1 00:02:02,477 --> 00:02:04,847 Man: GOOD MORNING, MR. BRIGGS. 2 00:02:04,879 --> 00:02:07,389 YOU REMEMBER DR. MARTHA RICHARDS. 3 00:02:07,416 --> 00:02:10,416 TWO YEARS AGO, WHILE ON VACATION IN AUSTRIA, 4 00:02:10,452 --> 00:02:13,222 SHE MET AND MARRIED DR. KURT ZUBROVNIK. 5 00:02:13,255 --> 00:02:15,325 SHE NEVER RETURNED TO AMERICA, 6 00:02:15,357 --> 00:02:18,297 CONTINUING HER EXTREMELY IMPORTANT RESEARCH WORK 7 00:02:18,327 --> 00:02:19,697 WITH HER HUSBAND IN AUSTRIA. 8 00:02:19,728 --> 00:02:21,268 ABOUT A YEAR AGO, 9 00:02:21,296 --> 00:02:23,336 KURT ZUBROVNIK WAS BURNED TO DEATH 10 00:02:23,365 --> 00:02:25,495 IN A LABORATORY FIRE IN THEIR HOME. 11 00:02:25,534 --> 00:02:28,204 MARTHA WENT ON WORKING AFTER HER HUSBAND'S DEATH, 12 00:02:28,237 --> 00:02:29,907 BUT RECENTLY STOPPED SENDING US 13 00:02:29,938 --> 00:02:31,678 THE RESULTS OF HER EXPERIMENTS. 14 00:02:31,706 --> 00:02:34,406 WE HAVE REASON TO BELIEVE IT IS BECAUSE THIS MAN, 15 00:02:34,443 --> 00:02:36,613 SIGMUND POLYAK, IS PRESSURING HER 16 00:02:36,645 --> 00:02:38,615 TO WORK BEHIND THE IRON CURTAIN. 17 00:02:38,647 --> 00:02:40,617 IF IT WERE AN ORDINARY PRESSURE, 18 00:02:40,649 --> 00:02:43,819 WE COULD FIGHT IT, BUT POLYAK IS A MEDIUM, 19 00:02:43,852 --> 00:02:46,582 AND MARTHA ZUBROVNIK IS BEING ASKED TO DEFECT 20 00:02:46,621 --> 00:02:48,681 BY THE GHOST OF HER DEAD HUSBAND. 21 00:02:48,723 --> 00:02:51,953 MR. BRIGGS, YOUR MISSION, SHOULD YOU DECIDE TO ACCEPT IT, 22 00:02:51,993 --> 00:02:53,463 WOULD BE TO KEEP HER 23 00:02:53,495 --> 00:02:55,495 FROM GOING BEHIND THE IRON CURTAIN 24 00:02:55,530 --> 00:02:57,840 AND GET HER WORKING FOR US AGAIN. 25 00:02:57,866 --> 00:03:00,806 AS ALWAYS, SHOULD YOU OR ANY OF YOUR I.M. FORCE 26 00:03:00,835 --> 00:03:02,735 BE CAUGHT OR KILLED, 27 00:03:02,771 --> 00:03:05,701 THE SECRETARY WILL DISAVOW ANY KNOWLEDGE OF YOUR ACTIONS. 28 00:03:05,740 --> 00:03:08,410 PLEASE DISPOSE OF THIS RECORDING 29 00:03:08,443 --> 00:03:09,943 IN THE USUAL MANNER. 30 00:03:21,790 --> 00:03:23,360 [ SIZZLING ] 31 00:04:31,393 --> 00:04:33,893 Man, whispering: Martha... 32 00:04:33,928 --> 00:04:36,668 Martha... 33 00:04:36,698 --> 00:04:39,868 this is Kurt. 34 00:04:39,901 --> 00:04:43,571 Barney: YOU CAN'T SEE A BEAM OF LIGHT, CORRECT? 35 00:04:43,605 --> 00:04:45,375 IT'S BECAUSE I'M USING A BLACK LIGHT. 36 00:04:45,407 --> 00:04:47,107 NOW WATCH WHAT HAPPENS WHEN I PUT MY HAND 37 00:04:47,141 --> 00:04:49,741 OVER THE SLAVE PROJECTOR. 38 00:04:52,647 --> 00:04:53,987 Dan: VERY NICE. 39 00:04:54,015 --> 00:04:57,355 ALL RIGHT, BE A PSYCHIC RESEARCH TEAM 40 00:04:57,386 --> 00:05:00,926 ANXIOUS TO DOCUMENT A VALID SUPERNATURAL EVENT. 41 00:05:00,955 --> 00:05:04,095 I CAN'T GO WITH YOU, BECAUSE MARTHA ZUBROVNIK KNOWS ME. 42 00:05:04,125 --> 00:05:05,725 ARIANA -- 43 00:05:05,760 --> 00:05:07,070 WHITE WINE AND SODA, PLEASE. 44 00:05:07,095 --> 00:05:09,065 WOULD YOU CARE FOR A DRINK? 45 00:05:09,097 --> 00:05:10,637 [ ALL CHUCKLING ] 46 00:05:10,665 --> 00:05:13,705 OH, I BROUGHT A TAPE HERE OF A SEANCE I CONDUCTED. 47 00:05:13,735 --> 00:05:15,435 I'D LIKE YOU TO HEAR IT. 48 00:05:15,470 --> 00:05:18,510 Dan: DR. ZUBROVNIK SWORE TO HIS WIFE BEFORE HIS DEATH, 49 00:05:18,540 --> 00:05:22,110 IF IT WAS POSSIBLE FOR HIM TO COME BACK FROM THE GRAVE, 50 00:05:22,143 --> 00:05:25,073 HE WOULD... AND HE SEEMS TO BE DOING IT. 51 00:05:27,416 --> 00:05:29,786 THIS IS THE MAN THROUGH WHOM HE SPEAKS. 52 00:05:29,818 --> 00:05:32,458 FAMILIARIZE YOURSELF WITH HIS BACKGROUND. 53 00:05:32,487 --> 00:05:33,857 A FAKE ON THE CASE, HUH? 54 00:05:33,888 --> 00:05:36,528 OH, I WISH YOU WOULDN'T USE THAT WORD. 55 00:05:36,558 --> 00:05:38,058 FAKES EXIST, ARIANA. 56 00:05:38,092 --> 00:05:40,392 I KNOW, BUT... YOU KNOW HOW I HATE 57 00:05:40,429 --> 00:05:42,999 ANY DISHONESTY IN REGARD TO THE SUPERNATURAL. 58 00:05:43,031 --> 00:05:45,591 I KNOW NOTHING ABOUT THE SUPERNATURAL. 59 00:05:45,634 --> 00:05:46,964 NEITHER DO I. 60 00:05:47,001 --> 00:05:48,901 WHY DON'T WE JUST CONVINCE MRS. ZUBROVNIK 61 00:05:48,937 --> 00:05:50,107 SHE'S BEING TAKEN? 62 00:05:50,138 --> 00:05:52,578 WE DON'T KNOW THE GHOST IS NOT REAL. 63 00:05:52,607 --> 00:05:54,677 THANK YOU FOR THAT. 64 00:05:54,709 --> 00:05:55,879 OH, COME ON, DAN. 65 00:05:55,910 --> 00:05:57,450 TO MARTHA ZUBROVNIK, 66 00:05:57,479 --> 00:05:59,149 THE SPIRIT OF HER DEAD HUSBAND EXISTS. 67 00:05:59,180 --> 00:06:01,590 YOU CAN'T FIGHT THAT BELIEF WITH LOGIC. 68 00:06:01,616 --> 00:06:04,416 WELL, IF YOU CAN'T FIGHT GHOSTS WITH LOGIC, 69 00:06:04,453 --> 00:06:05,953 FIGHT GHOSTS WITH GHOSTS. 70 00:06:05,987 --> 00:06:07,657 THAT'S RIGHT. 71 00:06:07,689 --> 00:06:09,829 WHY DON'T YOU USE THE EARPHONES? 72 00:06:09,858 --> 00:06:13,128 DAN WAS AT THE SEANCE, AND HE'S FAMILIAR WITH IT. 73 00:06:15,830 --> 00:06:20,540 DAN...YOU KNOW THE TRUTH ABOUT ME. 74 00:06:20,569 --> 00:06:21,909 WHY SO MUCH SELLING, 75 00:06:21,936 --> 00:06:24,106 SO MUCH LOUD CONFIDENCE IN ME? 76 00:06:24,138 --> 00:06:25,978 ROLLIN AND BARNEY ARE SURE 77 00:06:26,007 --> 00:06:28,707 THAT YOU'RE AS MUCH A FAKE AS POLYAK. 