1
00:02:02,477 --> 00:02:04,847
Man: GOOD MORNING, MR. BRIGGS.
2
00:02:04,879 --> 00:02:07,389
YOU REMEMBER
DR. MARTHA RICHARDS.
3
00:02:07,416 --> 00:02:10,416
TWO YEARS AGO,
WHILE ON VACATION IN AUSTRIA,
4
00:02:10,452 --> 00:02:13,222
SHE MET AND MARRIED
DR. KURT ZUBROVNIK.
5
00:02:13,255 --> 00:02:15,325
SHE NEVER RETURNED TO AMERICA,
6
00:02:15,357 --> 00:02:18,297
CONTINUING HER EXTREMELY
IMPORTANT RESEARCH WORK
7
00:02:18,327 --> 00:02:19,697
WITH HER HUSBAND IN AUSTRIA.
8
00:02:19,728 --> 00:02:21,268
ABOUT A YEAR AGO,
9
00:02:21,296 --> 00:02:23,336
KURT ZUBROVNIK
WAS BURNED TO DEATH
10
00:02:23,365 --> 00:02:25,495
IN A LABORATORY FIRE
IN THEIR HOME.
11
00:02:25,534 --> 00:02:28,204
MARTHA WENT ON WORKING
AFTER HER HUSBAND'S DEATH,
12
00:02:28,237 --> 00:02:29,907
BUT RECENTLY
STOPPED SENDING US
13
00:02:29,938 --> 00:02:31,678
THE RESULTS OF HER EXPERIMENTS.
14
00:02:31,706 --> 00:02:34,406
WE HAVE REASON TO BELIEVE
IT IS BECAUSE THIS MAN,
15
00:02:34,443 --> 00:02:36,613
SIGMUND POLYAK,
IS PRESSURING HER
16
00:02:36,645 --> 00:02:38,615
TO WORK
BEHIND THE IRON CURTAIN.
17
00:02:38,647 --> 00:02:40,617
IF IT WERE
AN ORDINARY PRESSURE,
18
00:02:40,649 --> 00:02:43,819
WE COULD FIGHT IT,
BUT POLYAK IS A MEDIUM,
19
00:02:43,852 --> 00:02:46,582
AND MARTHA ZUBROVNIK
IS BEING ASKED TO DEFECT
20
00:02:46,621 --> 00:02:48,681
BY THE GHOST
OF HER DEAD HUSBAND.
21
00:02:48,723 --> 00:02:51,953
MR. BRIGGS, YOUR MISSION,
SHOULD YOU DECIDE TO ACCEPT IT,
22
00:02:51,993 --> 00:02:53,463
WOULD BE TO KEEP HER
23
00:02:53,495 --> 00:02:55,495
FROM GOING
BEHIND THE IRON CURTAIN
24
00:02:55,530 --> 00:02:57,840
AND GET HER
WORKING FOR US AGAIN.
25
00:02:57,866 --> 00:03:00,806
AS ALWAYS, SHOULD YOU
OR ANY OF YOUR I.M. FORCE
26
00:03:00,835 --> 00:03:02,735
BE CAUGHT OR KILLED,
27
00:03:02,771 --> 00:03:05,701
THE SECRETARY WILL DISAVOW
ANY KNOWLEDGE OF YOUR ACTIONS.
28
00:03:05,740 --> 00:03:08,410
PLEASE DISPOSE
OF THIS RECORDING
29
00:03:08,443 --> 00:03:09,943
IN THE USUAL MANNER.
30
00:03:21,790 --> 00:03:23,360
[ SIZZLING ]
31
00:04:31,393 --> 00:04:33,893
Man, whispering: Martha...
32
00:04:33,928 --> 00:04:36,668
Martha...
33
00:04:36,698 --> 00:04:39,868
this is Kurt.
34
00:04:39,901 --> 00:04:43,571
Barney: YOU CAN'T SEE
A BEAM OF LIGHT, CORRECT?
35
00:04:43,605 --> 00:04:45,375
IT'S BECAUSE I'M USING
A BLACK LIGHT.
36
00:04:45,407 --> 00:04:47,107
NOW WATCH WHAT HAPPENS
WHEN I PUT MY HAND
37
00:04:47,141 --> 00:04:49,741
OVER THE SLAVE PROJECTOR.
38
00:04:52,647 --> 00:04:53,987
Dan: VERY NICE.
39
00:04:54,015 --> 00:04:57,355
ALL RIGHT,
BE A PSYCHIC RESEARCH TEAM
40
00:04:57,386 --> 00:05:00,926
ANXIOUS TO DOCUMENT
A VALID SUPERNATURAL EVENT.
41
00:05:00,955 --> 00:05:04,095
I CAN'T GO WITH YOU, BECAUSE
MARTHA ZUBROVNIK KNOWS ME.
42
00:05:04,125 --> 00:05:05,725
ARIANA --
43
00:05:05,760 --> 00:05:07,070
WHITE WINE AND SODA,
PLEASE.
44
00:05:07,095 --> 00:05:09,065
WOULD YOU CARE
FOR A DRINK?
45
00:05:09,097 --> 00:05:10,637
[ ALL CHUCKLING ]
46
00:05:10,665 --> 00:05:13,705
OH, I BROUGHT A TAPE HERE
OF A SEANCE I CONDUCTED.
47
00:05:13,735 --> 00:05:15,435
I'D LIKE YOU TO HEAR IT.
48
00:05:15,470 --> 00:05:18,510
Dan: DR. ZUBROVNIK SWORE
TO HIS WIFE BEFORE HIS DEATH,
49
00:05:18,540 --> 00:05:22,110
IF IT WAS POSSIBLE FOR HIM
TO COME BACK FROM THE GRAVE,
50
00:05:22,143 --> 00:05:25,073
HE WOULD...
AND HE SEEMS TO BE DOING IT.
51
00:05:27,416 --> 00:05:29,786
THIS IS THE MAN
THROUGH WHOM HE SPEAKS.
52
00:05:29,818 --> 00:05:32,458
FAMILIARIZE YOURSELF
WITH HIS BACKGROUND.
53
00:05:32,487 --> 00:05:33,857
A FAKE ON THE CASE, HUH?
54
00:05:33,888 --> 00:05:36,528
OH, I WISH YOU WOULDN'T
USE THAT WORD.
55
00:05:36,558 --> 00:05:38,058
FAKES EXIST, ARIANA.
56
00:05:38,092 --> 00:05:40,392
I KNOW, BUT...
YOU KNOW HOW I HATE
57
00:05:40,429 --> 00:05:42,999
ANY DISHONESTY IN REGARD
TO THE SUPERNATURAL.
58
00:05:43,031 --> 00:05:45,591
I KNOW NOTHING
ABOUT THE SUPERNATURAL.
59
00:05:45,634 --> 00:05:46,964
NEITHER DO I.
60
00:05:47,001 --> 00:05:48,901
WHY DON'T WE
JUST CONVINCE MRS. ZUBROVNIK
61
00:05:48,937 --> 00:05:50,107
SHE'S BEING TAKEN?
62
00:05:50,138 --> 00:05:52,578
WE DON'T KNOW
THE GHOST IS NOT REAL.
63
00:05:52,607 --> 00:05:54,677
THANK YOU FOR THAT.
64
00:05:54,709 --> 00:05:55,879
OH, COME ON, DAN.
65
00:05:55,910 --> 00:05:57,450
TO MARTHA ZUBROVNIK,
66
00:05:57,479 --> 00:05:59,149
THE SPIRIT OF HER
DEAD HUSBAND EXISTS.
67
00:05:59,180 --> 00:06:01,590
YOU CAN'T FIGHT THAT BELIEF
WITH LOGIC.
68
00:06:01,616 --> 00:06:04,416
WELL, IF YOU CAN'T
FIGHT GHOSTS WITH LOGIC,
69
00:06:04,453 --> 00:06:05,953
FIGHT GHOSTS WITH GHOSTS.
70
00:06:05,987 --> 00:06:07,657
THAT'S RIGHT.
71
00:06:07,689 --> 00:06:09,829
WHY DON'T YOU USE
THE EARPHONES?
72
00:06:09,858 --> 00:06:13,128
DAN WAS AT THE SEANCE,
AND HE'S FAMILIAR WITH IT.
73
00:06:15,830 --> 00:06:20,540
DAN...YOU KNOW
THE TRUTH ABOUT ME.
74
00:06:20,569 --> 00:06:21,909
WHY SO MUCH SELLING,
75
00:06:21,936 --> 00:06:24,106
SO MUCH
LOUD CONFIDENCE IN ME?
76
00:06:24,138 --> 00:06:25,978
ROLLIN AND BARNEY ARE SURE
77
00:06:26,007 --> 00:06:28,707
THAT YOU'RE AS MUCH A FAKE
AS POLYAK.
