1 00:01:05,120 --> 00:01:07,460 TAKE IT, MR. BRIGGS. 2 00:02:41,683 --> 00:02:43,913 10 OF HEARTS, 3 OF DIAMONDS, 3 00:02:43,952 --> 00:02:45,952 3 OF SPADES, 6 OF CLUBS, 4 00:02:45,987 --> 00:02:48,527 JACK OF SPADES, ACE OF HEARTS, 5 00:02:48,557 --> 00:02:50,257 7 OF HEARTS, 9 OF CLUBS, 10 OF CLUBS, 6 00:02:50,292 --> 00:02:51,722 KING OF DIAMONDS, QUEEN OF SPADES. 7 00:02:51,760 --> 00:02:52,730 IS THAT ENOUGH FOR YOU? 8 00:02:52,761 --> 00:02:54,391 NOT QUITE. 9 00:03:01,636 --> 00:03:03,576 MAY I? 10 00:03:03,605 --> 00:03:05,675 SURE. 11 00:03:11,846 --> 00:03:15,586 PAGE 1,088. MARINA THERMOX. 12 00:03:15,617 --> 00:03:17,517 WHERE SHALL I BEGIN? 13 00:03:17,552 --> 00:03:20,482 SECOND COLUMN. READING FROM THE BOTTOM UP. 14 00:03:20,522 --> 00:03:25,022 MARKMAN, ANDREW. 1265 LINDEN PLACE. 15 00:03:25,059 --> 00:03:26,769 555-7768. 16 00:03:26,795 --> 00:03:31,495 MARKIE, DR. WILLIAM. FORBES BUILDING, SUITE 17. 17 00:03:31,533 --> 00:03:36,503 KL5-9837. AFTER HOURS, CALL KL5-3600. 18 00:03:36,538 --> 00:03:38,008 GORGEOUS. 19 00:03:38,039 --> 00:03:41,979 I ALSO REMEMBER 80, 90 BRANDS OF CHAMPAGNE 20 00:03:42,010 --> 00:03:43,750 FROM LONG AGO... 21 00:03:43,778 --> 00:03:46,388 200 CHEAP WINES FROM ONLY YESTERDAY... 22 00:03:46,415 --> 00:03:48,945 AND THE ROOM NUMBER OF EVERY FLOPHOUSE. 23 00:03:48,983 --> 00:03:51,783 NOW, JOSEPH, BEHIND THE IRON CURTAIN, 24 00:03:51,820 --> 00:03:53,760 THERE'S A MAN WE'VE GOT TO REMOVE FROM POWER 25 00:03:53,788 --> 00:03:55,888 WITHIN TWO WEEKS. 26 00:03:55,924 --> 00:03:58,694 HE'S BEEN TRYING TO START A WAR AND SUCCEEDING, 27 00:03:58,727 --> 00:04:01,327 EVER SINCE HE EXTERMINATED HIS OPPOSITION. 28 00:04:01,363 --> 00:04:04,333 JANOS KARQ, THE BUTCHER OF THE BALKANS. 29 00:04:04,366 --> 00:04:05,796 WHEN I GO TO SLEEP, 30 00:04:05,834 --> 00:04:09,434 I ALWAYS COVER MYSELF WITH A POLITICAL PAGE. 31 00:04:09,471 --> 00:04:10,971 IT'S SOMEHOW WARMER. 32 00:04:11,005 --> 00:04:13,705 AS USUAL, ASSASSINATION IS OUT, 33 00:04:13,742 --> 00:04:15,002 AS A MATTER OF POLICY. 34 00:04:15,043 --> 00:04:16,813 THAT'S TOO BAD, YOU KNOW. 35 00:04:16,845 --> 00:04:18,915 WE'RE GOING TO TRY TO DESTROY KARQ POLITICALLY 36 00:04:18,947 --> 00:04:20,747 BY MAKING HIM APPEAR TO BE A TRAITOR. 37 00:04:20,782 --> 00:04:22,652 AND THE REST IS UP TO HIS OWN PEOPLE. 38 00:04:22,684 --> 00:04:24,554 KARQ'S HEAD OF INTELLIGENCE 39 00:04:24,586 --> 00:04:26,526 IS A MAN NAMED DIMITRI SOSKA. 40 00:04:26,555 --> 00:04:28,755 FOR YEARS, SOSKA HAS BEEN SEARCHING 41 00:04:28,790 --> 00:04:31,060 FOR AN AGENT CODE-NAMED "SPARROW." 42 00:04:31,092 --> 00:04:34,062 IN A FEW DAYS, SOSKA WILL CAPTURE SPARROW, 43 00:04:34,095 --> 00:04:36,735 WHO, WHEN QUESTIONED, WILL REVEAL THAT KARQ 44 00:04:36,765 --> 00:04:39,965 HAS BEEN WORKING WITH US, SELLING OUT HIS OWN COUNTRY. 45 00:04:40,001 --> 00:04:41,631 WHERE IS SPARROW? 