78 00:06:28,743 --> 00:06:30,643 FOR THE SAKE OF THE MISSION, 79 00:06:30,679 --> 00:06:33,449 I DON'T WANT THEM ABSOLUTELY SURE. 80 00:06:33,482 --> 00:06:34,982 [ BEE BUZZING ] 81 00:07:10,218 --> 00:07:12,458 [ BEE BUZZING ] 82 00:07:13,187 --> 00:07:14,787 A BEE. 83 00:07:14,823 --> 00:07:16,823 BEES DON'T FLY AT NIGHT. 84 00:07:26,134 --> 00:07:27,834 HELLO! 85 00:07:31,573 --> 00:07:33,843 I THOUGHT WE WERE EXPECTED. 86 00:07:34,943 --> 00:07:37,043 HELLO? 87 00:07:52,661 --> 00:07:54,891 HELLO! 88 00:07:54,929 --> 00:07:56,669 [ GROWLING ] 89 00:08:02,303 --> 00:08:06,673 [ SNARLING ] 90 00:08:06,708 --> 00:08:08,078 SHH. 91 00:08:09,844 --> 00:08:11,774 SHH. 92 00:08:11,813 --> 00:08:13,113 [ GROWLING ] 93 00:08:13,147 --> 00:08:16,587 WE WON'T HURT YOU. 94 00:08:17,652 --> 00:08:18,982 WE WON'T HURT HIM? 95 00:08:19,020 --> 00:08:21,160 SHH. 96 00:08:21,189 --> 00:08:23,629 STAY. STAY. 97 00:08:23,658 --> 00:08:25,858 BE CALM. 98 00:08:25,894 --> 00:08:27,594 BE CALM. 99 00:08:27,629 --> 00:08:31,299 REMEMBER MANY KINDNESSES. 100 00:08:31,332 --> 00:08:33,162 GOOD DOG. 101 00:08:33,201 --> 00:08:34,961 GOOD DOG. 102 00:08:42,977 --> 00:08:44,617 Woman: WHO'S THAT? 103 00:08:44,646 --> 00:08:45,876 DR. ZUBROVNIK? 104 00:08:45,914 --> 00:08:48,714 YES. I BELIEVE WE'RE EXPECTED. 105 00:08:48,750 --> 00:08:50,990 OH, YES, OF COURSE. 106 00:08:51,019 --> 00:08:53,859 I'M SO SORRY, MISTER...? 107 00:08:53,888 --> 00:08:55,588 ROLLIN HAND. 108 00:08:55,624 --> 00:08:58,954 MADAME DOMBE? MR. COLLIER. 109 00:08:58,993 --> 00:09:02,293 DID YOU HAVE A DIFFICULT TRIP FROM VIENNA? 110 00:09:02,330 --> 00:09:05,670 NO, IT WAS QUITE LOVELY UNTIL JUST NOW, 111 00:09:05,700 --> 00:09:07,110 WHEN WE RAN INTO YOUR DOG. 112 00:09:07,135 --> 00:09:08,805 WHAT DOG? 113 00:09:08,837 --> 00:09:10,707 A BIG DOG THAT LOOKS AS IF IT MIGHT BE PART WOLF. 114 00:09:10,739 --> 00:09:14,149 WILBUR? WHERE DID HE GO? 115 00:09:14,175 --> 00:09:15,845 HE RAN OUT THE DOOR. 116 00:09:15,877 --> 00:09:18,017 IT WAS OPEN WHEN WE ARRIVED. 117 00:09:18,046 --> 00:09:20,886 WHEN MY HUSBAND DIED, THE DOG WENT WILD, 118 00:09:20,915 --> 00:09:23,985 AND HE HASN'T BEEN SEEN IN THE HOUSE SINCE. 119 00:09:25,386 --> 00:09:27,186 LET ME SHOW YOU TO YOUR ROOMS. 120 00:09:27,221 --> 00:09:28,681 OH, THANK YOU. 121 00:09:28,723 --> 00:09:31,723 YOU MUST BE SO TIRED AFTER THE LONG TRIP. 122 00:09:33,361 --> 00:09:36,061 I'M SO PLEASED YOU COULD COME. 123 00:09:40,735 --> 00:09:43,005 HAVE YOU HAD SOMETHING TO EAT? 124 00:09:43,037 --> 00:09:45,037 YES, WE STOPPED ON THE WAY. 125 00:09:45,073 --> 00:09:48,643 OH, MR. POLYAK, THESE ARE THE PSYCHIC RESEARCH PEOPLE. 126 00:09:48,677 --> 00:09:51,977 SIGMUND POLYAK, AND MY ASSISTANT, MR. KROGER. 127 00:09:52,013 --> 00:09:53,243 HOW DO YOU DO? 128 00:09:53,281 --> 00:09:55,011 HOW DO YOU DO? 129 00:09:55,049 --> 00:09:56,219 ROLLIN HAND. 130 00:09:56,250 --> 00:09:57,390 ARIANA DOMBE. 131 00:09:57,418 --> 00:09:58,958 BARNEY COLLIER. 132 00:09:58,987 --> 00:10:00,227 THE SKEPTICS. 133 00:10:00,254 --> 00:10:02,794 YOU SHOULD BE GLAD THAT THEY'RE HERE. 134 00:10:02,824 --> 00:10:05,024 THEY CAN ONLY HELP TO DOCUMENT 135 00:10:05,059 --> 00:10:07,069 WHAT YOU'VE ALREADY PROVED. 136 00:10:07,095 --> 00:10:09,195 WE'D MUCH PREFER FINDING REAL EVIDENCE 137 00:10:09,230 --> 00:10:11,440 OF THE SUPERNATURAL THAN NOT FINDING IT. 138 00:10:11,465 --> 00:10:13,065 YES, OF COURSE. 139 00:10:13,101 --> 00:10:15,031 WILL YOU EXCUSE ME? 140 00:10:16,905 --> 00:10:19,135 COME THIS WAY. 141 00:10:22,844 --> 00:10:24,974 GENTLEMEN, THIS IS YOUR ROOM. 142 00:10:25,013 --> 00:10:26,843 OH, I HOPE YOU DON'T MIND. 143 00:10:26,881 --> 00:10:29,011 I LEFT TWO CASES OF EQUIPMENT 144 00:10:29,050 --> 00:10:31,190 IN THE HALLWAY DOWNSTAIRS. 145 00:10:31,219 --> 00:10:32,689 OF COURSE NOT. 146 00:10:32,721 --> 00:10:34,021 WE'VE HEARD A GREAT DEAL 147 00:10:34,055 --> 00:10:35,455 ABOUT YOUR INTEREST IN THE SPIRIT WORLD. 148 00:10:35,489 --> 00:10:37,299 WE LOOK FORWARD TO A DEMONSTRATION. 149 00:10:37,325 --> 00:10:39,895 PERHAPS YOU'D CARE TO JOIN US IN AN HOUR OR SO. 150 00:10:39,928 --> 00:10:41,068 YOU AND MR. POLYAK? 151 00:10:41,095 --> 00:10:44,665 YES...AND MY HUSBAND. 152 00:10:50,972 --> 00:10:53,802 [ BUZZING ] 153 00:10:56,010 --> 00:10:57,820 [ THUNDER CRASHES ] 154 00:11:02,851 --> 00:11:04,451 LOOKS LIKE IT'S TRYING TO RAIN. 155 00:11:04,485 --> 00:11:06,385 YES. 156 00:11:11,059 --> 00:11:13,199 SO, CAMERAS WITH ALARMS 157 00:11:13,227 --> 00:11:18,197 AND CLOCKS THAT RECORD THE EXACT TIME THEY'RE TRIPPED. 158 00:11:18,232 --> 00:11:21,102 YES, AND ELECTRIC EYES THAT TRIP THE CAMERAS, 159 00:11:21,135 --> 00:11:23,405 AND A HEAT SENSOR THAT WILL RECORD 160 00:11:23,437 --> 00:11:25,777 ANY MOVEMENT OF GHOSTLY MATERIAL. 161 00:11:31,545 --> 00:11:34,015 IS EVERYTHING ALMOST READY? 162 00:11:34,048 --> 00:11:35,018 ALMOST. 163 00:11:35,049 --> 00:11:36,019 GOOD. 164 00:11:36,050 --> 00:11:38,060 [ THUNDER CRASHES ] 165 00:11:43,825 --> 00:11:45,155 THIS CASKET HAS BEEN LOCKED 166 00:11:45,193 --> 00:11:47,763 SINCE MY HUSBAND PUT A MESSAGE IN IT 167 00:11:47,796 --> 00:11:49,466 JUST AFTER WE WERE MARRIED. 