIRIT AIRLINES SHARES HAVE 1235 00:44:30,373 --> 00:44:32,206 "OPPENHEIMER." >> SPIRIT AIRLINES SHARES HAVE FALLEN 58% AFTER A FEDERAL JUDGE 1236 00:44:32,208 --> 00:44:33,975 >> SPIRIT AIRLINES SHARES HAVE FALLEN 58% AFTER A FEDERAL JUDGE BLOCKED A MERGER WITH JET BLUE. 1237 00:44:33,977 --> 00:44:35,810 FALLEN 58% AFTER A FEDERAL JUDGE BLOCKED A MERGER WITH JET BLUE. SO NOW THE ONLY WAY SPIRIT AND 1238 00:44:35,812 --> 00:44:38,346 BLOCKED A MERGER WITH JET BLUE. SO NOW THE ONLY WAY SPIRIT AND JET BLUE WILL MERGE IS MIDAIR. 1239 00:44:38,348 --> 00:44:42,717 SO NOW THE ONLY WAY SPIRIT AND JET BLUE WILL MERGE IS MIDAIR. [ LAUGHTER ] 1240 00:44:42,719 --> 00:44:44,185 JET BLUE WILL MERGE IS MIDAIR. [ LAUGHTER ] WE NERE 1241 00:44:44,187 --> 00:44:46,387 [ LAUGHTER ] WE NERE ANNOUNCED ON TUESDAY, AND MANY 1242 00:44:46,389 --> 00:44:47,955 WE NERE ANNOUNCED ON TUESDAY, AND MANY CRITICS HAVE BEEN BREAKING DOWN 1243 00:44:47,957 --> 00:44:50,758 ANNOUNCED ON TUESDAY, AND MANY CRITICS HAVE BEEN BREAKING DOWN THE FIRST TIME NOMINEES AND 1244 00:44:50,760 --> 00:44:51,225 CRITICS HAVE BEEN BREAKING DOWN THE FIRST TIME NOMINEES AND SURPRISE SNUBS. 1245 00:44:51,227 --> 00:44:54,796 THE FIRST TIME NOMINEES AND SURPRISE SNUBS. HERE TO COMMENT IS A GUY NAMED 1246 00:44:54,798 --> 00:44:55,096 SURPRISE SNUBS. HERE TO COMMENT IS A GUY NAMED ETHAN. 1247 00:44:55,098 --> 00:44:55,596 HERE TO COMMENT IS A GUY NAMED ETHAN. >> HEY, EVERYONE! 1248 00:44:55,598 --> 00:44:56,397 ETHAN. >> HEY, EVERYONE! HEY, COLIN. 1249 00:44:56,399 --> 00:44:57,098 >> HEY, EVERYONE! HEY, COLIN. THANKS SO MUCH FOR HAVING ME. 1250 00:44:57,100 --> 00:44:58,499 HEY, COLIN. THANKS SO MUCH FOR HAVING ME. I'M ETHAN. 1251 00:44:58,501 --> 00:45:01,836 THANKS SO MUCH FOR HAVING ME. I'M ETHAN. [ CHEERS AND APPLAUSE ] 1252 00:45:01,838 --> 00:45:03,404 I'M ETHAN. [ CHEERS AND APPLAUSE ] >> HI, ETHAN. 1253 00:45:03,406 --> 00:45:05,139 [ CHEERS AND APPLAUSE ] >> HI, ETHAN. SO DO YOU WORK FOR THE OSCARS OR 1254 00:45:05,141 --> 00:45:05,506 >> HI, ETHAN. SO DO YOU WORK FOR THE OSCARS OR SOMETHING? 1255 00:45:05,508 --> 00:45:06,174 SO DO YOU WORK FOR THE OSCARS OR SOMETHING? >> NO. 1256 00:45:06,176 --> 00:45:06,874 SOMETHING? >> NO. I COULD. 1257 00:45:06,876 --> 00:45:10,278 >> NO. I COULD. BUT I ACTUALLY STARTED MY OWN 1258 00:45:10,280 --> 00:45:10,978 I COULD. BUT I ACTUALLY STARTED MY OWN AWARDS SHOW FOR MOVIES THAT 1259 00:45:10,980 --> 00:45:13,581 BUT I ACTUALLY STARTED MY OWN AWARDS SHOW FOR MOVIES THAT REALLY AMUSED ME, ETHAN. 1260 00:45:13,583 --> 00:45:16,217 AWARDS SHOW FOR MOVIES THAT REALLY AMUSED ME, ETHAN. I'M EXCITED TO ANNOUNCE THIS 1261 00:45:16,219 --> 00:45:17,685 REALLY AMUSED ME, ETHAN. I'M EXCITED TO ANNOUNCE THIS YEAR'S NOMINEES FOR BEST 1262 00:45:17,687 --> 00:45:21,422 I'M EXCITED TO ANNOUNCE THIS YEAR'S NOMINEES FOR BEST PERFORMANCE THAT REMINDED ME 1263 00:45:21,424 --> 00:45:23,091 YEAR'S NOMINEES FOR BEST PERFORMANCE THAT REMINDED ME FROM MOMENTS OF ETHAN'S PAST. 1264 00:45:23,093 --> 00:45:25,660 PERFORMANCE THAT REMINDED ME FROM MOMENTS OF ETHAN'S PAST. THE MOMENTS ARE BRADLEY COOPER 1265 00:45:25,662 --> 00:45:28,596 FROM MOMENTS OF ETHAN'S PAST. THE MOMENTS ARE BRADLEY COOPER MARRYING A WOMAN, MAESTRO, BEEN 1266 00:45:28,598 --> 00:45:28,896 THE MOMENTS ARE BRADLEY COOPER MARRYING A WOMAN, MAESTRO, BEEN THERE. 1267 00:45:28,898 --> 00:45:30,498 MARRYING A WOMAN, MAESTRO, BEEN THERE. PAUL'S EYE CONDITION, THE 1268 00:45:30,500 --> 00:45:31,365 THERE. PAUL'S EYE CONDITION, THE HOLDOVERS, BEEN THERE. 1269 00:45:31,367 --> 00:45:33,568 PAUL'S EYE CONDITION, THE HOLDOVERS, BEEN THERE. AND FINALLY, THE CHICKENS 1270 00:45:33,570 --> 00:45:35,837 HOLDOVERS, BEEN THERE. AND FINALLY, THE CHICKENS BUILDING A FORT, CHICKEN RUN, 1271 00:45:35,839 --> 00:45:37,472 AND FINALLY, THE CHICKENS BUILDING A FORT, CHICKEN RUN, DONNA THE NUGGET. 1272 00:45:37,474 --> 00:45:38,906 BUILDING A FORT, CHICKEN RUN, DONNA THE NUGGET. I AIN'T NO CHICKEN, BUT I'VE 1273 00:45:38,908 --> 00:45:39,774 DONNA THE NUGGET. I AIN'T NO CHICKEN, BUT I'VE BEEN THERE. 1274 00:45:39,776 --> 00:45:40,808 I AIN'T NO CHICKEN, BUT I'VE BEEN THERE. >> YOU'VE BEEN THERE? 1275 00:45:40,810 --> 00:45:42,210 BEEN THERE. >> YOU'VE BEEN THERE? I'M SORRY. 1276 00:45:42,212 --> 00:45:43,311 >> YOU'VE BEEN THERE? I'M SORRY. THAT AWARD DOESN'T MAKE SENSE. 1277 00:45:43,313 --> 00:45:44,846 I'M SORRY. THAT AWARD DOESN'T MAKE SENSE. >> I KNOW. 1278 00:45:44,848 --> 00:45:46,314 THAT AWARD DOESN'T MAKE SENSE. >> I KNOW. THERE'S SOME SERIOUS SNUBS. 1279 00:45:46,316 --> 00:45:47,348 >> I KNOW. THERE'S SOME SERIOUS SNUBS. I'M SO OFFENDED. 1280 00:45:47,350 --> 00:45:48,015 THERE'S SOME SERIOUS SNUBS. I'M SO OFFENDED. >> WAIT. 1281 00:45:48,017 --> 00:45:49,750 I'M SO OFFENDED. >> WAIT. YOU'RE OFFENDED? 1282 00:45:49,752 --> 00:45:51,285 >> WAIT. YOU'RE OFFENDED? DON'T YOU CHOOSE WHO GETS 1283 00:45:51,287 --> 00:45:52,420 YOU'RE OFFENDED? DON'T YOU CHOOSE WHO GETS NOMINATED AT THE ETHANS? 1284 00:45:52,422 --> 00:45:53,187 DON'T YOU CHOOSE WHO GETS NOMINATED AT THE ETHANS? >> YEAH. 1285 00:45:53,189 --> 00:45:55,423 NOMINATED AT THE ETHANS? >> YEAH. IT'S A REAL PROBLEM. 1286 00:45:55,425 --> 00:45:56,757 >> YEAH. IT'S A REAL PROBLEM. THE LACK OF DIVERSITY. 1287 00:45:56,759 --> 00:45:59,694 IT'S A REAL PROBLEM. THE LACK OF DIVERSITY. THE ACADEMY IS 100% ASIAN. 1288 00:45:59,696 --> 00:46:01,329 THE LACK OF DIVERSITY. THE ACADEMY IS 100% ASIAN. THAT'S WHY I'M ASKING EVERYONE 1289 00:46:01,331 --> 00:46:03,464 THE ACADEMY IS 100% ASIAN. THAT'S WHY I'M ASKING EVERYONE HERE TONIGHT TO DONATE TO THE 1290 00:46:03,466 --> 00:46:06,834 THAT'S WHY I'M ASKING EVERYONE HERE TONIGHT TO DONATE TO THE #ETHAN SO ASIAN. 1291 00:46:06,836 --> 00:46:09,370 HERE TONIGHT TO DONATE TO THE #ETHAN SO ASIAN. >> I'M SORRY. 1292 00:46:09,372 --> 00:46:12,373 #ETHAN SO ASIAN. >> I'M SORRY. YOU WANT PEOPLE TO DONATE TO 1293 00:46:12,375 --> 00:46:12,673 >> I'M SORRY. YOU WANT PEOPLE TO DONATE TO WHAT? 1294 00:46:12,675 --> 00:46:15,676 YOU WANT PEOPLE TO DONATE TO WHAT? WHO'S IN THE ACADEMY FOR THE 1295 00:46:15,678 --> 00:46:16,010 WHAT? WHO'S IN THE ACADEMY FOR THE ETHANS? 1296 00:46:16,012 --> 00:46:18,412 WHO'S IN THE ACADEMY FOR THE ETHANS? >> HERE'S A PHOTO FROM THE ETHAN 1297 00:46:18,414 --> 00:46:19,180 ETHANS? >> HERE'S A PHOTO FROM THE ETHAN ACADEMY'S LAST MEETING. 1298 00:46:19,182 --> 00:46:20,781 >> HERE'S A PHOTO FROM THE ETHAN ACADEMY'S LAST MEETING. >> IS THAT YOUR BABY? 1299 00:46:20,783 --> 00:46:21,749 ACADEMY'S LAST MEETING. >> IS THAT YOUR BABY? >> WHAT? 1300 00:46:21,751 --> 00:46:22,049 >> IS THAT YOUR BABY? >> WHAT? NO. 1301 00:46:22,051 --> 00:46:23,718 >> WHAT? NO. I'M ONLY 15. 1302 00:46:23,720 --> 00:46:24,318 NO. I'M ONLY 15. >> I DON'T BELIEVE YOU. 1303 00:46:24,320 --> 00:46:25,586 I'M ONLY 15. >> I DON'T BELIEVE YOU. >> WELL, FINE. 1304 00:46:25,588 --> 00:46:27,221 >> I DON'T BELIEVE YOU. >> WELL, FINE. I WAS BORN ON LEAP DAY, SO I'M 1305 00:46:27,223 --> 00:46:29,023 >> WELL, FINE. I WAS BORN ON LEAP DAY, SO I'M ACTUALLY 60. 1306 00:46:29,025 --> 00:46:31,626 I WAS BORN ON LEAP DAY, SO I'M ACTUALLY 60. >> OKAY. 1307 00:46:31,628 --> 00:46:33,861 ACTUALLY 60. >> OKAY. >> ASIAN DON'T RAISIN. 1308 00:46:33,863 --> 00:46:36,564 >> OKAY. >> ASIAN DON'T RAISIN. RIGHT, COLIN? 1309 00:46:36,566 --> 00:46:39,767 >> ASIAN DON'T RAISIN. RIGHT, COLIN? >> ANYWAY. 1310 00:46:39,769 --> 00:46:42,970 RIGHT, COLIN? >> ANYWAY. WHAT DO A LOT OF THE ETHAN 1311 00:46:42,972 --> 00:46:44,906 >> ANYWAY. WHAT DO A LOT OF THE ETHAN AWARDS AT LEAST GO TO ASIAN 1312 00:46:44,908 --> 00:46:45,239 WHAT DO A LOT OF THE ETHAN AWARDS AT LEAST GO TO ASIAN PEOPLE? 1313 00:46:45,241 --> 00:46:46,073 AWARDS AT LEAST GO TO ASIAN PEOPLE? >> NO! 1314 00:46:46,075 --> 00:46:48,109 PEOPLE? >> NO! I GET TOO JEALOUS WHEN ANY OF 1315 00:46:48,111 --> 00:46:49,010 >> NO! I GET TOO JEALOUS WHEN ANY OF THEM WIN ANYTHING. 1316 00:46:49,012 --> 00:46:50,211 I GET TOO JEALOUS WHEN ANY OF THEM WIN ANYTHING. IT'S A REAL PROBLEM. 1317 00:46:50,213 --> 00:46:51,078 THEM WIN ANYTHING. IT'S A REAL PROBLEM. >> OKAY. 1318 00:46:51,080 --> 00:46:52,146 IT'S A REAL PROBLEM. >> OKAY. THAT'S REALLY TOO BAD. 1319 00:46:52,148 --> 00:46:54,515 >> OKAY. THAT'S REALLY TOO BAD. >> BUT THE ETHANS HAVE A NEW 1320 00:46:54,517 --> 00:46:56,083 THAT'S REALLY TOO BAD. >> BUT THE ETHANS HAVE A NEW CATEGORY THIS YEAR, SUPER 1321 00:46:56,085 --> 00:46:58,052 >> BUT THE ETHANS HAVE A NEW CATEGORY THIS YEAR, SUPER EXCITING, ETHAN, I, WILL BE 1322 00:46:58,054 --> 00:46:59,720 CATEGORY THIS YEAR, SUPER EXCITING, ETHAN, I, WILL BE HANDING OUT THE AWARD FOR MOVIE 1323 00:46:59,722 --> 00:47:01,989 EXCITING, ETHAN, I, WILL BE HANDING OUT THE AWARD FOR MOVIE MOMENT THAT MADE ETHAN SAY, 1324 00:47:01,991 --> 00:47:04,859 HANDING OUT THE AWARD FOR MOVIE MOMENT THAT MADE ETHAN SAY, OKAY, WAIT, WHAT, NICE. 1325 00:47:04,861 --> 00:47:07,728 MOMENT THAT MADE ETHAN SAY, OKAY, WAIT, WHAT, NICE. THE NOMINEES ARE, THE DANCING 1326 00:47:07,730 --> 00:47:08,095 OKAY, WAIT, WHAT, NICE. THE NOMINEES ARE, THE DANCING "BARBIE." 