1 00:01:05,099 --> 00:01:07,435 TAKE IT, MR. BRIGGS. 2 00:02:41,662 --> 00:02:43,897 10 OF HEARTS, 3 OF DIAMONDS, 3 00:02:43,931 --> 00:02:45,933 3 OF SPADES, 6 OF CLUBS, 4 00:02:45,966 --> 00:02:48,502 JACK OF SPADES, ACE OF HEARTS, 5 00:02:48,536 --> 00:02:50,238 7 OF HEARTS, 9 OF CLUBS, 10 OF CLUBS, 6 00:02:50,271 --> 00:02:51,705 KING OF DIAMONDS, QUEEN OF SPADES. 7 00:02:51,739 --> 00:02:52,706 IS THAT ENOUGH FOR YOU? 8 00:02:52,740 --> 00:02:54,375 NOT QUITE. 9 00:03:01,615 --> 00:03:03,551 MAY I? 10 00:03:03,584 --> 00:03:05,653 SURE. 11 00:03:11,825 --> 00:03:15,563 PAGE 1,088. MARINA THERMOX. 12 00:03:15,596 --> 00:03:17,498 WHERE SHALL I BEGIN? 13 00:03:17,531 --> 00:03:20,468 SECOND COLUMN. READING FROM THE BOTTOM UP. 14 00:03:20,501 --> 00:03:25,005 MARKMAN, ANDREW. 1265 LINDEN PLACE. 15 00:03:25,038 --> 00:03:26,740 555-7768. 16 00:03:26,774 --> 00:03:31,479 MARKIE, DR. WILLIAM. FORBES BUILDING, SUITE 17. 17 00:03:31,512 --> 00:03:36,484 KL5-9837. AFTER HOURS, CALL KL5-3600. 18 00:03:36,517 --> 00:03:37,985 GORGEOUS. 19 00:03:38,018 --> 00:03:41,955 I ALSO REMEMBER 80, 90 BRANDS OF CHAMPAGNE 20 00:03:41,989 --> 00:03:43,724 FROM LONG AGO... 21 00:03:43,757 --> 00:03:46,360 200 CHEAP WINES FROM ONLY YESTERDAY... 22 00:03:46,394 --> 00:03:48,929 AND THE ROOM NUMBER OF EVERY FLOPHOUSE. 23 00:03:48,962 --> 00:03:51,765 NOW, JOSEPH, BEHIND THE IRON CURTAIN, 24 00:03:51,799 --> 00:03:53,734 THERE'S A MAN WE'VE GOT TO REMOVE FROM POWER 25 00:03:53,767 --> 00:03:55,869 WITHIN TWO WEEKS. 26 00:03:55,903 --> 00:03:58,672 HE'S BEEN TRYING TO START A WAR AND SUCCEEDING, 27 00:03:58,706 --> 00:04:01,309 EVER SINCE HE EXTERMINATED HIS OPPOSITION. 28 00:04:01,342 --> 00:04:04,312 JANOS KARQ, THE BUTCHER OF THE BALKANS. 29 00:04:04,345 --> 00:04:05,779 WHEN I GO TO SLEEP, 30 00:04:05,813 --> 00:04:09,417 I ALWAYS COVER MYSELF WITH A POLITICAL PAGE. 31 00:04:09,450 --> 00:04:10,951 IT'S SOMEHOW WARMER. 32 00:04:10,984 --> 00:04:13,687 AS USUAL, ASSASSINATION IS OUT, 33 00:04:13,721 --> 00:04:14,988 AS A MATTER OF POLICY. 34 00:04:15,022 --> 00:04:16,790 THAT'S TOO BAD, YOU KNOW. 35 00:04:16,824 --> 00:04:18,892 WE'RE GOING TO TRY TO DESTROY KARQ POLITICALLY 36 00:04:18,926 --> 00:04:20,728 BY MAKING HIM APPEAR TO BE A TRAITOR. 37 00:04:20,761 --> 00:04:22,630 AND THE REST IS UP TO HIS OWN PEOPLE. 38 00:04:22,663 --> 00:04:24,532 KARQ'S HEAD OF INTELLIGENCE 39 00:04:24,565 --> 00:04:26,500 IS A MAN NAMED DIMITRI SOSKA. 40 00:04:26,534 --> 00:04:28,736 FOR YEARS, SOSKA HAS BEEN SEARCHING 41 00:04:28,769 --> 00:04:31,038 FOR AN AGENT CODE-NAMED "SPARROW." 42 00:04:31,071 --> 00:04:34,041 IN A FEW DAYS, SOSKA WILL CAPTURE SPARROW, 43 00:04:34,074 --> 00:04:36,710 WHO, WHEN QUESTIONED, WILL REVEAL THAT KARQ 44 00:04:36,744 --> 00:04:39,947 HAS BEEN WORKING WITH US, SELLING OUT HIS OWN COUNTRY. 45 00:04:39,980 --> 00:04:41,615 WHERE IS SPARROW? 