168 00:11:49,497 --> 00:11:52,867 HE SAID THAT IF ANYTHING SHOULD HAPPEN TO HIM, 169 00:11:52,901 --> 00:11:55,261 HE WOULD TRY TO COME BACK TO ME. 170 00:11:55,303 --> 00:11:58,273 TONIGHT IS THE ANNIVERSARY OF HIS DEATH. 171 00:11:58,306 --> 00:12:01,476 NOT ANOTHER SOUL KNOWS WHAT IS IN THIS BOX BUT ME. 172 00:12:03,077 --> 00:12:05,447 THAT'S LIKE THE MESSAGE HOUDINI LEFT FOR DUNNINGER. 173 00:12:05,479 --> 00:12:08,049 I THINK WE HAVE GREATER POSSIBILITIES. 174 00:12:08,082 --> 00:12:10,182 KURT AND I WERE A LITTLE CLOSER 175 00:12:10,218 --> 00:12:11,958 THAN HOUDINI AND DUNNINGER. 176 00:12:11,986 --> 00:12:15,456 PLEASE, SIT DOWN, EVERYONE. 177 00:12:29,470 --> 00:12:31,540 [ THUNDER CRASHES ] 178 00:12:40,248 --> 00:12:43,788 NOW...JOIN HANDS. 179 00:12:46,320 --> 00:12:48,190 YOUR LEFT FOOT SHOULD BE TOUCHING 180 00:12:48,222 --> 00:12:50,522 THE FOOT OF THE PERSON SITTING BESIDE YOU. 181 00:12:54,095 --> 00:12:56,225 MY CONTROL IS NAMED DUDOIR. 182 00:12:56,264 --> 00:12:58,364 HE WAS AN ALSATIAN PUGILIST 183 00:12:58,399 --> 00:13:01,209 WHO WAS KILLED IN THE BOXING RING. 184 00:13:01,235 --> 00:13:04,205 I WILL TRY TO REACH HIM. 185 00:13:08,142 --> 00:13:10,872 DUDOIR. 186 00:13:10,912 --> 00:13:12,472 WE ARE HERE. 187 00:13:13,547 --> 00:13:16,517 DUDOIR, WE ARE SIX TONIGHT. 188 00:13:16,550 --> 00:13:18,020 [ THUNDER RUMBLING ] 189 00:13:25,159 --> 00:13:30,339 DUDOIR, WE ARE WAITING. 190 00:13:46,647 --> 00:13:49,887 I FEEL THAT YOU ARE COMING CLOSER... 191 00:13:49,918 --> 00:13:54,288 APPROACHING FROM BEYOND. 192 00:13:54,322 --> 00:13:58,092 COME INTO ME, DUDOIR. 193 00:13:58,126 --> 00:14:02,866 COME INTO THIS PLACE THROUGH ME. 194 00:14:08,236 --> 00:14:12,536 DUDOIR, I FEEL THAT YOU ARE NEAR. 195 00:14:12,573 --> 00:14:17,213 WHY IS IT SO DIFFICULT FOR YOU TO COME? 196 00:14:27,488 --> 00:14:30,658 Dudoir: THERE IS DOUBT. 197 00:14:30,691 --> 00:14:32,961 [ THUNDER CRASHES ] 198 00:14:34,428 --> 00:14:38,998 YES, THERE IS DOUBT, DUDOIR, BUT IT WILL GO AWAY. 199 00:14:39,033 --> 00:14:42,103 WE ARE GRATEFUL, DUDOIR, GRATEFUL, 200 00:14:42,136 --> 00:14:46,036 THAT YOU HAVE COME TO US... 201 00:14:46,074 --> 00:14:48,074 SO QUICKLY. 202 00:14:59,420 --> 00:15:04,630 Dudoir: THE PROMISE MADE WILL BE FULFILLED... 203 00:15:04,658 --> 00:15:10,068 BUT THERE ARE THOSE AMONG YOU 204 00:15:10,098 --> 00:15:12,138 WHO DO NOT BELIEVE. 205 00:15:12,166 --> 00:15:16,436 OH...PLEASE, COME BACK, DUDOIR. 206 00:15:16,470 --> 00:15:19,240 THEY MEAN YOU NO HARM. 207 00:15:19,273 --> 00:15:22,243 DUDOIR, DON'T LEAVE US. 208 00:15:22,276 --> 00:15:25,076 EYES CLOSED, EVERYONE. NO ONE MOVE. 209 00:15:34,655 --> 00:15:38,055 Dudoir: I...AM...WITH YOU. 210 00:15:38,092 --> 00:15:43,132 THERE IS A MESSAGE FOR MARTHA. 211 00:15:43,164 --> 00:15:49,034 YOUR WORK MUST GO QUICKLY TO ITS CONCLUSION. 212 00:15:49,070 --> 00:15:52,010 WHEN YOU ARE FINISHED, 213 00:15:52,040 --> 00:15:56,010 KURT WILL COME TO YOU HIMSELF. 214 00:15:56,044 --> 00:16:00,244 FOUR...SEVEN... 215 00:16:00,281 --> 00:16:03,111 BACK 19. 216 00:16:03,151 --> 00:16:07,081 DEATH, NOT LIFE, 217 00:16:07,121 --> 00:16:11,521 IS THE OVERTURE TO ETERNITY. 218 00:16:13,527 --> 00:16:15,997 [ THUNDER CRASHES ] 219 00:16:19,333 --> 00:16:21,703 NO ONE ELSE KNEW. 220 00:16:21,735 --> 00:16:24,435 I WAS THE ONLY ONE. 221 00:16:24,472 --> 00:16:28,172 I WILL TRY TO WORK HARDER. 222 00:16:28,209 --> 00:16:31,449 I WILL TRY, I WILL TRY. 223 00:16:31,479 --> 00:16:33,289 OH, KURT. 224 00:16:34,648 --> 00:16:36,348 KURT. 225 00:16:41,322 --> 00:16:43,452 YOU ALL RIGHT? 226 00:16:43,491 --> 00:16:44,621 YES. 227 00:16:44,658 --> 00:16:47,328 NO ONE ELSE COULD HAVE KNOWN 228 00:16:47,361 --> 00:16:49,061 THE COMBINATION... 229 00:16:49,097 --> 00:16:50,497 OR THE MESSAGE. 230 00:16:50,531 --> 00:16:53,231 I WAS THE ONLY ONE WHO KNEW. 231 00:16:53,267 --> 00:16:56,367 FOUR...SEVEN... 232 00:16:56,404 --> 00:16:58,474 BACK 19. 233 00:17:00,374 --> 00:17:03,314 OPEN THE BOX QUICKLY, PLEASE. 234 00:17:06,747 --> 00:17:09,187 [ THUNDER CRASHES ] 235 00:17:53,594 --> 00:17:55,294 "DEATH, NOT LIFE, 236 00:17:55,329 --> 00:17:57,869 "IS THE OVERTURE TO ETERNITY. 237 00:17:57,898 --> 00:17:59,538 KURT." 238 00:18:03,471 --> 00:18:07,171 THANK YOU, MR. POLYAK. 239 00:18:09,410 --> 00:18:11,780 AND THANK YOU, DEAR, DEAR KURT. 240 00:18:11,812 --> 00:18:15,812 THERE IS LIFE AFTER DEATH. 241 00:18:23,191 --> 00:18:25,521 [ BUZZING ] 242 00:18:27,228 --> 00:18:29,568 [ THUNDER CRASHES ] 243 00:18:39,607 --> 00:18:41,807 [ THUNDER CRASHES ] 244 00:18:44,478 --> 00:18:49,518 WERE YOU IMPRESSED BY WHAT YOU WITNESSED? 245 00:18:49,550 --> 00:18:50,520 VERY. 246 00:18:50,551 --> 00:18:53,221 AND YOU, MR. COLLIER? 247 00:18:53,254 --> 00:18:55,284 VERY IMPRESSED. 248 00:18:55,323 --> 00:18:56,483 I WAS GREATLY MOVED. 249 00:18:56,524 --> 00:18:58,524 IT SEEMS TO ME THERE IS NO DOUBT 250 00:18:58,559 --> 00:19:00,669 THERE IS A SPIRIT IN THIS HOUSE. 251 00:19:02,963 --> 00:19:06,163 MARTHA, I WILL SEE YOU TO YOUR ROOM. 252 00:19:09,670 --> 00:19:11,410 Martha: GOOD NIGHT. 253 00:19:11,439 --> 00:19:12,909 Barney: GOOD NIGHT. 