1
00:01:05,120 --> 00:01:07,460
TAKE IT, MR. BRIGGS.
2
00:02:41,683 --> 00:02:43,913
10 OF HEARTS,
3 OF DIAMONDS,
3
00:02:43,952 --> 00:02:45,952
3 OF SPADES,
6 OF CLUBS,
4
00:02:45,987 --> 00:02:48,527
JACK OF SPADES,
ACE OF HEARTS,
5
00:02:48,557 --> 00:02:50,257
7 OF HEARTS,
9 OF CLUBS, 10 OF CLUBS,
6
00:02:50,292 --> 00:02:51,722
KING OF DIAMONDS,
QUEEN OF SPADES.
7
00:02:51,760 --> 00:02:52,730
IS THAT ENOUGH FOR YOU?
8
00:02:52,761 --> 00:02:54,391
NOT QUITE.
9
00:03:01,636 --> 00:03:03,576
MAY I?
10
00:03:03,605 --> 00:03:05,675
SURE.
11
00:03:11,846 --> 00:03:15,586
PAGE 1,088. MARINA THERMOX.
12
00:03:15,617 --> 00:03:17,517
WHERE SHALL I BEGIN?
13
00:03:17,552 --> 00:03:20,482
SECOND COLUMN. READING
FROM THE BOTTOM UP.
14
00:03:20,522 --> 00:03:25,022
MARKMAN, ANDREW.
1265 LINDEN PLACE.
15
00:03:25,059 --> 00:03:26,769
555-7768.
16
00:03:26,795 --> 00:03:31,495
MARKIE, DR. WILLIAM.
FORBES BUILDING, SUITE 17.
17
00:03:31,533 --> 00:03:36,503
KL5-9837. AFTER HOURS,
CALL KL5-3600.
18
00:03:36,538 --> 00:03:38,008
GORGEOUS.
19
00:03:38,039 --> 00:03:41,979
I ALSO REMEMBER 80,
90 BRANDS OF CHAMPAGNE
20
00:03:42,010 --> 00:03:43,750
FROM LONG AGO...
21
00:03:43,778 --> 00:03:46,388
200 CHEAP WINES
FROM ONLY YESTERDAY...
22
00:03:46,415 --> 00:03:48,945
AND THE ROOM NUMBER
OF EVERY FLOPHOUSE.
23
00:03:48,983 --> 00:03:51,783
NOW, JOSEPH,
BEHIND THE IRON CURTAIN,
24
00:03:51,820 --> 00:03:53,760
THERE'S A MAN WE'VE
GOT TO REMOVE FROM POWER
25
00:03:53,788 --> 00:03:55,888
WITHIN TWO WEEKS.
26
00:03:55,924 --> 00:03:58,694
HE'S BEEN TRYING TO START
A WAR AND SUCCEEDING,
27
00:03:58,727 --> 00:04:01,327
EVER SINCE HE EXTERMINATED
HIS OPPOSITION.
28
00:04:01,363 --> 00:04:04,333
JANOS KARQ, THE BUTCHER
OF THE BALKANS.
29
00:04:04,366 --> 00:04:05,796
WHEN I GO TO SLEEP,
30
00:04:05,834 --> 00:04:09,434
I ALWAYS COVER MYSELF
WITH A POLITICAL PAGE.
31
00:04:09,471 --> 00:04:10,971
IT'S SOMEHOW WARMER.
32
00:04:11,005 --> 00:04:13,705
AS USUAL,
ASSASSINATION IS OUT,
33
00:04:13,742 --> 00:04:15,002
AS A MATTER OF POLICY.
34
00:04:15,043 --> 00:04:16,813
THAT'S TOO BAD,
YOU KNOW.
35
00:04:16,845 --> 00:04:18,915
WE'RE GOING TO TRY TO
DESTROY KARQ POLITICALLY
36
00:04:18,947 --> 00:04:20,747
BY MAKING HIM APPEAR
TO BE A TRAITOR.
37
00:04:20,782 --> 00:04:22,652
AND THE REST IS UP
TO HIS OWN PEOPLE.
38
00:04:22,684 --> 00:04:24,554
KARQ'S
HEAD OF INTELLIGENCE
39
00:04:24,586 --> 00:04:26,526
IS A MAN
NAMED DIMITRI SOSKA.
40
00:04:26,555 --> 00:04:28,755
FOR YEARS, SOSKA
HAS BEEN SEARCHING
41
00:04:28,790 --> 00:04:31,060
FOR AN AGENT
CODE-NAMED "SPARROW."
42
00:04:31,092 --> 00:04:34,062
IN A FEW DAYS, SOSKA
WILL CAPTURE SPARROW,
43
00:04:34,095 --> 00:04:36,735
WHO, WHEN QUESTIONED,
WILL REVEAL THAT KARQ
44
00:04:36,765 --> 00:04:39,965
HAS BEEN WORKING WITH US,
SELLING OUT HIS OWN COUNTRY.
45
00:04:40,001 --> 00:04:41,631
WHERE IS SPARROW?
46
00:04:41,670 --> 00:04:45,710
HE DIED MONTHS AGO,
BUT SOSKA DOESN'T KNOW THAT.