46 00:04:41,670 --> 00:04:45,710 HE DIED MONTHS AGO, BUT SOSKA DOESN'T KNOW THAT. 47 00:04:45,740 --> 00:04:46,950 I SEE. 48 00:04:46,975 --> 00:04:50,075 HE'S GOING TO RETURN FROM THE DEAD. 49 00:04:50,111 --> 00:04:51,671 WHEN HE'S CAPTURED, 50 00:04:51,713 --> 00:04:54,713 HE'LL BE TAKEN TO SOSKA'S HEADQUARTERS 51 00:04:54,749 --> 00:04:57,719 AT LABYANKA MILITARY PRISON. 52 00:04:57,752 --> 00:04:59,952 THEY'RE NOT FOOLS, YOU KNOW. 53 00:04:59,988 --> 00:05:03,598 THEY'LL NEVER BELIEVE ANY SUCH THING ABOUT KARQ. 54 00:05:03,625 --> 00:05:04,625 OF COURSE NOT. 55 00:05:09,163 --> 00:05:13,833 WE'RE GOING TO MAKE A RESCUE ATTEMPT -- 56 00:05:13,868 --> 00:05:16,938 ELABORATE, WELL-TIMED, INGENIOUS, I HOPE. 57 00:05:16,971 --> 00:05:20,101 WE'LL GET ALL THE WAY IN, BUT WE'LL FAIL. 58 00:05:23,545 --> 00:05:25,445 NORMALLY, SPARROW'S INFORMATION 59 00:05:25,480 --> 00:05:27,490 WILL BE DISBELIEVED AND WRITTEN OFF. 60 00:05:27,516 --> 00:05:30,486 BUT SINCE WE'RE GOING INTO A MAXIMUM-SECURITY PRISON, 61 00:05:30,519 --> 00:05:33,889 HOW WILL THEY BUY THE UNBELIEVABLE FACT 62 00:05:33,922 --> 00:05:35,922 THAT JANOS KARQ IS A TRAITOR? 63 00:05:35,957 --> 00:05:38,497 AND LATER, THEY LET SPARROW LIVE. 64 00:05:42,864 --> 00:05:45,434 WE'D TRY TO NEGOTIATE HIS FREEDOM. 65 00:05:51,806 --> 00:05:54,106 ALL THIS WATER, YOU KNOW. 66 00:05:54,142 --> 00:05:58,712 I'M NOT SO SURE MY SYSTEM CAN STAND THE SHOCK. 67 00:06:03,885 --> 00:06:07,825 I HAVEN'T MET ALL OF YOU UNTIL TODAY. 68 00:06:07,856 --> 00:06:11,126 YOUR REASONS FOR DOING THIS WORK MAY NOT BE MINE. 69 00:06:12,527 --> 00:06:13,867 IT DOESN'T MATTER. 70 00:06:13,895 --> 00:06:15,795 FOR WHATEVER REASON, 71 00:06:15,830 --> 00:06:18,040 I'LL BE SPARROW FOR YOU. 72 00:06:31,212 --> 00:06:32,742 BIRTH? 73 00:06:32,781 --> 00:06:36,011 MAY 7, 1918. VILLAGE OF BARABIN. 74 00:06:36,050 --> 00:06:37,190 NAMES OF TEACHERS? 75 00:06:37,218 --> 00:06:38,918 LOWER SCHOOL, MR. McKELLY. 76 00:06:38,953 --> 00:06:41,183 UPPER SCHOOL, PROFESSOR SHANDOR. 77 00:06:41,222 --> 00:06:43,692 THE AGENTS YOU WORKED WITH IN 1961 -- 78 00:06:43,725 --> 00:06:45,455 WHO WERE CAUGHT, AND WHERE? 79 00:06:45,494 --> 00:06:47,624 MATSLOFF, IN BLUEPRINT COMPANY. 80 00:06:47,662 --> 00:06:49,832 EVA SOLSHIK, MINERAL QUARRY. 81 00:06:49,864 --> 00:06:51,834 DESCRIBE ANDREI NEIL. 82 00:06:56,705 --> 00:06:58,675 5'6". AROUND 150. 83 00:06:58,707 --> 00:07:01,007 BLUE EYES. SPECTACLED. 84 00:07:01,042 --> 00:07:03,072 LIMPED WHEN TIRED. 85 00:07:03,111 --> 00:07:05,611 SCARS ON LEGS FROM LAND MINE. 86 00:07:05,647 --> 00:07:07,047 GIRLFRIEND IN '63? 87 00:07:07,081 --> 00:07:08,081 ANNA ROVIS. 88 00:07:08,116 --> 00:07:09,816 WHAT WERE HER TASTES? 89 00:07:09,851 --> 00:07:13,521 FAVORITE COLOR, RED. FAVORITE FOOD, CHOW MEIN. 90 00:07:13,555 --> 00:07:14,855 SHE LOVED MOVIES. 91 00:07:14,889 --> 00:07:18,059 YOU KNOW, SHE REALLY MUST HAVE BEEN IMPOSSIBLE. 