46 00:04:41,649 --> 00:04:45,686 HE DIED MONTHS AGO, BUT SOSKA DOESN'T KNOW THAT. 47 00:04:45,719 --> 00:04:46,920 I SEE. 48 00:04:46,954 --> 00:04:50,057 HE'S GOING TO RETURN FROM THE DEAD. 49 00:04:50,090 --> 00:04:51,659 WHEN HE'S CAPTURED, 50 00:04:51,692 --> 00:04:54,695 HE'LL BE TAKEN TO SOSKA'S HEADQUARTERS 51 00:04:54,728 --> 00:04:57,698 AT LABYANKA MILITARY PRISON. 52 00:04:57,731 --> 00:04:59,933 THEY'RE NOT FOOLS, YOU KNOW. 53 00:04:59,967 --> 00:05:03,571 THEY'LL NEVER BELIEVE ANY SUCH THING ABOUT KARQ. 54 00:05:03,604 --> 00:05:04,605 OF COURSE NOT. 55 00:05:09,142 --> 00:05:13,814 WE'RE GOING TO MAKE A RESCUE ATTEMPT -- 56 00:05:13,847 --> 00:05:16,917 ELABORATE, WELL-TIMED, INGENIOUS, I HOPE. 57 00:05:16,950 --> 00:05:20,087 WE'LL GET ALL THE WAY IN, BUT WE'LL FAIL. 58 00:05:23,524 --> 00:05:25,426 NORMALLY, SPARROW'S INFORMATION 59 00:05:25,459 --> 00:05:27,461 WILL BE DISBELIEVED AND WRITTEN OFF. 60 00:05:27,495 --> 00:05:30,464 BUT SINCE WE'RE GOING INTO A MAXIMUM-SECURITY PRISON, 61 00:05:30,498 --> 00:05:33,867 HOW WILL THEY BUY THE UNBELIEVABLE FACT 62 00:05:33,901 --> 00:05:35,903 THAT JANOS KARQ IS A TRAITOR? 63 00:05:35,936 --> 00:05:38,472 AND LATER, THEY LET SPARROW LIVE. 64 00:05:42,843 --> 00:05:45,413 WE'D TRY TO NEGOTIATE HIS FREEDOM. 65 00:05:51,785 --> 00:05:54,087 ALL THIS WATER, YOU KNOW. 66 00:05:54,121 --> 00:05:58,692 I'M NOT SO SURE MY SYSTEM CAN STAND THE SHOCK. 67 00:06:03,864 --> 00:06:07,801 I HAVEN'T MET ALL OF YOU UNTIL TODAY. 68 00:06:07,835 --> 00:06:11,104 YOUR REASONS FOR DOING THIS WORK MAY NOT BE MINE. 69 00:06:12,506 --> 00:06:13,841 IT DOESN'T MATTER. 70 00:06:13,874 --> 00:06:15,776 FOR WHATEVER REASON, 71 00:06:15,809 --> 00:06:18,011 I'LL BE SPARROW FOR YOU. 72 00:06:31,191 --> 00:06:32,726 BIRTH? 73 00:06:32,760 --> 00:06:35,996 MAY 7, 1918. VILLAGE OF BARABIN. 74 00:06:36,029 --> 00:06:37,164 NAMES OF TEACHERS? 75 00:06:37,197 --> 00:06:38,899 LOWER SCHOOL, MR. McKELLY. 76 00:06:38,932 --> 00:06:41,168 UPPER SCHOOL, PROFESSOR SHANDOR. 77 00:06:41,201 --> 00:06:43,671 THE AGENTS YOU WORKED WITH IN 1961 -- 78 00:06:43,704 --> 00:06:45,439 WHO WERE CAUGHT, AND WHERE? 79 00:06:45,473 --> 00:06:47,608 MATSLOFF, IN BLUEPRINT COMPANY. 80 00:06:47,641 --> 00:06:49,810 EVA SOLSHIK, MINERAL QUARRY. 81 00:06:49,843 --> 00:06:51,812 DESCRIBE ANDREI NEIL. 82 00:06:56,684 --> 00:06:58,652 5'6". AROUND 150. 83 00:06:58,686 --> 00:07:00,988 BLUE EYES. SPECTACLED. 84 00:07:01,021 --> 00:07:03,056 LIMPED WHEN TIRED. 85 00:07:03,090 --> 00:07:05,593 SCARS ON LEGS FROM LAND MINE. 86 00:07:05,626 --> 00:07:07,027 GIRLFRIEND IN '63? 87 00:07:07,060 --> 00:07:08,061 ANNA ROVIS. 88 00:07:08,095 --> 00:07:09,797 WHAT WERE HER TASTES? 89 00:07:09,830 --> 00:07:13,501 FAVORITE COLOR, RED. FAVORITE FOOD, CHOW MEIN. 90 00:07:13,534 --> 00:07:14,835 SHE LOVED MOVIES. 91 00:07:14,868 --> 00:07:18,038 YOU KNOW, SHE REALLY MUST HAVE BEEN IMPOSSIBLE. 