47
00:04:45,740 --> 00:04:46,950
I SEE.
48
00:04:46,975 --> 00:04:50,075
HE'S GOING TO RETURN
FROM THE DEAD.
49
00:04:50,111 --> 00:04:51,671
WHEN HE'S CAPTURED,
50
00:04:51,713 --> 00:04:54,713
HE'LL BE TAKEN TO
SOSKA'S HEADQUARTERS
51
00:04:54,749 --> 00:04:57,719
AT LABYANKA
MILITARY PRISON.
52
00:04:57,752 --> 00:04:59,952
THEY'RE NOT FOOLS,
YOU KNOW.
53
00:04:59,988 --> 00:05:03,598
THEY'LL NEVER BELIEVE
ANY SUCH THING ABOUT KARQ.
54
00:05:03,625 --> 00:05:04,625
OF COURSE NOT.
55
00:05:09,163 --> 00:05:13,833
WE'RE GOING TO MAKE
A RESCUE ATTEMPT --
56
00:05:13,868 --> 00:05:16,938
ELABORATE, WELL-TIMED,
INGENIOUS, I HOPE.
57
00:05:16,971 --> 00:05:20,101
WE'LL GET ALL THE WAY IN,
BUT WE'LL FAIL.
58
00:05:23,545 --> 00:05:25,445
NORMALLY,
SPARROW'S INFORMATION
59
00:05:25,480 --> 00:05:27,490
WILL BE DISBELIEVED
AND WRITTEN OFF.
60
00:05:27,516 --> 00:05:30,486
BUT SINCE WE'RE GOING INTO
A MAXIMUM-SECURITY PRISON,
61
00:05:30,519 --> 00:05:33,889
HOW WILL THEY BUY
THE UNBELIEVABLE FACT
62
00:05:33,922 --> 00:05:35,922
THAT JANOS KARQ
IS A TRAITOR?
63
00:05:35,957 --> 00:05:38,497
AND LATER,
THEY LET SPARROW LIVE.
64
00:05:42,864 --> 00:05:45,434
WE'D TRY
TO NEGOTIATE HIS FREEDOM.
65
00:05:51,806 --> 00:05:54,106
ALL THIS WATER, YOU KNOW.
66
00:05:54,142 --> 00:05:58,712
I'M NOT SO SURE MY SYSTEM
CAN STAND THE SHOCK.
67
00:06:03,885 --> 00:06:07,825
I HAVEN'T MET ALL
OF YOU UNTIL TODAY.
68
00:06:07,856 --> 00:06:11,126
YOUR REASONS FOR DOING
THIS WORK MAY NOT BE MINE.
69
00:06:12,527 --> 00:06:13,867
IT DOESN'T MATTER.
70
00:06:13,895 --> 00:06:15,795
FOR WHATEVER REASON,
71
00:06:15,830 --> 00:06:18,040
I'LL BE SPARROW FOR YOU.
72
00:06:31,212 --> 00:06:32,742
BIRTH?
73
00:06:32,781 --> 00:06:36,011
MAY 7, 1918.
VILLAGE OF BARABIN.
74
00:06:36,050 --> 00:06:37,190
NAMES OF TEACHERS?
75
00:06:37,218 --> 00:06:38,918
LOWER SCHOOL, MR. McKELLY.
76
00:06:38,953 --> 00:06:41,183
UPPER SCHOOL,
PROFESSOR SHANDOR.
77
00:06:41,222 --> 00:06:43,692
THE AGENTS YOU
WORKED WITH IN 1961 --
78
00:06:43,725 --> 00:06:45,455
WHO WERE CAUGHT,
AND WHERE?
79
00:06:45,494 --> 00:06:47,624
MATSLOFF,
IN BLUEPRINT COMPANY.
80
00:06:47,662 --> 00:06:49,832
EVA SOLSHIK,
MINERAL QUARRY.
81
00:06:49,864 --> 00:06:51,834
DESCRIBE ANDREI NEIL.
82
00:06:56,705 --> 00:06:58,675
5'6". AROUND 150.
83
00:06:58,707 --> 00:07:01,007
BLUE EYES. SPECTACLED.
84
00:07:01,042 --> 00:07:03,072
LIMPED WHEN TIRED.
85
00:07:03,111 --> 00:07:05,611
SCARS ON LEGS
FROM LAND MINE.
86
00:07:05,647 --> 00:07:07,047
GIRLFRIEND IN '63?
87
00:07:07,081 --> 00:07:08,081
ANNA ROVIS.
88
00:07:08,116 --> 00:07:09,816
WHAT WERE HER TASTES?
89
00:07:09,851 --> 00:07:13,521
FAVORITE COLOR, RED.
FAVORITE FOOD, CHOW MEIN.
90
00:07:13,555 --> 00:07:14,855
SHE LOVED MOVIES.
91
00:07:14,889 --> 00:07:18,059
YOU KNOW, SHE REALLY MUST
HAVE BEEN IMPOSSIBLE.