1327 00:47:08,097 --> 00:47:10,331 THE NOMINEES ARE, THE DANCING "BARBIE." THE PENIS DANCING "SALTBURN." 1328 00:47:10,333 --> 00:47:12,934 "BARBIE." THE PENIS DANCING "SALTBURN." AND FINALLY, THE DIGITAL ARTIST 1329 00:47:12,936 --> 00:47:15,536 THE PENIS DANCING "SALTBURN." AND FINALLY, THE DIGITAL ARTIST THAT CREATED FLOUNDER FOR 1330 00:47:15,538 --> 00:47:19,440 AND FINALLY, THE DIGITAL ARTIST THAT CREATED FLOUNDER FOR REMINDING ME OF MY EX, REST IN 1331 00:47:19,442 --> 00:47:20,174 THAT CREATED FLOUNDER FOR REMINDING ME OF MY EX, REST IN PEACING WITH THE LITTLE MERMAID. 1332 00:47:20,176 --> 00:47:20,942 REMINDING ME OF MY EX, REST IN PEACING WITH THE LITTLE MERMAID. >> I DON'T THINK I UNDERSTAND 1333 00:47:20,944 --> 00:47:21,909 PEACING WITH THE LITTLE MERMAID. >> I DON'T THINK I UNDERSTAND THAT CATEGORY EITHER. 1334 00:47:21,911 --> 00:47:23,411 >> I DON'T THINK I UNDERSTAND THAT CATEGORY EITHER. >> HOW'S THAT ANY DIFFERENT FROM 1335 00:47:23,413 --> 00:47:25,213 THAT CATEGORY EITHER. >> HOW'S THAT ANY DIFFERENT FROM THE OSCARS, COLIN? 1336 00:47:25,215 --> 00:47:25,746 >> HOW'S THAT ANY DIFFERENT FROM THE OSCARS, COLIN? >> AMEN. 1337 00:47:25,748 --> 00:47:26,080 THE OSCARS, COLIN? >> AMEN. >> AMEN? 1338 00:47:26,082 --> 00:47:29,150 >> AMEN. >> AMEN? ETHAN. 1339 00:47:29,152 --> 00:47:34,422 >> AMEN? ETHAN. [ LAUGHTER ] 1340 00:47:34,424 --> 00:47:36,591 ETHAN. [ LAUGHTER ] IT'S TIME FOR OUR IN MEMORIAM 1341 00:47:36,593 --> 00:47:36,958 [ LAUGHTER ] IT'S TIME FOR OUR IN MEMORIAM SEGMENT. 1342 00:47:36,960 --> 00:47:37,291 IT'S TIME FOR OUR IN MEMORIAM SEGMENT. >> WHAT? 1343 00:47:37,293 --> 00:47:46,000 SEGMENT. >> WHAT? OKAY. 1344 00:47:46,002 --> 00:47:46,867 >> WHAT? OKAY. THAT WAS BLANK! 1345 00:47:46,869 --> 00:47:47,602 OKAY. THAT WAS BLANK! >> I DON'T KNOW ANYONE WHO DIED 1346 00:47:47,604 --> 00:47:50,438 THAT WAS BLANK! >> I DON'T KNOW ANYONE WHO DIED THIS YEAR. 1347 00:47:50,440 --> 00:47:51,172 >> I DON'T KNOW ANYONE WHO DIED THIS YEAR. ANOTHER BLESSED YEAR FOR ETHAN. 1348 00:47:51,174 --> 00:47:51,606 THIS YEAR. ANOTHER BLESSED YEAR FOR ETHAN. YEAH! 1349 00:47:51,608 --> 00:47:55,309 ANOTHER BLESSED YEAR FOR ETHAN. YEAH! [ CHEERS AND APPLAUSE ] 1350 00:47:55,311 --> 00:47:57,778 YEAH! [ CHEERS AND APPLAUSE ] AND FINALLY, I'M SO HONORED TO 1351 00:47:57,780 --> 00:47:59,614 [ CHEERS AND APPLAUSE ] AND FINALLY, I'M SO HONORED TO BE ACCEPTING AN ETHAN THIS YEAR. 1352 00:47:59,616 --> 00:48:00,081 AND FINALLY, I'M SO HONORED TO BE ACCEPTING AN ETHAN THIS YEAR. MAY I, COLIN? 1353 00:48:00,083 --> 00:48:04,452 BE ACCEPTING AN ETHAN THIS YEAR. MAY I, COLIN? >> I GUESS SO, SURE. 1354 00:48:04,454 --> 00:48:09,857 MAY I, COLIN? >> I GUESS SO, SURE. >> THIS IS ETHAN'S FIRST WIN AND 1355 00:48:09,859 --> 00:48:10,391 >> I GUESS SO, SURE. >> THIS IS ETHAN'S FIRST WIN AND 700th NOMINATION. 1356 00:48:10,393 --> 00:48:11,459 >> THIS IS ETHAN'S FIRST WIN AND 700th NOMINATION. >> WOW, THANK YOU SO MUCH. 1357 00:48:11,461 --> 00:48:14,395 700th NOMINATION. >> WOW, THANK YOU SO MUCH. BUT I WANT TO THANK ME FOR 1358 00:48:14,397 --> 00:48:16,364 >> WOW, THANK YOU SO MUCH. BUT I WANT TO THANK ME FOR BELIEVING IN ME, AND I WANT TO 1359 00:48:16,366 --> 00:48:18,566 BUT I WANT TO THANK ME FOR BELIEVING IN ME, AND I WANT TO SAY TO MYSELF IN FRONT OF ALL 1360 00:48:18,568 --> 00:48:20,668 BELIEVING IN ME, AND I WANT TO SAY TO MYSELF IN FRONT OF ALL YOU BEAUTIFUL PEOPLE, GO, GIRL, 1361 00:48:20,670 --> 00:48:21,168 SAY TO MYSELF IN FRONT OF ALL YOU BEAUTIFUL PEOPLE, GO, GIRL, WITH YO BAD SELF. 1362 00:48:21,170 --> 00:48:21,869 YOU BEAUTIFUL PEOPLE, GO, GIRL, WITH YO BAD SELF. YOU DID THAT. 1363 00:48:21,871 --> 00:48:27,108 WITH YO BAD SELF. YOU DID THAT. >> YEAH. 1364 00:48:27,110 --> 00:48:30,278 YOU DID THAT. >> YEAH. I DON'T -- YEAH, THAT WAS NIECY 1365 00:48:30,280 --> 00:48:31,746 >> YEAH. I DON'T -- YEAH, THAT WAS NIECY NASH'S SPEECH FOR THE EMMYS THIS 1366 00:48:31,748 --> 00:48:32,046 I DON'T -- YEAH, THAT WAS NIECY NASH'S SPEECH FOR THE EMMYS THIS YEAR. 1367 00:48:32,048 --> 00:48:33,114 NASH'S SPEECH FOR THE EMMYS THIS YEAR. >> WHAT? 1368 00:48:33,116 --> 00:48:33,381 YEAR. >> WHAT? NO. 1369 00:48:33,383 --> 00:48:35,016 >> WHAT? NO. THIS IS MY LIVED EXPERIENCE. 1370 00:48:35,018 --> 00:48:36,784 NO. THIS IS MY LIVED EXPERIENCE. FINALLY, I ACCEPT THIS AWARD ON 1371 00:48:36,786 --> 00:48:39,020 THIS IS MY LIVED EXPERIENCE. FINALLY, I ACCEPT THIS AWARD ON BEHALF OF ALL BLACK WOMEN. 1372 00:48:39,022 --> 00:48:41,489 FINALLY, I ACCEPT THIS AWARD ON BEHALF OF ALL BLACK WOMEN. >> ETHAN FROM THE ETHANS, 1373 00:48:41,491 --> 00:48:41,856 BEHALF OF ALL BLACK WOMEN. >> ETHAN FROM THE ETHANS, EVERYONE. 1374 00:48:41,858 --> 00:48:46,527 >> ETHAN FROM THE ETHANS, EVERYONE. >> MY LAST NAME IS OSCARS. 1375 00:48:46,529 --> 00:48:48,562 EVERYONE. >> MY LAST NAME IS OSCARS. >> IT'S BEEN RUMORED THAT DISNEY 1376 00:48:48,564 --> 00:48:50,665 >> MY LAST NAME IS OSCARS. >> IT'S BEEN RUMORED THAT DISNEY WORLD HAS PLANS TO INSTALL A 1377 00:48:50,667 --> 00:48:52,633 >> IT'S BEEN RUMORED THAT DISNEY WORLD HAS PLANS TO INSTALL A MATERNITY WARD INSIDE THE MAGIC 1378 00:48:52,635 --> 00:48:54,468 WORLD HAS PLANS TO INSTALL A MATERNITY WARD INSIDE THE MAGIC KINGDOM SO GUESTS CAN GIVE BIRTH 1379 00:48:54,470 --> 00:48:55,269 MATERNITY WARD INSIDE THE MAGIC KINGDOM SO GUESTS CAN GIVE BIRTH AT THE PARK. 1380 00:48:55,271 --> 00:48:56,570 KINGDOM SO GUESTS CAN GIVE BIRTH AT THE PARK. THE ONLY CATCH IS GOOFY GETS TO 1381 00:48:56,572 --> 00:49:02,543 AT THE PARK. THE ONLY CATCH IS GOOFY GETS TO WATCH. 1382 00:49:02,545 --> 00:49:04,211 THE ONLY CATCH IS GOOFY GETS TO WATCH. THAT'S NOT A DEAL BREAKER, IS 1383 00:49:04,213 --> 00:49:04,478 WATCH. THAT'S NOT A DEAL BREAKER, IS IT? 1384 00:49:04,480 --> 00:49:06,347 THAT'S NOT A DEAL BREAKER, IS IT? >> A MAN IN CALIFORNIA WAS 1385 00:49:06,349 --> 00:49:07,782 IT? >> A MAN IN CALIFORNIA WAS ARRESTED AFTER HE WENT TO A 1386 00:49:07,784 --> 00:49:09,583 >> A MAN IN CALIFORNIA WAS ARRESTED AFTER HE WENT TO A PLANET FITNESS, TOOK OFF HIS 1387 00:49:09,585 --> 00:49:12,053 ARRESTED AFTER HE WENT TO A PLANET FITNESS, TOOK OFF HIS CLOTHES AND THREATENED PEOPLE 1388 00:49:12,055 --> 00:49:12,820 PLANET FITNESS, TOOK OFF HIS CLOTHES AND THREATENED PEOPLE WITH A KNIFE, WHICH TO BE FAIR 1389 00:49:12,822 --> 00:49:15,089 CLOTHES AND THREATENED PEOPLE WITH A KNIFE, WHICH TO BE FAIR IS THE ONLY WAY PLANET FITNESS 1390 00:49:15,091 --> 00:49:18,225 WITH A KNIFE, WHICH TO BE FAIR IS THE ONLY WAY PLANET FITNESS LETS YOU CANCEL YOUR MEMBERSHIP. 1391 00:49:18,227 --> 00:49:19,660 IS THE ONLY WAY PLANET FITNESS LETS YOU CANCEL YOUR MEMBERSHIP. >> THE FORMER PRESIDENT OF THE 1392 00:49:19,662 --> 00:49:21,228 LETS YOU CANCEL YOUR MEMBERSHIP. >> THE FORMER PRESIDENT OF THE SPANISH SOCCER OPERATION IS 1393 00:49:21,230 --> 00:49:23,497 >> THE FORMER PRESIDENT OF THE SPANISH SOCCER OPERATION IS BEING CHARGED WITH SEXUAL 1394 00:49:23,499 --> 00:49:25,232 SPANISH SOCCER OPERATION IS BEING CHARGED WITH SEXUAL ASSAULT FOR KISSING A FEMALE 1395 00:49:25,234 --> 00:49:26,467 BEING CHARGED WITH SEXUAL ASSAULT FOR KISSING A FEMALE PLAYER WITHOUT HER CONSENT. 1396 00:49:26,469 --> 00:49:27,635 ASSAULT FOR KISSING A FEMALE PLAYER WITHOUT HER CONSENT. IF CONVICTED, SHE WILL BE 1397 00:49:27,637 --> 00:49:31,906 PLAYER WITHOUT HER CONSENT. IF CONVICTED, SHE WILL BE ALLOWED ONE FREE KICK. 1398 00:49:31,908 --> 00:49:32,606 IF CONVICTED, SHE WILL BE ALLOWED ONE FREE KICK. THAT WAS A NICE LITTLE WORD 1399 00:49:32,608 --> 00:49:37,011 ALLOWED ONE FREE KICK. THAT WAS A NICE LITTLE WORD JOKE. 1400 00:49:37,013 --> 00:49:40,715 THAT WAS A NICE LITTLE WORD JOKE. >> A 99-YEAR-OLD WOMAN IN CANADA 1401 00:49:40,717 --> 00:49:45,086 JOKE. >> A 99-YEAR-OLD WOMAN IN CANADA BROKE THREE SWIMMING RECORDS FOR 1402 00:49:45,088 --> 00:49:47,154 >> A 99-YEAR-OLD WOMAN IN CANADA BROKE THREE SWIMMING RECORDS FOR HER CLASS IN ONE DAY UNTIL 1403 00:49:47,156 --> 00:49:49,023 BROKE THREE SWIMMING RECORDS FOR HER CLASS IN ONE DAY UNTIL FINALLY SOMEONE NOTICED SHE HAD 1404 00:49:49,025 --> 00:49:49,423 HER CLASS IN ONE DAY UNTIL FINALLY SOMEONE NOTICED SHE HAD FALLEN IN. 1405 00:49:49,425 --> 00:49:51,058 FINALLY SOMEONE NOTICED SHE HAD FALLEN IN. >> TWO MUSEUMS ANNOUNCED THEY 1406 00:49:51,060 --> 00:49:53,060 FALLEN IN. >> TWO MUSEUMS ANNOUNCED THEY WILL RETURN GOLD AND SILVER ART 1407 00:49:53,062 --> 00:49:56,163 >> TWO MUSEUMS ANNOUNCED THEY WILL RETURN GOLD AND SILVER ART FACTS THAT WERE LOOTED 150 YEARS 1408 00:49:56,165 --> 00:49:58,265 WILL RETURN GOLD AND SILVER ART FACTS THAT WERE LOOTED 150 YEARS AGO FROM GHANA. 