78
00:06:28,743 --> 00:06:30,643
FOR THE SAKE OF THE MISSION,
79
00:06:30,679 --> 00:06:33,449
I DON'T WANT THEM
ABSOLUTELY SURE.
80
00:06:33,482 --> 00:06:34,982
[ BEE BUZZING ]
81
00:07:10,218 --> 00:07:12,458
[ BEE BUZZING ]
82
00:07:13,187 --> 00:07:14,787
A BEE.
83
00:07:14,823 --> 00:07:16,823
BEES DON'T FLY AT NIGHT.
84
00:07:26,134 --> 00:07:27,834
HELLO!
85
00:07:31,573 --> 00:07:33,843
I THOUGHT
WE WERE EXPECTED.
86
00:07:34,943 --> 00:07:37,043
HELLO?
87
00:07:52,661 --> 00:07:54,891
HELLO!
88
00:07:54,929 --> 00:07:56,669
[ GROWLING ]
89
00:08:02,303 --> 00:08:06,673
[ SNARLING ]
90
00:08:06,708 --> 00:08:08,078
SHH.
91
00:08:09,844 --> 00:08:11,774
SHH.
92
00:08:11,813 --> 00:08:13,113
[ GROWLING ]
93
00:08:13,147 --> 00:08:16,587
WE WON'T HURT YOU.
94
00:08:17,652 --> 00:08:18,982
WE WON'T HURT HIM?
95
00:08:19,020 --> 00:08:21,160
SHH.
96
00:08:21,189 --> 00:08:23,629
STAY. STAY.
97
00:08:23,658 --> 00:08:25,858
BE CALM.
98
00:08:25,894 --> 00:08:27,594
BE CALM.
99
00:08:27,629 --> 00:08:31,299
REMEMBER MANY KINDNESSES.
100
00:08:31,332 --> 00:08:33,162
GOOD DOG.
101
00:08:33,201 --> 00:08:34,961
GOOD DOG.
102
00:08:42,977 --> 00:08:44,617
Woman: WHO'S THAT?
103
00:08:44,646 --> 00:08:45,876
DR. ZUBROVNIK?
104
00:08:45,914 --> 00:08:48,714
YES.
I BELIEVE
WE'RE EXPECTED.
105
00:08:48,750 --> 00:08:50,990
OH, YES, OF COURSE.
106
00:08:51,019 --> 00:08:53,859
I'M SO SORRY, MISTER...?
107
00:08:53,888 --> 00:08:55,588
ROLLIN HAND.
108
00:08:55,624 --> 00:08:58,954
MADAME DOMBE?
MR. COLLIER.
109
00:08:58,993 --> 00:09:02,293
DID YOU HAVE A DIFFICULT
TRIP FROM VIENNA?
110
00:09:02,330 --> 00:09:05,670
NO, IT WAS QUITE LOVELY
UNTIL JUST NOW,
111
00:09:05,700 --> 00:09:07,110
WHEN WE RAN INTO YOUR DOG.
112
00:09:07,135 --> 00:09:08,805
WHAT DOG?
113
00:09:08,837 --> 00:09:10,707
A BIG DOG THAT LOOKS AS IF
IT MIGHT BE PART WOLF.
114
00:09:10,739 --> 00:09:14,149
WILBUR?
WHERE DID HE GO?
115
00:09:14,175 --> 00:09:15,845
HE RAN OUT THE DOOR.
116
00:09:15,877 --> 00:09:18,017
IT WAS OPEN WHEN WE ARRIVED.
117
00:09:18,046 --> 00:09:20,886
WHEN MY HUSBAND DIED,
THE DOG WENT WILD,
118
00:09:20,915 --> 00:09:23,985
AND HE HASN'T BEEN SEEN
IN THE HOUSE SINCE.
119
00:09:25,386 --> 00:09:27,186
LET ME SHOW YOU
TO YOUR ROOMS.
120
00:09:27,221 --> 00:09:28,681
OH, THANK YOU.
121
00:09:28,723 --> 00:09:31,723
YOU MUST BE SO TIRED
AFTER THE LONG TRIP.
122
00:09:33,361 --> 00:09:36,061
I'M SO PLEASED
YOU COULD COME.
123
00:09:40,735 --> 00:09:43,005
HAVE YOU HAD
SOMETHING TO EAT?
124
00:09:43,037 --> 00:09:45,037
YES, WE STOPPED
ON THE WAY.
125
00:09:45,073 --> 00:09:48,643
OH, MR. POLYAK, THESE ARE
THE PSYCHIC RESEARCH PEOPLE.
126
00:09:48,677 --> 00:09:51,977
SIGMUND POLYAK, AND MY
ASSISTANT, MR. KROGER.
127
00:09:52,013 --> 00:09:53,243
HOW DO YOU DO?
128
00:09:53,281 --> 00:09:55,011
HOW DO YOU DO?
129
00:09:55,049 --> 00:09:56,219
ROLLIN HAND.
130
00:09:56,250 --> 00:09:57,390
ARIANA DOMBE.
131
00:09:57,418 --> 00:09:58,958
BARNEY COLLIER.
132
00:09:58,987 --> 00:10:00,227
THE SKEPTICS.
133
00:10:00,254 --> 00:10:02,794
YOU SHOULD BE GLAD
THAT THEY'RE HERE.
134
00:10:02,824 --> 00:10:05,024
THEY CAN ONLY
HELP TO DOCUMENT
135
00:10:05,059 --> 00:10:07,069
WHAT YOU'VE ALREADY PROVED.
136
00:10:07,095 --> 00:10:09,195
WE'D MUCH PREFER FINDING
REAL EVIDENCE
137
00:10:09,230 --> 00:10:11,440
OF THE SUPERNATURAL
THAN NOT FINDING IT.
138
00:10:11,465 --> 00:10:13,065
YES, OF COURSE.
139
00:10:13,101 --> 00:10:15,031
WILL YOU EXCUSE ME?
140
00:10:16,905 --> 00:10:19,135
COME THIS WAY.
141
00:10:22,844 --> 00:10:24,974
GENTLEMEN,
THIS IS YOUR ROOM.
142
00:10:25,013 --> 00:10:26,843
OH, I HOPE YOU DON'T MIND.
143
00:10:26,881 --> 00:10:29,011
I LEFT TWO CASES
OF EQUIPMENT
144
00:10:29,050 --> 00:10:31,190
IN THE HALLWAY
DOWNSTAIRS.
145
00:10:31,219 --> 00:10:32,689
OF COURSE NOT.
146
00:10:32,721 --> 00:10:34,021
WE'VE HEARD A GREAT DEAL
147
00:10:34,055 --> 00:10:35,455
ABOUT YOUR INTEREST
IN THE SPIRIT WORLD.
148
00:10:35,489 --> 00:10:37,299
WE LOOK FORWARD
TO A DEMONSTRATION.
149
00:10:37,325 --> 00:10:39,895
PERHAPS YOU'D CARE
TO JOIN US IN AN HOUR OR SO.
150
00:10:39,928 --> 00:10:41,068
YOU AND MR. POLYAK?
151
00:10:41,095 --> 00:10:44,665
YES...AND MY HUSBAND.
152
00:10:50,972 --> 00:10:53,802
[ BUZZING ]
153
00:10:56,010 --> 00:10:57,820
[ THUNDER CRASHES ]
154
00:11:02,851 --> 00:11:04,451
LOOKS LIKE IT'S
TRYING TO RAIN.
155
00:11:04,485 --> 00:11:06,385
YES.
156
00:11:11,059 --> 00:11:13,199
SO, CAMERAS WITH ALARMS
157
00:11:13,227 --> 00:11:18,197
AND CLOCKS THAT RECORD THE EXACT
TIME THEY'RE TRIPPED.
158
00:11:18,232 --> 00:11:21,102
YES, AND ELECTRIC EYES
THAT TRIP THE CAMERAS,
159
00:11:21,135 --> 00:11:23,405
AND A HEAT SENSOR
THAT WILL RECORD
160
00:11:23,437 --> 00:11:25,777
ANY MOVEMENT
OF GHOSTLY MATERIAL.
161
00:11:31,545 --> 00:11:34,015
IS EVERYTHING
ALMOST READY?
162
00:11:34,048 --> 00:11:35,018
ALMOST.
163
00:11:35,049 --> 00:11:36,019
GOOD.
164
00:11:36,050 --> 00:11:38,060
[ THUNDER CRASHES ]
165
00:11:43,825 --> 00:11:45,155
THIS CASKET HAS BEEN LOCKED
166
00:11:45,193 --> 00:11:47,763
SINCE MY HUSBAND
PUT A MESSAGE IN IT
167
00:11:47,796 --> 00:11:49,466
JUST AFTER WE WERE MARRIED.