92
00:07:18,092 --> 00:07:19,822
[ LAUGHING ]
93
00:07:19,861 --> 00:07:22,931
SHE PROBABLY WAS
AT THAT.
94
00:07:22,964 --> 00:07:24,134
TALK!
95
00:07:24,165 --> 00:07:26,065
ALL RIGHT, ALL RIGHT.
I'LL TELL YOU.
96
00:07:26,100 --> 00:07:28,070
NO, NO.
NO GOOD AT ALL.
97
00:07:28,102 --> 00:07:30,602
DRAG IT OUT. IT'S
MUCH TOO FAST, TOO EASY.
98
00:07:30,639 --> 00:07:32,679
YOU'RE BREAKING
TOO QUICKLY!
99
00:07:32,707 --> 00:07:34,107
I'M SORRY.
100
00:07:34,142 --> 00:07:36,102
I'LL TRY AGAIN,
ALL RIGHT?
101
00:07:36,144 --> 00:07:38,214
COME ON.
NOW LOOK, LET ME SHOW YOU.
102
00:07:42,951 --> 00:07:44,951
GO.
103
00:07:44,986 --> 00:07:46,526
TALK!
104
00:07:46,555 --> 00:07:47,885
NO.
105
00:07:48,990 --> 00:07:51,060
PLEASE!
106
00:07:54,128 --> 00:07:56,898
I CAN KEEP THIS UP FOR AS
LONG AS YOU LIKE, YOU KNOW.
107
00:07:56,931 --> 00:07:58,631
YOUR ARM WILL
GIVE OUT EVENTUALLY.
108
00:07:58,667 --> 00:08:01,767
ALL YOU HAVE TO DO IS PUSH
THE OFF BUTTON AND I'LL STOP.
109
00:08:03,337 --> 00:08:06,777
ALL RIGHT, ALL RIGHT.
110
00:08:06,808 --> 00:08:08,308
I'M LISTENING.
111
00:08:08,342 --> 00:08:10,812
I FORGOT WHAT
I WAS GOING TO SAY.
112
00:08:10,845 --> 00:08:12,645
NO, HE...
HE...
113
00:08:12,681 --> 00:08:14,941
WHO?!
114
00:08:14,983 --> 00:08:17,183
JANOS KARQ.
115
00:08:17,218 --> 00:08:18,588
NONSENSE.
116
00:08:18,620 --> 00:08:20,930
NO, H-HE WORKED WITH
US FOR THREE YEARS.
117
00:08:20,955 --> 00:08:23,695
I PUT THE MONEY IN AN ARGENTINE
BANK ACCOUNT FOR HIM.
118
00:08:23,725 --> 00:08:25,555
IT'S ALL...
119
00:08:25,594 --> 00:08:27,124
ET CETERA.
120
00:08:27,161 --> 00:08:30,931
BUT STRETCH IT OUT.
THAT'S THE IDEA.
121
00:08:30,965 --> 00:08:32,565
NOW, AS AN ACTOR,
WHAT DO YOU THINK?
122
00:08:32,601 --> 00:08:35,661
AS AN ACTOR, MY BOY,
IN ALL SERIOUSNESS,
123
00:08:35,704 --> 00:08:38,274
I LIKE YOUR PART
BETTER THAN MINE.
124
00:08:38,306 --> 00:08:39,946
[ BOTH LAUGH ]
125
00:09:32,961 --> 00:09:34,891
PASSPORT?
126
00:09:45,907 --> 00:09:47,277
SECURITY POLICE!
127
00:09:47,308 --> 00:09:48,348
SECURITY!
128
00:09:48,376 --> 00:09:50,076
QUICKLY! QUICKLY!
129
00:09:50,111 --> 00:09:52,981
FORGED PASSPORT!
FORGED PASSPORT!
130
00:10:23,444 --> 00:10:25,414
EXCUSE ME.
131
00:11:15,463 --> 00:11:18,163
WHAT SHADE OF RED
SHOULD I MIX?
132
00:11:18,199 --> 00:11:22,109
OH, HERE, I BROUGHT THIS
ALONG FOR YOU TO MATCH.
133
00:11:22,136 --> 00:11:25,306
JOSEPH SHOULD BE
GETTING CAUGHT ABOUT NOW.
134
00:11:25,339 --> 00:11:27,279
IN TWO MINUTES.
135
00:12:00,341 --> 00:12:03,311
IGOR, OVER HERE!
136
00:12:03,344 --> 00:12:05,514
IGOR!
137
00:12:13,354 --> 00:12:17,294
CYANIDE.
IS TOO EASY.
138
00:12:36,077 --> 00:12:37,877
SPARROW!
139
00:12:46,020 --> 00:12:47,960
HA HA HA HA HA!
140
00:12:47,989 --> 00:12:49,489
SPARROW.
141
00:12:49,523 --> 00:12:53,493
AFTER ALL THESE YEARS,
I'D ALMOST GIVEN UP HOPE.
142
00:12:53,527 --> 00:12:55,927
SPARROW.
143
00:12:55,964 --> 00:12:58,164
I AM DIMITRI SOSKA.
144
00:12:58,199 --> 00:13:00,909
PLEASURE TO MEET YOU.