1409 00:49:58,267 --> 00:49:59,233 FACTS THAT WERE LOOTED 150 YEARS AGO FROM GHANA. UNFORTUNATELY, THERE'S STILL 1410 00:49:59,235 --> 00:50:00,568 AGO FROM GHANA. UNFORTUNATELY, THERE'S STILL NOTHING THEY CAN DO ABOUT THE 1411 00:50:00,570 --> 00:50:05,039 UNFORTUNATELY, THERE'S STILL NOTHING THEY CAN DO ABOUT THE PEOPLE LOOTED FROM GHANA. 1412 00:50:05,041 --> 00:50:08,042 NOTHING THEY CAN DO ABOUT THE PEOPLE LOOTED FROM GHANA. THERE IS GROWING INTEREST IN MAN 1413 00:50:08,044 --> 00:50:10,978 PEOPLE LOOTED FROM GHANA. THERE IS GROWING INTEREST IN MAN CAMPS WHERE MEN TRY TO RECLAIM 1414 00:50:10,980 --> 00:50:13,381 THERE IS GROWING INTEREST IN MAN CAMPS WHERE MEN TRY TO RECLAIM THEIR MASCULINITY BY ATTENDING 1415 00:50:13,383 --> 00:50:15,015 CAMPS WHERE MEN TRY TO RECLAIM THEIR MASCULINITY BY ATTENDING MILITARY STYLE BOOT CAMPS AND 1416 00:50:15,017 --> 00:50:17,585 THEIR MASCULINITY BY ATTENDING MILITARY STYLE BOOT CAMPS AND BEING BERATED BY DRILL 1417 00:50:17,587 --> 00:50:17,985 MILITARY STYLE BOOT CAMPS AND BEING BERATED BY DRILL INSTRUCTORS. 1418 00:50:17,987 --> 00:50:21,722 BEING BERATED BY DRILL INSTRUCTORS. BUT THEN AT NIGHT, BIG GAY ORGY. 1419 00:50:21,724 --> 00:50:24,625 INSTRUCTORS. BUT THEN AT NIGHT, BIG GAY ORGY. I TELL YOU, I LIKE THIS CROWD. 1420 00:50:24,627 --> 00:50:26,761 BUT THEN AT NIGHT, BIG GAY ORGY. I TELL YOU, I LIKE THIS CROWD. >> A PLANE IN BRAZIL WAS 1421 00:50:26,763 --> 00:50:29,063 I TELL YOU, I LIKE THIS CROWD. >> A PLANE IN BRAZIL WAS STRANDED ON THE RUNWAY AFTER THE 1422 00:50:29,065 --> 00:50:30,464 >> A PLANE IN BRAZIL WAS STRANDED ON THE RUNWAY AFTER THE PLANE'S WING WAS COVERED BY A 1423 00:50:30,466 --> 00:50:32,867 STRANDED ON THE RUNWAY AFTER THE PLANE'S WING WAS COVERED BY A SWARM OF BEES, BEES WHO WORKED 1424 00:50:32,869 --> 00:50:33,601 PLANE'S WING WAS COVERED BY A SWARM OF BEES, BEES WHO WORKED TOGETHER TO SPELL OUT, WING IS 1425 00:50:33,603 --> 00:50:37,238 SWARM OF BEES, BEES WHO WORKED TOGETHER TO SPELL OUT, WING IS MISSING SCREWS. 1426 00:50:37,240 --> 00:50:38,606 TOGETHER TO SPELL OUT, WING IS MISSING SCREWS. >> WELL, WITH THE ELECTION LESS 1427 00:50:38,608 --> 00:50:40,641 MISSING SCREWS. >> WELL, WITH THE ELECTION LESS THAN A YEAR AWAY, 2024 IS 1428 00:50:40,643 --> 00:50:42,176 >> WELL, WITH THE ELECTION LESS THAN A YEAR AWAY, 2024 IS SHAPING UP TO BE A BIG YEAR. 1429 00:50:42,178 --> 00:50:43,911 THAN A YEAR AWAY, 2024 IS SHAPING UP TO BE A BIG YEAR. HERE TO GIVE US A SENSE OF 1430 00:50:43,913 --> 00:50:46,547 SHAPING UP TO BE A BIG YEAR. HERE TO GIVE US A SENSE OF WHAT'S IN STORE IS THE GREAT 1431 00:50:46,549 --> 00:50:50,651 HERE TO GIVE US A SENSE OF WHAT'S IN STORE IS THE GREAT BRITISH PSYCHIC TARO CARD 1432 00:50:50,653 --> 00:50:53,654 WHAT'S IN STORE IS THE GREAT BRITISH PSYCHIC TARO CARD READER, JAN JANBI. 1433 00:50:53,656 --> 00:50:55,489 BRITISH PSYCHIC TARO CARD READER, JAN JANBI. >> MICHAEL, NEW YORK, NEVER DID 1434 00:50:55,491 --> 00:50:56,657 READER, JAN JANBI. >> MICHAEL, NEW YORK, NEVER DID I THINK I WOULD GET ON SNL, OR 1435 00:50:56,659 --> 00:50:59,393 >> MICHAEL, NEW YORK, NEVER DID I THINK I WOULD GET ON SNL, OR WAS IT IN THE CARDS? 1436 00:50:59,395 --> 00:51:01,729 I THINK I WOULD GET ON SNL, OR WAS IT IN THE CARDS? >> YEAH, YOU READ CARDS. 1437 00:51:01,731 --> 00:51:04,432 WAS IT IN THE CARDS? >> YEAH, YOU READ CARDS. >> YES, MICHAEL. 1438 00:51:04,434 --> 00:51:06,634 >> YEAH, YOU READ CARDS. >> YES, MICHAEL. I'M A CLAIRVOYANT. 1439 00:51:06,636 --> 00:51:08,602 >> YES, MICHAEL. I'M A CLAIRVOYANT. BUT MAINLY, I JUST FLIP CARDS. 1440 00:51:08,604 --> 00:51:09,670 I'M A CLAIRVOYANT. BUT MAINLY, I JUST FLIP CARDS. CARE FOR A FORTUNE? 1441 00:51:09,672 --> 00:51:11,138 BUT MAINLY, I JUST FLIP CARDS. CARE FOR A FORTUNE? >> WHY NOT? 1442 00:51:11,140 --> 00:51:12,506 CARE FOR A FORTUNE? >> WHY NOT? HOW'S THE ELECTION GOING TO GO? 1443 00:51:12,508 --> 00:51:14,275 >> WHY NOT? HOW'S THE ELECTION GOING TO GO? >> YES, YES. 1444 00:51:14,277 --> 00:51:15,876 HOW'S THE ELECTION GOING TO GO? >> YES, YES. GREAT SPIRIT, TELL NO LIES. 1445 00:51:15,878 --> 00:51:17,912 >> YES, YES. GREAT SPIRIT, TELL NO LIES. ELECTION REFLECTION, THE CARDS 1446 00:51:17,914 --> 00:51:18,245 GREAT SPIRIT, TELL NO LIES. ELECTION REFLECTION, THE CARDS DECIDE. 1447 00:51:18,247 --> 00:51:18,746 ELECTION REFLECTION, THE CARDS DECIDE. KISS THE TOP CARD. 1448 00:51:18,748 --> 00:51:19,113 DECIDE. KISS THE TOP CARD. KISS IT. 1449 00:51:19,115 --> 00:51:22,650 KISS THE TOP CARD. KISS IT. >> KISS IT? 1450 00:51:22,652 --> 00:51:23,083 KISS IT. >> KISS IT? >> ALL RIGHT. 1451 00:51:23,085 --> 00:51:25,052 >> KISS IT? >> ALL RIGHT. LET'S SEE. 1452 00:51:25,054 --> 00:51:26,754 >> ALL RIGHT. LET'S SEE. OH, DEAR. 1453 00:51:26,756 --> 00:51:29,957 LET'S SEE. OH, DEAR. OH, DEAR INDEED. 1454 00:51:29,959 --> 00:51:30,691 OH, DEAR. OH, DEAR INDEED. >> WHAT? 1455 00:51:30,693 --> 00:51:31,559 OH, DEAR INDEED. >> WHAT? WHAT DO YOU SEE? 1456 00:51:31,561 --> 00:51:33,527 >> WHAT? WHAT DO YOU SEE? >> SO HERE WE HAVE THE NEWSMAN 1457 00:51:33,529 --> 00:51:33,828 WHAT DO YOU SEE? >> SO HERE WE HAVE THE NEWSMAN CARD. 1458 00:51:33,830 --> 00:51:35,329 >> SO HERE WE HAVE THE NEWSMAN CARD. >> THERE'S A NEWSMAN CARD? 1459 00:51:35,331 --> 00:51:36,664 CARD. >> THERE'S A NEWSMAN CARD? >> YES, I THINK THIS IS ABOUT 1460 00:51:36,666 --> 00:51:37,097 >> THERE'S A NEWSMAN CARD? >> YES, I THINK THIS IS ABOUT YOU, MICHAEL. 1461 00:51:37,099 --> 00:51:40,367 >> YES, I THINK THIS IS ABOUT YOU, MICHAEL. LET'S SEE. 1462 00:51:40,369 --> 00:51:41,502 YOU, MICHAEL. LET'S SEE. AND THE HOUR GLASS. 1463 00:51:41,504 --> 00:51:42,636 LET'S SEE. AND THE HOUR GLASS. THAT COULD BE TIME. 1464 00:51:42,638 --> 00:51:44,972 AND THE HOUR GLASS. THAT COULD BE TIME. THAT COULD BE AN HOUR OF SORTS? 1465 00:51:44,974 --> 00:51:48,242 THAT COULD BE TIME. THAT COULD BE AN HOUR OF SORTS? >> WELL, I AM TAPING AN HOUR FOR 1466 00:51:48,244 --> 00:51:49,376 THAT COULD BE AN HOUR OF SORTS? >> WELL, I AM TAPING AN HOUR FOR MY NEW STANDUP SPECIAL. 1467 00:51:49,378 --> 00:51:51,479 >> WELL, I AM TAPING AN HOUR FOR MY NEW STANDUP SPECIAL. >> YES, YES, THE CARD PREDICTS 1468 00:51:51,481 --> 00:51:53,848 MY NEW STANDUP SPECIAL. >> YES, YES, THE CARD PREDICTS THIS SPECIAL WILL BE YOUR -- OH, 1469 00:51:53,850 --> 00:51:54,849 >> YES, YES, THE CARD PREDICTS THIS SPECIAL WILL BE YOUR -- OH, DEAR. 1470 00:51:54,851 --> 00:51:56,417 THIS SPECIAL WILL BE YOUR -- OH, DEAR. OH, DEAR INDEED. 1471 00:51:56,419 --> 00:51:57,418 DEAR. OH, DEAR INDEED. MICHAEL, IT'S THE TOILET. 1472 00:51:57,420 --> 00:51:58,285 OH, DEAR INDEED. MICHAEL, IT'S THE TOILET. >> THE TOILET? 1473 00:51:58,287 --> 00:51:59,787 MICHAEL, IT'S THE TOILET. >> THE TOILET? >> YES, YES. 1474 00:51:59,789 --> 00:52:02,056 >> THE TOILET? >> YES, YES. SOMETHING GOING DOWN, SOMETHING 1475 00:52:02,058 --> 00:52:05,159 >> YES, YES. SOMETHING GOING DOWN, SOMETHING BEING FLUSHED, PERHAPS A CAREER 1476 00:52:05,161 --> 00:52:08,929 SOMETHING GOING DOWN, SOMETHING BEING FLUSHED, PERHAPS A CAREER OR RATINGS OR MONEY OR A CAREER 1477 00:52:08,931 --> 00:52:09,230 BEING FLUSHED, PERHAPS A CAREER OR RATINGS OR MONEY OR A CAREER AGAIN. 1478 00:52:09,232 --> 00:52:11,565 OR RATINGS OR MONEY OR A CAREER AGAIN. DOES ANY OF THIS SOUND SPOT ON? 1479 00:52:11,567 --> 00:52:11,832 AGAIN. DOES ANY OF THIS SOUND SPOT ON? #. 1480 00:52:11,834 --> 00:52:12,433 DOES ANY OF THIS SOUND SPOT ON? #. >> HOLD ON. 1481 00:52:12,435 --> 00:52:14,101 #. >> HOLD ON. ARE YOU SAYING THAT I'M GOING TO 1482 00:52:14,103 --> 00:52:14,735 >> HOLD ON. ARE YOU SAYING THAT I'M GOING TO LOSE MY CAREER THIS YEAR? 1483 00:52:14,737 --> 00:52:17,605 ARE YOU SAYING THAT I'M GOING TO LOSE MY CAREER THIS YEAR? >> NOT NECESSARILY. 