254 00:19:12,940 --> 00:19:15,180 [ THUNDER RUMBLES ] 255 00:19:26,487 --> 00:19:27,827 WHAT ABOUT THAT BOX? 256 00:19:27,855 --> 00:19:30,525 THE BOX COULDN'T HAVE BEEN TAMPERED WITH. 257 00:19:30,558 --> 00:19:32,698 THE RUST ON THE HINGES WAS REAL. 258 00:19:32,726 --> 00:19:35,296 YOU SAW THE PAPER -- YELLOW WITH AGE. 259 00:19:35,329 --> 00:19:38,669 AND THE SEALS ON THE ENVELOPE HAVE NOT BEEN TOUCHED. 260 00:19:38,699 --> 00:19:40,709 ARIANA, HE WAS GOOD, 261 00:19:40,734 --> 00:19:44,634 BUT WASN'T HIS VOICE A LITTLE OBVIOUS? 262 00:19:44,672 --> 00:19:45,902 PERHAPS. 263 00:19:45,939 --> 00:19:49,749 PERHAPS? COME ON. LEVEL WITH US, ARIANA. 264 00:19:49,777 --> 00:19:51,777 THAT WAS NONSENSE. 265 00:19:51,812 --> 00:19:53,742 PERHAPS. 266 00:19:57,718 --> 00:19:59,688 I'LL TRY TO CONCENTRATE. 267 00:19:59,720 --> 00:20:02,490 KURT WANTS YOUR WORK TO GO WELL 268 00:20:02,523 --> 00:20:04,353 AND TO BE COMPLETED. 269 00:20:05,493 --> 00:20:07,463 [ ALARM BUZZES ] 270 00:20:13,534 --> 00:20:14,704 [ DOG BARKING ] 271 00:20:14,735 --> 00:20:16,635 [ GROWLING ] 272 00:20:24,445 --> 00:20:25,845 [ THUNDER CRASHES ] 273 00:20:25,879 --> 00:20:26,919 [ HOWLS ] 274 00:20:38,492 --> 00:20:39,752 COULD HE BE ANGRY WITH ME? 275 00:20:39,793 --> 00:20:40,993 POSSIBLY. 276 00:20:41,028 --> 00:20:42,768 EVERYTHING ISN'T SUPERNATURAL. 277 00:20:42,796 --> 00:20:44,696 IT WAS VIBRATION FROM THE THUNDERSTORM. 278 00:20:44,732 --> 00:20:45,962 THE WHOLE HOUSE SHOOK. 279 00:20:45,999 --> 00:20:49,509 BARNEY, MAYBE MR. POLYAK IS RIGHT. 280 00:20:49,537 --> 00:20:52,907 YOU CLAIM TO BE OBJECTIVE, MR. HAND. 281 00:20:52,940 --> 00:20:54,910 YOU KNOW YOU DON'T REALLY BELIEVE THAT. 282 00:20:54,942 --> 00:20:56,902 AND WHY DO YOU SAY THAT? 283 00:20:56,944 --> 00:20:59,374 I AM A MEDIUM. I FEEL IT. 284 00:20:59,413 --> 00:21:02,913 YOU ARE NOT ORIENTED TO BE A BELIEVER. 285 00:21:09,957 --> 00:21:12,397 [ THUNDER RUMBLES ] 286 00:21:18,031 --> 00:21:20,801 WHY DID YOU LET HER THINK POLYAK IS RIGHT? 287 00:21:20,834 --> 00:21:23,874 WELL, WE MUSTN'T LET HER FEEL WE SUSPECT POLYAK 288 00:21:23,904 --> 00:21:25,934 IF WE'RE GOING TO EXPOSE HIM. 289 00:21:25,973 --> 00:21:28,043 WELL, ARE YOU SURE YOU CAN? 290 00:21:28,075 --> 00:21:30,005 WHAT DO YOU MEAN? 291 00:21:30,043 --> 00:21:32,643 WELL, THERE'S NO NEED TO LIE ABOUT IT. 292 00:21:32,680 --> 00:21:34,750 I TOLD HIM THE TRUTH. 293 00:21:34,782 --> 00:21:39,052 THERE IS A SPIRIT -- A GHOST, IF YOU PREFER -- 294 00:21:39,086 --> 00:21:41,056 IN THIS HOUSE. 295 00:21:41,088 --> 00:21:44,758 I THOUGHT YOU WERE JUST BEING TACTFUL. 296 00:21:44,792 --> 00:21:48,092 I'M NEVER TACTFUL ABOUT THE SUPERNATURAL. 297 00:21:48,128 --> 00:21:51,768 WELL, THERE'S SOMETHING YOU SHOULD KNOW. 298 00:21:51,799 --> 00:21:55,569 YOU SEE, MADAME ZUBROVNIK WANTS TO BELIEVE 299 00:21:55,603 --> 00:21:59,033 THAT THE SPIRIT HERE IS KIND AND LOVING. 300 00:21:59,072 --> 00:22:02,942 BUT THE SPIRIT HERE ISN'T KIND AND LOVING. 301 00:22:02,976 --> 00:22:06,076 UNFORTUNATELY, IT'S QUITE MALEVOLENT. 302 00:22:06,113 --> 00:22:09,813 YOU SEE, SPIRITS DON'T USUALLY MOVE ABOUT. 303 00:22:09,850 --> 00:22:11,720 THEY GENERALLY REMAIN 304 00:22:11,752 --> 00:22:15,382 NEAR THE PLACE WHERE THE DEATH OCCURRED, 305 00:22:15,423 --> 00:22:18,553 AND THAT'S WHERE YOU'LL FIND THE TRUTH, NOT HERE. 306 00:22:18,592 --> 00:22:20,762 AND ZUBROVNIK WAS BURNED TO DEATH 307 00:22:20,794 --> 00:22:22,124 IN HIS LABORATORY. 308 00:22:22,162 --> 00:22:23,662 [ THUNDER RUMBLING ] 309 00:22:26,567 --> 00:22:28,967 [ BUZZING ] 310 00:22:31,605 --> 00:22:33,845 [ THUNDER CRASHES ] 311 00:22:55,062 --> 00:22:56,662 KILL THE LIGHT. 312 00:22:56,697 --> 00:22:58,767 WE'LL USE THE BURNER. 313 00:23:02,035 --> 00:23:04,605 YOU WANT US TO HOLD HANDS OR SOMETHING? 314 00:23:04,638 --> 00:23:06,038 NO, NO, NO. 315 00:23:06,073 --> 00:23:08,173 I WANT YOU TO SIT QUIET AND TRY TO HELP ME. 316 00:23:21,922 --> 00:23:24,792 [ THUNDER RUMBLES ] 317 00:23:24,825 --> 00:23:28,565 MY CONTROL IS A YOUNG GIRL OF 16, FRANCES, 318 00:23:28,596 --> 00:23:30,096 WHO DIED IN 1900. 319 00:23:37,571 --> 00:23:39,501 FRANCES. 320 00:23:41,575 --> 00:23:42,945 FRANCES? 321 00:23:42,976 --> 00:23:45,546 CAN YOU HEAR ME? 322 00:23:45,579 --> 00:23:49,219 THIS IS ARIANA. 323 00:23:51,051 --> 00:23:53,681 I AM FAR FROM HOME... 324 00:23:53,721 --> 00:23:57,751 BUT I KNOW THAT YOU CAN HEAR ME. 325 00:23:59,893 --> 00:24:01,223 [ THUNDER CRASHES ] 326 00:24:03,731 --> 00:24:06,091 FRANCES! 327 00:24:06,133 --> 00:24:08,633 PLEASE. 328 00:24:11,772 --> 00:24:13,672 HEAR ME... 329 00:24:13,707 --> 00:24:16,147 AND TALK TO ME. 330 00:24:19,179 --> 00:24:22,089 WE ARE ANXIOUS. 331 00:24:22,115 --> 00:24:25,785 WE ARE SO ANXIOUS... 332 00:24:25,819 --> 00:24:28,759 TO TALK TO YOU. 333 00:24:31,291 --> 00:24:32,791 FRANCES. 334 00:24:41,168 --> 00:24:44,108 Frances: [ Whispering ] Ariana... 335 00:24:44,137 --> 00:24:49,677 I...hear...you. 336 00:24:52,646 --> 00:24:53,686 FRANCES. 337 00:24:53,714 --> 00:24:56,284 FRANCES... 338 00:24:56,316 --> 00:24:58,616 THERE WAS A FIRE HERE A YEAR AGO, 339 00:24:58,652 --> 00:24:59,952 AND A MAN WAS BURNED. 