145
00:13:00,935 --> 00:13:02,565
WELCOME.
146
00:13:18,152 --> 00:13:21,052
WILL THERE BE
ANY FLAMES?
147
00:13:21,089 --> 00:13:22,429
YES.
148
00:13:22,456 --> 00:13:25,256
AN EFFLUENCE OF CARBONACEOUS
OPAQUE MATERIAL.
149
00:13:25,293 --> 00:13:27,123
THANKS.
150
00:13:27,161 --> 00:13:29,021
A LOT OF SMOKE.
151
00:13:29,063 --> 00:13:30,433
NOBODY LIKES A --
152
00:13:30,464 --> 00:13:32,364
SORRY.
153
00:13:34,635 --> 00:13:36,935
I WONDER HOW
JOSEPH'S DOING.
154
00:14:18,179 --> 00:14:21,589
IN INDIANA,
FIRE ENGINE RED WAS --
155
00:14:21,615 --> 00:14:24,315
I DON'T KNOW -- REDDER.
156
00:14:24,352 --> 00:14:28,682
YOU WERE 10 YEARS OLD
IN INDIANA, WILLY.
157
00:14:28,722 --> 00:14:31,252
AT 10, EVERYTHING
IS MORE SO.
158
00:15:06,194 --> 00:15:07,964
WELL?
159
00:15:10,098 --> 00:15:11,398
NO.
160
00:15:34,422 --> 00:15:36,992
YOU WOULD LIKE
A DRINK, HUH?
161
00:15:38,459 --> 00:15:42,399
I READ IT IN THE EYES.
THAT YOU CANNOT CONCEAL.
162
00:15:42,430 --> 00:15:47,640
WELL...NOT UNTIL THE COCKTAIL
HOUR, IF YOU DON'T MIND.
163
00:16:01,049 --> 00:16:04,789
VENTILATOR'S
ABOUT 20 FEET UP.
164
00:16:04,818 --> 00:16:06,558
NO TROUBLE.
165
00:16:11,259 --> 00:16:13,129
IT'S SENSELESS TO LIE.
166
00:16:13,161 --> 00:16:16,021
WE ALL LIKE A DRINK
NOW AND THEN.
167
00:16:16,064 --> 00:16:18,094
AND AT TIMES LIKE THIS...
168
00:16:18,132 --> 00:16:21,302
THE DESIRE CAN BE
ALMOST OVERWHELMING.
169
00:16:21,335 --> 00:16:22,735
IS THAT NOT SO?
170
00:16:25,773 --> 00:16:28,403
AHH.
BUT FIRST...
171
00:16:28,442 --> 00:16:31,212
WHAT AGENTS ARE YOU
WORKING WITH, HMM?
172
00:16:31,245 --> 00:16:33,545
OH, I WAS A FREELANCE.
173
00:16:36,484 --> 00:16:39,284
I HAVE A PASSION,
MY FRIEND...
174
00:16:40,821 --> 00:16:43,521
A PASSION
FOR MAKING LISTS.
175
00:16:43,557 --> 00:16:46,627
NOW, THIS IS A LIST
OF MY AGENTS.
176
00:16:46,660 --> 00:16:50,170
IT IS UP-TO-DATE,
TOTALLY ACCURATE.
177
00:16:52,833 --> 00:16:57,433
MY LIST OF YOUR AGENTS
IS INCOMPLETE.
178
00:16:57,471 --> 00:17:02,341
I WANT TO COMPLETE IT...
PARTICULARLY AT THE TOP.
179
00:17:02,376 --> 00:17:05,246
NOW, YOU TELL ME --
180
00:17:05,279 --> 00:17:07,519
FROM WHOM DID YOU
GET YOUR ORDERS?
181
00:17:07,548 --> 00:17:10,488
OH, I MADE THEM UP AS
I WENT ALONG, YOU KNOW.
182
00:17:10,518 --> 00:17:12,218
[ GRUNTS ]
183
00:17:12,253 --> 00:17:14,753
HA HA HA HA!
184
00:17:14,788 --> 00:17:18,758
OH, I ENJOY THIS WORK,
MY FRIEND.
185
00:17:18,792 --> 00:17:23,232
I COULD STAND HERE AND
WORK FOR HOURS AT A TIME
186
00:17:23,264 --> 00:17:26,464
AND FEEL
MORE AND MORE REFRESHED.
187
00:17:26,500 --> 00:17:30,280
FROM WHOM DID YOU
GET YOUR ORDERS?!
188
00:17:50,591 --> 00:17:53,821
[ CHUCKLES ]
189
00:17:57,365 --> 00:18:01,735
WE WILL TRY AGAIN LATER,
MY LITTLE BIRD.
190
00:18:01,769 --> 00:18:04,679
TAKE HIM AWAY.
191
00:18:04,705 --> 00:18:06,805
[ UNLOCKS HANDCUFFS ]
192
00:18:10,611 --> 00:18:12,841
GIVE HIM THREE-QUARTERS
OF AN HOUR
193
00:18:12,880 --> 00:18:14,590
TO FALL INTO A DEEP SLEEP.