168
00:11:49,497 --> 00:11:52,867
HE SAID THAT IF ANYTHING
SHOULD HAPPEN TO HIM,
169
00:11:52,901 --> 00:11:55,261
HE WOULD TRY
TO COME BACK TO ME.
170
00:11:55,303 --> 00:11:58,273
TONIGHT IS THE ANNIVERSARY
OF HIS DEATH.
171
00:11:58,306 --> 00:12:01,476
NOT ANOTHER SOUL KNOWS
WHAT IS IN THIS BOX BUT ME.
172
00:12:03,077 --> 00:12:05,447
THAT'S LIKE THE MESSAGE
HOUDINI LEFT FOR DUNNINGER.
173
00:12:05,479 --> 00:12:08,049
I THINK WE HAVE
GREATER POSSIBILITIES.
174
00:12:08,082 --> 00:12:10,182
KURT AND I
WERE A LITTLE CLOSER
175
00:12:10,218 --> 00:12:11,958
THAN HOUDINI
AND DUNNINGER.
176
00:12:11,986 --> 00:12:15,456
PLEASE, SIT DOWN,
EVERYONE.
177
00:12:29,470 --> 00:12:31,540
[ THUNDER CRASHES ]
178
00:12:40,248 --> 00:12:43,788
NOW...JOIN HANDS.
179
00:12:46,320 --> 00:12:48,190
YOUR LEFT FOOT
SHOULD BE TOUCHING
180
00:12:48,222 --> 00:12:50,522
THE FOOT OF THE PERSON
SITTING BESIDE YOU.
181
00:12:54,095 --> 00:12:56,225
MY CONTROL
IS NAMED DUDOIR.
182
00:12:56,264 --> 00:12:58,364
HE WAS
AN ALSATIAN PUGILIST
183
00:12:58,399 --> 00:13:01,209
WHO WAS KILLED
IN THE BOXING RING.
184
00:13:01,235 --> 00:13:04,205
I WILL TRY TO REACH HIM.
185
00:13:08,142 --> 00:13:10,872
DUDOIR.
186
00:13:10,912 --> 00:13:12,472
WE ARE HERE.
187
00:13:13,547 --> 00:13:16,517
DUDOIR,
WE ARE SIX TONIGHT.
188
00:13:16,550 --> 00:13:18,020
[ THUNDER RUMBLING ]
189
00:13:25,159 --> 00:13:30,339
DUDOIR, WE ARE WAITING.
190
00:13:46,647 --> 00:13:49,887
I FEEL THAT YOU ARE
COMING CLOSER...
191
00:13:49,918 --> 00:13:54,288
APPROACHING FROM BEYOND.
192
00:13:54,322 --> 00:13:58,092
COME INTO ME, DUDOIR.
193
00:13:58,126 --> 00:14:02,866
COME INTO THIS PLACE
THROUGH ME.
194
00:14:08,236 --> 00:14:12,536
DUDOIR, I FEEL
THAT YOU ARE NEAR.
195
00:14:12,573 --> 00:14:17,213
WHY IS IT SO DIFFICULT
FOR YOU TO COME?
196
00:14:27,488 --> 00:14:30,658
Dudoir:
THERE IS DOUBT.
197
00:14:30,691 --> 00:14:32,961
[ THUNDER CRASHES ]
198
00:14:34,428 --> 00:14:38,998
YES, THERE IS DOUBT, DUDOIR,
BUT IT WILL GO AWAY.
199
00:14:39,033 --> 00:14:42,103
WE ARE GRATEFUL, DUDOIR,
GRATEFUL,
200
00:14:42,136 --> 00:14:46,036
THAT YOU HAVE COME TO US...
201
00:14:46,074 --> 00:14:48,074
SO QUICKLY.
202
00:14:59,420 --> 00:15:04,630
Dudoir: THE PROMISE MADE
WILL BE FULFILLED...
203
00:15:04,658 --> 00:15:10,068
BUT THERE ARE
THOSE AMONG YOU
204
00:15:10,098 --> 00:15:12,138
WHO DO NOT BELIEVE.
205
00:15:12,166 --> 00:15:16,436
OH...PLEASE,
COME BACK, DUDOIR.
206
00:15:16,470 --> 00:15:19,240
THEY MEAN YOU NO HARM.
207
00:15:19,273 --> 00:15:22,243
DUDOIR, DON'T LEAVE US.
208
00:15:22,276 --> 00:15:25,076
EYES CLOSED, EVERYONE.
NO ONE MOVE.
209
00:15:34,655 --> 00:15:38,055
Dudoir:
I...AM...WITH YOU.
210
00:15:38,092 --> 00:15:43,132
THERE IS A MESSAGE
FOR MARTHA.
211
00:15:43,164 --> 00:15:49,034
YOUR WORK MUST GO QUICKLY
TO ITS CONCLUSION.
212
00:15:49,070 --> 00:15:52,010
WHEN YOU ARE FINISHED,
213
00:15:52,040 --> 00:15:56,010
KURT WILL COME TO YOU
HIMSELF.
214
00:15:56,044 --> 00:16:00,244
FOUR...SEVEN...
215
00:16:00,281 --> 00:16:03,111
BACK 19.
216
00:16:03,151 --> 00:16:07,081
DEATH, NOT LIFE,
217
00:16:07,121 --> 00:16:11,521
IS THE OVERTURE
TO ETERNITY.
218
00:16:13,527 --> 00:16:15,997
[ THUNDER CRASHES ]
219
00:16:19,333 --> 00:16:21,703
NO ONE ELSE KNEW.
220
00:16:21,735 --> 00:16:24,435
I WAS THE ONLY ONE.
221
00:16:24,472 --> 00:16:28,172
I WILL TRY TO WORK HARDER.
222
00:16:28,209 --> 00:16:31,449
I WILL TRY, I WILL TRY.
223
00:16:31,479 --> 00:16:33,289
OH, KURT.
224
00:16:34,648 --> 00:16:36,348
KURT.
225
00:16:41,322 --> 00:16:43,452
YOU ALL RIGHT?
226
00:16:43,491 --> 00:16:44,621
YES.
227
00:16:44,658 --> 00:16:47,328
NO ONE ELSE
COULD HAVE KNOWN
228
00:16:47,361 --> 00:16:49,061
THE COMBINATION...
229
00:16:49,097 --> 00:16:50,497
OR THE MESSAGE.
230
00:16:50,531 --> 00:16:53,231
I WAS THE ONLY ONE
WHO KNEW.
231
00:16:53,267 --> 00:16:56,367
FOUR...SEVEN...
232
00:16:56,404 --> 00:16:58,474
BACK 19.
233
00:17:00,374 --> 00:17:03,314
OPEN THE BOX QUICKLY,
PLEASE.
234
00:17:06,747 --> 00:17:09,187
[ THUNDER CRASHES ]
235
00:17:53,594 --> 00:17:55,294
"DEATH, NOT LIFE,
236
00:17:55,329 --> 00:17:57,869
"IS THE OVERTURE
TO ETERNITY.
237
00:17:57,898 --> 00:17:59,538
KURT."
238
00:18:03,471 --> 00:18:07,171
THANK YOU, MR. POLYAK.
239
00:18:09,410 --> 00:18:11,780
AND THANK YOU,
DEAR, DEAR KURT.
240
00:18:11,812 --> 00:18:15,812
THERE IS LIFE AFTER DEATH.
241
00:18:23,191 --> 00:18:25,521
[ BUZZING ]
242
00:18:27,228 --> 00:18:29,568
[ THUNDER CRASHES ]
243
00:18:39,607 --> 00:18:41,807
[ THUNDER CRASHES ]
244
00:18:44,478 --> 00:18:49,518
WERE YOU IMPRESSED
BY WHAT YOU WITNESSED?
245
00:18:49,550 --> 00:18:50,520
VERY.
246
00:18:50,551 --> 00:18:53,221
AND YOU, MR. COLLIER?
247
00:18:53,254 --> 00:18:55,284
VERY IMPRESSED.
248
00:18:55,323 --> 00:18:56,483
I WAS GREATLY MOVED.
249
00:18:56,524 --> 00:18:58,524
IT SEEMS TO ME
THERE IS NO DOUBT
250
00:18:58,559 --> 00:19:00,669
THERE IS A SPIRIT
IN THIS HOUSE.
251
00:19:02,963 --> 00:19:06,163
MARTHA, I WILL SEE YOU
TO YOUR ROOM.
252
00:19:09,670 --> 00:19:11,410
Martha: GOOD NIGHT.
253
00:19:11,439 --> 00:19:12,909
Barney: GOOD NIGHT.