92 00:07:18,092 --> 00:07:19,822 [ LAUGHING ] 93 00:07:19,861 --> 00:07:22,931 SHE PROBABLY WAS AT THAT. 94 00:07:22,964 --> 00:07:24,134 TALK! 95 00:07:24,165 --> 00:07:26,065 ALL RIGHT, ALL RIGHT. I'LL TELL YOU. 96 00:07:26,100 --> 00:07:28,070 NO, NO. NO GOOD AT ALL. 97 00:07:28,102 --> 00:07:30,602 DRAG IT OUT. IT'S MUCH TOO FAST, TOO EASY. 98 00:07:30,639 --> 00:07:32,679 YOU'RE BREAKING TOO QUICKLY! 99 00:07:32,707 --> 00:07:34,107 I'M SORRY. 100 00:07:34,142 --> 00:07:36,102 I'LL TRY AGAIN, ALL RIGHT? 101 00:07:36,144 --> 00:07:38,214 COME ON. NOW LOOK, LET ME SHOW YOU. 102 00:07:42,951 --> 00:07:44,951 GO. 103 00:07:44,986 --> 00:07:46,526 TALK! 104 00:07:46,555 --> 00:07:47,885 NO. 105 00:07:48,990 --> 00:07:51,060 PLEASE! 106 00:07:54,128 --> 00:07:56,898 I CAN KEEP THIS UP FOR AS LONG AS YOU LIKE, YOU KNOW. 107 00:07:56,931 --> 00:07:58,631 YOUR ARM WILL GIVE OUT EVENTUALLY. 108 00:07:58,667 --> 00:08:01,767 ALL YOU HAVE TO DO IS PUSH THE OFF BUTTON AND I'LL STOP. 109 00:08:03,337 --> 00:08:06,777 ALL RIGHT, ALL RIGHT. 110 00:08:06,808 --> 00:08:08,308 I'M LISTENING. 111 00:08:08,342 --> 00:08:10,812 I FORGOT WHAT I WAS GOING TO SAY. 112 00:08:10,845 --> 00:08:12,645 NO, HE... HE... 113 00:08:12,681 --> 00:08:14,941 WHO?! 114 00:08:14,983 --> 00:08:17,183 JANOS KARQ. 115 00:08:17,218 --> 00:08:18,588 NONSENSE. 116 00:08:18,620 --> 00:08:20,930 NO, H-HE WORKED WITH US FOR THREE YEARS. 117 00:08:20,955 --> 00:08:23,695 I PUT THE MONEY IN AN ARGENTINE BANK ACCOUNT FOR HIM. 118 00:08:23,725 --> 00:08:25,555 IT'S ALL... 119 00:08:25,594 --> 00:08:27,124 ET CETERA. 120 00:08:27,161 --> 00:08:30,931 BUT STRETCH IT OUT. THAT'S THE IDEA. 121 00:08:30,965 --> 00:08:32,565 NOW, AS AN ACTOR, WHAT DO YOU THINK? 122 00:08:32,601 --> 00:08:35,661 AS AN ACTOR, MY BOY, IN ALL SERIOUSNESS, 123 00:08:35,704 --> 00:08:38,274 I LIKE YOUR PART BETTER THAN MINE. 124 00:08:38,306 --> 00:08:39,946 [ BOTH LAUGH ] 125 00:09:32,961 --> 00:09:34,891 PASSPORT? 126 00:09:45,907 --> 00:09:47,277 SECURITY POLICE! 127 00:09:47,308 --> 00:09:48,348 SECURITY! 128 00:09:48,376 --> 00:09:50,076 QUICKLY! QUICKLY! 129 00:09:50,111 --> 00:09:52,981 FORGED PASSPORT! FORGED PASSPORT! 130 00:10:23,444 --> 00:10:25,414 EXCUSE ME. 131 00:11:15,463 --> 00:11:18,163 WHAT SHADE OF RED SHOULD I MIX? 132 00:11:18,199 --> 00:11:22,109 OH, HERE, I BROUGHT THIS ALONG FOR YOU TO MATCH. 133 00:11:22,136 --> 00:11:25,306 JOSEPH SHOULD BE GETTING CAUGHT ABOUT NOW. 134 00:11:25,339 --> 00:11:27,279 IN TWO MINUTES. 135 00:12:00,341 --> 00:12:03,311 IGOR, OVER HERE! 136 00:12:03,344 --> 00:12:05,514 IGOR! 137 00:12:13,354 --> 00:12:17,294 CYANIDE. IS TOO EASY. 138 00:12:36,077 --> 00:12:37,877 SPARROW! 139 00:12:46,020 --> 00:12:47,960 HA HA HA HA HA! 140 00:12:47,989 --> 00:12:49,489 SPARROW. 141 00:12:49,523 --> 00:12:53,493 AFTER ALL THESE YEARS, I'D ALMOST GIVEN UP HOPE. 142 00:12:53,527 --> 00:12:55,927 SPARROW. 143 00:12:55,964 --> 00:12:58,164 I AM DIMITRI SOSKA. 144 00:12:58,199 --> 00:13:00,909 PLEASURE TO MEET YOU. 145 00:13:00,935 --> 00:13:02,565 WELCOME. 146 00:13:18,152 --> 00:13:21,052 WILL THERE BE ANY FLAMES? 