92 00:07:18,071 --> 00:07:19,807 [ LAUGHING ] 93 00:07:19,840 --> 00:07:22,910 SHE PROBABLY WAS AT THAT. 94 00:07:22,943 --> 00:07:24,111 TALK! 95 00:07:24,144 --> 00:07:26,046 ALL RIGHT, ALL RIGHT. I'LL TELL YOU. 96 00:07:26,079 --> 00:07:28,048 NO, NO. NO GOOD AT ALL. 97 00:07:28,081 --> 00:07:30,584 DRAG IT OUT. IT'S MUCH TOO FAST, TOO EASY. 98 00:07:30,618 --> 00:07:32,653 YOU'RE BREAKING TOO QUICKLY! 99 00:07:32,686 --> 00:07:34,087 I'M SORRY. 100 00:07:34,121 --> 00:07:36,089 I'LL TRY AGAIN, ALL RIGHT? 101 00:07:36,123 --> 00:07:38,191 COME ON. NOW LOOK, LET ME SHOW YOU. 102 00:07:42,930 --> 00:07:44,932 GO. 103 00:07:44,965 --> 00:07:46,500 TALK! 104 00:07:46,534 --> 00:07:47,868 NO. 105 00:07:48,969 --> 00:07:51,038 PLEASE! 106 00:07:54,107 --> 00:07:56,877 I CAN KEEP THIS UP FOR AS LONG AS YOU LIKE, YOU KNOW. 107 00:07:56,910 --> 00:07:58,612 YOUR ARM WILL GIVE OUT EVENTUALLY. 108 00:07:58,646 --> 00:08:01,749 ALL YOU HAVE TO DO IS PUSH THE OFF BUTTON AND I'LL STOP. 109 00:08:03,316 --> 00:08:06,754 ALL RIGHT, ALL RIGHT. 110 00:08:06,787 --> 00:08:08,288 I'M LISTENING. 111 00:08:08,321 --> 00:08:10,791 I FORGOT WHAT I WAS GOING TO SAY. 112 00:08:10,824 --> 00:08:12,626 NO, HE... HE... 113 00:08:12,660 --> 00:08:14,928 WHO?! 114 00:08:14,962 --> 00:08:17,164 JANOS KARQ. 115 00:08:17,197 --> 00:08:18,566 NONSENSE. 116 00:08:18,599 --> 00:08:20,901 NO, H-HE WORKED WITH US FOR THREE YEARS. 117 00:08:20,934 --> 00:08:23,671 I PUT THE MONEY IN AN ARGENTINE BANK ACCOUNT FOR HIM. 118 00:08:23,704 --> 00:08:25,539 IT'S ALL... 119 00:08:25,573 --> 00:08:27,107 ET CETERA. 120 00:08:27,140 --> 00:08:30,911 BUT STRETCH IT OUT. THAT'S THE IDEA. 121 00:08:30,944 --> 00:08:32,546 NOW, AS AN ACTOR, WHAT DO YOU THINK? 122 00:08:32,580 --> 00:08:35,649 AS AN ACTOR, MY BOY, IN ALL SERIOUSNESS, 123 00:08:35,683 --> 00:08:38,251 I LIKE YOUR PART BETTER THAN MINE. 124 00:08:38,285 --> 00:08:39,920 [ BOTH LAUGH ] 125 00:09:32,940 --> 00:09:34,875 PASSPORT? 126 00:09:45,886 --> 00:09:47,254 SECURITY POLICE! 127 00:09:47,287 --> 00:09:48,321 SECURITY! 128 00:09:48,355 --> 00:09:50,057 QUICKLY! QUICKLY! 129 00:09:50,090 --> 00:09:52,960 FORGED PASSPORT! FORGED PASSPORT! 130 00:10:23,423 --> 00:10:25,392 EXCUSE ME. 131 00:11:15,442 --> 00:11:18,145 WHAT SHADE OF RED SHOULD I MIX? 132 00:11:18,178 --> 00:11:22,082 OH, HERE, I BROUGHT THIS ALONG FOR YOU TO MATCH. 133 00:11:22,115 --> 00:11:25,285 JOSEPH SHOULD BE GETTING CAUGHT ABOUT NOW. 134 00:11:25,318 --> 00:11:27,254 IN TWO MINUTES. 135 00:12:00,320 --> 00:12:03,290 IGOR, OVER HERE! 136 00:12:03,323 --> 00:12:05,492 IGOR! 137 00:12:13,333 --> 00:12:17,270 CYANIDE. IS TOO EASY. 138 00:12:36,056 --> 00:12:37,858 SPARROW! 139 00:12:45,999 --> 00:12:47,935 HA HA HA HA HA! 140 00:12:47,968 --> 00:12:49,469 SPARROW. 141 00:12:49,502 --> 00:12:53,473 AFTER ALL THESE YEARS, I'D ALMOST GIVEN UP HOPE. 142 00:12:53,506 --> 00:12:55,909 SPARROW. 143 00:12:55,943 --> 00:12:58,145 I AM DIMITRI SOSKA. 144 00:12:58,178 --> 00:13:00,881 PLEASURE TO MEET YOU. 145 00:13:00,914 --> 00:13:02,549 WELCOME. 146 00:13:18,131 --> 00:13:21,034 WILL THERE BE ANY FLAMES? 