1 00:00:02,257 --> 00:00:06,027 [ "MISSION: IMPOSSIBLE" THEME PLAYS ] 2 00:00:52,541 --> 00:00:54,341 [ FOOTSTEPS ] 3 00:01:45,227 --> 00:01:47,397 [ CASH REGISTER DINGS ] 4 00:02:00,275 --> 00:02:02,175 GOOD EVENING, MR. BRIGGS. 5 00:02:02,211 --> 00:02:05,341 THIS IS CARL WILSON, A SPECIAL U.S. ENVOY 6 00:02:05,380 --> 00:02:07,220 WHO IS ABOUT TO SUCCEED 7 00:02:07,249 --> 00:02:10,259 IN AFFECTING A VITAL EXCHANGE AGREEMENT 8 00:02:10,285 --> 00:02:11,855 BETWEEN OUR GOVERNMENT 9 00:02:11,886 --> 00:02:14,886 AND A NEUTRAL COUNTRY IMPORTANT TO US. 10 00:02:14,923 --> 00:02:18,553 THIS MAN, PETER KIRI, A NOTORIOUS ENEMY AGENT, 11 00:02:18,593 --> 00:02:20,363 HAS KIDNAPPED WILSON 12 00:02:20,395 --> 00:02:22,495 AND REPLACED HIM WITH AN IMPOSTER. 13 00:02:22,531 --> 00:02:25,231 KIRI'S PURPOSE MUST BE TO DISCREDIT WILSON, 14 00:02:25,267 --> 00:02:28,407 AND SO, PREVENT THE EXCHANGE AGREEMENT FROM BEING RATIFIED. 15 00:02:28,437 --> 00:02:31,437 WILSON IS STILL ALIVE AND BEING HELD PRISONER. 16 00:02:31,473 --> 00:02:33,743 SO, ANY MOVE AGAINST THE IMPOSTER 17 00:02:33,775 --> 00:02:36,645 WOULD BRING WILSON'S INSTANTANEOUS DEATH. 18 00:02:36,678 --> 00:02:39,648 YOUR MISSION, SHOULD YOU DECIDE TO ACCEPT IT, 19 00:02:39,681 --> 00:02:42,781 IS TO SAVE WILSON AND TO PUT KIRI OUT OF ACTION. 20 00:02:42,817 --> 00:02:46,387 AS ALWAYS, SHOULD YOU OR ANY MEMBER OF YOUR I.M. FORCE 21 00:02:46,421 --> 00:02:48,321 BE CAUGHT OR KILLED, 22 00:02:48,357 --> 00:02:51,497 THE SECRETARY WILL DISAVOW ANY KNOWLEDGE OF YOUR ACTIONS. 23 00:02:51,526 --> 00:02:55,366 THIS RECORDING WILL SELF-DESTRUCT IN FIVE SECONDS. 24 00:02:55,397 --> 00:02:56,697 GOOD LUCK, DAN. 25 00:04:37,566 --> 00:04:39,436 [ PROJECTOR WHIRRING ] 26 00:04:42,937 --> 00:04:45,937 THE ONE ON THE LEFT IS CARL WILSON, RIGHT, DAN? 27 00:04:45,974 --> 00:04:47,844 NO, IT LOOKS LIKE WILSON, BUT IT'S REALLY GORT, 28 00:04:47,876 --> 00:04:51,076 AFTER HE MADE THE TRANSFORMATION. 29 00:04:53,081 --> 00:04:54,841 [ PROJECTOR CLICKS ] 30 00:04:54,883 --> 00:04:57,853 HIS BONE STRUCTURE'S MUCH CLOSER TO YOURS THAN MINE, DAN. 31 00:04:57,886 --> 00:04:59,786 THAT'S RIGHT. I'LL HAVE TO PLAY HIM. 32 00:05:07,729 --> 00:05:08,899 WHO IS HE? 33 00:05:08,930 --> 00:05:10,140 THAT'S KIRI. 34 00:05:10,164 --> 00:05:12,504 HE WAS ONCE HEAD OF A LIQUIDATION CAMP 35 00:05:12,534 --> 00:05:13,804 FOR POLITICAL PRISONERS. 36 00:05:13,835 --> 00:05:15,935 NOW HE'S ACTING AS THE ENVOY'S SECRETARY. 37 00:05:22,944 --> 00:05:25,544 HOW DID THEY TAKE OVER THE HOUSE? 38 00:05:25,580 --> 00:05:27,820 AFTER THEY KIDNAPPED WILSON, 39 00:05:27,849 --> 00:05:29,419 GORT TOOK HIS PLACE, DISMISSED THE STAFF, 40 00:05:29,451 --> 00:05:30,811 AND BROUGHT IN HIS OWN PEOPLE. 41 00:05:30,852 --> 00:05:33,022 COULD WILSON POSSIBLY STILL BE IN THE HOUSE? 42 00:05:33,054 --> 00:05:34,924 NO, WE'VE HAD THE HOUSE UNDER SURVEILLANCE. 43 00:05:34,956 --> 00:05:36,756 HE WAS TAKEN OUT AND NEVER BROUGHT BACK. 44 00:05:36,791 --> 00:05:38,751 WHILE YOU'RE PLAYING GORT'S ROLE, WE HAVE TO BREAK HIM? 45 00:05:38,793 --> 00:05:41,763 YES, GORT MUST TALK. THAT'S THE KEY TO THE WHOLE OPERATION. 46 00:05:41,796 --> 00:05:43,636 YOU'LL HAVE DR. DRAKE TO HELP YOU. 47 00:05:43,665 --> 00:05:45,165 ONE QUESTION, DAN. 48 00:05:45,199 --> 00:05:47,069 WHAT SORT OF ELECTRICAL CURRENT DO THEY HAVE THERE? 49 00:05:47,101 --> 00:05:48,701 BARNEY. 50 00:05:48,737 --> 00:05:50,937 THE CURRENT IS DIRECT, BUT THE VOLTAGE VARIES. 51 00:05:50,972 --> 00:05:53,142 SO I'M TAKING A SET OF RECTIFIERS TO KEEP IT CONSTANT. 52 00:05:53,174 --> 00:05:54,844 GOOD. 53 00:05:54,876 --> 00:05:56,716 AND REMEMBER, IN THAT PART OF THE WORLD, 54 00:05:56,745 --> 00:05:58,615 THE CLOSEST THING WE HAVE TO AN INDISPENSABLE MAN IS WILSON. 55 00:05:58,647 --> 00:06:01,617 WE MAKE ONE MISTAKE, WILSON PAYS FOR IT WITH HIS LIFE. 56 00:06:46,828 --> 00:06:48,828 [ BEEPING ] 57 00:06:51,265 --> 00:06:53,135 [ BEEPING STOPS ] 58 00:08:15,216 --> 00:08:16,786 WILLY. 59 00:09:10,104 --> 00:09:13,244 WHAT DO YOU THINK, CINNAMON? 60 00:09:24,252 --> 00:09:26,582 YES. 61 00:09:31,025 --> 00:09:34,165 WHERE WILL THEY BE, KIRI? 62 00:09:34,195 --> 00:09:37,165 ALL RIGHT. ONCE AGAIN. 63 00:09:37,198 --> 00:09:39,968 THEY'LL BE IN THE CAR, WAITING FOR YOU. 64 00:09:40,001 --> 00:09:42,701 ONCE YOU GO OUT THE DOOR, YOUR JOB IS FINISHED. 65 00:09:42,737 --> 00:09:45,277 I GUESS IT'LL WORK. 66 00:09:45,306 --> 00:09:46,676 OF COURSE, IT'LL WORK. 67 00:09:48,743 --> 00:09:50,813 WHAT'S THE MATTER WITH YOU, GORT? 68 00:09:50,845 --> 00:09:54,285 YOU'D THINK THIS WAS THE FIRST JOB YOU'D EVER DONE FOR US. 69 00:09:54,315 --> 00:09:57,315 IT'S THE MOST DIFFICULT. 