1484 00:52:17,607 --> 00:52:18,439 LOSE MY CAREER THIS YEAR? >> NOT NECESSARILY. >> OKAY. 1485 00:52:18,441 --> 00:52:20,074 >> NOT NECESSARILY. >> OKAY. WELL, WHAT ELSE COULD THE CARDS 1486 00:52:20,076 --> 00:52:20,674 >> OKAY. WELL, WHAT ELSE COULD THE CARDS TELL US? 1487 00:52:20,676 --> 00:52:21,876 WELL, WHAT ELSE COULD THE CARDS TELL US? ANYTHING ABOUT THE SUPER BOWL? 1488 00:52:21,878 --> 00:52:25,513 TELL US? ANYTHING ABOUT THE SUPER BOWL? >> OH, YES, WHO WILL WIN THE 1489 00:52:25,515 --> 00:52:28,682 ANYTHING ABOUT THE SUPER BOWL? >> OH, YES, WHO WILL WIN THE DREADED AMERICAN PIG SKIN. 1490 00:52:28,684 --> 00:52:30,084 >> OH, YES, WHO WILL WIN THE DREADED AMERICAN PIG SKIN. OINK GO THE CARDS, PIG GO THE 1491 00:52:30,086 --> 00:52:30,384 DREADED AMERICAN PIG SKIN. OINK GO THE CARDS, PIG GO THE SKIN. 1492 00:52:30,386 --> 00:52:31,051 OINK GO THE CARDS, PIG GO THE SKIN. KISS THE TOP CARD, LICK IT. 1493 00:52:31,053 --> 00:52:34,989 SKIN. KISS THE TOP CARD, LICK IT. >> LICK IT? 1494 00:52:34,991 --> 00:52:35,723 KISS THE TOP CARD, LICK IT. >> LICK IT? >> WHAT A STRANGE LITTLE TONGUE 1495 00:52:35,725 --> 00:52:38,259 >> LICK IT? >> WHAT A STRANGE LITTLE TONGUE YOU HAVE. 1496 00:52:38,261 --> 00:52:38,726 >> WHAT A STRANGE LITTLE TONGUE YOU HAVE. >> ALL RIGHT. 1497 00:52:38,728 --> 00:52:39,159 YOU HAVE. >> ALL RIGHT. >> ALL RIGHT. 1498 00:52:39,161 --> 00:52:41,228 >> ALL RIGHT. >> ALL RIGHT. LET'S SEE. 1499 00:52:41,230 --> 00:52:42,062 >> ALL RIGHT. LET'S SEE. OH, DEAR. 1500 00:52:42,064 --> 00:52:43,130 LET'S SEE. OH, DEAR. OH, DEAR INDEED. 1501 00:52:43,132 --> 00:52:45,599 OH, DEAR. OH, DEAR INDEED. I'M SEEING THE NEWSMAN AGAIN. 1502 00:52:45,601 --> 00:52:48,636 OH, DEAR INDEED. I'M SEEING THE NEWSMAN AGAIN. THE CARDS AREN'T DONE WITH YOU. 1503 00:52:48,638 --> 00:52:51,405 I'M SEEING THE NEWSMAN AGAIN. THE CARDS AREN'T DONE WITH YOU. AND THEN, THE RIVER OF COINS. 1504 00:52:51,407 --> 00:52:51,672 THE CARDS AREN'T DONE WITH YOU. AND THEN, THE RIVER OF COINS. HUH. 1505 00:52:51,674 --> 00:52:56,210 AND THEN, THE RIVER OF COINS. HUH. SO THE NEWSMAN IS GIVING A 1506 00:52:56,212 --> 00:52:56,877 HUH. SO THE NEWSMAN IS GIVING A GREAT, GREAT DEAL OF MONEY. 1507 00:52:56,879 --> 00:53:00,147 SO THE NEWSMAN IS GIVING A GREAT, GREAT DEAL OF MONEY. BUT TO WHOM? 1508 00:53:00,149 --> 00:53:00,414 GREAT, GREAT DEAL OF MONEY. BUT TO WHOM? HUH. 1509 00:53:00,416 --> 00:53:05,352 BUT TO WHOM? HUH. ONLYFANS. 1510 00:53:05,354 --> 00:53:07,788 HUH. ONLYFANS. DOES THAT -- 1511 00:53:07,790 --> 00:53:09,290 ONLYFANS. DOES THAT -- [ LAUGHTER ] 1512 00:53:09,292 --> 00:53:09,890 DOES THAT -- [ LAUGHTER ] [ CHEERS AND APPLAUSE ] 1513 00:53:09,892 --> 00:53:10,324 [ LAUGHTER ] [ CHEERS AND APPLAUSE ] I DON'T KNOW. 1514 00:53:10,326 --> 00:53:12,326 [ CHEERS AND APPLAUSE ] I DON'T KNOW. DOES THAT MAKE SENSE TO YOU, 1515 00:53:12,328 --> 00:53:13,027 I DON'T KNOW. DOES THAT MAKE SENSE TO YOU, MICHAEL? 1516 00:53:13,029 --> 00:53:14,328 DOES THAT MAKE SENSE TO YOU, MICHAEL? THE NEWSMAN FINANCIALLY 1517 00:53:14,330 --> 00:53:16,463 MICHAEL? THE NEWSMAN FINANCIALLY SUPPORTING ONLYFANS? 1518 00:53:16,465 --> 00:53:19,567 THE NEWSMAN FINANCIALLY SUPPORTING ONLYFANS? >> I MEAN, I WISH IT DIDN'T MAKE 1519 00:53:19,569 --> 00:53:19,867 SUPPORTING ONLYFANS? >> I MEAN, I WISH IT DIDN'T MAKE SENSE. 1520 00:53:19,869 --> 00:53:22,036 >> I MEAN, I WISH IT DIDN'T MAKE SENSE. >> I'M TELLING YOU THE CARDS 1521 00:53:22,038 --> 00:53:24,872 SENSE. >> I'M TELLING YOU THE CARDS WANT TO EMPHASIZE THESE ONLYFANS 1522 00:53:24,874 --> 00:53:27,875 >> I'M TELLING YOU THE CARDS WANT TO EMPHASIZE THESE ONLYFANS HAVE BANKRUPTED THE NEWSMAN. 1523 00:53:27,877 --> 00:53:29,109 WANT TO EMPHASIZE THESE ONLYFANS HAVE BANKRUPTED THE NEWSMAN. >> IT'S THAT BAD? 1524 00:53:29,111 --> 00:53:29,910 HAVE BANKRUPTED THE NEWSMAN. >> IT'S THAT BAD? COME ON. 1525 00:53:29,912 --> 00:53:30,578 >> IT'S THAT BAD? COME ON. >> WAIT. 1526 00:53:30,580 --> 00:53:33,280 COME ON. >> WAIT. THE CARDS ARE SPEAKING TO ME. 1527 00:53:33,282 --> 00:53:35,115 >> WAIT. THE CARDS ARE SPEAKING TO ME. THEY'RE STILL SPEAKING TO ME. 1528 00:53:35,117 --> 00:53:35,616 THE CARDS ARE SPEAKING TO ME. THEY'RE STILL SPEAKING TO ME. ALL RIGHT. 1529 00:53:35,618 --> 00:53:38,118 THEY'RE STILL SPEAKING TO ME. ALL RIGHT. THE NEWSMAN AGAIN. 1530 00:53:38,120 --> 00:53:39,053 ALL RIGHT. THE NEWSMAN AGAIN. THE BEAUTIFUL WOMAN. 1531 00:53:39,055 --> 00:53:41,221 THE NEWSMAN AGAIN. THE BEAUTIFUL WOMAN. AND NOW I'M SEEING A WEDDING 1532 00:53:41,223 --> 00:53:41,522 THE BEAUTIFUL WOMAN. AND NOW I'M SEEING A WEDDING ALTER. 1533 00:53:41,524 --> 00:53:43,591 AND NOW I'M SEEING A WEDDING ALTER. >> OH, OKAY. 1534 00:53:43,593 --> 00:53:45,926 ALTER. >> OH, OKAY. THAT SOUNDS GOOD, RIGHT? 1535 00:53:45,928 --> 00:53:48,195 >> OH, OKAY. THAT SOUNDS GOOD, RIGHT? >> OH, I'M NOT SURE. 1536 00:53:48,197 --> 00:53:52,199 THAT SOUNDS GOOD, RIGHT? >> OH, I'M NOT SURE. OH, THE CATFISH. 1537 00:53:52,201 --> 00:53:56,003 >> OH, I'M NOT SURE. OH, THE CATFISH. SO IN THE END, YOUR NEWSMAN 1538 00:53:56,005 --> 00:53:58,339 OH, THE CATFISH. SO IN THE END, YOUR NEWSMAN CONNECTS TO A BEAUTIFUL WOMAN 1539 00:53:58,341 --> 00:53:59,740 SO IN THE END, YOUR NEWSMAN CONNECTS TO A BEAUTIFUL WOMAN WHO TURNS OUT TO BE A CATFISH. 1540 00:53:59,742 --> 00:54:00,341 CONNECTS TO A BEAUTIFUL WOMAN WHO TURNS OUT TO BE A CATFISH. BUT WHO? 1541 00:54:00,343 --> 00:54:08,582 WHO TURNS OUT TO BE A CATFISH. BUT WHO? WHO IS THE CATFISH? 1542 00:54:08,584 --> 00:54:09,183 BUT WHO? WHO IS THE CATFISH? COLIN JOST. 1543 00:54:09,185 --> 00:54:09,650 WHO IS THE CATFISH? COLIN JOST. COLIN JOST. 1544 00:54:09,652 --> 00:54:09,984 COLIN JOST. COLIN JOST. >> WHAT? 1545 00:54:09,986 --> 00:54:14,321 COLIN JOST. >> WHAT? I'VE -- I'M SORRY, MAN. 1546 00:54:14,323 --> 00:54:16,590 >> WHAT? I'VE -- I'M SORRY, MAN. I FEEL BAD, BUT I'VE BEEN HAVING 1547 00:54:16,592 --> 00:54:17,191 I'VE -- I'M SORRY, MAN. I FEEL BAD, BUT I'VE BEEN HAVING A BLAST. 1548 00:54:17,193 --> 00:54:19,693 I FEEL BAD, BUT I'VE BEEN HAVING A BLAST. >> JAN JA IN, BI, EVERYBODY. 1549 00:54:19,695 --> 00:54:21,362 A BLAST. >> JAN JA IN, BI, EVERYBODY. FOR "WEEKEND UPDATE," I'M 1550 00:54:21,364 --> 00:54:39,546 >> JAN JA IN, BI, EVERYBODY. FOR "WEEKEND UPDATE," I'M MICHAEL CHE. 1551 00:54:46,588 --> 00:54:55,129 >>> IN CHAPTER FOUR, I WAS SO EXCITED WHEN LILY MET RILE, BUT WHEN ATLAS CAME BACK. 1552 00:54:55,131 --> 00:54:59,333 EXCITED WHEN LILY MET RILE, BUT WHEN ATLAS CAME BACK. >> AM I A BAD PERSON FOR LIKING 1553 00:54:59,335 --> 00:54:59,633 WHEN ATLAS CAME BACK. >> AM I A BAD PERSON FOR LIKING ATLAS? 1554 00:54:59,635 --> 00:55:00,567 >> AM I A BAD PERSON FOR LIKING ATLAS? >> I STILL HAVE NO IDEA WHO OR 1555 00:55:00,569 --> 00:55:03,003 ATLAS? >> I STILL HAVE NO IDEA WHO OR WHAT YOU GUYS ARE TALKING ABOUT. 1556 00:55:03,005 --> 00:55:05,672 >> I STILL HAVE NO IDEA WHO OR WHAT YOU GUYS ARE TALKING ABOUT. >> GIRL, DIDN'T YOU READ THE 1557 00:55:05,674 --> 00:55:06,073 WHAT YOU GUYS ARE TALKING ABOUT. >> GIRL, DIDN'T YOU READ THE BOOK? 1558 00:55:06,075 --> 00:55:08,042 >> GIRL, DIDN'T YOU READ THE BOOK? >> WELL, UNFORTUNATELY, NO. 1559 00:55:08,044 --> 00:55:10,444 BOOK? >> WELL, UNFORTUNATELY, NO. MY MIND'S BEEN A LITTLE BIT 1560 00:55:10,446 --> 00:55:10,844 >> WELL, UNFORTUNATELY, NO. MY MIND'S BEEN A LITTLE BIT ELSEWHERE. 1561 00:55:10,846 --> 00:55:14,014 MY MIND'S BEEN A LITTLE BIT ELSEWHERE. >> OKAY. 1562 00:55:14,016 --> 00:55:15,215 ELSEWHERE. >> OKAY. GOT YA. 1563 00:55:15,217 --> 00:55:20,154 >> OKAY. GOT YA. CAN I JUST SAY I TOTALLY RELATED 1564 00:55:20,156 --> 00:55:21,855 GOT YA. CAN I JUST SAY I TOTALLY RELATED TO HOW SHE FOUND LOVE? 1565 00:55:21,857 --> 00:55:24,525 CAN I JUST SAY I TOTALLY RELATED TO HOW SHE FOUND LOVE? >> I HAVE BEEN SO SWAMPED. 1566 00:55:24,527 --> 00:55:25,092 TO HOW SHE FOUND LOVE? >> I HAVE BEEN SO SWAMPED. PREOCCUPIED REALLY. 1567 00:55:25,094 --> 00:55:25,826 >> I HAVE BEEN SO SWAMPED. PREOCCUPIED REALLY. >> REALLY, IT'S OKAY. 1568 00:55:25,828 --> 00:55:26,760 PREOCCUPIED REALLY. >> REALLY, IT'S OKAY. >> THINGS HAVE JUST BEEN A 1569 00:55:26,762 --> 00:55:30,697 >> REALLY, IT'S OKAY. >> THINGS HAVE JUST BEEN A LITTLE BIT CRAZY. 1570 00:55:30,699 --> 00:55:32,599 >> THINGS HAVE JUST BEEN A LITTLE BIT CRAZY. SINCE I GOT THE CALL. 1571 00:55:32,601 --> 00:55:36,103 LITTLE BIT CRAZY. SINCE I GOT THE CALL. >> WHAT CALL? 1572 00:55:36,105 --> 00:55:40,908 SINCE I GOT THE CALL. >> WHAT CALL? >> YOU KNOW, THAT FAMOUS CALL. 1573 00:55:40,910 --> 00:55:46,346 >> WHAT CALL? >> YOU KNOW, THAT FAMOUS CALL. THAT SAYS I'M GOING TO BE ON 1574 00:55:46,348 --> 00:55:47,714 >> YOU KNOW, THAT FAMOUS CALL. THAT SAYS I'M GOING TO BE ON "SHARK TANK." 1575 00:55:47,716 --> 00:55:50,884 THAT SAYS I'M GOING TO BE ON "SHARK TANK." >> YES, I HAVE BEEN SITTING ON A 1576 00:55:50,886 --> 00:55:52,119 "SHARK TANK." >> YES, I HAVE BEEN SITTING ON A MILLION-DOLLAR IDEA, AND AFTER 1577 00:55:52,121 --> 00:55:53,854 >> YES, I HAVE BEEN SITTING ON A MILLION-DOLLAR IDEA, AND AFTER WE SHOOT, THINGS ARE PROBABLY 1578 00:55:53,856 --> 00:55:54,855 MILLION-DOLLAR IDEA, AND AFTER WE SHOOT, THINGS ARE PROBABLY GOING TO BE QUITE DIFFERENT. 