254
00:19:12,940 --> 00:19:15,180
[ THUNDER RUMBLES ]
255
00:19:26,487 --> 00:19:27,827
WHAT ABOUT THAT BOX?
256
00:19:27,855 --> 00:19:30,525
THE BOX COULDN'T HAVE BEEN
TAMPERED WITH.
257
00:19:30,558 --> 00:19:32,698
THE RUST ON THE HINGES
WAS REAL.
258
00:19:32,726 --> 00:19:35,296
YOU SAW THE PAPER --
YELLOW WITH AGE.
259
00:19:35,329 --> 00:19:38,669
AND THE SEALS ON THE ENVELOPE
HAVE NOT BEEN TOUCHED.
260
00:19:38,699 --> 00:19:40,709
ARIANA, HE WAS GOOD,
261
00:19:40,734 --> 00:19:44,634
BUT WASN'T HIS VOICE
A LITTLE OBVIOUS?
262
00:19:44,672 --> 00:19:45,902
PERHAPS.
263
00:19:45,939 --> 00:19:49,749
PERHAPS? COME ON.
LEVEL WITH US, ARIANA.
264
00:19:49,777 --> 00:19:51,777
THAT WAS NONSENSE.
265
00:19:51,812 --> 00:19:53,742
PERHAPS.
266
00:19:57,718 --> 00:19:59,688
I'LL TRY TO CONCENTRATE.
267
00:19:59,720 --> 00:20:02,490
KURT WANTS YOUR WORK
TO GO WELL
268
00:20:02,523 --> 00:20:04,353
AND TO BE COMPLETED.
269
00:20:05,493 --> 00:20:07,463
[ ALARM BUZZES ]
270
00:20:13,534 --> 00:20:14,704
[ DOG BARKING ]
271
00:20:14,735 --> 00:20:16,635
[ GROWLING ]
272
00:20:24,445 --> 00:20:25,845
[ THUNDER CRASHES ]
273
00:20:25,879 --> 00:20:26,919
[ HOWLS ]
274
00:20:38,492 --> 00:20:39,752
COULD HE BE ANGRY
WITH ME?
275
00:20:39,793 --> 00:20:40,993
POSSIBLY.
276
00:20:41,028 --> 00:20:42,768
EVERYTHING
ISN'T SUPERNATURAL.
277
00:20:42,796 --> 00:20:44,696
IT WAS VIBRATION
FROM THE THUNDERSTORM.
278
00:20:44,732 --> 00:20:45,962
THE WHOLE HOUSE SHOOK.
279
00:20:45,999 --> 00:20:49,509
BARNEY, MAYBE MR. POLYAK
IS RIGHT.
280
00:20:49,537 --> 00:20:52,907
YOU CLAIM TO BE
OBJECTIVE, MR. HAND.
281
00:20:52,940 --> 00:20:54,910
YOU KNOW YOU
DON'T REALLY BELIEVE THAT.
282
00:20:54,942 --> 00:20:56,902
AND WHY DO YOU SAY THAT?
283
00:20:56,944 --> 00:20:59,374
I AM A MEDIUM. I FEEL IT.
284
00:20:59,413 --> 00:21:02,913
YOU ARE NOT ORIENTED
TO BE A BELIEVER.
285
00:21:09,957 --> 00:21:12,397
[ THUNDER RUMBLES ]
286
00:21:18,031 --> 00:21:20,801
WHY DID YOU LET HER THINK
POLYAK IS RIGHT?
287
00:21:20,834 --> 00:21:23,874
WELL, WE MUSTN'T LET HER
FEEL WE SUSPECT POLYAK
288
00:21:23,904 --> 00:21:25,934
IF WE'RE
GOING TO EXPOSE HIM.
289
00:21:25,973 --> 00:21:28,043
WELL, ARE YOU SURE
YOU CAN?
290
00:21:28,075 --> 00:21:30,005
WHAT DO YOU MEAN?
291
00:21:30,043 --> 00:21:32,643
WELL, THERE'S NO NEED
TO LIE ABOUT IT.
292
00:21:32,680 --> 00:21:34,750
I TOLD HIM THE TRUTH.
293
00:21:34,782 --> 00:21:39,052
THERE IS A SPIRIT --
A GHOST, IF YOU PREFER --
294
00:21:39,086 --> 00:21:41,056
IN THIS HOUSE.
295
00:21:41,088 --> 00:21:44,758
I THOUGHT YOU WERE
JUST BEING TACTFUL.
296
00:21:44,792 --> 00:21:48,092
I'M NEVER TACTFUL
ABOUT THE SUPERNATURAL.
297
00:21:48,128 --> 00:21:51,768
WELL, THERE'S SOMETHING
YOU SHOULD KNOW.
298
00:21:51,799 --> 00:21:55,569
YOU SEE, MADAME ZUBROVNIK
WANTS TO BELIEVE
299
00:21:55,603 --> 00:21:59,033
THAT THE SPIRIT HERE
IS KIND AND LOVING.
300
00:21:59,072 --> 00:22:02,942
BUT THE SPIRIT HERE
ISN'T KIND AND LOVING.
301
00:22:02,976 --> 00:22:06,076
UNFORTUNATELY,
IT'S QUITE MALEVOLENT.
302
00:22:06,113 --> 00:22:09,813
YOU SEE, SPIRITS
DON'T USUALLY MOVE ABOUT.
303
00:22:09,850 --> 00:22:11,720
THEY GENERALLY REMAIN
304
00:22:11,752 --> 00:22:15,382
NEAR THE PLACE
WHERE THE DEATH OCCURRED,
305
00:22:15,423 --> 00:22:18,553
AND THAT'S WHERE YOU'LL
FIND THE TRUTH, NOT HERE.
306
00:22:18,592 --> 00:22:20,762
AND ZUBROVNIK
WAS BURNED TO DEATH
307
00:22:20,794 --> 00:22:22,124
IN HIS LABORATORY.
308
00:22:22,162 --> 00:22:23,662
[ THUNDER RUMBLING ]
309
00:22:26,567 --> 00:22:28,967
[ BUZZING ]
310
00:22:31,605 --> 00:22:33,845
[ THUNDER CRASHES ]
311
00:22:55,062 --> 00:22:56,662
KILL THE LIGHT.
312
00:22:56,697 --> 00:22:58,767
WE'LL USE THE BURNER.
313
00:23:02,035 --> 00:23:04,605
YOU WANT US TO HOLD HANDS
OR SOMETHING?
314
00:23:04,638 --> 00:23:06,038
NO, NO, NO.
315
00:23:06,073 --> 00:23:08,173
I WANT YOU TO SIT QUIET
AND TRY TO HELP ME.
316
00:23:21,922 --> 00:23:24,792
[ THUNDER RUMBLES ]
317
00:23:24,825 --> 00:23:28,565
MY CONTROL IS A YOUNG GIRL
OF 16, FRANCES,
318
00:23:28,596 --> 00:23:30,096
WHO DIED IN 1900.
319
00:23:37,571 --> 00:23:39,501
FRANCES.
320
00:23:41,575 --> 00:23:42,945
FRANCES?
321
00:23:42,976 --> 00:23:45,546
CAN YOU HEAR ME?
322
00:23:45,579 --> 00:23:49,219
THIS IS ARIANA.
323
00:23:51,051 --> 00:23:53,681
I AM FAR FROM HOME...
324
00:23:53,721 --> 00:23:57,751
BUT I KNOW
THAT YOU CAN HEAR ME.
325
00:23:59,893 --> 00:24:01,223
[ THUNDER CRASHES ]
326
00:24:03,731 --> 00:24:06,091
FRANCES!
327
00:24:06,133 --> 00:24:08,633
PLEASE.
328
00:24:11,772 --> 00:24:13,672
HEAR ME...
329
00:24:13,707 --> 00:24:16,147
AND TALK TO ME.
330
00:24:19,179 --> 00:24:22,089
WE ARE ANXIOUS.
331
00:24:22,115 --> 00:24:25,785
WE ARE SO ANXIOUS...
332
00:24:25,819 --> 00:24:28,759
TO TALK TO YOU.
333
00:24:31,291 --> 00:24:32,791
FRANCES.
334
00:24:41,168 --> 00:24:44,108
Frances: [ Whispering ]
Ariana...
335
00:24:44,137 --> 00:24:49,677
I...hear...you.
336
00:24:52,646 --> 00:24:53,686
FRANCES.
337
00:24:53,714 --> 00:24:56,284
FRANCES...
338
00:24:56,316 --> 00:24:58,616
THERE WAS A FIRE HERE
A YEAR AGO,
339
00:24:58,652 --> 00:24:59,952
AND A MAN WAS BURNED.