70 00:09:59,353 --> 00:10:01,883 BUT IT'S A GOOD PLAN. 71 00:10:01,923 --> 00:10:04,123 YES, I'M SATISFIED. 72 00:10:06,928 --> 00:10:08,898 [ BRAKES SQUEAL ] 73 00:10:12,333 --> 00:10:15,703 PATRICIA WILSON, CARL WILSON'S NIECE. 74 00:10:29,851 --> 00:10:31,911 [ RINGS ] 75 00:10:37,926 --> 00:10:39,926 ALL RIGHT. 76 00:10:39,961 --> 00:10:41,321 [ RECEIVER CLICKS ] 77 00:10:42,330 --> 00:10:44,900 YOUR NIECE IS ON THE WAY UP FROM THE GATE. 78 00:10:46,935 --> 00:10:48,105 MY NIECE? 79 00:11:02,316 --> 00:11:04,716 [ DOORBELL RINGS ] 80 00:11:15,029 --> 00:11:17,099 HOW DO YOU DO? I'M PATRICIA WILSON. 81 00:11:17,131 --> 00:11:19,131 I'M DAVE SAUNDERS, MR. WILSON'S ASSISTANT. 82 00:11:19,167 --> 00:11:20,467 HOW DO YOU DO? 83 00:11:20,501 --> 00:11:22,101 -PLEASE COME IN. -THANK YOU. 84 00:11:22,136 --> 00:11:23,776 IS MY UNCLE IN? 85 00:11:23,805 --> 00:11:25,075 YES, HE IS. 86 00:11:27,876 --> 00:11:29,406 UNCLE CARL. 87 00:11:30,812 --> 00:11:31,812 [ SMOOCHES ] 88 00:11:31,846 --> 00:11:33,986 IT'S BEEN SO VERY LONG. 89 00:11:35,850 --> 00:11:37,190 IS EVERYTHING ALL RIGHT? 90 00:11:37,218 --> 00:11:38,488 OH, YES, OF COURSE. 91 00:11:38,519 --> 00:11:41,089 IT'S JUST THAT I'M SO SURPRISED TO SEE YOU. 92 00:11:41,122 --> 00:11:43,322 WELL, DIDN'T YOU GET MY LETTER? 93 00:11:43,357 --> 00:11:45,997 LETTER? WHEN DID YOU SEND IT? 94 00:11:46,027 --> 00:11:47,997 A COUPLE OF MONTHS AGO. 95 00:11:48,029 --> 00:11:49,369 I WROTE TO TELL YOU 96 00:11:49,397 --> 00:11:50,497 I WAS GOING TO BE IN THIS PART OF THE WORLD 97 00:11:50,531 --> 00:11:51,991 DOING SOME RESEARCH -- 98 00:11:52,033 --> 00:11:54,033 YOU KNOW, I STILL HAVEN'T FINISHED MY PhD. 99 00:11:54,068 --> 00:11:56,068 ISN'T THAT FUNNY? I NEVER RECEIVED IT. 100 00:11:56,104 --> 00:11:58,234 OH, GEE, I'M SORRY. 101 00:11:58,272 --> 00:12:00,772 WHAT A LOVELY HOUSE. 102 00:12:00,809 --> 00:12:02,279 -IT IS, ISN'T IT? -MM. 103 00:12:02,310 --> 00:12:04,150 WELL, TELL ME HOW YOU'VE BEEN. 104 00:12:04,178 --> 00:12:05,778 JUST GREAT. DAD'S FINE. 105 00:12:05,814 --> 00:12:08,944 OVERWORKED, AS USUAL. SITUATION NORMAL. 106 00:12:10,418 --> 00:12:11,818 -IS THIS YOUR STUDY? -YES. 107 00:12:11,853 --> 00:12:12,853 MAY I? 108 00:12:12,887 --> 00:12:14,987 OF COURSE. 109 00:12:17,225 --> 00:12:18,525 IT'S QUITE ELEGANT. 110 00:12:18,559 --> 00:12:21,169 ONLY ON THE SURFACE, I'M AFRAID. 111 00:12:21,195 --> 00:12:25,195 UNCLE CARL, THERE'S SO MUCH I WANT TO TALK TO YOU ABOUT. 112 00:12:25,233 --> 00:12:26,563 I'M AT YOUR SERVICE. 113 00:12:26,600 --> 00:12:30,180 WELL, IT'S A PRIVATE FAMILY MATTER. 114 00:12:30,204 --> 00:12:31,334 I SEE. 115 00:12:31,372 --> 00:12:33,572 EXCUSE ME, SIR. 116 00:12:33,607 --> 00:12:36,107 THANK YOU, DAVE. 117 00:12:50,391 --> 00:12:54,091 AND I JUST DON'T GET TO TALK TO DAD MUCH ANYMORE. 118 00:12:54,128 --> 00:12:55,528 I NEED YOUR ADVICE. 119 00:12:55,563 --> 00:12:57,863 IT'S A QUESTION OF ROMANCE. 120 00:13:00,601 --> 00:13:02,201 HE'S A GREAT GUY, 121 00:13:02,236 --> 00:13:04,276 BUT HE JUST DOESN'T EARN ENOUGH MONEY YET. 122 00:13:10,444 --> 00:13:12,244 WELL, WHAT I WAS THINKING WAS 123 00:13:12,280 --> 00:13:15,050 MAYBE YOU COULD FIND SOME WAY TO USE YOUR INFLUENCE TO -- 124 00:13:15,083 --> 00:13:16,513 [ KNOCK AT DOOR ] 125 00:13:16,550 --> 00:13:19,220 YES? 126 00:13:19,253 --> 00:13:20,383 EXCUSE ME, PLEASE. 127 00:13:20,421 --> 00:13:21,421 THE TRUNK -- 128 00:13:21,455 --> 00:13:23,195 WHERE DO YOU WANT IT? 129 00:13:23,224 --> 00:13:25,154 WELL, I DON'T THINK THAT'S BEEN QUITE DECIDED YET. 130 00:13:29,630 --> 00:13:31,070 DO YOU MIND WAITING? 131 00:13:31,099 --> 00:13:33,139 IT'LL BE JUST A FEW MINUTES. 132 00:13:33,167 --> 00:13:34,507 KEEP THE METER RUNNING. 133 00:13:34,535 --> 00:13:36,505 I'LL TAKE CARE OF EVERYTHING. 134 00:13:36,537 --> 00:13:37,977 THAT WILL BE FINE. 135 00:13:38,006 --> 00:13:39,876 AS I WAS SAYING, UNCLE CARL, 136 00:13:39,908 --> 00:13:43,048 THERE'S SO MANY PEOPLE THAT YOU KNOW THAT YOU COULD -- 137 00:13:43,077 --> 00:13:44,377 OF COURSE, DARLING, 138 00:13:44,412 --> 00:13:45,942 BUT I'D LIKE TO MEET THE YOUNG MAN FIRST. 139 00:13:45,980 --> 00:13:47,190 [ LAUGHS ] THANK YOU, UNCLE CARL. 140 00:13:47,215 --> 00:13:48,515 I REALLY APPRECIATE IT. 141 00:13:48,549 --> 00:13:50,359 NONSENSE. NOW, ABOUT YOUR ACCOMMODATIONS, 142 00:13:50,384 --> 00:13:52,384 I THINK YOU'LL LIKE THE LORSKA HOTEL. 