147 00:13:21,068 --> 00:13:22,402 YES. 148 00:13:22,435 --> 00:13:25,238 AN EFFLUENCE OF CARBONACEOUS OPAQUE MATERIAL. 149 00:13:25,272 --> 00:13:27,107 THANKS. 150 00:13:27,140 --> 00:13:29,009 A LOT OF SMOKE. 151 00:13:29,042 --> 00:13:30,410 NOBODY LIKES A -- 152 00:13:30,443 --> 00:13:32,345 SORRY. 153 00:13:34,614 --> 00:13:36,917 I WONDER HOW JOSEPH'S DOING. 154 00:14:18,158 --> 00:14:21,561 IN INDIANA, FIRE ENGINE RED WAS -- 155 00:14:21,594 --> 00:14:24,297 I DON'T KNOW -- REDDER. 156 00:14:24,331 --> 00:14:28,668 YOU WERE 10 YEARS OLD IN INDIANA, WILLY. 157 00:14:28,701 --> 00:14:31,238 AT 10, EVERYTHING IS MORE SO. 158 00:15:06,173 --> 00:15:07,941 WELL? 159 00:15:10,077 --> 00:15:11,378 NO. 160 00:15:34,401 --> 00:15:36,970 YOU WOULD LIKE A DRINK, HUH? 161 00:15:38,438 --> 00:15:42,375 I READ IT IN THE EYES. THAT YOU CANNOT CONCEAL. 162 00:15:42,409 --> 00:15:47,614 WELL...NOT UNTIL THE COCKTAIL HOUR, IF YOU DON'T MIND. 163 00:16:01,028 --> 00:16:04,764 VENTILATOR'S ABOUT 20 FEET UP. 164 00:16:04,797 --> 00:16:06,533 NO TROUBLE. 165 00:16:11,238 --> 00:16:13,106 IT'S SENSELESS TO LIE. 166 00:16:13,140 --> 00:16:16,009 WE ALL LIKE A DRINK NOW AND THEN. 167 00:16:16,043 --> 00:16:18,078 AND AT TIMES LIKE THIS... 168 00:16:18,111 --> 00:16:21,281 THE DESIRE CAN BE ALMOST OVERWHELMING. 169 00:16:21,314 --> 00:16:22,715 IS THAT NOT SO? 170 00:16:25,752 --> 00:16:28,388 AHH. BUT FIRST... 171 00:16:28,421 --> 00:16:31,191 WHAT AGENTS ARE YOU WORKING WITH, HMM? 172 00:16:31,224 --> 00:16:33,526 OH, I WAS A FREELANCE. 173 00:16:36,463 --> 00:16:39,266 I HAVE A PASSION, MY FRIEND... 174 00:16:40,800 --> 00:16:43,503 A PASSION FOR MAKING LISTS. 175 00:16:43,536 --> 00:16:46,606 NOW, THIS IS A LIST OF MY AGENTS. 176 00:16:46,639 --> 00:16:50,143 IT IS UP-TO-DATE, TOTALLY ACCURATE. 177 00:16:52,812 --> 00:16:57,417 MY LIST OF YOUR AGENTS IS INCOMPLETE. 178 00:16:57,450 --> 00:17:02,322 I WANT TO COMPLETE IT... PARTICULARLY AT THE TOP. 179 00:17:02,355 --> 00:17:05,225 NOW, YOU TELL ME -- 180 00:17:05,258 --> 00:17:07,494 FROM WHOM DID YOU GET YOUR ORDERS? 181 00:17:07,527 --> 00:17:10,463 OH, I MADE THEM UP AS I WENT ALONG, YOU KNOW. 182 00:17:10,497 --> 00:17:12,199 [ GRUNTS ] 183 00:17:12,232 --> 00:17:14,734 HA HA HA HA! 184 00:17:14,767 --> 00:17:18,738 OH, I ENJOY THIS WORK, MY FRIEND. 185 00:17:18,771 --> 00:17:23,210 I COULD STAND HERE AND WORK FOR HOURS AT A TIME 186 00:17:23,243 --> 00:17:26,446 AND FEEL MORE AND MORE REFRESHED. 187 00:17:26,479 --> 00:17:30,250 FROM WHOM DID YOU GET YOUR ORDERS?! 188 00:17:50,570 --> 00:17:53,806 [ CHUCKLES ] 189 00:17:57,344 --> 00:18:01,714 WE WILL TRY AGAIN LATER, MY LITTLE BIRD. 190 00:18:01,748 --> 00:18:04,651 TAKE HIM AWAY. 191 00:18:04,684 --> 00:18:06,786 [ UNLOCKS HANDCUFFS ] 192 00:18:10,590 --> 00:18:12,825 GIVE HIM THREE-QUARTERS OF AN HOUR 193 00:18:12,859 --> 00:18:14,561 TO FALL INTO A DEEP SLEEP. 194 00:18:14,594 --> 00:18:16,863 THEN...BRING HIM BACK. 195 00:18:46,959 --> 00:18:49,296 HE'S BACK. 196 00:19:07,380 --> 00:19:09,416 HOW MUCH JUICE IN THAT FENCE? 