340
00:24:59,987 --> 00:25:03,027
[ FRANCES GASPING ]
341
00:25:03,056 --> 00:25:04,196
YES!
342
00:25:13,066 --> 00:25:14,566
FRANCES.
343
00:25:18,939 --> 00:25:21,009
FRANCES, CAN YOU HEAR ME?
344
00:25:22,610 --> 00:25:23,920
FRANCES!
345
00:25:23,944 --> 00:25:26,914
FRANCES, PLEASE COME BACK
AND TALK TO US.
346
00:25:26,947 --> 00:25:28,887
YOU WERE HERE A MOMENT AGO.
347
00:25:28,916 --> 00:25:30,786
Frances: AAAHHHH!
348
00:25:33,353 --> 00:25:38,893
I...AM...HERE.
349
00:25:41,261 --> 00:25:42,321
FRANCES!
350
00:25:42,362 --> 00:25:43,832
[ THUNDER CRASHES ]
351
00:25:45,833 --> 00:25:48,803
THERE IS DEATH...
352
00:25:48,836 --> 00:25:54,076
AND AGONY
AND TORMENT CLOSE TO YOU.
353
00:25:54,107 --> 00:25:58,077
I DON'T LIKE
TO TALK ABOUT IT.
354
00:25:58,111 --> 00:26:00,041
IT...HAS AN...
355
00:26:00,080 --> 00:26:02,820
UNQUENCHABLE POWER.
356
00:26:02,850 --> 00:26:05,360
IT HATES. IT HATES!
357
00:26:05,385 --> 00:26:08,955
IT CANNOT BE CONTROLLED...
358
00:26:08,989 --> 00:26:11,659
AND IT WILL KILL!
359
00:26:24,137 --> 00:26:25,407
OH.
360
00:26:25,438 --> 00:26:28,178
THAT WAS THE SPIRIT
OF THE FIRE...
361
00:26:28,208 --> 00:26:31,118
BUT IT'S
NOT THE ONE WE EXPECTED.
362
00:26:31,144 --> 00:26:32,974
IT'S ANOTHER SPIRIT.
363
00:26:40,320 --> 00:26:41,690
[ THUNDER CRASHES ]
364
00:26:41,722 --> 00:26:43,922
[ BUZZING ]
365
00:26:54,868 --> 00:26:56,108
OH.
366
00:26:56,136 --> 00:26:58,106
ARIANA,
ARE YOU ALL RIGHT?
367
00:26:58,138 --> 00:26:59,778
YES.
368
00:26:59,807 --> 00:27:02,247
THE SPIRIT OF THE MAN
WHO DIED IN THE FIRE --
369
00:27:02,275 --> 00:27:05,375
THAT WAS NOT THE SPIRIT
OF KURT ZUBROVNIK.
370
00:27:05,412 --> 00:27:08,242
THAT'S IT.
KURT ZUBROVNIK IS ALIVE.
371
00:27:08,281 --> 00:27:09,981
I DON'T KNOW HOW I KNOW.
372
00:27:10,017 --> 00:27:12,917
MY SUBCONSCIOUS KNOWS,
AND THAT'S HOW IT TELLS ME.
373
00:27:12,953 --> 00:27:15,153
YOU MEAN YOU CAME
TO THE CONCLUSION
374
00:27:15,188 --> 00:27:18,228
THAT KURT IS ALIVE
ON THE BASIS OF HER SEANCE?
375
00:27:18,258 --> 00:27:19,458
NO, I DON'T KNOW
376
00:27:19,492 --> 00:27:21,292
HOW SHE CAME
TO THAT CONCLUSION,
377
00:27:21,328 --> 00:27:22,428
BUT IT'S LOGICAL.
378
00:27:22,462 --> 00:27:24,092
NOW, LOOK.
379
00:27:24,131 --> 00:27:26,361
THE COMBINATION OF THE LOCK,
380
00:27:26,399 --> 00:27:28,769
THE CONTENTS OF THE LETTER.
381
00:27:28,802 --> 00:27:30,032
NOW, LOOK.
382
00:27:30,070 --> 00:27:32,240
WE BOTH KNOW THAT BOX
WAS NOT TAMPERED WITH.
383
00:27:32,272 --> 00:27:34,942
NEITHER WAS THE LETTER.
SO KURT IS ALIVE.
384
00:27:34,975 --> 00:27:37,305
THEY'RE GETTING INFORMATION
FROM HIM.
385
00:27:37,344 --> 00:27:39,944
THEY'RE EVEN TORTURING HIM,
POSSIBLY.
386
00:27:39,980 --> 00:27:44,260
IF KURT IS ALIVE,
WHAT WAS THAT?
387
00:27:44,284 --> 00:27:47,724
THAT WAS THE SPIRIT
OF THE MAN WHO REALLY DIED.
388
00:27:47,755 --> 00:27:49,185
IT'S QUITE POSSIBLE
389
00:27:49,222 --> 00:27:52,722
THAT THEY COULD HAVE BURNED
SOMEONE ELSE.
390
00:27:52,760 --> 00:27:56,930
THEY KNEW OF KURT'S INTEREST
IN SPIRITUALISM
391
00:27:56,964 --> 00:27:58,394
THROUGH POLYAK,
392
00:27:58,431 --> 00:28:00,861
SO THEY FAKED HIS DEATH
393
00:28:00,901 --> 00:28:02,331
IN ORDER TO GET CONTROL
OF MARTHA'S RESEARCH.
394
00:28:02,369 --> 00:28:06,279
NOW ALL WE HAVE TO DO
IS...IS FIND KURT.
395
00:28:06,306 --> 00:28:08,846
WHEN I PUT THE LUGGAGE
IN THE STOREROOM,
396
00:28:08,876 --> 00:28:11,746
I SAW A TRUNK IN THERE
THAT BELONGS TO POLYAK.
397
00:28:11,779 --> 00:28:14,219
LET'S GET A LOOK AT IT.
398
00:28:14,247 --> 00:28:16,217
NOW, WAIT A MINUTE.
WHAT ABOUT MARTHA?
399
00:28:16,249 --> 00:28:18,259
SUPPOSE SHE'S NOT
ON THE UP-AND-UP.
400
00:28:18,285 --> 00:28:21,055
SUPPOSE SHE'S FAKING
THIS WHOLE THING TO DEFECT.
401
00:28:21,088 --> 00:28:22,328
IT'S TOO ELABORATE.
402
00:28:22,355 --> 00:28:24,395
SHE WOULDN'T GO
TO ALL THAT TROUBLE.
403
00:28:24,424 --> 00:28:26,354
LET'S TAKE A LOOK
AT THE TRUNK.
404
00:28:26,393 --> 00:28:29,363
MAYBE THERE'S A CLUE
AS TO WHERE KURT IS HIDDEN.
405
00:28:29,396 --> 00:28:30,966
ALL RIGHT. ARIANA?
406
00:28:30,998 --> 00:28:33,098
NO, YOU LEAVE ME ALONE
IN HERE.
407
00:28:33,133 --> 00:28:35,833
YOU TRY YOUR WAY,
AND I'LL TRY MINE.
408
00:28:50,417 --> 00:28:52,387
[ THUNDER CRASHES ]
409
00:29:09,136 --> 00:29:11,336
THAT'S IT.
410
00:29:21,448 --> 00:29:22,448
[ CLICK ]
411
00:29:22,482 --> 00:29:24,552
YOU GOT IT.
412
00:29:24,584 --> 00:29:26,184
THAT WASN'T ME.
413
00:29:30,057 --> 00:29:32,497
IT'S BOLTED.
414
00:29:33,861 --> 00:29:35,061
GET THE WINDOW.
415
00:29:38,598 --> 00:29:40,368
CAN WE GET OUT THE WINDOW?
416
00:29:40,400 --> 00:29:41,940
WE'RE TOO HIGH TO JUMP.
417
00:29:45,072 --> 00:29:47,072
[ THUNDER CRASHES ]
418
00:30:01,354 --> 00:30:02,624
GIVE ME A HAND.
419
00:30:02,655 --> 00:30:05,055
GET THAT ELECTRIC HEATER
OVER THERE
420
00:30:05,092 --> 00:30:07,222
AND RIP THE CORD
OFF OF IT.
421
00:30:15,936 --> 00:30:17,936
[ THUNDER CRASHES ]
422
00:30:26,179 --> 00:30:27,419
OH!
423
00:30:35,655 --> 00:30:38,955
HOW DID YOU
GET IN HERE, MADAME?
424
00:30:42,162 --> 00:30:44,192
THE DOOR WAS OPEN.
425
00:30:44,231 --> 00:30:47,961
ARE YOU IN THE HABIT
OF ENTERING
426
00:30:48,001 --> 00:30:49,661
EVERY OPEN DOOR?