340 00:24:59,987 --> 00:25:03,027 [ FRANCES GASPING ] 341 00:25:03,056 --> 00:25:04,196 YES! 342 00:25:13,066 --> 00:25:14,566 FRANCES. 343 00:25:18,939 --> 00:25:21,009 FRANCES, CAN YOU HEAR ME? 344 00:25:22,610 --> 00:25:23,920 FRANCES! 345 00:25:23,944 --> 00:25:26,914 FRANCES, PLEASE COME BACK AND TALK TO US. 346 00:25:26,947 --> 00:25:28,887 YOU WERE HERE A MOMENT AGO. 347 00:25:28,916 --> 00:25:30,786 Frances: AAAHHHH! 348 00:25:33,353 --> 00:25:38,893 I...AM...HERE. 349 00:25:41,261 --> 00:25:42,321 FRANCES! 350 00:25:42,362 --> 00:25:43,832 [ THUNDER CRASHES ] 351 00:25:45,833 --> 00:25:48,803 THERE IS DEATH... 352 00:25:48,836 --> 00:25:54,076 AND AGONY AND TORMENT CLOSE TO YOU. 353 00:25:54,107 --> 00:25:58,077 I DON'T LIKE TO TALK ABOUT IT. 354 00:25:58,111 --> 00:26:00,041 IT...HAS AN... 355 00:26:00,080 --> 00:26:02,820 UNQUENCHABLE POWER. 356 00:26:02,850 --> 00:26:05,360 IT HATES. IT HATES! 357 00:26:05,385 --> 00:26:08,955 IT CANNOT BE CONTROLLED... 358 00:26:08,989 --> 00:26:11,659 AND IT WILL KILL! 359 00:26:24,137 --> 00:26:25,407 OH. 360 00:26:25,438 --> 00:26:28,178 THAT WAS THE SPIRIT OF THE FIRE... 361 00:26:28,208 --> 00:26:31,118 BUT IT'S NOT THE ONE WE EXPECTED. 362 00:26:31,144 --> 00:26:32,974 IT'S ANOTHER SPIRIT. 363 00:26:40,320 --> 00:26:41,690 [ THUNDER CRASHES ] 364 00:26:41,722 --> 00:26:43,922 [ BUZZING ] 365 00:26:54,868 --> 00:26:56,108 OH. 366 00:26:56,136 --> 00:26:58,106 ARIANA, ARE YOU ALL RIGHT? 367 00:26:58,138 --> 00:26:59,778 YES. 368 00:26:59,807 --> 00:27:02,247 THE SPIRIT OF THE MAN WHO DIED IN THE FIRE -- 369 00:27:02,275 --> 00:27:05,375 THAT WAS NOT THE SPIRIT OF KURT ZUBROVNIK. 370 00:27:05,412 --> 00:27:08,242 THAT'S IT. KURT ZUBROVNIK IS ALIVE. 371 00:27:08,281 --> 00:27:09,981 I DON'T KNOW HOW I KNOW. 372 00:27:10,017 --> 00:27:12,917 MY SUBCONSCIOUS KNOWS, AND THAT'S HOW IT TELLS ME. 373 00:27:12,953 --> 00:27:15,153 YOU MEAN YOU CAME TO THE CONCLUSION 374 00:27:15,188 --> 00:27:18,228 THAT KURT IS ALIVE ON THE BASIS OF HER SEANCE? 375 00:27:18,258 --> 00:27:19,458 NO, I DON'T KNOW 376 00:27:19,492 --> 00:27:21,292 HOW SHE CAME TO THAT CONCLUSION, 377 00:27:21,328 --> 00:27:22,428 BUT IT'S LOGICAL. 378 00:27:22,462 --> 00:27:24,092 NOW, LOOK. 379 00:27:24,131 --> 00:27:26,361 THE COMBINATION OF THE LOCK, 380 00:27:26,399 --> 00:27:28,769 THE CONTENTS OF THE LETTER. 381 00:27:28,802 --> 00:27:30,032 NOW, LOOK. 382 00:27:30,070 --> 00:27:32,240 WE BOTH KNOW THAT BOX WAS NOT TAMPERED WITH. 383 00:27:32,272 --> 00:27:34,942 NEITHER WAS THE LETTER. SO KURT IS ALIVE. 384 00:27:34,975 --> 00:27:37,305 THEY'RE GETTING INFORMATION FROM HIM. 385 00:27:37,344 --> 00:27:39,944 THEY'RE EVEN TORTURING HIM, POSSIBLY. 386 00:27:39,980 --> 00:27:44,260 IF KURT IS ALIVE, WHAT WAS THAT? 387 00:27:44,284 --> 00:27:47,724 THAT WAS THE SPIRIT OF THE MAN WHO REALLY DIED. 388 00:27:47,755 --> 00:27:49,185 IT'S QUITE POSSIBLE 389 00:27:49,222 --> 00:27:52,722 THAT THEY COULD HAVE BURNED SOMEONE ELSE. 390 00:27:52,760 --> 00:27:56,930 THEY KNEW OF KURT'S INTEREST IN SPIRITUALISM 391 00:27:56,964 --> 00:27:58,394 THROUGH POLYAK, 392 00:27:58,431 --> 00:28:00,861 SO THEY FAKED HIS DEATH 393 00:28:00,901 --> 00:28:02,331 IN ORDER TO GET CONTROL OF MARTHA'S RESEARCH. 394 00:28:02,369 --> 00:28:06,279 NOW ALL WE HAVE TO DO IS...IS FIND KURT. 395 00:28:06,306 --> 00:28:08,846 WHEN I PUT THE LUGGAGE IN THE STOREROOM, 396 00:28:08,876 --> 00:28:11,746 I SAW A TRUNK IN THERE THAT BELONGS TO POLYAK. 397 00:28:11,779 --> 00:28:14,219 LET'S GET A LOOK AT IT. 398 00:28:14,247 --> 00:28:16,217 NOW, WAIT A MINUTE. WHAT ABOUT MARTHA? 399 00:28:16,249 --> 00:28:18,259 SUPPOSE SHE'S NOT ON THE UP-AND-UP. 400 00:28:18,285 --> 00:28:21,055 SUPPOSE SHE'S FAKING THIS WHOLE THING TO DEFECT. 401 00:28:21,088 --> 00:28:22,328 IT'S TOO ELABORATE. 402 00:28:22,355 --> 00:28:24,395 SHE WOULDN'T GO TO ALL THAT TROUBLE. 403 00:28:24,424 --> 00:28:26,354 LET'S TAKE A LOOK AT THE TRUNK. 404 00:28:26,393 --> 00:28:29,363 MAYBE THERE'S A CLUE AS TO WHERE KURT IS HIDDEN. 405 00:28:29,396 --> 00:28:30,966 ALL RIGHT. ARIANA? 406 00:28:30,998 --> 00:28:33,098 NO, YOU LEAVE ME ALONE IN HERE. 407 00:28:33,133 --> 00:28:35,833 YOU TRY YOUR WAY, AND I'LL TRY MINE. 408 00:28:50,417 --> 00:28:52,387 [ THUNDER CRASHES ] 409 00:29:09,136 --> 00:29:11,336 THAT'S IT. 410 00:29:21,448 --> 00:29:22,448 [ CLICK ] 411 00:29:22,482 --> 00:29:24,552 YOU GOT IT. 412 00:29:24,584 --> 00:29:26,184 THAT WASN'T ME. 413 00:29:30,057 --> 00:29:32,497 IT'S BOLTED. 414 00:29:33,861 --> 00:29:35,061 GET THE WINDOW. 415 00:29:38,598 --> 00:29:40,368 CAN WE GET OUT THE WINDOW? 416 00:29:40,400 --> 00:29:41,940 WE'RE TOO HIGH TO JUMP. 417 00:29:45,072 --> 00:29:47,072 [ THUNDER CRASHES ] 418 00:30:01,354 --> 00:30:02,624 GIVE ME A HAND. 419 00:30:02,655 --> 00:30:05,055 GET THAT ELECTRIC HEATER OVER THERE 420 00:30:05,092 --> 00:30:07,222 AND RIP THE CORD OFF OF IT. 421 00:30:15,936 --> 00:30:17,936 [ THUNDER CRASHES ] 422 00:30:26,179 --> 00:30:27,419 OH! 423 00:30:35,655 --> 00:30:38,955 HOW DID YOU GET IN HERE, MADAME? 424 00:30:42,162 --> 00:30:44,192 THE DOOR WAS OPEN. 425 00:30:44,231 --> 00:30:47,961 ARE YOU IN THE HABIT OF ENTERING 426 00:30:48,001 --> 00:30:49,661 EVERY OPEN DOOR? 427 00:30:49,702 --> 00:30:54,242 WELL, ISN'T THIS WHERE THE FIRE STARTED? 