143 00:13:52,420 --> 00:13:53,390 [ ROTARY TELEPHONE DIALING ] 144 00:13:53,421 --> 00:13:55,121 THAT SOUNDS JUST FINE. 145 00:13:55,156 --> 00:13:58,296 [ DIALING CONTINUES ] 146 00:13:58,326 --> 00:14:00,166 [ RINGS ] 147 00:14:00,194 --> 00:14:02,424 LORSKA HOTEL. 148 00:14:02,463 --> 00:14:04,393 HELLO. THIS IS CARL WILSON. 149 00:14:04,432 --> 00:14:06,392 MY NIECE PATRICIA WILL BE CHECKING IN SHORTLY. 150 00:14:06,434 --> 00:14:07,934 I'D APPRECIATE IT 151 00:14:07,969 --> 00:14:09,509 IF YOU GIVE HER THE BEST POSSIBLE ACCOMMODATIONS. 152 00:14:09,537 --> 00:14:11,307 WE'LL DO OUR BEST, MR. WILSON. 153 00:14:11,339 --> 00:14:13,149 THANK YOU. 154 00:14:13,174 --> 00:14:14,444 NOW, IF YOU'LL FORGIVE ME, 155 00:14:14,475 --> 00:14:16,205 I'VE REALLY GOT TO GET TO WORK. 156 00:14:16,244 --> 00:14:19,114 I UNDERSTAND. 157 00:14:19,147 --> 00:14:22,087 I'M AFRAID THE TRUNK WILL HAVE TO GO BACK TO THE TAXI. 158 00:14:22,116 --> 00:14:23,216 YES. 159 00:14:23,251 --> 00:14:24,481 WHEN WILL I SEE YOU? 160 00:14:24,518 --> 00:14:26,518 I'LL BE IN TOUCH THE FIRST CHANCE I GET. 161 00:14:26,554 --> 00:14:27,624 GOOD. 162 00:14:39,233 --> 00:14:41,363 SHE COULD BE DANGEROUS. 163 00:14:41,402 --> 00:14:43,372 AT THE LORSKA HOTEL? 164 00:14:43,404 --> 00:14:46,074 MAYBE NOT. 165 00:14:46,107 --> 00:14:48,007 YOU GOT RID OF HER VERY WELL. 166 00:14:48,042 --> 00:14:49,042 THANK YOU. 167 00:14:49,077 --> 00:14:50,617 VERY WELL, INDEED. 168 00:14:50,644 --> 00:14:53,044 [ LIGHTER CLICKS ] 169 00:15:08,096 --> 00:15:10,096 [ VEHICLE APPROACHING ] 170 00:17:23,197 --> 00:17:25,137 AS SOON AS POSSIBLE, DOCTOR. 171 00:17:25,166 --> 00:17:27,306 WE DON'T KNOW HOW MUCH TIME WE HAVE. 172 00:17:38,346 --> 00:17:39,716 AN ASSASSIN, HMM? 173 00:17:39,747 --> 00:17:42,687 WELL, MAYBE WHEN THIS IS ALL OVER, 174 00:17:42,716 --> 00:17:44,616 HE'LL BE BETTER OFF THAN HE WAS BEFORE. 175 00:17:54,462 --> 00:17:57,262 WE'RE GOING TO GIVE HIM 250 MILLIAMPERES OF CURRENT 176 00:17:57,298 --> 00:17:58,668 FOR EXACTLY 10 SECONDS. 177 00:17:58,699 --> 00:18:00,309 THAT'S SLIGHTLY HIGHER THAN THE USUAL DOSAGE. 178 00:18:00,334 --> 00:18:01,564 A HIGHER DOSAGE? 179 00:18:01,602 --> 00:18:03,302 WE'RE NOT TAKING A CHANCE 180 00:18:03,337 --> 00:18:05,177 ON DESTROYING HIS MEMORY COMPLETELY, ARE WE, DOCTOR? 181 00:18:05,206 --> 00:18:06,836 ONLY FOR THE IMMEDIATE PAST, 182 00:18:06,874 --> 00:18:08,804 LIKE THE EVENTS OF THIS MORNING. 183 00:18:25,826 --> 00:18:27,896 ALL RIGHT. 184 00:18:31,432 --> 00:18:33,432 [ ELECTRICITY HUMMING ] 185 00:18:46,947 --> 00:18:48,417 [ ELECTRICITY BUZZING ] 186 00:19:02,830 --> 00:19:04,370 [ BUZZING STOPS ] 187 00:19:04,398 --> 00:19:06,898 [ SIGHS ] 188 00:19:06,934 --> 00:19:10,234 HOW LONG WILL HE BE OUT? 189 00:19:10,271 --> 00:19:11,771 20 MINUTES TO HALF AN HOUR. 190 00:19:11,805 --> 00:19:13,775 HOW SOON AFTER THAT WILL I BE ABLE TO TALK TO HIM? 191 00:19:13,807 --> 00:19:14,947 ALMOST IMMEDIATELY. 192 00:19:14,975 --> 00:19:16,975 HE'LL BE TERRIBLY CONFUSED. 193 00:19:17,010 --> 00:19:18,550 HE WON'T HAVE ANY NOTION WHAT HAPPENED TO HIM. 194 00:19:18,579 --> 00:19:21,189 BUT THEN, THAT'S THE WHOLE IDEA, ISN'T IT? 195 00:19:27,588 --> 00:19:30,758 JOSEF, IN ALL THE TIME I'VE KNOWN YOU, 196 00:19:30,791 --> 00:19:33,461 I'VE NEVER SEEN YOU SMOKE WITHOUT YOUR HOLDER BEFORE. 197 00:19:33,494 --> 00:19:36,864 I REALIZED SOMETHING TODAY WHEN I SAW THE GIRL. 198 00:19:36,897 --> 00:19:39,767 JOSEF GORT USES A HOLDER. WILSON NEVER DID. 199 00:19:39,800 --> 00:19:42,340 REMEMBER, KIRI, I WAS ONCE ON THE STAGE. 200 00:19:42,370 --> 00:19:44,710 AN ACTOR MUST SUBMERGE HIMSELF COMPLETELY 201 00:19:44,738 --> 00:19:46,478 IN THE ROLE HE'S PLAYING. 202 00:19:46,507 --> 00:19:48,707 I SEE. 203 00:19:48,742 --> 00:19:51,572 [ TELEPHONE RINGS ] 204 00:19:51,612 --> 00:19:53,982 HELLO? 205 00:19:54,014 --> 00:19:56,414 NO, THIS IS MR. WILSON'S ASSISTANT. 206 00:19:56,450 --> 00:19:58,020 I UNDERSTAND, SIR. 207 00:19:58,051 --> 00:20:00,621 NO, THAT'LL BE FINE, SIR. 208 00:20:00,654 --> 00:20:02,324 WE'LL EXPECT YOU. 209 00:20:02,356 --> 00:20:04,356 THANK YOU VERY MUCH. 210 00:20:04,392 --> 00:20:05,522 [ RECEIVER CLICKS ] 211 00:20:05,559 --> 00:20:06,929 THAT WAS JONATHAN DAVIS, 212 00:20:06,960 --> 00:20:08,870 THE AMERICAN UNDERSECRETARY OF STATE. 213 00:20:08,896 --> 00:20:10,436 HE'S JUST ARRIVED AT THE AIRPORT, 214 00:20:10,464 --> 00:20:12,464 AND HE WANTS TO MEET WITH YOU THIS AFTERNOON. 215 00:20:12,500 --> 00:20:15,470 [ GROANING ] 216 00:21:06,954 --> 00:21:10,524 WH...WHERE... 217 00:21:10,558 --> 00:21:13,368 COME ON. GET UP. YOU'RE GOING TO SEE THE DOCTOR. 