194
00:18:14,615 --> 00:18:16,885
THEN...BRING HIM BACK.
195
00:18:46,980 --> 00:18:49,320
HE'S BACK.
196
00:19:07,401 --> 00:19:09,431
HOW MUCH JUICE
IN THAT FENCE?
197
00:19:09,470 --> 00:19:10,780
ENOUGH.
198
00:19:10,804 --> 00:19:12,804
YOU CAN'T GET DEADER
THAN DEAD.
199
00:20:13,701 --> 00:20:15,731
IF THERE'S NO VOLTAGE DROP,
WE'RE IN.
200
00:20:30,884 --> 00:20:32,714
SILENCE IS GOLDEN.
201
00:21:21,602 --> 00:21:27,002
NOW, WE BEGIN AGAIN,
MY FRIEND, HMM?
202
00:21:27,040 --> 00:21:28,880
[ GRUNTS ]
203
00:21:28,909 --> 00:21:30,619
COME ON.
204
00:21:30,644 --> 00:21:33,644
WE CHANGE THE STYLE
A LITTLE, HUH?
205
00:21:37,585 --> 00:21:39,385
HERE.
206
00:21:39,420 --> 00:21:40,930
HUH?
207
00:21:45,926 --> 00:21:47,766
YOU FEELING BETTER NOW?
208
00:21:47,795 --> 00:21:49,895
PLEASE...
209
00:21:49,930 --> 00:21:51,440
PLEASE?
210
00:21:51,465 --> 00:21:53,665
PLEASE, WHAT?!
211
00:21:57,137 --> 00:21:59,807
A REAL DRINK, HUH?
212
00:21:59,840 --> 00:22:01,080
HA HA.
213
00:22:01,108 --> 00:22:02,908
OF COURSE.
214
00:22:02,943 --> 00:22:06,643
WHEN YOU TRULY WANT IT,
IT IS SO SIMPLE.
215
00:22:06,680 --> 00:22:08,490
REALLY.
216
00:22:54,995 --> 00:22:57,735
ALL RIGHT.
217
00:22:57,765 --> 00:23:00,135
JANOS KARQ.
218
00:23:00,167 --> 00:23:02,867
JANOS KARQ?
219
00:23:04,772 --> 00:23:06,502
[ LAUGHING ]
220
00:23:06,540 --> 00:23:10,780
OH, OH, YOU ARE VERY DROLL,
MY FRIEND.
221
00:23:10,811 --> 00:23:12,811
NO...
222
00:23:12,846 --> 00:23:14,846
KARQ.
223
00:23:14,882 --> 00:23:18,452
JANOS KARQ
GIVES YOU YOUR ORDERS?
224
00:23:19,987 --> 00:23:23,057
OF COURSE,
YOU CREATE FICTION!
225
00:23:29,630 --> 00:23:31,000
NO.
226
00:23:33,634 --> 00:23:35,004
KARQ.
227
00:23:56,657 --> 00:23:58,627
WE'RE DOING
SOME FASHION PICTURES.
228
00:23:58,659 --> 00:24:01,229
AND YOU'D MAKE SUCH
A DIVINE BACKGROUND.
229
00:24:01,261 --> 00:24:03,491
YOU WOULDN'T MIND,
WOULD YOU?
230
00:24:03,531 --> 00:24:05,131
NO. NO,
OF COURSE NOT.
231
00:24:05,165 --> 00:24:06,635
HOLD IT.
232
00:24:11,304 --> 00:24:12,504
GOOD.
233
00:24:12,540 --> 00:24:13,850
HOLD IT.
234
00:24:13,874 --> 00:24:15,944
BRILLIANT. SUCH CONTRAST.
235
00:24:15,976 --> 00:24:18,016
DARLING, CLOSER
TO THE ONE WITH THE BEARD.
236
00:24:20,648 --> 00:24:21,688
HOLD IT.
237
00:24:56,116 --> 00:24:58,016
UH-HUH!
238
00:24:58,051 --> 00:25:00,311
TOO MUCH BACKLIGHT.
239
00:25:00,353 --> 00:25:02,853
WILLY, TURN OUT
THE LIGHTS INSIDE.
240
00:25:58,812 --> 00:26:00,782
PERFECT. PERFECT.
241
00:26:00,814 --> 00:26:02,244
NOW, JUST ONE MORE,
FELLOWS.
242
00:26:03,951 --> 00:26:05,851
COME ON! COME ON!
243
00:26:05,886 --> 00:26:07,086
GET GOING!
244
00:26:07,120 --> 00:26:08,660
FIRE! FIRE!
245
00:26:09,289 --> 00:26:10,859
[ ALARM DINGING ]
246
00:26:23,704 --> 00:26:25,704
[ SIREN BLARING ]
247
00:26:36,784 --> 00:26:38,814
[ ALARM DINGING ]
248
00:26:46,026 --> 00:26:48,096
WHAT IS GOING ON?!
249
00:27:56,329 --> 00:27:58,199
Man: COME ON!
HURRY UP!
250
00:27:58,231 --> 00:28:00,931
COME ON! HURRY UP!