147 00:13:21,089 --> 00:13:22,429 YES. 148 00:13:22,456 --> 00:13:25,256 AN EFFLUENCE OF CARBONACEOUS OPAQUE MATERIAL. 149 00:13:25,293 --> 00:13:27,123 THANKS. 150 00:13:27,161 --> 00:13:29,021 A LOT OF SMOKE. 151 00:13:29,063 --> 00:13:30,433 NOBODY LIKES A -- 152 00:13:30,464 --> 00:13:32,364 SORRY. 153 00:13:34,635 --> 00:13:36,935 I WONDER HOW JOSEPH'S DOING. 154 00:14:18,179 --> 00:14:21,589 IN INDIANA, FIRE ENGINE RED WAS -- 155 00:14:21,615 --> 00:14:24,315 I DON'T KNOW -- REDDER. 156 00:14:24,352 --> 00:14:28,682 YOU WERE 10 YEARS OLD IN INDIANA, WILLY. 157 00:14:28,722 --> 00:14:31,252 AT 10, EVERYTHING IS MORE SO. 158 00:15:06,194 --> 00:15:07,964 WELL? 159 00:15:10,098 --> 00:15:11,398 NO. 160 00:15:34,422 --> 00:15:36,992 YOU WOULD LIKE A DRINK, HUH? 161 00:15:38,459 --> 00:15:42,399 I READ IT IN THE EYES. THAT YOU CANNOT CONCEAL. 162 00:15:42,430 --> 00:15:47,640 WELL...NOT UNTIL THE COCKTAIL HOUR, IF YOU DON'T MIND. 163 00:16:01,049 --> 00:16:04,789 VENTILATOR'S ABOUT 20 FEET UP. 164 00:16:04,818 --> 00:16:06,558 NO TROUBLE. 165 00:16:11,259 --> 00:16:13,129 IT'S SENSELESS TO LIE. 166 00:16:13,161 --> 00:16:16,021 WE ALL LIKE A DRINK NOW AND THEN. 167 00:16:16,064 --> 00:16:18,094 AND AT TIMES LIKE THIS... 168 00:16:18,132 --> 00:16:21,302 THE DESIRE CAN BE ALMOST OVERWHELMING. 169 00:16:21,335 --> 00:16:22,735 IS THAT NOT SO? 170 00:16:25,773 --> 00:16:28,403 AHH. BUT FIRST... 171 00:16:28,442 --> 00:16:31,212 WHAT AGENTS ARE YOU WORKING WITH, HMM? 172 00:16:31,245 --> 00:16:33,545 OH, I WAS A FREELANCE. 173 00:16:36,484 --> 00:16:39,284 I HAVE A PASSION, MY FRIEND... 174 00:16:40,821 --> 00:16:43,521 A PASSION FOR MAKING LISTS. 175 00:16:43,557 --> 00:16:46,627 NOW, THIS IS A LIST OF MY AGENTS. 176 00:16:46,660 --> 00:16:50,170 IT IS UP-TO-DATE, TOTALLY ACCURATE. 177 00:16:52,833 --> 00:16:57,433 MY LIST OF YOUR AGENTS IS INCOMPLETE. 178 00:16:57,471 --> 00:17:02,341 I WANT TO COMPLETE IT... PARTICULARLY AT THE TOP. 179 00:17:02,376 --> 00:17:05,246 NOW, YOU TELL ME -- 180 00:17:05,279 --> 00:17:07,519 FROM WHOM DID YOU GET YOUR ORDERS? 181 00:17:07,548 --> 00:17:10,488 OH, I MADE THEM UP AS I WENT ALONG, YOU KNOW. 182 00:17:10,518 --> 00:17:12,218 [ GRUNTS ] 183 00:17:12,253 --> 00:17:14,753 HA HA HA HA! 184 00:17:14,788 --> 00:17:18,758 OH, I ENJOY THIS WORK, MY FRIEND. 185 00:17:18,792 --> 00:17:23,232 I COULD STAND HERE AND WORK FOR HOURS AT A TIME 186 00:17:23,264 --> 00:17:26,464 AND FEEL MORE AND MORE REFRESHED. 187 00:17:26,500 --> 00:17:30,280 FROM WHOM DID YOU GET YOUR ORDERS?! 188 00:17:50,591 --> 00:17:53,821 [ CHUCKLES ] 189 00:17:57,365 --> 00:18:01,735 WE WILL TRY AGAIN LATER, MY LITTLE BIRD. 190 00:18:01,769 --> 00:18:04,679 TAKE HIM AWAY. 191 00:18:04,705 --> 00:18:06,805 [ UNLOCKS HANDCUFFS ] 192 00:18:10,611 --> 00:18:12,841 GIVE HIM THREE-QUARTERS OF AN HOUR 193 00:18:12,880 --> 00:18:14,590 TO FALL INTO A DEEP SLEEP. 194 00:18:14,615 --> 00:18:16,885 THEN...BRING HIM BACK. 195 00:18:46,980 --> 00:18:49,320 HE'S BACK. 196 00:19:07,401 --> 00:19:09,431 HOW MUCH JUICE IN THAT FENCE? 