218 00:21:13,394 --> 00:21:15,724 DOCTOR? 219 00:21:15,763 --> 00:21:17,933 I SAID GET UP! 220 00:21:30,544 --> 00:21:32,644 [ WOMAN CRIES ] 221 00:21:34,147 --> 00:21:36,717 [ WOMAN SCREAMS ] 222 00:21:45,726 --> 00:21:47,366 COME ON. 223 00:21:52,032 --> 00:21:54,362 SIT DOWN, MR. KROLL. 224 00:21:57,438 --> 00:22:00,648 REMEMBER, ROLLIN, YOU'RE HIS ONLY FRIEND. 225 00:22:09,049 --> 00:22:11,059 AH, GOOD MORNING, MR. KROLL. 226 00:22:11,084 --> 00:22:14,624 ATTENDANT, YOU CAN REMOVE MR. KROLL'S RESTRAINTS. 227 00:22:21,495 --> 00:22:24,635 WELL, HOW ARE WE TODAY, MR. KROLL? 228 00:22:24,665 --> 00:22:25,895 WHAT? 229 00:22:28,068 --> 00:22:29,808 WHAT IS THAT? 230 00:22:29,837 --> 00:22:31,477 THAT IS A TAPE RECORDER. 231 00:22:31,505 --> 00:22:34,105 YOU'VE PROBABLY SEEN IT HERE HALF A DOZEN TIMES. 232 00:22:34,141 --> 00:22:36,971 HOW DO YOU THINK WE'VE COMPILED YOUR CASE HISTORY? 233 00:22:37,010 --> 00:22:39,450 CASE HISTORY? 234 00:22:42,215 --> 00:22:43,785 WHAT IS THIS PLACE? 235 00:22:43,817 --> 00:22:46,987 WE ESTABLISHED THAT LAST TIME, MR. KROLL. 236 00:22:47,020 --> 00:22:51,160 I AM DR. MALENOV. 237 00:22:51,191 --> 00:22:53,521 THIS IS A MENTAL HOSPITAL. 238 00:22:56,464 --> 00:22:59,764 THIS IS A PLEASANT SURPRISE, JONATHAN. 239 00:22:59,800 --> 00:23:02,440 I HADN'T EXPECTED TO SEE YOU UNTIL THIS EVENING. 240 00:23:02,470 --> 00:23:04,180 A RECEPTION'S NO PLACE TO TALK. 241 00:23:04,204 --> 00:23:05,704 MY PLANE WAS EARLY, 242 00:23:05,739 --> 00:23:06,939 AND I DECIDED TO TAKE ADVANTAGE OF IT -- 243 00:23:06,974 --> 00:23:09,004 HAVEN'T EVEN BEEN TO MY HOTEL YET. 244 00:23:09,042 --> 00:23:11,042 THE JOB MUST BE AGREEING WITH YOU. 245 00:23:11,078 --> 00:23:13,748 -WE'RE GETTING IT DONE. -YOU CERTAINLY ARE. 246 00:23:13,781 --> 00:23:15,441 AND ODDLY ENOUGH, YOU LOOK YOUNGER FOR IT. 247 00:23:15,483 --> 00:23:16,513 THANK YOU, JONATHAN. 248 00:23:16,550 --> 00:23:18,960 OH, I SAW YOUR SON IN ROME. 249 00:23:18,986 --> 00:23:22,156 HE TOLD ME TO TELL YOU HE WAS DOWN TO A 12. 250 00:23:22,189 --> 00:23:23,459 OH? 251 00:23:23,491 --> 00:23:24,821 WHAT ARE YOU PLAYING TO NOW? 252 00:23:24,858 --> 00:23:27,058 [ CHUCKLES ] I REALLY DON'T KNOW, JONATHAN. 253 00:23:27,094 --> 00:23:29,594 THE NEAREST GOLF COURSE IS 200 MILES AWAY. 254 00:23:29,630 --> 00:23:31,070 I DO MISS IT, THOUGH. 255 00:23:31,098 --> 00:23:33,168 I'LL BET YOU DO. 256 00:23:33,200 --> 00:23:35,470 [ GLASS THUMPS ] 257 00:23:37,738 --> 00:23:39,838 WOULD YOU LIKE A CIGARETTE, MR. KROLL? 258 00:23:39,873 --> 00:23:42,643 THANK YOU. 259 00:23:50,518 --> 00:23:53,928 WHY DO YOU KEEP CALLING ME MR. KROLL? 260 00:23:53,954 --> 00:23:57,024 BECAUSE THAT'S YOUR NAME. 261 00:23:57,057 --> 00:23:59,957 GEORGI KROLL, ACCOUNTANT. 262 00:23:59,993 --> 00:24:03,093 YOU HAVE BEEN WITH US FOR ABOUT FIVE MONTHS. 263 00:24:03,130 --> 00:24:04,140 NO. 264 00:24:04,164 --> 00:24:06,664 MY NAME IS... 265 00:24:13,040 --> 00:24:15,180 JOSEF! JOSEF GORT! 266 00:24:15,208 --> 00:24:17,648 JOSEF GORT DOES NOT EXIST, MR. KROLL. 267 00:24:17,678 --> 00:24:19,878 THERE IS NO SUCH PERSON. 268 00:24:19,913 --> 00:24:21,813 BUT I AM JOSEF GORT. 269 00:24:21,849 --> 00:24:22,949 I AM A... 270 00:24:30,624 --> 00:24:32,624 YES, YES, YOU TOLD US A GREAT DEAL 271 00:24:32,660 --> 00:24:34,070 ABOUT JOSEF GORT. 272 00:24:34,094 --> 00:24:35,594 LET'S SEE. 273 00:24:35,629 --> 00:24:37,769 MM, QUITE A FELLOW, JOSEF GORT. 274 00:24:37,798 --> 00:24:39,768 A FINE ACTOR, BECAME A SECRET AGENT. 275 00:24:39,800 --> 00:24:41,840 EVENTUALLY, A POLITICAL ASSASSIN. 276 00:24:41,869 --> 00:24:44,179 ALL SORTS OF EXCITING ADVENTURES. 277 00:24:44,204 --> 00:24:45,534 WOMEN, DANGER. 278 00:24:50,110 --> 00:24:52,550 LOOK, MR. KROLL, IN TRUTH, 279 00:24:52,580 --> 00:24:55,920 JOSEF GORT EXISTS ONLY OUT OF YOUR ILLNESS. 280 00:24:55,949 --> 00:24:58,119 HE IS A CREATURE OF FANTASY. 281 00:24:58,151 --> 00:25:02,181 YOU ARE GEORGI KROLL, THE ACCOUNTANT AT A STATE BANK. 282 00:25:02,222 --> 00:25:03,922 I AM GORT! 283 00:25:07,260 --> 00:25:08,800 [ SIGHS ] 284 00:25:08,829 --> 00:25:12,099 A MOST PERSISTENT DELUSION. 285 00:25:12,132 --> 00:25:13,862 WELL, PERHAPS... 286 00:25:13,901 --> 00:25:18,771 PERHAPS THAT'S THE CORRECT WAY TO ATTACK THIS PROBLEM. 287 00:25:18,806 --> 00:25:19,906 LET US SEE. 288 00:25:19,940 --> 00:25:21,280 [ CLEARS THROAT ] 289 00:25:21,308 --> 00:25:23,848 LAST TIME YOU TOLD US THAT JOSEF GORT 290 00:25:23,877 --> 00:25:25,947 WAS WORKING WITH A SPECIAL TEAM OF AGENTS 291 00:25:25,979 --> 00:25:27,219 IN A FOREIGN COUNTRY. 