428 00:30:54,274 --> 00:30:57,144 WHY DOES THAT CONCERN YOU? 429 00:30:57,177 --> 00:30:58,277 WELL, I'M INTERESTED 430 00:30:58,311 --> 00:31:00,271 IN THE CIRCUMSTANCES OF THE DEATH. 431 00:31:02,449 --> 00:31:04,489 [ COUGHING ] 432 00:31:09,489 --> 00:31:11,259 [ HUMMING ] 433 00:31:17,197 --> 00:31:19,167 I THINK THE MAGNET IS GOING TO WORK. 434 00:31:20,467 --> 00:31:22,207 [ GRUNTS ] 435 00:31:23,603 --> 00:31:25,933 ALMOST HAD IT. 436 00:31:35,282 --> 00:31:37,012 GOOD BOY. 437 00:31:41,654 --> 00:31:42,984 GET THE TRUNK. 438 00:31:44,591 --> 00:31:47,091 [ THUNDER CRASHES ] 439 00:31:47,127 --> 00:31:50,467 WE WERE ONLY DISCUSSING THE SUPERNATURAL. 440 00:31:50,497 --> 00:31:53,267 NOW, WHY SHOULD THAT UPSET YOU? 441 00:31:53,300 --> 00:31:54,570 I SHOULD PREFER 442 00:31:54,601 --> 00:31:57,601 NOT TO CONTINUE THIS DISCUSSION. 443 00:32:01,208 --> 00:32:05,018 KROGER. 444 00:32:07,047 --> 00:32:08,387 I WANT A WORD WITH YOU. 445 00:32:08,415 --> 00:32:09,615 AND I WITH YOU. 446 00:32:13,686 --> 00:32:15,326 [ FOOTSTEPS ] 447 00:32:20,327 --> 00:32:22,467 HOW ARE YOU BOYS DOING? 448 00:32:22,495 --> 00:32:24,535 DID YOU FIND ANYTHING? 449 00:32:24,564 --> 00:32:27,534 NOT WHAT WE WERE LOOKING FOR. 450 00:32:27,567 --> 00:32:29,107 HOW ABOUT YOU? 451 00:32:29,136 --> 00:32:33,406 I HAD A VISION OF KURT ZUBROVNIK, OF STREETS, 452 00:32:33,440 --> 00:32:35,210 A SMALL COMMUNITY NOT FAR FROM HERE, 453 00:32:35,242 --> 00:32:37,242 AND THE BUTCHERING OF LAMBS AND CATTLE. 454 00:32:40,413 --> 00:32:42,743 THE TOWN WE DROVE THROUGH. 455 00:32:42,782 --> 00:32:44,112 MAYBE. 456 00:32:44,151 --> 00:32:46,981 THAT'S AS GOOD A GUESS AS ANY. 457 00:33:03,603 --> 00:33:05,233 [ THUNDER CRASHES ] 458 00:33:08,808 --> 00:33:10,148 GENTLEMEN. 459 00:33:10,177 --> 00:33:13,047 GOOD EVENING, MR. POLYAK. 460 00:33:19,519 --> 00:33:22,659 SOMEBODY HAS TRIPPED THIS CAMERA BY HAND. 461 00:33:22,689 --> 00:33:23,789 MY APOLOGIES. 462 00:33:23,823 --> 00:33:26,453 I ACCIDENTALLY MOVED THE LEVER. 463 00:33:26,493 --> 00:33:29,363 LET'S SEE IF YOU CAUGHT ANYTHING. 464 00:33:43,676 --> 00:33:46,376 THAT LOOKS LIKE THE WAY OUT. 465 00:33:54,454 --> 00:33:57,654 [ WHIMPERING ] 466 00:34:01,128 --> 00:34:02,598 COME ON, ARIANA. 467 00:34:02,629 --> 00:34:04,239 WAIT A SECOND. 468 00:34:20,413 --> 00:34:22,613 TRYING TO FIND KURT ZUBROVNIK 469 00:34:22,649 --> 00:34:25,289 WAS A GOOD IDEA 10 MINUTES AGO. 470 00:34:25,318 --> 00:34:27,258 [ DOG WHIMPERING ] 471 00:34:29,189 --> 00:34:30,789 KURT ZUBROVNIK IS DEAD. 472 00:34:34,194 --> 00:34:37,794 WHAT'S THAT BLUR IN THE CORNER? 473 00:34:37,830 --> 00:34:39,470 IT'S A BEE. 474 00:34:44,171 --> 00:34:46,231 [ BUZZING ] 475 00:34:48,508 --> 00:34:50,608 THERE'S NO POINT IN GOING ON. HE'S DEAD. 476 00:34:50,643 --> 00:34:52,573 THEY'LL MOVE THE BODY IMMEDIATELY. 477 00:34:52,612 --> 00:34:56,312 HOW DO YOU KNOW THIS? HOW DID HE DIE? 478 00:34:56,349 --> 00:34:58,219 I CAN'T TELL YOU THAT. 479 00:34:58,251 --> 00:35:01,521 ALL I KNOW IS WHAT I KNOW, WHAT I FEEL. 480 00:35:02,622 --> 00:35:05,252 ARE YOU SURE ABOUT WHAT YOU FEEL? 481 00:35:05,292 --> 00:35:08,462 ALL I KNOW IS WHAT I FEEL, NOT WHAT I THINK. 482 00:35:08,495 --> 00:35:10,895 [ DOG WHIMPERS ] 483 00:35:12,899 --> 00:35:14,709 [ RINGING ] 484 00:35:16,503 --> 00:35:17,603 HELLO? 485 00:35:17,637 --> 00:35:19,807 YES, THIS IS HE. 486 00:35:25,345 --> 00:35:27,645 YES. 487 00:35:36,889 --> 00:35:38,429 KROGER. 488 00:35:56,609 --> 00:35:57,879 WHAT HAPPENED? 489 00:35:57,910 --> 00:35:59,880 I THINK KURT IS DEAD. 490 00:36:05,618 --> 00:36:09,258 IF POLYAK'S SOURCE OF INFORMATION IS GONE, 491 00:36:09,289 --> 00:36:12,229 AND HE LOSES CONTROL OVER MARTHA, 492 00:36:12,259 --> 00:36:14,699 HE COULD MAKE A SUDDEN MOVE. 493 00:36:14,727 --> 00:36:16,267 YOU'RE RIGHT. 494 00:36:23,270 --> 00:36:25,310 [ THUNDER CRASHES ] 495 00:36:30,843 --> 00:36:33,413 I'M SO SORRY, BUT WE HAVE TO LEAVE TOMORROW. 496 00:36:33,446 --> 00:36:36,446 FORGIVE ME FOR BRINGING YOU SUCH A GREAT DISTANCE 497 00:36:36,483 --> 00:36:37,813 FOR SO BRIEF A VISIT. 498 00:36:37,850 --> 00:36:39,390 WHERE ARE YOU GOING? 499 00:36:39,419 --> 00:36:41,689 I MUST COMPLETE MY WORK. 500 00:36:41,721 --> 00:36:43,781 AWAY FROM THIS PLACE, 501 00:36:43,823 --> 00:36:47,993 DR. ZUBROVNIK WILL BE ABLE TO CONCENTRATE. 502 00:36:50,797 --> 00:36:54,837 I'M AFRAID YOU'LL HAVE TO PREPARE TO LEAVE AS WELL. 503 00:37:16,022 --> 00:37:18,892 IF SHE LEAVES WITH POLYAK, WE'RE FINISHED. 504 00:37:21,761 --> 00:37:23,491 [ THUNDER CRASHES ] 505 00:37:23,530 --> 00:37:24,540 [ SLAM ] 506 00:37:28,701 --> 00:37:31,431 Kroger: POLYAK, THE DOOR IS LOCKED! 507 00:37:38,478 --> 00:37:39,518 AHH! 508 00:37:43,015 --> 00:37:44,855 [ GLASS BREAKS ] 509 00:37:47,654 --> 00:37:48,984 KROGER! 510 00:37:49,021 --> 00:37:50,981 WHAT IS IT? 511 00:37:58,531 --> 00:38:00,461 KROGER! 