197 00:19:09,449 --> 00:19:10,750 ENOUGH. 198 00:19:10,783 --> 00:19:12,785 YOU CAN'T GET DEADER THAN DEAD. 199 00:20:13,680 --> 00:20:15,715 IF THERE'S NO VOLTAGE DROP, WE'RE IN. 200 00:20:30,863 --> 00:20:32,699 SILENCE IS GOLDEN. 201 00:21:21,581 --> 00:21:26,986 NOW, WE BEGIN AGAIN, MY FRIEND, HMM? 202 00:21:27,019 --> 00:21:28,855 [ GRUNTS ] 203 00:21:28,888 --> 00:21:30,590 COME ON. 204 00:21:30,623 --> 00:21:33,626 WE CHANGE THE STYLE A LITTLE, HUH? 205 00:21:37,564 --> 00:21:39,366 HERE. 206 00:21:39,399 --> 00:21:40,900 HUH? 207 00:21:45,905 --> 00:21:47,740 YOU FEELING BETTER NOW? 208 00:21:47,774 --> 00:21:49,876 PLEASE... 209 00:21:49,909 --> 00:21:51,411 PLEASE? 210 00:21:51,444 --> 00:21:53,646 PLEASE, WHAT?! 211 00:21:57,116 --> 00:21:59,786 A REAL DRINK, HUH? 212 00:21:59,819 --> 00:22:01,053 HA HA. 213 00:22:01,087 --> 00:22:02,889 OF COURSE. 214 00:22:02,922 --> 00:22:06,626 WHEN YOU TRULY WANT IT, IT IS SO SIMPLE. 215 00:22:06,659 --> 00:22:08,461 REALLY. 216 00:22:54,974 --> 00:22:57,710 ALL RIGHT. 217 00:22:57,744 --> 00:23:00,112 JANOS KARQ. 218 00:23:00,146 --> 00:23:02,849 JANOS KARQ? 219 00:23:04,751 --> 00:23:06,486 [ LAUGHING ] 220 00:23:06,519 --> 00:23:10,757 OH, OH, YOU ARE VERY DROLL, MY FRIEND. 221 00:23:10,790 --> 00:23:12,792 NO... 222 00:23:12,825 --> 00:23:14,827 KARQ. 223 00:23:14,861 --> 00:23:18,431 JANOS KARQ GIVES YOU YOUR ORDERS? 224 00:23:19,966 --> 00:23:23,035 OF COURSE, YOU CREATE FICTION! 225 00:23:29,609 --> 00:23:30,977 NO. 226 00:23:33,613 --> 00:23:34,981 KARQ. 227 00:23:56,636 --> 00:23:58,605 WE'RE DOING SOME FASHION PICTURES. 228 00:23:58,638 --> 00:24:01,207 AND YOU'D MAKE SUCH A DIVINE BACKGROUND. 229 00:24:01,240 --> 00:24:03,476 YOU WOULDN'T MIND, WOULD YOU? 230 00:24:03,510 --> 00:24:05,111 NO. NO, OF COURSE NOT. 231 00:24:05,144 --> 00:24:06,613 HOLD IT. 232 00:24:11,283 --> 00:24:12,485 GOOD. 233 00:24:12,519 --> 00:24:13,820 HOLD IT. 234 00:24:13,853 --> 00:24:15,922 BRILLIANT. SUCH CONTRAST. 235 00:24:15,955 --> 00:24:17,990 DARLING, CLOSER TO THE ONE WITH THE BEARD. 236 00:24:20,627 --> 00:24:21,661 HOLD IT. 237 00:24:56,095 --> 00:24:57,997 UH-HUH! 238 00:24:58,030 --> 00:25:00,299 TOO MUCH BACKLIGHT. 239 00:25:00,332 --> 00:25:02,835 WILLY, TURN OUT THE LIGHTS INSIDE. 240 00:25:58,791 --> 00:26:00,760 PERFECT. PERFECT. 241 00:26:00,793 --> 00:26:02,228 NOW, JUST ONE MORE, FELLOWS. 242 00:26:03,930 --> 00:26:05,832 COME ON! COME ON! 243 00:26:05,865 --> 00:26:07,066 GET GOING! 244 00:26:07,099 --> 00:26:08,635 FIRE! FIRE! 245 00:26:09,268 --> 00:26:10,837 [ ALARM DINGING ] 246 00:26:23,683 --> 00:26:25,685 [ SIREN BLARING ] 247 00:26:36,763 --> 00:26:38,798 [ ALARM DINGING ] 248 00:26:46,005 --> 00:26:48,074 WHAT IS GOING ON?! 249 00:27:56,308 --> 00:27:58,177 Man: COME ON! HURRY UP! 250 00:27:58,210 --> 00:28:00,913 COME ON! HURRY UP! 251 00:28:03,082 --> 00:28:05,384 PUT THE PRISONER BACK IN HIS CELL! 252 00:28:05,417 --> 00:28:07,686 I WENT EVERYONE AT STATION! 