197 00:19:09,470 --> 00:19:10,780 ENOUGH. 198 00:19:10,804 --> 00:19:12,804 YOU CAN'T GET DEADER THAN DEAD. 199 00:20:13,701 --> 00:20:15,731 IF THERE'S NO VOLTAGE DROP, WE'RE IN. 200 00:20:30,884 --> 00:20:32,714 SILENCE IS GOLDEN. 201 00:21:21,602 --> 00:21:27,002 NOW, WE BEGIN AGAIN, MY FRIEND, HMM? 202 00:21:27,040 --> 00:21:28,880 [ GRUNTS ] 203 00:21:28,909 --> 00:21:30,619 COME ON. 204 00:21:30,644 --> 00:21:33,644 WE CHANGE THE STYLE A LITTLE, HUH? 205 00:21:37,585 --> 00:21:39,385 HERE. 206 00:21:39,420 --> 00:21:40,930 HUH? 207 00:21:45,926 --> 00:21:47,766 YOU FEELING BETTER NOW? 208 00:21:47,795 --> 00:21:49,895 PLEASE... 209 00:21:49,930 --> 00:21:51,440 PLEASE? 210 00:21:51,465 --> 00:21:53,665 PLEASE, WHAT?! 211 00:21:57,137 --> 00:21:59,807 A REAL DRINK, HUH? 212 00:21:59,840 --> 00:22:01,080 HA HA. 213 00:22:01,108 --> 00:22:02,908 OF COURSE. 214 00:22:02,943 --> 00:22:06,643 WHEN YOU TRULY WANT IT, IT IS SO SIMPLE. 215 00:22:06,680 --> 00:22:08,490 REALLY. 216 00:22:54,995 --> 00:22:57,735 ALL RIGHT. 217 00:22:57,765 --> 00:23:00,135 JANOS KARQ. 218 00:23:00,167 --> 00:23:02,867 JANOS KARQ? 219 00:23:04,772 --> 00:23:06,502 [ LAUGHING ] 220 00:23:06,540 --> 00:23:10,780 OH, OH, YOU ARE VERY DROLL, MY FRIEND. 221 00:23:10,811 --> 00:23:12,811 NO... 222 00:23:12,846 --> 00:23:14,846 KARQ. 223 00:23:14,882 --> 00:23:18,452 JANOS KARQ GIVES YOU YOUR ORDERS? 224 00:23:19,987 --> 00:23:23,057 OF COURSE, YOU CREATE FICTION! 225 00:23:29,630 --> 00:23:31,000 NO. 226 00:23:33,634 --> 00:23:35,004 KARQ. 227 00:23:56,657 --> 00:23:58,627 WE'RE DOING SOME FASHION PICTURES. 228 00:23:58,659 --> 00:24:01,229 AND YOU'D MAKE SUCH A DIVINE BACKGROUND. 229 00:24:01,261 --> 00:24:03,491 YOU WOULDN'T MIND, WOULD YOU? 230 00:24:03,531 --> 00:24:05,131 NO. NO, OF COURSE NOT. 231 00:24:05,165 --> 00:24:06,635 HOLD IT. 232 00:24:11,304 --> 00:24:12,504 GOOD. 233 00:24:12,540 --> 00:24:13,850 HOLD IT. 234 00:24:13,874 --> 00:24:15,944 BRILLIANT. SUCH CONTRAST. 235 00:24:15,976 --> 00:24:18,016 DARLING, CLOSER TO THE ONE WITH THE BEARD. 236 00:24:20,648 --> 00:24:21,688 HOLD IT. 237 00:24:56,116 --> 00:24:58,016 UH-HUH! 238 00:24:58,051 --> 00:25:00,311 TOO MUCH BACKLIGHT. 239 00:25:00,353 --> 00:25:02,853 WILLY, TURN OUT THE LIGHTS INSIDE. 240 00:25:58,812 --> 00:26:00,782 PERFECT. PERFECT. 241 00:26:00,814 --> 00:26:02,244 NOW, JUST ONE MORE, FELLOWS. 242 00:26:03,951 --> 00:26:05,851 COME ON! COME ON! 243 00:26:05,886 --> 00:26:07,086 GET GOING! 244 00:26:07,120 --> 00:26:08,660 FIRE! FIRE! 245 00:26:09,289 --> 00:26:10,859 [ ALARM DINGING ] 246 00:26:23,704 --> 00:26:25,704 [ SIREN BLARING ] 247 00:26:36,784 --> 00:26:38,814 [ ALARM DINGING ] 248 00:26:46,026 --> 00:26:48,096 WHAT IS GOING ON?! 249 00:27:56,329 --> 00:27:58,199 Man: COME ON! HURRY UP! 250 00:27:58,231 --> 00:28:00,931 COME ON! HURRY UP! 251 00:28:03,103 --> 00:28:05,403 PUT THE PRISONER BACK IN HIS CELL! 252 00:28:05,438 --> 00:28:07,708 I WENT EVERYONE AT STATION! 