1579 00:55:54,857 --> 00:55:56,590 WE SHOOT, THINGS ARE PROBABLY GOING TO BE QUITE DIFFERENT. THE POWER STRUCTURE IN THIS 1580 00:55:56,592 --> 00:55:59,560 GOING TO BE QUITE DIFFERENT. THE POWER STRUCTURE IN THIS FRIEND GROUP IS GONNA SHIFT. 1581 00:55:59,562 --> 00:56:01,428 THE POWER STRUCTURE IN THIS FRIEND GROUP IS GONNA SHIFT. >> I DIDN'T EVEN KNOW YOU WERE 1582 00:56:01,430 --> 00:56:01,862 FRIEND GROUP IS GONNA SHIFT. >> I DIDN'T EVEN KNOW YOU WERE AN INVENTOR. 1583 00:56:01,864 --> 00:56:02,196 >> I DIDN'T EVEN KNOW YOU WERE AN INVENTOR. >> YEAH. 1584 00:56:02,198 --> 00:56:05,365 AN INVENTOR. >> YEAH. WHAT'S THE IDEA? 1585 00:56:05,367 --> 00:56:09,570 >> YEAH. WHAT'S THE IDEA? >> WELL, IT'S JUST THIS LITTLE 1586 00:56:09,572 --> 00:56:14,141 WHAT'S THE IDEA? >> WELL, IT'S JUST THIS LITTLE T-SHIRT THAT SAYS -- DON'T ASK 1587 00:56:14,143 --> 00:56:14,975 >> WELL, IT'S JUST THIS LITTLE T-SHIRT THAT SAYS -- DON'T ASK IF I'M OKAY. 1588 00:56:14,977 --> 00:56:15,776 T-SHIRT THAT SAYS -- DON'T ASK IF I'M OKAY. I'M OKAY. 1589 00:56:15,778 --> 00:56:17,411 IF I'M OKAY. I'M OKAY. BUT IF EVERYONE STARTS ASKING IF 1590 00:56:17,413 --> 00:56:20,080 I'M OKAY. BUT IF EVERYONE STARTS ASKING IF I'M OKAY, I MIGHT START CRYING. 1591 00:56:20,082 --> 00:56:21,982 BUT IF EVERYONE STARTS ASKING IF I'M OKAY, I MIGHT START CRYING. >> SO IS IT LIKE A SPECIAL TYPE 1592 00:56:21,984 --> 00:56:23,784 I'M OKAY, I MIGHT START CRYING. >> SO IS IT LIKE A SPECIAL TYPE OF T-SHIRT? 1593 00:56:23,786 --> 00:56:26,620 >> SO IS IT LIKE A SPECIAL TYPE OF T-SHIRT? >> HOW DO YOU MEAN? 1594 00:56:26,622 --> 00:56:27,287 OF T-SHIRT? >> HOW DO YOU MEAN? >> LIKE DOES THE T-SHIRT DO 1595 00:56:27,289 --> 00:56:30,824 >> HOW DO YOU MEAN? >> LIKE DOES THE T-SHIRT DO ANYTHING? 1596 00:56:30,826 --> 00:56:31,925 >> LIKE DOES THE T-SHIRT DO ANYTHING? >> OR IS IT JUST A T-SHIRT THAT 1597 00:56:31,927 --> 00:56:34,027 ANYTHING? >> OR IS IT JUST A T-SHIRT THAT SAYS THAT ON IT? 1598 00:56:34,029 --> 00:56:35,295 >> OR IS IT JUST A T-SHIRT THAT SAYS THAT ON IT? >> HUH, BINGO. 1599 00:56:35,297 --> 00:56:36,029 SAYS THAT ON IT? >> HUH, BINGO. SHE MIGHT BE UGLY, BUT SHE'S 1600 00:56:36,031 --> 00:56:38,532 >> HUH, BINGO. SHE MIGHT BE UGLY, BUT SHE'S SMART. 1601 00:56:38,534 --> 00:56:40,467 SHE MIGHT BE UGLY, BUT SHE'S SMART. >> GIRL, I DON'T KNOW IF THAT'S 1602 00:56:40,469 --> 00:56:43,203 SMART. >> GIRL, I DON'T KNOW IF THAT'S REALLY "SHARK TANK "MATERIAL. 1603 00:56:43,205 --> 00:56:45,072 >> GIRL, I DON'T KNOW IF THAT'S REALLY "SHARK TANK "MATERIAL. >> ARE YOU JEALOUS THAT WHEN I'M 1604 00:56:45,074 --> 00:56:47,508 REALLY "SHARK TANK "MATERIAL. >> ARE YOU JEALOUS THAT WHEN I'M A MILLIONAIRE WE'LL ALL HANG OUT 1605 00:56:47,510 --> 00:56:50,244 >> ARE YOU JEALOUS THAT WHEN I'M A MILLIONAIRE WE'LL ALL HANG OUT AT MY SUPER COOL MANSION INSTEAD 1606 00:56:50,246 --> 00:56:52,513 A MILLIONAIRE WE'LL ALL HANG OUT AT MY SUPER COOL MANSION INSTEAD OF YOUR SMALL STINKY HOUSE? 1607 00:56:52,515 --> 00:56:54,982 AT MY SUPER COOL MANSION INSTEAD OF YOUR SMALL STINKY HOUSE? >> MY HOUSE ISN'T STINKY. 1608 00:56:54,984 --> 00:56:56,483 OF YOUR SMALL STINKY HOUSE? >> MY HOUSE ISN'T STINKY. >> WELL -- 1609 00:56:56,485 --> 00:56:56,950 >> MY HOUSE ISN'T STINKY. >> WELL -- >> IT'S GROSS. 1610 00:56:56,952 --> 00:56:58,819 >> WELL -- >> IT'S GROSS. >> I'M JUST SAYING I THINK A 1611 00:56:58,821 --> 00:57:01,021 >> IT'S GROSS. >> I'M JUST SAYING I THINK A SHIRT THAT SAYS DON'T ASK ME HOW 1612 00:57:01,023 --> 00:57:03,157 >> I'M JUST SAYING I THINK A SHIRT THAT SAYS DON'T ASK ME HOW I AM ISN'T ENOUGH TO BAIT THE 1613 00:57:03,159 --> 00:57:03,490 SHIRT THAT SAYS DON'T ASK ME HOW I AM ISN'T ENOUGH TO BAIT THE SHARKS. 1614 00:57:03,492 --> 00:57:06,660 I AM ISN'T ENOUGH TO BAIT THE SHARKS. >> THAT'S NOT WHAT IT SAYS, 1615 00:57:06,662 --> 00:57:07,027 SHARKS. >> THAT'S NOT WHAT IT SAYS, NUMB-NUTS. 1616 00:57:07,029 --> 00:57:09,830 >> THAT'S NOT WHAT IT SAYS, NUMB-NUTS. I DISTILLED THE ENTIRE HUMAN 1617 00:57:09,832 --> 00:57:11,732 NUMB-NUTS. I DISTILLED THE ENTIRE HUMAN EXPERIENCE INTO THREE SENTENCES. 1618 00:57:11,734 --> 00:57:13,100 I DISTILLED THE ENTIRE HUMAN EXPERIENCE INTO THREE SENTENCES. DON'T ASK IF I'M OKAY. 1619 00:57:13,102 --> 00:57:15,435 EXPERIENCE INTO THREE SENTENCES. DON'T ASK IF I'M OKAY. I'M OKAY. 1620 00:57:15,437 --> 00:57:18,238 DON'T ASK IF I'M OKAY. I'M OKAY. BUT IF EVERYONE STARTS ASKING IF 1621 00:57:18,240 --> 00:57:19,106 I'M OKAY. BUT IF EVERYONE STARTS ASKING IF I'M OKAY, I MIGHT START CRYING. 1622 00:57:19,108 --> 00:57:20,974 BUT IF EVERYONE STARTS ASKING IF I'M OKAY, I MIGHT START CRYING. >> IF I'M BEING HONEST, I THINK 1623 00:57:20,976 --> 00:57:21,708 I'M OKAY, I MIGHT START CRYING. >> IF I'M BEING HONEST, I THINK IT'S TOO MANY WORDS. 1624 00:57:21,710 --> 00:57:22,943 >> IF I'M BEING HONEST, I THINK IT'S TOO MANY WORDS. >> INTERESTING. 1625 00:57:22,945 --> 00:57:25,913 IT'S TOO MANY WORDS. >> INTERESTING. STINK BUG THINKS MY T-SHIRT'S 1626 00:57:25,915 --> 00:57:27,080 >> INTERESTING. STINK BUG THINKS MY T-SHIRT'S TOO CLUTTERED. 1627 00:57:27,082 --> 00:57:28,849 STINK BUG THINKS MY T-SHIRT'S TOO CLUTTERED. WELL, LET ME ASK YOU THIS. 1628 00:57:28,851 --> 00:57:32,986 TOO CLUTTERED. WELL, LET ME ASK YOU THIS. ARE YOU OKAY? 1629 00:57:32,988 --> 00:57:33,320 WELL, LET ME ASK YOU THIS. ARE YOU OKAY? >> YEAH. 1630 00:57:33,322 --> 00:57:34,354 ARE YOU OKAY? >> YEAH. >> YOU SURE YOU'RE OKAY? 1631 00:57:34,356 --> 00:57:36,823 >> YEAH. >> YOU SURE YOU'RE OKAY? >> YES. 1632 00:57:36,825 --> 00:57:40,661 >> YOU SURE YOU'RE OKAY? >> YES. >> HEY, JESS, ARE YOU OKAY? 1633 00:57:40,663 --> 00:57:42,029 >> YES. >> HEY, JESS, ARE YOU OKAY? >> YOU CAN TELL US. 1634 00:57:42,031 --> 00:57:44,298 >> HEY, JESS, ARE YOU OKAY? >> YOU CAN TELL US. ARE YOU OKAY? 1635 00:57:44,300 --> 00:57:46,466 >> YOU CAN TELL US. ARE YOU OKAY? >> OH, MY GOD, YES. 1636 00:57:46,468 --> 00:57:48,168 ARE YOU OKAY? >> OH, MY GOD, YES. PLEASE STOP ASKING IF I'M OKAY. 1637 00:57:48,170 --> 00:57:48,535 >> OH, MY GOD, YES. PLEASE STOP ASKING IF I'M OKAY. I'M OKAY. 1638 00:57:48,537 --> 00:57:48,902 PLEASE STOP ASKING IF I'M OKAY. I'M OKAY. I'M OKAY. 1639 00:57:48,904 --> 00:57:50,237 I'M OKAY. I'M OKAY. >> HEY. 1640 00:57:50,239 --> 00:57:56,243 I'M OKAY. >> HEY. ARE YOU OKAY? 1641 00:57:56,245 --> 00:57:56,677 >> HEY. ARE YOU OKAY? [ CRYING ]. 1642 00:57:56,679 --> 00:57:58,312 ARE YOU OKAY? [ CRYING ]. >> IT'S JUST THAT JAMES GOT LAID 1643 00:57:58,314 --> 00:58:00,113 [ CRYING ]. >> IT'S JUST THAT JAMES GOT LAID OFF A FEW MONTHS BACK, AND HE 1644 00:58:00,115 --> 00:58:01,682 >> IT'S JUST THAT JAMES GOT LAID OFF A FEW MONTHS BACK, AND HE SAYS HE'S LOOKING FOR WORK, BUT 1645 00:58:01,684 --> 00:58:03,784 OFF A FEW MONTHS BACK, AND HE SAYS HE'S LOOKING FOR WORK, BUT I FOLLOWED HIM MONDAY, AND HE 1646 00:58:03,786 --> 00:58:06,086 SAYS HE'S LOOKING FOR WORK, BUT I FOLLOWED HIM MONDAY, AND HE SAT IN HIS CAR AND ATE TWO 1647 00:58:06,088 --> 00:58:08,021 I FOLLOWED HIM MONDAY, AND HE SAT IN HIS CAR AND ATE TWO BAGELS WITH NOTHING ON THEM AND 1648 00:58:08,023 --> 00:58:11,892 SAT IN HIS CAR AND ATE TWO BAGELS WITH NOTHING ON THEM AND NOT CUT IN HALF. 1649 00:58:11,894 --> 00:58:12,226 BAGELS WITH NOTHING ON THEM AND NOT CUT IN HALF. >> HERE. 1650 00:58:12,228 --> 00:58:12,593 NOT CUT IN HALF. >> HERE. TAKE THIS. 1651 00:58:12,595 --> 00:58:14,394 >> HERE. TAKE THIS. IT'S YOURS. 1652 00:58:14,396 --> 00:58:16,897 TAKE THIS. IT'S YOURS. >> THANK YOU FOR THIS. 1653 00:58:16,899 --> 00:58:20,334 IT'S YOURS. >> THANK YOU FOR THIS. >> I'LL GIVE YOU 400 K FOR 20% 1654 00:58:20,336 --> 00:58:23,904 >> THANK YOU FOR THIS. >> I'LL GIVE YOU 400 K FOR 20% STAKE IN YOUR COMPANY. 1655 00:58:23,906 --> 00:58:30,844 >> I'LL GIVE YOU 400 K FOR 20% STAKE IN YOUR COMPANY. [ CHEERS AND APPLAUSE ] 1656 00:58:30,846 --> 00:58:37,217 STAKE IN YOUR COMPANY. [ CHEERS AND APPLAUSE ] >> I'LL GIVE YOU 500 K, FIVE, 1657 00:58:37,219 --> 00:58:37,551 [ CHEERS AND APPLAUSE ] >> I'LL GIVE YOU 500 K, FIVE, FOR 10%. 1658 00:58:37,553 --> 00:58:45,892 >> I'LL GIVE YOU 500 K, FIVE, FOR 10%. [ CHEERS AND APPLAUSE ] 1659 00:58:45,894 --> 00:58:48,528 FOR 10%. [ CHEERS AND APPLAUSE ] >> HELL, HOW'S A COOL MILLION 1660 00:58:48,530 --> 00:58:48,829 [ CHEERS AND APPLAUSE ] >> HELL, HOW'S A COOL MILLION SOUND? 