427
00:30:49,702 --> 00:30:54,242
WELL, ISN'T THIS
WHERE THE FIRE STARTED?
428
00:30:54,274 --> 00:30:57,144
WHY DOES THAT CONCERN YOU?
429
00:30:57,177 --> 00:30:58,277
WELL, I'M INTERESTED
430
00:30:58,311 --> 00:31:00,271
IN THE CIRCUMSTANCES
OF THE DEATH.
431
00:31:02,449 --> 00:31:04,489
[ COUGHING ]
432
00:31:09,489 --> 00:31:11,259
[ HUMMING ]
433
00:31:17,197 --> 00:31:19,167
I THINK THE MAGNET
IS GOING TO WORK.
434
00:31:20,467 --> 00:31:22,207
[ GRUNTS ]
435
00:31:23,603 --> 00:31:25,933
ALMOST HAD IT.
436
00:31:35,282 --> 00:31:37,012
GOOD BOY.
437
00:31:41,654 --> 00:31:42,984
GET THE TRUNK.
438
00:31:44,591 --> 00:31:47,091
[ THUNDER CRASHES ]
439
00:31:47,127 --> 00:31:50,467
WE WERE ONLY DISCUSSING
THE SUPERNATURAL.
440
00:31:50,497 --> 00:31:53,267
NOW, WHY SHOULD THAT
UPSET YOU?
441
00:31:53,300 --> 00:31:54,570
I SHOULD PREFER
442
00:31:54,601 --> 00:31:57,601
NOT TO CONTINUE
THIS DISCUSSION.
443
00:32:01,208 --> 00:32:05,018
KROGER.
444
00:32:07,047 --> 00:32:08,387
I WANT A WORD WITH YOU.
445
00:32:08,415 --> 00:32:09,615
AND I WITH YOU.
446
00:32:13,686 --> 00:32:15,326
[ FOOTSTEPS ]
447
00:32:20,327 --> 00:32:22,467
HOW ARE YOU BOYS DOING?
448
00:32:22,495 --> 00:32:24,535
DID YOU FIND ANYTHING?
449
00:32:24,564 --> 00:32:27,534
NOT WHAT WE WERE
LOOKING FOR.
450
00:32:27,567 --> 00:32:29,107
HOW ABOUT YOU?
451
00:32:29,136 --> 00:32:33,406
I HAD A VISION
OF KURT ZUBROVNIK, OF STREETS,
452
00:32:33,440 --> 00:32:35,210
A SMALL COMMUNITY
NOT FAR FROM HERE,
453
00:32:35,242 --> 00:32:37,242
AND THE BUTCHERING
OF LAMBS AND CATTLE.
454
00:32:40,413 --> 00:32:42,743
THE TOWN
WE DROVE THROUGH.
455
00:32:42,782 --> 00:32:44,112
MAYBE.
456
00:32:44,151 --> 00:32:46,981
THAT'S AS GOOD A GUESS
AS ANY.
457
00:33:03,603 --> 00:33:05,233
[ THUNDER CRASHES ]
458
00:33:08,808 --> 00:33:10,148
GENTLEMEN.
459
00:33:10,177 --> 00:33:13,047
GOOD EVENING,
MR. POLYAK.
460
00:33:19,519 --> 00:33:22,659
SOMEBODY HAS TRIPPED
THIS CAMERA BY HAND.
461
00:33:22,689 --> 00:33:23,789
MY APOLOGIES.
462
00:33:23,823 --> 00:33:26,453
I ACCIDENTALLY MOVED
THE LEVER.
463
00:33:26,493 --> 00:33:29,363
LET'S SEE IF YOU CAUGHT
ANYTHING.
464
00:33:43,676 --> 00:33:46,376
THAT LOOKS
LIKE THE WAY OUT.
465
00:33:54,454 --> 00:33:57,654
[ WHIMPERING ]
466
00:34:01,128 --> 00:34:02,598
COME ON, ARIANA.
467
00:34:02,629 --> 00:34:04,239
WAIT A SECOND.
468
00:34:20,413 --> 00:34:22,613
TRYING TO FIND
KURT ZUBROVNIK
469
00:34:22,649 --> 00:34:25,289
WAS A GOOD IDEA
10 MINUTES AGO.
470
00:34:25,318 --> 00:34:27,258
[ DOG WHIMPERING ]
471
00:34:29,189 --> 00:34:30,789
KURT ZUBROVNIK IS DEAD.
472
00:34:34,194 --> 00:34:37,794
WHAT'S THAT BLUR
IN THE CORNER?
473
00:34:37,830 --> 00:34:39,470
IT'S A BEE.
474
00:34:44,171 --> 00:34:46,231
[ BUZZING ]
475
00:34:48,508 --> 00:34:50,608
THERE'S NO POINT
IN GOING ON. HE'S DEAD.
476
00:34:50,643 --> 00:34:52,573
THEY'LL MOVE THE BODY
IMMEDIATELY.
477
00:34:52,612 --> 00:34:56,312
HOW DO YOU KNOW THIS?
HOW DID HE DIE?
478
00:34:56,349 --> 00:34:58,219
I CAN'T TELL YOU THAT.
479
00:34:58,251 --> 00:35:01,521
ALL I KNOW IS WHAT I KNOW,
WHAT I FEEL.
480
00:35:02,622 --> 00:35:05,252
ARE YOU SURE
ABOUT WHAT YOU FEEL?
481
00:35:05,292 --> 00:35:08,462
ALL I KNOW IS WHAT I FEEL,
NOT WHAT I THINK.
482
00:35:08,495 --> 00:35:10,895
[ DOG WHIMPERS ]
483
00:35:12,899 --> 00:35:14,709
[ RINGING ]
484
00:35:16,503 --> 00:35:17,603
HELLO?
485
00:35:17,637 --> 00:35:19,807
YES, THIS IS HE.
486
00:35:25,345 --> 00:35:27,645
YES.
487
00:35:36,889 --> 00:35:38,429
KROGER.
488
00:35:56,609 --> 00:35:57,879
WHAT HAPPENED?
489
00:35:57,910 --> 00:35:59,880
I THINK KURT IS DEAD.
490
00:36:05,618 --> 00:36:09,258
IF POLYAK'S SOURCE
OF INFORMATION IS GONE,
491
00:36:09,289 --> 00:36:12,229
AND HE LOSES CONTROL
OVER MARTHA,
492
00:36:12,259 --> 00:36:14,699
HE COULD MAKE
A SUDDEN MOVE.
493
00:36:14,727 --> 00:36:16,267
YOU'RE RIGHT.
494
00:36:23,270 --> 00:36:25,310
[ THUNDER CRASHES ]
495
00:36:30,843 --> 00:36:33,413
I'M SO SORRY, BUT WE
HAVE TO LEAVE TOMORROW.
496
00:36:33,446 --> 00:36:36,446
FORGIVE ME FOR BRINGING YOU
SUCH A GREAT DISTANCE
497
00:36:36,483 --> 00:36:37,813
FOR SO BRIEF A VISIT.
498
00:36:37,850 --> 00:36:39,390
WHERE ARE YOU GOING?
499
00:36:39,419 --> 00:36:41,689
I MUST COMPLETE MY WORK.
500
00:36:41,721 --> 00:36:43,781
AWAY FROM THIS PLACE,
501
00:36:43,823 --> 00:36:47,993
DR. ZUBROVNIK
WILL BE ABLE TO CONCENTRATE.
502
00:36:50,797 --> 00:36:54,837
I'M AFRAID YOU'LL HAVE TO
PREPARE TO LEAVE AS WELL.
503
00:37:16,022 --> 00:37:18,892
IF SHE LEAVES WITH POLYAK,
WE'RE FINISHED.
504
00:37:21,761 --> 00:37:23,491
[ THUNDER CRASHES ]
505
00:37:23,530 --> 00:37:24,540
[ SLAM ]
506
00:37:28,701 --> 00:37:31,431
Kroger: POLYAK,
THE DOOR IS LOCKED!
507
00:37:38,478 --> 00:37:39,518
AHH!
508
00:37:43,015 --> 00:37:44,855
[ GLASS BREAKS ]
509
00:37:47,654 --> 00:37:48,984
KROGER!
510
00:37:49,021 --> 00:37:50,981
WHAT IS IT?
511
00:37:58,531 --> 00:38:00,461
KROGER!
512
00:38:05,372 --> 00:38:07,632
[ THUNDER RUMBLING ]
513
00:38:14,614 --> 00:38:16,584
HE'S DEAD.
514
00:38:30,162 --> 00:38:32,762
[ THUNDER CRASHES ]
515
00:38:47,179 --> 00:38:49,649
OUR ONLY CHANCE
IS TO HAVE ANOTHER SEANCE
516
00:38:49,682 --> 00:38:50,842
BEFORE THEY GET AWAY.