512 00:38:05,372 --> 00:38:07,632 [ THUNDER RUMBLING ] 513 00:38:14,614 --> 00:38:16,584 HE'S DEAD. 514 00:38:30,162 --> 00:38:32,762 [ THUNDER CRASHES ] 515 00:38:47,179 --> 00:38:49,649 OUR ONLY CHANCE IS TO HAVE ANOTHER SEANCE 516 00:38:49,682 --> 00:38:50,842 BEFORE THEY GET AWAY. 517 00:38:50,883 --> 00:38:52,853 BARNEY, HOW LONG WILL IT TAKE YOU 518 00:38:52,885 --> 00:38:55,455 TO RIG UP THE PROJECTOR IN THE LIVING ROOM? 519 00:38:55,488 --> 00:38:57,958 TWENTY TO TWENTY-FIVE MINUTES AT THE MOST. 520 00:38:57,990 --> 00:39:00,500 ARIANA, I WANT YOU TO GET MARTHA TO AGREE 521 00:39:00,527 --> 00:39:02,867 TO ANOTHER SEANCE TONIGHT, IN HALF AN HOUR. 522 00:39:02,895 --> 00:39:05,495 AT THIS SEANCE, I WANT YOU TO GO INTO A TRANCE. 523 00:39:05,532 --> 00:39:07,392 HAVE THE GHOST OF KURT ZUBROVNIK 524 00:39:07,434 --> 00:39:09,164 ACCUSE POLYAK OF BEING A MURDERER, 525 00:39:09,201 --> 00:39:11,061 AND HAVING HELD HIM PRISONER. 526 00:39:11,103 --> 00:39:13,103 OH, ROLLIN, I CAN'T. I'M SORRY. 527 00:39:13,139 --> 00:39:15,649 THE ONLY WAY TO BREAK A MAN LIKE THIS 528 00:39:15,675 --> 00:39:17,905 IS TO HAVE HIM TRAP HIMSELF. 529 00:39:17,944 --> 00:39:20,074 YOU MUSTN'T ASK ME TO DO THIS. 530 00:39:20,112 --> 00:39:22,142 YOU KNOW WHAT I TOLD BRIGGS. 531 00:39:22,181 --> 00:39:25,711 I DON'T LIKE BEING DISHONEST ABOUT THE SUPERNATURAL. 532 00:39:25,752 --> 00:39:28,722 BARNEY, WE'RE ON OUR OWN. BETTER GET STARTED. 533 00:39:28,755 --> 00:39:31,155 ARIANA, CAN YOU AT LEAST STALL MARTHA 534 00:39:31,190 --> 00:39:33,830 FOR HALF AN HOUR WHILE WE'RE IN THE LIVING ROOM? 535 00:39:33,860 --> 00:39:35,700 OH, DON'T BE ANGRY WITH ME. 536 00:39:35,728 --> 00:39:38,538 ALL RIGHT. I'LL TRY TO ARRANGE ANOTHER SEANCE. 537 00:39:38,565 --> 00:39:40,765 BUT THE REST IS UP TO YOU. 538 00:39:47,073 --> 00:39:48,603 Martha: YES? WHO IS IT? 539 00:39:48,641 --> 00:39:51,171 IT'S ARIANA. 540 00:39:51,210 --> 00:39:52,920 I KNOW HOW TIRED YOU MUST BE, 541 00:39:52,945 --> 00:39:55,115 BUT I'D LIKE TO TALK TO YOU. 542 00:39:55,147 --> 00:39:56,647 COME IN. 543 00:39:56,683 --> 00:39:58,453 WHAT IS IT? 544 00:39:58,485 --> 00:40:00,785 WELL, MADAME, I WAS HOPING TO PERSUADE YOU 545 00:40:00,820 --> 00:40:03,130 TO PUT YOUR TRIP OFF FOR A COUPLE OF DAYS. 546 00:40:03,155 --> 00:40:05,895 WE'VE BEEN SO IMPRESSED BY WHAT'S HAPPENED HERE, 547 00:40:05,925 --> 00:40:07,925 WE'D REALLY LIKE TO DOCUMENT IT. 548 00:40:07,960 --> 00:40:10,570 I THINK THAT YOU'VE GOT ENOUGH ALREADY. 549 00:40:10,597 --> 00:40:13,097 I MUST GET AWAY FROM HERE AND CONCENTRATE 550 00:40:13,132 --> 00:40:14,662 AND COMPLETE MY WORK. 551 00:40:14,701 --> 00:40:16,701 THAT'S WHAT KURT WANTS. 552 00:40:16,736 --> 00:40:18,206 [ KNOCK ON DOOR ] 553 00:40:18,237 --> 00:40:21,177 MARTHA, ARE YOU ALL RIGHT? 554 00:40:21,207 --> 00:40:23,677 MARTHA, MAY I COME INSIDE? 555 00:40:23,710 --> 00:40:24,950 YES. COME IN. 556 00:40:35,254 --> 00:40:38,084 I, UM...WAS HOPING TO PERSUADE DR. ZUBROVNIK 557 00:40:38,124 --> 00:40:40,754 TO DELAY HER TRIP FOR A COUPLE OF DAYS. 558 00:40:40,793 --> 00:40:42,793 WERE YOU? 559 00:40:57,143 --> 00:40:59,573 WE CANNOT DELAY OUR DEPARTURE 560 00:40:59,612 --> 00:41:01,582 JUST FOR PSYCHIC RESEARCH. 561 00:41:01,614 --> 00:41:05,514 BUT I FEEL HER HUSBAND'S PRESENCE VERY CLOSE TO ME. 562 00:41:05,552 --> 00:41:07,712 YOU FEEL HIM? 563 00:41:07,754 --> 00:41:11,124 YES. LIKE YOU, I'M A MEDIUM, AND I FEEL I CAN REACH HIM. 564 00:41:11,157 --> 00:41:12,857 A MEDIUM? 565 00:41:12,892 --> 00:41:14,822 IT WOULD BE WONDERFUL IF HE COULD COME TO ME 566 00:41:14,861 --> 00:41:16,991 THROUGH SOMEONE ELSE AS WELL. 567 00:41:17,029 --> 00:41:18,869 THERE WILL BE NO ONE ELSE. 568 00:41:18,898 --> 00:41:20,698 WELL, THEN, PERHAPS MADAME ZUBROVNIK 569 00:41:20,733 --> 00:41:22,003 AND I ALONE COULD -- 570 00:41:22,034 --> 00:41:24,574 NO! YOU MUSTN'T DENY HIM TO ME. 571 00:41:24,604 --> 00:41:26,604 HE MAY HAVE SOMETHING IMPORTANT TO SAY TO ME. 572 00:41:26,639 --> 00:41:28,849 PLEASE BRING HIM TO ME, EITHER OF YOU. 573 00:41:31,310 --> 00:41:36,050 VERY WELL, BUT WE MUST DO IT IMMEDIATELY. 574 00:41:36,082 --> 00:41:38,212 I'LL CHANGE AT ONCE. 575 00:41:44,323 --> 00:41:46,253 OKAY, TRY IT. 576 00:41:51,197 --> 00:41:53,567 PERFECT. 577 00:41:53,600 --> 00:41:55,570 [ DOOR OPENS ] 578 00:42:08,147 --> 00:42:10,117 WE'RE GOING TO HAVE ANOTHER SEANCE. 579 00:42:10,149 --> 00:42:11,349 OH, REALLY? WONDERFUL. 580 00:42:11,383 --> 00:42:12,653 [ THUNDER CRASHES ] 581 00:42:33,305 --> 00:42:34,975 [ THUNDER CRASHES ] 582 00:42:40,647 --> 00:42:42,617 IT ALWAYS HAPPENS WHEN THERE'S A STORM. 583 00:42:42,649 --> 00:42:44,719 WELL, LET'S WAIT, THEN. 584 00:42:44,751 --> 00:42:46,881 NO, NO. THERE ISN'T TIME. 585 00:42:46,919 --> 00:42:47,959 SIT DOWN. 586 00:42:47,987 --> 00:42:49,327 [ THUNDER CRASHES ] 587 00:42:50,389 --> 00:42:51,829 PLEASE SIT DOWN. 588 00:43:05,171 --> 00:43:10,101 DUDOIR, THESE ARE MOMENTS OF ANXIETY. 589 00:43:10,142 --> 00:43:13,412 MARTHA ZUBROVNIK FEELS, 590 00:43:13,445 --> 00:43:16,115 AND SOME OTHERS OF US FEEL, 591 00:43:16,148 --> 00:43:20,058 THAT THE SPIRIT OF HER HUSBAND IS NEAR, 592 00:43:20,086 --> 00:43:23,156 URGENTLY DEMANDING AUDIENCE. 593 00:43:25,357 --> 00:43:27,857 DUDOIR... 594 00:43:27,894 --> 00:43:32,664 IS...KURT...DISTURBED? 