253 00:28:13,013 --> 00:28:15,013 [ YELLING AND SHOUTING ] 254 00:28:52,452 --> 00:28:54,252 DAN, I'VE MEMORIZED HIS LIST OF AGENTS. 255 00:28:54,287 --> 00:28:55,787 GET ME OUT OF HERE! 256 00:28:55,823 --> 00:28:58,293 WE CAN'T, WE'RE NOT PREPARED FOR IT. 257 00:28:58,325 --> 00:29:00,795 THE ENTIRE LIST OF HIS AGENTS IN EUROPE! 258 00:29:00,828 --> 00:29:02,128 GET ME OUT OF HERE! 259 00:29:27,620 --> 00:29:29,560 ARE ALL THE PRISONERS ACCOUNTED FOR? 260 00:29:29,589 --> 00:29:31,029 YES, SIR. 261 00:29:31,058 --> 00:29:32,598 YOU IDIOTS! 262 00:29:32,625 --> 00:29:35,225 I WANT THE FENCE REWIRED SO THIS CANNOT HAPPEN AGAIN. 263 00:29:35,262 --> 00:29:37,392 I WANT SEARCHLIGHTS AND MACHINE GUN TOWERS ERECTED. 264 00:29:37,430 --> 00:29:39,100 I WANT THE GUARD DOUBLED, 265 00:29:39,132 --> 00:29:41,202 INCLUDING A DETAIL OUTSIDE THE FENCE. 266 00:29:41,234 --> 00:29:44,974 SIR, I DO HAVE A REPORT OF AX MARKS ON A CELL DOOR. 267 00:29:45,005 --> 00:29:46,575 WHICH CELL? 268 00:29:46,606 --> 00:29:48,276 SPARROW'S, SIR. 269 00:29:50,377 --> 00:29:52,477 BRING HIM TO MY OFFICE. 270 00:29:52,512 --> 00:29:56,112 GET OUT OF HERE! ALL OF YOU! 271 00:29:58,318 --> 00:30:00,018 [ DOOR CLOSES ] 272 00:30:05,993 --> 00:30:09,593 JANOS KARQ. 273 00:30:24,244 --> 00:30:26,474 HOME, CINNAMON. 274 00:30:26,513 --> 00:30:29,483 NOPE. WE'RE NOT GOING HOME. 275 00:30:31,151 --> 00:30:32,511 WE GOT TO GO BACK IN. 276 00:30:38,158 --> 00:30:40,158 [ PROJECTOR RUNS ] 277 00:30:50,237 --> 00:30:51,537 CUT! 278 00:30:51,571 --> 00:30:53,231 ONCE MORE, ROLLIN. 279 00:30:53,273 --> 00:30:55,173 JOSEPH'S WALK IS NOT THAT ATHLETIC. 280 00:30:55,208 --> 00:30:57,578 I KNOW IT'S TOUGH WORKING FROM STILL PHOTOGRAPHS 281 00:30:57,610 --> 00:30:59,220 AND JUST OUR IMPRESSIONS. 282 00:30:59,246 --> 00:31:01,116 NO PROBLEM. LET'S GO AGAIN. 283 00:31:01,148 --> 00:31:03,088 ALL RIGHT, BARNEY, ROLL IT. 284 00:31:03,116 --> 00:31:04,956 [ PROJECTOR RUNNING ] 285 00:31:04,985 --> 00:31:06,355 ROLLING. 286 00:31:06,386 --> 00:31:08,126 OKAY, GO. 287 00:31:17,697 --> 00:31:19,067 GOOD. 288 00:31:19,099 --> 00:31:20,969 NOW, TRY TO GO TO SLEEP. 289 00:31:27,174 --> 00:31:29,644 HEY, BARNEY, HOW MUCH MASTIC? 290 00:31:29,676 --> 00:31:32,576 A LUMP ABOUT THE SIZE OF A GOLF BALL, WILL. 291 00:31:38,118 --> 00:31:41,728 DAN, WILLY SAID BARESH HAD BEEN DRINKING. 292 00:31:41,754 --> 00:31:43,254 YES. 293 00:31:43,290 --> 00:31:45,400 IS IT POSSIBLE HE WANTS OUT? 294 00:31:45,425 --> 00:31:47,355 BARESH WAS ON THE LEVEL. 295 00:31:47,394 --> 00:31:49,094 HOW DO YOU KNOW? 296 00:31:49,129 --> 00:31:50,999 I KNOW. 297 00:31:51,031 --> 00:31:52,131 OKAY. 298 00:31:52,165 --> 00:31:53,735 ROLLIN, SHIFT AROUND A BIT. 299 00:31:53,766 --> 00:31:56,436 WE NEED FIVE MINUTES OF FILM. 300 00:31:56,469 --> 00:31:57,609 [ KNOCK ON DOOR ] 301 00:31:57,637 --> 00:31:58,737 KEEP IT ROLLING. 