292 00:25:27,247 --> 00:25:29,047 HE HAD KIDNAPPED THE AMERICAN ENVOY, 293 00:25:29,082 --> 00:25:31,012 A MAN NAMED WILSON, AND REPLACED HIM -- 294 00:25:31,051 --> 00:25:34,651 NO, THAT YOU HAD REPLACED HIM AND YOU TOOK HIS PLACE. 295 00:25:34,688 --> 00:25:35,988 CORRECT? 296 00:25:39,359 --> 00:25:41,929 I TOLD YOU ALL THAT? 297 00:25:41,962 --> 00:25:44,862 YES. MANY TIMES. 298 00:25:54,875 --> 00:25:57,715 WHAT WE'D LIKE YOU TO DO IS PREPARE THE GROUNDWORK 299 00:25:57,745 --> 00:26:00,645 FOR A POSSIBLE PRESIDENTIAL VISIT HERE THIS SUMMER. 300 00:26:00,681 --> 00:26:02,241 YOU SAY "POSSIBLE VISIT"? 301 00:26:02,282 --> 00:26:05,612 WHETHER IT COMES OFF DEPENDS ON WHAT YOU ACCOMPLISH HERE 302 00:26:05,653 --> 00:26:07,283 DURING THE NEXT FEW MONTHS. 303 00:26:07,320 --> 00:26:09,990 AND, CARL, WE HAVE EVERY CONFIDENCE IN YOU. 304 00:26:29,943 --> 00:26:32,143 COME ON. 305 00:26:37,017 --> 00:26:40,957 THIS OLD PLACE IS COMING APART. 306 00:26:40,988 --> 00:26:43,188 SO? SOMETIMES THEY LEAVE VALUABLE THINGS 307 00:26:43,223 --> 00:26:44,993 IN THESE OLD PLACES. 308 00:26:45,025 --> 00:26:48,225 ALL THIS PLACE IS GOOD FOR IS ONE BIG FIRE. 309 00:26:48,261 --> 00:26:49,291 YEAH. 310 00:26:49,329 --> 00:26:52,839 MR. KROLL... 311 00:26:52,866 --> 00:26:55,906 COULD YOU TELL US WHAT YOU FANTASIZED 312 00:26:55,936 --> 00:26:59,776 YOU WERE GOING TO DO WITH THIS, THIS MAN WILSON? 313 00:26:59,807 --> 00:27:01,977 I WON'T TELL YOU ANYTHING. 314 00:27:02,009 --> 00:27:04,679 I'M TRYING TO HELP YOU, MR. KROLL. 315 00:27:04,712 --> 00:27:06,442 I AM YOUR FRIEND. 316 00:27:06,479 --> 00:27:08,019 I DON'T WANT TO SEE YOU 317 00:27:08,048 --> 00:27:09,918 SPEND THE REST OF YOUR LIFE IN THIS PLACE. 318 00:27:09,950 --> 00:27:13,120 I AM JOSEF GORT. DO YOU UNDERSTAND? 319 00:27:13,153 --> 00:27:14,123 GORT! 320 00:27:14,154 --> 00:27:15,154 MR. KROLL! 321 00:27:15,188 --> 00:27:16,188 LET ME GO. LET ME GO! 322 00:27:16,223 --> 00:27:18,023 WHAT ARE YOU DOING TO ME? 323 00:27:18,058 --> 00:27:19,998 NO! I DON'T WANT THAT! 324 00:27:20,027 --> 00:27:20,997 NO! 325 00:27:21,028 --> 00:27:22,168 I'M TERRIBLY SORRY. 326 00:27:22,195 --> 00:27:24,795 I THOUGHT WE'D MADE SOME PROGRESS. 327 00:27:24,832 --> 00:27:26,332 PERHAPS ANOTHER TIME. 328 00:27:26,366 --> 00:27:28,766 TAKE HIM BACK TO ISOLATION. 329 00:27:28,802 --> 00:27:30,462 WHY WON'T YOU BELIEVE ME? 330 00:27:30,503 --> 00:27:32,303 I TOLD YOU WHO I AM. 331 00:27:32,339 --> 00:27:34,149 WHY DON'T YOU BELIEVE ME? 332 00:27:34,174 --> 00:27:36,804 WHY DON'T YOU BELIEVE ME? 333 00:27:36,844 --> 00:27:38,074 LET ME GO. 334 00:27:38,111 --> 00:27:39,311 LET ME GO! 335 00:27:39,346 --> 00:27:41,286 NOOOO! 336 00:27:48,155 --> 00:27:51,255 PLEASE, PLEASE, DON'T LEAVE ME IN HERE. 337 00:27:51,291 --> 00:27:53,121 PLEASE! 338 00:28:14,815 --> 00:28:16,115 FYDOR, LOOK! 339 00:28:16,149 --> 00:28:17,119 WHAT IS IT? 340 00:28:17,150 --> 00:28:19,020 LET'S FIND OUT. 341 00:28:23,957 --> 00:28:26,127 [ Whispering ] There's someone in there. 342 00:28:26,159 --> 00:28:27,159 So what? Come on. 343 00:28:30,864 --> 00:28:32,264 [ ALARM RINGS ] 344 00:28:44,945 --> 00:28:46,915 WILLY! 345 00:29:05,198 --> 00:29:06,868 WHAT DO WE DO, ROLLIN? 346 00:29:06,900 --> 00:29:08,140 WE CAN'T STOP NOW. 347 00:29:08,168 --> 00:29:10,938 WE'LL HAVE TO TRUST WILLY. 348 00:29:26,386 --> 00:29:28,326 BOYS. 349 00:29:30,457 --> 00:29:33,157 I NO GOING TO HURT YOU BOYS. 350 00:29:35,929 --> 00:29:39,139 I DON'T WANT YOU TO TELL ON ME. 351 00:29:41,201 --> 00:29:46,171 BOYS, PLEASE, IF YOU TELL, THEY SEND ME TO JAIL. 352 00:29:50,577 --> 00:29:52,117 ALL RIGHT. 353 00:29:52,145 --> 00:29:54,385 GOOD BOYS. 354 00:30:10,097 --> 00:30:12,497 [ MAN CRIES ] 355 00:30:17,905 --> 00:30:21,405 [ Crying ] OH, PLEASE, DON'T! 356 00:30:21,441 --> 00:30:24,441 [ Echoing ] MR. KROLL! 357 00:30:24,477 --> 00:30:25,947 MR. KROLL! 358 00:30:25,979 --> 00:30:28,619 [ CRYING CONTINUES ] 359 00:30:28,648 --> 00:30:33,858 OH, PLEASE, DON'T! 360 00:30:36,289 --> 00:30:38,859 [ LAUGHING ] 361 00:30:52,372 --> 00:30:55,502 [ WOMAN SCREAMS ] 362 00:30:55,542 --> 00:30:56,972 NO! 363 00:30:57,010 --> 00:30:59,020 [ MAN SPEAKING DISTORTEDLY ] 364 00:30:59,046 --> 00:31:01,516 NO! 365 00:31:01,548 --> 00:31:03,248 [ MAN SCREAMS ] 366 00:31:03,283 --> 00:31:05,983 BLOOD ON YOUR HANDS. 367 00:31:06,019 --> 00:31:08,559 BLOOD ON YOUR HANDS. 368 00:31:08,588 --> 00:31:12,098 BLOOD ON YOUR HANDS. 