251
00:28:03,103 --> 00:28:05,403
PUT THE PRISONER
BACK IN HIS CELL!
252
00:28:05,438 --> 00:28:07,708
I WENT EVERYONE
AT STATION!
253
00:28:13,013 --> 00:28:15,013
[ YELLING AND SHOUTING ]
254
00:28:52,452 --> 00:28:54,252
DAN, I'VE MEMORIZED
HIS LIST OF AGENTS.
255
00:28:54,287 --> 00:28:55,787
GET ME OUT OF HERE!
256
00:28:55,823 --> 00:28:58,293
WE CAN'T,
WE'RE NOT PREPARED FOR IT.
257
00:28:58,325 --> 00:29:00,795
THE ENTIRE LIST
OF HIS AGENTS IN EUROPE!
258
00:29:00,828 --> 00:29:02,128
GET ME OUT OF HERE!
259
00:29:27,620 --> 00:29:29,560
ARE ALL THE PRISONERS
ACCOUNTED FOR?
260
00:29:29,589 --> 00:29:31,029
YES, SIR.
261
00:29:31,058 --> 00:29:32,598
YOU IDIOTS!
262
00:29:32,625 --> 00:29:35,225
I WANT THE FENCE REWIRED SO
THIS CANNOT HAPPEN AGAIN.
263
00:29:35,262 --> 00:29:37,392
I WANT SEARCHLIGHTS AND
MACHINE GUN TOWERS ERECTED.
264
00:29:37,430 --> 00:29:39,100
I WANT THE GUARD DOUBLED,
265
00:29:39,132 --> 00:29:41,202
INCLUDING A DETAIL
OUTSIDE THE FENCE.
266
00:29:41,234 --> 00:29:44,974
SIR, I DO HAVE A REPORT
OF AX MARKS ON A CELL DOOR.
267
00:29:45,005 --> 00:29:46,575
WHICH CELL?
268
00:29:46,606 --> 00:29:48,276
SPARROW'S, SIR.
269
00:29:50,377 --> 00:29:52,477
BRING HIM TO MY OFFICE.
270
00:29:52,512 --> 00:29:56,112
GET OUT OF HERE!
ALL OF YOU!
271
00:29:58,318 --> 00:30:00,018
[ DOOR CLOSES ]
272
00:30:05,993 --> 00:30:09,593
JANOS KARQ.
273
00:30:24,244 --> 00:30:26,474
HOME, CINNAMON.
274
00:30:26,513 --> 00:30:29,483
NOPE. WE'RE NOT GOING HOME.
275
00:30:31,151 --> 00:30:32,511
WE GOT TO GO BACK IN.
276
00:30:38,158 --> 00:30:40,158
[ PROJECTOR RUNS ]
277
00:30:50,237 --> 00:30:51,537
CUT!
278
00:30:51,571 --> 00:30:53,231
ONCE MORE, ROLLIN.
279
00:30:53,273 --> 00:30:55,173
JOSEPH'S WALK
IS NOT THAT ATHLETIC.
280
00:30:55,208 --> 00:30:57,578
I KNOW IT'S TOUGH WORKING
FROM STILL PHOTOGRAPHS
281
00:30:57,610 --> 00:30:59,220
AND JUST OUR IMPRESSIONS.
282
00:30:59,246 --> 00:31:01,116
NO PROBLEM.
LET'S GO AGAIN.
283
00:31:01,148 --> 00:31:03,088
ALL RIGHT, BARNEY,
ROLL IT.
284
00:31:03,116 --> 00:31:04,956
[ PROJECTOR RUNNING ]
285
00:31:04,985 --> 00:31:06,355
ROLLING.
286
00:31:06,386 --> 00:31:08,126
OKAY, GO.
287
00:31:17,697 --> 00:31:19,067
GOOD.
288
00:31:19,099 --> 00:31:20,969
NOW, TRY TO GO TO SLEEP.
289
00:31:27,174 --> 00:31:29,644
HEY, BARNEY,
HOW MUCH MASTIC?
290
00:31:29,676 --> 00:31:32,576
A LUMP ABOUT THE SIZE
OF A GOLF BALL, WILL.
291
00:31:38,118 --> 00:31:41,728
DAN, WILLY SAID BARESH
HAD BEEN DRINKING.
292
00:31:41,754 --> 00:31:43,254
YES.
293
00:31:43,290 --> 00:31:45,400
IS IT POSSIBLE
HE WANTS OUT?
294
00:31:45,425 --> 00:31:47,355
BARESH WAS ON THE LEVEL.
295
00:31:47,394 --> 00:31:49,094
HOW DO YOU KNOW?
296
00:31:49,129 --> 00:31:50,999
I KNOW.
297
00:31:51,031 --> 00:31:52,131
OKAY.
298
00:31:52,165 --> 00:31:53,735
ROLLIN,
SHIFT AROUND A BIT.
299
00:31:53,766 --> 00:31:56,436
WE NEED
FIVE MINUTES OF FILM.
300
00:31:56,469 --> 00:31:57,609
[ KNOCK ON DOOR ]
301
00:31:57,637 --> 00:31:58,737
KEEP IT ROLLING.