253 00:28:12,992 --> 00:28:14,994 [ YELLING AND SHOUTING ] 254 00:28:52,431 --> 00:28:54,233 DAN, I'VE MEMORIZED HIS LIST OF AGENTS. 255 00:28:54,266 --> 00:28:55,768 GET ME OUT OF HERE! 256 00:28:55,802 --> 00:28:58,270 WE CAN'T, WE'RE NOT PREPARED FOR IT. 257 00:28:58,304 --> 00:29:00,773 THE ENTIRE LIST OF HIS AGENTS IN EUROPE! 258 00:29:00,807 --> 00:29:02,108 GET ME OUT OF HERE! 259 00:29:27,599 --> 00:29:29,535 ARE ALL THE PRISONERS ACCOUNTED FOR? 260 00:29:29,568 --> 00:29:31,003 YES, SIR. 261 00:29:31,037 --> 00:29:32,571 YOU IDIOTS! 262 00:29:32,604 --> 00:29:35,207 I WANT THE FENCE REWIRED SO THIS CANNOT HAPPEN AGAIN. 263 00:29:35,241 --> 00:29:37,376 I WANT SEARCHLIGHTS AND MACHINE GUN TOWERS ERECTED. 264 00:29:37,409 --> 00:29:39,078 I WANT THE GUARD DOUBLED, 265 00:29:39,111 --> 00:29:41,180 INCLUDING A DETAIL OUTSIDE THE FENCE. 266 00:29:41,213 --> 00:29:44,951 SIR, I DO HAVE A REPORT OF AX MARKS ON A CELL DOOR. 267 00:29:44,984 --> 00:29:46,552 WHICH CELL? 268 00:29:46,585 --> 00:29:48,254 SPARROW'S, SIR. 269 00:29:50,356 --> 00:29:52,458 BRING HIM TO MY OFFICE. 270 00:29:52,491 --> 00:29:56,095 GET OUT OF HERE! ALL OF YOU! 271 00:29:58,297 --> 00:29:59,999 [ DOOR CLOSES ] 272 00:30:05,972 --> 00:30:09,575 JANOS KARQ. 273 00:30:24,223 --> 00:30:26,458 HOME, CINNAMON. 274 00:30:26,492 --> 00:30:29,461 NOPE. WE'RE NOT GOING HOME. 275 00:30:31,130 --> 00:30:32,498 WE GOT TO GO BACK IN. 276 00:30:38,137 --> 00:30:40,139 [ PROJECTOR RUNS ] 277 00:30:50,216 --> 00:30:51,517 CUT! 278 00:30:51,550 --> 00:30:53,219 ONCE MORE, ROLLIN. 279 00:30:53,252 --> 00:30:55,154 JOSEPH'S WALK IS NOT THAT ATHLETIC. 280 00:30:55,187 --> 00:30:57,556 I KNOW IT'S TOUGH WORKING FROM STILL PHOTOGRAPHS 281 00:30:57,589 --> 00:30:59,191 AND JUST OUR IMPRESSIONS. 282 00:30:59,225 --> 00:31:01,093 NO PROBLEM. LET'S GO AGAIN. 283 00:31:01,127 --> 00:31:03,062 ALL RIGHT, BARNEY, ROLL IT. 284 00:31:03,095 --> 00:31:04,931 [ PROJECTOR RUNNING ] 285 00:31:04,964 --> 00:31:06,332 ROLLING. 286 00:31:06,365 --> 00:31:08,100 OKAY, GO. 287 00:31:17,676 --> 00:31:19,045 GOOD. 288 00:31:19,078 --> 00:31:20,947 NOW, TRY TO GO TO SLEEP. 289 00:31:27,153 --> 00:31:29,621 HEY, BARNEY, HOW MUCH MASTIC? 290 00:31:29,655 --> 00:31:32,558 A LUMP ABOUT THE SIZE OF A GOLF BALL, WILL. 291 00:31:38,097 --> 00:31:41,700 DAN, WILLY SAID BARESH HAD BEEN DRINKING. 292 00:31:41,733 --> 00:31:43,235 YES. 293 00:31:43,269 --> 00:31:45,371 IS IT POSSIBLE HE WANTS OUT? 294 00:31:45,404 --> 00:31:47,339 BARESH WAS ON THE LEVEL. 295 00:31:47,373 --> 00:31:49,075 HOW DO YOU KNOW? 296 00:31:49,108 --> 00:31:50,977 I KNOW. 297 00:31:51,010 --> 00:31:52,111 OKAY. 298 00:31:52,144 --> 00:31:53,712 ROLLIN, SHIFT AROUND A BIT. 299 00:31:53,745 --> 00:31:56,415 WE NEED FIVE MINUTES OF FILM. 300 00:31:56,448 --> 00:31:57,583 [ KNOCK ON DOOR ] 301 00:31:57,616 --> 00:31:58,717 KEEP IT ROLLING. 