369 00:31:14,161 --> 00:31:16,891 [ CRYING ] 370 00:31:26,173 --> 00:31:28,143 [ SCREAMING ] 371 00:31:28,175 --> 00:31:31,175 GORT, YOU MUST KILL! 372 00:31:44,491 --> 00:31:46,421 [ VOICES STOP ] 373 00:32:01,174 --> 00:32:03,504 [ SCREAMING ] 374 00:32:03,543 --> 00:32:05,713 AH! AH! AH! 375 00:32:05,745 --> 00:32:07,675 [ SCREAMING STOPS ] 376 00:32:11,318 --> 00:32:14,088 [ BUZZING ] 377 00:32:24,364 --> 00:32:26,664 [ CRYING ] 378 00:32:29,236 --> 00:32:30,966 HELP ME! 379 00:32:36,643 --> 00:32:39,473 HELP ME! 380 00:32:39,512 --> 00:32:41,342 KILL WILSON! 381 00:32:41,381 --> 00:32:43,011 HELP ME! 382 00:32:43,050 --> 00:32:45,260 [ Echoing ] KILL! 383 00:32:45,285 --> 00:32:47,685 [ CRYING ] 384 00:33:01,634 --> 00:33:04,634 KIRI, THE GUEST LIST FOR THE RECEPTION -- 385 00:33:04,671 --> 00:33:06,431 I DON'T SEEM TO HAVE IT. 386 00:33:06,473 --> 00:33:08,403 YOU GAVE IT BACK TO ME. 387 00:33:08,441 --> 00:33:09,701 MAY I SEE IT, PLEASE? 388 00:33:09,742 --> 00:33:12,312 I WANT TO MAKE SURE THAT I'M PREPARED. 389 00:33:17,717 --> 00:33:20,657 THANK YOU. 390 00:33:22,389 --> 00:33:23,829 [ CHUCKLES ] 391 00:33:23,856 --> 00:33:25,826 YOU'LL HAVE TO ADMIT, IT IS QUITE AN ASSORTMENT. 392 00:33:25,858 --> 00:33:30,298 THE USUAL -- PRESS, GOVERNMENT OFFICIALS, 393 00:33:30,330 --> 00:33:32,570 VISITING DIGNITARIES. 394 00:33:32,599 --> 00:33:34,569 WHY THE MINISTER OF SECURITY? 395 00:33:34,601 --> 00:33:36,361 HE'S THE HEAD OF THE POLICE. 396 00:33:36,403 --> 00:33:41,603 JOSEF...CAN YOU THINK OF A BETTER WITNESS? 397 00:33:44,444 --> 00:33:47,174 THERE IS...SOMEONE ELSE WE OUGHT TO ASK. 398 00:33:47,214 --> 00:33:49,314 WHO? 399 00:33:49,349 --> 00:33:50,649 MY NIECE. 400 00:33:50,683 --> 00:33:52,283 WILSON WOULD NEVER NEGLECT TO INVITE HER 401 00:33:52,319 --> 00:33:53,659 TO A FUNCTION LIKE THIS. 402 00:33:53,686 --> 00:33:56,486 BESIDES, SHE, TOO, WOULD BE A GOOD WITNESS. 403 00:34:09,836 --> 00:34:12,476 [ RINGING ] 404 00:34:15,808 --> 00:34:17,478 LORSKA HOTEL. 405 00:34:17,510 --> 00:34:19,650 I'D LIKE TO SPEAK TO MISS PATRICIA WILSON, PLEASE. 406 00:34:19,679 --> 00:34:21,619 ONE MOMENT, PLEASE. 407 00:34:26,586 --> 00:34:28,386 PATRICIA WILSON SPEAKING. 408 00:34:28,421 --> 00:34:31,191 DEAR, I WAS SO SURPRISED TO SEE YOU THIS MORNING 409 00:34:31,224 --> 00:34:34,494 I COMPLETELY FORGOT TO INVITE YOU TO THE RECEPTION TONIGHT. 410 00:34:34,527 --> 00:34:36,897 I'D LIKE YOU TO BE HERE. IT SHOULD BE QUITE EXCITING. 411 00:34:36,929 --> 00:34:39,769 IT SOUNDS LOVELY, UNCLE CARL. I'LL BE THERE. 412 00:34:39,799 --> 00:34:43,409 IS THERE ANYTHING SPECIAL I SHOULD WEAR? 413 00:34:43,436 --> 00:34:45,876 IT'S BLACK TIE. SEE YOU TONIGHT. 414 00:34:46,939 --> 00:34:48,579 [ RECEIVER CLICKS ] 415 00:34:48,608 --> 00:34:50,408 WHATEVER THEY'RE PLANNING TO DO, 416 00:34:50,443 --> 00:34:51,843 IT'S AT A RECEPTION TONIGHT. 417 00:34:51,878 --> 00:34:55,288 WE'VE GOT TO HAVE ANOTHER GO AT HIM, NOW. 418 00:34:55,315 --> 00:34:56,515 I JUST HOPE HE'S READY. 419 00:34:56,549 --> 00:34:57,849 HE'S CERTAINLY CONFUSED 420 00:34:57,884 --> 00:35:00,214 AS TO WHAT'S FANTASY AND WHAT'S REALITY. 421 00:35:03,723 --> 00:35:06,523 BARNEY, SET HIM UP. 422 00:35:06,559 --> 00:35:08,699 RIGHT. 423 00:35:21,841 --> 00:35:23,301 WHAT IS THAT? 424 00:35:23,343 --> 00:35:26,273 THAT IS AN ELECTRO SHOCK DEVICE, MR. KROLL. 425 00:35:26,313 --> 00:35:29,683 WE HAVE USED IT ON YOU BEFORE. 426 00:35:29,716 --> 00:35:30,946 PUT HIM ON THE TABLE, PLEASE. 427 00:35:30,983 --> 00:35:32,513 NO, I DON'T WANT IT. 428 00:35:32,552 --> 00:35:33,512 COME ON. 429 00:35:33,553 --> 00:35:35,683 NO, NO, NO! 430 00:35:35,722 --> 00:35:37,682 DOCTOR, WHY ARE YOU DOING THIS TO ME? 431 00:35:37,724 --> 00:35:40,424 WE ARE TRYING TO HELP YOU, MR. KROLL. 432 00:35:40,460 --> 00:35:43,900 BUT SO FAR, WE HAVE NOT BEEN ABLE TO REACH YOU. 433 00:35:43,930 --> 00:35:45,770 THESE TREATMENTS SHOULD MAKE YOU 434 00:35:45,798 --> 00:35:47,598 MORE AMENABLE TO THERAPY. 435 00:35:47,634 --> 00:35:51,434 I WANT THE OTHER DOCTOR. PLEASE. 436 00:35:51,471 --> 00:35:54,741 WELL, I DO NOT KNOW IF I CAN ARRANGE IT, 437 00:35:54,774 --> 00:35:56,844 BUT I WILL SPEAK TO HIM. 438 00:36:00,380 --> 00:36:01,620 [ DOOR OPENS ] 439 00:36:01,648 --> 00:36:03,618 THIS IS YOUR LAST CHANCE. USE IT. 440 00:36:03,650 --> 00:36:05,960 TOO MANY MORE SHOCKS, AND YOU'LL BE HERE FOREVER. 441 00:36:05,985 --> 00:36:07,515 WELL... 442 00:36:11,724 --> 00:36:14,294 WHAT SEEMS TO BE THE TROUBLE, MR. KROLL? 443 00:36:14,327 --> 00:36:17,567 I...I DON'T WANT THE MACHINE. 444 00:36:17,597 --> 00:36:18,937 BUT YOU WON'T TALK TO US. 445 00:36:18,965 --> 00:36:20,765 I WILL. I PROMISE. 