1661 00:58:48,831 --> 00:58:50,397 >> HELL, HOW'S A COOL MILLION SOUND? >> WELL, IF YOU'RE WILLING TO 1662 00:58:50,399 --> 00:58:51,131 SOUND? >> WELL, IF YOU'RE WILLING TO WORK TOGETHER, I'LL TAKE ALL THE 1663 00:58:51,133 --> 00:58:52,466 >> WELL, IF YOU'RE WILLING TO WORK TOGETHER, I'LL TAKE ALL THE MONEY. 1664 00:58:52,468 --> 00:58:52,799 WORK TOGETHER, I'LL TAKE ALL THE MONEY. >> OKAY. 1665 00:58:52,801 --> 00:58:54,968 MONEY. >> OKAY. IT'S A DEAL. 1666 00:58:54,970 --> 00:58:59,973 >> OKAY. IT'S A DEAL. [ CHEERS AND APPLAUSE ] 1667 00:59:24,599 --> 00:59:31,238 >>> ONCE AGAIN, JUSTIN TIMBERLAKE. [ CHEERS AND APPLAUSE ] 1668 00:59:31,240 --> 00:59:40,013 TIMBERLAKE. [ CHEERS AND APPLAUSE ] ♪♪ 1669 00:59:40,015 --> 00:59:42,149 [ CHEERS AND APPLAUSE ] ♪♪ ♪ IF THEY SAW WHAT I SAW 1670 00:59:42,151 --> 00:59:43,750 ♪♪ ♪ IF THEY SAW WHAT I SAW THEY WOULD FALL 1671 00:59:43,752 --> 00:59:44,851 ♪ IF THEY SAW WHAT I SAW THEY WOULD FALL THE WAY I FELL ♪ 1672 00:59:44,853 --> 00:59:45,919 THEY WOULD FALL THE WAY I FELL ♪ ♪ BUT THEY DON'T KNOW 1673 00:59:45,921 --> 00:59:47,521 THE WAY I FELL ♪ ♪ BUT THEY DON'T KNOW WHAT YOU WANT 1674 00:59:47,523 --> 00:59:49,122 ♪ BUT THEY DON'T KNOW WHAT YOU WANT AND BABY 1675 00:59:49,124 --> 00:59:50,724 WHAT YOU WANT AND BABY I WOULD NEVER TELL ♪ 1676 00:59:50,726 --> 00:59:52,926 AND BABY I WOULD NEVER TELL ♪ ♪ IF THEY KNOW WHAT I KNOW 1677 00:59:52,928 --> 00:59:55,062 I WOULD NEVER TELL ♪ ♪ IF THEY KNOW WHAT I KNOW THEY WOULD NEVER 1678 00:59:55,064 --> 00:59:56,129 ♪ IF THEY KNOW WHAT I KNOW THEY WOULD NEVER LET YOU GO ♪ 1679 00:59:56,131 --> 00:59:57,230 THEY WOULD NEVER LET YOU GO ♪ ♪ SO GUESS WHAT? 1680 00:59:57,232 --> 00:59:58,832 LET YOU GO ♪ ♪ SO GUESS WHAT? I AIN'T EVER 1681 00:59:58,834 --> 01:00:00,500 ♪ SO GUESS WHAT? I AIN'T EVER LETTIN' YOU GO ♪ 1682 01:00:00,502 --> 01:00:01,568 I AIN'T EVER LETTIN' YOU GO ♪ ♪ 'CAUSE YOUR LIPS 1683 01:00:01,570 --> 01:00:03,170 LETTIN' YOU GO ♪ ♪ 'CAUSE YOUR LIPS WERE MADE FOR MINE ♪ 1684 01:00:03,172 --> 01:00:04,738 ♪ 'CAUSE YOUR LIPS WERE MADE FOR MINE ♪ ♪ AND MY HEART 1685 01:00:04,740 --> 01:00:06,340 WERE MADE FOR MINE ♪ ♪ AND MY HEART WOULD GO FLATLINE 1686 01:00:06,342 --> 01:00:08,475 ♪ AND MY HEART WOULD GO FLATLINE IF IT WASN'T BEATIN' 1687 01:00:08,477 --> 01:00:11,178 WOULD GO FLATLINE IF IT WASN'T BEATIN' FOR YOU ALL THE TIME ♪ 1688 01:00:11,180 --> 01:00:13,380 IF IT WASN'T BEATIN' FOR YOU ALL THE TIME ♪ ♪ SO IF I GET JEALOUS 1689 01:00:13,382 --> 01:00:17,651 FOR YOU ALL THE TIME ♪ ♪ SO IF I GET JEALOUS I CAN'T HELP IT 1690 01:00:17,653 --> 01:00:19,853 ♪ SO IF I GET JEALOUS I CAN'T HELP IT I WANT EVERY BIT OF YOU 1691 01:00:19,855 --> 01:00:22,022 I CAN'T HELP IT I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ 1692 01:00:22,024 --> 01:00:24,691 I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ ♪ IT'S BAD FOR MY MENTAL 1693 01:00:24,693 --> 01:00:26,827 I GUESS I'M SELFISH ♪ ♪ IT'S BAD FOR MY MENTAL BUT I CAN'T FIGHT IT ♪ 1694 01:00:26,829 --> 01:00:27,928 ♪ IT'S BAD FOR MY MENTAL BUT I CAN'T FIGHT IT ♪ ♪ WHEN YOU'RE OUT 1695 01:00:27,930 --> 01:00:30,564 BUT I CAN'T FIGHT IT ♪ ♪ WHEN YOU'RE OUT LOOKIN' LIKE YOU DO 1696 01:00:30,566 --> 01:00:33,266 ♪ WHEN YOU'RE OUT LOOKIN' LIKE YOU DO BUT YOU CAN'T HIDE IT NO ♪ 1697 01:00:33,268 --> 01:00:34,868 LOOKIN' LIKE YOU DO BUT YOU CAN'T HIDE IT NO ♪ ♪ PUT YOU IN A FRAME 1698 01:00:34,870 --> 01:00:35,936 BUT YOU CAN'T HIDE IT NO ♪ ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? 1699 01:00:35,938 --> 01:00:39,106 ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ 1700 01:00:39,108 --> 01:00:40,741 OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE 1701 01:00:40,743 --> 01:00:41,808 GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH 1702 01:00:41,810 --> 01:00:45,579 ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ 1703 01:00:45,581 --> 01:00:48,281 YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ ♪ EVERY TIME THE PHONE RINGS 1704 01:00:48,283 --> 01:00:49,349 YOU MUST BE AN ANGEL ♪ ♪ EVERY TIME THE PHONE RINGS I HOPE THAT IT'S YOU 1705 01:00:49,351 --> 01:00:50,984 ♪ EVERY TIME THE PHONE RINGS I HOPE THAT IT'S YOU ON THE OTHER SIDE ♪ 1706 01:00:50,986 --> 01:00:51,551 I HOPE THAT IT'S YOU ON THE OTHER SIDE ♪ ♪ I WANNA TELL YOU 1707 01:00:51,553 --> 01:00:52,619 ON THE OTHER SIDE ♪ ♪ I WANNA TELL YOU EVERYTHING 1708 01:00:52,621 --> 01:00:54,221 ♪ I WANNA TELL YOU EVERYTHING EVERYTHING 1709 01:00:54,223 --> 01:00:55,822 EVERYTHING EVERYTHING THAT'S ON MY MIND ♪ 1710 01:00:55,824 --> 01:00:56,890 EVERYTHING THAT'S ON MY MIND ♪ ♪ AND I DON'T WANT 1711 01:00:56,892 --> 01:00:59,059 THAT'S ON MY MIND ♪ ♪ AND I DON'T WANT ANY OTHER GUYS 1712 01:00:59,061 --> 01:01:00,160 ♪ AND I DON'T WANT ANY OTHER GUYS TAKIN' MY PLACE GIRL ♪ 1713 01:01:00,162 --> 01:01:01,762 ANY OTHER GUYS TAKIN' MY PLACE GIRL ♪ ♪ I GOT TOO MUCH PRIDE 1714 01:01:01,764 --> 01:01:03,930 TAKIN' MY PLACE GIRL ♪ ♪ I GOT TOO MUCH PRIDE I KNOW I MAY BE WRONG 1715 01:01:03,932 --> 01:01:06,099 ♪ I GOT TOO MUCH PRIDE I KNOW I MAY BE WRONG BUT I DON'T WANNA BE RIGHT ♪ 1716 01:01:06,101 --> 01:01:06,666 I KNOW I MAY BE WRONG BUT I DON'T WANNA BE RIGHT ♪ ♪ 'CAUSE YOUR LIPS 1717 01:01:06,668 --> 01:01:08,802 BUT I DON'T WANNA BE RIGHT ♪ ♪ 'CAUSE YOUR LIPS WERE MADE FOR MINE ♪ 1718 01:01:08,804 --> 01:01:09,336 ♪ 'CAUSE YOUR LIPS WERE MADE FOR MINE ♪ ♪ AND MY HEART 1719 01:01:09,338 --> 01:01:12,038 WERE MADE FOR MINE ♪ ♪ AND MY HEART WOULD GO FLATLINE 1720 01:01:12,040 --> 01:01:14,174 ♪ AND MY HEART WOULD GO FLATLINE IF IT WASN'T BEATIN' 1721 01:01:14,176 --> 01:01:16,343 WOULD GO FLATLINE IF IT WASN'T BEATIN' FOR YOU ALL THE TIME ♪ 1722 01:01:16,345 --> 01:01:19,012 IF IT WASN'T BEATIN' FOR YOU ALL THE TIME ♪ ♪ SO IF I GET JEALOUS 1723 01:01:19,014 --> 01:01:22,215 FOR YOU ALL THE TIME ♪ ♪ SO IF I GET JEALOUS I CAN'T HELP IT 1724 01:01:22,217 --> 01:01:24,851 ♪ SO IF I GET JEALOUS I CAN'T HELP IT I WANT EVERY BIT OF YOU 1725 01:01:24,853 --> 01:01:28,088 I CAN'T HELP IT I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ 1726 01:01:28,090 --> 01:01:30,257 I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ ♪ IT'S BAD FOR MY MENTAL 1727 01:01:30,259 --> 01:01:32,359 I GUESS I'M SELFISH ♪ ♪ IT'S BAD FOR MY MENTAL BUT I CAN'T FIGHT IT ♪ 1728 01:01:32,361 --> 01:01:33,460 ♪ IT'S BAD FOR MY MENTAL BUT I CAN'T FIGHT IT ♪ ♪ WHEN YOU'RE OUT 1729 01:01:33,462 --> 01:01:36,663 BUT I CAN'T FIGHT IT ♪ ♪ WHEN YOU'RE OUT LOOKIN' LIKE YOU DO 1730 01:01:36,665 --> 01:01:39,399 ♪ WHEN YOU'RE OUT LOOKIN' LIKE YOU DO BUT YOU CAN'T HIDE IT NO ♪ 1731 01:01:39,401 --> 01:01:40,467 LOOKIN' LIKE YOU DO BUT YOU CAN'T HIDE IT NO ♪ ♪ PUT YOU IN A FRAME 1732 01:01:40,469 --> 01:01:41,501 BUT YOU CAN'T HIDE IT NO ♪ ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? 1733 01:01:41,503 --> 01:01:44,171 ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ 1734 01:01:44,173 --> 01:01:45,806 OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE 1735 01:01:45,808 --> 01:01:46,840 GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH 1736 01:01:46,842 --> 01:01:49,543 ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ 1737 01:01:49,545 --> 01:01:51,178 YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ ♪ PUT YOU IN A FRAME 1738 01:01:51,180 --> 01:01:52,746 YOU MUST BE AN ANGEL ♪ ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? 