302 00:31:58,750 --> 00:31:59,986 ROLLIN. 303 00:32:00,019 --> 00:32:01,053 CINNAMON. 304 00:32:01,087 --> 00:32:02,621 [ KNOCK ON DOOR ] 305 00:32:10,129 --> 00:32:11,397 SHH! 306 00:32:13,132 --> 00:32:15,201 WHAT ARE YOU DOING HERE? 307 00:32:15,234 --> 00:32:16,602 THE LOCK IS BROKEN. 308 00:32:16,635 --> 00:32:19,238 [ Whispering ] We're shooting! 309 00:32:22,608 --> 00:32:24,977 Dream sequence. New wave. 310 00:32:42,628 --> 00:32:44,663 [ THUMP! THUMP! ] 311 00:32:44,696 --> 00:32:46,198 [ THUD! ] 312 00:32:48,734 --> 00:32:50,302 KEEP IT ROLLING, BARNEY. 313 00:32:50,336 --> 00:32:52,204 WE CAN SPLICE CINNAMON OUT. 314 00:32:52,238 --> 00:32:53,339 OH! MY BIG SCENE. 315 00:32:53,372 --> 00:32:55,041 SORRY. 316 00:32:55,074 --> 00:32:57,476 YOU WAITED TWO BUTTONS LONGER THAN YOU HAD TO. 317 00:33:06,785 --> 00:33:08,654 [ KNOCK ON DOOR ] 318 00:33:08,687 --> 00:33:09,688 COME! 319 00:33:09,721 --> 00:33:11,557 WE ARE READY, SIR. 320 00:33:11,590 --> 00:33:12,724 AND KARQ? 321 00:33:12,758 --> 00:33:14,226 YES, SIR. 322 00:33:17,396 --> 00:33:19,098 THAT'S THE END OF THE REEL. 323 00:33:19,131 --> 00:33:21,033 WE'VE GOT 5 1/2 MINUTES OF FILM, DAN. 324 00:33:21,067 --> 00:33:22,501 WHEN I CUT OUT CINNAMON, 325 00:33:22,534 --> 00:33:24,370 WE'LL HAVE A LITTLE OVER FOUR. 326 00:33:24,403 --> 00:33:25,704 IS THAT ENOUGH? 327 00:33:25,737 --> 00:33:28,240 YEAH. THANKS, ROLLIN. 328 00:33:28,274 --> 00:33:30,109 ANY TIME, DAN. 329 00:33:32,578 --> 00:33:34,546 MY FAVORITE ACTOR. 330 00:33:34,580 --> 00:33:36,182 HA HA HA! 331 00:34:21,727 --> 00:34:23,195 READY, CINNAMON? 332 00:34:23,229 --> 00:34:24,663 GO. 333 00:34:24,696 --> 00:34:28,600 JOSEPH, FOLLOW THESE INSTRUCTIONS PRECISELY. 334 00:34:28,634 --> 00:34:31,437 INSIDE THIS PROJECTILE... 335 00:34:53,225 --> 00:34:55,327 I AM SORRY, JANOS. 336 00:34:55,361 --> 00:34:57,496 YOU ARE NOT SORRY. 337 00:34:57,529 --> 00:34:59,865 YOU ARE AMBITIOUS... 338 00:34:59,898 --> 00:35:02,301 AND I AM INNOCENT. 339 00:35:02,334 --> 00:35:05,137 WITH ALL THAT MONEY IN ARGENTINA? 340 00:35:05,171 --> 00:35:07,573 WE HAVE CHECKED. 341 00:35:07,606 --> 00:35:09,708 JUST AS OUR INFORMER TOLD US, 342 00:35:09,741 --> 00:35:12,644 HUGE SUMS HAVE BEEN DEPOSITED IN YOUR NAME. 343 00:35:12,678 --> 00:35:16,415 GET IT OVER WITH. 344 00:35:18,750 --> 00:35:20,419 AS YOU WISH. 345 00:35:30,629 --> 00:35:32,564 Man: READY... 346 00:35:32,598 --> 00:35:34,600 AIM...FIRE. 347 00:35:39,305 --> 00:35:44,276 WORK UP RAGE AND SHAKE FIST AT VIEWER. 348 00:35:44,310 --> 00:35:48,614 SWIPE AT IT ANGRILY WITH BLANKET. 349 00:35:48,647 --> 00:35:52,384 THROW BLANKET OVER VIEWER. 350 00:35:52,418 --> 00:35:57,256 ATTACH SCREEN AND PROJECTOR RAPIDLY. 351 00:35:57,289 --> 00:36:00,759 CLIP THERMITE CAPSULES TO WINDOW BARS. 352 00:36:00,792 --> 00:36:02,694 [ KNOCK ON DOOR ] 353 00:36:07,299 --> 00:36:10,669 YOUR EXECUTION IS SET FOR DAWN. 354 00:36:10,702 --> 00:36:13,839 YOU HAVE FIVE HOURS. 355 00:36:13,872 --> 00:36:16,375 YOU WANT ANYTHING? 