446 00:36:20,800 --> 00:36:21,810 HMM. 447 00:36:21,834 --> 00:36:23,364 VERY WELL. 448 00:36:23,403 --> 00:36:26,273 YOU TELL US SOMETHING ABOUT YOURSELF. 449 00:36:26,306 --> 00:36:28,676 ABOUT YOUR WORK AT THE BANK. 450 00:36:28,708 --> 00:36:32,418 I DON'T KNOW ANYTHING ABOUT THE BANK. 451 00:36:32,445 --> 00:36:33,775 YOU SEE? 452 00:36:33,813 --> 00:36:36,883 YOU HAD BETTER GET DR. STANIS. 453 00:36:36,916 --> 00:36:39,816 NO! 454 00:36:39,852 --> 00:36:45,252 MR. KROLL, I WOULD VERY MUCH LIKE TO HELP YOU, VERY MUCH. 455 00:36:45,292 --> 00:36:48,722 BUT, YOU SEE, I HAVE 1,500 OTHER PATIENTS. 456 00:36:50,497 --> 00:36:56,907 MAYBE...MAYBE THESE FANTASIES ABOUT JOSEF GORT 457 00:36:56,936 --> 00:36:58,936 WOULD BE OF SOME VALUE, AFTER ALL. 458 00:36:58,971 --> 00:37:00,831 YOU WERE TELLING US ABOUT A RECEPTION. 459 00:37:00,873 --> 00:37:04,343 I DON'T... WANT TO TALK ABOUT THAT. 460 00:37:04,377 --> 00:37:05,717 [ SIGHS ] 461 00:37:05,745 --> 00:37:09,845 TELL DR. STANIS 300 MILLIAMPERES OF SHOCK. 462 00:37:09,882 --> 00:37:10,912 DOCTOR! 463 00:37:10,950 --> 00:37:13,320 YES, MR. KROLL? 464 00:37:16,556 --> 00:37:20,396 DOCTOR...I'M SORRY. 465 00:37:33,873 --> 00:37:36,273 [ DRAWER CLOSES ] 466 00:37:42,882 --> 00:37:44,752 HERE. 467 00:37:46,553 --> 00:37:51,493 FIRST, DAVIS. THEN, WILSON. 468 00:38:09,542 --> 00:38:11,612 ROLLIN, IF GORT WAS SUPPOSED TO KILL WILSON, 469 00:38:11,644 --> 00:38:13,014 HE MUST KNOW WHERE WILSON IS. 470 00:38:13,045 --> 00:38:14,685 I'M CONVINCED HE DOESN'T KNOW. 471 00:38:14,714 --> 00:38:16,384 I DON'T THINK HE EVER KNEW. 472 00:38:16,416 --> 00:38:17,946 THEN HOW COULD HE KILL HIM? 473 00:38:17,984 --> 00:38:19,584 THEY MUST BE PLANNING TO BRING WILSON TO HIM. 474 00:38:19,619 --> 00:38:21,989 EXACTLY. THAT'S WHEN WE GRAB HIM. 475 00:38:22,021 --> 00:38:24,851 [ LIGHT JAZZ MUSIC PLAYS ] 476 00:38:24,891 --> 00:38:27,851 [ INDISTINCT CONVERSATION ] 477 00:38:35,167 --> 00:38:37,367 STEPHEN DROKER, JONATHAN DAVIS. 478 00:38:37,404 --> 00:38:39,834 MR. DROKER IS THE MINISTER OF SECURITY. 479 00:38:39,872 --> 00:38:42,702 I AM VERY HONORED TO MEET YOU, MR. DAVIS. 480 00:38:50,517 --> 00:38:52,387 THIS SHOULD SOLVE THE PROBLEM 481 00:38:52,419 --> 00:38:53,719 OF KEEPING DAVIS ALIVE. 482 00:38:53,753 --> 00:38:55,883 I SPACED FOUR SHEETS OF LIGHT STEEL 483 00:38:55,922 --> 00:38:57,852 BETWEEN THE PAGES. 484 00:39:02,762 --> 00:39:04,022 GOOD. 485 00:39:05,932 --> 00:39:08,132 NOW WE'LL SEW THE BOOK IN HERE. 486 00:39:11,103 --> 00:39:16,043 AND...I'LL USE THIS TO WRITE ON HIS CIGARETTE. 487 00:39:16,075 --> 00:39:18,175 I'LL WATCH FOR IT. 488 00:39:18,210 --> 00:39:20,550 BRING HIM IN. 489 00:39:23,483 --> 00:39:26,083 [ MUSIC PLAYS ] 490 00:39:32,224 --> 00:39:35,164 YOU REMEMBER ME. I'M CARL WILSON'S NIECE. 491 00:39:50,910 --> 00:39:52,480 OVER HERE. 492 00:39:52,512 --> 00:39:54,442 IN THIS CHAIR. 493 00:39:58,918 --> 00:40:00,218 [ APPLAUSE ] 494 00:40:00,252 --> 00:40:02,052 LEAVE HIM. 495 00:40:02,088 --> 00:40:03,688 [ MUSIC ENDS ] 496 00:40:07,960 --> 00:40:09,130 [ DOOR OPENS ] 497 00:40:11,097 --> 00:40:12,537 [ MID-TEMPO MUSIC PLAYS ] 498 00:40:12,565 --> 00:40:15,105 WILSON'S AT HIS DESK IN THE STUDY. 499 00:40:15,134 --> 00:40:16,204 WE'RE READY. 500 00:40:19,506 --> 00:40:21,906 OH, HELLO. NICE TO SEE YOU. 501 00:40:25,678 --> 00:40:26,978 UNCLE CARL. 502 00:40:27,013 --> 00:40:29,813 I AM SO PLEASED YOU INVITED ME THIS EVENING. 503 00:40:29,849 --> 00:40:32,659 IT GIVES ME A CHANCE TO INTRODUCE MY FIANCé. 504 00:40:32,685 --> 00:40:34,115 RONALD MILLER, CARL WILSON. 505 00:40:34,153 --> 00:40:35,483 -HOW DO YOU DO? -HOW DO YOU DO? 506 00:40:35,522 --> 00:40:36,852 PLEASURE. 507 00:40:36,889 --> 00:40:38,699 HE FLEW UP FROM ROME FOR JUST THIS EVENING. 508 00:40:53,139 --> 00:40:55,509 TELEPHONE CALL FOR YOU, MR. DAVIS. 509 00:40:55,542 --> 00:40:56,602 YOU CAN TAKE IT IN THE FOYER. 510 00:40:56,643 --> 00:40:57,603 THANK YOU. 511 00:40:57,644 --> 00:40:58,674 EXCUSE ME. 512 00:40:58,711 --> 00:40:59,941 HE'S IN THE STUDY. 513 00:40:59,979 --> 00:41:02,689 THAT'S WONDERFUL NEWS. I'M DELIGHTED. 514 00:41:04,717 --> 00:41:06,517 DAVIS HERE. 515 00:41:06,553 --> 00:41:09,723 PLEASE LISTEN VERY CAREFULLY TO WHAT I HAVE TO TELL YOU. 516 00:41:13,960 --> 00:41:16,830 WILL YOU EXCUSE ME A MOMENT, SIR? 517 00:41:16,863 --> 00:41:19,163 I'LL BE RIGHT BACK, DEAR. 518 00:41:19,198 --> 00:41:20,938 I'M SUPPOSED TO KILL THEM BOTH. 519 00:41:20,967 --> 00:41:22,807 WE KNOW. GORT TALKED. 