302
00:31:58,771 --> 00:32:00,001
ROLLIN.
303
00:32:00,040 --> 00:32:01,080
CINNAMON.
304
00:32:01,108 --> 00:32:02,648
[ KNOCK ON DOOR ]
305
00:32:10,150 --> 00:32:11,420
SHH!
306
00:32:13,153 --> 00:32:15,223
WHAT ARE YOU
DOING HERE?
307
00:32:15,255 --> 00:32:16,625
THE LOCK IS BROKEN.
308
00:32:16,656 --> 00:32:19,256
[ Whispering ]
We're shooting!
309
00:32:22,629 --> 00:32:24,999
Dream sequence.
New wave.
310
00:32:42,649 --> 00:32:44,689
[ THUMP! THUMP! ]
311
00:32:44,717 --> 00:32:46,217
[ THUD! ]
312
00:32:48,755 --> 00:32:50,325
KEEP IT ROLLING, BARNEY.
313
00:32:50,357 --> 00:32:52,227
WE CAN SPLICE
CINNAMON OUT.
314
00:32:52,259 --> 00:32:53,359
OH! MY BIG SCENE.
315
00:32:53,393 --> 00:32:55,063
SORRY.
316
00:32:55,095 --> 00:32:57,495
YOU WAITED TWO BUTTONS
LONGER THAN YOU HAD TO.
317
00:33:06,806 --> 00:33:08,676
[ KNOCK ON DOOR ]
318
00:33:08,708 --> 00:33:09,708
COME!
319
00:33:09,742 --> 00:33:11,572
WE ARE READY, SIR.
320
00:33:11,611 --> 00:33:12,741
AND KARQ?
321
00:33:12,779 --> 00:33:14,249
YES, SIR.
322
00:33:17,417 --> 00:33:19,117
THAT'S THE END
OF THE REEL.
323
00:33:19,152 --> 00:33:21,052
WE'VE GOT 5 1/2 MINUTES
OF FILM, DAN.
324
00:33:21,088 --> 00:33:22,528
WHEN I CUT OUT CINNAMON,
325
00:33:22,555 --> 00:33:24,395
WE'LL HAVE
A LITTLE OVER FOUR.
326
00:33:24,424 --> 00:33:25,724
IS THAT ENOUGH?
327
00:33:25,758 --> 00:33:28,268
YEAH.
THANKS, ROLLIN.
328
00:33:28,295 --> 00:33:30,125
ANY TIME, DAN.
329
00:33:32,599 --> 00:33:34,569
MY FAVORITE ACTOR.
330
00:33:34,601 --> 00:33:36,201
HA HA HA!
331
00:34:21,748 --> 00:34:23,218
READY, CINNAMON?
332
00:34:23,250 --> 00:34:24,690
GO.
333
00:34:24,717 --> 00:34:28,627
JOSEPH, FOLLOW THESE
INSTRUCTIONS PRECISELY.
334
00:34:28,655 --> 00:34:31,455
INSIDE THIS PROJECTILE...
335
00:34:53,246 --> 00:34:55,346
I AM SORRY, JANOS.
336
00:34:55,382 --> 00:34:57,512
YOU ARE NOT SORRY.
337
00:34:57,550 --> 00:34:59,890
YOU ARE AMBITIOUS...
338
00:34:59,919 --> 00:35:02,329
AND I AM INNOCENT.
339
00:35:02,355 --> 00:35:05,155
WITH ALL THAT MONEY
IN ARGENTINA?
340
00:35:05,192 --> 00:35:07,592
WE HAVE CHECKED.
341
00:35:07,627 --> 00:35:09,727
JUST AS OUR INFORMER
TOLD US,
342
00:35:09,762 --> 00:35:12,662
HUGE SUMS HAVE BEEN
DEPOSITED IN YOUR NAME.
343
00:35:12,699 --> 00:35:16,439
GET IT OVER WITH.
344
00:35:18,771 --> 00:35:20,431
AS YOU WISH.
345
00:35:30,650 --> 00:35:32,590
Man: READY...
346
00:35:32,619 --> 00:35:34,629
AIM...FIRE.
347
00:35:39,326 --> 00:35:44,296
WORK UP RAGE
AND SHAKE FIST AT VIEWER.
348
00:35:44,331 --> 00:35:48,631
SWIPE AT IT ANGRILY
WITH BLANKET.
349
00:35:48,668 --> 00:35:52,408
THROW BLANKET
OVER VIEWER.
350
00:35:52,439 --> 00:35:57,279
ATTACH SCREEN
AND PROJECTOR RAPIDLY.
351
00:35:57,310 --> 00:36:00,780
CLIP THERMITE CAPSULES
TO WINDOW BARS.
352
00:36:00,813 --> 00:36:02,713
[ KNOCK ON DOOR ]
353
00:36:07,320 --> 00:36:10,690
YOUR EXECUTION
IS SET FOR DAWN.
354
00:36:10,723 --> 00:36:13,853
YOU HAVE FIVE HOURS.
355
00:36:13,893 --> 00:36:16,393
YOU WANT ANYTHING?