1739 01:01:52,748 --> 01:01:54,915 ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ 1740 01:01:54,917 --> 01:01:57,083 OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE 1741 01:01:57,085 --> 01:01:58,718 GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH 1742 01:01:58,720 --> 01:02:01,388 ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ 1743 01:02:01,390 --> 01:02:04,591 YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ ♪ OWNER OF MY HEART 1744 01:02:04,593 --> 01:02:08,895 YOU MUST BE AN ANGEL ♪ ♪ OWNER OF MY HEART TATTOOED YOUR MARK 1745 01:02:08,897 --> 01:02:09,529 ♪ OWNER OF MY HEART TATTOOED YOUR MARK THERE FOR THE WHOLE WORLD 1746 01:02:09,531 --> 01:02:11,598 TATTOOED YOUR MARK THERE FOR THE WHOLE WORLD TO SEE ♪ 1747 01:02:11,600 --> 01:02:12,165 THERE FOR THE WHOLE WORLD TO SEE ♪ ♪ YOU'RE THE OWNER 1748 01:02:12,167 --> 01:02:14,801 TO SEE ♪ ♪ YOU'RE THE OWNER OF MY HEART 1749 01:02:14,803 --> 01:02:17,504 ♪ YOU'RE THE OWNER OF MY HEART AND ALL MY SCARS ♪ 1750 01:02:17,506 --> 01:02:20,240 OF MY HEART AND ALL MY SCARS ♪ ♪ BABY YOU GOT 1751 01:02:20,242 --> 01:02:21,842 AND ALL MY SCARS ♪ ♪ BABY YOU GOT SUCH A HOLD ON ME SO ♪ 1752 01:02:21,844 --> 01:02:24,511 ♪ BABY YOU GOT SUCH A HOLD ON ME SO ♪ ♪ SO IF I GET JEALOUS 1753 01:02:24,513 --> 01:02:27,781 SUCH A HOLD ON ME SO ♪ ♪ SO IF I GET JEALOUS I CAN'T HELP IT 1754 01:02:27,783 --> 01:02:29,916 ♪ SO IF I GET JEALOUS I CAN'T HELP IT I WANT EVERY BIT OF YOU 1755 01:02:29,918 --> 01:02:32,586 I CAN'T HELP IT I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ 1756 01:02:32,588 --> 01:02:33,687 I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ I GUESS I'M SELFISH ♪ 1757 01:02:33,689 --> 01:02:35,288 I GUESS I'M SELFISH ♪ I GUESS I'M SELFISH ♪ ♪ IT'S BAD FOR MY MENTAL 1758 01:02:35,290 --> 01:02:37,991 I GUESS I'M SELFISH ♪ ♪ IT'S BAD FOR MY MENTAL BUT I CAN'T FIGHT IT ♪ 1759 01:02:37,993 --> 01:02:38,525 ♪ IT'S BAD FOR MY MENTAL BUT I CAN'T FIGHT IT ♪ ♪ WHEN YOU'RE OUT 1760 01:02:38,527 --> 01:02:42,295 BUT I CAN'T FIGHT IT ♪ ♪ WHEN YOU'RE OUT LOOKIN' LIKE YOU DO 1761 01:02:42,297 --> 01:02:44,464 ♪ WHEN YOU'RE OUT LOOKIN' LIKE YOU DO BUT YOU CAN'T HIDE IT NO ♪ 1762 01:02:44,466 --> 01:02:45,532 LOOKIN' LIKE YOU DO BUT YOU CAN'T HIDE IT NO ♪ ♪ PUT YOU IN A FRAME 1763 01:02:45,534 --> 01:02:47,167 BUT YOU CAN'T HIDE IT NO ♪ ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? 1764 01:02:47,169 --> 01:02:49,836 ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ 1765 01:02:49,838 --> 01:02:50,504 OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ GLAD YOUR MAMA MADE YOU ♪ 1766 01:02:50,506 --> 01:02:51,471 GLAD YOUR MAMA MADE YOU ♪ GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE 1767 01:02:51,473 --> 01:02:52,539 GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH 1768 01:02:52,541 --> 01:02:54,708 ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ 1769 01:02:54,710 --> 01:02:55,342 YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ YOU MUST BE AN ANGEL ♪ 1770 01:02:55,344 --> 01:02:56,309 YOU MUST BE AN ANGEL ♪ YOU MUST BE AN ANGEL ♪ ♪ PUT YOU IN A FRAME 1771 01:02:56,311 --> 01:02:57,911 YOU MUST BE AN ANGEL ♪ ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? 1772 01:02:57,913 --> 01:03:00,046 ♪ PUT YOU IN A FRAME OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ 1773 01:03:00,048 --> 01:03:00,714 OOH BABY WHO COULD BLAME YOU? GLAD YOUR MAMA MADE YOU ♪ GLAD YOUR MAMA MADE YOU ♪ 1774 01:03:00,716 --> 01:03:01,681 GLAD YOUR MAMA MADE YOU ♪ GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE 1775 01:03:01,683 --> 01:03:03,817 GLAD YOUR MAMA MADE YOU ♪ ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH 1776 01:03:03,819 --> 01:03:05,952 ♪ MAKIN' ME INSANE YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ 1777 01:03:05,954 --> 01:03:08,655 YOU CANNOT BE EXPLAINED OOH YOU MUST BE AN ANGEL ♪ ♪ JEALOUS 1778 01:03:08,657 --> 01:03:11,892 YOU MUST BE AN ANGEL ♪ ♪ JEALOUS BUT I CAN'T HELP IT 1779 01:03:11,894 --> 01:03:15,128 ♪ JEALOUS BUT I CAN'T HELP IT I WANT EVERY BIT OF YOU 1780 01:03:15,130 --> 01:03:21,568 BUT I CAN'T HELP IT I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ 1781 01:03:21,570 --> 01:03:39,402 I WANT EVERY BIT OF YOU I GUESS I'M SELFISH ♪ [ CHEERS AND APPLAUSE ] 1782 01:03:39,404 --> 01:03:43,573 I GUESS I'M SELFISH ♪ [ CHEERS AND APPLAUSE ] >>> THREE MISSED CONNECTIONS, A 1783 01:03:43,575 --> 01:03:44,741 [ CHEERS AND APPLAUSE ] >>> THREE MISSED CONNECTIONS, A NIGHT SPENT ON THE FLOOR IN ST. 1784 01:03:44,743 --> 01:03:46,509 >>> THREE MISSED CONNECTIONS, A NIGHT SPENT ON THE FLOOR IN ST. PAUL, AND NOW MY LOST BAG. 1785 01:03:46,511 --> 01:03:47,177 NIGHT SPENT ON THE FLOOR IN ST. PAUL, AND NOW MY LOST BAG. SHOULD HAVE BEEN THE WORST 1786 01:03:47,179 --> 01:03:49,145 PAUL, AND NOW MY LOST BAG. SHOULD HAVE BEEN THE WORST COUPLE OF DAYS OF MY LIFE, BUT I 1787 01:03:49,147 --> 01:03:49,613 SHOULD HAVE BEEN THE WORST COUPLE OF DAYS OF MY LIFE, BUT I MET YOU. 1788 01:03:49,615 --> 01:03:51,881 COUPLE OF DAYS OF MY LIFE, BUT I MET YOU. >> NOT SO BAD AFTER ALL, HUH? 1789 01:03:51,883 --> 01:03:53,116 MET YOU. >> NOT SO BAD AFTER ALL, HUH? >> NOT BAD AT ALL. 1790 01:03:53,118 --> 01:03:54,985 >> NOT SO BAD AFTER ALL, HUH? >> NOT BAD AT ALL. >> THAT'S ONE BEAUTIFUL BAG FOR 1791 01:03:54,987 --> 01:03:56,453 >> NOT BAD AT ALL. >> THAT'S ONE BEAUTIFUL BAG FOR AN EVEN BEAUTIFULER WOMAN. 1792 01:03:56,455 --> 01:03:57,087 >> THAT'S ONE BEAUTIFUL BAG FOR AN EVEN BEAUTIFULER WOMAN. FOR REAL, YOU COULD DO 1793 01:03:57,089 --> 01:03:59,522 AN EVEN BEAUTIFULER WOMAN. FOR REAL, YOU COULD DO PORNOGRAPHY. 1794 01:03:59,524 --> 01:04:00,056 FOR REAL, YOU COULD DO PORNOGRAPHY. ALL RIGHT. 1795 01:04:00,058 --> 01:04:00,357 PORNOGRAPHY. ALL RIGHT. NEXT. 1796 01:04:00,359 --> 01:04:05,595 ALL RIGHT. NEXT. >> HEY, I'M HERE TO -- SORRY. 1797 01:04:05,597 --> 01:04:05,996 NEXT. >> HEY, I'M HERE TO -- SORRY. PORNOGRAPHY? 1798 01:04:05,998 --> 01:04:06,329 >> HEY, I'M HERE TO -- SORRY. PORNOGRAPHY? >> YEAH. 1799 01:04:06,331 --> 01:04:06,763 PORNOGRAPHY? >> YEAH. MY APOLOGIES. 1800 01:04:06,765 --> 01:04:07,530 >> YEAH. MY APOLOGIES. THAT WAS JUST A PRIVATE THOUGHT 1801 01:04:07,532 --> 01:04:23,913 MY APOLOGIES. THAT WAS JUST A PRIVATE THOUGHT THAT I SAID OUTLOUD. 1802 01:04:36,694 --> 01:04:40,830 >> I THINK I LOST IT. SORRY. >> HOLD ON. 1803 01:04:40,832 --> 01:04:44,301 SORRY. >> HOLD ON. MRS. VANESSA, NO TAG, NO BAG. 1804 01:04:44,303 --> 01:04:44,701 >> HOLD ON. MRS. VANESSA, NO TAG, NO BAG. >> COME ON. 1805 01:04:44,703 --> 01:04:45,135 MRS. VANESSA, NO TAG, NO BAG. >> COME ON. THAT'S MINE. 1806 01:04:45,137 --> 01:04:46,069 >> COME ON. THAT'S MINE. >> MRS. VANESSA, HELLO? 1807 01:04:46,071 --> 01:04:46,403 THAT'S MINE. >> MRS. VANESSA, HELLO? >> YEAH. 1808 01:04:46,405 --> 01:04:48,104 >> MRS. VANESSA, HELLO? >> YEAH. HI. 1809 01:04:48,106 --> 01:04:50,907 >> YEAH. HI. I DIDN'T GO ANYWHERE. 1810 01:04:50,909 --> 01:04:51,975 HI. I DIDN'T GO ANYWHERE. LOOK, THAT'S MY BAG. 1811 01:04:51,977 --> 01:04:54,511 I DIDN'T GO ANYWHERE. LOOK, THAT'S MY BAG. >> LOOK, RESPECTFULLY, FOR ALL I 1812 01:04:54,513 --> 01:04:57,380 LOOK, THAT'S MY BAG. >> LOOK, RESPECTFULLY, FOR ALL I KNOW, THIS COULD BE AN ISIS BAG. 1813 01:04:57,382 --> 01:04:59,549 >> LOOK, RESPECTFULLY, FOR ALL I KNOW, THIS COULD BE AN ISIS BAG. >> YOU THINK I'M IN ISIS? 1814 01:04:59,551 --> 01:05:01,117 KNOW, THIS COULD BE AN ISIS BAG. >> YOU THINK I'M IN ISIS? >> I CAN'T JUST TAKE YOUR WORD 1815 01:05:01,119 --> 01:05:03,019 >> YOU THINK I'M IN ISIS? >> I CAN'T JUST TAKE YOUR WORD FOR IT, MRS. VANESSA. 1816 01:05:03,021 --> 01:05:05,088 >> I CAN'T JUST TAKE YOUR WORD FOR IT, MRS. VANESSA. I GOT TO CONFIRM THE CONTENTS OF 1817 01:05:05,090 --> 01:05:06,890 FOR IT, MRS. VANESSA. I GOT TO CONFIRM THE CONTENTS OF THE BAG, AND THEN YOU'LL BE GOOD 1818 01:05:06,892 --> 01:05:07,524 I GOT TO CONFIRM THE CONTENTS OF THE BAG, AND THEN YOU'LL BE GOOD TO GO. 1819 01:05:07,526 --> 01:05:09,893 THE BAG, AND THEN YOU'LL BE GOOD TO GO. I AM LOOKING AT A DIARY. 1820 01:05:09,895 --> 01:05:11,094 TO GO. I AM LOOKING AT A DIARY. CAN YOU DESCRIBE YOUR LAST 1821 01:05:11,096 --> 01:05:11,394 I AM LOOKING AT A DIARY. CAN YOU DESCRIBE YOUR LAST ENTRY? 1822 01:05:11,396 --> 01:05:13,530 CAN YOU DESCRIBE YOUR LAST ENTRY? >> NO, I'M NOT DOING THAT. 1823 01:05:13,532 --> 01:05:15,365 ENTRY? >> NO, I'M NOT DOING THAT. >> THEN I'M SORRY, MA'AM. 1824 01:05:15,367 --> 01:05:15,932 >> NO, I'M NOT DOING THAT. >> THEN I'M SORRY, MA'AM. NO BAG. 1825 01:05:15,934 --> 01:05:18,268 >> THEN I'M SORRY, MA'AM. NO BAG. >> ALL RIGHT. 1826 01:05:18,270 --> 01:05:18,768 NO BAG. >> ALL RIGHT. FINE. 1827 01:05:18,770 --> 01:05:21,304 >> ALL RIGHT. FINE. ABOUT HOW I MET THIS GUY, AND I 1828 01:05:21,306 --> 01:05:24,007 FINE. ABOUT HOW I MET THIS GUY, AND I THINK HE MIGHT BE THE ONE. 1829 01:05:24,009 --> 01:05:24,974 ABOUT HOW I MET THIS GUY, AND I THINK HE MIGHT BE THE ONE. >> OH, MY GOD. 1830 01:05:24,976 --> 01:05:29,746 THINK HE MIGHT BE THE ONE. >> OH, MY GOD. >> AND THE ENTRY CONTINUES. 1831 01:05:29,748 --> 01:05:31,147 >> OH, MY GOD. >> AND THE ENTRY CONTINUES. I'M WORRIED THAT HE MIGHT BE -- 1832 01:05:31,149 --> 01:05:32,382 >> AND THE ENTRY CONTINUES. I'M WORRIED THAT HE MIGHT BE -- >> POOR. 1833 01:05:32,384 --> 01:05:34,984 I'M WORRIED THAT HE MIGHT BE -- >> POOR. >> WHOA! 1834 01:05:34,986 --> 01:05:36,052 >> POOR. >> WHOA! >> SORRY. 1835 01:05:36,054 --> 01:05:37,787 >> WHOA! >> SORRY. IT WAS AFTER YOU VENMO REQUESTED 1836 01:05:37,789 --> 01:05:38,955 >> SORRY. IT WAS AFTER YOU VENMO REQUESTED ME FOR A SODA. 1837 01:05:38,957 --> 01:05:39,956 IT WAS AFTER YOU VENMO REQUESTED ME FOR A SODA. I JUST -- 1838 01:05:39,958 --> 01:05:42,492 ME FOR A SODA. I JUST -- >> NOW, MRS. VANESSA. 