520 00:41:22,835 --> 00:41:26,635 AIM FOR DAVIS' HEART. WE'LL TAKE CARE OF THE REST. 521 00:41:48,094 --> 00:41:51,264 EXCUSE ME, SIR. HAVE YOU SEEN MR. DAVIS? 522 00:41:51,297 --> 00:41:53,897 I THINK HE TOOK A PHONE CALL. 523 00:41:53,933 --> 00:41:55,003 THANK YOU. 524 00:42:18,725 --> 00:42:21,325 [ LIGHTER CLICKS ] 525 00:42:25,031 --> 00:42:25,991 [ MUSIC ENDS ] 526 00:42:26,032 --> 00:42:27,192 [ APPLAUSE ] 527 00:43:26,092 --> 00:43:28,352 THE STUDY. 528 00:43:28,394 --> 00:43:30,124 LET'S GO. 529 00:44:19,846 --> 00:44:23,886 MR. UNDERSECRETARY, MAY I PRESENT MISS NOVOTNA? 530 00:44:23,916 --> 00:44:25,416 HOW DO YOU DO? 531 00:44:27,219 --> 00:44:29,989 DO IT NOW. 532 00:44:36,462 --> 00:44:39,992 YES, YES, YES. GIVE ME A MOMENT TO COLLECT MYSELF. 533 00:44:40,032 --> 00:44:41,832 I SAID NOW! 534 00:44:54,080 --> 00:44:57,090 ALL RIGHT. I'M READY. 535 00:44:59,118 --> 00:45:03,188 I WOULD LIKE TO OFFER A TOAST. 536 00:45:03,222 --> 00:45:07,092 THE AGREEMENT OUR TWO COUNTRIES ARE ABOUT TO ENTER INTO 537 00:45:07,126 --> 00:45:12,066 IS A FIRST STEP ON A LONG ROAD TO COMPLETE MUTUAL TRUST, 538 00:45:12,098 --> 00:45:15,468 WITHOUT WHICH, THERE CAN BE NO PEACE IN THE WORLD. 539 00:45:15,501 --> 00:45:19,771 TO THE FRIENDSHIP, NOT ONLY OF OUR TWO COUNTRIES, 540 00:45:19,806 --> 00:45:22,846 BUT OF ALL COUNTRIES, OF ALL MEN. 541 00:45:26,345 --> 00:45:28,375 [ Whispering ] Do it. 542 00:45:35,554 --> 00:45:37,784 CARL, WHAT IS IT? 543 00:45:41,160 --> 00:45:44,100 I'M NOT GOING THROUGH WITH IT, JONATHAN. 544 00:45:44,130 --> 00:45:46,140 LISTEN TO ME, ALL OF YOU. 545 00:45:46,165 --> 00:45:48,095 THIS AGREEMENT IS A FRAUD AND A TRAP. 546 00:45:48,134 --> 00:45:49,334 ITS PURPOSE IS TO INFILTRATE 547 00:45:49,368 --> 00:45:50,968 EVERY DEPARTMENT OF YOUR GOVERNMENT 548 00:45:51,003 --> 00:45:53,203 WITH AMERICAN AGENTS AND PROVOCATEURS, 549 00:45:53,239 --> 00:45:54,849 TO SUBVERT YOUR COUNTRY 550 00:45:54,874 --> 00:45:56,974 AND MAKE IT LITTLE MORE THAN AN AMERICAN COLONY. 551 00:45:57,009 --> 00:45:58,049 WHAT ARE YOU SAYING? 552 00:45:58,077 --> 00:45:59,317 I'M SAYING THAT 553 00:45:59,345 --> 00:46:01,115 OUR GOVERNMENT HAS EMBARKED ON A PROGRAM 554 00:46:01,147 --> 00:46:03,047 TO SWALLOW UP NATIONS SUCH AS THIS 555 00:46:03,082 --> 00:46:04,212 UNDER THE GUISE OF HELPING THEM. 556 00:46:04,250 --> 00:46:05,520 CARL, YOU'RE MAD. 557 00:46:05,551 --> 00:46:08,281 NO, I'M TELLING THE TRUTH, AND YOU KNOW IT. 558 00:46:08,320 --> 00:46:10,390 LADIES AND GENTLEMEN, I'M SORRY FOR THIS. 559 00:46:10,422 --> 00:46:12,122 I APOLOGIZE FOR MR. WILSON. 560 00:46:12,158 --> 00:46:14,128 I'M SURE HE DOESN'T KNOW WHAT HE'S SAYING. 561 00:46:14,160 --> 00:46:15,330 LISTEN TO ME, PLEASE. 562 00:46:15,361 --> 00:46:16,991 WHAT DO I HAVE TO DO TO CONVINCE YOU? 563 00:46:17,029 --> 00:46:19,599 I'M GOING TO STOP YOU, CARL... 564 00:46:19,631 --> 00:46:20,991 THE ONLY WAY I KNOW HOW. 565 00:46:21,033 --> 00:46:23,163 [ WOMAN SCREAMS ] 566 00:46:23,202 --> 00:46:25,802 [ CROWD MURMURING ] 567 00:46:29,241 --> 00:46:33,271 THERE WAS...NO OTHER WAY TO MAKE YOU UNDERSTAND. 568 00:46:52,231 --> 00:46:54,531 MR. WILSON! 569 00:46:54,566 --> 00:46:56,936 SOMEBODY GET AN AMBULANCE. 570 00:47:01,107 --> 00:47:02,407 [ POUNDING ON DOOR ] 571 00:47:02,441 --> 00:47:04,971 MR. WILSON! 572 00:47:05,011 --> 00:47:06,241 SIR! 573 00:47:06,278 --> 00:47:07,618 SIR! 574 00:47:07,646 --> 00:47:10,286 [ WOMEN GASP ] 575 00:47:16,422 --> 00:47:17,582 [ WOMEN GASP ] 576 00:47:31,303 --> 00:47:33,173 HE'S DEAD. 577 00:47:42,181 --> 00:47:45,181 POOR MAN. 578 00:47:45,217 --> 00:47:48,157 I KNEW WHAT WAS GOING ON IN HIS MIND. 579 00:47:48,187 --> 00:47:50,157 I COULD SEE IT. 580 00:47:50,189 --> 00:47:52,159 HE BROODED A GREAT DEAL ABOUT WHAT HE THOUGHT 581 00:47:52,191 --> 00:47:53,691 HE WAS BEING MADE TO BE A PARTY TO. 582 00:47:53,725 --> 00:47:55,495 I SUPPOSE HIS CONSCIENCE 583 00:47:55,527 --> 00:47:58,167 JUST COULDN'T STAND IT ANY LONGER. 584 00:47:58,197 --> 00:48:01,037 VERY PRETTY AND COMPASSIONATE SPEECH. 585 00:48:01,067 --> 00:48:03,067 BUT THIS ISN'T CARL WILSON. 586 00:48:05,972 --> 00:48:07,272 WHAT ARE YOU DOING? 587 00:48:07,306 --> 00:48:08,306 RELAX. 588 00:48:13,745 --> 00:48:16,315 [ CROWD MURMURING ] 589 00:48:16,348 --> 00:48:18,048 GORT! 590 00:48:18,084 --> 00:48:21,914 JOSEF GORT AND PETER KIRI OF THE KVD. 591 00:48:23,689 --> 00:48:26,329 YOU ARE UNDER ARREST! 592 00:48:35,634 --> 00:48:37,634 CARL. 593 00:48:41,507 --> 00:48:44,147 GOOD SHOOTING. 594 00:48:44,176 --> 00:48:45,276 THANK YOU. 595 00:48:55,221 --> 00:49:00,421 [ "MISSION: IMPOSSIBLE" THEME PLAYS ]