356
00:36:16,429 --> 00:36:19,469
HEY! YOU WANT ANYTHING?
357
00:36:21,734 --> 00:36:23,564
YES.
358
00:36:23,603 --> 00:36:26,633
A BOTTLE
OF NAPOLEON BRANDY.
359
00:40:36,923 --> 00:40:39,123
STOP THAT, YOU SCUM!
360
00:40:46,933 --> 00:40:49,933
YOU ALWAYS STARE AT ME --
ALL NIGHT, ALL DAY.
361
00:40:56,308 --> 00:40:57,848
[ LAUGHING ]
362
00:41:07,253 --> 00:41:08,853
[ LAUGHING ]
363
00:42:00,673 --> 00:42:02,273
WHAT IS IT?
364
00:42:11,383 --> 00:42:13,253
NOTHING, SIR.
365
00:42:13,285 --> 00:42:15,355
HE'S QUIET NOW.
366
00:42:15,387 --> 00:42:18,557
SOON, HE'LL BE QUIETER.
367
00:42:34,006 --> 00:42:36,076
MY FRIEND, YOUR BRANDY.
368
00:42:36,108 --> 00:42:38,848
I HAD A MOMENT
OF WEAKNESS.
369
00:42:39,979 --> 00:42:42,149
I WANT NOTHING FROM YOU.
KEEP IT.
370
00:42:42,181 --> 00:42:44,181
OH, IMPOSSIBLE, MY FRIEND.
371
00:42:44,216 --> 00:42:47,086
A REQUISITION
WAS MADE OUT FOR YOU.
372
00:42:47,119 --> 00:42:50,989
I AM NOT GOING TO STEAL
A DEAD MAN'S LAST REQUEST.
373
00:42:51,023 --> 00:42:53,093
OPEN.
374
00:42:58,130 --> 00:43:01,740
I PREFER THIS DRINK ALONE.
YOU DON'T MIND, DO YOU?
375
00:44:17,143 --> 00:44:18,773
DON'T LET HIM GET DRUNK.
376
00:44:18,811 --> 00:44:20,771
HE'LL HAVE TO BE
ON HIS FEET.
377
00:44:20,813 --> 00:44:21,913
DRUNK, SIR?
378
00:44:21,948 --> 00:44:23,818
THE BRANDY
I JUST GAVE HIM.
379
00:44:23,850 --> 00:44:25,090
WHAT BRANDY, SIR?
380
00:44:25,117 --> 00:44:27,157
THE BRANDY
I JUST HANDED TO HIM!
381
00:44:27,186 --> 00:44:28,386
YOU WERE NOT WATCHING!
382
00:44:28,420 --> 00:44:30,790
SIR, WHEN DID --
A MOMENT AGO!
383
00:44:30,823 --> 00:44:32,753
BUT HE DIDN'T LEAVE
HIS BED, SIR.
384
00:44:32,792 --> 00:44:35,122
YOU'RE DREAMING!!
YOUR ORDERS ARE TO WATCH!
385
00:44:35,161 --> 00:44:37,191
BUT, SIR, HE
DID N LEAVE HIS BED.
386
00:44:37,229 --> 00:44:39,999
HE CAME TO THE DOOR TO
RECEIVE THE BRANDY FROM ME.
387
00:44:40,032 --> 00:44:44,902
NOT ON THERE, SIR.
NO, SIR. NOT ON THERE.
388
00:45:40,559 --> 00:45:42,099
ESCAPE!!
389
00:45:42,128 --> 00:45:43,798
ESCAPE!!
390
00:45:43,830 --> 00:45:46,340
[ ALARM BLARING ]
391
00:45:59,245 --> 00:46:02,185
THE GATE! THE GATE!
392
00:46:21,133 --> 00:46:23,033
[ SIREN BLARING ]
393
00:46:54,633 --> 00:46:56,833
[ SIREN BLARING ]
394
00:47:12,351 --> 00:47:14,111
DON'T MOVE.
395
00:47:35,975 --> 00:47:38,145
YOU PASS ANYBODY
GOING THE OTHER WAY?
396
00:47:38,177 --> 00:47:39,417
YES. A RED VOLKSWAGEN.
397
00:47:39,445 --> 00:47:41,515
HE MUST HAVE BEEN DRUNK
OR CRAZY.
398
00:47:41,547 --> 00:47:43,517
ALMOST KNOCKED ME
OFF THE ROAD.
399
00:47:43,549 --> 00:47:46,259
I DON'T UNDERSTAND HOW
SOME PEOPLE THESE DAYS
400
00:47:46,285 --> 00:47:48,185
CAN GET
A DRIVER'S LICENSE.
401
00:47:51,057 --> 00:47:52,927
[ SIREN BLARING ]
402
00:48:55,221 --> 00:48:59,451
COASTLINE'S
ONLY 400 YARDS.
403
00:48:59,491 --> 00:49:02,421
THE BOAT'S WAITING.
404
00:49:02,461 --> 00:49:04,491
HOW WAS IT?
405
00:49:07,233 --> 00:49:09,303
I FORGET.