1839 01:05:42,494 --> 01:05:43,293 I JUST -- >> NOW, MRS. VANESSA. YOU STILL THERE? 1840 01:05:43,295 --> 01:05:46,262 >> NOW, MRS. VANESSA. YOU STILL THERE? >> DUDE, THIS ISN'T A PHONE 1841 01:05:46,264 --> 01:05:46,563 YOU STILL THERE? >> DUDE, THIS ISN'T A PHONE CALL. 1842 01:05:46,565 --> 01:05:48,665 >> DUDE, THIS ISN'T A PHONE CALL. I HAVE NOT MOVED FROM YOUR EYE 1843 01:05:48,667 --> 01:05:48,965 CALL. I HAVE NOT MOVED FROM YOUR EYE LINE. 1844 01:05:48,967 --> 01:05:49,666 I HAVE NOT MOVED FROM YOUR EYE LINE. I'M RIGHT HERE. 1845 01:05:49,668 --> 01:05:52,235 LINE. I'M RIGHT HERE. WHAT ELSE DO I NEED TO DO? 1846 01:05:52,237 --> 01:05:54,738 I'M RIGHT HERE. WHAT ELSE DO I NEED TO DO? IS THE DIARY ENTRY NOT ENOUGH? 1847 01:05:54,740 --> 01:05:56,172 WHAT ELSE DO I NEED TO DO? IS THE DIARY ENTRY NOT ENOUGH? >> THAT DOES NOT MEAN THIS IS 1848 01:05:56,174 --> 01:05:57,407 IS THE DIARY ENTRY NOT ENOUGH? >> THAT DOES NOT MEAN THIS IS YOUR BAG. 1849 01:05:57,409 --> 01:05:59,175 >> THAT DOES NOT MEAN THIS IS YOUR BAG. THAT DIARY COULD HAVE FLOWN UP 1850 01:05:59,177 --> 01:06:00,977 YOUR BAG. THAT DIARY COULD HAVE FLOWN UP OUT OF YOUR BAG, STOPPED, AND 1851 01:06:00,979 --> 01:06:03,346 THAT DIARY COULD HAVE FLOWN UP OUT OF YOUR BAG, STOPPED, AND THEN DOWN INTO ANOTHER. 1852 01:06:03,348 --> 01:06:05,382 OUT OF YOUR BAG, STOPPED, AND THEN DOWN INTO ANOTHER. >> THERE'S NO WAY THAT HAPPENED. 1853 01:06:05,384 --> 01:06:07,250 THEN DOWN INTO ANOTHER. >> THERE'S NO WAY THAT HAPPENED. >> ALSO SEEING SOME MEDICATION. 1854 01:06:07,252 --> 01:06:08,685 >> THERE'S NO WAY THAT HAPPENED. >> ALSO SEEING SOME MEDICATION. CAN YOU TELL ME WHAT THE LABEL 1855 01:06:08,687 --> 01:06:08,985 >> ALSO SEEING SOME MEDICATION. CAN YOU TELL ME WHAT THE LABEL SAYS? 1856 01:06:08,987 --> 01:06:09,519 CAN YOU TELL ME WHAT THE LABEL SAYS? >> IMODIUM. 1857 01:06:09,521 --> 01:06:10,854 SAYS? >> IMODIUM. >> UH-HUH. 1858 01:06:10,856 --> 01:06:13,857 >> IMODIUM. >> UH-HUH. CAN YOU BE MORE SPECIFICALLY? 1859 01:06:13,859 --> 01:06:18,728 >> UH-HUH. CAN YOU BE MORE SPECIFICALLY? >> IT'S EXTREME IMODIUM FOR 1860 01:06:18,730 --> 01:06:19,329 CAN YOU BE MORE SPECIFICALLY? >> IT'S EXTREME IMODIUM FOR UNUSUAL DIARRHEA. 1861 01:06:19,331 --> 01:06:21,464 >> IT'S EXTREME IMODIUM FOR UNUSUAL DIARRHEA. >> NOW UNUSUAL LIKE HOW? 1862 01:06:21,466 --> 01:06:22,365 UNUSUAL DIARRHEA. >> NOW UNUSUAL LIKE HOW? BECAUSE I WOULDN'T CONSIDER ANY 1863 01:06:22,367 --> 01:06:25,702 >> NOW UNUSUAL LIKE HOW? BECAUSE I WOULDN'T CONSIDER ANY DIARRHEA AS USUAL. 1864 01:06:25,704 --> 01:06:28,238 BECAUSE I WOULDN'T CONSIDER ANY DIARRHEA AS USUAL. THIS MUST BE LIKE A SPOOKY KIND, 1865 01:06:28,240 --> 01:06:28,538 DIARRHEA AS USUAL. THIS MUST BE LIKE A SPOOKY KIND, HUH? 1866 01:06:28,540 --> 01:06:31,741 THIS MUST BE LIKE A SPOOKY KIND, HUH? >> MAYBE WE DON'T GO BACK TO 1867 01:06:31,743 --> 01:06:32,041 HUH? >> MAYBE WE DON'T GO BACK TO MINE. 1868 01:06:32,043 --> 01:06:32,976 >> MAYBE WE DON'T GO BACK TO MINE. >> NO, PLEASE. 1869 01:06:32,978 --> 01:06:34,377 MINE. >> NO, PLEASE. THIS IS RIDICULOUS. 1870 01:06:34,379 --> 01:06:36,146 >> NO, PLEASE. THIS IS RIDICULOUS. CAN I PLEASE SPEAK TO YOUR 1871 01:06:36,148 --> 01:06:36,546 THIS IS RIDICULOUS. CAN I PLEASE SPEAK TO YOUR SUPERVISOR? 1872 01:06:36,548 --> 01:06:37,514 CAN I PLEASE SPEAK TO YOUR SUPERVISOR? >> YEAH. 1873 01:06:37,516 --> 01:06:39,983 SUPERVISOR? >> YEAH. RANGO, YOU BACK THERE? 1874 01:06:39,985 --> 01:06:40,717 >> YEAH. RANGO, YOU BACK THERE? >> YEAH. 1875 01:06:40,719 --> 01:06:43,453 RANGO, YOU BACK THERE? >> YEAH. WHAT SEEMS TO BE THE PROBLEM? 1876 01:06:43,455 --> 01:06:44,788 >> YEAH. WHAT SEEMS TO BE THE PROBLEM? >> I THINK THIS BEAUTIFUL LADY 1877 01:06:44,790 --> 01:06:45,989 WHAT SEEMS TO BE THE PROBLEM? >> I THINK THIS BEAUTIFUL LADY MAY BE DISPLEASED. 1878 01:06:45,991 --> 01:06:48,358 >> I THINK THIS BEAUTIFUL LADY MAY BE DISPLEASED. >> WELL, HOW CAN I BE OF 1879 01:06:48,360 --> 01:06:48,758 MAY BE DISPLEASED. >> WELL, HOW CAN I BE OF ASSISTANCE? 1880 01:06:48,760 --> 01:06:50,794 >> WELL, HOW CAN I BE OF ASSISTANCE? >> WHY DO YOU GUYS TALK THE 1881 01:06:50,796 --> 01:06:51,094 ASSISTANCE? >> WHY DO YOU GUYS TALK THE SAME? 1882 01:06:51,096 --> 01:06:51,728 >> WHY DO YOU GUYS TALK THE SAME? >> WELL, THIS IS MY SON. 1883 01:06:51,730 --> 01:06:53,797 SAME? >> WELL, THIS IS MY SON. >> UH-HUH. 1884 01:06:53,799 --> 01:06:57,901 >> WELL, THIS IS MY SON. >> UH-HUH. >> AND THIS IS MY FATHER, RANGO. 1885 01:06:57,903 --> 01:07:02,105 >> UH-HUH. >> AND THIS IS MY FATHER, RANGO. >> THAT'S SHORT FOR RANGORIUS. 1886 01:07:02,107 --> 01:07:04,073 >> AND THIS IS MY FATHER, RANGO. >> THAT'S SHORT FOR RANGORIUS. HELLO TO YOU, BEAUTIFUL 1887 01:07:04,075 --> 01:07:04,441 >> THAT'S SHORT FOR RANGORIUS. HELLO TO YOU, BEAUTIFUL TRAVELER. 1888 01:07:04,443 --> 01:07:09,245 HELLO TO YOU, BEAUTIFUL TRAVELER. >> CAN YOU PLEASE GIVE ME ME BAG 1889 01:07:09,247 --> 01:07:09,546 TRAVELER. >> CAN YOU PLEASE GIVE ME ME BAG BACK. 1890 01:07:09,548 --> 01:07:10,180 >> CAN YOU PLEASE GIVE ME ME BAG BACK. I'VE PROVEN THAT'S MY 1891 01:07:10,182 --> 01:07:10,580 BACK. I'VE PROVEN THAT'S MY MEDICATION. 1892 01:07:10,582 --> 01:07:12,348 I'VE PROVEN THAT'S MY MEDICATION. >> YOUR MEDICATION COULD HAVE 1893 01:07:12,350 --> 01:07:15,084 MEDICATION. >> YOUR MEDICATION COULD HAVE EASILY FLOWN UP OUT OF YOUR BAG, 1894 01:07:15,086 --> 01:07:16,619 >> YOUR MEDICATION COULD HAVE EASILY FLOWN UP OUT OF YOUR BAG, STOPPED, THOUGHT ABOUT IT, AND 1895 01:07:16,621 --> 01:07:18,221 EASILY FLOWN UP OUT OF YOUR BAG, STOPPED, THOUGHT ABOUT IT, AND THEN LANDED INTO ANOTHER. 1896 01:07:18,223 --> 01:07:19,956 STOPPED, THOUGHT ABOUT IT, AND THEN LANDED INTO ANOTHER. >> I'M JUST GOING TO HEAD OUT. 1897 01:07:19,958 --> 01:07:21,491 THEN LANDED INTO ANOTHER. >> I'M JUST GOING TO HEAD OUT. HAVEN'T SLEPT, THIS IS SUPER 1898 01:07:21,493 --> 01:07:22,892 >> I'M JUST GOING TO HEAD OUT. HAVEN'T SLEPT, THIS IS SUPER WEIRD, AND I DON'T KNOW YOU THAT 1899 01:07:22,894 --> 01:07:24,727 HAVEN'T SLEPT, THIS IS SUPER WEIRD, AND I DON'T KNOW YOU THAT WELL. 1900 01:07:24,729 --> 01:07:25,428 WEIRD, AND I DON'T KNOW YOU THAT WELL. I DIDN'T EVEN CARE ABOUT THE 1901 01:07:25,430 --> 01:07:27,230 WELL. I DIDN'T EVEN CARE ABOUT THE DIARRHEA THING, BUT ALSO LIKE I 1902 01:07:27,232 --> 01:07:27,764 I DIDN'T EVEN CARE ABOUT THE DIARRHEA THING, BUT ALSO LIKE I DON'T LOVE IT, SO. 1903 01:07:27,766 --> 01:07:32,168 DIARRHEA THING, BUT ALSO LIKE I DON'T LOVE IT, SO. NICE TO MEET YOU. 1904 01:07:32,170 --> 01:07:35,605 DON'T LOVE IT, SO. NICE TO MEET YOU. >> MRS. VANESSA, I CANNOT HELP 1905 01:07:35,607 --> 01:07:37,073 NICE TO MEET YOU. >> MRS. VANESSA, I CANNOT HELP BUT FEEL SOMEWHAT RESPONSIBLE 1906 01:07:37,075 --> 01:07:37,807 >> MRS. VANESSA, I CANNOT HELP BUT FEEL SOMEWHAT RESPONSIBLE FOR THAT. 1907 01:07:37,809 --> 01:07:38,608 BUT FEEL SOMEWHAT RESPONSIBLE FOR THAT. YOU KNOW WHAT, TAKE THE BAG AND 1908 01:07:38,610 --> 01:07:38,875 FOR THAT. YOU KNOW WHAT, TAKE THE BAG AND GO. 1909 01:07:38,877 --> 01:07:40,043 YOU KNOW WHAT, TAKE THE BAG AND GO. >> THANK YOU. 1910 01:07:40,045 --> 01:07:44,848 GO. >> THANK YOU. VERY MUCH. 1911 01:07:44,850 --> 01:07:46,916 >> THANK YOU. VERY MUCH. >> THAT WAS A VERY NICE LADY. 1912 01:07:46,918 --> 01:07:47,817 VERY MUCH. >> THAT WAS A VERY NICE LADY. VERY NICE LADY. 1913 01:07:47,819 --> 01:07:48,384 >> THAT WAS A VERY NICE LADY. VERY NICE LADY. >> HI. 1914 01:07:48,386 --> 01:07:49,586 VERY NICE LADY. >> HI. I'M LOOKING FOR MY LOST BAG. 1915 01:07:49,588 --> 01:07:51,988 >> HI. I'M LOOKING FOR MY LOST BAG. CAN YOU HELP ME? 1916 01:07:51,990 --> 01:07:53,456 I'M LOOKING FOR MY LOST BAG. CAN YOU HELP ME? >> WELL, ANYTHING FOR A 1917 01:07:53,458 --> 01:07:55,725 CAN YOU HELP ME? >> WELL, ANYTHING FOR A BEAUTIFUL LADY SUCH AS YOURSELF. 1918 01:07:55,727 --> 01:07:56,559 >> WELL, ANYTHING FOR A BEAUTIFUL LADY SUCH AS YOURSELF. HAS ANYONE EVER TOLD YOU THAT 1919 01:07:56,561 --> 01:07:59,028 BEAUTIFUL LADY SUCH AS YOURSELF. HAS ANYONE EVER TOLD YOU THAT YOU CAN DO PORNOGRAPHY? 1920 01:07:59,030 --> 01:08:07,770 HAS ANYONE EVER TOLD YOU THAT YOU CAN DO PORNOGRAPHY? >> HONEY, I ALREADY DO. 1921 01:08:42,773 --> 01:08:50,213 >>> THANK YOU SO MUCH, JUSTIN TIMBERLAKE, JIMMY FALLON, MARK CUBAN, AND -- THANKS FOR COMING 1922 01:08:50,215 --> 01:08:53,683 TIMBERLAKE, JIMMY FALLON, MARK CUBAN, AND -- THANKS FOR COMING OUT!