517
00:38:50,883 --> 00:38:52,853
BARNEY, HOW LONG
WILL IT TAKE YOU
518
00:38:52,885 --> 00:38:55,455
TO RIG UP THE PROJECTOR
IN THE LIVING ROOM?
519
00:38:55,488 --> 00:38:57,958
TWENTY TO TWENTY-FIVE
MINUTES AT THE MOST.
520
00:38:57,990 --> 00:39:00,500
ARIANA, I WANT YOU
TO GET MARTHA TO AGREE
521
00:39:00,527 --> 00:39:02,867
TO ANOTHER SEANCE TONIGHT,
IN HALF AN HOUR.
522
00:39:02,895 --> 00:39:05,495
AT THIS SEANCE, I WANT YOU
TO GO INTO A TRANCE.
523
00:39:05,532 --> 00:39:07,392
HAVE THE GHOST
OF KURT ZUBROVNIK
524
00:39:07,434 --> 00:39:09,164
ACCUSE POLYAK
OF BEING A MURDERER,
525
00:39:09,201 --> 00:39:11,061
AND HAVING HELD HIM
PRISONER.
526
00:39:11,103 --> 00:39:13,103
OH, ROLLIN, I CAN'T.
I'M SORRY.
527
00:39:13,139 --> 00:39:15,649
THE ONLY WAY
TO BREAK A MAN LIKE THIS
528
00:39:15,675 --> 00:39:17,905
IS TO HAVE HIM
TRAP HIMSELF.
529
00:39:17,944 --> 00:39:20,074
YOU MUSTN'T ASK ME
TO DO THIS.
530
00:39:20,112 --> 00:39:22,142
YOU KNOW
WHAT I TOLD BRIGGS.
531
00:39:22,181 --> 00:39:25,711
I DON'T LIKE BEING DISHONEST
ABOUT THE SUPERNATURAL.
532
00:39:25,752 --> 00:39:28,722
BARNEY, WE'RE ON OUR OWN.
BETTER GET STARTED.
533
00:39:28,755 --> 00:39:31,155
ARIANA, CAN YOU
AT LEAST STALL MARTHA
534
00:39:31,190 --> 00:39:33,830
FOR HALF AN HOUR WHILE
WE'RE IN THE LIVING ROOM?
535
00:39:33,860 --> 00:39:35,700
OH, DON'T BE ANGRY
WITH ME.
536
00:39:35,728 --> 00:39:38,538
ALL RIGHT. I'LL TRY
TO ARRANGE ANOTHER SEANCE.
537
00:39:38,565 --> 00:39:40,765
BUT THE REST IS UP TO YOU.
538
00:39:47,073 --> 00:39:48,603
Martha:
YES? WHO IS IT?
539
00:39:48,641 --> 00:39:51,171
IT'S ARIANA.
540
00:39:51,210 --> 00:39:52,920
I KNOW HOW TIRED
YOU MUST BE,
541
00:39:52,945 --> 00:39:55,115
BUT I'D LIKE
TO TALK TO YOU.
542
00:39:55,147 --> 00:39:56,647
COME IN.
543
00:39:56,683 --> 00:39:58,453
WHAT IS IT?
544
00:39:58,485 --> 00:40:00,785
WELL, MADAME, I WAS
HOPING TO PERSUADE YOU
545
00:40:00,820 --> 00:40:03,130
TO PUT YOUR TRIP OFF
FOR A COUPLE OF DAYS.
546
00:40:03,155 --> 00:40:05,895
WE'VE BEEN SO IMPRESSED
BY WHAT'S HAPPENED HERE,
547
00:40:05,925 --> 00:40:07,925
WE'D REALLY LIKE
TO DOCUMENT IT.
548
00:40:07,960 --> 00:40:10,570
I THINK THAT YOU'VE GOT
ENOUGH ALREADY.
549
00:40:10,597 --> 00:40:13,097
I MUST GET AWAY FROM HERE
AND CONCENTRATE
550
00:40:13,132 --> 00:40:14,662
AND COMPLETE MY WORK.
551
00:40:14,701 --> 00:40:16,701
THAT'S WHAT KURT WANTS.
552
00:40:16,736 --> 00:40:18,206
[ KNOCK ON DOOR ]
553
00:40:18,237 --> 00:40:21,177
MARTHA,
ARE YOU ALL RIGHT?
554
00:40:21,207 --> 00:40:23,677
MARTHA,
MAY I COME INSIDE?
555
00:40:23,710 --> 00:40:24,950
YES. COME IN.
556
00:40:35,254 --> 00:40:38,084
I, UM...WAS HOPING
TO PERSUADE DR. ZUBROVNIK
557
00:40:38,124 --> 00:40:40,754
TO DELAY HER TRIP
FOR A COUPLE OF DAYS.
558
00:40:40,793 --> 00:40:42,793
WERE YOU?
559
00:40:57,143 --> 00:40:59,573
WE CANNOT DELAY
OUR DEPARTURE
560
00:40:59,612 --> 00:41:01,582
JUST FOR PSYCHIC RESEARCH.
561
00:41:01,614 --> 00:41:05,514
BUT I FEEL HER HUSBAND'S
PRESENCE VERY CLOSE TO ME.
562
00:41:05,552 --> 00:41:07,712
YOU FEEL HIM?
563
00:41:07,754 --> 00:41:11,124
YES. LIKE YOU, I'M A MEDIUM,
AND I FEEL I CAN REACH HIM.
564
00:41:11,157 --> 00:41:12,857
A MEDIUM?
565
00:41:12,892 --> 00:41:14,822
IT WOULD BE WONDERFUL
IF HE COULD COME TO ME
566
00:41:14,861 --> 00:41:16,991
THROUGH SOMEONE ELSE
AS WELL.
567
00:41:17,029 --> 00:41:18,869
THERE WILL BE NO ONE ELSE.
568
00:41:18,898 --> 00:41:20,698
WELL, THEN,
PERHAPS MADAME ZUBROVNIK
569
00:41:20,733 --> 00:41:22,003
AND I ALONE COULD --
570
00:41:22,034 --> 00:41:24,574
NO!
YOU MUSTN'T
DENY HIM TO ME.
571
00:41:24,604 --> 00:41:26,604
HE MAY HAVE SOMETHING
IMPORTANT TO SAY TO ME.
572
00:41:26,639 --> 00:41:28,849
PLEASE BRING HIM TO ME,
EITHER OF YOU.
573
00:41:31,310 --> 00:41:36,050
VERY WELL, BUT WE
MUST DO IT IMMEDIATELY.
574
00:41:36,082 --> 00:41:38,212
I'LL CHANGE AT ONCE.
575
00:41:44,323 --> 00:41:46,253
OKAY, TRY IT.
576
00:41:51,197 --> 00:41:53,567
PERFECT.
577
00:41:53,600 --> 00:41:55,570
[ DOOR OPENS ]
578
00:42:08,147 --> 00:42:10,117
WE'RE GOING TO HAVE
ANOTHER SEANCE.
579
00:42:10,149 --> 00:42:11,349
OH, REALLY? WONDERFUL.
580
00:42:11,383 --> 00:42:12,653
[ THUNDER CRASHES ]
581
00:42:33,305 --> 00:42:34,975
[ THUNDER CRASHES ]
582
00:42:40,647 --> 00:42:42,617
IT ALWAYS HAPPENS
WHEN THERE'S A STORM.
583
00:42:42,649 --> 00:42:44,719
WELL, LET'S WAIT, THEN.
584
00:42:44,751 --> 00:42:46,881
NO, NO. THERE ISN'T TIME.
585
00:42:46,919 --> 00:42:47,959
SIT DOWN.
586
00:42:47,987 --> 00:42:49,327
[ THUNDER CRASHES ]
587
00:42:50,389 --> 00:42:51,829
PLEASE SIT DOWN.
588
00:43:05,171 --> 00:43:10,101
DUDOIR, THESE ARE MOMENTS
OF ANXIETY.
589
00:43:10,142 --> 00:43:13,412
MARTHA ZUBROVNIK FEELS,
590
00:43:13,445 --> 00:43:16,115
AND SOME OTHERS OF US FEEL,
591
00:43:16,148 --> 00:43:20,058
THAT THE SPIRIT
OF HER HUSBAND IS NEAR,
592
00:43:20,086 --> 00:43:23,156
URGENTLY DEMANDING
AUDIENCE.
593
00:43:25,357 --> 00:43:27,857
DUDOIR...
594
00:43:27,894 --> 00:43:32,664
IS...KURT...DISTURBED?