302 00:31:58,771 --> 00:32:00,001 ROLLIN. 303 00:32:00,040 --> 00:32:01,080 CINNAMON. 304 00:32:01,108 --> 00:32:02,648 [ KNOCK ON DOOR ] 305 00:32:10,150 --> 00:32:11,420 SHH! 306 00:32:13,153 --> 00:32:15,223 WHAT ARE YOU DOING HERE? 307 00:32:15,255 --> 00:32:16,625 THE LOCK IS BROKEN. 308 00:32:16,656 --> 00:32:19,256 [ Whispering ] We're shooting! 309 00:32:22,629 --> 00:32:24,999 Dream sequence. New wave. 310 00:32:42,649 --> 00:32:44,689 [ THUMP! THUMP! ] 311 00:32:44,717 --> 00:32:46,217 [ THUD! ] 312 00:32:48,755 --> 00:32:50,325 KEEP IT ROLLING, BARNEY. 313 00:32:50,357 --> 00:32:52,227 WE CAN SPLICE CINNAMON OUT. 314 00:32:52,259 --> 00:32:53,359 OH! MY BIG SCENE. 315 00:32:53,393 --> 00:32:55,063 SORRY. 316 00:32:55,095 --> 00:32:57,495 YOU WAITED TWO BUTTONS LONGER THAN YOU HAD TO. 317 00:33:06,806 --> 00:33:08,676 [ KNOCK ON DOOR ] 318 00:33:08,708 --> 00:33:09,708 COME! 319 00:33:09,742 --> 00:33:11,572 WE ARE READY, SIR. 320 00:33:11,611 --> 00:33:12,741 AND KARQ? 321 00:33:12,779 --> 00:33:14,249 YES, SIR. 322 00:33:17,417 --> 00:33:19,117 THAT'S THE END OF THE REEL. 323 00:33:19,152 --> 00:33:21,052 WE'VE GOT 5 1/2 MINUTES OF FILM, DAN. 324 00:33:21,088 --> 00:33:22,528 WHEN I CUT OUT CINNAMON, 325 00:33:22,555 --> 00:33:24,395 WE'LL HAVE A LITTLE OVER FOUR. 326 00:33:24,424 --> 00:33:25,724 IS THAT ENOUGH? 327 00:33:25,758 --> 00:33:28,268 YEAH. THANKS, ROLLIN. 328 00:33:28,295 --> 00:33:30,125 ANY TIME, DAN. 329 00:33:32,599 --> 00:33:34,569 MY FAVORITE ACTOR. 330 00:33:34,601 --> 00:33:36,201 HA HA HA! 331 00:34:21,748 --> 00:34:23,218 READY, CINNAMON? 332 00:34:23,250 --> 00:34:24,690 GO. 333 00:34:24,717 --> 00:34:28,627 JOSEPH, FOLLOW THESE INSTRUCTIONS PRECISELY. 334 00:34:28,655 --> 00:34:31,455 INSIDE THIS PROJECTILE... 335 00:34:53,246 --> 00:34:55,346 I AM SORRY, JANOS. 336 00:34:55,382 --> 00:34:57,512 YOU ARE NOT SORRY. 337 00:34:57,550 --> 00:34:59,890 YOU ARE AMBITIOUS... 338 00:34:59,919 --> 00:35:02,329 AND I AM INNOCENT. 339 00:35:02,355 --> 00:35:05,155 WITH ALL THAT MONEY IN ARGENTINA? 340 00:35:05,192 --> 00:35:07,592 WE HAVE CHECKED. 341 00:35:07,627 --> 00:35:09,727 JUST AS OUR INFORMER TOLD US, 342 00:35:09,762 --> 00:35:12,662 HUGE SUMS HAVE BEEN DEPOSITED IN YOUR NAME. 343 00:35:12,699 --> 00:35:16,439 GET IT OVER WITH. 344 00:35:18,771 --> 00:35:20,431 AS YOU WISH. 345 00:35:30,650 --> 00:35:32,590 Man: READY... 346 00:35:32,619 --> 00:35:34,629 AIM...FIRE. 347 00:35:39,326 --> 00:35:44,296 WORK UP RAGE AND SHAKE FIST AT VIEWER. 348 00:35:44,331 --> 00:35:48,631 SWIPE AT IT ANGRILY WITH BLANKET. 349 00:35:48,668 --> 00:35:52,408 THROW BLANKET OVER VIEWER. 350 00:35:52,439 --> 00:35:57,279 ATTACH SCREEN AND PROJECTOR RAPIDLY. 351 00:35:57,310 --> 00:36:00,780 CLIP THERMITE CAPSULES TO WINDOW BARS. 352 00:36:00,813 --> 00:36:02,713 [ KNOCK ON DOOR ] 353 00:36:07,320 --> 00:36:10,690 YOUR EXECUTION IS SET FOR DAWN. 354 00:36:10,723 --> 00:36:13,853 YOU HAVE FIVE HOURS. 355 00:36:13,893 --> 00:36:16,393 YOU WANT ANYTHING? 