595 00:43:32,699 --> 00:43:36,209 IS...HE...NEAR YOU? 596 00:43:42,041 --> 00:43:43,941 Dudoir: YES. 597 00:43:43,976 --> 00:43:46,946 HE IS NEAR ME. 598 00:43:46,979 --> 00:43:49,689 HE IS IMPATIENT. 599 00:43:49,716 --> 00:43:55,126 THERE ARE STILL STRANGERS WITH YOU. 600 00:43:55,154 --> 00:43:57,454 THEY ANNOY HIM. 601 00:43:57,489 --> 00:44:02,299 HIS WIFE MUST FINISH HER WORK. 602 00:44:02,328 --> 00:44:05,038 WHEN SHE ARRIVES, 603 00:44:05,064 --> 00:44:09,834 KURT WILL COME TO HER HIMSELF. 604 00:44:09,869 --> 00:44:14,079 HE IS PROUD OF HER 605 00:44:14,106 --> 00:44:16,046 AND OF HER WORK, 606 00:44:16,075 --> 00:44:20,375 BUT HE DOES NOT WANT TO SPEAK TO HER AGAIN 607 00:44:20,412 --> 00:44:23,242 UNTIL SHE HAS ARRIVED 608 00:44:23,282 --> 00:44:25,882 AT HER DESTINATION. 609 00:44:27,286 --> 00:44:28,456 Man: MARTHA! 610 00:44:28,487 --> 00:44:30,387 MARTHA! 611 00:44:30,422 --> 00:44:31,922 I... 612 00:44:31,958 --> 00:44:33,258 I WILL SPEAK TO YOU. 613 00:44:33,292 --> 00:44:35,192 MARTHA! 614 00:44:35,227 --> 00:44:40,267 MARTHA...IT IS I. 615 00:44:40,299 --> 00:44:42,039 IT IS KURT. 616 00:44:43,502 --> 00:44:45,132 IT IS I... 617 00:44:45,171 --> 00:44:47,001 WHAT IS THIS INTERFERENCE? 618 00:44:47,039 --> 00:44:49,879 BREAKING THE LAWS OF INFINITY 619 00:44:49,909 --> 00:44:51,749 TO COME TO YOU. 620 00:44:51,778 --> 00:44:54,848 MARTHA, THIS IS TRICKERY. 621 00:44:54,881 --> 00:44:57,281 NO. 622 00:44:57,316 --> 00:45:00,086 NO, I'M SURE IT'S KURT'S VOICE. 623 00:45:00,119 --> 00:45:01,159 I KNOW IT. 624 00:45:01,187 --> 00:45:04,957 Kurt: MARTHA...MARTHA. 625 00:45:04,991 --> 00:45:07,421 I AM WITH YOU. 626 00:45:07,459 --> 00:45:10,169 I DO LOVE YOU. 627 00:45:10,196 --> 00:45:12,196 HOW CAN THIS BE KURT'S VOICE 628 00:45:12,231 --> 00:45:13,861 COMING FROM THIS WOMAN? 629 00:45:13,900 --> 00:45:16,010 SHE DOES NOT HAVE A CONTROL. 630 00:45:16,035 --> 00:45:18,435 Kurt: DO NOT BE AFRAID. 631 00:45:18,470 --> 00:45:21,040 I THOUGHT YOU WERE ANGRY WITH ME. 632 00:45:21,073 --> 00:45:23,173 I AM NOT ANGRY WITH YOU. 633 00:45:23,209 --> 00:45:26,079 IT IS ANOTHER MAN WHO WAS ANGRY. 634 00:45:27,479 --> 00:45:29,789 [ THUNDER CRASHES ] 635 00:45:31,550 --> 00:45:33,890 MARTHA, WHAT YOU ARE HEARING IS FAKERY. 636 00:45:33,920 --> 00:45:34,930 [ COUGHING ] 637 00:45:36,455 --> 00:45:38,795 I DON'T UNDERSTAND. 638 00:45:38,825 --> 00:45:40,925 WHAT MAN IS ANGRY? 639 00:45:40,960 --> 00:45:45,440 Kurt: IT IS A SIMPLE MAN WHO WAS MURDERED. 640 00:45:45,464 --> 00:45:47,294 [ COUGHING ] 641 00:45:48,300 --> 00:45:51,070 HE WAS A BEEKEEPER. 642 00:45:51,103 --> 00:45:54,873 IT WAS HE, THE BEEKEEPER, WHO WAS ANGRY. 643 00:45:54,907 --> 00:45:57,547 I DON'T UNDERSTAND IT. THE DAMPER IS OPEN. 644 00:45:57,576 --> 00:45:59,346 [ COUGHING ] 645 00:45:59,378 --> 00:46:01,048 MR. POLYAK? 646 00:46:01,080 --> 00:46:03,250 WHAT'S HAPPENING? 647 00:46:03,282 --> 00:46:06,052 [ THUNDER CRASHING ] 648 00:46:06,085 --> 00:46:07,515 [ COUGHING ] 649 00:46:07,553 --> 00:46:09,953 [ THUNDER CRASHING ] 650 00:46:17,329 --> 00:46:19,299 [ COUGHING ] 651 00:46:31,543 --> 00:46:33,543 [ COUGHING CONTINUES ] 652 00:46:39,318 --> 00:46:40,588 [ SIGHS ] 653 00:46:42,521 --> 00:46:44,351 [ BUZZING ] 654 00:46:44,390 --> 00:46:46,130 [ THUNDER RUMBLING ] 655 00:46:53,432 --> 00:46:55,202 OHH! 656 00:46:55,234 --> 00:46:59,034 AHH! 657 00:46:59,071 --> 00:47:01,401 Polyak: OHH! 658 00:47:01,440 --> 00:47:02,610 MR. POLYAK? 659 00:47:02,641 --> 00:47:04,141 WHAT'S WRONG WITH THE BOLT? 660 00:47:04,176 --> 00:47:06,116 I CAN'T BUDGE IT. IT'S STUCK. 661 00:47:06,145 --> 00:47:07,115 AHH! 662 00:47:07,146 --> 00:47:09,116 IS THAT BEES? 663 00:47:09,148 --> 00:47:10,448 MR. POLYAK? 664 00:47:10,482 --> 00:47:12,152 [ BUZZING ] 665 00:47:24,964 --> 00:47:26,434 [ THUNDER CRASHING ] 666 00:47:44,283 --> 00:47:46,083 THANK YOU. 667 00:47:46,118 --> 00:47:47,188 YES. 668 00:47:49,121 --> 00:47:50,481 WE WISH YOU WOULD CHANGE YOUR MIND. 669 00:47:50,522 --> 00:47:52,022 I DON'T THINK I WILL. 670 00:47:52,058 --> 00:47:54,228 I WANT TO STAY HERE, WHERE KURT IS. 671 00:47:54,260 --> 00:47:57,200 AND I'LL WORK WELL, NOW THAT I KNOW THE TRUTH. 672 00:47:57,229 --> 00:48:00,669 WE NEED YOU, AND WE'LL MISS YOU. 673 00:48:00,699 --> 00:48:02,439 THANK YOU, MR. HAND. 674 00:48:02,468 --> 00:48:04,638 I'LL START SENDING THE REPORTS AGAIN. 675 00:48:04,670 --> 00:48:06,010 GOOD. 676 00:48:06,038 --> 00:48:08,438 GOODBYE. GOODBYE, MR. COLLIER. 677 00:48:08,474 --> 00:48:10,304 GOODBYE. 678 00:48:10,342 --> 00:48:12,572 GOODBYE, AND THANK YOU. 679 00:48:12,611 --> 00:48:14,341 GOODBYE. 680 00:48:14,380 --> 00:48:16,350 THANK YOU. 681 00:48:37,403 --> 00:48:41,573 ARIANA...HOW DID YOU KNOW ABOUT THAT BEEKEEPER? 682 00:48:41,607 --> 00:48:45,747 I SAW BEES. IT WAS A HUNCH. 683 00:48:45,777 --> 00:48:49,247 ARIANA, I'LL NEVER DOUBT YOU AGAIN... 684 00:48:49,281 --> 00:48:50,611 OUT LOUD. 685 00:48:50,649 --> 00:48:53,089 AND YOU, ROLLIN? 686 00:48:53,119 --> 00:48:57,359 WELL, I DON'T KNOW. 687 00:48:57,389 --> 00:48:59,099 YOU DON'T KNOW. 688 00:48:59,125 --> 00:49:00,395 [ SIGHS ] 689 00:49:00,426 --> 00:49:04,196 THEN I GAVE MY GREATEST PERFORMANCE. 690 00:49:13,405 --> 00:49:16,075 [ BUZZING ]