595
00:43:32,699 --> 00:43:36,209
IS...HE...NEAR YOU?
596
00:43:42,041 --> 00:43:43,941
Dudoir: YES.
597
00:43:43,976 --> 00:43:46,946
HE IS NEAR ME.
598
00:43:46,979 --> 00:43:49,689
HE IS IMPATIENT.
599
00:43:49,716 --> 00:43:55,126
THERE ARE STILL STRANGERS
WITH YOU.
600
00:43:55,154 --> 00:43:57,454
THEY ANNOY HIM.
601
00:43:57,489 --> 00:44:02,299
HIS WIFE
MUST FINISH HER WORK.
602
00:44:02,328 --> 00:44:05,038
WHEN SHE ARRIVES,
603
00:44:05,064 --> 00:44:09,834
KURT WILL COME TO HER
HIMSELF.
604
00:44:09,869 --> 00:44:14,079
HE IS PROUD OF HER
605
00:44:14,106 --> 00:44:16,046
AND OF HER WORK,
606
00:44:16,075 --> 00:44:20,375
BUT HE DOES NOT WANT
TO SPEAK TO HER AGAIN
607
00:44:20,412 --> 00:44:23,242
UNTIL SHE HAS ARRIVED
608
00:44:23,282 --> 00:44:25,882
AT HER DESTINATION.
609
00:44:27,286 --> 00:44:28,456
Man: MARTHA!
610
00:44:28,487 --> 00:44:30,387
MARTHA!
611
00:44:30,422 --> 00:44:31,922
I...
612
00:44:31,958 --> 00:44:33,258
I WILL SPEAK TO YOU.
613
00:44:33,292 --> 00:44:35,192
MARTHA!
614
00:44:35,227 --> 00:44:40,267
MARTHA...IT IS I.
615
00:44:40,299 --> 00:44:42,039
IT IS KURT.
616
00:44:43,502 --> 00:44:45,132
IT IS I...
617
00:44:45,171 --> 00:44:47,001
WHAT IS THIS INTERFERENCE?
618
00:44:47,039 --> 00:44:49,879
BREAKING THE LAWS
OF INFINITY
619
00:44:49,909 --> 00:44:51,749
TO COME TO YOU.
620
00:44:51,778 --> 00:44:54,848
MARTHA,
THIS IS TRICKERY.
621
00:44:54,881 --> 00:44:57,281
NO.
622
00:44:57,316 --> 00:45:00,086
NO, I'M SURE
IT'S KURT'S VOICE.
623
00:45:00,119 --> 00:45:01,159
I KNOW IT.
624
00:45:01,187 --> 00:45:04,957
Kurt: MARTHA...MARTHA.
625
00:45:04,991 --> 00:45:07,421
I AM WITH YOU.
626
00:45:07,459 --> 00:45:10,169
I DO LOVE YOU.
627
00:45:10,196 --> 00:45:12,196
HOW CAN THIS BE
KURT'S VOICE
628
00:45:12,231 --> 00:45:13,861
COMING FROM THIS WOMAN?
629
00:45:13,900 --> 00:45:16,010
SHE DOES NOT HAVE
A CONTROL.
630
00:45:16,035 --> 00:45:18,435
Kurt:
DO NOT BE AFRAID.
631
00:45:18,470 --> 00:45:21,040
I THOUGHT YOU WERE ANGRY
WITH ME.
632
00:45:21,073 --> 00:45:23,173
I AM NOT ANGRY WITH YOU.
633
00:45:23,209 --> 00:45:26,079
IT IS ANOTHER MAN
WHO WAS ANGRY.
634
00:45:27,479 --> 00:45:29,789
[ THUNDER CRASHES ]
635
00:45:31,550 --> 00:45:33,890
MARTHA, WHAT YOU
ARE HEARING IS FAKERY.
636
00:45:33,920 --> 00:45:34,930
[ COUGHING ]
637
00:45:36,455 --> 00:45:38,795
I DON'T UNDERSTAND.
638
00:45:38,825 --> 00:45:40,925
WHAT MAN IS ANGRY?
639
00:45:40,960 --> 00:45:45,440
Kurt: IT IS A SIMPLE MAN
WHO WAS MURDERED.
640
00:45:45,464 --> 00:45:47,294
[ COUGHING ]
641
00:45:48,300 --> 00:45:51,070
HE WAS A BEEKEEPER.
642
00:45:51,103 --> 00:45:54,873
IT WAS HE, THE BEEKEEPER,
WHO WAS ANGRY.
643
00:45:54,907 --> 00:45:57,547
I DON'T UNDERSTAND IT.
THE DAMPER IS OPEN.
644
00:45:57,576 --> 00:45:59,346
[ COUGHING ]
645
00:45:59,378 --> 00:46:01,048
MR. POLYAK?
646
00:46:01,080 --> 00:46:03,250
WHAT'S HAPPENING?
647
00:46:03,282 --> 00:46:06,052
[ THUNDER CRASHING ]
648
00:46:06,085 --> 00:46:07,515
[ COUGHING ]
649
00:46:07,553 --> 00:46:09,953
[ THUNDER CRASHING ]
650
00:46:17,329 --> 00:46:19,299
[ COUGHING ]
651
00:46:31,543 --> 00:46:33,543
[ COUGHING CONTINUES ]
652
00:46:39,318 --> 00:46:40,588
[ SIGHS ]
653
00:46:42,521 --> 00:46:44,351
[ BUZZING ]
654
00:46:44,390 --> 00:46:46,130
[ THUNDER RUMBLING ]
655
00:46:53,432 --> 00:46:55,202
OHH!
656
00:46:55,234 --> 00:46:59,034
AHH!
657
00:46:59,071 --> 00:47:01,401
Polyak: OHH!
658
00:47:01,440 --> 00:47:02,610
MR. POLYAK?
659
00:47:02,641 --> 00:47:04,141
WHAT'S WRONG
WITH THE BOLT?
660
00:47:04,176 --> 00:47:06,116
I CAN'T BUDGE IT.
IT'S STUCK.
661
00:47:06,145 --> 00:47:07,115
AHH!
662
00:47:07,146 --> 00:47:09,116
IS THAT BEES?
663
00:47:09,148 --> 00:47:10,448
MR. POLYAK?
664
00:47:10,482 --> 00:47:12,152
[ BUZZING ]
665
00:47:24,964 --> 00:47:26,434
[ THUNDER CRASHING ]
666
00:47:44,283 --> 00:47:46,083
THANK YOU.
667
00:47:46,118 --> 00:47:47,188
YES.
668
00:47:49,121 --> 00:47:50,481
WE WISH YOU WOULD
CHANGE YOUR MIND.
669
00:47:50,522 --> 00:47:52,022
I DON'T THINK I WILL.
670
00:47:52,058 --> 00:47:54,228
I WANT TO STAY HERE,
WHERE KURT IS.
671
00:47:54,260 --> 00:47:57,200
AND I'LL WORK WELL,
NOW THAT I KNOW THE TRUTH.
672
00:47:57,229 --> 00:48:00,669
WE NEED YOU,
AND WE'LL MISS YOU.
673
00:48:00,699 --> 00:48:02,439
THANK YOU, MR. HAND.
674
00:48:02,468 --> 00:48:04,638
I'LL START SENDING
THE REPORTS AGAIN.
675
00:48:04,670 --> 00:48:06,010
GOOD.
676
00:48:06,038 --> 00:48:08,438
GOODBYE.
GOODBYE, MR. COLLIER.
677
00:48:08,474 --> 00:48:10,304
GOODBYE.
678
00:48:10,342 --> 00:48:12,572
GOODBYE, AND THANK YOU.
679
00:48:12,611 --> 00:48:14,341
GOODBYE.
680
00:48:14,380 --> 00:48:16,350
THANK YOU.
681
00:48:37,403 --> 00:48:41,573
ARIANA...HOW DID YOU KNOW
ABOUT THAT BEEKEEPER?
682
00:48:41,607 --> 00:48:45,747
I SAW BEES.
IT WAS A HUNCH.
683
00:48:45,777 --> 00:48:49,247
ARIANA, I'LL NEVER
DOUBT YOU AGAIN...
684
00:48:49,281 --> 00:48:50,611
OUT LOUD.
685
00:48:50,649 --> 00:48:53,089
AND YOU, ROLLIN?
686
00:48:53,119 --> 00:48:57,359
WELL, I DON'T KNOW.
687
00:48:57,389 --> 00:48:59,099
YOU DON'T KNOW.
688
00:48:59,125 --> 00:49:00,395
[ SIGHS ]
689
00:49:00,426 --> 00:49:04,196
THEN I GAVE
MY GREATEST PERFORMANCE.
690
00:49:13,405 --> 00:49:16,075
[ BUZZING ]