356 00:36:16,408 --> 00:36:19,445 HEY! YOU WANT ANYTHING? 357 00:36:21,713 --> 00:36:23,549 YES. 358 00:36:23,582 --> 00:36:26,618 A BOTTLE OF NAPOLEON BRANDY. 359 00:40:36,902 --> 00:40:39,104 STOP THAT, YOU SCUM! 360 00:40:46,912 --> 00:40:49,915 YOU ALWAYS STARE AT ME -- ALL NIGHT, ALL DAY. 361 00:40:56,287 --> 00:40:57,823 [ LAUGHING ] 362 00:41:07,232 --> 00:41:08,834 [ LAUGHING ] 363 00:42:00,652 --> 00:42:02,253 WHAT IS IT? 364 00:42:11,362 --> 00:42:13,231 NOTHING, SIR. 365 00:42:13,264 --> 00:42:15,333 HE'S QUIET NOW. 366 00:42:15,366 --> 00:42:18,536 SOON, HE'LL BE QUIETER. 367 00:42:33,985 --> 00:42:36,054 MY FRIEND, YOUR BRANDY. 368 00:42:36,087 --> 00:42:38,824 I HAD A MOMENT OF WEAKNESS. 369 00:42:39,958 --> 00:42:42,127 I WANT NOTHING FROM YOU. KEEP IT. 370 00:42:42,160 --> 00:42:44,162 OH, IMPOSSIBLE, MY FRIEND. 371 00:42:44,195 --> 00:42:47,065 A REQUISITION WAS MADE OUT FOR YOU. 372 00:42:47,098 --> 00:42:50,969 I AM NOT GOING TO STEAL A DEAD MAN'S LAST REQUEST. 373 00:42:51,002 --> 00:42:53,071 OPEN. 374 00:42:58,109 --> 00:43:01,713 I PREFER THIS DRINK ALONE. YOU DON'T MIND, DO YOU? 375 00:44:17,122 --> 00:44:18,757 DON'T LET HIM GET DRUNK. 376 00:44:18,790 --> 00:44:20,759 HE'LL HAVE TO BE ON HIS FEET. 377 00:44:20,792 --> 00:44:21,893 DRUNK, SIR? 378 00:44:21,927 --> 00:44:23,795 THE BRANDY I JUST GAVE HIM. 379 00:44:23,829 --> 00:44:25,063 WHAT BRANDY, SIR? 380 00:44:25,096 --> 00:44:27,132 THE BRANDY I JUST HANDED TO HIM! 381 00:44:27,165 --> 00:44:28,366 YOU WERE NOT WATCHING! 382 00:44:28,399 --> 00:44:30,769 SIR, WHEN DID -- A MOMENT AGO! 383 00:44:30,802 --> 00:44:32,738 BUT HE DIDN'T LEAVE HIS BED, SIR. 384 00:44:32,771 --> 00:44:35,106 YOU'RE DREAMING!! YOUR ORDERS ARE TO WATCH! 385 00:44:35,140 --> 00:44:37,175 BUT, SIR, HE DID N LEAVE HIS BED. 386 00:44:37,208 --> 00:44:39,978 HE CAME TO THE DOOR TO RECEIVE THE BRANDY FROM ME. 387 00:44:40,011 --> 00:44:44,883 NOT ON THERE, SIR. NO, SIR. NOT ON THERE. 388 00:45:40,538 --> 00:45:42,073 ESCAPE!! 389 00:45:42,107 --> 00:45:43,775 ESCAPE!! 390 00:45:43,809 --> 00:45:46,311 [ ALARM BLARING ] 391 00:45:59,224 --> 00:46:02,160 THE GATE! THE GATE! 392 00:46:21,112 --> 00:46:23,014 [ SIREN BLARING ] 393 00:46:54,612 --> 00:46:56,814 [ SIREN BLARING ] 394 00:47:12,330 --> 00:47:14,099 DON'T MOVE. 395 00:47:35,954 --> 00:47:38,123 YOU PASS ANYBODY GOING THE OTHER WAY? 396 00:47:38,156 --> 00:47:39,390 YES. A RED VOLKSWAGEN. 397 00:47:39,424 --> 00:47:41,492 HE MUST HAVE BEEN DRUNK OR CRAZY. 398 00:47:41,526 --> 00:47:43,494 ALMOST KNOCKED ME OFF THE ROAD. 399 00:47:43,528 --> 00:47:46,231 I DON'T UNDERSTAND HOW SOME PEOPLE THESE DAYS 400 00:47:46,264 --> 00:47:48,166 CAN GET A DRIVER'S LICENSE. 401 00:47:51,036 --> 00:47:52,904 [ SIREN BLARING ] 402 00:48:55,200 --> 00:48:59,437 COASTLINE'S ONLY 400 YARDS. 403 00:48:59,470 --> 00:49:02,407 THE BOAT'S WAITING. 404 00:49:02,440 --> 00:49:04,475 HOW WAS IT? 405 00:49:07,212 --> 00:49:09,280 I FORGET.