356 00:36:16,429 --> 00:36:19,469 HEY! YOU WANT ANYTHING? 357 00:36:21,734 --> 00:36:23,564 YES. 358 00:36:23,603 --> 00:36:26,633 A BOTTLE OF NAPOLEON BRANDY. 359 00:40:36,923 --> 00:40:39,123 STOP THAT, YOU SCUM! 360 00:40:46,933 --> 00:40:49,933 YOU ALWAYS STARE AT ME -- ALL NIGHT, ALL DAY. 361 00:40:56,308 --> 00:40:57,848 [ LAUGHING ] 362 00:41:07,253 --> 00:41:08,853 [ LAUGHING ] 363 00:42:00,673 --> 00:42:02,273 WHAT IS IT? 364 00:42:11,383 --> 00:42:13,253 NOTHING, SIR. 365 00:42:13,285 --> 00:42:15,355 HE'S QUIET NOW. 366 00:42:15,387 --> 00:42:18,557 SOON, HE'LL BE QUIETER. 367 00:42:34,006 --> 00:42:36,076 MY FRIEND, YOUR BRANDY. 368 00:42:36,108 --> 00:42:38,848 I HAD A MOMENT OF WEAKNESS. 369 00:42:39,979 --> 00:42:42,149 I WANT NOTHING FROM YOU. KEEP IT. 370 00:42:42,181 --> 00:42:44,181 OH, IMPOSSIBLE, MY FRIEND. 371 00:42:44,216 --> 00:42:47,086 A REQUISITION WAS MADE OUT FOR YOU. 372 00:42:47,119 --> 00:42:50,989 I AM NOT GOING TO STEAL A DEAD MAN'S LAST REQUEST. 373 00:42:51,023 --> 00:42:53,093 OPEN. 374 00:42:58,130 --> 00:43:01,740 I PREFER THIS DRINK ALONE. YOU DON'T MIND, DO YOU? 375 00:44:17,143 --> 00:44:18,773 DON'T LET HIM GET DRUNK. 376 00:44:18,811 --> 00:44:20,771 HE'LL HAVE TO BE ON HIS FEET. 377 00:44:20,813 --> 00:44:21,913 DRUNK, SIR? 378 00:44:21,948 --> 00:44:23,818 THE BRANDY I JUST GAVE HIM. 379 00:44:23,850 --> 00:44:25,090 WHAT BRANDY, SIR? 380 00:44:25,117 --> 00:44:27,157 THE BRANDY I JUST HANDED TO HIM! 381 00:44:27,186 --> 00:44:28,386 YOU WERE NOT WATCHING! 382 00:44:28,420 --> 00:44:30,790 SIR, WHEN DID -- A MOMENT AGO! 383 00:44:30,823 --> 00:44:32,753 BUT HE DIDN'T LEAVE HIS BED, SIR. 384 00:44:32,792 --> 00:44:35,122 YOU'RE DREAMING!! YOUR ORDERS ARE TO WATCH! 385 00:44:35,161 --> 00:44:37,191 BUT, SIR, HE DID N LEAVE HIS BED. 386 00:44:37,229 --> 00:44:39,999 HE CAME TO THE DOOR TO RECEIVE THE BRANDY FROM ME. 387 00:44:40,032 --> 00:44:44,902 NOT ON THERE, SIR. NO, SIR. NOT ON THERE. 388 00:45:40,559 --> 00:45:42,099 ESCAPE!! 389 00:45:42,128 --> 00:45:43,798 ESCAPE!! 390 00:45:43,830 --> 00:45:46,340 [ ALARM BLARING ] 391 00:45:59,245 --> 00:46:02,185 THE GATE! THE GATE! 392 00:46:21,133 --> 00:46:23,033 [ SIREN BLARING ] 393 00:46:54,633 --> 00:46:56,833 [ SIREN BLARING ] 394 00:47:12,351 --> 00:47:14,111 DON'T MOVE. 395 00:47:35,975 --> 00:47:38,145 YOU PASS ANYBODY GOING THE OTHER WAY? 396 00:47:38,177 --> 00:47:39,417 YES. A RED VOLKSWAGEN. 397 00:47:39,445 --> 00:47:41,515 HE MUST HAVE BEEN DRUNK OR CRAZY. 398 00:47:41,547 --> 00:47:43,517 ALMOST KNOCKED ME OFF THE ROAD. 399 00:47:43,549 --> 00:47:46,259 I DON'T UNDERSTAND HOW SOME PEOPLE THESE DAYS 400 00:47:46,285 --> 00:47:48,185 CAN GET A DRIVER'S LICENSE. 401 00:47:51,057 --> 00:47:52,927 [ SIREN BLARING ] 402 00:48:55,221 --> 00:48:59,451 COASTLINE'S ONLY 400 YARDS. 403 00:48:59,491 --> 00:49:02,421 THE BOAT'S WAITING. 404 00:49:02,461 --> 00:49:04,491 HOW WAS IT? 405 00:49:07,233 --> 00:49:09,303 I FORGET.